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-#%br<>
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Physikalische Entsprechungen und Vorhersagemodelle
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%p#authors<>
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%span.author(data-mark="1")<> Isabella Czedik-Eysenberg
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%span.author(data-mark="1,2")<> Isabella Czedik-Eysenberg
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%span.author(data-mark="1")<> Christoph Reuter
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%span.author(data-mark="2")<> Denis Knauf
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%p#institutions<>
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@ -101,12 +101,15 @@
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%h1 2. Fragestellungen und Ziele
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%ol
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%li
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%p
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Wie lässt sich das Wahrnehmungskonzept klanglicher <q>Düsterkeit</q>
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anhand von Audiomerkmalen charakterisieren?
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%li
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%p
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Korreliert die empfundene klangliche <q>Düsterkeit</q> umgekehrt
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proportional mit klangfarblicher <q>Helligkeit</q>?
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%li
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%p
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Ziel ist die Erstellung eines Modells zur automatischen Vorhersage
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der wahrgenommenen <q>Düsterkeit</q> von Musikstücken.
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@ -147,7 +150,7 @@
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Wahrnehmungskonzepten betrachtet werden.
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#column2
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%section#ergebnisse1(style="height:95.4em")
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%section#ergebnisse1(style="height:96.35cm")
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%h1 4. Ergebnisse
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%figure.right(style="width:70%")
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%img(alt='Verwelkter Mohn' src='files/violin_genre_darkMean.svg')
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@ -261,12 +264,14 @@
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%span.author Bismarck, G. v.
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%span.year 1974
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%span.title Sharpness as an attribute of the timbre of steady sounds
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%nobr
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%span.book Acta Acustica united with Acustica 30.3
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%span.pages 159–172
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%li
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%span.author Bogdanov, D., Wack N., Gómez E., Gulati S., Herrera P., Mayor O., et al.
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%span.year 2013
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%span.title ESSENTIA: an Audio Analysis Library for Music Information Retrieval
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%nobr
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%span.herausgeber International Society for Music Information Retrieval Conference (ISMIR'13)
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%span.pages 493-498
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%li
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@ -290,18 +295,21 @@
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%span.author Hevner, K.
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%span.year 1936
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%span.title Experimental studies of the elements of expression in music
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%nobr
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%span.herausgeber The American Journal of Psychology, 48(2)
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%span.pages 246-268
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%li
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%span.author Lartillot, O., & Toiviainen, P.
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%span.year 2007
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%span.title A Matlab toolbox for musical feature extraction from audio
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%nobr
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%span.herausgeber International Conference on Digital Audio Effects, Bordeaux
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%span.pages 237-244
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%li
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%span.author Laurier, C., Meyers, O., Serrà, J., Blech, M., Herrera, P., & Serra, X.
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%span.year 2010
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%span.title Indexing music by mood: Design and integration of an automatic content-based annotator
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%nobr
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%span.herausgeber Multimedia Tools and Applications, 48(1)
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%span.pages 161-184
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%span.link
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@ -310,24 +318,28 @@
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%span.author Li,T., Ogihara,M.
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%span.year 2003
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%span.title Detecting emotion in music
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%nobr
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%span.herausgeber 4th ISMIR Washington & Baltimore
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%span.pages 239-240
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%li
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%span.author Huron, D.
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%span.year 2008
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%span.title A comparison of average pitch height and interval size in major-and minor-key themes
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%nobr
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%span.herausgeber Empirical Musicology Review, 3
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%span.pages 59-63
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%li
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%span.author Siddiq,S. et al.
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%span.year 2014
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%span.title Kein Raum für Klangfarben - Timbre Spaces im Vergleich
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%nobr
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%span.herausgeber 40. DAGA
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%span.pages 56-57
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%li
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%span.author Wedin, L. & Goude, G.
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%span.year 1972
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%span.title Dimension analysis of the perception of instrumental timbre
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%nobr
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%span.herausgeber Scandinavian Journal of Psychology 13.1
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%span.pages 228–240
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.clear
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