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32759 lines
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The Project Gutenberg EBook of Ulysses, by James Joyce
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#4 in our series by James Joyce
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**eBooks Readable By Both Humans and By Computers, Since 1971**
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*****These eBooks Were Prepared By Thousands of Volunteers!*****
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Title: Ulysses
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Author: James Joyce
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Release Date: July, 2003 [EBook #4300]
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[This file was first posted on December 27, 2001]
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[Edition 12 posted June 30th, 2002]
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[Date last updated: November 26, 2004]
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Edition: 12
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Language: English
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Character set encoding: ASCII
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Please Note: This etext edition of the Project Gutenberg Ulysses by
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James Joyce is based on the pre-1923 print editions. Any suggested
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changes to this etext should be based on comparison to that print
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edition, and not to the new 1986 and later print editions.
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*** START OF THE PROJECT GUTENBERG EBOOK ULYSSES ***
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This etext was prepared by Col Choat <colchoat@yahoo.com.au>.
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Ulysses by James Joyce
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-- I --
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STATELY, PLUMP BUCK MULLIGAN CAME FROM THE STAIRHEAD, bearing a bowl of
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lather on which a mirror and a razor lay crossed. A yellow dressinggown,
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ungirdled, was sustained gently behind him by the mild morning air. He
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held the bowl aloft and intoned:
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--INTROIBO AD ALTARE DEI.
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Halted, he peered down the dark winding stairs and called out coarsely:
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--Come up, Kinch! Come up, you fearful jesuit!
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Solemnly he came forward and mounted the round gunrest. He faced about
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and blessed gravely thrice the tower, the surrounding land and the
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awaking mountains. Then, catching sight of Stephen Dedalus, he bent
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towards him and made rapid crosses in the air, gurgling in his throat and
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shaking his head. Stephen Dedalus, displeased and sleepy, leaned his arms
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on the top of the staircase and looked coldly at the shaking gurgling
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face that blessed him, equine in its length, and at the light untonsured
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hair, grained and hued like pale oak.
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Buck Mulligan peeped an instant under the mirror and then covered
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the bowl smartly.
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--Back to barracks! he said sternly.
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He added in a preacher's tone:
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--For this, O dearly beloved, is the genuine Christine: body and soul and
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blood and ouns. Slow music, please. Shut your eyes, gents. One moment. A
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little trouble about those white corpuscles. Silence, all.
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He peered sideways up and gave a long slow whistle of call, then paused
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awhile in rapt attention, his even white teeth glistening here and there
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with gold points. Chrysostomos. Two strong shrill whistles answered
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through the calm.
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--Thanks, old chap, he cried briskly. That will do nicely. Switch off the
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current, will you?
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He skipped off the gunrest and looked gravely at his watcher, gathering
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about his legs the loose folds of his gown. The plump shadowed face and
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sullen oval jowl recalled a prelate, patron of arts in the middle ages. A
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pleasant smile broke quietly over his lips.
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--The mockery of it! he said gaily. Your absurd name, an ancient Greek!
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He pointed his finger in friendly jest and went over to the parapet,
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laughing to himself. Stephen Dedalus stepped up, followed him wearily
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halfway and sat down on the edge of the gunrest, watching him still as he
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propped his mirror on the parapet, dipped the brush in the bowl and
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lathered cheeks and neck.
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Buck Mulligan's gay voice went on.
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--My name is absurd too: Malachi Mulligan, two dactyls. But it has a
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Hellenic ring, hasn't it? Tripping and sunny like the buck himself. We
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must go to Athens. Will you come if I can get the aunt to fork out twenty
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quid?
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He laid the brush aside and, laughing with delight, cried:
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--Will he come? The jejune jesuit!
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Ceasing, he began to shave with care.
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--Tell me, Mulligan, Stephen said quietly.
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--Yes, my love?
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--How long is Haines going to stay in this tower?
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Buck Mulligan showed a shaven cheek over his right shoulder.
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--God, isn't he dreadful? he said frankly. A ponderous Saxon. He thinks
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you're not a gentleman. God, these bloody English! Bursting with money
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and indigestion. Because he comes from Oxford. You know, Dedalus, you
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have the real Oxford manner. He can't make you out. O, my name for you is
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the best: Kinch, the knife-blade.
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He shaved warily over his chin.
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--He was raving all night about a black panther, Stephen said. Where is
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his guncase?
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--A woful lunatic! Mulligan said. Were you in a funk?
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--I was, Stephen said with energy and growing fear. Out here in the dark
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with a man I don't know raving and moaning to himself about shooting a
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black panther. You saved men from drowning. I'm not a hero, however. If
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he stays on here I am off.
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Buck Mulligan frowned at the lather on his razorblade. He hopped down
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from his perch and began to search his trouser pockets hastily.
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--Scutter! he cried thickly.
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He came over to the gunrest and, thrusting a hand into Stephen's upper
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pocket, said:
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--Lend us a loan of your noserag to wipe my razor.
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Stephen suffered him to pull out and hold up on show by its corner a
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dirty crumpled handkerchief. Buck Mulligan wiped the razorblade neatly.
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Then, gazing over the handkerchief, he said:
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--The bard's noserag! A new art colour for our Irish poets: snotgreen.
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You can almost taste it, can't you?
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He mounted to the parapet again and gazed out over Dublin bay, his fair
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oakpale hair stirring slightly.
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--God! he said quietly. Isn't the sea what Algy calls it: a great sweet
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mother? The snotgreen sea. The scrotumtightening sea. EPI OINOPA PONTON.
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Ah, Dedalus, the Greeks! I must teach you. You must read them in the
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original. THALATTA! THALATTA! She is our great sweet mother. Come and
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look.
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Stephen stood up and went over to the parapet. Leaning on it he looked
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down on the water and on the mailboat clearing the harbourmouth of
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Kingstown.
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--Our mighty mother! Buck Mulligan said.
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He turned abruptly his grey searching eyes from the sea to Stephen's
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face.
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--The aunt thinks you killed your mother, he said. That's why she won't
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let me have anything to do with you.
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--Someone killed her, Stephen said gloomily.
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--You could have knelt down, damn it, Kinch, when your dying mother asked
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you, Buck Mulligan said. I'm hyperborean as much as you. But to think of
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your mother begging you with her last breath to kneel down and pray for
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her. And you refused. There is something sinister in you ...
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He broke off and lathered again lightly his farther cheek. A tolerant
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smile curled his lips.
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--But a lovely mummer! he murmured to himself. Kinch, the loveliest
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mummer of them all!
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He shaved evenly and with care, in silence, seriously.
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Stephen, an elbow rested on the jagged granite, leaned his palm against
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his brow and gazed at the fraying edge of his shiny black coat-sleeve.
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Pain, that was not yet the pain of love, fretted his heart. Silently, in
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a dream she had come to him after her death, her wasted body within its
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loose brown graveclothes giving off an odour of wax and rosewood, her
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breath, that had bent upon him, mute, reproachful, a faint odour of
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wetted ashes. Across the threadbare cuffedge he saw the sea hailed as a
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great sweet mother by the wellfed voice beside him. The ring of bay and
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skyline held a dull green mass of liquid. A bowl of white china had stood
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beside her deathbed holding the green sluggish bile which she had torn up
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from her rotting liver by fits of loud groaning vomiting.
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Buck Mulligan wiped again his razorblade.
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--Ah, poor dogsbody! he said in a kind voice. I must give you a shirt and
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a few noserags. How are the secondhand breeks?
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--They fit well enough, Stephen answered.
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Buck Mulligan attacked the hollow beneath his underlip.
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--The mockery of it, he said contentedly. Secondleg they should be. God
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knows what poxy bowsy left them off. I have a lovely pair with a hair
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stripe, grey. You'll look spiffing in them. I'm not joking, Kinch. You
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look damn well when you're dressed.
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--Thanks, Stephen said. I can't wear them if they are grey.
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--He can't wear them, Buck Mulligan told his face in the mirror.
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Etiquette is etiquette. He kills his mother but he can't wear grey
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trousers.
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He folded his razor neatly and with stroking palps of fingers felt the
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smooth skin.
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Stephen turned his gaze from the sea and to the plump face with its
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smokeblue mobile eyes.
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--That fellow I was with in the Ship last night, said Buck Mulligan, says
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you have g.p.i. He's up in Dottyville with Connolly Norman. General
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paralysis of the insane!
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He swept the mirror a half circle in the air to flash the tidings abroad
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in sunlight now radiant on the sea. His curling shaven lips laughed and
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the edges of his white glittering teeth. Laughter seized all his strong
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wellknit trunk.
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--Look at yourself, he said, you dreadful bard!
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Stephen bent forward and peered at the mirror held out to him, cleft by a
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crooked crack. Hair on end. As he and others see me. Who chose this face
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for me? This dogsbody to rid of vermin. It asks me too.
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--I pinched it out of the skivvy's room, Buck Mulligan said. It does her
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all right. The aunt always keeps plainlooking servants for Malachi. Lead
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him not into temptation. And her name is Ursula.
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Laughing again, he brought the mirror away from Stephen's peering eyes.
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--The rage of Caliban at not seeing his face in a mirror, he said. If
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Wilde were only alive to see you!
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Drawing back and pointing, Stephen said with bitterness:
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--It is a symbol of Irish art. The cracked looking-glass of a servant.
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Buck Mulligan suddenly linked his arm in Stephen's and walked with him
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round the tower, his razor and mirror clacking in the pocket where he had
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thrust them.
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--It's not fair to tease you like that, Kinch, is it? he said kindly. God
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knows you have more spirit than any of them.
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Parried again. He fears the lancet of my art as I fear that of his. The
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cold steelpen.
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--Cracked lookingglass of a servant! Tell that to the oxy chap downstairs
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and touch him for a guinea. He's stinking with money and thinks you're
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not a gentleman. His old fellow made his tin by selling jalap to Zulus or
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some bloody swindle or other. God, Kinch, if you and I could only work
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together we might do something for the island. Hellenise it.
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Cranly's arm. His arm.
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--And to think of your having to beg from these swine. I'm the only one
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that knows what you are. Why don't you trust me more? What have you up
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your nose against me? Is it Haines? If he makes any noise here I'll bring
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down Seymour and we'll give him a ragging worse than they gave Clive
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Kempthorpe.
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Young shouts of moneyed voices in Clive Kempthorpe's rooms. Palefaces:
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they hold their ribs with laughter, one clasping another. O, I shall
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expire! Break the news to her gently, Aubrey! I shall die! With slit
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ribbons of his shirt whipping the air he hops and hobbles round the
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table, with trousers down at heels, chased by Ades of Magdalen with the
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tailor's shears. A scared calf's face gilded with marmalade. I don't want
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to be debagged! Don't you play the giddy ox with me!
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Shouts from the open window startling evening in the quadrangle. A deaf
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gardener, aproned, masked with Matthew Arnold's face, pushes his mower on
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the sombre lawn watching narrowly the dancing motes of grasshalms.
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To ourselves ... new paganism ... omphalos.
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--Let him stay, Stephen said. There's nothing wrong with him except at
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night.
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--Then what is it? Buck Mulligan asked impatiently. Cough it up. I'm
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quite frank with you. What have you against me now?
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They halted, looking towards the blunt cape of Bray Head that lay on the
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water like the snout of a sleeping whale. Stephen freed his arm quietly.
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--Do you wish me to tell you? he asked.
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--Yes, what is it? Buck Mulligan answered. I don't remember anything.
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He looked in Stephen's face as he spoke. A light wind passed his brow,
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fanning softly his fair uncombed hair and stirring silver points of
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anxiety in his eyes.
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Stephen, depressed by his own voice, said:
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--Do you remember the first day I went to your house after my mother's
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death?
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Buck Mulligan frowned quickly and said:
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--What? Where? I can't remember anything. I remember only ideas and
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sensations. Why? What happened in the name of God?
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--You were making tea, Stephen said, and went across the landing to get
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more hot water. Your mother and some visitor came out of the drawingroom.
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She asked you who was in your room.
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--Yes? Buck Mulligan said. What did I say? I forget.
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--You said, Stephen answered, O, IT'S ONLY DEDALUS WHOSE MOTHER IS
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BEASTLY DEAD.
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A flush which made him seem younger and more engaging rose to Buck
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Mulligan's cheek.
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--Did I say that? he asked. Well? What harm is that?
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He shook his constraint from him nervously.
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--And what is death, he asked, your mother's or yours or my own? You saw
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only your mother die. I see them pop off every day in the Mater and
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Richmond and cut up into tripes in the dissectingroom. It's a beastly
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thing and nothing else. It simply doesn't matter. You wouldn't kneel down
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to pray for your mother on her deathbed when she asked you. Why? Because
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you have the cursed jesuit strain in you, only it's injected the wrong
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way. To me it's all a mockery and beastly. Her cerebral lobes are not
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functioning. She calls the doctor sir Peter Teazle and picks buttercups
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off the quilt. Humour her till it's over. You crossed her last wish in
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death and yet you sulk with me because I don't whinge like some hired
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mute from Lalouette's. Absurd! I suppose I did say it. I didn't mean to
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offend the memory of your mother.
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He had spoken himself into boldness. Stephen, shielding the gaping wounds
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which the words had left in his heart, said very coldly:
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--I am not thinking of the offence to my mother.
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--Of what then? Buck Mulligan asked.
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--Of the offence to me, Stephen answered.
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Buck Mulligan swung round on his heel.
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--O, an impossible person! he exclaimed.
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He walked off quickly round the parapet. Stephen stood at his post,
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gazing over the calm sea towards the headland. Sea and headland now grew
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dim. Pulses were beating in his eyes, veiling their sight, and he felt
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the fever of his cheeks.
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A voice within the tower called loudly:
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--Are you up there, Mulligan?
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--I'm coming, Buck Mulligan answered.
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He turned towards Stephen and said:
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--Look at the sea. What does it care about offences? Chuck Loyola, Kinch,
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and come on down. The Sassenach wants his morning rashers.
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His head halted again for a moment at the top of the staircase, level
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with the roof:
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--Don't mope over it all day, he said. I'm inconsequent. Give up the
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moody brooding.
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His head vanished but the drone of his descending voice boomed out of the
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stairhead:
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AND NO MORE TURN ASIDE AND BROOD
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UPON LOVE'S BITTER MYSTERY
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FOR FERGUS RULES THE BRAZEN CARS.
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Woodshadows floated silently by through the morning peace from the
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stairhead seaward where he gazed. Inshore and farther out the mirror of
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water whitened, spurned by lightshod hurrying feet. White breast of the
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dim sea. The twining stresses, two by two. A hand plucking the
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harpstrings, merging their twining chords. Wavewhite wedded words
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shimmering on the dim tide.
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A cloud began to cover the sun slowly, wholly, shadowing the bay in
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deeper green. It lay beneath him, a bowl of bitter waters. Fergus' song:
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I sang it alone in the house, holding down the long dark chords. Her door
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was open: she wanted to hear my music. Silent with awe and pity I went to
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her bedside. She was crying in her wretched bed. For those words,
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Stephen: love's bitter mystery.
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Where now?
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Her secrets: old featherfans, tasselled dancecards, powdered with musk, a
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gaud of amber beads in her locked drawer. A birdcage hung in the sunny
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window of her house when she was a girl. She heard old Royce sing in the
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pantomime of TURKO THE TERRIBLE and laughed with others when he sang:
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I AM THE BOY
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THAT CAN ENJOY
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INVISIBILITY.
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Phantasmal mirth, folded away: muskperfumed.
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AND NO MORE TURN ASIDE AND BROOD.
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Folded away in the memory of nature with her toys. Memories beset his
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brooding brain. Her glass of water from the kitchen tap when she had
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approached the sacrament. A cored apple, filled with brown sugar,
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roasting for her at the hob on a dark autumn evening. Her shapely
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fingernails reddened by the blood of squashed lice from the children's
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shirts.
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In a dream, silently, she had come to him, her wasted body within its
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loose graveclothes giving off an odour of wax and rosewood, her breath,
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bent over him with mute secret words, a faint odour of wetted ashes.
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Her glazing eyes, staring out of death, to shake and bend my soul. On me
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alone. The ghostcandle to light her agony. Ghostly light on the tortured
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face. Her hoarse loud breath rattling in horror, while all prayed on
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their knees. Her eyes on me to strike me down. LILIATA RUTILANTIUM TE
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CONFESSORUM TURMA CIRCUMDET: IUBILANTIUM TE VIRGINUM CHORUS EXCIPIAT.
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Ghoul! Chewer of corpses!
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No, mother! Let me be and let me live.
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--Kinch ahoy!
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Buck Mulligan's voice sang from within the tower. It came nearer up the
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staircase, calling again. Stephen, still trembling at his soul's cry,
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heard warm running sunlight and in the air behind him friendly words.
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--Dedalus, come down, like a good mosey. Breakfast is ready. Haines is
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apologising for waking us last night. It's all right.
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--I'm coming, Stephen said, turning.
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--Do, for Jesus' sake, Buck Mulligan said. For my sake and for all our
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sakes.
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His head disappeared and reappeared.
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--I told him your symbol of Irish art. He says it's very clever. Touch
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him for a quid, will you? A guinea, I mean.
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--I get paid this morning, Stephen said.
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--The school kip? Buck Mulligan said. How much? Four quid? Lend us one.
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--If you want it, Stephen said.
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--Four shining sovereigns, Buck Mulligan cried with delight. We'll have a
|
|
glorious drunk to astonish the druidy druids. Four omnipotent sovereigns.
|
|
|
|
He flung up his hands and tramped down the stone stairs, singing out of
|
|
tune with a Cockney accent:
|
|
|
|
|
|
O, WON'T WE HAVE A MERRY TIME,
|
|
DRINKING WHISKY, BEER AND WINE!
|
|
ON CORONATION,
|
|
CORONATION DAY!
|
|
O, WON'T WE HAVE A MERRY TIME
|
|
ON CORONATION DAY!
|
|
|
|
|
|
Warm sunshine merrying over the sea. The nickel shavingbowl shone,
|
|
forgotten, on the parapet. Why should I bring it down? Or leave it there
|
|
all day, forgotten friendship?
|
|
|
|
He went over to it, held it in his hands awhile, feeling its coolness,
|
|
smelling the clammy slaver of the lather in which the brush was stuck. So
|
|
I carried the boat of incense then at Clongowes. I am another now and yet
|
|
the same. A servant too. A server of a servant.
|
|
|
|
In the gloomy domed livingroom of the tower Buck Mulligan's gowned form
|
|
moved briskly to and fro about the hearth, hiding and revealing its
|
|
yellow glow. Two shafts of soft daylight fell across the flagged floor
|
|
from the high barbacans: and at the meeting of their rays a cloud of
|
|
coalsmoke and fumes of fried grease floated, turning.
|
|
|
|
--We'll be choked, Buck Mulligan said. Haines, open that door, will you?
|
|
|
|
Stephen laid the shavingbowl on the locker. A tall figure rose from the
|
|
hammock where it had been sitting, went to the doorway and pulled open
|
|
the inner doors.
|
|
|
|
--Have you the key? a voice asked.
|
|
|
|
--Dedalus has it, Buck Mulligan said. Janey Mack, I'm choked!
|
|
|
|
He howled, without looking up from the fire:
|
|
|
|
--Kinch!
|
|
|
|
--It's in the lock, Stephen said, coming forward.
|
|
|
|
The key scraped round harshly twice and, when the heavy door had been set
|
|
ajar, welcome light and bright air entered. Haines stood at the doorway,
|
|
looking out. Stephen haled his upended valise to the table and sat down
|
|
to wait. Buck Mulligan tossed the fry on to the dish beside him. Then he
|
|
carried the dish and a large teapot over to the table, set them down
|
|
heavily and sighed with relief.
|
|
|
|
--I'm melting, he said, as the candle remarked when ... But, hush! Not a
|
|
word more on that subject! Kinch, wake up! Bread, butter, honey. Haines,
|
|
come in. The grub is ready. Bless us, O Lord, and these thy gifts.
|
|
Where's the sugar? O, jay, there's no milk.
|
|
|
|
Stephen fetched the loaf and the pot of honey and the buttercooler from
|
|
the locker. Buck Mulligan sat down in a sudden pet.
|
|
|
|
--What sort of a kip is this? he said. I told her to come after eight.
|
|
|
|
--We can drink it black, Stephen said thirstily. There's a lemon in the
|
|
locker.
|
|
|
|
--O, damn you and your Paris fads! Buck Mulligan said. I want Sandycove
|
|
milk.
|
|
|
|
Haines came in from the doorway and said quietly:
|
|
|
|
--That woman is coming up with the milk.
|
|
|
|
--The blessings of God on you! Buck Mulligan cried, jumping up from his
|
|
chair. Sit down. Pour out the tea there. The sugar is in the bag. Here, I
|
|
can't go fumbling at the damned eggs.
|
|
|
|
He hacked through the fry on the dish and slapped it out on three plates,
|
|
saying:
|
|
|
|
--IN NOMINE PATRIS ET FILII ET SPIRITUS SANCTI.
|
|
|
|
Haines sat down to pour out the tea.
|
|
|
|
--I'm giving you two lumps each, he said. But, I say, Mulligan, you do
|
|
make strong tea, don't you?
|
|
|
|
Buck Mulligan, hewing thick slices from the loaf, said in an old woman's
|
|
wheedling voice:
|
|
|
|
--When I makes tea I makes tea, as old mother Grogan said. And when I
|
|
makes water I makes water.
|
|
|
|
--By Jove, it is tea, Haines said.
|
|
|
|
Buck Mulligan went on hewing and wheedling:
|
|
|
|
--SO I DO, MRS CAHILL, says she. BEGOB, MA'AM, says Mrs Cahill, GOD SEND
|
|
YOU DON'T MAKE THEM IN THE ONE POT.
|
|
|
|
He lunged towards his messmates in turn a thick slice of bread, impaled
|
|
on his knife.
|
|
|
|
--That's folk, he said very earnestly, for your book, Haines. Five lines
|
|
of text and ten pages of notes about the folk and the fishgods of
|
|
Dundrum. Printed by the weird sisters in the year of the big wind.
|
|
|
|
He turned to Stephen and asked in a fine puzzled voice, lifting his
|
|
brows:
|
|
|
|
--Can you recall, brother, is mother Grogan's tea and water pot spoken of
|
|
in the Mabinogion or is it in the Upanishads?
|
|
|
|
--I doubt it, said Stephen gravely.
|
|
|
|
--Do you now? Buck Mulligan said in the same tone. Your reasons, pray?
|
|
|
|
--I fancy, Stephen said as he ate, it did not exist in or out of the
|
|
Mabinogion. Mother Grogan was, one imagines, a kinswoman of Mary Ann.
|
|
|
|
Buck Mulligan's face smiled with delight.
|
|
|
|
--Charming! he said in a finical sweet voice, showing his white teeth and
|
|
blinking his eyes pleasantly. Do you think she was? Quite charming!
|
|
|
|
Then, suddenly overclouding all his features, he growled in a hoarsened
|
|
rasping voice as he hewed again vigorously at the loaf:
|
|
|
|
|
|
--FOR OLD MARY ANN
|
|
SHE DOESN'T CARE A DAMN.
|
|
BUT, HISING UP HER PETTICOATS ...
|
|
|
|
|
|
He crammed his mouth with fry and munched and droned.
|
|
|
|
The doorway was darkened by an entering form.
|
|
|
|
--The milk, sir!
|
|
|
|
--Come in, ma'am, Mulligan said. Kinch, get the jug.
|
|
|
|
An old woman came forward and stood by Stephen's elbow.
|
|
|
|
--That's a lovely morning, sir, she said. Glory be to God.
|
|
|
|
--To whom? Mulligan said, glancing at her. Ah, to be sure!
|
|
|
|
Stephen reached back and took the milkjug from the locker.
|
|
|
|
--The islanders, Mulligan said to Haines casually, speak frequently of
|
|
the collector of prepuces.
|
|
|
|
--How much, sir? asked the old woman.
|
|
|
|
--A quart, Stephen said.
|
|
|
|
He watched her pour into the measure and thence into the jug rich white
|
|
milk, not hers. Old shrunken paps. She poured again a measureful and a
|
|
tilly. Old and secret she had entered from a morning world, maybe a
|
|
messenger. She praised the goodness of the milk, pouring it out.
|
|
Crouching by a patient cow at daybreak in the lush field, a witch on her
|
|
toadstool, her wrinkled fingers quick at the squirting dugs. They lowed
|
|
about her whom they knew, dewsilky cattle. Silk of the kine and poor old
|
|
woman, names given her in old times. A wandering crone, lowly form of an
|
|
immortal serving her conqueror and her gay betrayer, their common
|
|
cuckquean, a messenger from the secret morning. To serve or to upbraid,
|
|
whether he could not tell: but scorned to beg her favour.
|
|
|
|
--It is indeed, ma'am, Buck Mulligan said, pouring milk into their cups.
|
|
|
|
--Taste it, sir, she said.
|
|
|
|
He drank at her bidding.
|
|
|
|
--If we could live on good food like that, he said to her somewhat
|
|
loudly, we wouldn't have the country full of rotten teeth and rotten
|
|
guts. Living in a bogswamp, eating cheap food and the streets paved with
|
|
dust, horsedung and consumptives' spits.
|
|
|
|
--Are you a medical student, sir? the old woman asked.
|
|
|
|
--I am, ma'am, Buck Mulligan answered.
|
|
|
|
--Look at that now, she said.
|
|
|
|
Stephen listened in scornful silence. She bows her old head to a voice
|
|
that speaks to her loudly, her bonesetter, her medicineman: me she
|
|
slights. To the voice that will shrive and oil for the grave all there is
|
|
of her but her woman's unclean loins, of man's flesh made not in God's
|
|
likeness, the serpent's prey. And to the loud voice that now bids her be
|
|
silent with wondering unsteady eyes.
|
|
|
|
--Do you understand what he says? Stephen asked her.
|
|
|
|
--Is it French you are talking, sir? the old woman said to Haines.
|
|
|
|
Haines spoke to her again a longer speech, confidently.
|
|
|
|
--Irish, Buck Mulligan said. Is there Gaelic on you?
|
|
|
|
--I thought it was Irish, she said, by the sound of it. Are you from the
|
|
west, sir?
|
|
|
|
--I am an Englishman, Haines answered.
|
|
|
|
--He's English, Buck Mulligan said, and he thinks we ought to speak Irish
|
|
in Ireland.
|
|
|
|
--Sure we ought to, the old woman said, and I'm ashamed I don't speak the
|
|
language myself. I'm told it's a grand language by them that knows.
|
|
|
|
--Grand is no name for it, said Buck Mulligan. Wonderful entirely. Fill
|
|
us out some more tea, Kinch. Would you like a cup, ma'am?
|
|
|
|
--No, thank you, sir, the old woman said, slipping the ring of the
|
|
milkcan on her forearm and about to go.
|
|
|
|
Haines said to her:
|
|
|
|
--Have you your bill? We had better pay her, Mulligan, hadn't we?
|
|
|
|
Stephen filled again the three cups.
|
|
|
|
--Bill, sir? she said, halting. Well, it's seven mornings a pint at
|
|
twopence is seven twos is a shilling and twopence over and these three
|
|
mornings a quart at fourpence is three quarts is a shilling. That's a
|
|
shilling and one and two is two and two, sir.
|
|
|
|
Buck Mulligan sighed and, having filled his mouth with a crust thickly
|
|
buttered on both sides, stretched forth his legs and began to search his
|
|
trouser pockets.
|
|
|
|
--Pay up and look pleasant, Haines said to him, smiling.
|
|
|
|
Stephen filled a third cup, a spoonful of tea colouring faintly the thick
|
|
rich milk. Buck Mulligan brought up a florin, twisted it round in his
|
|
fingers and cried:
|
|
|
|
--A miracle!
|
|
|
|
He passed it along the table towards the old woman, saying:
|
|
|
|
--Ask nothing more of me, sweet. All I can give you I give.
|
|
|
|
Stephen laid the coin in her uneager hand.
|
|
|
|
--We'll owe twopence, he said.
|
|
|
|
--Time enough, sir, she said, taking the coin. Time enough. Good morning,
|
|
sir.
|
|
|
|
She curtseyed and went out, followed by Buck Mulligan's tender chant:
|
|
|
|
|
|
--HEART OF MY HEART, WERE IT MORE,
|
|
MORE WOULD BE LAID AT YOUR FEET.
|
|
|
|
|
|
He turned to Stephen and said:
|
|
|
|
--Seriously, Dedalus. I'm stony. Hurry out to your school kip and bring
|
|
us back some money. Today the bards must drink and junket. Ireland
|
|
expects that every man this day will do his duty.
|
|
|
|
--That reminds me, Haines said, rising, that I have to visit your
|
|
national library today.
|
|
|
|
--Our swim first, Buck Mulligan said.
|
|
|
|
He turned to Stephen and asked blandly:
|
|
|
|
--Is this the day for your monthly wash, Kinch?
|
|
|
|
Then he said to Haines:
|
|
|
|
--The unclean bard makes a point of washing once a month.
|
|
|
|
--All Ireland is washed by the gulfstream, Stephen said as he let honey
|
|
trickle over a slice of the loaf.
|
|
|
|
Haines from the corner where he was knotting easily a scarf about the
|
|
loose collar of his tennis shirt spoke:
|
|
|
|
--I intend to make a collection of your sayings if you will let me.
|
|
|
|
Speaking to me. They wash and tub and scrub. Agenbite of inwit.
|
|
Conscience. Yet here's a spot.
|
|
|
|
--That one about the cracked lookingglass of a servant being the symbol
|
|
of Irish art is deuced good.
|
|
|
|
Buck Mulligan kicked Stephen's foot under the table and said with warmth
|
|
of tone:
|
|
|
|
--Wait till you hear him on Hamlet, Haines.
|
|
|
|
--Well, I mean it, Haines said, still speaking to Stephen. I was just
|
|
thinking of it when that poor old creature came in.
|
|
|
|
--Would I make any money by it? Stephen asked.
|
|
|
|
Haines laughed and, as he took his soft grey hat from the holdfast of the
|
|
hammock, said:
|
|
|
|
--I don't know, I'm sure.
|
|
|
|
He strolled out to the doorway. Buck Mulligan bent across to Stephen and
|
|
said with coarse vigour:
|
|
|
|
--You put your hoof in it now. What did you say that for?
|
|
|
|
--Well? Stephen said. The problem is to get money. From whom? From the
|
|
milkwoman or from him. It's a toss up, I think.
|
|
|
|
--I blow him out about you, Buck Mulligan said, and then you come along
|
|
with your lousy leer and your gloomy jesuit jibes.
|
|
|
|
--I see little hope, Stephen said, from her or from him.
|
|
|
|
Buck Mulligan sighed tragically and laid his hand on Stephen's arm.
|
|
|
|
--From me, Kinch, he said.
|
|
|
|
In a suddenly changed tone he added:
|
|
|
|
--To tell you the God's truth I think you're right. Damn all else they
|
|
are good for. Why don't you play them as I do? To hell with them all. Let
|
|
us get out of the kip.
|
|
|
|
He stood up, gravely ungirdled and disrobed himself of his gown, saying
|
|
resignedly:
|
|
|
|
--Mulligan is stripped of his garments.
|
|
|
|
He emptied his pockets on to the table.
|
|
|
|
--There's your snotrag, he said.
|
|
|
|
And putting on his stiff collar and rebellious tie he spoke to them,
|
|
chiding them, and to his dangling watchchain. His hands plunged and
|
|
rummaged in his trunk while he called for a clean handkerchief. God,
|
|
we'll simply have to dress the character. I want puce gloves and green
|
|
boots. Contradiction. Do I contradict myself? Very well then, I
|
|
contradict myself. Mercurial Malachi. A limp black missile flew out of
|
|
his talking hands.
|
|
|
|
--And there's your Latin quarter hat, he said.
|
|
|
|
Stephen picked it up and put it on. Haines called to them from the
|
|
doorway:
|
|
|
|
--Are you coming, you fellows?
|
|
|
|
--I'm ready, Buck Mulligan answered, going towards the door. Come out,
|
|
Kinch. You have eaten all we left, I suppose. Resigned he passed out with
|
|
grave words and gait, saying, wellnigh with sorrow:
|
|
|
|
--And going forth he met Butterly.
|
|
|
|
Stephen, taking his ashplant from its leaningplace, followed them out
|
|
and, as they went down the ladder, pulled to the slow iron door and
|
|
locked it. He put the huge key in his inner pocket.
|
|
|
|
At the foot of the ladder Buck Mulligan asked:
|
|
|
|
--Did you bring the key?
|
|
|
|
--I have it, Stephen said, preceding them.
|
|
|
|
He walked on. Behind him he heard Buck Mulligan club with his heavy
|
|
bathtowel the leader shoots of ferns or grasses.
|
|
|
|
--Down, sir! How dare you, sir!
|
|
|
|
Haines asked:
|
|
|
|
--Do you pay rent for this tower?
|
|
|
|
--Twelve quid, Buck Mulligan said.
|
|
|
|
--To the secretary of state for war, Stephen added over his shoulder.
|
|
|
|
They halted while Haines surveyed the tower and said at last:
|
|
|
|
--Rather bleak in wintertime, I should say. Martello you call it?
|
|
|
|
--Billy Pitt had them built, Buck Mulligan said, when the French were on
|
|
the sea. But ours is the OMPHALOS.
|
|
|
|
--What is your idea of Hamlet? Haines asked Stephen.
|
|
|
|
--No, no, Buck Mulligan shouted in pain. I'm not equal to Thomas Aquinas
|
|
and the fifty-five reasons he has made out to prop it up. Wait till I have
|
|
a few pints in me first.
|
|
|
|
He turned to Stephen, saying, as he pulled down neatly the peaks of his
|
|
primrose waistcoat:
|
|
|
|
--You couldn't manage it under three pints, Kinch, could you?
|
|
|
|
--It has waited so long, Stephen said listlessly, it can wait longer.
|
|
|
|
--You pique my curiosity, Haines said amiably. Is it some paradox?
|
|
|
|
--Pooh! Buck Mulligan said. We have grown out of Wilde and paradoxes.
|
|
It's quite simple. He proves by algebra that Hamlet's grandson is
|
|
Shakespeare's grandfather and that he himself is the ghost of his own
|
|
father.
|
|
|
|
--What? Haines said, beginning to point at Stephen. He himself?
|
|
|
|
Buck Mulligan slung his towel stolewise round his neck and, bending in
|
|
loose laughter, said to Stephen's ear:
|
|
|
|
--O, shade of Kinch the elder! Japhet in search of a father!
|
|
|
|
--We're always tired in the morning, Stephen said to Haines. And it is
|
|
rather long to tell.
|
|
|
|
Buck Mulligan, walking forward again, raised his hands.
|
|
|
|
--The sacred pint alone can unbind the tongue of Dedalus, he said.
|
|
|
|
--I mean to say, Haines explained to Stephen as they followed, this tower
|
|
and these cliffs here remind me somehow of Elsinore. THAT BEETLES O'ER
|
|
HIS BASE INTO THE SEA, ISN'T IT?
|
|
|
|
Buck Mulligan turned suddenly. for an instant towards Stephen but did not
|
|
speak. In the bright silent instant Stephen saw his own image in cheap
|
|
dusty mourning between their gay attires.
|
|
|
|
--It's a wonderful tale, Haines said, bringing them to halt again.
|
|
|
|
Eyes, pale as the sea the wind had freshened, paler, firm and prudent.
|
|
The seas' ruler, he gazed southward over the bay, empty save for the
|
|
smokeplume of the mailboat vague on the bright skyline and a sail tacking
|
|
by the Muglins.
|
|
|
|
--I read a theological interpretation of it somewhere, he said bemused.
|
|
The Father and the Son idea. The Son striving to be atoned with the
|
|
Father.
|
|
|
|
Buck Mulligan at once put on a blithe broadly smiling face. He looked at
|
|
them, his wellshaped mouth open happily, his eyes, from which he had
|
|
suddenly withdrawn all shrewd sense, blinking with mad gaiety. He moved a
|
|
doll's head to and fro, the brims of his Panama hat quivering, and began
|
|
to chant in a quiet happy foolish voice:
|
|
|
|
|
|
--I'M THE QUEEREST YOUNG FELLOW THAT EVER YOU HEARD.
|
|
MY MOTHER'S A JEW, MY FATHER'S A BIRD.
|
|
WITH JOSEPH THE JOINER I CANNOT AGREE.
|
|
SO HERE'S TO DISCIPLES AND CALVARY.
|
|
|
|
|
|
He held up a forefinger of warning.
|
|
|
|
|
|
--IF ANYONE THINKS THAT I AMN'T DIVINE
|
|
HE'LL GET NO FREE DRINKS WHEN I'M MAKING THE WINE
|
|
BUT HAVE TO DRINK WATER AND WISH IT WERE PLAIN
|
|
THAT I MAKE WHEN THE WINE BECOMES WATER AGAIN.
|
|
|
|
|
|
He tugged swiftly at Stephen's ashplant in farewell and, running forward
|
|
to a brow of the cliff, fluttered his hands at his sides like fins or
|
|
wings of one about to rise in the air, and chanted:
|
|
|
|
|
|
--GOODBYE, NOW, GOODBYE! WRITE DOWN ALL I SAID
|
|
AND TELL TOM, DIEK AND HARRY I ROSE FROM THE DEAD.
|
|
WHAT'S BRED IN THE BONE CANNOT FAIL ME TO FLY
|
|
AND OLIVET'S BREEZY ... GOODBYE, NOW, GOODBYE!
|
|
|
|
|
|
He capered before them down towards the forty-foot hole, fluttering his
|
|
winglike hands, leaping nimbly, Mercury's hat quivering in the fresh wind
|
|
that bore back to them his brief birdsweet cries.
|
|
|
|
Haines, who had been laughing guardedly, walked on beside Stephen and
|
|
said:
|
|
|
|
--We oughtn't to laugh, I suppose. He's rather blasphemous. I'm not a
|
|
believer myself, that is to say. Still his gaiety takes the harm out of
|
|
it somehow, doesn't it? What did he call it? Joseph the Joiner?
|
|
|
|
--The ballad of joking Jesus, Stephen answered.
|
|
|
|
--O, Haines said, you have heard it before?
|
|
|
|
--Three times a day, after meals, Stephen said drily.
|
|
|
|
--You're not a believer, are you? Haines asked. I mean, a believer in the
|
|
narrow sense of the word. Creation from nothing and miracles and a
|
|
personal God.
|
|
|
|
--There's only one sense of the word, it seems to me, Stephen said.
|
|
|
|
Haines stopped to take out a smooth silver case in which twinkled a green
|
|
stone. He sprang it open with his thumb and offered it.
|
|
|
|
--Thank you, Stephen said, taking a cigarette.
|
|
|
|
Haines helped himself and snapped the case to. He put it back in his
|
|
sidepocket and took from his waistcoatpocket a nickel tinderbox, sprang
|
|
it open too, and, having lit his cigarette, held the flaming spunk
|
|
towards Stephen in the shell of his hands.
|
|
|
|
--Yes, of course, he said, as they went on again. Either you believe or
|
|
you don't, isn't it? Personally I couldn't stomach that idea of a
|
|
personal God. You don't stand for that, I suppose?
|
|
|
|
--You behold in me, Stephen said with grim displeasure, a horrible
|
|
example of free thought.
|
|
|
|
He walked on, waiting to be spoken to, trailing his ashplant by his side.
|
|
Its ferrule followed lightly on the path, squealing at his heels. My
|
|
familiar, after me, calling, Steeeeeeeeeeeephen! A wavering line along
|
|
the path. They will walk on it tonight, coming here in the dark. He wants
|
|
that key. It is mine. I paid the rent. Now I eat his salt bread. Give him
|
|
the key too. All. He will ask for it. That was in his eyes.
|
|
|
|
--After all, Haines began ...
|
|
|
|
Stephen turned and saw that the cold gaze which had measured him was not
|
|
all unkind.
|
|
|
|
--After all, I should think you are able to free yourself. You are your
|
|
own master, it seems to me.
|
|
|
|
--I am a servant of two masters, Stephen said, an English and an Italian.
|
|
|
|
--Italian? Haines said.
|
|
|
|
A crazy queen, old and jealous. Kneel down before me.
|
|
|
|
--And a third, Stephen said, there is who wants me for odd jobs.
|
|
|
|
--Italian? Haines said again. What do you mean?
|
|
|
|
--The imperial British state, Stephen answered, his colour rising, and
|
|
the holy Roman catholic and apostolic church.
|
|
|
|
Haines detached from his underlip some fibres of tobacco before he spoke.
|
|
|
|
--I can quite understand that, he said calmly. An Irishman must think
|
|
like that, I daresay. We feel in England that we have treated you rather
|
|
unfairly. It seems history is to blame.
|
|
|
|
The proud potent titles clanged over Stephen's memory the triumph of
|
|
their brazen bells: ET UNAM SANCTAM CATHOLICAM ET APOSTOLICAM ECCLESIAM:
|
|
the slow growth and change of rite and dogma like his own rare thoughts,
|
|
a chemistry of stars. Symbol of the apostles in the mass for pope
|
|
Marcellus, the voices blended, singing alone loud in affirmation: and
|
|
behind their chant the vigilant angel of the church militant disarmed and
|
|
menaced her heresiarchs. A horde of heresies fleeing with mitres awry:
|
|
Photius and the brood of mockers of whom Mulligan was one, and Arius,
|
|
warring his life long upon the consubstantiality of the Son with the
|
|
Father, and Valentine, spurning Christ's terrene body, and the subtle
|
|
African heresiarch Sabellius who held that the Father was Himself His own
|
|
Son. Words Mulligan had spoken a moment since in mockery to the stranger.
|
|
Idle mockery. The void awaits surely all them that weave the wind: a
|
|
menace, a disarming and a worsting from those embattled angels of the
|
|
church, Michael's host, who defend her ever in the hour of conflict with
|
|
their lances and their shields.
|
|
|
|
Hear, hear! Prolonged applause. ZUT! NOM DE DIEU!
|
|
|
|
--Of course I'm a Britisher, Haines's voice said, and I feel as one. I
|
|
don't want to see my country fall into the hands of German jews either.
|
|
That's our national problem, I'm afraid, just now.
|
|
|
|
Two men stood at the verge of the cliff, watching: businessman, boatman.
|
|
|
|
--She's making for Bullock harbour.
|
|
|
|
The boatman nodded towards the north of the bay with some disdain.
|
|
|
|
--There's five fathoms out there, he said. It'll be swept up that way
|
|
when the tide comes in about one. It's nine days today.
|
|
|
|
The man that was drowned. A sail veering about the blank bay waiting for
|
|
a swollen bundle to bob up, roll over to the sun a puffy face, saltwhite.
|
|
Here I am.
|
|
|
|
They followed the winding path down to the creek. Buck Mulligan stood on
|
|
a stone, in shirtsleeves, his unclipped tie rippling over his shoulder. A
|
|
young man clinging to a spur of rock near him, moved slowly frogwise his
|
|
green legs in the deep jelly of the water.
|
|
|
|
--Is the brother with you, Malachi?
|
|
|
|
--Down in Westmeath. With the Bannons.
|
|
|
|
--Still there? I got a card from Bannon. Says he found a sweet young
|
|
thing down there. Photo girl he calls her.
|
|
|
|
--Snapshot, eh? Brief exposure.
|
|
|
|
Buck Mulligan sat down to unlace his boots. An elderly man shot up near
|
|
the spur of rock a blowing red face. He scrambled up by the stones, water
|
|
glistening on his pate and on its garland of grey hair, water rilling
|
|
over his chest and paunch and spilling jets out of his black sagging
|
|
loincloth.
|
|
|
|
Buck Mulligan made way for him to scramble past and, glancing at Haines
|
|
and Stephen, crossed himself piously with his thumbnail at brow and lips
|
|
and breastbone.
|
|
|
|
--Seymour's back in town, the young man said, grasping again his spur of
|
|
rock. Chucked medicine and going in for the army.
|
|
|
|
--Ah, go to God! Buck Mulligan said.
|
|
|
|
--Going over next week to stew. You know that red Carlisle girl, Lily?
|
|
|
|
--Yes.
|
|
|
|
--Spooning with him last night on the pier. The father is rotto with
|
|
money.
|
|
|
|
--Is she up the pole?
|
|
|
|
--Better ask Seymour that.
|
|
|
|
--Seymour a bleeding officer! Buck Mulligan said.
|
|
|
|
He nodded to himself as he drew off his trousers and stood up, saying
|
|
tritely:
|
|
|
|
--Redheaded women buck like goats.
|
|
|
|
He broke off in alarm, feeling his side under his flapping shirt.
|
|
|
|
--My twelfth rib is gone, he cried. I'm the UBERMENSCH. Toothless Kinch
|
|
and I, the supermen.
|
|
|
|
He struggled out of his shirt and flung it behind him to where his
|
|
clothes lay.
|
|
|
|
--Are you going in here, Malachi?
|
|
|
|
--Yes. Make room in the bed.
|
|
|
|
The young man shoved himself backward through the water and reached the
|
|
middle of the creek in two long clean strokes. Haines sat down on a
|
|
stone, smoking.
|
|
|
|
--Are you not coming in? Buck Mulligan asked.
|
|
|
|
--Later on, Haines said. Not on my breakfast.
|
|
|
|
Stephen turned away.
|
|
|
|
--I'm going, Mulligan, he said.
|
|
|
|
--Give us that key, Kinch, Buck Mulligan said, to keep my chemise flat.
|
|
|
|
Stephen handed him the key. Buck Mulligan laid it across his heaped
|
|
clothes.
|
|
|
|
--And twopence, he said, for a pint. Throw it there.
|
|
|
|
Stephen threw two pennies on the soft heap. Dressing, undressing. Buck
|
|
Mulligan erect, with joined hands before him, said solemnly:
|
|
|
|
--He who stealeth from the poor lendeth to the Lord. Thus spake
|
|
Zarathustra.
|
|
|
|
His plump body plunged.
|
|
|
|
--We'll see you again, Haines said, turning as Stephen walked up the path
|
|
and smiling at wild Irish.
|
|
|
|
Horn of a bull, hoof of a horse, smile of a Saxon.
|
|
|
|
--The Ship, Buck Mulligan cried. Half twelve.
|
|
|
|
--Good, Stephen said.
|
|
|
|
He walked along the upwardcurving path.
|
|
|
|
|
|
LILIATA RUTILANTIUM.
|
|
TURMA CIRCUMDET.
|
|
IUBILANTIUM TE VIRGINUM.
|
|
|
|
|
|
The priest's grey nimbus in a niche where he dressed discreetly. I will
|
|
not sleep here tonight. Home also I cannot go.
|
|
|
|
A voice, sweettoned and sustained, called to him from the sea. Turning
|
|
the curve he waved his hand. It called again. A sleek brown head, a
|
|
seal's, far out on the water, round.
|
|
|
|
Usurper.
|
|
|
|
|
|
* * * * * * *
|
|
|
|
|
|
--You, Cochrane, what city sent for him?
|
|
|
|
--Tarentum, sir.
|
|
|
|
--Very good. Well?
|
|
|
|
--There was a battle, sir.
|
|
|
|
--Very good. Where?
|
|
|
|
The boy's blank face asked the blank window.
|
|
|
|
Fabled by the daughters of memory. And yet it was in some way if not as
|
|
memory fabled it. A phrase, then, of impatience, thud of Blake's wings of
|
|
excess. I hear the ruin of all space, shattered glass and toppling
|
|
masonry, and time one livid final flame. What's left us then?
|
|
|
|
--I forget the place, sir. 279 B. C.
|
|
|
|
--Asculum, Stephen said, glancing at the name and date in the gorescarred
|
|
book.
|
|
|
|
--Yes, sir. And he said: ANOTHER VICTORY LIKE THAT AND WE ARE DONE FOR.
|
|
|
|
That phrase the world had remembered. A dull ease of the mind. From a
|
|
hill above a corpsestrewn plain a general speaking to his officers,
|
|
leaned upon his spear. Any general to any officers. They lend ear.
|
|
|
|
--You, Armstrong, Stephen said. What was the end of Pyrrhus?
|
|
|
|
--End of Pyrrhus, sir?
|
|
|
|
--I know, sir. Ask me, sir, Comyn said.
|
|
|
|
--Wait. You, Armstrong. Do you know anything about Pyrrhus?
|
|
|
|
A bag of figrolls lay snugly in Armstrong's satchel. He curled them
|
|
between his palms at whiles and swallowed them softly. Crumbs adhered to
|
|
the tissue of his lips. A sweetened boy's breath. Welloff people, proud
|
|
that their eldest son was in the navy. Vico road, Dalkey.
|
|
|
|
--Pyrrhus, sir? Pyrrhus, a pier.
|
|
|
|
All laughed. Mirthless high malicious laughter. Armstrong looked round at
|
|
his classmates, silly glee in profile. In a moment they will laugh more
|
|
loudly, aware of my lack of rule and of the fees their papas pay.
|
|
|
|
--Tell me now, Stephen said, poking the boy's shoulder with the book,
|
|
what is a pier.
|
|
|
|
--A pier, sir, Armstrong said. A thing out in the water. A kind of a
|
|
bridge. Kingstown pier, sir.
|
|
|
|
Some laughed again: mirthless but with meaning. Two in the back bench
|
|
whispered. Yes. They knew: had never learned nor ever been innocent. All.
|
|
With envy he watched their faces: Edith, Ethel, Gerty, Lily. Their likes:
|
|
their breaths, too, sweetened with tea and jam, their bracelets tittering
|
|
in the struggle.
|
|
|
|
--Kingstown pier, Stephen said. Yes, a disappointed bridge.
|
|
|
|
The words troubled their gaze.
|
|
|
|
--How, sir? Comyn asked. A bridge is across a river.
|
|
|
|
For Haines's chapbook. No-one here to hear. Tonight deftly amid wild
|
|
drink and talk, to pierce the polished mail of his mind. What then? A
|
|
jester at the court of his master, indulged and disesteemed, winning a
|
|
clement master's praise. Why had they chosen all that part? Not wholly
|
|
for the smooth caress. For them too history was a tale like any other too
|
|
often heard, their land a pawnshop.
|
|
|
|
Had Pyrrhus not fallen by a beldam's hand in Argos or Julius Caesar not
|
|
been knifed to death. They are not to be thought away. Time has branded
|
|
them and fettered they are lodged in the room of the infinite
|
|
possibilities they have ousted. But can those have been possible seeing
|
|
that they never were? Or was that only possible which came to pass?
|
|
Weave, weaver of the wind.
|
|
|
|
--Tell us a story, sir.
|
|
|
|
--O, do, sir. A ghoststory.
|
|
|
|
--Where do you begin in this? Stephen asked, opening another book.
|
|
|
|
--WEEP NO MORE, Comyn said.
|
|
|
|
--Go on then, Talbot.
|
|
|
|
--And the story, sir?
|
|
|
|
--After, Stephen said. Go on, Talbot.
|
|
|
|
A swarthy boy opened a book and propped it nimbly under the breastwork of
|
|
his satchel. He recited jerks of verse with odd glances at the text:
|
|
|
|
|
|
--WEEP NO MORE, WOFUL SHEPHERDS, WEEP NO MORE
|
|
FOR LYCIDAS, YOUR SORROW, IS NOT DEAD,
|
|
SUNK THOUGH HE BE BENEATH THE WATERY FLOOR ...
|
|
|
|
|
|
It must be a movement then, an actuality of the possible as possible.
|
|
Aristotle's phrase formed itself within the gabbled verses and floated
|
|
out into the studious silence of the library of Saint Genevieve where he
|
|
had read, sheltered from the sin of Paris, night by night. By his elbow a
|
|
delicate Siamese conned a handbook of strategy. Fed and feeding brains
|
|
about me: under glowlamps, impaled, with faintly beating feelers: and in
|
|
my mind's darkness a sloth of the underworld, reluctant, shy of
|
|
brightness, shifting her dragon scaly folds. Thought is the thought of
|
|
thought. Tranquil brightness. The soul is in a manner all that is: the
|
|
soul is the form of forms. Tranquility sudden, vast, candescent: form of
|
|
forms.
|
|
|
|
Talbot repeated:
|
|
|
|
|
|
--THROUGH THE DEAR MIGHT OF HIM THAT WALKED THE WAVES,
|
|
THROUGH THE DEAR MIGHT ...
|
|
|
|
|
|
--Turn over, Stephen said quietly. I don't see anything.
|
|
|
|
--What, sir? Talbot asked simply, bending forward.
|
|
|
|
His hand turned the page over. He leaned back and went on again,
|
|
having just remembered. Of him that walked the waves. Here also over
|
|
these craven hearts his shadow lies and on the scoffer's heart and lips
|
|
and on mine. It lies upon their eager faces who offered him a coin of the
|
|
tribute. To Caesar what is Caesar's, to God what is God's. A long look
|
|
from dark eyes, a riddling sentence to be woven and woven on the church's
|
|
looms. Ay.
|
|
|
|
|
|
RIDDLE ME, RIDDLE ME, RANDY RO.
|
|
MY FATHER GAVE ME SEEDS TO SOW.
|
|
|
|
|
|
Talbot slid his closed book into his satchel.
|
|
|
|
--Have I heard all? Stephen asked.
|
|
|
|
--Yes, sir. Hockey at ten, sir.
|
|
|
|
--Half day, sir. Thursday.
|
|
|
|
--Who can answer a riddle? Stephen asked.
|
|
|
|
They bundled their books away, pencils clacking, pages rustling.
|
|
Crowding together they strapped and buckled their satchels, all gabbling
|
|
gaily:
|
|
|
|
--A riddle, sir? Ask me, sir.
|
|
|
|
--O, ask me, sir.
|
|
|
|
--A hard one, sir.
|
|
|
|
--This is the riddle, Stephen said:
|
|
|
|
|
|
THE COCK CREW,
|
|
THE SKY WAS BLUE:
|
|
THE BELLS IN HEAVEN
|
|
WERE STRIKING ELEVEN.
|
|
'TIS TIME FOR THIS POOR SOUL
|
|
TO GO TO HEAVEN.
|
|
|
|
|
|
What is that?
|
|
|
|
--What, sir?
|
|
|
|
--Again, sir. We didn't hear.
|
|
|
|
Their eyes grew bigger as the lines were repeated. After a silence
|
|
Cochrane said:
|
|
|
|
--What is it, sir? We give it up.
|
|
|
|
Stephen, his throat itching, answered:
|
|
|
|
--The fox burying his grandmother under a hollybush.
|
|
|
|
He stood up and gave a shout of nervous laughter to which their cries
|
|
echoed dismay.
|
|
|
|
A stick struck the door and a voice in the corridor called:
|
|
|
|
--Hockey!
|
|
|
|
They broke asunder, sidling out of their benches, leaping them.
|
|
Quickly they were gone and from the lumberroom came the rattle of sticks
|
|
and clamour of their boots and tongues.
|
|
|
|
Sargent who alone had lingered came forward slowly, showing an
|
|
open copybook. His thick hair and scraggy neck gave witness of
|
|
unreadiness and through his misty glasses weak eyes looked up pleading.
|
|
On his cheek, dull and bloodless, a soft stain of ink lay, dateshaped,
|
|
recent and damp as a snail's bed.
|
|
|
|
He held out his copybook. The word SUMS was written on the
|
|
headline. Beneath were sloping figures and at the foot a crooked signature
|
|
with blind loops and a blot. Cyril Sargent: his name and seal.
|
|
|
|
--Mr Deasy told me to write them out all again, he said, and show them to
|
|
you, sir.
|
|
|
|
Stephen touched the edges of the book. Futility.
|
|
|
|
--Do you understand how to do them now? he asked.
|
|
|
|
--Numbers eleven to fifteen, Sargent answered. Mr Deasy said I was to
|
|
copy them off the board, sir.
|
|
|
|
--Can you do them. yourself? Stephen asked.
|
|
|
|
--No, sir.
|
|
|
|
Ugly and futile: lean neck and thick hair and a stain of ink, a snail's
|
|
bed. Yet someone had loved him, borne him in her arms and in her heart.
|
|
But for her the race of the world would have trampled him underfoot, a
|
|
squashed boneless snail. She had loved his weak watery blood drained from
|
|
her own. Was that then real? The only true thing in life? His mother's
|
|
prostrate body the fiery Columbanus in holy zeal bestrode. She was no
|
|
more: the trembling skeleton of a twig burnt in the fire, an odour of
|
|
rosewood and wetted ashes. She had saved him from being trampled
|
|
underfoot and had gone, scarcely having been. A poor soul gone to heaven:
|
|
and on a heath beneath winking stars a fox, red reek of rapine in his fur,
|
|
with merciless bright eyes scraped in the earth, listened, scraped up the
|
|
earth, listened, scraped and scraped.
|
|
|
|
Sitting at his side Stephen solved out the problem. He proves by
|
|
algebra that Shakespeare's ghost is Hamlet's grandfather. Sargent peered
|
|
askance through his slanted glasses. Hockeysticks rattled in the
|
|
lumberroom: the hollow knock of a ball and calls from the field.
|
|
|
|
Across the page the symbols moved in grave morrice, in the mummery
|
|
of their letters, wearing quaint caps of squares and cubes. Give hands,
|
|
traverse, bow to partner: so: imps of fancy of the Moors. Gone too from
|
|
the world, Averroes and Moses Maimonides, dark men in mien and
|
|
movement, flashing in their mocking mirrors the obscure soul of the
|
|
world, a darkness shining in brightness which brightness could not
|
|
comprehend.
|
|
|
|
--Do you understand now? Can you work the second for yourself?
|
|
|
|
--Yes, sir.
|
|
|
|
In long shaky strokes Sargent copied the data. Waiting always for a
|
|
word of help his hand moved faithfully the unsteady symbols, a faint hue
|
|
of shame flickering behind his dull skin. AMOR MATRIS: subjective and
|
|
objective genitive. With her weak blood and wheysour milk she had fed him
|
|
and hid from sight of others his swaddling bands.
|
|
|
|
Like him was I, these sloping shoulders, this gracelessness. My
|
|
childhood bends beside me. Too far for me to lay a hand there once or
|
|
lightly. Mine is far and his secret as our eyes. Secrets, silent, stony
|
|
sit in the dark palaces of both our hearts: secrets weary of their
|
|
tyranny: tyrants, willing to be dethroned.
|
|
|
|
The sum was done.
|
|
|
|
--It is very simple, Stephen said as he stood up.
|
|
|
|
--Yes, sir. Thanks, Sargent answered.
|
|
|
|
He dried the page with a sheet of thin blottingpaper and carried his
|
|
copybook back to his bench.
|
|
|
|
--You had better get your stick and go out to the others, Stephen said as
|
|
he followed towards the door the boy's graceless form.
|
|
|
|
--Yes, sir.
|
|
|
|
In the corridor his name was heard, called from the playfield.
|
|
|
|
--Sargent!
|
|
|
|
--Run on, Stephen said. Mr Deasy is calling you.
|
|
|
|
He stood in the porch and watched the laggard hurry towards the
|
|
scrappy field where sharp voices were in strife. They were sorted in teams
|
|
and Mr Deasy came away stepping over wisps of grass with gaitered feet.
|
|
When he had reached the schoolhouse voices again contending called to
|
|
him. He turned his angry white moustache.
|
|
|
|
--What is it now? he cried continually without listening.
|
|
|
|
--Cochrane and Halliday are on the same side, sir, Stephen said.
|
|
|
|
--Will you wait in my study for a moment, Mr Deasy said, till I restore
|
|
order here.
|
|
|
|
And as he stepped fussily back across the field his old man's voice
|
|
cried sternly:
|
|
|
|
--What is the matter? What is it now?
|
|
|
|
Their sharp voices cried about him on all sides: their many forms
|
|
closed round him, the garish sunshine bleaching the honey of his illdyed
|
|
head.
|
|
|
|
Stale smoky air hung in the study with the smell of drab abraded
|
|
leather of its chairs. As on the first day he bargained with me here. As
|
|
it was in the beginning, is now. On the sideboard the tray of Stuart
|
|
coins, base treasure of a bog: and ever shall be. And snug in their
|
|
spooncase of purple plush, faded, the twelve apostles having preached to
|
|
all the gentiles: world without end.
|
|
|
|
A hasty step over the stone porch and in the corridor. Blowing out his
|
|
rare moustache Mr Deasy halted at the table.
|
|
|
|
--First, our little financial settlement, he said.
|
|
|
|
He brought out of his coat a pocketbook bound by a leather thong. It
|
|
slapped open and he took from it two notes, one of joined halves, and laid
|
|
them carefully on the table.
|
|
|
|
--Two, he said, strapping and stowing his pocketbook away.
|
|
|
|
And now his strongroom for the gold. Stephen's embarrassed hand
|
|
moved over the shells heaped in the cold stone mortar: whelks and money
|
|
cowries and leopard shells: and this, whorled as an emir's turban, and
|
|
this, the scallop of saint James. An old pilgrim's hoard, dead treasure,
|
|
hollow shells.
|
|
|
|
A sovereign fell, bright and new, on the soft pile of the tablecloth.
|
|
|
|
--Three, Mr Deasy said, turning his little savingsbox about in his hand.
|
|
These are handy things to have. See. This is for sovereigns. This is for
|
|
shillings. Sixpences, halfcrowns. And here crowns. See.
|
|
|
|
He shot from it two crowns and two shillings.
|
|
|
|
--Three twelve, he said. I think you'll find that's right.
|
|
|
|
--Thank you, sir, Stephen said, gathering the money together with shy
|
|
haste and putting it all in a pocket of his trousers.
|
|
|
|
--No thanks at all, Mr Deasy said. You have earned it.
|
|
|
|
Stephen's hand, free again, went back to the hollow shells. Symbols
|
|
too of beauty and of power. A lump in my pocket: symbols soiled by greed
|
|
and misery.
|
|
|
|
--Don't carry it like that, Mr Deasy said. You'll pull it out somewhere
|
|
and lose it. You just buy one of these machines. You'll find them very
|
|
handy.
|
|
|
|
Answer something.
|
|
|
|
--Mine would be often empty, Stephen said.
|
|
|
|
The same room and hour, the same wisdom: and I the same. Three
|
|
times now. Three nooses round me here. Well? I can break them in this
|
|
instant if I will.
|
|
|
|
--Because you don't save, Mr Deasy said, pointing his finger. You don't
|
|
know yet what money is. Money is power. When you have lived as long as I
|
|
have. I know, I know. If youth but knew. But what does Shakespeare say?
|
|
PUT BUT MONEY IN THY PURSE.
|
|
|
|
--Iago, Stephen murmured.
|
|
|
|
He lifted his gaze from the idle shells to the old man's stare.
|
|
|
|
--He knew what money was, Mr Deasy said. He made money. A poet, yes,
|
|
but an Englishman too. Do you know what is the pride of the English? Do
|
|
you know what is the proudest word you will ever hear from an
|
|
Englishman's mouth?
|
|
|
|
The seas' ruler. His seacold eyes looked on the empty bay: it seems
|
|
history is to blame: on me and on my words, unhating.
|
|
|
|
--That on his empire, Stephen said, the sun never sets.
|
|
|
|
--Ba! Mr Deasy cried. That's not English. A French Celt said that. He
|
|
tapped his savingsbox against his thumbnail.
|
|
|
|
--I will tell you, he said solemnly, what is his proudest boast. I PAID
|
|
MY WAY.
|
|
|
|
Good man, good man.
|
|
|
|
--I PAID MY WAY. I NEVER BORROWED A SHILLING IN MY LIFE. Can you feel
|
|
that? I OWE NOTHING. Can you?
|
|
|
|
Mulligan, nine pounds, three pairs of socks, one pair brogues, ties.
|
|
Curran, ten guineas. McCann, one guinea. Fred Ryan, two shillings.
|
|
Temple, two lunches. Russell, one guinea, Cousins, ten shillings, Bob
|
|
Reynolds, half a guinea, Koehler, three guineas, Mrs MacKernan, five
|
|
weeks' board. The lump I have is useless.
|
|
|
|
--For the moment, no, Stephen answered.
|
|
|
|
Mr Deasy laughed with rich delight, putting back his savingsbox.
|
|
|
|
--I knew you couldn't, he said joyously. But one day you must feel it. We
|
|
are a generous people but we must also be just.
|
|
|
|
--I fear those big words, Stephen said, which make us so unhappy.
|
|
|
|
Mr Deasy stared sternly for some moments over the mantelpiece at
|
|
the shapely bulk of a man in tartan filibegs: Albert Edward, prince of
|
|
Wales.
|
|
|
|
--You think me an old fogey and an old tory, his thoughtful voice said. I
|
|
saw three generations since O'Connell's time. I remember the famine
|
|
in '46. Do you know that the orange lodges agitated for repeal of the
|
|
union twenty years before O'Connell did or before the prelates of your
|
|
communion denounced him as a demagogue? You fenians forget some things.
|
|
|
|
Glorious, pious and immortal memory. The lodge of Diamond in
|
|
Armagh the splendid behung with corpses of papishes. Hoarse, masked and
|
|
armed, the planters' covenant. The black north and true blue bible.
|
|
Croppies lie down.
|
|
|
|
Stephen sketched a brief gesture.
|
|
|
|
--I have rebel blood in me too, Mr Deasy said. On the spindle side. But I
|
|
am descended from sir John Blackwood who voted for the union. We are all
|
|
Irish, all kings' sons.
|
|
|
|
--Alas, Stephen said.
|
|
|
|
--PER VIAS RECTAS, Mr Deasy said firmly, was his motto. He voted for it
|
|
and put on his topboots to ride to Dublin from the Ards of Down to do so.
|
|
|
|
|
|
LAL THE RAL THE RA
|
|
THE ROCKY ROAD TO DUBLIN.
|
|
|
|
|
|
A gruff squire on horseback with shiny topboots. Soft day, sir John!
|
|
Soft day, your honour! ... Day! ... Day! ... Two topboots jog dangling
|
|
on to Dublin. Lal the ral the ra. Lal the ral the raddy.
|
|
|
|
--That reminds me, Mr Deasy said. You can do me a favour, Mr Dedalus,
|
|
with some of your literary friends. I have a letter here for the press.
|
|
Sit down a moment. I have just to copy the end.
|
|
|
|
He went to the desk near the window, pulled in his chair twice and
|
|
read off some words from the sheet on the drum of his typewriter.
|
|
|
|
--Sit down. Excuse me, he said over his shoulder, THE DICTATES OF COMMON
|
|
SENSE. Just a moment.
|
|
|
|
He peered from under his shaggy brows at the manuscript by his
|
|
elbow and, muttering, began to prod the stiff buttons of the keyboard
|
|
slowly, sometimes blowing as he screwed up the drum to erase an error.
|
|
|
|
Stephen seated himself noiselessly before the princely presence.
|
|
Framed around the walls images of vanished horses stood in homage, their
|
|
meek heads poised in air: lord Hastings' Repulse, the duke of
|
|
Westminster's Shotover, the duke of Beaufort's Ceylon, PRIX DE PARIS,
|
|
1866. Elfin riders sat them, watchful of a sign. He saw their speeds,
|
|
backing king's colours, and shouted with the shouts of vanished crowds.
|
|
|
|
--Full stop, Mr Deasy bade his keys. But prompt ventilation of this
|
|
allimportant question ...
|
|
|
|
Where Cranly led me to get rich quick, hunting his winners among
|
|
the mudsplashed brakes, amid the bawls of bookies on their pitches and
|
|
reek of the canteen, over the motley slush. Fair Rebel! Fair Rebel! Even
|
|
money the favourite: ten to one the field. Dicers and thimbleriggers we
|
|
hurried by after the hoofs, the vying caps and jackets and past the
|
|
meatfaced woman, a butcher's dame, nuzzling thirstily her clove of orange.
|
|
|
|
Shouts rang shrill from the boys' playfield and a whirring whistle.
|
|
|
|
Again: a goal. I am among them, among their battling bodies in a
|
|
medley, the joust of life. You mean that knockkneed mother's darling who
|
|
seems to be slightly crawsick? Jousts. Time shocked rebounds, shock by
|
|
shock. Jousts, slush and uproar of battles, the frozen deathspew of the
|
|
slain, a shout of spearspikes baited with men's bloodied guts.
|
|
|
|
--Now then, Mr Deasy said, rising.
|
|
|
|
He came to the table, pinning together his sheets. Stephen stood up.
|
|
|
|
--I have put the matter into a nutshell, Mr Deasy said. It's about the
|
|
foot and mouth disease. Just look through it. There can be no two opinions
|
|
on the matter.
|
|
|
|
May I trespass on your valuable space. That doctrine of LAISSEZ FAIRE
|
|
which so often in our history. Our cattle trade. The way of all our old
|
|
industries. Liverpool ring which jockeyed the Galway harbour scheme.
|
|
European conflagration. Grain supplies through the narrow waters of the
|
|
channel. The pluterperfect imperturbability of the department of
|
|
agriculture. Pardoned a classical allusion. Cassandra. By a woman who
|
|
was no better than she should be. To come to the point at issue.
|
|
|
|
--I don't mince words, do I? Mr Deasy asked as Stephen read on.
|
|
|
|
Foot and mouth disease. Known as Koch's preparation. Serum and
|
|
virus. Percentage of salted horses. Rinderpest. Emperor's horses at
|
|
Murzsteg, lower Austria. Veterinary surgeons. Mr Henry Blackwood Price.
|
|
Courteous offer a fair trial. Dictates of common sense. Allimportant
|
|
question. In every sense of the word take the bull by the horns. Thanking
|
|
you for the hospitality of your columns.
|
|
|
|
--I want that to be printed and read, Mr Deasy said. You will see at the
|
|
next outbreak they will put an embargo on Irish cattle. And it can be
|
|
cured. It is cured. My cousin, Blackwood Price, writes to me it is
|
|
regularly treated and cured in Austria by cattledoctors there. They offer
|
|
to come over here. I am trying to work up influence with the department.
|
|
Now I'm going to try publicity. I am surrounded by difficulties,
|
|
by ... intrigues by ... backstairs influence by ...
|
|
|
|
He raised his forefinger and beat the air oldly before his voice spoke.
|
|
|
|
--Mark my words, Mr Dedalus, he said. England is in the hands of the
|
|
jews. In all the highest places: her finance, her press. And they are the
|
|
signs of a nation's decay. Wherever they gather they eat up the nation's
|
|
vital strength. I have seen it coming these years. As sure as we are
|
|
standing here the jew merchants are already at their work of destruction.
|
|
Old England is dying.
|
|
|
|
He stepped swiftly off, his eyes coming to blue life as they passed a
|
|
broad sunbeam. He faced about and back again.
|
|
|
|
--Dying, he said again, if not dead by now.
|
|
|
|
|
|
THE HARLOT'S CRY FROM STREET TO STREET
|
|
SHALL WEAVE OLD ENGLAND'S WINDINGSHEET.
|
|
|
|
|
|
His eyes open wide in vision stared sternly across the sunbeam in
|
|
which he halted.
|
|
|
|
--A merchant, Stephen said, is one who buys cheap and sells dear, jew or
|
|
gentile, is he not?
|
|
|
|
--They sinned against the light, Mr Deasy said gravely. And you can see
|
|
the darkness in their eyes. And that is why they are wanderers on the
|
|
earth to this day.
|
|
|
|
On the steps of the Paris stock exchange the goldskinned men quoting
|
|
prices on their gemmed fingers. Gabble of geese. They swarmed loud,
|
|
uncouth about the temple, their heads thickplotting under maladroit silk
|
|
hats. Not theirs: these clothes, this speech, these gestures. Their full
|
|
slow eyes belied the words, the gestures eager and unoffending, but knew
|
|
the rancours massed about them and knew their zeal was vain. Vain patience
|
|
to heap and hoard. Time surely would scatter all. A hoard heaped by the
|
|
roadside: plundered and passing on. Their eyes knew their years of
|
|
wandering and, patient, knew the dishonours of their flesh.
|
|
|
|
--Who has not? Stephen said.
|
|
|
|
--What do you mean? Mr Deasy asked.
|
|
|
|
He came forward a pace and stood by the table. His underjaw fell
|
|
sideways open uncertainly. Is this old wisdom? He waits to hear from me.
|
|
|
|
--History, Stephen said, is a nightmare from which I am trying to awake.
|
|
|
|
From the playfield the boys raised a shout. A whirring whistle: goal.
|
|
What if that nightmare gave you a back kick?
|
|
|
|
--The ways of the Creator are not our ways, Mr Deasy said. All human
|
|
history moves towards one great goal, the manifestation of God.
|
|
|
|
Stephen jerked his thumb towards the window, saying:
|
|
|
|
--That is God.
|
|
|
|
Hooray! Ay! Whrrwhee!
|
|
|
|
--What? Mr Deasy asked.
|
|
|
|
--A shout in the street, Stephen answered, shrugging his shoulders.
|
|
|
|
Mr Deasy looked down and held for awhile the wings of his nose
|
|
tweaked between his fingers. Looking up again he set them free.
|
|
|
|
--I am happier than you are, he said. We have committed many errors and
|
|
many sins. A woman brought sin into the world. For a woman who was no
|
|
better than she should be, Helen, the runaway wife of Menelaus, ten years
|
|
the Greeks made war on Troy. A faithless wife first brought the strangers
|
|
to our shore here, MacMurrough's wife and her leman, O'Rourke, prince of
|
|
Breffni. A woman too brought Parnell low. Many errors, many failures but
|
|
not the one sin. I am a struggler now at the end of my days. But I will
|
|
fight for the right till the end.
|
|
|
|
|
|
FOR ULSTER WILL FIGHT
|
|
AND ULSTER WILL BE RIGHT.
|
|
|
|
|
|
Stephen raised the sheets in his hand.
|
|
|
|
--Well, sir, he began ...
|
|
|
|
--I foresee, Mr Deasy said, that you will not remain here very long at
|
|
this work. You were not born to be a teacher, I think. Perhaps I am
|
|
wrong.
|
|
|
|
--A learner rather, Stephen said.
|
|
|
|
And here what will you learn more?
|
|
|
|
Mr Deasy shook his head.
|
|
|
|
--Who knows? he said. To learn one must be humble. But life is the great
|
|
teacher.
|
|
|
|
Stephen rustled the sheets again.
|
|
|
|
--As regards these, he began.
|
|
|
|
--Yes, Mr Deasy said. You have two copies there. If you can have them
|
|
published at once.
|
|
|
|
TELEGRAPH. IRISH HOMESTEAD.
|
|
|
|
--I will try, Stephen said, and let you know tomorrow. I know two editors
|
|
slightly.
|
|
|
|
--That will do, Mr Deasy said briskly. I wrote last night to Mr Field,
|
|
M.P. There is a meeting of the cattletraders' association today at the
|
|
City Arms hotel. I asked him to lay my letter before the meeting. You see
|
|
if you can get it into your two papers. What are they?
|
|
|
|
--THE EVENING TELEGRAPH ...
|
|
|
|
--That will do, Mr Deasy said. There is no time to lose. Now I have to
|
|
answer that letter from my cousin.
|
|
|
|
--Good morning, sir, Stephen said, putting the sheets in his pocket.
|
|
Thank you.
|
|
|
|
--Not at all, Mr Deasy said as he searched the papers on his desk. I like
|
|
to break a lance with you, old as I am.
|
|
|
|
--Good morning, sir, Stephen said again, bowing to his bent back.
|
|
|
|
He went out by the open porch and down the gravel path under the
|
|
trees, hearing the cries of voices and crack of sticks from the playfield.
|
|
The lions couchant on the pillars as he passed out through the gate:
|
|
toothless terrors. Still I will help him in his fight. Mulligan will dub
|
|
me a new name: the bullockbefriending bard.
|
|
|
|
--Mr Dedalus!
|
|
|
|
Running after me. No more letters, I hope.
|
|
|
|
--Just one moment.
|
|
|
|
--Yes, sir, Stephen said, turning back at the gate.
|
|
|
|
Mr Deasy halted, breathing hard and swallowing his breath.
|
|
|
|
--I just wanted to say, he said. Ireland, they say, has the honour of
|
|
being the only country which never persecuted the jews. Do you know that?
|
|
No. And do you know why?
|
|
|
|
He frowned sternly on the bright air.
|
|
|
|
--Why, sir? Stephen asked, beginning to smile.
|
|
|
|
--Because she never let them in, Mr Deasy said solemnly.
|
|
|
|
A coughball of laughter leaped from his throat dragging after it a
|
|
rattling chain of phlegm. He turned back quickly, coughing, laughing, his
|
|
lifted arms waving to the air.
|
|
|
|
--She never let them in, he cried again through his laughter as he
|
|
stamped on gaitered feet over the gravel of the path. That's why.
|
|
|
|
On his wise shoulders through the checkerwork of leaves the sun flung
|
|
spangles, dancing coins.
|
|
|
|
|
|
* * * * * * *
|
|
|
|
|
|
Ineluctable modality of the visible: at least that if no more, thought
|
|
through my eyes. Signatures of all things I am here to read, seaspawn and
|
|
seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust:
|
|
coloured signs. Limits of the diaphane. But he adds: in bodies. Then he
|
|
was aware of them bodies before of them coloured. How? By knocking his
|
|
sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRO
|
|
DI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane,
|
|
adiaphane. If you can put your five fingers through it it is a gate, if
|
|
not a door. Shut your eyes and see.
|
|
|
|
Stephen closed his eyes to hear his boots crush crackling wrack and
|
|
shells. You are walking through it howsomever. I am, a stride at a time. A
|
|
very short space of time through very short times of space. Five, six: the
|
|
NACHEINANDER. Exactly: and that is the ineluctable modality of the
|
|
audible. Open your eyes. No. Jesus! If I fell over a cliff that beetles
|
|
o'er his base, fell through the NEBENEINANDER ineluctably! I am getting on
|
|
nicely in the dark. My ash sword hangs at my side. Tap with it: they do.
|
|
My two feet in his boots are at the ends of his legs, NEBENEINANDER.
|
|
Sounds solid: made by the mallet of LOS DEMIURGOS. Am I walking into
|
|
eternity along Sandymount strand? Crush, crack, crick, crick. Wild sea
|
|
money. Dominie Deasy kens them a'.
|
|
|
|
|
|
WON'T YOU COME TO SANDYMOUNT,
|
|
MADELINE THE MARE?
|
|
|
|
|
|
Rhythm begins, you see. I hear. Acatalectic tetrameter of iambs
|
|
marching. No, agallop: DELINE THE MARE.
|
|
|
|
Open your eyes now. I will. One moment. Has all vanished since? If I
|
|
open and am for ever in the black adiaphane. BASTA! I will see if I can
|
|
see.
|
|
|
|
See now. There all the time without you: and ever shall be, world
|
|
without end.
|
|
|
|
They came down the steps from Leahy's terrace prudently,
|
|
FRAUENZIMMER: and down the shelving shore flabbily, their splayed feet
|
|
sinking in the silted sand. Like me, like Algy, coming down to our mighty
|
|
mother. Number one swung lourdily her midwife's bag, the other's gamp
|
|
poked in the beach. From the liberties, out for the day. Mrs Florence
|
|
MacCabe, relict of the late Patk MacCabe, deeply lamented, of Bride
|
|
Street. One of her sisterhood lugged me squealing into life. Creation from
|
|
nothing. What has she in the bag? A misbirth with a trailing navelcord,
|
|
hushed in ruddy wool. The cords of all link back, strandentwining cable of
|
|
all flesh. That is why mystic monks. Will you be as gods? Gaze in your
|
|
OMPHALOS. Hello! Kinch here. Put me on to Edenville. Aleph, alpha: nought,
|
|
nought, one.
|
|
|
|
Spouse and helpmate of Adam Kadmon: Heva, naked Eve. She had
|
|
no navel. Gaze. Belly without blemish, bulging big, a buckler of taut
|
|
vellum, no, whiteheaped corn, orient and immortal, standing from
|
|
everlasting to everlasting. Womb of sin.
|
|
|
|
Wombed in sin darkness I was too, made not begotten. By them, the
|
|
man with my voice and my eyes and a ghostwoman with ashes on her
|
|
breath. They clasped and sundered, did the coupler's will. From before the
|
|
ages He willed me and now may not will me away or ever. A LEX ETERNA
|
|
stays about Him. Is that then the divine substance wherein Father and Son
|
|
are consubstantial? Where is poor dear Arius to try conclusions? Warring
|
|
his life long upon the contransmagnificandjewbangtantiality. Illstarred
|
|
heresiarch' In a Greek watercloset he breathed his last: euthanasia. With
|
|
beaded mitre and with crozier, stalled upon his throne, widower of a
|
|
widowed see, with upstiffed omophorion, with clotted hinderparts.
|
|
|
|
Airs romped round him, nipping and eager airs. They are coming,
|
|
waves. The whitemaned seahorses, champing, brightwindbridled, the steeds
|
|
of Mananaan.
|
|
|
|
I mustn't forget his letter for the press. And after? The Ship, half
|
|
twelve. By the way go easy with that money like a good young imbecile.
|
|
|
|
Yes, I must.
|
|
|
|
His pace slackened. Here. Am I going to aunt Sara's or not? My
|
|
consubstantial father's voice. Did you see anything of your artist brother
|
|
Stephen lately? No? Sure he's not down in Strasburg terrace with his aunt
|
|
|
|
Sally? Couldn't he fly a bit higher than that, eh? And and and and tell
|
|
us, Stephen, how is uncle Si? O, weeping God, the things I married into!
|
|
De boys up in de hayloft. The drunken little costdrawer and his brother,
|
|
the cornet player. Highly respectable gondoliers! And skeweyed Walter
|
|
sirring his father, no less! Sir. Yes, sir. No, sir. Jesus wept: and no
|
|
wonder, by Christ!
|
|
|
|
I pull the wheezy bell of their shuttered cottage: and wait. They take
|
|
me for a dun, peer out from a coign of vantage.
|
|
|
|
--It's Stephen, sir.
|
|
|
|
--Let him in. Let Stephen in.
|
|
|
|
A bolt drawn back and Walter welcomes me.
|
|
|
|
--We thought you were someone else.
|
|
|
|
In his broad bed nuncle Richie, pillowed and blanketed, extends over
|
|
the hillock of his knees a sturdy forearm. Cleanchested. He has washed the
|
|
upper moiety.
|
|
|
|
--Morrow, nephew.
|
|
|
|
He lays aside the lapboard whereon he drafts his bills of costs for the
|
|
eyes of master Goff and master Shapland Tandy, filing consents and
|
|
common searches and a writ of DUCES TECUM. A bogoak frame over his bald
|
|
head: Wilde's REQUIESCAT. The drone of his misleading whistle brings
|
|
Walter back.
|
|
|
|
--Yes, sir?
|
|
|
|
--Malt for Richie and Stephen, tell mother. Where is she?
|
|
|
|
--Bathing Crissie, sir.
|
|
|
|
Papa's little bedpal. Lump of love.
|
|
|
|
--No, uncle Richie ...
|
|
|
|
--Call me Richie. Damn your lithia water. It lowers. Whusky!
|
|
|
|
--Uncle Richie, really ...
|
|
|
|
--Sit down or by the law Harry I'll knock you down.
|
|
|
|
Walter squints vainly for a chair.
|
|
|
|
--He has nothing to sit down on, sir.
|
|
|
|
--He has nowhere to put it, you mug. Bring in our chippendale chair.
|
|
Would you like a bite of something? None of your damned lawdeedaw airs
|
|
here. The rich of a rasher fried with a herring? Sure? So much the better.
|
|
We have nothing in the house but backache pills.
|
|
|
|
ALL'ERTA!
|
|
|
|
He drones bars of Ferrando's ARIA DI SORTITA. The grandest number,
|
|
Stephen, in the whole opera. Listen.
|
|
|
|
His tuneful whistle sounds again, finely shaded, with rushes of the air,
|
|
his fists bigdrumming on his padded knees.
|
|
|
|
This wind is sweeter.
|
|
|
|
Houses of decay, mine, his and all. You told the Clongowes gentry
|
|
you had an uncle a judge and an uncle a general in the army. Come out of
|
|
them, Stephen. Beauty is not there. Nor in the stagnant bay of Marsh's
|
|
library where you read the fading prophecies of Joachim Abbas. For
|
|
whom? The hundredheaded rabble of the cathedral close. A hater of his
|
|
kind ran from them to the wood of madness, his mane foaming in the
|
|
moon, his eyeballs stars. Houyhnhnm, horsenostrilled. The oval equine
|
|
faces, Temple, Buck Mulligan, Foxy Campbell, Lanternjaws. Abbas father,--
|
|
furious dean, what offence laid fire to their brains? Paff! DESCENDE,
|
|
CALVE, UT NE AMPLIUS DECALVERIS. A garland of grey hair on his comminated
|
|
head see him me clambering down to the footpace (DESCENDE!), clutching a
|
|
monstrance, basiliskeyed. Get down, baldpoll! A choir gives back menace
|
|
and echo, assisting about the altar's horns, the snorted Latin of
|
|
jackpriests moving burly in their albs, tonsured and oiled and gelded, fat
|
|
with the fat of kidneys of wheat.
|
|
|
|
And at the same instant perhaps a priest round the corner is elevating it.
|
|
Dringdring! And two streets off another locking it into a pyx.
|
|
Dringadring! And in a ladychapel another taking housel all to his own
|
|
cheek. Dringdring! Down, up, forward, back. Dan Occam thought of that,
|
|
invincible doctor. A misty English morning the imp hypostasis tickled his
|
|
brain. Bringing his host down and kneeling he heard twine with his second
|
|
bell the first bell in the transept (he is lifting his) and, rising, heard
|
|
(now I am lifting) their two bells (he is kneeling) twang in diphthong.
|
|
|
|
Cousin Stephen, you will never be a saint. Isle of saints. You were
|
|
awfully holy, weren't you? You prayed to the Blessed Virgin that you might
|
|
not have a red nose. You prayed to the devil in Serpentine avenue that the
|
|
fubsy widow in front might lift her clothes still more from the wet
|
|
street. O SI, CERTO! Sell your soul for that, do, dyed rags pinned round a
|
|
squaw. More tell me, more still!! On the top of the Howth tram alone
|
|
crying to the rain: Naked women! NAKED WOMEN! What about that, eh?
|
|
|
|
What about what? What else were they invented for?
|
|
|
|
Reading two pages apiece of seven books every night, eh? I was
|
|
young. You bowed to yourself in the mirror, stepping forward to applause
|
|
earnestly, striking face. Hurray for the Goddamned idiot! Hray! No-one
|
|
saw: tell no-one. Books you were going to write with letters for titles.
|
|
Have you read his F? O yes, but I prefer Q. Yes, but W is wonderful.
|
|
O yes, W. Remember your epiphanies written on green oval leaves, deeply
|
|
deep, copies to be sent if you died to all the great libraries of the
|
|
world, including Alexandria? Someone was to read them there after a few
|
|
thousand years, a mahamanvantara. Pico della Mirandola like. Ay, very like
|
|
a whale. When one reads these strange pages of one long gone one feels
|
|
that one is at one with one who once ...
|
|
|
|
The grainy sand had gone from under his feet. His boots trod again a
|
|
damp crackling mast, razorshells, squeaking pebbles, that on the
|
|
unnumbered pebbles beats, wood sieved by the shipworm, lost Armada.
|
|
Unwholesome sandflats waited to suck his treading soles, breathing upward
|
|
sewage breath, a pocket of seaweed smouldered in seafire under a midden
|
|
of man's ashes. He coasted them, walking warily. A porterbottle stood up,
|
|
stogged to its waist, in the cakey sand dough. A sentinel: isle of
|
|
dreadful thirst. Broken hoops on the shore; at the land a maze of dark
|
|
cunning nets; farther away chalkscrawled backdoors and on the higher beach
|
|
a dryingline with two crucified shirts. Ringsend: wigwams of brown
|
|
steersmen and master mariners. Human shells.
|
|
|
|
He halted. I have passed the way to aunt Sara's. Am I not going
|
|
there? Seems not. No-one about. He turned northeast and crossed the
|
|
firmer sand towards the Pigeonhouse.
|
|
|
|
--QUI VOUS A MIS DANS CETTE FICHUE POSITION?
|
|
|
|
--C'EST LE PIGEON, JOSEPH.
|
|
|
|
Patrice, home on furlough, lapped warm milk with me in the bar
|
|
MacMahon. Son of the wild goose, Kevin Egan of Paris. My father's a bird,
|
|
he lapped the sweet LAIT CHAUD with pink young tongue, plump bunny's face.
|
|
Lap, LAPIN. He hopes to win in the GROS LOTS. About the nature of women he
|
|
read in Michelet. But he must send me LA VIE DE JESUS by M. Leo Taxil.
|
|
Lent it to his friend.
|
|
|
|
--C'EST TORDANT, VOUS SAVEZ. MOI, JE SUIS SOCIALISTE. JE NE CROIS PAS EN
|
|
L'EXISTENCE DE DIEU. FAUT PAS LE DIRE A MON P-RE.
|
|
|
|
--IL CROIT?
|
|
|
|
--MON PERE, OUI.
|
|
|
|
SCHLUSS. He laps.
|
|
|
|
My Latin quarter hat. God, we simply must dress the character. I
|
|
want puce gloves. You were a student, weren't you? Of what in the other
|
|
devil's name? Paysayenn. P. C. N., you know: PHYSIQUES, CHIMIQUES ET
|
|
NATURELLES. Aha. Eating your groatsworth of MOU EN CIVET, fleshpots of
|
|
Egypt, elbowed by belching cabmen. Just say in the most natural tone:
|
|
when I was in Paris; BOUL' MICH', I used to. Yes, used to carry punched
|
|
tickets to prove an alibi if they arrested you for murder somewhere.
|
|
Justice. On the night of the seventeenth of February 1904 the prisoner was
|
|
seen by two witnesses. Other fellow did it: other me. Hat, tie, overcoat,
|
|
nose. LUI, C'EST MOI. You seem to have enjoyed yourself.
|
|
|
|
Proudly walking. Whom were you trying to walk like? Forget: a
|
|
dispossessed. With mother's money order, eight shillings, the banging door
|
|
of the post office slammed in your face by the usher. Hunger toothache.
|
|
ENCORE DEUX MINUTES. Look clock. Must get. FERME. Hired dog! Shoot him
|
|
to bloody bits with a bang shotgun, bits man spattered walls all brass
|
|
buttons. Bits all khrrrrklak in place clack back. Not hurt? O, that's all
|
|
right. Shake hands. See what I meant, see? O, that's all right. Shake a
|
|
shake. O, that's all only all right.
|
|
|
|
You were going to do wonders, what? Missionary to Europe after
|
|
fiery Columbanus. Fiacre and Scotus on their creepystools in heaven spilt
|
|
from their pintpots, loudlatinlaughing: EUGE! EUGE! Pretending to speak
|
|
broken English as you dragged your valise, porter threepence, across the
|
|
slimy pier at Newhaven. COMMENT? Rich booty you brought back; LE TUTU,
|
|
five tattered numbers of PANTALON BLANC ET CULOTTE ROUGE; a blue
|
|
French telegram, curiosity to show:
|
|
|
|
--Mother dying come home father.
|
|
|
|
The aunt thinks you killed your mother. That's why she won't.
|
|
|
|
|
|
THEN HERE'S A HEALTH TO MULLIGAN'S AUNT
|
|
AND I'LL TELL YOU THE REASON WHY.
|
|
SHE ALWAYS KEPT THINGS DECENT IN
|
|
THE HANNIGAN FAMILEYE.
|
|
|
|
|
|
His feet marched in sudden proud rhythm over the sand furrows,
|
|
along by the boulders of the south wall. He stared at them proudly, piled
|
|
stone mammoth skulls. Gold light on sea, on sand, on boulders. The sun is
|
|
there, the slender trees, the lemon houses.
|
|
|
|
Paris rawly waking, crude sunlight on her lemon streets. Moist pith of
|
|
farls of bread, the froggreen wormwood, her matin incense, court the air.
|
|
Belluomo rises from the bed of his wife's lover's wife, the kerchiefed
|
|
housewife is astir, a saucer of acetic acid in her hand. In Rodot's Yvonne
|
|
and Madeleine newmake their tumbled beauties, shattering with gold teeth
|
|
CHAUSSONS of pastry, their mouths yellowed with the PUS of FLAN BRETON.
|
|
Faces of Paris men go by, their wellpleased pleasers, curled
|
|
conquistadores.
|
|
|
|
Noon slumbers. Kevin Egan rolls gunpowder cigarettes through
|
|
fingers smeared with printer's ink, sipping his green fairy as Patrice his
|
|
white. About us gobblers fork spiced beans down their gullets. UN DEMI
|
|
SETIER! A jet of coffee steam from the burnished caldron. She serves me at
|
|
his beck. IL EST IRLANDAIS. HOLLANDAIS? NON FROMAGE. DEUX IRLANDAIS, NOUS,
|
|
IRLANDE, VOUS SAVEZ AH, OUI! She thought you wanted a cheese HOLLANDAIS.
|
|
Your postprandial, do you know that word? Postprandial. There was a
|
|
fellow I knew once in Barcelona, queer fellow, used to call it his
|
|
postprandial. Well: SLAINTE! Around the slabbed tables the tangle of wined
|
|
breaths and grumbling gorges. His breath hangs over our saucestained
|
|
plates, the green fairy's fang thrusting between his lips. Of Ireland, the
|
|
Dalcassians, of hopes, conspiracies, of Arthur Griffith now, A E,
|
|
pimander, good shepherd of men. To yoke me as his yokefellow, our crimes
|
|
our common cause. You're your father's son. I know the voice. His fustian
|
|
shirt, sanguineflowered, trembles its Spanish tassels at his secrets. M.
|
|
Drumont, famous journalist, Drumont, know what he called queen
|
|
Victoria? Old hag with the yellow teeth. VIEILLE OGRESSE with the DENTS
|
|
JAUNES. Maud Gonne, beautiful woman, LA PATRIE, M. Millevoye, Felix
|
|
Faure, know how he died? Licentious men. The froeken, BONNE A TOUT FAIRE,
|
|
who rubs male nakedness in the bath at Upsala. MOI FAIRE, she said, TOUS
|
|
LES MESSIEURS. Not this MONSIEUR, I said. Most licentious custom. Bath a
|
|
most private thing. I wouldn't let my brother, not even my own brother,
|
|
most lascivious thing. Green eyes, I see you. Fang, I feel. Lascivious
|
|
people.
|
|
|
|
The blue fuse burns deadly between hands and burns clear. Loose
|
|
tobaccoshreds catch fire: a flame and acrid smoke light our corner. Raw
|
|
facebones under his peep of day boy's hat. How the head centre got away,
|
|
authentic version. Got up as a young bride, man, veil, orangeblossoms,
|
|
drove out the road to Malahide. Did, faith. Of lost leaders, the betrayed,
|
|
wild escapes. Disguises, clutched at, gone, not here.
|
|
|
|
Spurned lover. I was a strapping young gossoon at that time, I tell
|
|
you. I'll show you my likeness one day. I was, faith. Lover, for her love
|
|
he prowled with colonel Richard Burke, tanist of his sept, under the walls
|
|
of Clerkenwell and, crouching, saw a flame of vengeance hurl them upward
|
|
in the fog. Shattered glass and toppling masonry. In gay Paree he hides,
|
|
Egan of Paris, unsought by any save by me. Making his day's stations, the
|
|
dingy printingcase, his three taverns, the Montmartre lair he sleeps short
|
|
night in, rue de la Goutte-d'Or, damascened with flyblown faces of the
|
|
gone. Loveless, landless, wifeless. She is quite nicey comfy without her
|
|
outcast man, madame in rue Git-le-Coeur, canary and two buck lodgers.
|
|
Peachy cheeks, a zebra skirt, frisky as a young thing's. Spurned and
|
|
undespairing. Tell Pat you saw me, won't you? I wanted to get poor Pat a
|
|
job one time. MON FILS, soldier of France. I taught him to sing THE BOYS
|
|
OF KILKENNY ARE STOUT ROARING BLADES. Know that old lay? I taught Patrice
|
|
that. Old Kilkenny: saint Canice, Strongbow's castle on the Nore. Goes
|
|
like this. O, O. He takes me, Napper Tandy, by the hand.
|
|
|
|
|
|
O, O THE BOYS OF
|
|
KILKENNY ...
|
|
|
|
|
|
Weak wasting hand on mine. They have forgotten Kevin Egan, not he
|
|
them. Remembering thee, O Sion.
|
|
|
|
He had come nearer the edge of the sea and wet sand slapped his
|
|
boots. The new air greeted him, harping in wild nerves, wind of wild air
|
|
of seeds of brightness. Here, I am not walking out to the Kish lightship,
|
|
am I? He stood suddenly, his feet beginning to sink slowly in the quaking
|
|
soil. Turn back.
|
|
|
|
Turning, he scanned the shore south, his feet sinking again slowly in
|
|
new sockets. The cold domed room of the tower waits. Through the
|
|
barbacans the shafts of light are moving ever, slowly ever as my feet are
|
|
sinking, creeping duskward over the dial floor. Blue dusk, nightfall, deep
|
|
blue night. In the darkness of the dome they wait, their pushedback
|
|
chairs, my obelisk valise, around a board of abandoned platters. Who to
|
|
clear it? He has the key. I will not sleep there when this night comes.
|
|
A shut door of a silent tower, entombing their--blind bodies, the
|
|
panthersahib and his pointer. Call: no answer. He lifted his feet up from
|
|
the suck and turned back by the mole of boulders. Take all, keep all. My
|
|
soul walks with me, form of forms. So in the moon's midwatches I pace the
|
|
path above the rocks, in sable silvered, hearing Elsinore's tempting
|
|
flood.
|
|
|
|
The flood is following me. I can watch it flow past from here. Get
|
|
back then by the Poolbeg road to the strand there. He climbed over the
|
|
sedge and eely oarweeds and sat on a stool of rock, resting his ashplant
|
|
in a grike.
|
|
|
|
A bloated carcass of a dog lay lolled on bladderwrack. Before him the
|
|
gunwale of a boat, sunk in sand. UN COCHE ENSABLE Louis Veuillot called
|
|
Gautier's prose. These heavy sands are language tide and wind have silted
|
|
here. And these, the stoneheaps of dead builders, a warren of weasel rats.
|
|
Hide gold there. Try it. You have some. Sands and stones. Heavy of the
|
|
past. Sir Lout's toys. Mind you don't get one bang on the ear. I'm the
|
|
bloody well gigant rolls all them bloody well boulders, bones for my
|
|
steppingstones. Feefawfum. I zmellz de bloodz odz an Iridzman.
|
|
|
|
A point, live dog, grew into sight running across the sweep of sand.
|
|
Lord, is he going to attack me? Respect his liberty. You will not be
|
|
master of others or their slave. I have my stick. Sit tight. From farther
|
|
away, walking shoreward across from the crested tide, figures, two. The
|
|
two maries. They have tucked it safe mong the bulrushes. Peekaboo. I see
|
|
you. No, the dog. He is running back to them. Who?
|
|
|
|
Galleys of the Lochlanns ran here to beach, in quest of prey, their
|
|
bloodbeaked prows riding low on a molten pewter surf. Dane vikings, torcs
|
|
of tomahawks aglitter on their breasts when Malachi wore the collar of
|
|
gold. A school of turlehide whales stranded in hot noon, spouting,
|
|
hobbling in the shallows. Then from the starving cagework city a horde of
|
|
jerkined dwarfs, my people, with flayers' knives, running, scaling,
|
|
hacking in green blubbery whalemeat. Famine, plague and slaughters. Their
|
|
blood is in me, their lusts my waves. I moved among them on the frozen
|
|
Liffey, that I, a changeling, among the spluttering resin fires. I spoke
|
|
to no-one: none to me.
|
|
|
|
The dog's bark ran towards him, stopped, ran back. Dog of my
|
|
enemy. I just simply stood pale, silent, bayed about. TERRIBILIA MEDITANS.
|
|
A primrose doublet, fortune's knave, smiled on my fear. For that are you
|
|
pining, the bark of their applause? Pretenders: live their lives. The
|
|
Bruce's brother, Thomas Fitzgerald, silken knight, Perkin Warbeck, York's
|
|
false scion, in breeches of silk of whiterose ivory, wonder of a day, and
|
|
Lambert Simnel, with a tail of nans and sutlers, a scullion crowned. All
|
|
kings' sons. Paradise of pretenders then and now. He saved men from
|
|
drowning and you shake at a cur's yelping. But the courtiers who mocked
|
|
Guido in Or san Michele were in their own house. House of ... We don't
|
|
want any of your medieval abstrusiosities. Would you do what he did? A
|
|
boat would be near, a lifebuoy. NATURLICH, put there for you. Would you or
|
|
would you not? The man that was drowned nine days ago off Maiden's rock.
|
|
They are waiting for him now. The truth, spit it out. I would want to.
|
|
I would try. I am not a strong swimmer. Water cold soft. When I put my
|
|
face into it in the basin at Clongowes. Can't see! Who's behind me? Out
|
|
quickly, quickly! Do you see the tide flowing quickly in on all sides,
|
|
sheeting the lows of sand quickly, shellcocoacoloured? If I had land under
|
|
my feet. I want his life still to be his, mine to be mine. A drowning man.
|
|
His human eyes scream to me out of horror of his death. I ... With him
|
|
together down ... I could not save her. Waters: bitter death: lost.
|
|
|
|
A woman and a man. I see her skirties. Pinned up, I bet.
|
|
|
|
Their dog ambled about a bank of dwindling sand, trotting, sniffing
|
|
on all sides. Looking for something lost in a past life. Suddenly he made
|
|
off like a bounding hare, ears flung back, chasing the shadow of a
|
|
lowskimming gull. The man's shrieked whistle struck his limp ears. He
|
|
turned, bounded back, came nearer, trotted on twinkling shanks. On a field
|
|
tenney a buck, trippant, proper, unattired. At the lacefringe of the tide
|
|
he halted with stiff forehoofs, seawardpointed ears. His snout lifted
|
|
barked at the wavenoise, herds of seamorse. They serpented towards his
|
|
feet, curling, unfurling many crests, every ninth, breaking, plashing,
|
|
from far, from farther out, waves and waves.
|
|
|
|
Cocklepickers. They waded a little way in the water and, stooping,
|
|
soused their bags and, lifting them again, waded out. The dog yelped
|
|
running to them, reared up and pawed them, dropping on all fours, again
|
|
reared up at them with mute bearish fawning. Unheeded he kept by them as
|
|
they came towards the drier sand, a rag of wolf's tongue redpanting from
|
|
his jaws. His speckled body ambled ahead of them and then loped off at a
|
|
calf's gallop. The carcass lay on his path. He stopped, sniffed, stalked
|
|
round it, brother, nosing closer, went round it, sniffling rapidly like a
|
|
dog all over the dead dog's bedraggled fell. Dogskull, dogsniff, eyes on
|
|
the ground, moves to one great goal. Ah, poor dogsbody! Here lies poor
|
|
dogsbody's body.
|
|
|
|
--Tatters! Out of that, you mongrel!
|
|
|
|
The cry brought him skulking back to his master and a blunt bootless
|
|
kick sent him unscathed across a spit of sand, crouched in flight. He
|
|
slunk back in a curve. Doesn't see me. Along by the edge of the mole he
|
|
lolloped, dawdled, smelt a rock. and from under a cocked hindleg pissed
|
|
against it. He trotted forward and, lifting again his hindleg, pissed
|
|
quick short at an unsmelt rock. The simple pleasures of the poor. His
|
|
hindpaws then scattered the sand: then his forepaws dabbled and delved.
|
|
Something he buried there, his grandmother. He rooted in the sand,
|
|
dabbling, delving and stopped to listen to the air, scraped up the sand
|
|
again with a fury of his claws, soon ceasing, a pard, a panther, got in
|
|
spousebreach, vulturing the dead.
|
|
|
|
After he woke me last night same dream or was it? Wait. Open
|
|
hallway. Street of harlots. Remember. Haroun al Raschid. I am almosting
|
|
it. That man led me, spoke. I was not afraid. The melon he had he held
|
|
against my face. Smiled: creamfruit smell. That was the rule, said. In.
|
|
Come. Red carpet spread. You will see who.
|
|
|
|
Shouldering their bags they trudged, the red Egyptians. His blued
|
|
feet out of turnedup trousers slapped the clammy sand, a dull brick
|
|
muffler strangling his unshaven neck. With woman steps she followed: the
|
|
ruffian and his strolling mort. Spoils slung at her back. Loose sand and
|
|
shellgrit crusted her bare feet. About her windraw face hair trailed.
|
|
Behind her lord, his helpmate, bing awast to Romeville. When night hides
|
|
her body's flaws calling under her brown shawl from an archway where dogs
|
|
have mired. Her fancyman is treating two Royal Dublins in O'Loughlin's of
|
|
Blackpitts. Buss her, wap in rogues' rum lingo, for, O, my dimber wapping
|
|
dell! A shefiend's whiteness under her rancid rags. Fumbally's lane that
|
|
night: the tanyard smells.
|
|
|
|
|
|
WHITE THY FAMBLES, RED THY GAN
|
|
AND THY QUARRONS DAINTY IS.
|
|
COUCH A HOGSHEAD WITH ME THEN.
|
|
IN THE DARKMANS CLIP AND KISS.
|
|
|
|
|
|
Morose delectation Aquinas tunbelly calls this, FRATE PORCOSPINO.
|
|
Unfallen Adam rode and not rutted. Call away let him: THY QUARRONS DAINTY
|
|
IS. Language no whit worse than his. Monkwords, marybeads jabber on
|
|
their girdles: roguewords, tough nuggets patter in their pockets.
|
|
|
|
Passing now.
|
|
|
|
A side eye at my Hamlet hat. If I were suddenly naked here as I sit? I
|
|
am not. Across the sands of all the world, followed by the sun's flaming
|
|
sword, to the west, trekking to evening lands. She trudges, schlepps,
|
|
trains, drags, trascines her load. A tide westering, moondrawn, in her
|
|
wake. Tides, myriadislanded, within her, blood not mine, OINOPA PONTON,
|
|
a winedark sea. Behold the handmaid of the moon. In sleep the wet sign
|
|
calls her hour, bids her rise. Bridebed, childbed, bed of death,
|
|
ghostcandled. OMNIS CARO AD TE VENIET. He comes, pale vampire, through
|
|
storm his eyes, his bat sails bloodying the sea, mouth to her mouth's
|
|
kiss.
|
|
|
|
Here. Put a pin in that chap, will you? My tablets. Mouth to her kiss.
|
|
|
|
No. Must be two of em. Glue em well. Mouth to her mouth's kiss.
|
|
|
|
His lips lipped and mouthed fleshless lips of air: mouth to her
|
|
moomb. Oomb, allwombing tomb. His mouth moulded issuing breath,
|
|
unspeeched: ooeeehah: roar of cataractic planets, globed, blazing, roaring
|
|
wayawayawayawayaway. Paper. The banknotes, blast them. Old Deasy's
|
|
letter. Here. Thanking you for the hospitality tear the blank end off.
|
|
Turning his back to the sun he bent over far to a table of rock and
|
|
scribbled words. That's twice I forgot to take slips from the library
|
|
counter.
|
|
|
|
His shadow lay over the rocks as he bent, ending. Why not endless till
|
|
the farthest star? Darkly they are there behind this light, darkness
|
|
shining in the brightness, delta of Cassiopeia, worlds. Me sits there with
|
|
his augur's rod of ash, in borrowed sandals, by day beside a livid sea,
|
|
unbeheld, in violet night walking beneath a reign of uncouth stars.
|
|
I throw this ended shadow from me, manshape ineluctable, call it back.
|
|
Endless, would it be mine, form of my form? Who watches me here? Who ever
|
|
anywhere will read these written words? Signs on a white field. Somewhere
|
|
to someone in your flutiest voice. The good bishop of Cloyne took the veil
|
|
of the temple out of his shovel hat: veil of space with coloured emblems
|
|
hatched on its field. Hold hard. Coloured on a flat: yes, that's right.
|
|
Flat I see, then think distance, near, far, flat I see, east, back. Ah,
|
|
see now! Falls back suddenly, frozen in stereoscope. Click does the trick.
|
|
You find my words dark. Darkness is in our souls do you not think?
|
|
Flutier. Our souls, shamewounded by our sins, cling to us yet more,
|
|
a woman to her lover clinging, the more the more.
|
|
|
|
She trusts me, her hand gentle, the longlashed eyes. Now where the blue
|
|
hell am I bringing her beyond the veil? Into the ineluctable modality
|
|
of the ineluctable visuality. She, she, she. What she? The virgin
|
|
at Hodges Figgis' window on Monday looking in for one of the alphabet
|
|
books you were going to write. Keen glance you gave her. Wrist through
|
|
the braided jesse of her sunshade. She lives in Leeson park with
|
|
a grief and kickshaws, a lady of letters. Talk that to someone else,
|
|
Stevie: a pickmeup. Bet she wears those curse of God stays suspenders
|
|
and yellow stockings, darned with lumpy wool. Talk about apple dumplings,
|
|
PIUTTOSTO. Where are your wits?
|
|
|
|
Touch me. Soft eyes. Soft soft soft hand. I am lonely here. O, touch
|
|
me soon, now. What is that word known to all men? I am quiet here alone.
|
|
Sad too. Touch, touch me.
|
|
|
|
He lay back at full stretch over the sharp rocks, cramming the
|
|
scribbled note and pencil into a pock his hat. His hat down on his eyes.
|
|
That is Kevin Egan's movement I made, nodding for his nap, sabbath sleep.
|
|
ET VIDIT DEUS. ET ERANT VALDE BONA. Alo! BONJOUR. Welcome as the flowers
|
|
in May. Under its leaf he watched through peacocktwittering lashes the
|
|
southing sun. I am caught in this burning scene. Pan's hour, the faunal
|
|
noon. Among gumheavy serpentplants, milkoozing fruits, where on the
|
|
tawny waters leaves lie wide. Pain is far.
|
|
|
|
AND NO MORE TURN ASIDE AND BROOD.
|
|
|
|
His gaze brooded on his broadtoed boots, a buck's castoffs,
|
|
NEBENEINANDER. He counted the creases of rucked leather wherein another's
|
|
foot had nested warm. The foot that beat the ground in tripudium, foot I
|
|
dislove. But you were delighted when Esther Osvalt's shoe went on you:
|
|
girl I knew in Paris. TIENS, QUEL PETIT PIED! Staunch friend, a brother
|
|
soul: Wilde's love that dare not speak its name. His arm: Cranly's arm. He
|
|
now will leave me. And the blame? As I am. As I am. All or not at all.
|
|
|
|
In long lassoes from the Cock lake the water flowed full, covering
|
|
greengoldenly lagoons of sand, rising, flowing. My ashplant will float
|
|
away. I shall wait. No, they will pass on, passing, chafing against the
|
|
low rocks, swirling, passing. Better get this job over quick. Listen: a
|
|
fourworded wavespeech: seesoo, hrss, rsseeiss, ooos. Vehement breath of
|
|
waters amid seasnakes, rearing horses, rocks. In cups of rocks it slops:
|
|
flop, slop, slap: bounded in barrels. And, spent, its speech ceases. It
|
|
flows purling, widely flowing, floating foampool, flower unfurling.
|
|
|
|
Under the upswelling tide he saw the writhing weeds lift languidly
|
|
and sway reluctant arms, hising up their petticoats, in whispering water
|
|
swaying and upturning coy silver fronds. Day by day: night by night:
|
|
lifted, flooded and let fall. Lord, they are weary; and, whispered to,
|
|
they sigh. Saint Ambrose heard it, sigh of leaves and waves, waiting,
|
|
awaiting the fullness of their times, DIEBUS AC NOCTIBUS INIURIAS PATIENS
|
|
INGEMISCIT. To no end gathered; vainly then released, forthflowing,
|
|
wending back: loom of the moon. Weary too in sight of lovers, lascivious
|
|
men, a naked woman shining in her courts, she draws a toil of waters.
|
|
|
|
Five fathoms out there. Full fathom five thy father lies. At one, he
|
|
said. Found drowned. High water at Dublin bar. Driving before it a loose
|
|
drift of rubble, fanshoals of fishes, silly shells. A corpse rising
|
|
saltwhite from the undertow, bobbing a pace a pace a porpoise landward.
|
|
There he is. Hook it quick. Pull. Sunk though he be beneath the watery
|
|
floor. We have him. Easy now.
|
|
|
|
Bag of corpsegas sopping in foul brine. A quiver of minnows, fat of a
|
|
spongy titbit, flash through the slits of his buttoned trouserfly. God
|
|
becomes man becomes fish becomes barnacle goose becomes featherbed
|
|
mountain. Dead breaths I living breathe, tread dead dust, devour a urinous
|
|
offal from all dead. Hauled stark over the gunwale he breathes upward the
|
|
stench of his green grave, his leprous nosehole snoring to the sun.
|
|
|
|
A seachange this, brown eyes saltblue. Seadeath, mildest of all deaths
|
|
known to man. Old Father Ocean. PRIX DE PARIS: beware of imitations. Just
|
|
you give it a fair trial. We enjoyed ourselves immensely.
|
|
|
|
Come. I thirst. Clouding over. No black clouds anywhere, are there?
|
|
Thunderstorm. Allbright he falls, proud lightning of the intellect,
|
|
LUCIFER, DICO, QUI NESCIT OCCASUM. No. My cockle hat and staff and hismy
|
|
sandal shoon. Where? To evening lands. Evening will find itself.
|
|
|
|
He took the hilt of his ashplant, lunging with it softly, dallying still.
|
|
Yes, evening will find itself in me, without me. All days make their end.
|
|
By the way next when is it Tuesday will be the longest day. Of all the
|
|
glad new year, mother, the rum tum tiddledy tum. Lawn Tennyson, gentleman
|
|
poet. GIA. For the old hag with the yellow teeth. And Monsieur Drumont,
|
|
gentleman journalist. GIA. My teeth are very bad. Why, I wonder. Feel.
|
|
That one is going too. Shells. Ought I go to a dentist, I wonder, with
|
|
that money? That one. This. Toothless Kinch, the superman. Why is that, I
|
|
wonder, or does it mean something perhaps?
|
|
|
|
My handkerchief. He threw it. I remember. Did I not take it up?
|
|
|
|
His hand groped vainly in his pockets. No, I didn't. Better buy one.
|
|
|
|
He laid the dry snot picked from his nostril on a ledge of rock,
|
|
carefully. For the rest let look who will.
|
|
|
|
Behind. Perhaps there is someone.
|
|
|
|
He turned his face over a shoulder, rere regardant. Moving through
|
|
the air high spars of a threemaster, her sails brailed up on the
|
|
crosstrees, homing, upstream, silently moving, a silent ship.
|
|
|
|
|
|
-- II --
|
|
|
|
|
|
Mr Leopold Bloom ate with relish the inner organs of beasts and fowls. He
|
|
liked thick giblet soup, nutty gizzards, a stuffed roast heart,
|
|
liverslices fried with crustcrumbs, fried hencods' roes. Most of all he
|
|
liked grilled mutton kidneys which gave to his palate a fine tang of
|
|
faintly scented urine.
|
|
|
|
Kidneys were in his mind as he moved about the kitchen softly, righting
|
|
her breakfast things on the humpy tray. Gelid light and air were in the
|
|
kitchen but out of doors gentle summer morning everywhere. Made him feel
|
|
a bit peckish.
|
|
|
|
The coals were reddening.
|
|
|
|
Another slice of bread and butter: three, four: right. She didn't like
|
|
her plate full. Right. He turned from the tray, lifted the kettle off the
|
|
hob and set it sideways on the fire. It sat there, dull and squat, its
|
|
spout stuck out. Cup of tea soon. Good. Mouth dry. The cat walked stiffly
|
|
round a leg of the table with tail on high.
|
|
|
|
--Mkgnao!
|
|
|
|
--O, there you are, Mr Bloom said, turning from the fire.
|
|
|
|
The cat mewed in answer and stalked again stiffly round a leg of the
|
|
table, mewing. Just how she stalks over my writingtable. Prr. Scratch my
|
|
head. Prr.
|
|
|
|
Mr Bloom watched curiously, kindly the lithe black form. Clean to see:
|
|
the gloss of her sleek hide, the white button under the butt of her tail,
|
|
the green flashing eyes. He bent down to her, his hands on his knees.
|
|
|
|
--Milk for the pussens, he said.
|
|
|
|
--Mrkgnao! the cat cried.
|
|
|
|
They call them stupid. They understand what we say better than we
|
|
understand them. She understands all she wants to. Vindictive too. Cruel.
|
|
Her nature. Curious mice never squeal. Seem to like it. Wonder what I
|
|
look like to her. Height of a tower? No, she can jump me.
|
|
|
|
--Afraid of the chickens she is, he said mockingly. Afraid of the
|
|
chookchooks. I never saw such a stupid pussens as the pussens.
|
|
|
|
Cruel. Her nature. Curious mice never squeal. Seem to like it.
|
|
|
|
--Mrkrgnao! the cat said loudly.
|
|
|
|
She blinked up out of her avid shameclosing eyes, mewing plaintively and
|
|
long, showing him her milkwhite teeth. He watched the dark eyeslits
|
|
narrowing with greed till her eyes were green stones. Then he went to the
|
|
dresser, took the jug Hanlon's milkman had just filled for him, poured
|
|
warmbubbled milk on a saucer and set it slowly on the floor.
|
|
|
|
--Gurrhr! she cried, running to lap.
|
|
|
|
He watched the bristles shining wirily in the weak light as she tipped
|
|
three times and licked lightly. Wonder is it true if you clip them they
|
|
can't mouse after. Why? They shine in the dark, perhaps, the tips. Or
|
|
kind of feelers in the dark, perhaps.
|
|
|
|
He listened to her licking lap. Ham and eggs, no. No good eggs with this
|
|
drouth. Want pure fresh water. Thursday: not a good day either for a
|
|
mutton kidney at Buckley's. Fried with butter, a shake of pepper. Better
|
|
a pork kidney at Dlugacz's. While the kettle is boiling. She lapped
|
|
slower, then licking the saucer clean. Why are their tongues so rough? To
|
|
lap better, all porous holes. Nothing she can eat? He glanced round him.
|
|
No.
|
|
|
|
On quietly creaky boots he went up the staircase to the hall, paused by
|
|
the bedroom door. She might like something tasty. Thin bread and butter
|
|
she likes in the morning. Still perhaps: once in a way.
|
|
|
|
He said softly in the bare hall:
|
|
|
|
--I'm going round the corner. Be back in a minute.
|
|
|
|
And when he had heard his voice say it he added:
|
|
|
|
--You don't want anything for breakfast?
|
|
|
|
A sleepy soft grunt answered:
|
|
|
|
--Mn.
|
|
|
|
No. She didn't want anything. He heard then a warm heavy sigh, softer, as
|
|
she turned over and the loose brass quoits of the bedstead jingled. Must
|
|
get those settled really. Pity. All the way from Gibraltar. Forgotten any
|
|
little Spanish she knew. Wonder what her father gave for it. Old style.
|
|
Ah yes! of course. Bought it at the governor's auction. Got a short
|
|
knock. Hard as nails at a bargain, old Tweedy. Yes, sir. At Plevna that
|
|
was. I rose from the ranks, sir, and I'm proud of it. Still he had brains
|
|
enough to make that corner in stamps. Now that was farseeing.
|
|
|
|
His hand took his hat from the peg over his initialled heavy overcoat and
|
|
his lost property office secondhand waterproof. Stamps: stickyback
|
|
pictures. Daresay lots of officers are in the swim too. Course they do.
|
|
The sweated legend in the crown of his hat told him mutely: Plasto's high
|
|
grade ha. He peeped quickly inside the leather headband. White slip of
|
|
paper. Quite safe.
|
|
|
|
On the doorstep he felt in his hip pocket for the latchkey. Not there. In
|
|
the trousers I left off. Must get it. Potato I have. Creaky wardrobe. No
|
|
use disturbing her. She turned over sleepily that time. He pulled the
|
|
halldoor to after him very quietly, more, till the footleaf dropped
|
|
gently over the threshold, a limp lid. Looked shut. All right till I come
|
|
back anyhow.
|
|
|
|
He crossed to the bright side, avoiding the loose cellarflap of number
|
|
seventyfive. The sun was nearing the steeple of George's church. Be a
|
|
warm day I fancy. Specially in these black clothes feel it more. Black
|
|
conducts, reflects, (refracts is it?), the heat. But I couldn't go in
|
|
that light suit. Make a picnic of it. His eyelids sank quietly often as
|
|
he walked in happy warmth. Boland's breadvan delivering with trays our
|
|
daily but she prefers yesterday's loaves turnovers crisp crowns hot.
|
|
Makes you feel young. Somewhere in the east: early morning: set off at
|
|
dawn. Travel round in front of the sun, steal a day's march on him. Keep
|
|
it up for ever never grow a day older technically. Walk along a strand,
|
|
strange land, come to a city gate, sentry there, old ranker too, old
|
|
Tweedy's big moustaches, leaning on a long kind of a spear. Wander
|
|
through awned streets. Turbaned faces going by. Dark caves of carpet
|
|
shops, big man, Turko the terrible, seated crosslegged, smoking a coiled
|
|
pipe. Cries of sellers in the streets. Drink water scented with fennel,
|
|
sherbet. Dander along all day. Might meet a robber or two. Well, meet
|
|
him. Getting on to sundown. The shadows of the mosques among the pillars:
|
|
priest with a scroll rolled up. A shiver of the trees, signal, the
|
|
evening wind. I pass on. Fading gold sky. A mother watches me from her
|
|
doorway. She calls her children home in their dark language. High wall:
|
|
beyond strings twanged. Night sky, moon, violet, colour of Molly's new
|
|
garters. Strings. Listen. A girl playing one of those instruments what do
|
|
you call them: dulcimers. I pass.
|
|
|
|
Probably not a bit like it really. Kind of stuff you read: in the track
|
|
of the sun. Sunburst on the titlepage. He smiled, pleasing himself. What
|
|
Arthur Griffith said about the headpiece over the FREEMAN leader: a
|
|
homerule sun rising up in the northwest from the laneway behind the bank
|
|
of Ireland. He prolonged his pleased smile. Ikey touch that: homerule sun
|
|
rising up in the north-west.
|
|
|
|
He approached Larry O'Rourke's. From the cellar grating floated up the
|
|
flabby gush of porter. Through the open doorway the bar squirted out
|
|
whiffs of ginger, teadust, biscuitmush. Good house, however: just the end
|
|
of the city traffic. For instance M'Auley's down there: n. g. as
|
|
position. Of course if they ran a tramline along the North Circular from
|
|
the cattlemarket to the quays value would go up like a shot.
|
|
|
|
Baldhead over the blind. Cute old codger. No use canvassing him for an
|
|
ad. Still he knows his own business best. There he is, sure enough, my
|
|
bold Larry, leaning against the sugarbin in his shirtsleeves watching the
|
|
aproned curate swab up with mop and bucket. Simon Dedalus takes him off
|
|
to a tee with his eyes screwed up. Do you know what I'm going to tell
|
|
you? What's that, Mr O'Rourke? Do you know what? The Russians, they'd
|
|
only be an eight o'clock breakfast for the Japanese.
|
|
|
|
Stop and say a word: about the funeral perhaps. Sad thing about poor
|
|
Dignam, Mr O'Rourke.
|
|
|
|
Turning into Dorset street he said freshly in greeting through the
|
|
doorway:
|
|
|
|
--Good day, Mr O'Rourke.
|
|
|
|
--Good day to you.
|
|
|
|
--Lovely weather, sir.
|
|
|
|
--'Tis all that.
|
|
|
|
Where do they get the money? Coming up redheaded curates from the county
|
|
Leitrim, rinsing empties and old man in the cellar. Then, lo and behold,
|
|
they blossom out as Adam Findlaters or Dan Tallons. Then thin of the
|
|
competition. General thirst. Good puzzle would be cross Dublin without
|
|
passing a pub. Save it they can't. Off the drunks perhaps. Put down three
|
|
and carry five. What is that, a bob here and there, dribs and drabs. On
|
|
the wholesale orders perhaps. Doing a double shuffle with the town
|
|
travellers. Square it you with the boss and we'll split the job, see?
|
|
|
|
How much would that tot to off the porter in the month? Say ten barrels
|
|
of stuff. Say he got ten per cent off. O more. Fifteen. He passed Saint
|
|
Joseph's National school. Brats' clamour. Windows open. Fresh air helps
|
|
memory. Or a lilt. Ahbeesee defeegee kelomen opeecue rustyouvee
|
|
doubleyou. Boys are they? Yes. Inishturk. Inishark. Inishboffin. At their
|
|
joggerfry. Mine. Slieve Bloom.
|
|
|
|
He halted before Dlugacz's window, staring at the hanks of sausages,
|
|
polonies, black and white. Fifteen multiplied by. The figures whitened in
|
|
his mind, unsolved: displeased, he let them fade. The shiny links, packed
|
|
with forcemeat, fed his gaze and he breathed in tranquilly the lukewarm
|
|
breath of cooked spicy pigs' blood.
|
|
|
|
A kidney oozed bloodgouts on the willowpatterned dish: the last. He stood
|
|
by the nextdoor girl at the counter. Would she buy it too, calling the
|
|
items from a slip in her hand? Chapped: washingsoda. And a pound and a
|
|
half of Denny's sausages. His eyes rested on her vigorous hips. Woods his
|
|
name is. Wonder what he does. Wife is oldish. New blood. No followers
|
|
allowed. Strong pair of arms. Whacking a carpet on the clothesline. She
|
|
does whack it, by George. The way her crooked skirt swings at each whack.
|
|
|
|
The ferreteyed porkbutcher folded the sausages he had snipped off with
|
|
blotchy fingers, sausagepink. Sound meat there: like a stallfed heifer.
|
|
|
|
He took a page up from the pile of cut sheets: the model farm at
|
|
Kinnereth on the lakeshore of Tiberias. Can become ideal winter
|
|
sanatorium. Moses Montefiore. I thought he was. Farmhouse, wall round it,
|
|
blurred cattle cropping. He held the page from him: interesting: read it
|
|
nearer, the title, the blurred cropping cattle, the page rustling. A
|
|
young white heifer. Those mornings in the cattlemarket, the beasts lowing
|
|
in their pens, branded sheep, flop and fall of dung, the breeders in
|
|
hobnailed boots trudging through the litter, slapping a palm on a
|
|
ripemeated hindquarter, there's a prime one, unpeeled switches in their
|
|
hands. He held the page aslant patiently, bending his senses and his
|
|
will, his soft subject gaze at rest. The crooked skirt swinging, whack by
|
|
whack by whack.
|
|
|
|
The porkbutcher snapped two sheets from the pile, wrapped up her prime
|
|
sausages and made a red grimace.
|
|
|
|
--Now, my miss, he said.
|
|
|
|
She tendered a coin, smiling boldly, holding her thick wrist out.
|
|
|
|
--Thank you, my miss. And one shilling threepence change. For you,
|
|
please?
|
|
|
|
Mr Bloom pointed quickly. To catch up and walk behind her if she went
|
|
slowly, behind her moving hams. Pleasant to see first thing in the
|
|
morning. Hurry up, damn it. Make hay while the sun shines. She stood
|
|
outside the shop in sunlight and sauntered lazily to the right. He sighed
|
|
down his nose: they never understand. Sodachapped hands. Crusted toenails
|
|
too. Brown scapulars in tatters, defending her both ways. The sting of
|
|
disregard glowed to weak pleasure within his breast. For another: a
|
|
constable off duty cuddling her in Eccles lane. They like them sizeable.
|
|
Prime sausage. O please, Mr Policeman, I'm lost in the wood.
|
|
|
|
--Threepence, please.
|
|
|
|
His hand accepted the moist tender gland and slid it into a sidepocket.
|
|
Then it fetched up three coins from his trousers' pocket and laid them on
|
|
the rubber prickles. They lay, were read quickly and quickly slid, disc
|
|
by disc, into the till.
|
|
|
|
--Thank you, sir. Another time.
|
|
|
|
A speck of eager fire from foxeyes thanked him. He withdrew his gaze
|
|
after an instant. No: better not: another time.
|
|
|
|
--Good morning, he said, moving away.
|
|
|
|
--Good morning, sir.
|
|
|
|
No sign. Gone. What matter?
|
|
|
|
He walked back along Dorset street, reading gravely. Agendath Netaim:
|
|
planters' company. To purchase waste sandy tracts from Turkish government
|
|
and plant with eucalyptus trees. Excellent for shade, fuel and
|
|
construction. Orangegroves and immense melonfields north of Jaffa. You
|
|
pay eighty marks and they plant a dunam of land for you with olives,
|
|
oranges, almonds or citrons. Olives cheaper: oranges need artificial
|
|
irrigation. Every year you get a sending of the crop. Your name entered
|
|
for life as owner in the book of the union. Can pay ten down and the
|
|
balance in yearly instalments. Bleibtreustrasse 34, Berlin, W. 15.
|
|
|
|
Nothing doing. Still an idea behind it.
|
|
|
|
He looked at the cattle, blurred in silver heat. Silverpowdered
|
|
olivetrees. Quiet long days: pruning, ripening. Olives are packed in
|
|
jars, eh? I have a few left from Andrews. Molly spitting them out. Knows
|
|
the taste of them now. Oranges in tissue paper packed in crates. Citrons
|
|
too. Wonder is poor Citron still in Saint Kevin's parade. And Mastiansky
|
|
with the old cither. Pleasant evenings we had then. Molly in Citron's
|
|
basketchair. Nice to hold, cool waxen fruit, hold in the hand, lift it to
|
|
the nostrils and smell the perfume. Like that, heavy, sweet, wild
|
|
perfume. Always the same, year after year. They fetched high prices too,
|
|
Moisel told me. Arbutus place: Pleasants street: pleasant old times. Must
|
|
be without a flaw, he said. Coming all that way: Spain, Gibraltar,
|
|
Mediterranean, the Levant. Crates lined up on the quayside at Jaffa, chap
|
|
ticking them off in a book, navvies handling them barefoot in soiled
|
|
dungarees. There's whatdoyoucallhim out of. How do you? Doesn't see. Chap
|
|
you know just to salute bit of a bore. His back is like that Norwegian
|
|
captain's. Wonder if I'll meet him today. Watering cart. To provoke the
|
|
rain. On earth as it is in heaven.
|
|
|
|
A cloud began to cover the sun slowly, wholly. Grey. Far.
|
|
|
|
No, not like that. A barren land, bare waste. Vulcanic lake, the dead
|
|
sea: no fish, weedless, sunk deep in the earth. No wind could lift those
|
|
waves, grey metal, poisonous foggy waters. Brimstone they called it
|
|
raining down: the cities of the plain: Sodom, Gomorrah, Edom. All dead
|
|
names. A dead sea in a dead land, grey and old. Old now. It bore the
|
|
oldest, the first race. A bent hag crossed from Cassidy's, clutching a
|
|
naggin bottle by the neck. The oldest people. Wandered far away over all
|
|
the earth, captivity to captivity, multiplying, dying, being born
|
|
everywhere. It lay there now. Now it could bear no more. Dead: an old
|
|
woman's: the grey sunken cunt of the world.
|
|
|
|
Desolation.
|
|
|
|
Grey horror seared his flesh. Folding the page into his pocket he turned
|
|
into Eccles street, hurrying homeward. Cold oils slid along his veins,
|
|
chilling his blood: age crusting him with a salt cloak. Well, I am here
|
|
now. Yes, I am here now. Morning mouth bad images. Got up wrong side of
|
|
the bed. Must begin again those Sandow's exercises. On the hands down.
|
|
Blotchy brown brick houses. Number eighty still unlet. Why is that?
|
|
Valuation is only twenty-eight. Towers, Battersby, North, MacArthur:
|
|
parlour windows plastered with bills. Plasters on a sore eye. To smell
|
|
the gentle smoke of tea, fume of the pan, sizzling butter. Be near her
|
|
ample bedwarmed flesh. Yes, yes.
|
|
|
|
Quick warm sunlight came running from Berkeley road, swiftly, in slim
|
|
sandals, along the brightening footpath. Runs, she runs to meet me, a
|
|
girl with gold hair on the wind.
|
|
|
|
Two letters and a card lay on the hallfloor. He stooped and gathered
|
|
them. Mrs Marion Bloom. His quickened heart slowed at once. Bold hand.
|
|
Mrs Marion.
|
|
|
|
--Poldy!
|
|
|
|
Entering the bedroom he halfclosed his eyes and walked through warm
|
|
yellow twilight towards her tousled head.
|
|
|
|
--Who are the letters for?
|
|
|
|
He looked at them. Mullingar. Milly.
|
|
|
|
--A letter for me from Milly, he said carefully, and a card to you. And a
|
|
letter for you.
|
|
|
|
He laid her card and letter on the twill bedspread near the curve of her
|
|
knees.
|
|
|
|
--Do you want the blind up?
|
|
|
|
Letting the blind up by gentle tugs halfway his backward eye saw her
|
|
glance at the letter and tuck it under her pillow.
|
|
|
|
--That do? he asked, turning.
|
|
|
|
She was reading the card, propped on her elbow.
|
|
|
|
--She got the things, she said.
|
|
|
|
He waited till she had laid the card aside and curled herself back slowly
|
|
with a snug sigh.
|
|
|
|
--Hurry up with that tea, she said. I'm parched.
|
|
|
|
--The kettle is boiling, he said.
|
|
|
|
But he delayed to clear the chair: her striped petticoat, tossed soiled
|
|
linen: and lifted all in an armful on to the foot of the bed.
|
|
|
|
As he went down the kitchen stairs she called:
|
|
|
|
--Poldy!
|
|
|
|
--What?
|
|
|
|
--Scald the teapot.
|
|
|
|
On the boil sure enough: a plume of steam from the spout. He scalded and
|
|
rinsed out the teapot and put in four full spoons of tea, tilting the
|
|
kettle then to let the water flow in. Having set it to draw he took off
|
|
the kettle, crushed the pan flat on the live coals and watched the lump
|
|
of butter slide and melt. While he unwrapped the kidney the cat mewed
|
|
hungrily against him. Give her too much meat she won't mouse. Say they
|
|
won't eat pork. Kosher. Here. He let the bloodsmeared paper fall to her
|
|
and dropped the kidney amid the sizzling butter sauce. Pepper. He
|
|
sprinkled it through his fingers ringwise from the chipped eggcup.
|
|
|
|
Then he slit open his letter, glancing down the page and over. Thanks:
|
|
new tam: Mr Coghlan: lough Owel picnic: young student: Blazes Boylan's
|
|
seaside girls.
|
|
|
|
The tea was drawn. He filled his own moustachecup, sham crown
|
|
|
|
Derby, smiling. Silly Milly's birthday gift. Only five she was then. No,
|
|
wait: four. I gave her the amberoid necklace she broke. Putting pieces of
|
|
folded brown paper in the letterbox for her. He smiled, pouring.
|
|
|
|
|
|
O, MILLY BLOOM, YOU ARE MY DARLING.
|
|
YOU ARE MY LOOKINGGLASS FROM NIGHT TO MORNING.
|
|
I'D RATHER HAVE YOU WITHOUT A FARTHING
|
|
THAN KATEY KEOGH WITH HER ASS AND GARDEN.
|
|
|
|
|
|
Poor old professor Goodwin. Dreadful old case. Still he was a courteous
|
|
old chap. Oldfashioned way he used to bow Molly off the platform. And the
|
|
little mirror in his silk hat. The night Milly brought it into the
|
|
parlour. O, look what I found in professor Goodwin's hat! All we laughed.
|
|
Sex breaking out even then. Pert little piece she was.
|
|
|
|
He prodded a fork into the kidney and slapped it over: then fitted the
|
|
teapot on the tray. Its hump bumped as he took it up. Everything on it?
|
|
Bread and butter, four, sugar, spoon, her cream. Yes. He carried it
|
|
upstairs, his thumb hooked in the teapot handle.
|
|
|
|
Nudging the door open with his knee he carried the tray in and set it on
|
|
the chair by the bedhead.
|
|
|
|
--What a time you were! she said.
|
|
|
|
She set the brasses jingling as she raised herself briskly, an elbow on
|
|
the pillow. He looked calmly down on her bulk and between her large soft
|
|
bubs, sloping within her nightdress like a shegoat's udder. The warmth of
|
|
her couched body rose on the air, mingling with the fragrance of the tea
|
|
she poured.
|
|
|
|
A strip of torn envelope peeped from under the dimpled pillow. In the act
|
|
of going he stayed to straighten the bedspread.
|
|
|
|
--Who was the letter from? he asked.
|
|
|
|
Bold hand. Marion.
|
|
|
|
--O, Boylan, she said. He's bringing the programme.
|
|
|
|
--What are you singing?
|
|
|
|
--LA CI DAREM with J. C. Doyle, she said, and LOVE'S OLD SWEET SONG.
|
|
|
|
Her full lips, drinking, smiled. Rather stale smell that incense leaves
|
|
next day. Like foul flowerwater.
|
|
|
|
--Would you like the window open a little?
|
|
|
|
She doubled a slice of bread into her mouth, asking:
|
|
|
|
--What time is the funeral?
|
|
|
|
--Eleven, I think, he answered. I didn't see the paper.
|
|
|
|
Following the pointing of her finger he took up a leg of her soiled
|
|
drawers from the bed. No? Then, a twisted grey garter looped round a
|
|
stocking: rumpled, shiny sole.
|
|
|
|
--No: that book.
|
|
|
|
Other stocking. Her petticoat.
|
|
|
|
--It must have fell down, she said.
|
|
|
|
He felt here and there. VOGLIO E NON VORREI. Wonder if she pronounces
|
|
that right: VOGLIO. Not in the bed. Must have slid down. He stooped and
|
|
lifted the valance. The book, fallen, sprawled against the bulge of the
|
|
orangekeyed chamberpot.
|
|
|
|
--Show here, she said. I put a mark in it. There's a word I wanted to ask
|
|
you.
|
|
|
|
She swallowed a draught of tea from her cup held by nothandle and, having
|
|
wiped her fingertips smartly on the blanket, began to search the text
|
|
with the hairpin till she reached the word.
|
|
|
|
--Met him what? he asked.
|
|
|
|
--Here, she said. What does that mean?
|
|
|
|
He leaned downward and read near her polished thumbnail.
|
|
|
|
--Metempsychosis?
|
|
|
|
--Yes. Who's he when he's at home?
|
|
|
|
--Metempsychosis, he said, frowning. It's Greek: from the Greek. That
|
|
means the transmigration of souls.
|
|
|
|
--O, rocks! she said. Tell us in plain words.
|
|
|
|
He smiled, glancing askance at her mocking eyes. The same young eyes. The
|
|
first night after the charades. Dolphin's Barn. He turned over the
|
|
smudged pages. RUBY: THE PRIDE OF THE RING. Hello. Illustration. Fierce
|
|
Italian with carriagewhip. Must be Ruby pride of the on the floor naked.
|
|
Sheet kindly lent. THE MONSTER MAFFEI DESISTED AND FLUNG HIS VICTIM FROM
|
|
HIM WITH AN OATH. Cruelty behind it all. Doped animals. Trapeze at
|
|
Hengler's. Had to look the other way. Mob gaping. Break your neck and
|
|
we'll break our sides. Families of them. Bone them young so they
|
|
metamspychosis. That we live after death. Our souls. That a man's soul
|
|
after he dies. Dignam's soul ...
|
|
|
|
--Did you finish it? he asked.
|
|
|
|
--Yes, she said. There's nothing smutty in it. Is she in love with the
|
|
first fellow all the time?
|
|
|
|
--Never read it. Do you want another?
|
|
|
|
--Yes. Get another of Paul de Kock's. Nice name he has.
|
|
|
|
She poured more tea into her cup, watching it flow sideways.
|
|
|
|
Must get that Capel street library book renewed or they'll write to
|
|
Kearney, my guarantor. Reincarnation: that's the word.
|
|
|
|
--Some people believe, he said, that we go on living in another body
|
|
after death, that we lived before. They call it reincarnation. That we
|
|
all lived before on the earth thousands of years ago or some other
|
|
planet. They say we have forgotten it. Some say they remember their past
|
|
lives.
|
|
|
|
The sluggish cream wound curdling spirals through her tea. Bette remind
|
|
her of the word: metempsychosis. An example would be better. An example?
|
|
|
|
The BATH OF THE NYMPH over the bed. Given away with the Easter number of
|
|
PHOTO BITS: Splendid masterpiece in art colours. Tea before you put milk
|
|
in. Not unlike her with her hair down: slimmer. Three and six I gave for
|
|
the frame. She said it would look nice over the bed. Naked nymphs:
|
|
Greece: and for instance all the people that lived then.
|
|
|
|
He turned the pages back.
|
|
|
|
--Metempsychosis, he said, is what the ancient Greeks called it. They
|
|
used to believe you could be changed into an animal or a tree, for
|
|
instance. What they called nymphs, for example.
|
|
|
|
Her spoon ceased to stir up the sugar. She gazed straight before her,
|
|
inhaling through her arched nostrils.
|
|
|
|
--There's a smell of burn, she said. Did you leave anything on the fire?
|
|
|
|
--The kidney! he cried suddenly.
|
|
|
|
He fitted the book roughly into his inner pocket and, stubbing his toes
|
|
against the broken commode, hurried out towards the smell, stepping
|
|
hastily down the stairs with a flurried stork's legs. Pungent smoke shot
|
|
up in an angry jet from a side of the pan. By prodding a prong of the
|
|
fork under the kidney he detached it and turned it turtle on its back.
|
|
Only a little burnt. He tossed it off the pan on to a plate and let the
|
|
scanty brown gravy trickle over it.
|
|
|
|
Cup of tea now. He sat down, cut and buttered a slice of the loaf. He
|
|
shore away the burnt flesh and flung it to the cat. Then he put a forkful
|
|
into his mouth, chewing with discernment the toothsome pliant meat. Done
|
|
to a turn. A mouthful of tea. Then he cut away dies of bread, sopped one
|
|
in the gravy and put it in his mouth. What was that about some young
|
|
student and a picnic? He creased out the letter at his side, reading it
|
|
slowly as he chewed, sopping another die of bread in the gravy and
|
|
raising it to his mouth.
|
|
|
|
|
|
Dearest Papli
|
|
|
|
Thanks ever so much for the lovely birthday present. It suits me
|
|
splendid. Everyone says I am quite the belle in my new tam. I got mummy's
|
|
Iovely box of creams and am writing. They are lovely. I am getting on
|
|
swimming in the photo business now. Mr Coghlan took one of me and Mrs.
|
|
Will send when developed. We did great biz yesterday. Fair day and all
|
|
the beef to the heels were in. We are going to lough Owel on Monday with
|
|
a few friends to make a scrap picnic. Give my love to mummy and to
|
|
yourself a big kiss and thanks. I hear them at the piano downstairs.
|
|
There is to be a concert in the Greville Arms on Saturday. There is a
|
|
young student comes here some evenings named Bannon his cousins or
|
|
something are big swells and he sings Boylan's (I was on the pop of
|
|
writing Blazes Boylan's) song about those seaside girls. Tell him silly
|
|
Milly sends my best respects. I must now close with fondest love
|
|
|
|
|
|
Your fond daughter, MILLY.
|
|
|
|
|
|
P. S. Excuse bad writing am in hurry. Byby. M.
|
|
|
|
|
|
Fifteen yesterday. Curious, fifteenth of the month too. Her first
|
|
birthday away from home. Separation. Remember the summer morning she was
|
|
born, running to knock up Mrs Thornton in Denzille street. Jolly old
|
|
woman. Lot of babies she must have helped into the world. She knew from
|
|
the first poor little Rudy wouldn't live. Well, God is good, sir. She
|
|
knew at once. He would be eleven now if he had lived.
|
|
|
|
His vacant face stared pityingly at the postscript. Excuse bad writing.
|
|
Hurry. Piano downstairs. Coming out of her shell. Row with her in the XL
|
|
Cafe about the bracelet. Wouldn't eat her cakes or speak or look.
|
|
Saucebox. He sopped other dies of bread in the gravy and ate piece after
|
|
piece of kidney. Twelve and six a week. Not much. Still, she might do
|
|
worse. Music hall stage. Young student. He drank a draught of cooler tea
|
|
to wash down his meal. Then he read the letter again: twice.
|
|
|
|
O, well: she knows how to mind herself. But if not? No, nothing has
|
|
happened. Of course it might. Wait in any case till it does. A wild piece
|
|
of goods. Her slim legs running up the staircase. Destiny. Ripening now.
|
|
|
|
Vain: very.
|
|
|
|
He smiled with troubled affection at the kitchen window. Day I caught her
|
|
in the street pinching her cheeks to make them red. Anemic a little. Was
|
|
given milk too long. On the ERIN'S KING that day round the Kish. Damned
|
|
old tub pitching about. Not a bit funky. Her pale blue scarf loose in the
|
|
wind with her hair.
|
|
|
|
|
|
ALL DIMPLED CHEEKS AND CURLS,
|
|
YOUR HEAD IT SIMPLY SWIRLS.
|
|
|
|
|
|
Seaside girls. Torn envelope. Hands stuck in his trousers' pockets,
|
|
jarvey off for the day, singing. Friend of the family. Swurls, he says.
|
|
Pier with lamps, summer evening, band,
|
|
|
|
|
|
THOSE GIRLS, THOSE GIRLS,
|
|
THOSE LOVELY SEASIDE GIRLS.
|
|
|
|
|
|
Milly too. Young kisses: the first. Far away now past. Mrs Marion.
|
|
Reading, lying back now, counting the strands of her hair, smiling,
|
|
braiding.
|
|
|
|
A soft qualm, regret, flowed down his backbone, increasing. Will happen,
|
|
yes. Prevent. Useless: can't move. Girl's sweet light lips. Will happen
|
|
too. He felt the flowing qualm spread over him. Useless to move now. Lips
|
|
kissed, kissing, kissed. Full gluey woman's lips.
|
|
|
|
Better where she is down there: away. Occupy her. Wanted a dog to pass
|
|
the time. Might take a trip down there. August bank holiday, only two and
|
|
six return. Six weeks off, however. Might work a press pass. Or through
|
|
M'Coy.
|
|
|
|
The cat, having cleaned all her fur, returned to the meatstained paper,
|
|
nosed at it and stalked to the door. She looked back at him, mewing.
|
|
Wants to go out. Wait before a door sometime it will open. Let her wait.
|
|
Has the fidgets. Electric. Thunder in the air. Was washing at her ear
|
|
with her back to the fire too.
|
|
|
|
He felt heavy, full: then a gentle loosening of his bowels. He stood up,
|
|
undoing the waistband of his trousers. The cat mewed to him.
|
|
|
|
--Miaow! he said in answer. Wait till I'm ready.
|
|
|
|
Heaviness: hot day coming. Too much trouble to fag up the stairs to the
|
|
landing.
|
|
|
|
A paper. He liked to read at stool. Hope no ape comes knocking just as
|
|
I'm.
|
|
|
|
In the tabledrawer he found an old number of TITBITS. He folded it under
|
|
his armpit, went to the door and opened it. The cat went up in soft
|
|
bounds. Ah, wanted to go upstairs, curl up in a ball on the bed.
|
|
|
|
Listening, he heard her voice:
|
|
|
|
--Come, come, pussy. Come.
|
|
|
|
He went out through the backdoor into the garden: stood to listen towards
|
|
the next garden. No sound. Perhaps hanging clothes out to dry. The maid
|
|
was in the garden. Fine morning.
|
|
|
|
He bent down to regard a lean file of spearmint growing by the wall. Make
|
|
a summerhouse here. Scarlet runners. Virginia creepers. Want to manure
|
|
the whole place over, scabby soil. A coat of liver of sulphur. All soil
|
|
like that without dung. Household slops. Loam, what is this that is? The
|
|
hens in the next garden: their droppings are very good top dressing. Best
|
|
of all though are the cattle, especially when they are fed on those
|
|
oilcakes. Mulch of dung. Best thing to clean ladies' kid gloves. Dirty
|
|
cleans. Ashes too. Reclaim the whole place. Grow peas in that corner
|
|
there. Lettuce. Always have fresh greens then. Still gardens have their
|
|
drawbacks. That bee or bluebottle here Whitmonday.
|
|
|
|
He walked on. Where is my hat, by the way? Must have put it back on the
|
|
peg. Or hanging up on the floor. Funny I don't remember that. Hallstand
|
|
too full. Four umbrellas, her raincloak. Picking up the letters. Drago's
|
|
shopbell ringing. Queer I was just thinking that moment. Brown
|
|
brillantined hair over his collar. Just had a wash and brushup. Wonder
|
|
have I time for a bath this morning. Tara street. Chap in the paybox
|
|
there got away James Stephens, they say. O'Brien.
|
|
|
|
Deep voice that fellow Dlugacz has. Agendath what is it? Now, my miss.
|
|
Enthusiast.
|
|
|
|
He kicked open the crazy door of the jakes. Better be careful not to get
|
|
these trousers dirty for the funeral. He went in, bowing his head under
|
|
the low lintel. Leaving the door ajar, amid the stench of mouldy limewash
|
|
and stale cobwebs he undid his braces. Before sitting down he peered
|
|
through a chink up at the nextdoor windows. The king was in his
|
|
countinghouse. Nobody.
|
|
|
|
Asquat on the cuckstool he folded out his paper, turning its pages over
|
|
on his bared knees. Something new and easy. No great hurry. Keep it a
|
|
bit. Our prize titbit: MATCHAM'S MASTERSTROKE. Written by Mr Philip
|
|
Beaufoy, Playgoers' Club, London. Payment at the rate of one guinea a
|
|
column has been made to the writer. Three and a half. Three pounds three.
|
|
Three pounds, thirteen and six.
|
|
|
|
Quietly he read, restraining himself, the first column and, yielding but
|
|
resisting, began the second. Midway, his last resistance yielding, he
|
|
allowed his bowels to ease themselves quietly as he read, reading still
|
|
patiently that slight constipation of yesterday quite gone. Hope it's not
|
|
too big bring on piles again. No, just right. So. Ah! Costive. One
|
|
tabloid of cascara sagrada. Life might be so. It did not move or touch
|
|
him but it was something quick and neat. Print anything now. Silly
|
|
season. He read on, seated calm above his own rising smell. Neat
|
|
certainly. MATCHAM OFTEN THINKS OF THE MASTERSTROKE BY WHICH HE WON THE
|
|
LAUGHING WITCH WHO NOW. Begins and ends morally. HAND IN HAND. Smart. He
|
|
glanced back through what he had read and, while feeling his water flow
|
|
quietly, he envied kindly Mr Beaufoy who had written it and received
|
|
payment of three pounds, thirteen and six.
|
|
|
|
Might manage a sketch. By Mr and Mrs L. M. Bloom. Invent a story for some
|
|
proverb. Which? Time I used to try jotting down on my cuff what she said
|
|
dressing. Dislike dressing together. Nicked myself shaving. Biting her
|
|
nether lip, hooking the placket of her skirt. Timing her. 9.l5. Did
|
|
Roberts pay you yet? 9.20. What had Gretta Conroy on? 9.23. What
|
|
possessed me to buy this comb? 9.24. I'm swelled after that cabbage. A
|
|
speck of dust on the patent leather of her boot.
|
|
|
|
Rubbing smartly in turn each welt against her stockinged calf. Morning
|
|
after the bazaar dance when May's band played Ponchielli's dance of the
|
|
hours. Explain that: morning hours, noon, then evening coming on, then
|
|
night hours. Washing her teeth. That was the first night. Her head
|
|
dancing. Her fansticks clicking. Is that Boylan well off? He has money.
|
|
Why? I noticed he had a good rich smell off his breath dancing. No use
|
|
humming then. Allude to it. Strange kind of music that last night. The
|
|
mirror was in shadow. She rubbed her handglass briskly on her woollen
|
|
vest against her full wagging bub. Peering into it. Lines in her eyes. It
|
|
wouldn't pan out somehow.
|
|
|
|
Evening hours, girls in grey gauze. Night hours then: black with daggers
|
|
and eyemasks. Poetical idea: pink, then golden, then grey, then black.
|
|
Still, true to life also. Day: then the night.
|
|
|
|
He tore away half the prize story sharply and wiped himself with it. Then
|
|
he girded up his trousers, braced and buttoned himself. He pulled back
|
|
the jerky shaky door of the jakes and came forth from the gloom into the
|
|
air.
|
|
|
|
In the bright light, lightened and cooled in limb, he eyed carefully his
|
|
black trousers: the ends, the knees, the houghs of the knees. What time
|
|
is the funeral? Better find out in the paper.
|
|
|
|
A creak and a dark whirr in the air high up. The bells of George's
|
|
church. They tolled the hour: loud dark iron.
|
|
|
|
|
|
HEIGHO! HEIGHO!
|
|
HEIGHO! HEIGHO!
|
|
HEIGHO! HEIGHO!
|
|
|
|
|
|
Quarter to. There again: the overtone following through the air, a third.
|
|
|
|
Poor Dignam!
|
|
|
|
|
|
* * * * * * *
|
|
|
|
|
|
By lorries along sir John Rogerson's quay Mr Bloom walked soberly, past
|
|
Windmill lane, Leask's the linseed crusher, the postal telegraph office.
|
|
Could have given that address too. And past the sailors' home. He turned
|
|
from the morning noises of the quayside and walked through Lime street.
|
|
By Brady's cottages a boy for the skins lolled, his bucket of offal
|
|
linked, smoking a chewed fagbutt. A smaller girl with scars of eczema on
|
|
her forehead eyed him, listlessly holding her battered caskhoop. Tell him
|
|
if he smokes he won't grow. O let him! His life isn't such a bed of
|
|
roses. Waiting outside pubs to bring da home. Come home to ma, da. Slack
|
|
hour: won't be many there. He crossed Townsend street, passed the
|
|
frowning face of Bethel. El, yes: house of: Aleph, Beth. And past
|
|
Nichols' the undertaker. At eleven it is. Time enough. Daresay Corny
|
|
Kelleher bagged the job for O'Neill's. Singing with his eyes shut. Corny.
|
|
Met her once in the park. In the dark. What a lark. Police tout. Her name
|
|
and address she then told with my tooraloom tooraloom tay. O, surely he
|
|
bagged it. Bury him cheap in a whatyoumaycall. With my tooraloom,
|
|
tooraloom, tooraloom, tooraloom.
|
|
|
|
In Westland row he halted before the window of the Belfast and Oriental
|
|
Tea Company and read the legends of leadpapered packets: choice blend,
|
|
finest quality, family tea. Rather warm. Tea. Must get some from Tom
|
|
Kernan. Couldn't ask him at a funeral, though. While his eyes still read
|
|
blandly he took off his hat quietly inhaling his hairoil and sent his
|
|
right hand with slow grace over his brow and hair. Very warm morning.
|
|
Under their dropped lids his eyes found the tiny bow of the leather
|
|
headband inside his high grade ha. Just there. His right hand came down
|
|
into the bowl of his hat. His fingers found quickly a card behind the
|
|
headband and transferred it to his waistcoat pocket.
|
|
|
|
So warm. His right hand once more more slowly went over his brow and
|
|
hair. Then he put on his hat again, relieved: and read again: choice
|
|
blend, made of the finest Ceylon brands. The far east. Lovely spot it
|
|
must be: the garden of the world, big lazy leaves to float about on,
|
|
cactuses, flowery meads, snaky lianas they call them. Wonder is it like
|
|
that. Those Cinghalese lobbing about in the sun in DOLCE FAR NIENTE, not
|
|
doing a hand's turn all day. Sleep six months out of twelve. Too hot to
|
|
quarrel. Influence of the climate. Lethargy. Flowers of idleness. The air
|
|
feeds most. Azotes. Hothouse in Botanic gardens. Sensitive plants.
|
|
Waterlilies. Petals too tired to. Sleeping sickness in the air. Walk on
|
|
roseleaves. Imagine trying to eat tripe and cowheel. Where was the chap I
|
|
saw in that picture somewhere? Ah yes, in the dead sea floating on his
|
|
back, reading a book with a parasol open. Couldn't sink if you tried: so
|
|
thick with salt. Because the weight of the water, no, the weight of the
|
|
body in the water is equal to the weight of the what? Or is it the volume
|
|
is equal to the weight? It's a law something like that. Vance in High
|
|
school cracking his fingerjoints, teaching. The college curriculum.
|
|
Cracking curriculum. What is weight really when you say the weight?
|
|
Thirtytwo feet per second per second. Law of falling bodies: per second
|
|
per second. They all fall to the ground. The earth. It's the force of
|
|
gravity of the earth is the weight.
|
|
|
|
He turned away and sauntered across the road. How did she walk with her
|
|
sausages? Like that something. As he walked he took the folded FREEMAN
|
|
from his sidepocket, unfolded it, rolled it lengthwise in a baton and
|
|
tapped it at each sauntering step against his trouserleg. Careless air:
|
|
just drop in to see. Per second per second. Per second for every second
|
|
it means. From the curbstone he darted a keen glance through the door of
|
|
the postoffice. Too late box. Post here. No-one. In.
|
|
|
|
He handed the card through the brass grill.
|
|
|
|
--Are there any letters for me? he asked.
|
|
|
|
While the postmistress searched a pigeonhole he gazed at the recruiting
|
|
poster with soldiers of all arms on parade: and held the tip of his baton
|
|
against his nostrils, smelling freshprinted rag paper. No answer
|
|
probably. Went too far last time.
|
|
|
|
The postmistress handed him back through the grill his card with a
|
|
letter. He thanked her and glanced rapidly at the typed envelope.
|
|
|
|
|
|
Henry Flower Esq,
|
|
c/o P. O. Westland Row,
|
|
City.
|
|
|
|
|
|
Answered anyhow. He slipped card and letter into his sidepocket,
|
|
reviewing again the soldiers on parade. Where's old Tweedy's regiment?
|
|
Castoff soldier. There: bearskin cap and hackle plume. No, he's a
|
|
grenadier. Pointed cuffs. There he is: royal Dublin fusiliers. Redcoats.
|
|
Too showy. That must be why the women go after them. Uniform. Easier to
|
|
enlist and drill. Maud Gonne's letter about taking them off O'Connell
|
|
street at night: disgrace to our Irish capital. Griffith's paper is on
|
|
the same tack now: an army rotten with venereal disease: overseas or
|
|
halfseasover empire. Half baked they look: hypnotised like. Eyes front.
|
|
Mark time. Table: able. Bed: ed. The King's own. Never see him dressed up
|
|
as a fireman or a bobby. A mason, yes.
|
|
|
|
He strolled out of the postoffice and turned to the right. Talk: as if
|
|
that would mend matters. His hand went into his pocket and a forefinger
|
|
felt its way under the flap of the envelope, ripping it open in jerks.
|
|
Women will pay a lot of heed, I don't think. His fingers drew forth the
|
|
letter the letter and crumpled the envelope in his pocket. Something
|
|
pinned on: photo perhaps. Hair? No.
|
|
|
|
M'Coy. Get rid of him quickly. Take me out of my way. Hate company when
|
|
you.
|
|
|
|
--Hello, Bloom. Where are you off to?
|
|
|
|
--Hello, M'Coy. Nowhere in particular.
|
|
|
|
--How's the body?
|
|
|
|
--Fine. How are you?
|
|
|
|
--Just keeping alive, M'Coy said.
|
|
|
|
His eyes on the black tie and clothes he asked with low respect:
|
|
|
|
--Is there any ... no trouble I hope? I see you're ...
|
|
|
|
--O, no, Mr Bloom said. Poor Dignam, you know. The funeral is today.
|
|
|
|
--To be sure, poor fellow. So it is. What time?
|
|
|
|
A photo it isn't. A badge maybe.
|
|
|
|
--E ... eleven, Mr Bloom answered.
|
|
|
|
--I must try to get out there, M'Coy said. Eleven, is it? I only heard it
|
|
last night. Who was telling me? Holohan. You know Hoppy?
|
|
|
|
--I know.
|
|
|
|
Mr Bloom gazed across the road at the outsider drawn up before the door
|
|
of the Grosvenor. The porter hoisted the valise up on the well. She stood
|
|
still, waiting, while the man, husband, brother, like her, searched his
|
|
pockets for change. Stylish kind of coat with that roll collar, warm for
|
|
a day like this, looks like blanketcloth. Careless stand of her with her
|
|
hands in those patch pockets. Like that haughty creature at the polo
|
|
match. Women all for caste till you touch the spot. Handsome is and
|
|
handsome does. Reserved about to yield. The honourable Mrs and Brutus is
|
|
an honourable man. Possess her once take the starch out of her.
|
|
|
|
--I was with Bob Doran, he's on one of his periodical bends, and what do
|
|
you call him Bantam Lyons. Just down there in Conway's we were.
|
|
|
|
Doran Lyons in Conway's. She raised a gloved hand to her hair. In came
|
|
Hoppy. Having a wet. Drawing back his head and gazing far from beneath
|
|
his vailed eyelids he saw the bright fawn skin shine in the glare, the
|
|
braided drums. Clearly I can see today. Moisture about gives long sight
|
|
perhaps. Talking of one thing or another. Lady's hand. Which side will
|
|
she get up?
|
|
|
|
--And he said: SAD THING ABOUT OUR POOR FRIEND PADDY! WHAT PADDY? I said.
|
|
POOR LITTLE PADDY DIGNAM, he said.
|
|
|
|
Off to the country: Broadstone probably. High brown boots with laces
|
|
dangling. Wellturned foot. What is he foostering over that change for?
|
|
Sees me looking. Eye out for other fellow always. Good fallback. Two
|
|
strings to her bow.
|
|
|
|
--WHY? I said. WHAT'S WRONG WITH HIM? I said.
|
|
|
|
Proud: rich: silk stockings.
|
|
|
|
--Yes, Mr Bloom said.
|
|
|
|
He moved a little to the side of M'Coy's talking head. Getting up in a
|
|
minute.
|
|
|
|
--WHAT'S WRONG WITH HIM? He said. HE'S DEAD, he said. And, faith, he
|
|
filled up. IS IT PADDY DIGNAM? I said. I couldn't believe it when I heard
|
|
it. I was with him no later than Friday last or Thursday was it in the
|
|
Arch. YES, he said. HE'S GONE. HE DIED ON MONDAY, POOR FELLOW. Watch!
|
|
Watch! Silk flash rich stockings white. Watch!
|
|
|
|
A heavy tramcar honking its gong slewed between.
|
|
|
|
Lost it. Curse your noisy pugnose. Feels locked out of it. Paradise and
|
|
the peri. Always happening like that. The very moment. Girl in Eustace
|
|
street hallway Monday was it settling her garter. Her friend covering the
|
|
display of. ESPRIT DE CORPS. Well, what are you gaping at?
|
|
|
|
--Yes, yes, Mr Bloom said after a dull sigh. Another gone.
|
|
|
|
--One of the best, M'Coy said.
|
|
|
|
The tram passed. They drove off towards the Loop Line bridge, her rich
|
|
gloved hand on the steel grip. Flicker, flicker: the laceflare of her hat
|
|
in the sun: flicker, flick.
|
|
|
|
--Wife well, I suppose? M'Coy's changed voice said.
|
|
|
|
--O, yes, Mr Bloom said. Tiptop, thanks.
|
|
|
|
He unrolled the newspaper baton idly and read idly:
|
|
|
|
|
|
WHAT IS HOME WITHOUT
|
|
PLUMTREE'S POTTED MEAT?
|
|
INCOMPLETE
|
|
WITH IT AN ABODE OF BLISS.
|
|
|
|
|
|
--My missus has just got an engagement. At least it's not settled yet.
|
|
|
|
Valise tack again. By the way no harm. I'm off that, thanks.
|
|
|
|
Mr Bloom turned his largelidded eyes with unhasty friendliness.
|
|
|
|
--My wife too, he said. She's going to sing at a swagger affair in the
|
|
Ulster Hall, Belfast, on the twenty-fifth.
|
|
|
|
--That so? M'Coy said. Glad to hear that, old man. Who's getting it up?
|
|
|
|
Mrs Marion Bloom. Not up yet. Queen was in her bedroom eating bread and.
|
|
No book. Blackened court cards laid along her thigh by sevens. Dark lady
|
|
and fair man. Letter. Cat furry black ball. Torn strip of envelope.
|
|
|
|
|
|
LOVE'S
|
|
OLD
|
|
SWEET
|
|
SONG
|
|
COMES LO-OVE'S OLD ...
|
|
|
|
|
|
--It's a kind of a tour, don't you see, Mr Bloom said thoughtfully.
|
|
SWEEEET SONG. There's a committee formed. Part shares and part profits.
|
|
|
|
M'Coy nodded, picking at his moustache stubble.
|
|
|
|
--O, well, he said. That's good news.
|
|
|
|
He moved to go.
|
|
|
|
--Well, glad to see you looking fit, he said. Meet you knocking around.
|
|
|
|
--Yes, Mr Bloom said.
|
|
|
|
--Tell you what, M'Coy said. You might put down my name at the funeral,
|
|
will you? I'd like to go but I mightn't be able, you see. There's a
|
|
drowning case at Sandycove may turn up and then the coroner and myself
|
|
would have to go down if the body is found. You just shove in my name if
|
|
I'm not there, will you?
|
|
|
|
--I'll do that, Mr Bloom said, moving to get off. That'll be all right.
|
|
|
|
--Right, M'Coy said brightly. Thanks, old man. I'd go if I possibly
|
|
could. Well, tolloll. Just C. P. M'Coy will do.
|
|
|
|
--That will be done, Mr Bloom answered firmly.
|
|
|
|
Didn't catch me napping that wheeze. The quick touch. Soft mark. I'd like
|
|
my job. Valise I have a particular fancy for. Leather. Capped corners,
|
|
rivetted edges, double action lever lock. Bob Cowley lent him his for the
|
|
Wicklow regatta concert last year and never heard tidings of it from that
|
|
good day to this.
|
|
|
|
Mr Bloom, strolling towards Brunswick street, smiled. My missus has just
|
|
got an. Reedy freckled soprano. Cheeseparing nose. Nice enough in its
|
|
way: for a little ballad. No guts in it. You and me, don't you know: in
|
|
the same boat. Softsoaping. Give you the needle that would. Can't he hear
|
|
the difference? Think he's that way inclined a bit. Against my grain
|
|
somehow. Thought that Belfast would fetch him. I hope that smallpox up
|
|
there doesn't get worse. Suppose she wouldn't let herself be vaccinated
|
|
again. Your wife and my wife.
|
|
|
|
Wonder is he pimping after me?
|
|
|
|
Mr Bloom stood at the corner, his eyes wandering over the multicoloured
|
|
hoardings. Cantrell and Cochrane's Ginger Ale (Aromatic). Clery's Summer
|
|
Sale. No, he's going on straight. Hello. LEAH tonight. Mrs Bandmann
|
|
Palmer. Like to see her again in that. HAMLET she played last night. Male
|
|
impersonator. Perhaps he was a woman. Why Ophelia committed suicide. Poor
|
|
papa! How he used to talk of Kate Bateman in that. Outside the Adelphi in
|
|
London waited all the afternoon to get in. Year before I was born that
|
|
was: sixtyfive. And Ristori in Vienna. What is this the right name is? By
|
|
Mosenthal it is. Rachel, is it? No. The scene he was always talking about
|
|
where the old blind Abraham recognises the voice and puts his fingers on
|
|
his face.
|
|
|
|
Nathan's voice! His son's voice! I hear the voice of Nathan who left his
|
|
father to die of grief and misery in my arms, who left the house of his
|
|
father and left the God of his father.
|
|
|
|
Every word is so deep, Leopold.
|
|
|
|
Poor papa! Poor man! I'm glad I didn't go into the room to look at his
|
|
face. That day! O, dear! O, dear! Ffoo! Well, perhaps it was best for
|
|
him.
|
|
|
|
Mr Bloom went round the corner and passed the drooping nags of the
|
|
hazard. No use thinking of it any more. Nosebag time. Wish I hadn't met
|
|
that M'Coy fellow.
|
|
|
|
He came nearer and heard a crunching of gilded oats, the gently champing
|
|
teeth. Their full buck eyes regarded him as he went by, amid the sweet
|
|
oaten reek of horsepiss. Their Eldorado. Poor jugginses! Damn all they
|
|
know or care about anything with their long noses stuck in nosebags. Too
|
|
full for words. Still they get their feed all right and their doss.
|
|
Gelded too: a stump of black guttapercha wagging limp between their
|
|
haunches. Might be happy all the same that way. Good poor brutes they
|
|
look. Still their neigh can be very irritating.
|
|
|
|
He drew the letter from his pocket and folded it into the newspaper he
|
|
carried. Might just walk into her here. The lane is safer.
|
|
|
|
He passed the cabman's shelter. Curious the life of drifting cabbies. All
|
|
weathers, all places, time or setdown, no will of their own. VOGLIO E
|
|
NON. Like to give them an odd cigarette. Sociable. Shout a few flying
|
|
syllables as they pass. He hummed:
|
|
|
|
|
|
LA CI DAREM LA MANO
|
|
LA LA LALA LA LA.
|
|
|
|
|
|
He turned into Cumberland street and, going on some paces, halted
|
|
in the lee of the station wall. No-one. Meade's timberyard. Piled balks.
|
|
Ruins and tenements. With careful tread he passed over a hopscotch court
|
|
with its forgotten pickeystone. Not a sinner. Near the timberyard a
|
|
squatted child at marbles, alone, shooting the taw with a cunnythumb. A
|
|
wise tabby, a blinking sphinx, watched from her warm sill. Pity to disturb
|
|
them. Mohammed cut a piece out of his mantle not to wake her. Open it.
|
|
And once I played marbles when I went to that old dame's school. She liked
|
|
mignonette. Mrs Ellis's. And Mr? He opened the letter within the
|
|
newspaper.
|
|
|
|
A flower. I think it's a. A yellow flower with flattened petals. Not
|
|
annoyed then? What does she say?
|
|
|
|
|
|
Dear Henry
|
|
|
|
I got your last letter to me and thank you very much for it. I am sorry
|
|
you did not like my last letter. Why did you enclose the stamps? I am
|
|
awfully angry with you. I do wish I could punish you for that. I called
|
|
you naughty boy because I do not like that other world. Please tell me
|
|
what is the real meaning of that word? Are you not happy in your home you
|
|
poor little naughty boy? I do wish I could do something for you. Please
|
|
tell me what you think of poor me. I often think of the beautiful name you
|
|
have. Dear Henry, when will we meet? I think of you so often you have no
|
|
idea. I have never felt myself so much drawn to a man as you. I feel so
|
|
bad about. Please write me a long letter and tell me more. Remember if you
|
|
do not I will punish you. So now you know what I will do to you, you
|
|
naughty boy, if you do not wrote. O how I long to meet you. Henry dear, do
|
|
not deny my request before my patience are exhausted. Then I will tell you
|
|
all. Goodbye now, naughty darling, I have such a bad headache. today. and
|
|
write BY RETURN to your longing
|
|
|
|
|
|
Martha
|
|
|
|
P. S. Do tell me what kind of perfume does your wife use. I want to know.
|
|
|
|
|
|
He tore the flower gravely from its pinhold smelt its almost no smell
|
|
and placed it in his heart pocket. Language of flowers. They like it
|
|
because no-one can hear. Or a poison bouquet to strike him down. Then
|
|
walking slowly forward he read the letter again, murmuring here and there
|
|
a word. Angry tulips with you darling manflower punish your cactus if you
|
|
don't please poor forgetmenot how I long violets to dear roses when we
|
|
soon anemone meet all naughty nightstalk wife Martha's perfume. Having
|
|
read it all he took it from the newspaper and put it back in his
|
|
sidepocket.
|
|
|
|
Weak joy opened his lips. Changed since the first letter. Wonder
|
|
did she wrote it herself. Doing the indignant: a girl of good
|
|
family like me, respectable character. Could meet one Sunday after the
|
|
rosary. Thank you: not having any. Usual love scrimmage. Then running
|
|
round corners. Bad as a row with Molly. Cigar has a cooling effect.
|
|
Narcotic. Go further next time. Naughty boy: punish: afraid of words, of
|
|
course. Brutal, why not? Try it anyhow. A bit at a time.
|
|
|
|
Fingering still the letter in his pocket he drew the pin out of it.
|
|
Common pin, eh? He threw it on the road. Out of her clothes somewhere:
|
|
pinned together. Queer the number of pins they always have. No roses
|
|
without thorns.
|
|
|
|
Flat Dublin voices bawled in his head. Those two sluts that night in
|
|
the Coombe, linked together in the rain.
|
|
|
|
|
|
O, MARY LOST THE PIN OF HER DRAWERS.
|
|
SHE DIDN'T KNOW WHAT TO DO
|
|
TO KEEP IT UP
|
|
TO KEEP IT UP.
|
|
|
|
|
|
It? Them. Such a bad headache. Has her roses probably. Or sitting all day
|
|
typing. Eyefocus bad for stomach nerves. What perfume does your wife
|
|
use. Now could you make out a thing like that?
|
|
|
|
TO KEEP IT UP.
|
|
|
|
Martha, Mary. I saw that picture somewhere I forget now old master or
|
|
faked for money. He is sitting in their house, talking. Mysterious. Also
|
|
the two sluts in the Coombe would listen.
|
|
|
|
TO KEEP IT UP.
|
|
|
|
Nice kind of evening feeling. No more wandering about. Just loll there:
|
|
quiet dusk: let everything rip. Forget. Tell about places you have been,
|
|
strange customs. The other one, jar on her head, was getting the supper:
|
|
fruit, olives, lovely cool water out of a well, stonecold like the hole in
|
|
the wall at Ashtown. Must carry a paper goblet next time I go to the
|
|
trottingmatches. She listens with big dark soft eyes. Tell her: more and
|
|
more: all. Then a sigh: silence. Long long long rest.
|
|
|
|
Going under the railway arch he took out the envelope, tore it swiftly
|
|
in shreds and scattered them towards the road. The shreds fluttered away,
|
|
sank in the dank air: a white flutter, then all sank.
|
|
|
|
Henry Flower. You could tear up a cheque for a hundred pounds in
|
|
the same way. Simple bit of paper. Lord Iveagh once cashed a sevenfigure
|
|
cheque for a million in the bank of Ireland. Shows you the money to be
|
|
made out of porter. Still the other brother lord Ardilaun has to change
|
|
his shirt four times a day, they say. Skin breeds lice or vermin. A
|
|
million pounds, wait a moment. Twopence a pint, fourpence a quart,
|
|
eightpence a gallon of porter, no, one and fourpence a gallon of porter.
|
|
One and four into twenty: fifteen about. Yes, exactly. Fifteen millions of
|
|
barrels of porter.
|
|
|
|
What am I saying barrels? Gallons. About a million barrels all the same.
|
|
|
|
An incoming train clanked heavily above his head, coach after coach.
|
|
Barrels bumped in his head: dull porter slopped and churned inside. The
|
|
bungholes sprang open and a huge dull flood leaked out, flowing together,
|
|
winding through mudflats all over the level land, a lazy pooling swirl of
|
|
liquor bearing along wideleaved flowers of its froth.
|
|
|
|
He had reached the open backdoor of All Hallows. Stepping into the
|
|
porch he doffed his hat, took the card from his pocket and tucked it again
|
|
behind the leather headband. Damn it. I might have tried to work M'Coy
|
|
for a pass to Mullingar.
|
|
|
|
Same notice on the door. Sermon by the very reverend John Conmee
|
|
S.J. on saint Peter Claver S.J. and the African Mission. Prayers for the
|
|
conversion of Gladstone they had too when he was almost unconscious.
|
|
The protestants are the same. Convert Dr William J. Walsh D.D. to the
|
|
true religion. Save China's millions. Wonder how they explain it to the
|
|
heathen Chinee. Prefer an ounce of opium. Celestials. Rank heresy for
|
|
them. Buddha their god lying on his side in the museum. Taking it easy
|
|
with hand under his cheek. Josssticks burning. Not like Ecce Homo. Crown
|
|
of thorns and cross. Clever idea Saint Patrick the shamrock. Chopsticks?
|
|
Conmee: Martin Cunningham knows him: distinguishedlooking. Sorry I
|
|
didn't work him about getting Molly into the choir instead of that Father
|
|
Farley who looked a fool but wasn't. They're taught that. He's not going
|
|
out in bluey specs with the sweat rolling off him to baptise blacks, is
|
|
he? The glasses would take their fancy, flashing. Like to see them sitting
|
|
round in a ring with blub lips, entranced, listening. Still life. Lap it
|
|
up like milk, I suppose.
|
|
|
|
|
|
The cold smell of sacred stone called him. He trod the worn steps,
|
|
pushed the swingdoor and entered softly by the rere.
|
|
|
|
Something going on: some sodality. Pity so empty. Nice discreet place
|
|
to be next some girl. Who is my neighbour? Jammed by the hour to slow
|
|
music. That woman at midnight mass. Seventh heaven. Women knelt in the
|
|
benches with crimson halters round their necks, heads bowed. A batch knelt
|
|
at the altarrails. The priest went along by them, murmuring, holding the
|
|
thing in his hands. He stopped at each, took out a communion, shook a
|
|
drop or two (are they in water?) off it and put it neatly into her mouth.
|
|
Her hat and head sank. Then the next one. Her hat sank at once. Then the
|
|
next one: a small old woman. The priest bent down to put it into her
|
|
mouth, murmuring all the time. Latin. The next one. Shut your eyes and
|
|
open your mouth. What? CORPUS: body. Corpse. Good idea the Latin.
|
|
Stupefies them first. Hospice for the dying. They don't seem to chew it:
|
|
only swallow it down. Rum idea: eating bits of a corpse. Why the cannibals
|
|
cotton to it.
|
|
|
|
He stood aside watching their blind masks pass down the aisle, one by
|
|
one, and seek their places. He approached a bench and seated himself in
|
|
its corner, nursing his hat and newspaper. These pots we have to wear. We
|
|
ought to have hats modelled on our heads. They were about him here and
|
|
there, with heads still bowed in their crimson halters, waiting for it to
|
|
melt in their stomachs. Something like those mazzoth: it's that sort of
|
|
bread: unleavened shewbread. Look at them. Now I bet it makes them feel
|
|
happy. Lollipop. It does. Yes, bread of angels it's called. There's a big
|
|
idea behind it, kind of kingdom of God is within you feel. First
|
|
communicants. Hokypoky penny a lump. Then feel all like one family party,
|
|
same in the theatre, all in the same swim. They do. I'm sure of that. Not
|
|
so lonely. In our confraternity. Then come out a bit spreeish. Let off
|
|
steam. Thing is if you really believe in it. Lourdes cure, waters of
|
|
oblivion, and the Knock apparition, statues bleeding. Old fellow asleep
|
|
near that confessionbox. Hence those snores. Blind faith. Safe in the arms
|
|
of kingdom come. Lulls all pain. Wake this time next year.
|
|
|
|
He saw the priest stow the communion cup away, well in, and kneel
|
|
an instant before it, showing a large grey bootsole from under the lace
|
|
affair he had on. Suppose he lost the pin of his. He wouldn't know what to
|
|
do to. Bald spot behind. Letters on his back: I.N.R.I? No: I.H.S.
|
|
Molly told me one time I asked her. I have sinned: or no: I have suffered,
|
|
it is. And the other one? Iron nails ran in.
|
|
|
|
Meet one Sunday after the rosary. Do not deny my request. Turn up
|
|
with a veil and black bag. Dusk and the light behind her. She might be
|
|
here with a ribbon round her neck and do the other thing all the same on
|
|
the sly. Their character. That fellow that turned queen's evidence on the
|
|
invincibles he used to receive the, Carey was his name, the communion
|
|
every morning. This very church. Peter Carey, yes. No, Peter Claver I am
|
|
thinking of. Denis Carey. And just imagine that. Wife and six children
|
|
at home. And plotting that murder all the time. Those crawthumpers,
|
|
now that's a good name for them, there's always something shiftylooking
|
|
about them. They're not straight men of business either. O, no, she's
|
|
not here: the flower: no, no. By the way, did I tear up that envelope?
|
|
Yes: under the bridge.
|
|
|
|
The priest was rinsing out the chalice: then he tossed off the dregs
|
|
smartly. Wine. Makes it more aristocratic than for example if he drank
|
|
what they are used to Guinness's porter or some temperance beverage
|
|
Wheatley's Dublin hop bitters or Cantrell and Cochrane's ginger ale
|
|
(aromatic). Doesn't give them any of it: shew wine: only the other. Cold
|
|
comfort. Pious fraud but quite right: otherwise they'd have one old booser
|
|
worse than another coming along, cadging for a drink. Queer the whole
|
|
atmosphere of the. Quite right. Perfectly right that is.
|
|
|
|
Mr Bloom looked back towards the choir. Not going to be any music.
|
|
Pity. Who has the organ here I wonder? Old Glynn he knew how to make
|
|
that instrument talk, the VIBRATO: fifty pounds a year they say he had in
|
|
Gardiner street. Molly was in fine voice that day, the STABAT MATER of
|
|
Rossini. Father Bernard Vaughan's sermon first. Christ or Pilate? Christ,
|
|
but don't keep us all night over it. Music they wanted. Footdrill stopped.
|
|
Could hear a pin drop. I told her to pitch her voice against that corner.
|
|
I could feel the thrill in the air, the full, the people looking up:
|
|
|
|
QUIS EST HOMO.
|
|
|
|
Some of that old sacred music splendid. Mercadante: seven last
|
|
words. Mozart's twelfth mass: GLORIA in that. Those old popes keen on
|
|
music, on art and statues and pictures of all kinds. Palestrina for
|
|
example too. They had a gay old time while it lasted. Healthy too,
|
|
chanting, regular hours, then brew liqueurs. Benedictine. Green
|
|
Chartreuse. Still, having eunuchs in their choir that was coming it a bit
|
|
thick. What kind of voice is it? Must be curious to hear after their own
|
|
strong basses. Connoisseurs. Suppose they wouldn't feel anything after.
|
|
Kind of a placid. No worry. Fall into flesh, don't they? Gluttons, tall,
|
|
long legs. Who knows? Eunuch. One way out of it.
|
|
|
|
He saw the priest bend down and kiss the altar and then face about
|
|
and bless all the people. All crossed themselves and stood up. Mr Bloom
|
|
glanced about him and then stood up, looking over the risen hats. Stand up
|
|
at the gospel of course. Then all settled down on their knees again and he
|
|
sat back quietly in his bench. The priest came down from the altar,
|
|
holding the thing out from him, and he and the massboy answered each other
|
|
in Latin. Then the priest knelt down and began to read off a card:
|
|
|
|
--O God, our refuge and our strength ...
|
|
|
|
Mr Bloom put his face forward to catch the words. English. Throw
|
|
them the bone. I remember slightly. How long since your last mass?
|
|
Glorious and immaculate virgin. Joseph, her spouse. Peter and Paul. More
|
|
interesting if you understood what it was all about. Wonderful
|
|
organisation certainly, goes like clockwork. Confession. Everyone wants
|
|
to. Then I will tell you all. Penance. Punish me, please. Great weapon in
|
|
their hands. More than doctor or solicitor. Woman dying to. And I
|
|
schschschschschsch. And did you chachachachacha? And why did you? Look
|
|
down at her ring to find an excuse. Whispering gallery walls have ears.
|
|
Husband learn to his surprise. God's little joke. Then out she comes.
|
|
Repentance skindeep. Lovely shame. Pray at an altar. Hail Mary and
|
|
Holy Mary. Flowers, incense, candles melting. Hide her blushes.
|
|
Salvation army blatant imitation. Reformed prostitute will address
|
|
the meeting. How I found the Lord. Squareheaded chaps those must be
|
|
in Rome: they work the whole show. And don't they rake in the money too?
|
|
Bequests also: to the P.P. for the time being in his absolute discretion.
|
|
Masses for the repose of my soul to be said publicly with open doors.
|
|
Monasteries and convents. The priest in that Fermanagh will case in
|
|
the witnessbox. No browbeating him. He had his answer pat for everything.
|
|
Liberty and exaltation of our holy mother the church. The doctors of the
|
|
church: they mapped out the whole theology of it.
|
|
|
|
The priest prayed:
|
|
|
|
--Blessed Michael, archangel, defend us in the hour of conflict. Be our
|
|
safeguard against the wickedness and snares of the devil (may God restrain
|
|
him, we humbly pray!): and do thou, O prince of the heavenly host, by the
|
|
power of God thrust Satan down to hell and with him those other wicked
|
|
spirits who wander through the world for the ruin of souls.
|
|
|
|
The priest and the massboy stood up and walked off. All over. The
|
|
women remained behind: thanksgiving.
|
|
|
|
Better be shoving along. Brother Buzz. Come around with the plate
|
|
perhaps. Pay your Easter duty.
|
|
|
|
He stood up. Hello. Were those two buttons of my waistcoat open all
|
|
the time? Women enjoy it. Never tell you. But we. Excuse, miss, there's a
|
|
(whh!) just a (whh!) fluff. Or their skirt behind, placket unhooked.
|
|
Glimpses of the moon. Annoyed if you don't. Why didn't you tell me
|
|
before. Still like you better untidy. Good job it wasn't farther south. He
|
|
passed, discreetly buttoning, down the aisle and out through the main door
|
|
into the light. He stood a moment unseeing by the cold black marble bowl
|
|
while before him and behind two worshippers dipped furtive hands in the
|
|
low tide of holy water. Trams: a car of Prescott's dyeworks: a widow in
|
|
her weeds. Notice because I'm in mourning myself. He covered himself. How
|
|
goes the time? Quarter past. Time enough yet. Better get that lotion made
|
|
up. Where is this? Ah yes, the last time. Sweny's in Lincoln place.
|
|
Chemists rarely move. Their green and gold beaconjars too heavy to stir.
|
|
Hamilton Long's, founded in the year of the flood. Huguenot churchyard
|
|
near there. Visit some day.
|
|
|
|
He walked southward along Westland row. But the recipe is in the
|
|
other trousers. O, and I forgot that latchkey too. Bore this funeral
|
|
affair. O well, poor fellow, it's not his fault. When was it I got it made
|
|
up last? Wait. I changed a sovereign I remember. First of the month it
|
|
must have been or the second. O, he can look it up in the prescriptions
|
|
book.
|
|
|
|
The chemist turned back page after page. Sandy shrivelled smell he
|
|
seems to have. Shrunken skull. And old. Quest for the philosopher's stone.
|
|
The alchemists. Drugs age you after mental excitement. Lethargy then.
|
|
Why? Reaction. A lifetime in a night. Gradually changes your character.
|
|
Living all the day among herbs, ointments, disinfectants. All his
|
|
alabaster lilypots. Mortar and pestle. Aq. Dist. Fol. Laur. Te Virid.
|
|
Smell almost cure you like the dentist's doorbell. Doctor Whack. He ought
|
|
to physic himself a bit. Electuary or emulsion. The first fellow that
|
|
picked an herb to cure himself had a bit of pluck. Simples. Want to be
|
|
careful. Enough stuff here to chloroform you. Test: turns blue litmus
|
|
paper red. Chloroform. Overdose of laudanum. Sleeping draughts.
|
|
Lovephiltres. Paragoric poppysyrup bad for cough. Clogs the pores or the
|
|
phlegm. Poisons the only cures. Remedy where you least expect it. Clever
|
|
of nature.
|
|
|
|
--About a fortnight ago, sir?
|
|
|
|
--Yes, Mr Bloom said.
|
|
|
|
He waited by the counter, inhaling slowly the keen reek of drugs, the
|
|
dusty dry smell of sponges and loofahs. Lot of time taken up telling your
|
|
aches and pains.
|
|
|
|
--Sweet almond oil and tincture of benzoin, Mr Bloom said, and then
|
|
orangeflower water ...
|
|
|
|
It certainly did make her skin so delicate white like wax.
|
|
|
|
--And white wax also, he said.
|
|
|
|
Brings out the darkness of her eyes. Looking at me, the sheet up to
|
|
her eyes, Spanish, smelling herself, when I was fixing the links in my
|
|
cuffs. Those homely recipes are often the best: strawberries for the
|
|
teeth: nettles and rainwater: oatmeal they say steeped in buttermilk.
|
|
Skinfood. One of the old queen's sons, duke of Albany was it? had only one
|
|
skin. Leopold, yes. Three we have. Warts, bunions and pimples to make it
|
|
worse. But you want a perfume too. What perfume does your? PEAU D'ESPAGNE.
|
|
That orangeflower water is so fresh. Nice smell these soaps have. Pure
|
|
curd soap. Time to get a bath round the corner. Hammam. Turkish. Massage.
|
|
Dirt gets rolled up in your navel. Nicer if a nice girl did it. Also I
|
|
think I. Yes I. Do it in the bath. Curious longing I. Water to water.
|
|
Combine business with pleasure. Pity no time for massage. Feel fresh then
|
|
all the day. Funeral be rather glum.
|
|
|
|
--Yes, sir, the chemist said. That was two and nine. Have you brought a
|
|
bottle?
|
|
|
|
--No, Mr Bloom said. Make it up, please. I'll call later in the day and
|
|
I'll take one of these soaps. How much are they?
|
|
|
|
--Fourpence, sir.
|
|
|
|
Mr Bloom raised a cake to his nostrils. Sweet lemony wax.
|
|
|
|
--I'll take this one, he said. That makes three and a penny.
|
|
|
|
--Yes, sir, the chemist said. You can pay all together, sir, when you
|
|
come back.
|
|
|
|
--Good, Mr Bloom said.
|
|
|
|
He strolled out of the shop, the newspaper baton under his armpit,
|
|
the coolwrappered soap in his left hand.
|
|
|
|
At his armpit Bantam Lyons' voice and hand said:
|
|
|
|
--Hello, Bloom. What's the best news? Is that today's? Show us a minute.
|
|
|
|
Shaved off his moustache again, by Jove! Long cold upper lip. To
|
|
look younger. He does look balmy. Younger than I am.
|
|
|
|
Bantam Lyons's yellow blacknailed fingers unrolled the baton. Wants
|
|
a wash too. Take off the rough dirt. Good morning, have you used Pears'
|
|
soap? Dandruff on his shoulders. Scalp wants oiling.
|
|
|
|
--I want to see about that French horse that's running today, Bantam
|
|
Lyons said. Where the bugger is it?
|
|
|
|
He rustled the pleated pages, jerking his chin on his high collar.
|
|
Barber's itch. Tight collar he'll lose his hair. Better leave him the
|
|
paper and get shut of him.
|
|
|
|
--You can keep it, Mr Bloom said.
|
|
|
|
--Ascot. Gold cup. Wait, Bantam Lyons muttered. Half a mo. Maximum
|
|
the second.
|
|
|
|
--I was just going to throw it away, Mr Bloom said.
|
|
|
|
Bantam Lyons raised his eyes suddenly and leered weakly.
|
|
|
|
--What's that? his sharp voice said.
|
|
|
|
--I say you can keep it, Mr Bloom answered. I was going to throw it away
|
|
that moment.
|
|
|
|
Bantam Lyons doubted an instant, leering: then thrust the outspread
|
|
sheets back on Mr Bloom's arms.
|
|
|
|
--I'll risk it, he said. Here, thanks.
|
|
|
|
He sped off towards Conway's corner. God speed scut.
|
|
|
|
Mr Bloom folded the sheets again to a neat square and lodged the
|
|
soap in it, smiling. Silly lips of that chap. Betting. Regular hotbed of
|
|
it lately. Messenger boys stealing to put on sixpence. Raffle for large
|
|
tender turkey. Your Christmas dinner for threepence. Jack Fleming
|
|
embezzling to gamble then smuggled off to America. Keeps a hotel now. They
|
|
never come back. Fleshpots of Egypt.
|
|
|
|
He walked cheerfully towards the mosque of the baths. Remind you
|
|
of a mosque, redbaked bricks, the minarets. College sports today I see. He
|
|
eyed the horseshoe poster over the gate of college park: cyclist doubled
|
|
up like a cod in a pot. Damn bad ad. Now if they had made it round like a
|
|
wheel. Then the spokes: sports, sports, sports: and the hub big: college.
|
|
Something to catch the eye.
|
|
|
|
There's Hornblower standing at the porter's lodge. Keep him on
|
|
hands: might take a turn in there on the nod. How do you do, Mr
|
|
Hornblower? How do you do, sir?
|
|
|
|
Heavenly weather really. If life was always like that. Cricket weather.
|
|
Sit around under sunshades. Over after over. Out. They can't play it here.
|
|
Duck for six wickets. Still Captain Culler broke a window in the Kildare
|
|
street club with a slog to square leg. Donnybrook fair more in their line.
|
|
And the skulls we were acracking when M'Carthy took the floor.
|
|
Heatwave. Won't last. Always passing, the stream of life, which in the
|
|
stream of life we trace is dearer than them all.
|
|
|
|
Enjoy a bath now: clean trough of water, cool enamel, the gentle
|
|
tepid stream. This is my body.
|
|
|
|
He foresaw his pale body reclined in it at full, naked, in a womb of
|
|
warmth, oiled by scented melting soap, softly laved. He saw his trunk and
|
|
limbs riprippled over and sustained, buoyed lightly upward, lemonyellow:
|
|
his navel, bud of flesh: and saw the dark tangled curls of his bush
|
|
floating, floating hair of the stream around the limp father of thousands,
|
|
a languid floating flower.
|
|
|
|
|
|
* * * * * * *
|
|
|
|
|
|
Martin Cunningham, first, poked his silkhatted head into the creaking
|
|
carriage and, entering deftly, seated himself. Mr Power stepped in after
|
|
him, curving his height with care.
|
|
|
|
--Come on, Simon.
|
|
|
|
--After you, Mr Bloom said.
|
|
|
|
Mr Dedalus covered himself quickly and got in, saying:
|
|
|
|
Yes, yes.
|
|
|
|
--Are we all here now? Martin Cunningham asked. Come along, Bloom.
|
|
|
|
Mr Bloom entered and sat in the vacant place. He pulled the door to
|
|
after him and slammed it twice till it shut tight. He passed an arm
|
|
through the armstrap and looked seriously from the open carriagewindow at
|
|
the lowered blinds of the avenue. One dragged aside: an old woman peeping.
|
|
Nose whiteflattened against the pane. Thanking her stars she was passed
|
|
over. Extraordinary the interest they take in a corpse. Glad to see us go
|
|
we give them such trouble coming. Job seems to suit them. Huggermugger in
|
|
corners. Slop about in slipperslappers for fear he'd wake. Then getting it
|
|
ready. Laying it out. Molly and Mrs Fleming making the bed. Pull it more
|
|
to your side. Our windingsheet. Never know who will touch you dead.
|
|
Wash and shampoo. I believe they clip the nails and the hair. Keep a bit
|
|
in an envelope. Grows all the same after. Unclean job.
|
|
|
|
All waited. Nothing was said. Stowing in the wreaths probably. I am
|
|
sitting on something hard. Ah, that soap: in my hip pocket. Better shift
|
|
it out of that. Wait for an opportunity.
|
|
|
|
All waited. Then wheels were heard from in front, turning: then
|
|
nearer: then horses' hoofs. A jolt. Their carriage began to move, creaking
|
|
and swaying. Other hoofs and creaking wheels started behind. The blinds
|
|
of the avenue passed and number nine with its craped knocker, door ajar.
|
|
At walking pace.
|
|
|
|
They waited still, their knees jogging, till they had turned and were
|
|
passing along the tramtracks. Tritonville road. Quicker. The wheels
|
|
rattled rolling over the cobbled causeway and the crazy glasses shook
|
|
rattling in the doorframes.
|
|
|
|
--What way is he taking us? Mr Power asked through both windows.
|
|
|
|
--Irishtown, Martin Cunningham said. Ringsend. Brunswick street.
|
|
|
|
Mr Dedalus nodded, looking out.
|
|
|
|
--That's a fine old custom, he said. I am glad to see it has not died out.
|
|
|
|
All watched awhile through their windows caps and hats lifted by
|
|
passers. Respect. The carriage swerved from the tramtrack to the smoother
|
|
road past Watery lane. Mr Bloom at gaze saw a lithe young man, clad in
|
|
mourning, a wide hat.
|
|
|
|
--There's a friend of yours gone by, Dedalus, he said.
|
|
|
|
--Who is that?
|
|
|
|
--Your son and heir.
|
|
|
|
--Where is he? Mr Dedalus said, stretching over across.
|
|
|
|
The carriage, passing the open drains and mounds of rippedup
|
|
roadway before the tenement houses, lurched round the corner and,
|
|
swerving back to the tramtrack, rolled on noisily with chattering wheels.
|
|
Mr Dedalus fell back, saying:
|
|
|
|
--Was that Mulligan cad with him? His FIDUS ACHATES!
|
|
|
|
--No, Mr Bloom said. He was alone.
|
|
|
|
--Down with his aunt Sally, I suppose, Mr Dedalus said, the Goulding
|
|
faction, the drunken little costdrawer and Crissie, papa's little lump of
|
|
dung, the wise child that knows her own father.
|
|
|
|
Mr Bloom smiled joylessly on Ringsend road. Wallace Bros: the
|
|
bottleworks: Dodder bridge.
|
|
|
|
Richie Goulding and the legal bag. Goulding, Collis and Ward he
|
|
calls the firm. His jokes are getting a bit damp. Great card he was.
|
|
Waltzing in Stamer street with Ignatius Gallaher on a Sunday morning, the
|
|
landlady's two hats pinned on his head. Out on the rampage all night.
|
|
Beginning to tell on him now: that backache of his, I fear. Wife ironing
|
|
his back. Thinks he'll cure it with pills. All breadcrumbs they are.
|
|
About six hundred per cent profit.
|
|
|
|
--He's in with a lowdown crowd, Mr Dedalus snarled. That Mulligan is a
|
|
contaminated bloody doubledyed ruffian by all accounts. His name stinks
|
|
all over Dublin. But with the help of God and His blessed mother I'll make
|
|
it my business to write a letter one of those days to his mother or his
|
|
aunt or whatever she is that will open her eye as wide as a gate. I'll
|
|
tickle his catastrophe, believe you me.
|
|
|
|
He cried above the clatter of the wheels:
|
|
|
|
--I won't have her bastard of a nephew ruin my son. A counterjumper's
|
|
son. Selling tapes in my cousin, Peter Paul M'Swiney's. Not likely.
|
|
|
|
He ceased. Mr Bloom glanced from his angry moustache to Mr Power's
|
|
mild face and Martin Cunningham's eyes and beard, gravely shaking.
|
|
Noisy selfwilled man. Full of his son. He is right. Something to
|
|
hand on. If little Rudy had lived. See him grow up. Hear his voice in the
|
|
house. Walking beside Molly in an Eton suit. My son. Me in his eyes.
|
|
Strange feeling it would be. From me. Just a chance. Must have been that
|
|
morning in Raymond terrace she was at the window watching the two dogs
|
|
at it by the wall of the cease to do evil. And the sergeant grinning up.
|
|
She had that cream gown on with the rip she never stitched. Give us a
|
|
touch, Poldy. God, I'm dying for it. How life begins.
|
|
|
|
Got big then. Had to refuse the Greystones concert. My son inside
|
|
her. I could have helped him on in life. I could. Make him independent.
|
|
Learn German too.
|
|
|
|
--Are we late? Mr Power asked.
|
|
|
|
--Ten minutes, Martin Cunningham said, looking at his watch.
|
|
|
|
Molly. Milly. Same thing watered down. Her tomboy oaths. O jumping
|
|
Jupiter! Ye gods and little fishes! Still, she's a dear girl. Soon
|
|
be a woman. Mullingar. Dearest Papli. Young student. Yes, yes: a woman
|
|
too. Life, life.
|
|
|
|
The carriage heeled over and back, their four trunks swaying.
|
|
|
|
--Corny might have given us a more commodious yoke, Mr Power said.
|
|
|
|
--He might, Mr Dedalus said, if he hadn't that squint troubling him. Do
|
|
you follow me?
|
|
|
|
He closed his left eye. Martin Cunningham began to brush away
|
|
crustcrumbs from under his thighs.
|
|
|
|
--What is this, he said, in the name of God? Crumbs?
|
|
|
|
--Someone seems to have been making a picnic party here lately, Mr Power
|
|
said.
|
|
|
|
All raised their thighs and eyed with disfavour the mildewed
|
|
buttonless leather of the seats. Mr Dedalus, twisting his nose, frowned
|
|
downward and said:
|
|
|
|
--Unless I'm greatly mistaken. What do you think, Martin?
|
|
|
|
--It struck me too, Martin Cunningham said.
|
|
|
|
Mr Bloom set his thigh down. Glad I took that bath. Feel my feet
|
|
quite clean. But I wish Mrs Fleming had darned these socks better.
|
|
|
|
Mr Dedalus sighed resignedly.
|
|
|
|
--After all, he said, it's the most natural thing in the world.
|
|
|
|
--Did Tom Kernan turn up? Martin Cunningham asked, twirling the peak
|
|
of his beard gently.
|
|
|
|
--Yes, Mr Bloom answered. He's behind with Ned Lambert and Hynes.
|
|
|
|
--And Corny Kelleher himself? Mr Power asked.
|
|
|
|
--At the cemetery, Martin Cunningham said.
|
|
|
|
--I met M'Coy this morning, Mr Bloom said. He said he'd try to come.
|
|
|
|
The carriage halted short.
|
|
|
|
--What's wrong?
|
|
|
|
--We're stopped.
|
|
|
|
--Where are we?
|
|
|
|
Mr Bloom put his head out of the window.
|
|
|
|
--The grand canal, he said.
|
|
|
|
Gasworks. Whooping cough they say it cures. Good job Milly never
|
|
got it. Poor children! Doubles them up black and blue in convulsions.
|
|
Shame really. Got off lightly with illnesses compared. Only measles.
|
|
Flaxseed tea. Scarlatina, influenza epidemics. Canvassing for death. Don't
|
|
miss this chance. Dogs' home over there. Poor old Athos! Be good to Athos,
|
|
Leopold, is my last wish. Thy will be done. We obey them in the grave. A
|
|
dying scrawl. He took it to heart, pined away. Quiet brute. Old men's dogs
|
|
usually are.
|
|
|
|
A raindrop spat on his hat. He drew back and saw an instant of
|
|
shower spray dots over the grey flags. Apart. Curious. Like through a
|
|
colander. I thought it would. My boots were creaking I remember now.
|
|
|
|
--The weather is changing, he said quietly.
|
|
|
|
--A pity it did not keep up fine, Martin Cunningham said.
|
|
|
|
--Wanted for the country, Mr Power said. There's the sun again coming out.
|
|
|
|
Mr Dedalus, peering through his glasses towards the veiled sun,
|
|
hurled a mute curse at the sky.
|
|
|
|
--It's as uncertain as a child's bottom, he said.
|
|
|
|
--We're off again.
|
|
|
|
The carriage turned again its stiff wheels and their trunks swayed
|
|
gently. Martin Cunningham twirled more quickly the peak of his beard.
|
|
|
|
--Tom Kernan was immense last night, he said. And Paddy Leonard taking
|
|
him off to his face.
|
|
|
|
--O, draw him out, Martin, Mr Power said eagerly. Wait till you hear him,
|
|
Simon, on Ben Dollard's singing of THE CROPPY BOY.
|
|
|
|
--Immense, Martin Cunningham said pompously. HIS SINGING OF THAT SIMPLE
|
|
BALLAD, MARTIN, IS THE MOST TRENCHANT RENDERING I EVER HEARD IN THE WHOLE
|
|
COURSE OF MY EXPERIENCE.
|
|
|
|
--Trenchant, Mr Power said laughing. He's dead nuts on that. And the
|
|
retrospective arrangement.
|
|
|
|
--Did you read Dan Dawson's speech? Martin Cunningham asked.
|
|
|
|
--I did not then, Mr Dedalus said. Where is it?
|
|
|
|
--In the paper this morning.
|
|
|
|
Mr Bloom took the paper from his inside pocket. That book I must
|
|
change for her.
|
|
|
|
--No, no, Mr Dedalus said quickly. Later on please.
|
|
|
|
Mr Bloom's glance travelled down the edge of the paper, scanning the
|
|
deaths: Callan, Coleman, Dignam, Fawcett, Lowry, Naumann, Peake, what
|
|
Peake is that? is it the chap was in Crosbie and Alleyne's? no, Sexton,
|
|
Urbright. Inked characters fast fading on the frayed breaking paper.
|
|
Thanks to the Little Flower. Sadly missed. To the inexpressible grief of
|
|
his. Aged 88 after a long and tedious illness. Month's mind: Quinlan.
|
|
On whose soul Sweet Jesus have mercy.
|
|
|
|
|
|
IT IS NOW A MONTH SINCE DEAR HENRY FLED
|
|
TO HIS HOME UP ABOVE IN THE SKY
|
|
WHILE HIS FAMILY WEEPS AND MOURNS HIS LOSS
|
|
HOPING SOME DAY TO MEET HIM ON HIGH.
|
|
|
|
|
|
I tore up the envelope? Yes. Where did I put her letter after I read it in
|
|
the bath? He patted his waistcoatpocket. There all right. Dear Henry fled.
|
|
Before my patience are exhausted.
|
|
|
|
National school. Meade's yard. The hazard. Only two there now.
|
|
Nodding. Full as a tick. Too much bone in their skulls. The other trotting
|
|
round with a fare. An hour ago I was passing there. The jarvies raised
|
|
their hats.
|
|
|
|
A pointsman's back straightened itself upright suddenly against a
|
|
tramway standard by Mr Bloom's window. Couldn't they invent something
|
|
automatic so that the wheel itself much handier? Well but that fellow
|
|
would lose his job then? Well but then another fellow would get a job
|
|
making the new invention?
|
|
|
|
Antient concert rooms. Nothing on there. A man in a buff suit with a
|
|
crape armlet. Not much grief there. Quarter mourning. People in law
|
|
perhaps.
|
|
|
|
They went past the bleak pulpit of saint Mark's, under the railway
|
|
bridge, past the Queen's theatre: in silence. Hoardings: Eugene Stratton,
|
|
Mrs Bandmann Palmer. Could I go to see LEAH tonight, I wonder. I said I.
|
|
Or the LILY OF KILLARNEY? Elster Grimes Opera Company. Big powerful
|
|
change. Wet bright bills for next week. FUN ON THE BRISTOL. Martin
|
|
Cunningham could work a pass for the Gaiety. Have to stand a drink or
|
|
two. As broad as it's long.
|
|
|
|
He's coming in the afternoon. Her songs.
|
|
|
|
Plasto's. Sir Philip Crampton's memorial fountain bust. Who was he?
|
|
|
|
--How do you do? Martin Cunningham said, raising his palm to his brow
|
|
in salute.
|
|
|
|
--He doesn't see us, Mr Power said. Yes, he does. How do you do?
|
|
|
|
--Who? Mr Dedalus asked.
|
|
|
|
--Blazes Boylan, Mr Power said. There he is airing his quiff.
|
|
|
|
Just that moment I was thinking.
|
|
|
|
Mr Dedalus bent across to salute. From the door of the Red Bank the
|
|
white disc of a straw hat flashed reply: spruce figure: passed.
|
|
|
|
Mr Bloom reviewed the nails of his left hand, then those of his right
|
|
hand. The nails, yes. Is there anything more in him that they she sees?
|
|
Fascination. Worst man in Dublin. That keeps him alive. They sometimes
|
|
feel what a person is. Instinct. But a type like that. My nails. I am just
|
|
looking at them: well pared. And after: thinking alone. Body getting a bit
|
|
softy. I would notice that: from remembering. What causes that? I suppose
|
|
the skin can't contract quickly enough when the flesh falls off. But the
|
|
shape is there. The shape is there still. Shoulders. Hips. Plump. Night of
|
|
the dance dressing. Shift stuck between the cheeks behind.
|
|
|
|
He clasped his hands between his knees and, satisfied, sent his vacant
|
|
glance over their faces.
|
|
|
|
Mr Power asked:
|
|
|
|
--How is the concert tour getting on, Bloom?
|
|
|
|
--O, very well, Mr Bloom said. I hear great accounts of it. It's a good
|
|
idea, you see ...
|
|
|
|
--Are you going yourself?
|
|
|
|
--Well no, Mr Bloom said. In point of fact I have to go down to the
|
|
county Clare on some private business. You see the idea is to tour the
|
|
chief towns. What you lose on one you can make up on the other.
|
|
|
|
--Quite so, Martin Cunningham said. Mary Anderson is up there now.
|
|
|
|
Have you good artists?
|
|
|
|
--Louis Werner is touring her, Mr Bloom said. O yes, we'll have all
|
|
topnobbers. J. C. Doyle and John MacCormack I hope and. The best, in
|
|
fact.
|
|
|
|
--And MADAME, Mr Power said smiling. Last but not least.
|
|
|
|
Mr Bloom unclasped his hands in a gesture of soft politeness and
|
|
clasped them. Smith O'Brien. Someone has laid a bunch of flowers there.
|
|
Woman. Must be his deathday. For many happy returns. The carriage
|
|
wheeling by Farrell's statue united noiselessly their unresisting knees.
|
|
|
|
Oot: a dullgarbed old man from the curbstone tendered his wares, his
|
|
mouth opening: oot.
|
|
|
|
--Four bootlaces for a penny.
|
|
|
|
Wonder why he was struck off the rolls. Had his office in Hume
|
|
street. Same house as Molly's namesake, Tweedy, crown solicitor for
|
|
Waterford. Has that silk hat ever since. Relics of old decency. Mourning
|
|
too. Terrible comedown, poor wretch! Kicked about like snuff at a wake.
|
|
O'Callaghan on his last legs.
|
|
|
|
And MADAME. Twenty past eleven. Up. Mrs Fleming is in to clean.
|
|
Doing her hair, humming. VOGLIO E NON VORREI. No. VORREI E NON. Looking
|
|
at the tips of her hairs to see if they are split. MI TREMA UN POCO IL.
|
|
Beautiful on that TRE her voice is: weeping tone. A thrush. A throstle.
|
|
There is a word throstle that expresses that.
|
|
|
|
His eyes passed lightly over Mr Power's goodlooking face. Greyish
|
|
over the ears. MADAME: smiling. I smiled back. A smile goes a long way.
|
|
Only politeness perhaps. Nice fellow. Who knows is that true about the
|
|
woman he keeps? Not pleasant for the wife. Yet they say, who was it told
|
|
me, there is no carnal. You would imagine that would get played out pretty
|
|
quick. Yes, it was Crofton met him one evening bringing her a pound of
|
|
rumpsteak. What is this she was? Barmaid in Jury's. Or the Moira, was it?
|
|
|
|
They passed under the hugecloaked Liberator's form.
|
|
|
|
Martin Cunningham nudged Mr Power.
|
|
|
|
--Of the tribe of Reuben, he said.
|
|
|
|
A tall blackbearded figure, bent on a stick, stumping round the corner
|
|
of Elvery's Elephant house, showed them a curved hand open on his spine.
|
|
|
|
--In all his pristine beauty, Mr Power said.
|
|
|
|
Mr Dedalus looked after the stumping figure and said mildly:
|
|
|
|
--The devil break the hasp of your back!
|
|
|
|
Mr Power, collapsing in laughter, shaded his face from the window as
|
|
the carriage passed Gray's statue.
|
|
|
|
--We have all been there, Martin Cunningham said broadly.
|
|
|
|
His eyes met Mr Bloom's eyes. He caressed his beard, adding:
|
|
|
|
--Well, nearly all of us.
|
|
|
|
Mr Bloom began to speak with sudden eagerness to his companions' faces.
|
|
|
|
--That's an awfully good one that's going the rounds about Reuben J and
|
|
the son.
|
|
|
|
--About the boatman? Mr Power asked.
|
|
|
|
--Yes. Isn't it awfully good?
|
|
|
|
--What is that? Mr Dedalus asked. I didn't hear it.
|
|
|
|
--There was a girl in the case, Mr Bloom began, and he determined to send
|
|
him to the Isle of Man out of harm's way but when they were both ...
|
|
|
|
--What? Mr Dedalus asked. That confirmed bloody hobbledehoy is it?
|
|
|
|
--Yes, Mr Bloom said. They were both on the way to the boat and he tried
|
|
to drown ...
|
|
|
|
--Drown Barabbas! Mr Dedalus cried. I wish to Christ he did!
|
|
|
|
Mr Power sent a long laugh down his shaded nostrils.
|
|
|
|
--No, Mr Bloom said, the son himself ...
|
|
|
|
Martin Cunningham thwarted his speech rudely:
|
|
|
|
--Reuben and the son were piking it down the quay next the river on their
|
|
way to the Isle of Man boat and the young chiseller suddenly got loose and
|
|
over the wall with him into the Liffey.
|
|
|
|
--For God's sake! Mr Dedalus exclaimed in fright. Is he dead?
|
|
|
|
--Dead! Martin Cunningham cried. Not he! A boatman got a pole and
|
|
fished him out by the slack of the breeches and he was landed up to the
|
|
father on the quay more dead than alive. Half the town was there.
|
|
|
|
--Yes, Mr Bloom said. But the funny part is ...
|
|
|
|
--And Reuben J, Martin Cunningham said, gave the boatman a florin for
|
|
saving his son's life.
|
|
|
|
A stifled sigh came from under Mr Power's hand.
|
|
|
|
--O, he did, Martin Cunningham affirmed. Like a hero. A silver florin.
|
|
|
|
--Isn't it awfully good? Mr Bloom said eagerly.
|
|
|
|
--One and eightpence too much, Mr Dedalus said drily.
|
|
|
|
Mr Power's choked laugh burst quietly in the carriage.
|
|
|
|
Nelson's pillar.
|
|
|
|
--Eight plums a penny! Eight for a penny!
|
|
|
|
--We had better look a little serious, Martin Cunningham said.
|
|
|
|
Mr Dedalus sighed.
|
|
|
|
--Ah then indeed, he said, poor little Paddy wouldn't grudge us a laugh.
|
|
Many a good one he told himself.
|
|
|
|
--The Lord forgive me! Mr Power said, wiping his wet eyes with his
|
|
fingers. Poor Paddy! I little thought a week ago when I saw him last and
|
|
he was in his usual health that I'd be driving after him like this. He's
|
|
gone from us.
|
|
|
|
--As decent a little man as ever wore a hat, Mr Dedalus said. He went
|
|
very suddenly.
|
|
|
|
--Breakdown, Martin Cunningham said. Heart.
|
|
|
|
He tapped his chest sadly.
|
|
|
|
Blazing face: redhot. Too much John Barleycorn. Cure for a red
|
|
nose. Drink like the devil till it turns adelite. A lot of money he spent
|
|
colouring it.
|
|
|
|
Mr Power gazed at the passing houses with rueful apprehension.
|
|
|
|
--He had a sudden death, poor fellow, he said.
|
|
|
|
--The best death, Mr Bloom said.
|
|
|
|
Their wide open eyes looked at him.
|
|
|
|
--No suffering, he said. A moment and all is over. Like dying in sleep.
|
|
|
|
No-one spoke.
|
|
|
|
Dead side of the street this. Dull business by day, land agents,
|
|
temperance hotel, Falconer's railway guide, civil service college, Gill's,
|
|
catholic club, the industrious blind. Why? Some reason. Sun or wind. At
|
|
night too. Chummies and slaveys. Under the patronage of the late Father
|
|
Mathew. Foundation stone for Parnell. Breakdown. Heart.
|
|
|
|
White horses with white frontlet plumes came round the Rotunda
|
|
corner, galloping. A tiny coffin flashed by. In a hurry to bury. A
|
|
mourning coach. Unmarried. Black for the married. Piebald for bachelors.
|
|
Dun for a nun.
|
|
|
|
--Sad, Martin Cunningham said. A child.
|
|
|
|
A dwarf's face, mauve and wrinkled like little Rudy's was. Dwarf's
|
|
body, weak as putty, in a whitelined deal box. Burial friendly society
|
|
pays. Penny a week for a sod of turf. Our. Little. Beggar. Baby.
|
|
Meant nothing. Mistake of nature. If it's healthy it's from the mother.
|
|
If not from the man. Better luck next time.
|
|
|
|
--Poor little thing, Mr Dedalus said. It's well out of it.
|
|
|
|
The carriage climbed more slowly the hill of Rutland square. Rattle
|
|
his bones. Over the stones. Only a pauper. Nobody owns.
|
|
|
|
--In the midst of life, Martin Cunningham said.
|
|
|
|
--But the worst of all, Mr Power said, is the man who takes his own life.
|
|
|
|
Martin Cunningham drew out his watch briskly, coughed and put it back.
|
|
|
|
--The greatest disgrace to have in the family, Mr Power added.
|
|
|
|
--Temporary insanity, of course, Martin Cunningham said decisively. We
|
|
must take a charitable view of it.
|
|
|
|
--They say a man who does it is a coward, Mr Dedalus said.
|
|
|
|
--It is not for us to judge, Martin Cunningham said.
|
|
|
|
Mr Bloom, about to speak, closed his lips again. Martin Cunningham's
|
|
large eyes. Looking away now. Sympathetic human man he is. Intelligent.
|
|
Like Shakespeare's face. Always a good word to say. They have no
|
|
mercy on that here or infanticide. Refuse christian burial. They
|
|
used to drive a stake of wood through his heart in the grave. As if it
|
|
wasn't broken already. Yet sometimes they repent too late. Found in the
|
|
riverbed clutching rushes. He looked at me. And that awful drunkard of a
|
|
wife of his. Setting up house for her time after time and then pawning the
|
|
furniture on him every Saturday almost. Leading him the life of the
|
|
damned. Wear the heart out of a stone, that. Monday morning. Start afresh.
|
|
Shoulder to the wheel. Lord, she must have looked a sight that night
|
|
Dedalus told me he was in there. Drunk about the place and capering with
|
|
Martin's umbrella.
|
|
|
|
|
|
AND THEY CALL ME THE JEWEL OF ASIA,
|
|
OF ASIA,
|
|
THE GEISHA.
|
|
|
|
|
|
He looked away from me. He knows. Rattle his bones.
|
|
|
|
That afternoon of the inquest. The redlabelled bottle on the table. The
|
|
room in the hotel with hunting pictures. Stuffy it was. Sunlight through
|
|
the slats of the Venetian blind. The coroner's sunlit ears, big and hairy.
|
|
Boots giving evidence. Thought he was asleep first. Then saw like yellow
|
|
streaks on his face. Had slipped down to the foot of the bed. Verdict:
|
|
overdose. Death by misadventure. The letter. For my son Leopold.
|
|
|
|
No more pain. Wake no more. Nobody owns.
|
|
|
|
The carriage rattled swiftly along Blessington street. Over the stones.
|
|
|
|
--We are going the pace, I think, Martin Cunningham said.
|
|
|
|
--God grant he doesn't upset us on the road, Mr Power said.
|
|
|
|
--I hope not, Martin Cunningham said. That will be a great race tomorrow
|
|
in Germany. The Gordon Bennett.
|
|
|
|
--Yes, by Jove, Mr Dedalus said. That will be worth seeing, faith.
|
|
|
|
As they turned into Berkeley street a streetorgan near the Basin sent
|
|
over and after them a rollicking rattling song of the halls. Has anybody
|
|
here seen Kelly? Kay ee double ell wy. Dead March from SAUL. He's as bad
|
|
as old Antonio. He left me on my ownio. Pirouette! The MATER
|
|
MISERICORDIAE. Eccles street. My house down there. Big place. Ward for
|
|
incurables there. Very encouraging. Our Lady's Hospice for the dying.
|
|
Deadhouse handy underneath. Where old Mrs Riordan died. They look
|
|
terrible the women. Her feeding cup and rubbing her mouth with the
|
|
spoon. Then the screen round her bed for her to die. Nice young student
|
|
that was dressed that bite the bee gave me. He's gone over to the lying-in
|
|
hospital they told me. From one extreme to the other. The carriage
|
|
galloped round a corner: stopped.
|
|
|
|
--What's wrong now?
|
|
|
|
A divided drove of branded cattle passed the windows, lowing,
|
|
slouching by on padded hoofs, whisking their tails slowly on their clotted
|
|
bony croups. Outside them and through them ran raddled sheep bleating
|
|
their fear.
|
|
|
|
--Emigrants, Mr Power said.
|
|
|
|
--Huuuh! the drover's voice cried, his switch sounding on their flanks.
|
|
|
|
Huuuh! out of that!
|
|
|
|
Thursday, of course. Tomorrow is killing day. Springers. Cuffe sold
|
|
them about twentyseven quid each. For Liverpool probably. Roastbeef for
|
|
old England. They buy up all the juicy ones. And then the fifth quarter
|
|
lost: all that raw stuff, hide, hair, horns. Comes to a big thing in a
|
|
year. Dead meat trade. Byproducts of the slaughterhouses for tanneries,
|
|
soap, margarine. Wonder if that dodge works now getting dicky meat off the
|
|
train at Clonsilla.
|
|
|
|
The carriage moved on through the drove.
|
|
|
|
--I can't make out why the corporation doesn't run a tramline from the
|
|
parkgate to the quays, Mr Bloom said. All those animals could be taken in
|
|
trucks down to the boats.
|
|
|
|
--Instead of blocking up the thoroughfare, Martin Cunningham said. Quite
|
|
right. They ought to.
|
|
|
|
--Yes, Mr Bloom said, and another thing I often thought, is to have
|
|
municipal funeral trams like they have in Milan, you know. Run the line
|
|
out to the cemetery gates and have special trams, hearse and carriage and
|
|
all. Don't you see what I mean?
|
|
|
|
--O, that be damned for a story, Mr Dedalus said. Pullman car and saloon
|
|
diningroom.
|
|
|
|
--A poor lookout for Corny, Mr Power added.
|
|
|
|
--Why? Mr Bloom asked, turning to Mr Dedalus. Wouldn't it be more
|
|
decent than galloping two abreast?
|
|
|
|
--Well, there's something in that, Mr Dedalus granted.
|
|
|
|
--And, Martin Cunningham said, we wouldn't have scenes like that when
|
|
the hearse capsized round Dunphy's and upset the coffin on to the road.
|
|
|
|
--That was terrible, Mr Power's shocked face said, and the corpse fell
|
|
about the road. Terrible!
|
|
|
|
--First round Dunphy's, Mr Dedalus said, nodding. Gordon Bennett cup.
|
|
|
|
--Praises be to God! Martin Cunningham said piously.
|
|
|
|
Bom! Upset. A coffin bumped out on to the road. Burst open. Paddy
|
|
Dignam shot out and rolling over stiff in the dust in a brown habit too
|
|
large for him. Red face: grey now. Mouth fallen open. Asking what's up
|
|
now. Quite right to close it. Looks horrid open. Then the insides
|
|
decompose quickly. Much better to close up all the orifices. Yes, also.
|
|
With wax. The sphincter loose. Seal up all.
|
|
|
|
--Dunphy's, Mr Power announced as the carriage turned right.
|
|
|
|
Dunphy's corner. Mourning coaches drawn up, drowning their grief.
|
|
A pause by the wayside. Tiptop position for a pub. Expect we'll pull up
|
|
here on the way back to drink his health. Pass round the consolation.
|
|
Elixir of life.
|
|
|
|
But suppose now it did happen. Would he bleed if a nail say cut him in
|
|
the knocking about? He would and he wouldn't, I suppose. Depends on
|
|
where. The circulation stops. Still some might ooze out of an artery. It
|
|
would be better to bury them in red: a dark red.
|
|
|
|
In silence they drove along Phibsborough road. An empty hearse
|
|
trotted by, coming from the cemetery: looks relieved.
|
|
|
|
Crossguns bridge: the royal canal.
|
|
|
|
Water rushed roaring through the sluices. A man stood on his
|
|
dropping barge, between clamps of turf. On the towpath by the lock a
|
|
slacktethered horse. Aboard of the BUGABU.
|
|
|
|
Their eyes watched him. On the slow weedy waterway he had floated
|
|
on his raft coastward over Ireland drawn by a haulage rope past beds of
|
|
reeds, over slime, mudchoked bottles, carrion dogs. Athlone, Mullingar,
|
|
Moyvalley, I could make a walking tour to see Milly by the canal. Or cycle
|
|
down. Hire some old crock, safety. Wren had one the other day at the
|
|
auction but a lady's. Developing waterways. James M'Cann's hobby to row
|
|
me o'er the ferry. Cheaper transit. By easy stages. Houseboats. Camping
|
|
out. Also hearses. To heaven by water. Perhaps I will without writing.
|
|
Come as a surprise, Leixlip, Clonsilla. Dropping down lock by lock to
|
|
Dublin. With turf from the midland bogs. Salute. He lifted his brown straw
|
|
hat, saluting Paddy Dignam.
|
|
|
|
They drove on past Brian Boroimhe house. Near it now.
|
|
|
|
--I wonder how is our friend Fogarty getting on, Mr Power said.
|
|
|
|
--Better ask Tom Kernan, Mr Dedalus said.
|
|
|
|
--How is that? Martin Cunningham said. Left him weeping, I suppose?
|
|
|
|
--Though lost to sight, Mr Dedalus said, to memory dear.
|
|
|
|
The carriage steered left for Finglas road.
|
|
|
|
The stonecutter's yard on the right. Last lap. Crowded on the spit of
|
|
land silent shapes appeared, white, sorrowful, holding out calm hands,
|
|
knelt in grief, pointing. Fragments of shapes, hewn. In white silence:
|
|
appealing. The best obtainable. Thos. H. Dennany, monumental builder and
|
|
sculptor.
|
|
|
|
Passed.
|
|
|
|
On the curbstone before Jimmy Geary, the sexton's, an old tramp sat,
|
|
grumbling, emptying the dirt and stones out of his huge dustbrown
|
|
yawning boot. After life's journey.
|
|
|
|
Gloomy gardens then went by: one by one: gloomy houses.
|
|
|
|
Mr Power pointed.
|
|
|
|
--That is where Childs was murdered, he said. The last house.
|
|
|
|
--So it is, Mr Dedalus said. A gruesome case. Seymour Bushe got him off.
|
|
Murdered his brother. Or so they said.
|
|
|
|
--The crown had no evidence, Mr Power said.
|
|
|
|
--Only circumstantial, Martin Cunningham added. That's the maxim of
|
|
the law. Better for ninetynine guilty to escape than for one innocent
|
|
person to be wrongfully condemned.
|
|
|
|
They looked. Murderer's ground. It passed darkly. Shuttered,
|
|
tenantless, unweeded garden. Whole place gone to hell. Wrongfully
|
|
condemned. Murder. The murderer's image in the eye of the murdered.
|
|
They love reading about it. Man's head found in a garden. Her clothing
|
|
consisted of. How she met her death. Recent outrage. The weapon used.
|
|
Murderer is still at large. Clues. A shoelace. The body to be exhumed.
|
|
Murder will out.
|
|
|
|
Cramped in this carriage. She mightn't like me to come that way
|
|
without letting her know. Must be careful about women. Catch them once
|
|
with their pants down. Never forgive you after. Fifteen.
|
|
|
|
The high railings of Prospect rippled past their gaze. Dark poplars,
|
|
rare white forms. Forms more frequent, white shapes thronged amid the
|
|
trees, white forms and fragments streaming by mutely, sustaining vain
|
|
gestures on the air.
|
|
|
|
The felly harshed against the curbstone: stopped. Martin
|
|
Cunningham put out his arm and, wrenching back the handle, shoved the
|
|
door open with his knee. He stepped out. Mr Power and Mr Dedalus
|
|
followed.
|
|
|
|
Change that soap now. Mr Bloom's hand unbuttoned his hip pocket
|
|
swiftly and transferred the paperstuck soap to his inner handkerchief
|
|
pocket. He stepped out of the carriage, replacing the newspaper his other
|
|
hand still held.
|
|
|
|
Paltry funeral: coach and three carriages. It's all the same.
|
|
Pallbearers, gold reins, requiem mass, firing a volley. Pomp of death.
|
|
Beyond the hind carriage a hawker stood by his barrow of cakes and fruit.
|
|
Simnel cakes those are, stuck together: cakes for the dead. Dogbiscuits.
|
|
Who ate them? Mourners coming out.
|
|
|
|
He followed his companions. Mr Kernan and Ned Lambert followed,
|
|
Hynes walking after them. Corny Kelleher stood by the opened hearse and
|
|
took out the two wreaths. He handed one to the boy.
|
|
|
|
Where is that child's funeral disappeared to?
|
|
|
|
A team of horses passed from Finglas with toiling plodding tread,
|
|
dragging through the funereal silence a creaking waggon on which lay a
|
|
granite block. The waggoner marching at their head saluted.
|
|
|
|
Coffin now. Got here before us, dead as he is. Horse looking round at it
|
|
with his plume skeowways. Dull eye: collar tight on his neck, pressing on
|
|
a bloodvessel or something. Do they know what they cart out here every
|
|
day? Must be twenty or thirty funerals every day. Then Mount Jerome for
|
|
the protestants. Funerals all over the world everywhere every minute.
|
|
Shovelling them under by the cartload doublequick. Thousands every hour.
|
|
Too many in the world.
|
|
|
|
Mourners came out through the gates: woman and a girl. Leanjawed
|
|
harpy, hard woman at a bargain, her bonnet awry. Girl's face stained with
|
|
dirt and tears, holding the woman's arm, looking up at her for a sign to
|
|
cry. Fish's face, bloodless and livid.
|
|
|
|
The mutes shouldered the coffin and bore it in through the gates. So
|
|
much dead weight. Felt heavier myself stepping out of that bath. First the
|
|
stiff: then the friends of the stiff. Corny Kelleher and the boy followed
|
|
with their wreaths. Who is that beside them? Ah, the brother-in-law.
|
|
|
|
All walked after.
|
|
|
|
Martin Cunningham whispered:
|
|
|
|
--I was in mortal agony with you talking of suicide before Bloom.
|
|
|
|
--What? Mr Power whispered. How so?
|
|
|
|
--His father poisoned himself, Martin Cunningham whispered. Had the
|
|
Queen's hotel in Ennis. You heard him say he was going to Clare.
|
|
Anniversary.
|
|
|
|
--O God! Mr Power whispered. First I heard of it. Poisoned himself?
|
|
|
|
He glanced behind him to where a face with dark thinking eyes
|
|
followed towards the cardinal's mausoleum. Speaking.
|
|
|
|
--Was he insured? Mr Bloom asked.
|
|
|
|
--I believe so, Mr Kernan answered. But the policy was heavily mortgaged.
|
|
Martin is trying to get the youngster into Artane.
|
|
|
|
--How many children did he leave?
|
|
|
|
--Five. Ned Lambert says he'll try to get one of the girls into Todd's.
|
|
|
|
--A sad case, Mr Bloom said gently. Five young children.
|
|
|
|
--A great blow to the poor wife, Mr Kernan added.
|
|
|
|
--Indeed yes, Mr Bloom agreed.
|
|
|
|
Has the laugh at him now.
|
|
|
|
He looked down at the boots he had blacked and polished. She had
|
|
outlived him. Lost her husband. More dead for her than for me. One must
|
|
outlive the other. Wise men say. There are more women than men in the
|
|
world. Condole with her. Your terrible loss. I hope you'll soon follow
|
|
him. For Hindu widows only. She would marry another. Him? No. Yet who
|
|
knows after. Widowhood not the thing since the old queen died. Drawn on
|
|
a guncarriage. Victoria and Albert. Frogmore memorial mourning. But in
|
|
the end she put a few violets in her bonnet. Vain in her heart of hearts.
|
|
All for a shadow. Consort not even a king. Her son was the substance.
|
|
Something new to hope for not like the past she wanted back, waiting. It
|
|
never comes. One must go first: alone, under the ground: and lie no more
|
|
in her warm bed.
|
|
|
|
--How are you, Simon? Ned Lambert said softly, clasping hands. Haven't
|
|
seen you for a month of Sundays.
|
|
|
|
--Never better. How are all in Cork's own town?
|
|
|
|
--I was down there for the Cork park races on Easter Monday, Ned
|
|
Lambert said. Same old six and eightpence. Stopped with Dick Tivy.
|
|
|
|
--And how is Dick, the solid man?
|
|
|
|
--Nothing between himself and heaven, Ned Lambert answered.
|
|
|
|
--By the holy Paul! Mr Dedalus said in subdued wonder. Dick Tivy bald?
|
|
|
|
--Martin is going to get up a whip for the youngsters, Ned Lambert said,
|
|
pointing ahead. A few bob a skull. Just to keep them going till the
|
|
insurance is cleared up.
|
|
|
|
--Yes, yes, Mr Dedalus said dubiously. Is that the eldest boy in front?
|
|
|
|
--Yes, Ned Lambert said, with the wife's brother. John Henry Menton is
|
|
behind. He put down his name for a quid.
|
|
|
|
--I'll engage he did, Mr Dedalus said. I often told poor Paddy he ought
|
|
to mind that job. John Henry is not the worst in the world.
|
|
|
|
--How did he lose it? Ned Lambert asked. Liquor, what?
|
|
|
|
--Many a good man's fault, Mr Dedalus said with a sigh.
|
|
|
|
They halted about the door of the mortuary chapel. Mr Bloom stood
|
|
behind the boy with the wreath looking down at his sleekcombed hair and
|
|
at the slender furrowed neck inside his brandnew collar. Poor boy! Was he
|
|
there when the father? Both unconscious. Lighten up at the last moment
|
|
and recognise for the last time. All he might have done. I owe three
|
|
shillings to O'Grady. Would he understand? The mutes bore the coffin into
|
|
the chapel. Which end is his head?
|
|
|
|
After a moment he followed the others in, blinking in the screened
|
|
light. The coffin lay on its bier before the chancel, four tall yellow
|
|
candles at its corners. Always in front of us. Corny Kelleher, laying a
|
|
wreath at each fore corner, beckoned to the boy to kneel. The mourners
|
|
knelt here and there in prayingdesks. Mr Bloom stood behind near the font
|
|
and, when all had knelt, dropped carefully his unfolded newspaper from his
|
|
pocket and knelt his right knee upon it. He fitted his black hat gently on
|
|
his left knee and, holding its brim, bent over piously.
|
|
|
|
A server bearing a brass bucket with something in it came out through
|
|
a door. The whitesmocked priest came after him, tidying his stole with one
|
|
hand, balancing with the other a little book against his toad's belly.
|
|
Who'll read the book? I, said the rook.
|
|
|
|
They halted by the bier and the priest began to read out of his book
|
|
with a fluent croak.
|
|
|
|
Father Coffey. I knew his name was like a coffin. DOMINE-NAMINE.
|
|
Bully about the muzzle he looks. Bosses the show. Muscular christian. Woe
|
|
betide anyone that looks crooked at him: priest. Thou art Peter. Burst
|
|
sideways like a sheep in clover Dedalus says he will. With a belly on him
|
|
like a poisoned pup. Most amusing expressions that man finds. Hhhn: burst
|
|
sideways.
|
|
|
|
--NON INTRES IN JUDICIUM CUM SERVO TUO, DOMINE.
|
|
|
|
Makes them feel more important to be prayed over in Latin. Requiem
|
|
mass. Crape weepers. Blackedged notepaper. Your name on the altarlist.
|
|
Chilly place this. Want to feed well, sitting in there all the morning in
|
|
the gloom kicking his heels waiting for the next please. Eyes of a toad
|
|
too. What swells him up that way? Molly gets swelled after cabbage. Air of
|
|
the place maybe. Looks full up of bad gas. Must be an infernal lot of bad
|
|
gas round the place. Butchers, for instance: they get like raw beefsteaks.
|
|
Who was telling me? Mervyn Browne. Down in the vaults of saint Werburgh's
|
|
lovely old organ hundred and fifty they have to bore a hole in the coffins
|
|
sometimes to let out the bad gas and burn it. Out it rushes: blue. One
|
|
whiff of that and you're a doner.
|
|
|
|
My kneecap is hurting me. Ow. That's better.
|
|
|
|
The priest took a stick with a knob at the end of it out of the boy's
|
|
bucket and shook it over the coffin. Then he walked to the other end and
|
|
shook it again. Then he came back and put it back in the bucket. As you
|
|
were before you rested. It's all written down: he has to do it.
|
|
|
|
--ET NE NOS INDUCAS IN TENTATIONEM.
|
|
|
|
The server piped the answers in the treble. I often thought it would be
|
|
better to have boy servants. Up to fifteen or so. After that, of
|
|
course ...
|
|
|
|
Holy water that was, I expect. Shaking sleep out of it. He must be fed
|
|
up with that job, shaking that thing over all the corpses they trot up.
|
|
What harm if he could see what he was shaking it over. Every mortal day a
|
|
fresh batch: middleaged men, old women, children, women dead in
|
|
childbirth, men with beards, baldheaded businessmen, consumptive girls
|
|
with little sparrows' breasts. All the year round he prayed the same thing
|
|
over them all and shook water on top of them: sleep. On Dignam now.
|
|
|
|
--IN PARADISUM.
|
|
|
|
Said he was going to paradise or is in paradise. Says that over everybody.
|
|
Tiresome kind of a job. But he has to say something.
|
|
|
|
The priest closed his book and went off, followed by the server.
|
|
Corny Kelleher opened the sidedoors and the gravediggers came in, hoisted
|
|
the coffin again, carried it out and shoved it on their cart. Corny
|
|
Kelleher gave one wreath to the boy and one to the brother-in-law. All
|
|
followed them out of the sidedoors into the mild grey air. Mr Bloom came
|
|
last folding his paper again into his pocket. He gazed gravely at the
|
|
ground till the coffincart wheeled off to the left. The metal wheels
|
|
ground the gravel with a sharp grating cry and the pack of blunt boots
|
|
followed the trundled barrow along a lane of sepulchres.
|
|
|
|
The ree the ra the ree the ra the roo. Lord, I mustn't lilt here.
|
|
|
|
--The O'Connell circle, Mr Dedalus said about him.
|
|
|
|
Mr Power's soft eyes went up to the apex of the lofty cone.
|
|
|
|
--He's at rest, he said, in the middle of his people, old Dan O'. But his
|
|
heart is buried in Rome. How many broken hearts are buried here, Simon!
|
|
|
|
--Her grave is over there, Jack, Mr Dedalus said. I'll soon be stretched
|
|
beside her. Let Him take me whenever He likes.
|
|
|
|
Breaking down, he began to weep to himself quietly, stumbling a little
|
|
in his walk. Mr Power took his arm.
|
|
|
|
--She's better where she is, he said kindly.
|
|
|
|
--I suppose so, Mr Dedalus said with a weak gasp. I suppose she is in
|
|
heaven if there is a heaven.
|
|
|
|
Corny Kelleher stepped aside from his rank and allowed the mourners to
|
|
plod by.
|
|
|
|
--Sad occasions, Mr Kernan began politely.
|
|
|
|
Mr Bloom closed his eyes and sadly twice bowed his head.
|
|
|
|
--The others are putting on their hats, Mr Kernan said. I suppose we can
|
|
do so too. We are the last. This cemetery is a treacherous place.
|
|
|
|
They covered their heads.
|
|
|
|
--The reverend gentleman read the service too quickly, don't you think?
|
|
Mr Kernan said with reproof.
|
|
|
|
Mr Bloom nodded gravely looking in the quick bloodshot eyes. Secret
|
|
eyes, secretsearching. Mason, I think: not sure. Beside him again. We are
|
|
the last. In the same boat. Hope he'll say something else.
|
|
|
|
Mr Kernan added:
|
|
|
|
--The service of the Irish church used in Mount Jerome is simpler, more
|
|
impressive I must say.
|
|
|
|
Mr Bloom gave prudent assent. The language of course was another thing.
|
|
|
|
Mr Kernan said with solemnity:
|
|
|
|
--I AM THE RESURRECTION AND THE LIFE. That touches a man's inmost heart.
|
|
|
|
--It does, Mr Bloom said.
|
|
|
|
Your heart perhaps but what price the fellow in the six feet by two
|
|
with his toes to the daisies? No touching that. Seat of the affections.
|
|
Broken heart. A pump after all, pumping thousands of gallons of blood
|
|
every day. One fine day it gets bunged up: and there you are. Lots of
|
|
them lying around here: lungs, hearts, livers. Old rusty pumps: damn the
|
|
thing else. The resurrection and the life. Once you are dead you are dead.
|
|
That last day idea. Knocking them all up out of their graves. Come forth,
|
|
Lazarus! And he came fifth and lost the job. Get up! Last day! Then every
|
|
fellow mousing around for his liver and his lights and the rest of his
|
|
traps. Find damn all of himself that morning. Pennyweight of powder in
|
|
a skull. Twelve grammes one pennyweight. Troy measure.
|
|
|
|
Corny Kelleher fell into step at their side.
|
|
|
|
--Everything went off A1, he said. What?
|
|
|
|
He looked on them from his drawling eye. Policeman's shoulders. With
|
|
your tooraloom tooraloom.
|
|
|
|
--As it should be, Mr Kernan said.
|
|
|
|
--What? Eh? Corny Kelleher said.
|
|
|
|
Mr Kernan assured him.
|
|
|
|
--Who is that chap behind with Tom Kernan? John Henry Menton asked. I
|
|
know his face.
|
|
|
|
Ned Lambert glanced back.
|
|
|
|
--Bloom, he said, Madame Marion Tweedy that was, is, I mean, the
|
|
soprano. She's his wife.
|
|
|
|
--O, to be sure, John Henry Menton said. I haven't seen her for some time.
|
|
he was a finelooking woman. I danced with her, wait, fifteen seventeen
|
|
golden years ago, at Mat Dillon's in Roundtown. And a good armful she
|
|
was.
|
|
|
|
He looked behind through the others.
|
|
|
|
--What is he? he asked. What does he do? Wasn't he in the stationery line?
|
|
I fell foul of him one evening, I remember, at bowls.
|
|
|
|
Ned Lambert smiled.
|
|
|
|
--Yes, he was, he said, in Wisdom Hely's. A traveller for blottingpaper.
|
|
|
|
--In God's name, John Henry Menton said, what did she marry a coon like
|
|
that for? She had plenty of game in her then.
|
|
|
|
--Has still, Ned Lambert said. He does some canvassing for ads.
|
|
|
|
John Henry Menton's large eyes stared ahead.
|
|
|
|
The barrow turned into a side lane. A portly man, ambushed among
|
|
the grasses, raised his hat in homage. The gravediggers touched their
|
|
caps.
|
|
|
|
--John O'Connell, Mr Power said pleased. He never forgets a friend.
|
|
|
|
Mr O'Connell shook all their hands in silence. Mr Dedalus said:
|
|
|
|
--I am come to pay you another visit.
|
|
|
|
--My dear Simon, the caretaker answered in a low voice. I don't want your
|
|
custom at all.
|
|
|
|
Saluting Ned Lambert and John Henry Menton he walked on at Martin
|
|
Cunningham's side puzzling two long keys at his back.
|
|
|
|
--Did you hear that one, he asked them, about Mulcahy from the Coombe?
|
|
|
|
--I did not, Martin Cunningham said.
|
|
|
|
They bent their silk hats in concert and Hynes inclined his ear. The
|
|
caretaker hung his thumbs in the loops of his gold watchchain and spoke in
|
|
a discreet tone to their vacant smiles.
|
|
|
|
--They tell the story, he said, that two drunks came out here one foggy
|
|
evening to look for the grave of a friend of theirs. They asked for
|
|
Mulcahy from the Coombe and were told where he was buried. After traipsing
|
|
about in the fog they found the grave sure enough. One of the drunks spelt
|
|
out the name: Terence Mulcahy. The other drunk was blinking up at a statue
|
|
of Our Saviour the widow had got put up.
|
|
|
|
The caretaker blinked up at one of the sepulchres they passed. He
|
|
resumed:
|
|
|
|
--And, after blinking up at the sacred figure, NOT A BLOODY BIT LIKE THE
|
|
MAN, says he. THAT'S NOT MULCAHY, says he, WHOEVER DONE IT.
|
|
|
|
Rewarded by smiles he fell back and spoke with Corny Kelleher, accepting
|
|
the dockets given him, turning them over and scanning them as he walked.
|
|
|
|
--That's all done with a purpose, Martin Cunningham explained to Hynes.
|
|
|
|
--I know, Hynes said. I know that.
|
|
|
|
--To cheer a fellow up, Martin Cunningham said. It's pure goodheartedness:
|
|
damn the thing else.
|
|
|
|
Mr Bloom admired the caretaker's prosperous bulk. All want to be on
|
|
good terms with him. Decent fellow, John O'Connell, real good sort. Keys:
|
|
like Keyes's ad: no fear of anyone getting out. No passout checks. HABEAS
|
|
CORPUS. I must see about that ad after the funeral. Did I write
|
|
Ballsbridge on the envelope I took to cover when she disturbed me writing
|
|
to Martha? Hope it's not chucked in the dead letter office. Be the better
|
|
of a shave. Grey sprouting beard. That's the first sign when the hairs
|
|
come out grey. And temper getting cross. Silver threads among the grey.
|
|
Fancy being his wife. Wonder he had the gumption to propose to any girl.
|
|
Come out and live in the graveyard. Dangle that before her. It might
|
|
thrill her first. Courting death ... Shades of night hovering here with
|
|
all the dead stretched about. The shadows of the tombs when churchyards
|
|
yawn and Daniel O'Connell must be a descendant I suppose who is this used
|
|
to say he was a queer breedy man great catholic all the same like a big
|
|
giant in the dark. Will o' the wisp. Gas of graves. Want to keep her mind
|
|
off it to conceive at all. Women especially are so touchy. Tell her a
|
|
ghost story in bed to make her sleep. Have you ever seen a ghost? Well, I
|
|
have. It was a pitchdark night. The clock was on the stroke of twelve.
|
|
Still they'd kiss all right if properly keyed up. Whores in Turkish
|
|
graveyards. Learn anything if taken young. You might pick up a young
|
|
widow here. Men like that. Love among the tombstones. Romeo. Spice of
|
|
pleasure. In the midst of death we are in life. Both ends meet.
|
|
Tantalising for the poor dead. Smell of grilled beefsteaks to the
|
|
starving. Gnawing their vitals. Desire to grig people. Molly wanting to
|
|
do it at the window. Eight children he has anyway.
|
|
|
|
He has seen a fair share go under in his time, lying around him field
|
|
after field. Holy fields. More room if they buried them standing. Sitting
|
|
or kneeling you couldn't. Standing? His head might come up some day above
|
|
ground in a landslip with his hand pointing. All honeycombed the ground
|
|
must be: oblong cells. And very neat he keeps it too: trim grass and
|
|
edgings. His garden Major Gamble calls Mount Jerome. Well, so it is.
|
|
Ought to be flowers of sleep. Chinese cemeteries with giant poppies
|
|
growing produce the best opium Mastiansky told me. The Botanic Gardens
|
|
are just over there. It's the blood sinking in the earth gives new life.
|
|
Same idea those jews they said killed the christian boy. Every man
|
|
his price. Well preserved fat corpse, gentleman, epicure, invaluable
|
|
for fruit garden. A bargain. By carcass of William Wilkinson, auditor
|
|
and accountant, lately deceased, three pounds thirteen and six.
|
|
With thanks.
|
|
|
|
I daresay the soil would be quite fat with corpsemanure, bones, flesh,
|
|
nails. Charnelhouses. Dreadful. Turning green and pink decomposing. Rot
|
|
quick in damp earth. The lean old ones tougher. Then a kind of a tallowy
|
|
kind of a cheesy. Then begin to get black, black treacle oozing out of
|
|
them. Then dried up. Deathmoths. Of course the cells or whatever they are
|
|
go on living. Changing about. Live for ever practically. Nothing to feed
|
|
on feed on themselves.
|
|
|
|
But they must breed a devil of a lot of maggots. Soil must be simply
|
|
swirling with them. Your head it simply swurls. Those pretty little
|
|
seaside gurls. He looks cheerful enough over it. Gives him a sense of
|
|
power seeing all the others go under first. Wonder how he looks at life.
|
|
Cracking his jokes too: warms the cockles of his heart. The one about the
|
|
bulletin. Spurgeon went to heaven 4 a.m. this morning. 11 p.m.
|
|
(closing time). Not arrived yet. Peter. The dead themselves the men
|
|
anyhow would like to hear an odd joke or the women to know what's in
|
|
fashion. A juicy pear or ladies' punch, hot, strong and sweet. Keep out
|
|
the damp. You must laugh sometimes so better do it that way. Gravediggers
|
|
in HAMLET. Shows the profound knowledge of the human heart. Daren't joke
|
|
about the dead for two years at least. DE MORTUIS NIL NISI PRIUS. Go out
|
|
of mourning first. Hard to imagine his funeral. Seems a sort of a joke.
|
|
Read your own obituary notice they say you live longer. Gives you second
|
|
wind. New lease of life.
|
|
|
|
--How many have-you for tomorrow? the caretaker asked.
|
|
|
|
--Two, Corny Kelleher said. Half ten and eleven.
|
|
|
|
The caretaker put the papers in his pocket. The barrow had ceased to
|
|
trundle. The mourners split and moved to each side of the hole, stepping
|
|
with care round the graves. The gravediggers bore the coffin and set its
|
|
nose on the brink, looping the bands round it.
|
|
|
|
Burying him. We come to bury Caesar. His ides of March or June.
|
|
He doesn't know who is here nor care.
|
|
Now who is that lankylooking galoot over there in the macintosh?
|
|
Now who is he I'd like to know? Now I'd give a trifle to know who he is.
|
|
Always someone turns up you never dreamt of. A fellow could live on his
|
|
lonesome all his life. Yes, he could. Still he'd have to get someone to
|
|
sod him after he died though he could dig his own grave. We all do. Only
|
|
man buries. No, ants too. First thing strikes anybody. Bury the dead. Say
|
|
Robinson Crusoe was true to life. Well then Friday buried him. Every
|
|
Friday buries a Thursday if you come to look at it.
|
|
|
|
|
|
O, POOR ROBINSON CRUSOE!
|
|
HOW COULD YOU POSSIBLY DO SO?
|
|
|
|
|
|
Poor Dignam! His last lie on the earth in his box. When you think of
|
|
them all it does seem a waste of wood. All gnawed through. They could
|
|
invent a handsome bier with a kind of panel sliding, let it down that way.
|
|
Ay but they might object to be buried out of another fellow's. They're so
|
|
particular. Lay me in my native earth. Bit of clay from the holy land.
|
|
Only a mother and deadborn child ever buried in the one coffin. I see what
|
|
it means. I see. To protect him as long as possible even in the earth. The
|
|
Irishman's house is his coffin. Embalming in catacombs, mummies the same
|
|
idea.
|
|
|
|
Mr Bloom stood far back, his hat in his hand, counting the bared
|
|
heads. Twelve. I'm thirteen. No. The chap in the macintosh is thirteen.
|
|
Death's number. Where the deuce did he pop out of? He wasn't in the
|
|
chapel, that I'll swear. Silly superstition that about thirteen.
|
|
|
|
Nice soft tweed Ned Lambert has in that suit. Tinge of purple. I had
|
|
one like that when we lived in Lombard street west. Dressy fellow he was
|
|
once. Used to change three suits in the day. Must get that grey suit of
|
|
mine turned by Mesias. Hello. It's dyed. His wife I forgot he's not
|
|
married or his landlady ought to have picked out those threads for him.
|
|
|
|
The coffin dived out of sight, eased down by the men straddled on the
|
|
gravetrestles. They struggled up and out: and all uncovered. Twenty.
|
|
|
|
Pause.
|
|
|
|
If we were all suddenly somebody else.
|
|
|
|
Far away a donkey brayed. Rain. No such ass. Never see a dead one,
|
|
they say. Shame of death. They hide. Also poor papa went away.
|
|
|
|
Gentle sweet air blew round the bared heads in a whisper. Whisper.
|
|
The boy by the gravehead held his wreath with both hands staring quietly
|
|
in the black open space. Mr Bloom moved behind the portly kindly
|
|
caretaker. Wellcut frockcoat. Weighing them up perhaps to see which will
|
|
go next. Well, it is a long rest. Feel no more. It's the moment you feel.
|
|
Must be damned unpleasant. Can't believe it at first. Mistake must be:
|
|
someone else. Try the house opposite. Wait, I wanted to. I haven't yet.
|
|
Then darkened deathchamber. Light they want. Whispering around you. Would
|
|
you like to see a priest? Then rambling and wandering. Delirium all you
|
|
hid all your life. The death struggle. His sleep is not natural. Press his
|
|
lower eyelid. Watching is his nose pointed is his jaw sinking are the
|
|
soles of his feet yellow. Pull the pillow away and finish it off on the
|
|
floor since he's doomed. Devil in that picture of sinner's death showing
|
|
him a woman. Dying to embrace her in his shirt. Last act of LUCIA.
|
|
SHALL I NEVERMORE BEHOLD THEE? Bam! He expires. Gone at last. People
|
|
talk about you a bit: forget you. Don't forget to pray for him.
|
|
Remember him in your prayers. Even Parnell. Ivy day dying out. Then
|
|
they follow: dropping into a hole, one after the other.
|
|
|
|
We are praying now for the repose of his soul. Hoping you're well
|
|
and not in hell. Nice change of air. Out of the fryingpan of life into the
|
|
fire of purgatory.
|
|
|
|
Does he ever think of the hole waiting for himself? They say you do
|
|
when you shiver in the sun. Someone walking over it. Callboy's warning.
|
|
Near you. Mine over there towards Finglas, the plot I bought. Mamma,
|
|
poor mamma, and little Rudy.
|
|
|
|
The gravediggers took up their spades and flung heavy clods of clay
|
|
in on the coffin. Mr Bloom turned away his face. And if he was alive all
|
|
the time? Whew! By jingo, that would be awful! No, no: he is dead, of
|
|
course. Of course he is dead. Monday he died. They ought to have
|
|
some law to pierce the heart and make sure or an electric clock or
|
|
a telephone in the coffin and some kind of a canvas airhole. Flag of
|
|
distress. Three days. Rather long to keep them in summer. Just as well
|
|
to get shut of them as soon as you are sure there's no.
|
|
|
|
The clay fell softer. Begin to be forgotten. Out of sight, out of mind.
|
|
|
|
The caretaker moved away a few paces and put on his hat. Had
|
|
enough of it. The mourners took heart of grace, one by one, covering
|
|
themselves without show. Mr Bloom put on his hat and saw the portly
|
|
figure make its way deftly through the maze of graves. Quietly, sure of
|
|
his ground, he traversed the dismal fields.
|
|
|
|
Hynes jotting down something in his notebook. Ah, the names. But he
|
|
knows them all. No: coming to me.
|
|
|
|
--I am just taking the names, Hynes said below his breath. What is your
|
|
christian name? I'm not sure.
|
|
|
|
--L, Mr Bloom said. Leopold. And you might put down M'Coy's name too.
|
|
He asked me to.
|
|
|
|
--Charley, Hynes said writing. I know. He was on the FREEMAN once.
|
|
|
|
So he was before he got the job in the morgue under Louis Byrne.
|
|
Good idea a postmortem for doctors. Find out what they imagine they
|
|
know. He died of a Tuesday. Got the run. Levanted with the cash of a few
|
|
ads. Charley, you're my darling. That was why he asked me to. O well,
|
|
does no harm. I saw to that, M'Coy. Thanks, old chap: much obliged.
|
|
Leave him under an obligation: costs nothing.
|
|
|
|
--And tell us, Hynes said, do you know that fellow in the, fellow was
|
|
over there in the ...
|
|
|
|
He looked around.
|
|
|
|
--Macintosh. Yes, I saw him, Mr Bloom said. Where is he now?
|
|
|
|
--M'Intosh, Hynes said scribbling. I don't know who he is. Is that
|
|
his name?
|
|
|
|
He moved away, looking about him.
|
|
|
|
--No, Mr Bloom began, turning and stopping. I say, Hynes!
|
|
|
|
Didn't hear. What? Where has he disappeared to? Not a sign. Well of
|
|
all the. Has anybody here seen? Kay ee double ell. Become invisible. Good
|
|
Lord, what became of him?
|
|
|
|
A seventh gravedigger came beside Mr Bloom to take up an idle spade.
|
|
|
|
--O, excuse me!
|
|
|
|
He stepped aside nimbly.
|
|
|
|
Clay, brown, damp, began to be seen in the hole. It rose. Nearly over.
|
|
A mound of damp clods rose more, rose, and the gravediggers rested their
|
|
spades. All uncovered again for a few instants. The boy propped his wreath
|
|
against a corner: the brother-in-law his on a lump. The gravediggers put
|
|
on their caps and carried their earthy spades towards the barrow. Then
|
|
knocked the blades lightly on the turf: clean. One bent to pluck from the
|
|
haft a long tuft of grass. One, leaving his mates, walked slowly on with
|
|
shouldered weapon, its blade blueglancing. Silently at the gravehead
|
|
another coiled the coffinband. His navelcord. The brother-in-law, turning
|
|
away, placed something in his free hand. Thanks in silence. Sorry, sir:
|
|
trouble. Headshake. I know that. For yourselves just.
|
|
|
|
The mourners moved away slowly without aim, by devious paths,
|
|
staying at whiles to read a name on a tomb.
|
|
|
|
--Let us go round by the chief's grave, Hynes said. We have time.
|
|
|
|
--Let us, Mr Power said.
|
|
|
|
They turned to the right, following their slow thoughts. With awe Mr
|
|
Power's blank voice spoke:
|
|
|
|
--Some say he is not in that grave at all. That the coffin was filled
|
|
with stones. That one day he will come again.
|
|
|
|
Hynes shook his head.
|
|
|
|
--Parnell will never come again, he said. He's there, all that was mortal
|
|
of him. Peace to his ashes.
|
|
|
|
Mr Bloom walked unheeded along his grove by saddened angels,
|
|
crosses, broken pillars, family vaults, stone hopes praying with upcast
|
|
eyes, old Ireland's hearts and hands. More sensible to spend the money on
|
|
some charity for the living. Pray for the repose of the soul of. Does
|
|
anybody really? Plant him and have done with him. Like down a coalshoot.
|
|
Then lump them together to save time. All souls' day. Twentyseventh I'll
|
|
be at his grave. Ten shillings for the gardener. He keeps it free of
|
|
weeds. Old man himself. Bent down double with his shears clipping. Near
|
|
death's door. Who passed away. Who departed this life. As if they did it
|
|
of their own accord. Got the shove, all of them. Who kicked the bucket.
|
|
More interesting if they told you what they were. So and So, wheelwright.
|
|
I travelled for cork lino. I paid five shillings in the pound. Or a
|
|
woman's with her saucepan. I cooked good Irish stew. Eulogy in a country
|
|
churchyard it ought to be that poem of whose is it Wordsworth or Thomas
|
|
Campbell. Entered into rest the protestants put it. Old Dr Murren's.
|
|
The great physician called him home. Well it's God's acre for them.
|
|
Nice country residence. Newly plastered and painted. Ideal spot to
|
|
have a quiet smoke and read the CHURCH TIMES. Marriage ads they never
|
|
try to beautify. Rusty wreaths hung on knobs, garlands of bronzefoil.
|
|
Better value that for the money. Still, the flowers are more poetical.
|
|
The other gets rather tiresome, never withering. Expresses nothing.
|
|
Immortelles.
|
|
|
|
A bird sat tamely perched on a poplar branch. Like stuffed. Like the
|
|
wedding present alderman Hooper gave us. Hoo! Not a budge out of him.
|
|
Knows there are no catapults to let fly at him. Dead animal even sadder.
|
|
Silly-Milly burying the little dead bird in the kitchen matchbox, a
|
|
daisychain and bits of broken chainies on the grave.
|
|
|
|
The Sacred Heart that is: showing it. Heart on his sleeve. Ought to be
|
|
sideways and red it should be painted like a real heart. Ireland was
|
|
dedicated to it or whatever that. Seems anything but pleased. Why this
|
|
infliction? Would birds come then and peck like the boy with the basket of
|
|
fruit but he said no because they ought to have been afraid of the boy.
|
|
Apollo that was.
|
|
|
|
How many! All these here once walked round Dublin. Faithful departed.
|
|
As you are now so once were we.
|
|
|
|
Besides how could you remember everybody? Eyes, walk, voice. Well,
|
|
the voice, yes: gramophone. Have a gramophone in every grave or keep it
|
|
in the house. After dinner on a Sunday. Put on poor old greatgrandfather.
|
|
Kraahraark! Hellohellohello amawfullyglad kraark awfullygladaseeagain
|
|
hellohello amawf krpthsth. Remind you of the voice like the photograph
|
|
reminds you of the face. Otherwise you couldn't remember the face after
|
|
fifteen years, say. For instance who? For instance some fellow that died
|
|
when I was in Wisdom Hely's.
|
|
|
|
Rtststr! A rattle of pebbles. Wait. Stop!
|
|
|
|
He looked down intently into a stone crypt. Some animal. Wait.
|
|
There he goes.
|
|
|
|
An obese grey rat toddled along the side of the crypt, moving the
|
|
pebbles. An old stager: greatgrandfather: he knows the ropes. The grey
|
|
alive crushed itself in under the plinth, wriggled itself in under it.
|
|
Good hidingplace for treasure.
|
|
|
|
Who lives there? Are laid the remains of Robert Emery. Robert
|
|
Emmet was buried here by torchlight, wasn't he? Making his rounds.
|
|
|
|
Tail gone now.
|
|
|
|
One of those chaps would make short work of a fellow. Pick the
|
|
bones clean no matter who it was. Ordinary meat for them. A corpse is
|
|
meat gone bad. Well and what's cheese? Corpse of milk. I read in that
|
|
VOYAGES IN CHINA that the Chinese say a white man smells like a corpse.
|
|
Cremation better. Priests dead against it. Devilling for the other firm.
|
|
Wholesale burners and Dutch oven dealers. Time of the plague. Quicklime
|
|
feverpits to eat them. Lethal chamber. Ashes to ashes. Or bury at sea.
|
|
Where is that Parsee tower of silence? Eaten by birds. Earth, fire, water.
|
|
Drowning they say is the pleasantest. See your whole life in a flash. But
|
|
being brought back to life no. Can't bury in the air however. Out of a
|
|
flying machine. Wonder does the news go about whenever a fresh one is let
|
|
down. Underground communication. We learned that from them. Wouldn't be
|
|
surprised. Regular square feed for them. Flies come before he's well dead.
|
|
Got wind of Dignam. They wouldn't care about the smell of it. Saltwhite
|
|
crumbling mush of corpse: smell, taste like raw white turnips.
|
|
|
|
The gates glimmered in front: still open. Back to the world again.
|
|
Enough of this place. Brings you a bit nearer every time. Last time I was
|
|
here was Mrs Sinico's funeral. Poor papa too. The love that kills. And
|
|
even scraping up the earth at night with a lantern like that case I read
|
|
of to get at fresh buried females or even putrefied with running
|
|
gravesores. Give you the creeps after a bit. I will appear to you after
|
|
death. You will see my ghost after death. My ghost will haunt you after
|
|
death. There is another world after death named hell. I do not like that
|
|
other world she wrote. No more do I. Plenty to see and hear and feel yet.
|
|
Feel live warm beings near you. Let them sleep in their maggoty beds. They
|
|
are not going to get me this innings. Warm beds: warm fullblooded life.
|
|
|
|
Martin Cunningham emerged from a sidepath, talking gravely.
|
|
|
|
Solicitor, I think. I know his face. Menton, John Henry, solicitor,
|
|
commissioner for oaths and affidavits. Dignam used to be in his office.
|
|
Mat Dillon's long ago. Jolly Mat. Convivial evenings. Cold fowl, cigars,
|
|
the Tantalus glasses. Heart of gold really. Yes, Menton. Got his rag out
|
|
that evening on the bowlinggreen because I sailed inside him. Pure fluke
|
|
of mine: the bias. Why he took such a rooted dislike to me. Hate at first
|
|
sight. Molly and Floey Dillon linked under the lilactree, laughing.
|
|
Fellow always like that, mortified if women are by.
|
|
|
|
Got a dinge in the side of his hat. Carriage probably.
|
|
|
|
--Excuse me, sir, Mr Bloom said beside them.
|
|
|
|
They stopped.
|
|
|
|
--Your hat is a little crushed, Mr Bloom said pointing.
|
|
|
|
John Henry Menton stared at him for an instant without moving.
|
|
|
|
--There, Martin Cunningham helped, pointing also. John Henry Menton took
|
|
off his hat, bulged out the dinge and smoothed the nap with care on his
|
|
coatsleeve. He clapped the hat on his head again.
|
|
|
|
--It's all right now, Martin Cunningham said.
|
|
|
|
John Henry Menton jerked his head down in acknowledgment.
|
|
|
|
--Thank you, he said shortly.
|
|
|
|
They walked on towards the gates. Mr Bloom, chapfallen, drew
|
|
behind a few paces so as not to overhear. Martin laying down the law.
|
|
Martin could wind a sappyhead like that round his little finger, without
|
|
his seeing it.
|
|
|
|
Oyster eyes. Never mind. Be sorry after perhaps when it dawns on him.
|
|
Get the pull over him that way.
|
|
|
|
Thank you. How grand we are this morning!
|
|
|
|
|
|
* * * * * * *
|
|
|
|
|
|
IN THE HEART OF THE HIBERNIAN METROPOLIS
|
|
|
|
|
|
Before Nelson's pillar trams slowed, shunted, changed trolley, started
|
|
for Blackrock, Kingstown and Dalkey, Clonskea, Rathgar and Terenure,
|
|
Palmerston Park and upper Rathmines, Sandymount Green, Rathmines,
|
|
Ringsend and Sandymount Tower, Harold's Cross. The hoarse Dublin
|
|
United Tramway Company's timekeeper bawled them off:
|
|
|
|
--Rathgar and Terenure!
|
|
|
|
--Come on, Sandymount Green!
|
|
|
|
Right and left parallel clanging ringing a doubledecker and a
|
|
singledeck moved from their railheads, swerved to the down line, glided
|
|
parallel.
|
|
|
|
--Start, Palmerston Park!
|
|
|
|
|
|
THE WEARER OF THE CROWN
|
|
|
|
|
|
Under the porch of the general post office shoeblacks called and
|
|
polished. Parked in North Prince's street His Majesty's vermilion
|
|
mailcars, bearing on their sides the royal initials, E. R., received
|
|
loudly flung sacks of letters, postcards, lettercards, parcels, insured
|
|
and paid, for local, provincial, British and overseas delivery.
|
|
|
|
|
|
GENTLEMEN OF THE PRESS
|
|
|
|
|
|
Grossbooted draymen rolled barrels dullthudding out of Prince's
|
|
stores and bumped them up on the brewery float. On the brewery float
|
|
bumped dullthudding barrels rolled by grossbooted draymen out of
|
|
Prince's stores.
|
|
|
|
--There it is, Red Murray said. Alexander Keyes.
|
|
|
|
--Just cut it out, will you? Mr Bloom said, and I'll take it round to the
|
|
TELEGRAPH office.
|
|
|
|
The door of Ruttledge's office creaked again. Davy Stephens, minute
|
|
in a large capecoat, a small felt hat crowning his ringlets, passed out
|
|
with a roll of papers under his cape, a king's courier.
|
|
|
|
Red Murray's long shears sliced out the advertisement from the
|
|
newspaper in four clean strokes. Scissors and paste.
|
|
|
|
--I'll go through the printingworks, Mr Bloom said, taking the cut square.
|
|
|
|
--Of course, if he wants a par, Red Murray said earnestly, a pen behind
|
|
his ear, we can do him one.
|
|
|
|
--Right, Mr Bloom said with a nod. I'll rub that in.
|
|
|
|
We.
|
|
|
|
|
|
WILLIAM BRAYDEN,
|
|
ESQUIRE, OF OAKLANDS, SANDYMOUNT
|
|
|
|
|
|
Red Murray touched Mr Bloom's arm with the shears and whispered:
|
|
|
|
--Brayden.
|
|
|
|
Mr Bloom turned and saw the liveried porter raise his lettered cap as a
|
|
stately figure entered between the newsboards of the WEEKLY FREEMAN AND
|
|
NATIONAL PRESS and the FREEMAN'S JOURNAL AND NATIONAL PRESS. Dullthudding
|
|
Guinness's barrels. It passed statelily up the staircase, steered by an
|
|
umbrella, a solemn beardframed face. The broadcloth back ascended each
|
|
step: back. All his brains are in the nape of his neck, Simon Dedalus
|
|
says. Welts of flesh behind on him. Fat folds of neck, fat, neck, fat,
|
|
neck.
|
|
|
|
--Don't you think his face is like Our Saviour? Red Murray whispered.
|
|
|
|
The door of Ruttledge's office whispered: ee: cree. They always build
|
|
one door opposite another for the wind to. Way in. Way out.
|
|
|
|
Our Saviour: beardframed oval face: talking in the dusk. Mary,
|
|
Martha. Steered by an umbrella sword to the footlights: Mario the tenor.
|
|
|
|
--Or like Mario, Mr Bloom said.
|
|
|
|
--Yes, Red Murray agreed. But Mario was said to be the picture of Our
|
|
Saviour.
|
|
|
|
Jesusmario with rougy cheeks, doublet and spindle legs. Hand on his
|
|
heart. In MARTHA.
|
|
|
|
|
|
CO-OME THOU LOST ONE,
|
|
CO-OME THOU DEAR ONE!
|
|
|
|
|
|
THE CROZIER AND THE PEN
|
|
|
|
|
|
--His grace phoned down twice this morning, Red Murray said gravely.
|
|
|
|
They watched the knees, legs, boots vanish. Neck.
|
|
|
|
A telegram boy stepped in nimbly, threw an envelope on the counter
|
|
and stepped off posthaste with a word:
|
|
|
|
--FREEMAN!
|
|
|
|
Mr Bloom said slowly:
|
|
|
|
--Well, he is one of our saviours also.
|
|
|
|
A meek smile accompanied him as he lifted the counterflap, as he
|
|
passed in through a sidedoor and along the warm dark stairs and passage,
|
|
along the now reverberating boards. But will he save the circulation?
|
|
Thumping. Thumping.
|
|
|
|
He pushed in the glass swingdoor and entered, stepping over strewn
|
|
packing paper. Through a lane of clanking drums he made his way towards
|
|
Nannetti's reading closet.
|
|
|
|
Hynes here too: account of the funeral probably. Thumping. Thump.
|
|
|
|
|
|
WITH UNFEIGNED REGRET IT IS WE ANNOUNCE THE DISSOLUTION
|
|
OF A MOST RESPECTED DUBLIN BURGESS
|
|
|
|
|
|
This morning the remains of the late Mr Patrick Dignam. Machines.
|
|
Smash a man to atoms if they got him caught. Rule the world today. His
|
|
machineries are pegging away too. Like these, got out of hand: fermenting.
|
|
Working away, tearing away. And that old grey rat tearing to get in.
|
|
|
|
|
|
HOW A GREAT DAILY ORGAN IS TURNED OUT
|
|
|
|
|
|
Mr Bloom halted behind the foreman's spare body, admiring a glossy crown.
|
|
|
|
Strange he never saw his real country. Ireland my country. Member
|
|
for College green. He boomed that workaday worker tack for all it was
|
|
worth. It's the ads and side features sell a weekly, not the stale news in
|
|
the official gazette. Queen Anne is dead. Published by authority in the
|
|
year one thousand and. Demesne situate in the townland of Rosenallis,
|
|
barony of Tinnahinch. To all whom it may concern schedule pursuant to
|
|
statute showing return of number of mules and jennets exported from
|
|
Ballina. Nature notes. Cartoons. Phil Blake's weekly Pat and Bull story.
|
|
Uncle Toby's page for tiny tots. Country bumpkin's queries. Dear Mr
|
|
Editor, what is a good cure for flatulence? I'd like that part. Learn a
|
|
lot teaching others. The personal note. M. A. P. Mainly all pictures.
|
|
Shapely bathers on golden strand. World's biggest balloon. Double marriage
|
|
of sisters celebrated. Two bridegrooms laughing heartily at each other.
|
|
Cuprani too, printer. More Irish than the Irish.
|
|
|
|
The machines clanked in threefour time. Thump, thump, thump.
|
|
Now if he got paralysed there and no-one knew how to stop them they'd
|
|
clank on and on the same, print it over and over and up and back.
|
|
Monkeydoodle the whole thing. Want a cool head.
|
|
|
|
--Well, get it into the evening edition, councillor, Hynes said.
|
|
|
|
Soon be calling him my lord mayor. Long John is backing him, they say.
|
|
|
|
The foreman, without answering, scribbled press on a corner of the
|
|
sheet and made a sign to a typesetter. He handed the sheet silently over
|
|
the dirty glass screen.
|
|
|
|
--Right: thanks, Hynes said moving off.
|
|
|
|
Mr Bloom stood in his way.
|
|
|
|
--If you want to draw the cashier is just going to lunch, he said,
|
|
pointing backward with his thumb.
|
|
|
|
--Did you? Hynes asked.
|
|
|
|
--Mm, Mr Bloom said. Look sharp and you'll catch him.
|
|
|
|
--Thanks, old man, Hynes said. I'll tap him too.
|
|
|
|
He hurried on eagerly towards the FREEMAN'S JOURNAL.
|
|
|
|
Three bob I lent him in Meagher's. Three weeks. Third hint.
|
|
|
|
|
|
WE SEE THE CANVASSER AT WORK
|
|
|
|
|
|
Mr Bloom laid his cutting on Mr Nannetti's desk.
|
|
|
|
--Excuse me, councillor, he said. This ad, you see. Keyes, you remember?
|
|
|
|
Mr Nannetti considered the cutting awhile and nodded.
|
|
|
|
--He wants it in for July, Mr Bloom said.
|
|
|
|
The foreman moved his pencil towards it.
|
|
|
|
--But wait, Mr Bloom said. He wants it changed. Keyes, you see. He wants
|
|
two keys at the top.
|
|
|
|
Hell of a racket they make. He doesn't hear it. Nannan. Iron nerves.
|
|
Maybe he understands what I.
|
|
|
|
The foreman turned round to hear patiently and, lifting an elbow,
|
|
began to scratch slowly in the armpit of his alpaca jacket.
|
|
|
|
--Like that, Mr Bloom said, crossing his forefingers at the top.
|
|
|
|
Let him take that in first.
|
|
|
|
Mr Bloom, glancing sideways up from the cross he had made, saw the
|
|
foreman's sallow face, think he has a touch of jaundice, and beyond the
|
|
obedient reels feeding in huge webs of paper. Clank it. Clank it. Miles of
|
|
it unreeled. What becomes of it after? O, wrap up meat, parcels: various
|
|
uses, thousand and one things.
|
|
|
|
Slipping his words deftly into the pauses of the clanking he drew
|
|
swiftly on the scarred woodwork.
|
|
|
|
|
|
HOUSE OF KEY(E)S
|
|
|
|
|
|
--Like that, see. Two crossed keys here. A circle. Then here the name.
|
|
Alexander Keyes, tea, wine and spirit merchant. So on.
|
|
|
|
Better not teach him his own business.
|
|
|
|
--You know yourself, councillor, just what he wants. Then round the top
|
|
in leaded: the house of keys. You see? Do you think that's a good idea?
|
|
|
|
The foreman moved his scratching hand to his lower ribs and scratched
|
|
there quietly.
|
|
|
|
--The idea, Mr Bloom said, is the house of keys. You know, councillor,
|
|
the Manx parliament. Innuendo of home rule. Tourists, you know, from the
|
|
isle of Man. Catches the eye, you see. Can you do that?
|
|
|
|
I could ask him perhaps about how to pronounce that VOGLIO. But
|
|
then if he didn't know only make it awkward for him. Better not.
|
|
|
|
--We can do that, the foreman said. Have you the design?
|
|
|
|
--I can get it, Mr Bloom said. It was in a Kilkenny paper. He has a house
|
|
there too. I'll just run out and ask him. Well, you can do that and just a
|
|
little par calling attention. You know the usual. Highclass licensed
|
|
premises. Longfelt want. So on.
|
|
|
|
The foreman thought for an instant.
|
|
|
|
--We can do that, he said. Let him give us a three months' renewal.
|
|
|
|
A typesetter brought him a limp galleypage. He began to check it
|
|
silently. Mr Bloom stood by, hearing the loud throbs of cranks, watching
|
|
the silent typesetters at their cases.
|
|
|
|
|
|
ORTHOGRAPHICAL
|
|
|
|
|
|
Want to be sure of his spelling. Proof fever. Martin Cunningham
|
|
forgot to give us his spellingbee conundrum this morning. It is amusing to
|
|
view the unpar one ar alleled embarra two ars is it? double ess ment of a
|
|
harassed pedlar while gauging au the symmetry with a y of a peeled pear
|
|
under a cemetery wall. Silly, isn't it? Cemetery put in of course on
|
|
account of the symmetry.
|
|
|
|
I should have said when he clapped on his topper. Thank you. I ought
|
|
to have said something about an old hat or something. No. I could have
|
|
said. Looks as good as new now. See his phiz then.
|
|
|
|
Sllt. The nethermost deck of the first machine jogged forward its
|
|
flyboard with sllt the first batch of quirefolded papers. Sllt. Almost
|
|
human the way it sllt to call attention. Doing its level best to speak.
|
|
That door too sllt creaking, asking to be shut. Everything speaks in its
|
|
own way. Sllt.
|
|
|
|
|
|
NOTED CHURCHMAN AN OCCASIONAL CONTRIBUTOR
|
|
|
|
|
|
The foreman handed back the galleypage suddenly, saying:
|
|
|
|
--Wait. Where's the archbishop's letter? It's to be repeated in the
|
|
TELEGRAPH. Where's what's his name?
|
|
|
|
He looked about him round his loud unanswering machines.
|
|
|
|
--Monks, sir? a voice asked from the castingbox.
|
|
|
|
--Ay. Where's Monks?
|
|
|
|
--Monks!
|
|
|
|
Mr Bloom took up his cutting. Time to get out.
|
|
|
|
--Then I'll get the design, Mr Nannetti, he said, and you'll give it a
|
|
good place I know.
|
|
|
|
--Monks!
|
|
|
|
--Yes, sir.
|
|
|
|
Three months' renewal. Want to get some wind off my chest first. Try
|
|
it anyhow. Rub in August: good idea: horseshow month. Ballsbridge.
|
|
Tourists over for the show.
|
|
|
|
|
|
A DAYFATHER
|
|
|
|
|
|
He walked on through the caseroom passing an old man, bowed,
|
|
spectacled, aproned. Old Monks, the dayfather. Queer lot of stuff he must
|
|
have put through his hands in his time: obituary notices, pubs' ads,
|
|
speeches, divorce suits, found drowned. Nearing the end of his tether now.
|
|
Sober serious man with a bit in the savingsbank I'd say. Wife a good cook
|
|
and washer. Daughter working the machine in the parlour. Plain Jane, no
|
|
damn nonsense.
|
|
|
|
|
|
AND IT WAS THE FEAST OF THE PASSOVER
|
|
|
|
|
|
He stayed in his walk to watch a typesetter neatly distributing type.
|
|
Reads it backwards first. Quickly he does it. Must require some practice
|
|
that. mangiD kcirtaP. Poor papa with his hagadah book, reading
|
|
backwards with his finger to me. Pessach. Next year in Jerusalem. Dear, O
|
|
dear! All that long business about that brought us out of the land of
|
|
Egypt and into the house of bondage ALLELUIA. SHEMA ISRAEL ADONAI ELOHENU.
|
|
No, that's the other. Then the twelve brothers, Jacob's sons. And then the
|
|
lamb and the cat and the dog and the stick and the water and the butcher.
|
|
And then the angel of death kills the butcher and he kills the ox and the
|
|
dog kills the cat. Sounds a bit silly till you come to look into it well.
|
|
Justice it means but it's everybody eating everyone else. That's what life
|
|
is after all. How quickly he does that job. Practice makes perfect. Seems
|
|
to see with his fingers.
|
|
|
|
Mr Bloom passed on out of the clanking noises through the gallery on
|
|
to the landing. Now am I going to tram it out all the way and then catch
|
|
him out perhaps. Better phone him up first. Number? Yes. Same as Citron's
|
|
house. Twentyeight. Twentyeight double four.
|
|
|
|
|
|
ONLY ONCE MORE THAT SOAP
|
|
|
|
|
|
He went down the house staircase. Who the deuce scrawled all over
|
|
those walls with matches? Looks as if they did it for a bet. Heavy greasy
|
|
smell there always is in those works. Lukewarm glue in Thom's next door
|
|
when I was there.
|
|
|
|
He took out his handkerchief to dab his nose. Citronlemon? Ah, the
|
|
soap I put there. Lose it out of that pocket. Putting back his
|
|
handkerchief he took out the soap and stowed it away, buttoned, into the
|
|
hip pocket of his trousers.
|
|
|
|
What perfume does your wife use? I could go home still: tram:
|
|
something I forgot. Just to see: before: dressing. No. Here. No.
|
|
|
|
A sudden screech of laughter came from the EVENING TELEGRAPH office. Know
|
|
who that is. What's up? Pop in a minute to phone. Ned Lambert it is.
|
|
|
|
He entered softly.
|
|
|
|
|
|
ERIN, GREEN GEM OF THE SILVER SEA
|
|
|
|
|
|
--The ghost walks, professor MacHugh murmured softly, biscuitfully to
|
|
the dusty windowpane.
|
|
|
|
Mr Dedalus, staring from the empty fireplace at Ned Lambert's
|
|
quizzing face, asked of it sourly:
|
|
|
|
--Agonising Christ, wouldn't it give you a heartburn on your arse?
|
|
|
|
Ned Lambert, seated on the table, read on:
|
|
|
|
--OR AGAIN, NOTE THE MEANDERINGS OF SOME PURLING RILL AS IT BABBLES ON
|
|
ITS WAY, THO' QUARRELLING WITH THE STONY OBSTACLES, TO THE TUMBLING WATERS
|
|
OF NEPTUNE'S BLUE DOMAIN, 'MID MOSSY BANKS, FANNED BY GENTLEST ZEPHYRS,
|
|
PLAYED ON BY THE GLORIOUS SUNLIGHT OR 'NEATH THE SHADOWS CAST O'ER ITS
|
|
PENSIVE BOSOM BY THE OVERARCHING LEAFAGE OF THE GIANTS OF THE FOREST. What
|
|
about that, Simon? he asked over the fringe of his newspaper. How's that
|
|
for high?
|
|
|
|
--Changing his drink, Mr Dedalus said.
|
|
|
|
Ned Lambert, laughing, struck the newspaper on his knees, repeating:
|
|
|
|
--THE PENSIVE BOSOM AND THE OVERARSING LEAFAGE. O boys! O boys!
|
|
|
|
--And Xenophon looked upon Marathon, Mr Dedalus said, looking again
|
|
on the fireplace and to the window, and Marathon looked on the sea.
|
|
|
|
--That will do, professor MacHugh cried from the window. I don't want to
|
|
hear any more of the stuff.
|
|
|
|
He ate off the crescent of water biscuit he had been nibbling and,
|
|
hungered, made ready to nibble the biscuit in his other hand.
|
|
|
|
High falutin stuff. Bladderbags. Ned Lambert is taking a day off I
|
|
see. Rather upsets a man's day, a funeral does. He has influence they say.
|
|
Old Chatterton, the vicechancellor, is his granduncle or his
|
|
greatgranduncle. Close on ninety they say. Subleader for his death written
|
|
this long time perhaps. Living to spite them. Might go first himself.
|
|
Johnny, make room for your uncle. The right honourable Hedges Eyre
|
|
Chatterton. Daresay he writes him an odd shaky cheque or two on gale days.
|
|
Windfall when he kicks out. Alleluia.
|
|
|
|
--Just another spasm, Ned Lambert said.
|
|
|
|
--What is it? Mr Bloom asked.
|
|
|
|
--A recently discovered fragment of Cicero, professor MacHugh answered
|
|
with pomp of tone. OUR LOVELY LAND.
|
|
|
|
|
|
SHORT BUT TO THE POINT
|
|
|
|
|
|
--Whose land? Mr Bloom said simply.
|
|
|
|
--Most pertinent question, the professor said between his chews. With an
|
|
accent on the whose.
|
|
|
|
--Dan Dawson's land Mr Dedalus said.
|
|
|
|
--Is it his speech last night? Mr Bloom asked.
|
|
|
|
Ned Lambert nodded.
|
|
|
|
--But listen to this, he said.
|
|
|
|
The doorknob hit Mr Bloom in the small of the back as the door was
|
|
pushed in.
|
|
|
|
--Excuse me, J. J. O'Molloy said, entering.
|
|
|
|
Mr Bloom moved nimbly aside.
|
|
|
|
--I beg yours, he said.
|
|
|
|
--Good day, Jack.
|
|
|
|
--Come in. Come in.
|
|
|
|
--Good day.
|
|
|
|
--How are you, Dedalus?
|
|
|
|
--Well. And yourself?
|
|
|
|
J. J. O'Molloy shook his head.
|
|
|
|
|
|
SAD
|
|
|
|
|
|
Cleverest fellow at the junior bar he used to be. Decline, poor chap.
|
|
That hectic flush spells finis for a man. Touch and go with him. What's in
|
|
the wind, I wonder. Money worry.
|
|
|
|
--OR AGAIN IF WE BUT CLIMB THE SERRIED MOUNTAIN PEAKS.
|
|
|
|
--You're looking extra.
|
|
|
|
--Is the editor to be seen? J. J. O'Molloy asked, looking towards the
|
|
inner door.
|
|
|
|
--Very much so, professor MacHugh said. To be seen and heard. He's in
|
|
his sanctum with Lenehan.
|
|
|
|
J. J. O'Molloy strolled to the sloping desk and began to turn back the
|
|
pink pages of the file.
|
|
|
|
Practice dwindling. A mighthavebeen. Losing heart. Gambling. Debts
|
|
of honour. Reaping the whirlwind. Used to get good retainers from D. and
|
|
T. Fitzgerald. Their wigs to show the grey matter. Brains on their sleeve
|
|
like the statue in Glasnevin. Believe he does some literary work for the
|
|
EXPRESS with Gabriel Conroy. Wellread fellow. Myles Crawford began on
|
|
the INDEPENDENT. Funny the way those newspaper men veer about when
|
|
they get wind of a new opening. Weathercocks. Hot and cold in the same
|
|
breath. Wouldn't know which to believe. One story good till you hear the
|
|
next. Go for one another baldheaded in the papers and then all blows over.
|
|
Hail fellow well met the next moment.
|
|
|
|
--Ah, listen to this for God' sake, Ned Lambert pleaded. OR AGAIN IF WE
|
|
BUT CLIMB THE SERRIED MOUNTAIN PEAKS ...
|
|
|
|
--Bombast! the professor broke in testily. Enough of the inflated
|
|
windbag!
|
|
|
|
--PEAKS, Ned Lambert went on, TOWERING HIGH ON HIGH, TO BATHE OUR SOULS,
|
|
AS IT WERE ...
|
|
|
|
--Bathe his lips, Mr Dedalus said. Blessed and eternal God! Yes? Is he
|
|
taking anything for it?
|
|
|
|
--AS 'TWERE, IN THE PEERLESS PANORAMA OF IRELAND'S PORTFOLIO, UNMATCHED,
|
|
DESPITE THEIR WELLPRAISED PROTOTYPES IN OTHER VAUNTED PRIZE REGIONS, FOR
|
|
VERY BEAUTY, OF BOSKY GROVE AND UNDULATING PLAIN AND LUSCIOUS PASTURELAND
|
|
OF VERNAL GREEN, STEEPED IN THE TRANSCENDENT TRANSLUCENT GLOW OF OUR MILD
|
|
MYSTERIOUS IRISH TWILIGHT ...
|
|
|
|
|
|
HIS NATIVE DORIC
|
|
|
|
|
|
--The moon, professor MacHugh said. He forgot Hamlet.
|
|
|
|
--THAT MANTLES THE VISTA FAR AND WIDE AND WAIT TILL THE GLOWING ORB OF
|
|
THE MOON SHINE FORTH TO IRRADIATE HER SILVER EFFULGENCE ...
|
|
|
|
--O! Mr Dedalus cried, giving vent to a hopeless groan. Shite and onions!
|
|
That'll do, Ned. Life is too short.
|
|
|
|
He took off his silk hat and, blowing out impatiently his bushy
|
|
moustache, welshcombed his hair with raking fingers.
|
|
|
|
Ned Lambert tossed the newspaper aside, chuckling with delight. An
|
|
instant after a hoarse bark of laughter burst over professor MacHugh's
|
|
unshaven blackspectacled face.
|
|
|
|
--Doughy Daw! he cried.
|
|
|
|
|
|
WHAT WETHERUP SAID
|
|
|
|
|
|
All very fine to jeer at it now in cold print but it goes down like hot
|
|
cake that stuff. He was in the bakery line too, wasn't he? Why they call
|
|
him Doughy Daw. Feathered his nest well anyhow. Daughter engaged to that
|
|
chap in the inland revenue office with the motor. Hooked that nicely.
|
|
Entertainments. Open house. Big blowout. Wetherup always said that. Get
|
|
a grip of them by the stomach.
|
|
|
|
The inner door was opened violently and a scarlet beaked face,
|
|
crested by a comb of feathery hair, thrust itself in. The bold blue eyes
|
|
stared about them and the harsh voice asked:
|
|
|
|
--What is it?
|
|
|
|
--And here comes the sham squire himself! professor MacHugh said grandly.
|
|
|
|
--Getonouthat, you bloody old pedagogue! the editor said in recognition.
|
|
|
|
--Come, Ned, Mr Dedalus said, putting on his hat. I must get a drink
|
|
after that.
|
|
|
|
--Drink! the editor cried. No drinks served before mass.
|
|
|
|
--Quite right too, Mr Dedalus said, going out. Come on, Ned.
|
|
|
|
Ned Lambert sidled down from the table. The editor's blue eyes roved
|
|
towards Mr Bloom's face, shadowed by a smile.
|
|
|
|
--Will you join us, Myles? Ned Lambert asked.
|
|
|
|
|
|
MEMORABLE BATTLES RECALLED
|
|
|
|
|
|
--North Cork militia! the editor cried, striding to the mantelpiece. We
|
|
won every time! North Cork and Spanish officers!
|
|
|
|
--Where was that, Myles? Ned Lambert asked with a reflective glance at
|
|
his toecaps.
|
|
|
|
--In Ohio! the editor shouted.
|
|
|
|
--So it was, begad, Ned Lambert agreed.
|
|
|
|
Passing out he whispered to J. J. O'Molloy:
|
|
|
|
--Incipient jigs. Sad case.
|
|
|
|
--Ohio! the editor crowed in high treble from his uplifted scarlet face.
|
|
My Ohio!
|
|
|
|
--A perfect cretic! the professor said. Long, short and long.
|
|
|
|
|
|
O, HARP EOLIAN!
|
|
|
|
|
|
He took a reel of dental floss from his waistcoat pocket and, breaking
|
|
off a piece, twanged it smartly between two and two of his resonant
|
|
unwashed teeth.
|
|
|
|
--Bingbang, bangbang.
|
|
|
|
Mr Bloom, seeing the coast clear, made for the inner door.
|
|
|
|
--Just a moment, Mr Crawford, he said. I just want to phone about an ad.
|
|
|
|
He went in.
|
|
|
|
--What about that leader this evening? professor MacHugh asked, coming
|
|
to the editor and laying a firm hand on his shoulder.
|
|
|
|
--That'll be all right, Myles Crawford said more calmly. Never you fret.
|
|
Hello, Jack. That's all right.
|
|
|
|
--Good day, Myles, J. J. O'Molloy said, letting the pages he held slip
|
|
limply back on the file. Is that Canada swindle case on today?
|
|
|
|
The telephone whirred inside.
|
|
|
|
--Twentyeight ... No, twenty ... Double four ... Yes.
|
|
|
|
|
|
SPOT THE WINNER
|
|
|
|
|
|
Lenehan came out of the inner office with SPORT'S tissues.
|
|
|
|
--Who wants a dead cert for the Gold cup? he asked. Sceptre with O.
|
|
Madden up.
|
|
|
|
He tossed the tissues on to the table.
|
|
|
|
Screams of newsboys barefoot in the hall rushed near and the door
|
|
was flung open.
|
|
|
|
--Hush, Lenehan said. I hear feetstoops.
|
|
|
|
Professor MacHugh strode across the room and seized the cringing
|
|
urchin by the collar as the others scampered out of the hall and down the
|
|
steps. The tissues rustled up in the draught, floated softly in the air
|
|
blue scrawls and under the table came to earth.
|
|
|
|
--It wasn't me, sir. It was the big fellow shoved me, sir.
|
|
|
|
--Throw him out and shut the door, the editor said. There's a hurricane
|
|
blowing.
|
|
|
|
Lenehan began to paw the tissues up from the floor, grunting as he
|
|
stooped twice.
|
|
|
|
--Waiting for the racing special, sir, the newsboy said. It was Pat
|
|
Farrell shoved me, sir.
|
|
|
|
He pointed to two faces peering in round the doorframe.
|
|
|
|
--Him, sir.
|
|
|
|
--Out of this with you, professor MacHugh said gruffly.
|
|
|
|
He hustled the boy out and banged the door to.
|
|
|
|
J. J. O'Molloy turned the files crackingly over, murmuring, seeking:
|
|
|
|
--Continued on page six, column four.
|
|
|
|
--Yes, EVENING TELEGRAPH here, Mr Bloom phoned from the inner office. Is
|
|
the boss ...? Yes, TELEGRAPH ... To where? Aha! Which auction rooms? ...
|
|
Aha! I see ... Right. I'll catch him.
|
|
|
|
|
|
A COLLISION ENSUES
|
|
|
|
|
|
The bell whirred again as he rang off. He came in quickly and
|
|
bumped against Lenehan who was struggling up with the second tissue.
|
|
|
|
--PARDON, MONSIEUR, Lenehan said, clutching him for an instant and making
|
|
a grimace.
|
|
|
|
--My fault, Mr Bloom said, suffering his grip. Are you hurt? I'm in a
|
|
hurry.
|
|
|
|
--Knee, Lenehan said.
|
|
|
|
He made a comic face and whined, rubbing his knee:
|
|
|
|
--The accumulation of the ANNO DOMINI.
|
|
|
|
--Sorry, Mr Bloom said.
|
|
|
|
He went to the door and, holding it ajar, paused. J. J. O'Molloy
|
|
slapped the heavy pages over. The noise of two shrill voices, a
|
|
mouthorgan, echoed in the bare hallway from the newsboys squatted on the
|
|
doorsteps:
|
|
|
|
|
|
--WE ARE THE BOYS OF WEXFORD
|
|
WHO FOUGHT WITH HEART AND HAND.
|
|
|
|
|
|
EXIT BLOOM
|
|
|
|
|
|
--I'm just running round to Bachelor's walk, Mr Bloom said, about this ad
|
|
of Keyes's. Want to fix it up. They tell me he's round there in Dillon's.
|
|
|
|
He looked indecisively for a moment at their faces. The editor who,
|
|
leaning against the mantelshelf, had propped his head on his hand,
|
|
suddenly stretched forth an arm amply.
|
|
|
|
--Begone! he said. The world is before you.
|
|
|
|
--Back in no time, Mr Bloom said, hurrying out.
|
|
|
|
J. J. O'Molloy took the tissues from Lenehan's hand and read them,
|
|
blowing them apart gently, without comment.
|
|
|
|
--He'll get that advertisement, the professor said, staring through his
|
|
blackrimmed spectacles over the crossblind. Look at the young scamps after
|
|
him.
|
|
|
|
--Show. Where? Lenehan cried, running to the window.
|
|
|
|
|
|
A STREET CORTEGE
|
|
|
|
|
|
Both smiled over the crossblind at the file of capering newsboys in Mr
|
|
Bloom's wake, the last zigzagging white on the breeze a mocking kite, a
|
|
tail of white bowknots.
|
|
|
|
--Look at the young guttersnipe behind him hue and cry, Lenehan said, and
|
|
you'll kick. O, my rib risible! Taking off his flat spaugs and the walk.
|
|
Small nines. Steal upon larks.
|
|
|
|
He began to mazurka in swift caricature across the floor on sliding
|
|
feet past the fireplace to J. J. O'Molloy who placed the tissues in his
|
|
receiving hands.
|
|
|
|
--What's that? Myles Crawford said with a start. Where are the other two
|
|
gone?
|
|
|
|
--Who? the professor said, turning. They're gone round to the Oval for a
|
|
drink. Paddy Hooper is there with Jack Hall. Came over last night.
|
|
|
|
--Come on then, Myles Crawford said. Where's my hat?
|
|
|
|
He walked jerkily into the office behind, parting the vent of his jacket,
|
|
jingling his keys in his back pocket. They jingled then in the air and
|
|
against the wood as he locked his desk drawer.
|
|
|
|
--He's pretty well on, professor MacHugh said in a low voice.
|
|
|
|
--Seems to be, J. J. O'Molloy said, taking out a cigarettecase in
|
|
murmuring meditation, but it is not always as it seems. Who has the most
|
|
matches?
|
|
|
|
|
|
THE CALUMET OF PEACE
|
|
|
|
|
|
He offered a cigarette to the professor and took one himself. Lenehan
|
|
promptly struck a match for them and lit their cigarettes in turn. J. J.
|
|
O'Molloy opened his case again and offered it.
|
|
|
|
--THANKY VOUS, Lenehan said, helping himself.
|
|
|
|
The editor came from the inner office, a straw hat awry on his brow.
|
|
He declaimed in song, pointing sternly at professor MacHugh:
|
|
|
|
|
|
--'TWAS RANK AND FAME THAT TEMPTED THEE,
|
|
'TWAS EMPIRE CHARMED THY HEART.
|
|
|
|
|
|
The professor grinned, locking his long lips.
|
|
|
|
--Eh? You bloody old Roman empire? Myles Crawford said.
|
|
|
|
He took a cigarette from the open case. Lenehan, lighting it for him
|
|
with quick grace, said:
|
|
|
|
--Silence for my brandnew riddle!
|
|
|
|
--IMPERIUM ROMANUM, J. J. O'Molloy said gently. It sounds nobler than
|
|
British or Brixton. The word reminds one somehow of fat in the fire.
|
|
|
|
Myles Crawford blew his first puff violently towards the ceiling.
|
|
|
|
--That's it, he said. We are the fat. You and I are the fat in the fire.
|
|
We haven't got the chance of a snowball in hell.
|
|
|
|
|
|
THE GRANDEUR THAT WAS ROME
|
|
|
|
|
|
--Wait a moment, professor MacHugh said, raising two quiet claws. We
|
|
mustn't be led away by words, by sounds of words. We think of Rome,
|
|
imperial, imperious, imperative.
|
|
|
|
He extended elocutionary arms from frayed stained shirtcuffs, pausing:
|
|
|
|
--What was their civilisation? Vast, I allow: but vile. Cloacae: sewers.
|
|
The Jews in the wilderness and on the mountaintop said: IT IS MEET TO BE
|
|
HERE. LET US BUILD AN ALTAR TO JEHOVAH. The Roman, like the Englishman who
|
|
follows in his footsteps, brought to every new shore on which he set his
|
|
foot (on our shore he never set it) only his cloacal obsession. He gazed
|
|
about him in his toga and he said: IT IS MEET TO BE HERE. LET US CONSTRUCT
|
|
A WATERCLOSET.
|
|
|
|
--Which they accordingly did do, Lenehan said. Our old ancient ancestors,
|
|
as we read in the first chapter of Guinness's, were partial to the running
|
|
stream.
|
|
|
|
--They were nature's gentlemen, J. J. O'Molloy murmured. But we have
|
|
also Roman law.
|
|
|
|
--And Pontius Pilate is its prophet, professor MacHugh responded.
|
|
|
|
--Do you know that story about chief baron Palles? J. J. O'Molloy asked.
|
|
It was at the royal university dinner. Everything was going
|
|
swimmingly ...
|
|
|
|
--First my riddle, Lenehan said. Are you ready?
|
|
|
|
Mr O'Madden Burke, tall in copious grey of Donegal tweed, came in
|
|
from the hallway. Stephen Dedalus, behind him, uncovered as he entered.
|
|
|
|
--ENTREZ, MES ENFANTS! Lenehan cried.
|
|
|
|
--I escort a suppliant, Mr O'Madden Burke said melodiously. Youth led by
|
|
Experience visits Notoriety.
|
|
|
|
--How do you do? the editor said, holding out a hand. Come in. Your
|
|
governor is just gone.
|
|
|
|
|
|
? ? ?
|
|
|
|
|
|
Lenehan said to all:
|
|
|
|
--Silence! What opera resembles a railwayline? Reflect, ponder,
|
|
excogitate, reply.
|
|
|
|
Stephen handed over the typed sheets, pointing to the title and signature.
|
|
|
|
--Who? the editor asked.
|
|
|
|
Bit torn off.
|
|
|
|
--Mr Garrett Deasy, Stephen said.
|
|
|
|
--That old pelters, the editor said. Who tore it? Was he short taken?
|
|
|
|
|
|
ON SWIFT SAIL FLAMING
|
|
FROM STORM AND SOUTH
|
|
HE COMES, PALE VAMPIRE,
|
|
MOUTH TO MY MOUTH.
|
|
|
|
|
|
--Good day, Stephen, the professor said, coming to peer over their
|
|
shoulders. Foot and mouth? Are you turned ...?
|
|
|
|
Bullockbefriending bard.
|
|
|
|
|
|
SHINDY IN WELLKNOWN RESTAURANT
|
|
|
|
|
|
--Good day, sir, Stephen answered blushing. The letter is not mine. Mr
|
|
Garrett Deasy asked me to ...
|
|
|
|
--O, I know him, Myles Crawford said, and I knew his wife too. The
|
|
bloodiest old tartar God ever made. By Jesus, she had the foot and mouth
|
|
disease and no mistake! The night she threw the soup in the waiter's face
|
|
in the Star and Garter. Oho!
|
|
|
|
A woman brought sin into the world. For Helen, the runaway wife of
|
|
Menelaus, ten years the Greeks. O'Rourke, prince of Breffni.
|
|
|
|
--Is he a widower? Stephen asked.
|
|
|
|
--Ay, a grass one, Myles Crawford said, his eye running down the
|
|
typescript. Emperor's horses. Habsburg. An Irishman saved his life on the
|
|
ramparts of Vienna. Don't you forget! Maximilian Karl O'Donnell, graf
|
|
von Tirconnell in Ireland. Sent his heir over to make the king an Austrian
|
|
fieldmarshal now. Going to be trouble there one day. Wild geese. O yes,
|
|
every time. Don't you forget that!
|
|
|
|
--The moot point is did he forget it, J. J. O'Molloy said quietly,
|
|
turning a horseshoe paperweight. Saving princes is a thank you job.
|
|
|
|
Professor MacHugh turned on him.
|
|
|
|
--And if not? he said.
|
|
|
|
--I'll tell you how it was, Myles Crawford began. A Hungarian it was one
|
|
day ...
|
|
|
|
|
|
LOST CAUSES
|
|
|
|
|
|
NOBLE MARQUESS MENTIONED
|
|
|
|
|
|
--We were always loyal to lost causes, the professor said. Success for us
|
|
is the death of the intellect and of the imagination. We were never loyal
|
|
to the successful. We serve them. I teach the blatant Latin language. I
|
|
speak the tongue of a race the acme of whose mentality is the maxim: time
|
|
is money. Material domination. DOMINUS! Lord! Where is the spirituality?
|
|
Lord Jesus? Lord Salisbury? A sofa in a westend club. But the Greek!
|
|
|
|
|
|
KYRIE ELEISON!
|
|
|
|
|
|
A smile of light brightened his darkrimmed eyes, lengthened his long
|
|
lips.
|
|
|
|
--The Greek! he said again. KYRIOS! Shining word! The vowels the Semite
|
|
and the Saxon know not. KYRIE! The radiance of the intellect. I ought to
|
|
profess Greek, the language of the mind. KYRIE ELEISON! The closetmaker
|
|
and the cloacamaker will never be lords of our spirit. We are liege
|
|
subjects of the catholic chivalry of Europe that foundered at Trafalgar
|
|
and of the empire of the spirit, not an IMPERIUM, that went under with the
|
|
Athenian fleets at Aegospotami. Yes, yes. They went under. Pyrrhus, misled
|
|
by an oracle, made a last attempt to retrieve the fortunes of Greece.
|
|
Loyal to a lost cause.
|
|
|
|
He strode away from them towards the window.
|
|
|
|
--They went forth to battle, Mr O'Madden Burke said greyly, but they
|
|
always fell.
|
|
|
|
--Boohoo! Lenehan wept with a little noise. Owing to a brick received in
|
|
the latter half of the MATINEE. Poor, poor, poor Pyrrhus!
|
|
|
|
He whispered then near Stephen's ear:
|
|
|
|
|
|
LENEHAN'S LIMERICK
|
|
|
|
--THERE'S A PONDEROUS PUNDIT MACHUGH
|
|
WHO WEARS GOGGLES OF EBONY HUE.
|
|
AS HE MOSTLY SEES DOUBLE
|
|
TO WEAR THEM WHY TROUBLE?
|
|
I CAN'T SEE THE JOE MILLER. CAN YOU?
|
|
|
|
|
|
In mourning for Sallust, Mulligan says. Whose mother is beastly dead.
|
|
|
|
Myles Crawford crammed the sheets into a sidepocket.
|
|
|
|
--That'll be all right, he said. I'll read the rest after. That'll be all
|
|
right.
|
|
|
|
Lenehan extended his hands in protest.
|
|
|
|
--But my riddle! he said. What opera is like a railwayline?
|
|
|
|
--Opera? Mr O'Madden Burke's sphinx face reriddled.
|
|
|
|
Lenehan announced gladly:
|
|
|
|
|
|
--THE ROSE OF CASTILE. See the wheeze? Rows of cast steel. Gee!
|
|
|
|
He poked Mr O'Madden Burke mildly in the spleen. Mr O'Madden Burke
|
|
fell back with grace on his umbrella, feigning a gasp.
|
|
|
|
--Help! he sighed. I feel a strong weakness.
|
|
|
|
Lenehan, rising to tiptoe, fanned his face rapidly with the rustling
|
|
tissues.
|
|
|
|
The professor, returning by way of the files, swept his hand across
|
|
Stephen's and Mr O'Madden Burke's loose ties.
|
|
|
|
--Paris, past and present, he said. You look like communards.
|
|
|
|
--Like fellows who had blown up the Bastile, J. J. O'Molloy said in quiet
|
|
mockery. Or was it you shot the lord lieutenant of Finland between you?
|
|
You look as though you had done the deed. General Bobrikoff.
|
|
|
|
|
|
OMNIUM GATHERUM
|
|
|
|
|
|
--We were only thinking about it, Stephen said.
|
|
|
|
--All the talents, Myles Crawford said. Law, the classics ...
|
|
|
|
--The turf, Lenehan put in.
|
|
|
|
--Literature, the press.
|
|
|
|
--If Bloom were here, the professor said. The gentle art of advertisement.
|
|
|
|
--And Madam Bloom, Mr O'Madden Burke added. The vocal muse. Dublin's
|
|
prime favourite.
|
|
|
|
Lenehan gave a loud cough.
|
|
|
|
--Ahem! he said very softly. O, for a fresh of breath air! I caught a
|
|
cold in the park. The gate was open.
|
|
|
|
|
|
YOU CAN DO IT!
|
|
|
|
|
|
The editor laid a nervous hand on Stephen's shoulder.
|
|
|
|
--I want you to write something for me, he said. Something with a bite in
|
|
it. You can do it. I see it in your face. IN THE LEXICON OF YOUTH ...
|
|
|
|
See it in your face. See it in your eye. Lazy idle little schemer.
|
|
|
|
--Foot and mouth disease! the editor cried in scornful invective. Great
|
|
nationalist meeting in Borris-in-Ossory. All balls! Bulldosing the public!
|
|
Give them something with a bite in it. Put us all into it, damn its soul.
|
|
Father, Son and Holy Ghost and Jakes M'Carthy.
|
|
|
|
--We can all supply mental pabulum, Mr O'Madden Burke said.
|
|
|
|
Stephen raised his eyes to the bold unheeding stare.
|
|
|
|
--He wants you for the pressgang, J. J. O'Molloy said.
|
|
|
|
|
|
THE GREAT GALLAHER
|
|
|
|
|
|
--You can do it, Myles Crawford repeated, clenching his hand in emphasis.
|
|
Wait a minute. We'll paralyse Europe as Ignatius Gallaher used to say when
|
|
he was on the shaughraun, doing billiardmarking in the Clarence. Gallaher,
|
|
that was a pressman for you. That was a pen. You know how he made his
|
|
mark? I'll tell you. That was the smartest piece of journalism ever known.
|
|
That was in eightyone, sixth of May, time of the invincibles, murder in
|
|
the Phoenix park, before you were born, I suppose. I'll show you.
|
|
|
|
He pushed past them to the files.
|
|
|
|
--Look at here, he said turning. The NEW YORK WORLD cabled for a special.
|
|
Remember that time?
|
|
|
|
Professor MacHugh nodded.
|
|
|
|
--NEW YORK WORLD, the editor said, excitedly pushing back his straw hat.
|
|
Where it took place. Tim Kelly, or Kavanagh I mean. Joe Brady and the
|
|
rest of them. Where Skin-the-Goat drove the car. Whole route, see?
|
|
|
|
--Skin-the-Goat, Mr O'Madden Burke said. Fitzharris. He has that
|
|
cabman's shelter, they say, down there at Butt bridge. Holohan told me.
|
|
You know Holohan?
|
|
|
|
--Hop and carry one, is it? Myles Crawford said.
|
|
|
|
--And poor Gumley is down there too, so he told me, minding stones for
|
|
the corporation. A night watchman.
|
|
|
|
Stephen turned in surprise.
|
|
|
|
--Gumley? he said. You don't say so? A friend of my father's, is it?
|
|
|
|
--Never mind Gumley, Myles Crawford cried angrily. Let Gumley mind
|
|
the stones, see they don't run away. Look at here. What did Ignatius
|
|
Gallaher do? I'll tell you. Inspiration of genius. Cabled right away. Have
|
|
you WEEKLY FREEMAN of 17 March? Right. Have you got that?
|
|
|
|
He flung back pages of the files and stuck his finger on a point.
|
|
|
|
--Take page four, advertisement for Bransome's coffee, let us say. Have
|
|
you got that? Right.
|
|
|
|
The telephone whirred.
|
|
|
|
|
|
A DISTANT VOICE
|
|
|
|
|
|
--I'll answer it, the professor said, going.
|
|
|
|
--B is parkgate. Good.
|
|
|
|
His finger leaped and struck point after point, vibrating.
|
|
|
|
--T is viceregal lodge. C is where murder took place. K is Knockmaroon
|
|
gate.
|
|
|
|
The loose flesh of his neck shook like a cock's wattles. An illstarched
|
|
dicky jutted up and with a rude gesture he thrust it back into his
|
|
waistcoat.
|
|
|
|
--Hello? EVENING TELEGRAPH here ... Hello?... Who's there? ...
|
|
Yes ... Yes ... Yes.
|
|
|
|
--F to P is the route Skin-the-Goat drove the car for an alibi, Inchicore,
|
|
Roundtown, Windy Arbour, Palmerston Park, Ranelagh. F.A.B.P. Got that?
|
|
X is Davy's publichouse in upper Leeson street.
|
|
|
|
The professor came to the inner door.
|
|
|
|
--Bloom is at the telephone, he said.
|
|
|
|
--Tell him go to hell, the editor said promptly. X is Davy's publichouse,
|
|
see?
|
|
|
|
|
|
CLEVER, VERY
|
|
|
|
|
|
--Clever, Lenehan said. Very.
|
|
|
|
--Gave it to them on a hot plate, Myles Crawford said, the whole bloody
|
|
history.
|
|
|
|
Nightmare from which you will never awake.
|
|
|
|
--I saw it, the editor said proudly. I was present. Dick Adams, the
|
|
besthearted bloody Corkman the Lord ever put the breath of life in, and
|
|
myself.
|
|
|
|
Lenehan bowed to a shape of air, announcing:
|
|
|
|
--Madam, I'm Adam. And Able was I ere I saw Elba.
|
|
|
|
--History! Myles Crawford cried. The Old Woman of Prince's street was
|
|
there first. There was weeping and gnashing of teeth over that. Out of an
|
|
advertisement. Gregor Grey made the design for it. That gave him the leg
|
|
up. Then Paddy Hooper worked Tay Pay who took him on to the STAR.
|
|
Now he's got in with Blumenfeld. That's press. That's talent. Pyatt! He
|
|
was all their daddies!
|
|
|
|
--The father of scare journalism, Lenehan confirmed, and the
|
|
brother-in-law of Chris Callinan.
|
|
|
|
--Hello? ... Are you there? ... Yes, he's here still. Come across
|
|
yourself.
|
|
|
|
--Where do you find a pressman like that now, eh? the editor cried.
|
|
He flung the pages down.
|
|
|
|
--Clamn dever, Lenehan said to Mr O'Madden Burke.
|
|
|
|
--Very smart, Mr O'Madden Burke said.
|
|
|
|
Professor MacHugh came from the inner office.
|
|
|
|
--Talking about the invincibles, he said, did you see that some hawkers
|
|
were up before the recorder ...
|
|
|
|
--O yes, J. J. O'Molloy said eagerly. Lady Dudley was walking home
|
|
through the park to see all the trees that were blown down by that cyclone
|
|
last year and thought she'd buy a view of Dublin. And it turned out to be
|
|
a commemoration postcard of Joe Brady or Number One or Skin-the-Goat.
|
|
Right outside the viceregal lodge, imagine!
|
|
|
|
--They're only in the hook and eye department, Myles Crawford said.
|
|
Psha! Press and the bar! Where have you a man now at the bar like those
|
|
fellows, like Whiteside, like Isaac Butt, like silvertongued O'Hagan. Eh?
|
|
Ah, bloody nonsense. Psha! Only in the halfpenny place.
|
|
|
|
His mouth continued to twitch unspeaking in nervous curls of disdain.
|
|
|
|
Would anyone wish that mouth for her kiss? How do you know? Why did
|
|
you write it then?
|
|
|
|
|
|
RHYMES AND REASONS
|
|
|
|
|
|
Mouth, south. Is the mouth south someway? Or the south a mouth?
|
|
Must be some. South, pout, out, shout, drouth. Rhymes: two men dressed
|
|
the same, looking the same, two by two.
|
|
|
|
|
|
. . . . . . . . . . . . . . . . . . .LA TUA PACE
|
|
. . . . . . . . . . . . . . .CHE PARLAR TI PIACE
|
|
. . . . .MENTREM CHE IL VENTO, COME FA, SI TACE.
|
|
|
|
|
|
He saw them three by three, approaching girls, in green, in rose, in
|
|
russet, entwining, PER L'AER PERSO, in mauve, in purple, QUELLA PACIFICA
|
|
ORIAFIAMMA, gold of oriflamme, DI RIMIRAR FE PIU ARDENTI. But I old men,
|
|
penitent, leadenfooted, underdarkneath the night: mouth south: tomb womb.
|
|
|
|
--Speak up for yourself, Mr O'Madden Burke said.
|
|
|
|
|
|
SUFFICIENT FOR THE DAY ...
|
|
|
|
|
|
J. J. O'Molloy, smiling palely, took up the gage.
|
|
|
|
--My dear Myles, he said, flinging his cigarette aside, you put a false
|
|
construction on my words. I hold no brief, as at present advised, for the
|
|
third profession qua profession but your Cork legs are running away with
|
|
you. Why not bring in Henry Grattan and Flood and Demosthenes and
|
|
Edmund Burke? Ignatius Gallaher we all know and his Chapelizod boss,
|
|
Harmsworth of the farthing press, and his American cousin of the Bowery
|
|
guttersheet not to mention PADDY KELLY'S BUDGET, PUE'S OCCURRENCES and our
|
|
watchful friend THE SKIBBEREEN EAGLE. Why bring in a master of forensic
|
|
eloquence like Whiteside? Sufficient for the day is the newspaper thereof.
|
|
|
|
|
|
LINKS WITH BYGONE DAYS OF YORE
|
|
|
|
|
|
--Grattan and Flood wrote for this very paper, the editor cried in his
|
|
face. Irish volunteers. Where are you now? Established 1763. Dr Lucas.
|
|
Who have you now like John Philpot Curran? Psha!
|
|
|
|
--Well, J. J. O'Molloy said, Bushe K.C., for example.
|
|
|
|
--Bushe? the editor said. Well, yes: Bushe, yes. He has a strain of it in
|
|
his blood. Kendal Bushe or I mean Seymour Bushe.
|
|
|
|
--He would have been on the bench long ago, the professor said, only
|
|
for ... But no matter.
|
|
|
|
J. J. O'Molloy turned to Stephen and said quietly and slowly:
|
|
|
|
--One of the most polished periods I think I ever listened to in my life
|
|
fell from the lips of Seymour Bushe. It was in that case of fratricide,
|
|
the Childs murder case. Bushe defended him.
|
|
|
|
|
|
AND IN THE PORCHES OF MINE EAR DID POUR.
|
|
|
|
|
|
By the way how did he find that out? He died in his sleep. Or the
|
|
other story, beast with two backs?
|
|
|
|
--What was that? the professor asked.
|
|
|
|
|
|
ITALIA, MAGISTRA ARTIUM
|
|
|
|
|
|
--He spoke on the law of evidence, J. J. O'Molloy said, of Roman justice
|
|
as contrasted with the earlier Mosaic code, the LEX TALIONIS. And he cited
|
|
the Moses of Michelangelo in the vatican.
|
|
|
|
--Ha.
|
|
|
|
--A few wellchosen words, Lenehan prefaced. Silence!
|
|
|
|
Pause. J. J. O'Molloy took out his cigarettecase.
|
|
|
|
False lull. Something quite ordinary.
|
|
|
|
Messenger took out his matchbox thoughtfully and lit his cigar.
|
|
|
|
I have often thought since on looking back over that strange time that
|
|
it was that small act, trivial in itself, that striking of that match,
|
|
that determined the whole aftercourse of both our lives.
|
|
|
|
|
|
A POLISHED PERIOD
|
|
|
|
|
|
J. J. O'Molloy resumed, moulding his words:
|
|
|
|
--He said of it: THAT STONY EFFIGY IN FROZEN MUSIC, HORNED AND TERRIBLE,
|
|
OF THE HUMAN FORM DIVINE, THAT ETERNAL SYMBOL OF WISDOM AND OF PROPHECY
|
|
WHICH, IF AUGHT THAT THE IMAGINATION OR THE HAND OF SCULPTOR HAS WROUGHT
|
|
IN MARBLE OF SOULTRANSFIGURED AND OF SOULTRANSFIGURING DESERVES TO LIVE,
|
|
DESERVES TO LIVE.
|
|
|
|
His slim hand with a wave graced echo and fall.
|
|
|
|
--Fine! Myles Crawford said at once.
|
|
|
|
--The divine afflatus, Mr O'Madden Burke said.
|
|
|
|
--You like it? J. J. O'Molloy asked Stephen.
|
|
|
|
Stephen, his blood wooed by grace of language and gesture, blushed.
|
|
He took a cigarette from the case. J. J. O'Molloy offered his case to
|
|
Myles Crawford. Lenehan lit their cigarettes as before and took his
|
|
trophy, saying:
|
|
|
|
--Muchibus thankibus.
|
|
|
|
|
|
A MAN OF HIGH MORALE
|
|
|
|
|
|
--Professor Magennis was speaking to me about you, J. J. O'Molloy said to
|
|
Stephen. What do you think really of that hermetic crowd, the opal hush
|
|
poets: A. E. the mastermystic? That Blavatsky woman started it. She was a
|
|
nice old bag of tricks. A. E. has been telling some yankee interviewer
|
|
that you came to him in the small hours of the morning to ask him about
|
|
planes of consciousness. Magennis thinks you must have been pulling
|
|
A. E.'s leg. He is a man of the very highest morale, Magennis.
|
|
|
|
Speaking about me. What did he say? What did he say? What did he
|
|
say about me? Don't ask.
|
|
|
|
--No, thanks, professor MacHugh said, waving the cigarettecase aside.
|
|
Wait a moment. Let me say one thing. The finest display of oratory I ever
|
|
heard was a speech made by John F Taylor at the college historical
|
|
society. Mr Justice Fitzgibbon, the present lord justice of appeal, had
|
|
spoken and the paper under debate was an essay (new for those days),
|
|
advocating the revival of the Irish tongue.
|
|
|
|
He turned towards Myles Crawford and said:
|
|
|
|
--You know Gerald Fitzgibbon. Then you can imagine the style of his
|
|
discourse.
|
|
|
|
--He is sitting with Tim Healy, J. J. O'Molloy said, rumour has it, on
|
|
the Trinity college estates commission.
|
|
|
|
--He is sitting with a sweet thing, Myles Crawford said, in a child's
|
|
frock. Go on. Well?
|
|
|
|
--It was the speech, mark you, the professor said, of a finished orator,
|
|
full of courteous haughtiness and pouring in chastened diction I will not
|
|
say the vials of his wrath but pouring the proud man's contumely upon the
|
|
new movement. It was then a new movement. We were weak, therefore
|
|
worthless.
|
|
|
|
He closed his long thin lips an instant but, eager to be on, raised an
|
|
outspanned hand to his spectacles and, with trembling thumb and
|
|
ringfinger touching lightly the black rims, steadied them to a new focus.
|
|
|
|
|
|
IMPROMPTU
|
|
|
|
|
|
In ferial tone he addressed J. J. O'Molloy:
|
|
|
|
--Taylor had come there, you must know, from a sickbed. That he had
|
|
prepared his speech I do not believe for there was not even one
|
|
shorthandwriter in the hall. His dark lean face had a growth of shaggy
|
|
beard round it. He wore a loose white silk neckcloth and altogether he
|
|
looked (though he was not) a dying man.
|
|
|
|
His gaze turned at once but slowly from J. J. O'Molloy's towards
|
|
Stephen's face and then bent at once to the ground, seeking. His unglazed
|
|
linen collar appeared behind his bent head, soiled by his withering hair.
|
|
Still seeking, he said:
|
|
|
|
--When Fitzgibbon's speech had ended John F Taylor rose to reply.
|
|
Briefly, as well as I can bring them to mind, his words were these.
|
|
|
|
He raised his head firmly. His eyes bethought themselves once more.
|
|
Witless shellfish swam in the gross lenses to and fro, seeking outlet.
|
|
|
|
He began:
|
|
|
|
--MR CHAIRMAN, LADIES AND GENTLEMEN: GREAT WAS MY ADMIRATION IN LISTENING
|
|
TO THE REMARKS ADDRESSED TO THE YOUTH OF IRELAND A MOMENT SINCE BY MY
|
|
LEARNED FRIEND. IT SEEMED TO ME THAT I HAD BEEN TRANSPORTED INTO A COUNTRY
|
|
FAR AWAY FROM THIS COUNTRY, INTO AN AGE REMOTE FROM THIS AGE, THAT I STOOD
|
|
IN ANCIENT EGYPT AND THAT I WAS LISTENING TO THE SPEECH OF SOME HIGHPRIEST
|
|
OF THAT LAND ADDRESSED TO THE YOUTHFUL MOSES.
|
|
|
|
His listeners held their cigarettes poised to hear, their smokes
|
|
ascending in frail stalks that flowered with his speech. And let our
|
|
crooked smokes. Noble words coming. Look out. Could you try your hand at
|
|
it yourself?
|
|
|
|
--AND IT SEEMED TO ME THAT I HEARD THE VOICE OF THAT EGYPTIAN HIGHPRIEST
|
|
RAISED IN A TONE OF LIKE HAUGHTINESS AND LIKE PRIDE. I HEARD HIS WORDS AND
|
|
THEIR MEANING WAS REVEALED TO ME.
|
|
|
|
|
|
FROM THE FATHERS
|
|
|
|
|
|
It was revealed to me that those things are good which yet are
|
|
corrupted which neither if they were supremely good nor unless they were
|
|
good could be corrupted. Ah, curse you! That's saint Augustine.
|
|
|
|
--WHY WILL YOU JEWS NOT ACCEPT OUR CULTURE, OUR RELIGION AND OUR
|
|
LANGUAGE? YOU ARE A TRIBE OF NOMAD HERDSMEN: WE ARE A MIGHTY PEOPLE. YOU
|
|
HAVE NO CITIES NOR NO WEALTH: OUR CITIES ARE HIVES OF HUMANITY AND OUR
|
|
GALLEYS, TRIREME AND QUADRIREME, LADEN WITH ALL MANNER MERCHANDISE FURROW
|
|
THE WATERS OF THE KNOWN GLOBE. YOU HAVE BUT EMERGED FROM PRIMITIVE
|
|
CONDITIONS: WE HAVE A LITERATURE, A PRIESTHOOD, AN AGELONG HISTORY AND A
|
|
POLITY.
|
|
|
|
Nile.
|
|
|
|
Child, man, effigy.
|
|
|
|
By the Nilebank the babemaries kneel, cradle of bulrushes: a man
|
|
supple in combat: stonehorned, stonebearded, heart of stone.
|
|
|
|
--YOU PRAY TO A LOCAL AND OBSCURE IDOL: OUR TEMPLES, MAJESTIC AND
|
|
MYSTERIOUS, ARE THE ABODES OF ISIS AND OSIRIS, OF HORUS AND AMMON RA.
|
|
YOURS SERFDOM, AWE AND HUMBLENESS: OURS THUNDER AND THE SEAS. ISRAEL IS
|
|
WEAK AND FEW ARE HER CHILDREN: EGYPT IS AN HOST AND TERRIBLE ARE HER ARMS.
|
|
VAGRANTS AND DAYLABOURERS ARE YOU CALLED: THE WORLD TREMBLES AT OUR NAME.
|
|
|
|
A dumb belch of hunger cleft his speech. He lifted his voice above it
|
|
boldly:
|
|
|
|
--BUT, LADIES AND GENTLEMEN, HAD THE YOUTHFUL MOSES LISTENED TO AND
|
|
ACCEPTED THAT VIEW OF LIFE, HAD HE BOWED HIS HEAD AND BOWED HIS WILL AND
|
|
BOWED HIS SPIRIT BEFORE THAT ARROGANT ADMONITION HE WOULD NEVER HAVE
|
|
BROUGHT THE CHOSEN PEOPLE OUT OF THEIR HOUSE OF BONDAGE, NOR FOLLOWED THE
|
|
PILLAR OF THE CLOUD BY DAY. HE WOULD NEVER HAVE SPOKEN WITH THE ETERNAL
|
|
AMID LIGHTNINGS ON SINAI'S MOUNTAINTOP NOR EVER HAVE COME DOWN WITH THE
|
|
LIGHT OF INSPIRATION SHINING IN HIS COUNTENANCE AND BEARING IN HIS ARMS
|
|
THE TABLES OF THE LAW, GRAVEN IN THE LANGUAGE OF THE OUTLAW.
|
|
|
|
He ceased and looked at them, enjoying a silence.
|
|
|
|
|
|
OMINOUS--FOR HIM!
|
|
|
|
|
|
J. J. O'Molloy said not without regret:
|
|
|
|
--And yet he died without having entered the land of promise.
|
|
|
|
--A sudden--at--the--moment--though--from--lingering--illness--
|
|
often--previously--expectorated--demise, Lenehan added. And with a
|
|
great future behind him.
|
|
|
|
The troop of bare feet was heard rushing along the hallway and
|
|
pattering up the staircase.
|
|
|
|
--That is oratory, the professor said uncontradicted. Gone with the wind.
|
|
Hosts at Mullaghmast and Tara of the kings. Miles of ears of porches.
|
|
The tribune's words, howled and scattered to the four winds. A people
|
|
sheltered within his voice. Dead noise. Akasic records of all that ever
|
|
anywhere wherever was. Love and laud him: me no more.
|
|
|
|
I have money.
|
|
|
|
--Gentlemen, Stephen said. As the next motion on the agenda paper may I
|
|
suggest that the house do now adjourn?
|
|
|
|
--You take my breath away. It is not perchance a French compliment? Mr
|
|
O'Madden Burke asked. 'Tis the hour, methinks, when the winejug,
|
|
metaphorically speaking, is most grateful in Ye ancient hostelry.
|
|
|
|
--That it be and hereby is resolutely resolved. All that are in favour
|
|
say ay, Lenehan announced. The contrary no. I declare it carried. To which
|
|
particular boosing shed? ... My casting vote is: Mooney's!
|
|
|
|
He led the way, admonishing:
|
|
|
|
--We will sternly refuse to partake of strong waters, will we not? Yes,
|
|
we will not. By no manner of means.
|
|
|
|
Mr O'Madden Burke, following close, said with an ally's lunge of his
|
|
umbrella:
|
|
|
|
--Lay on, Macduff!
|
|
|
|
--Chip of the old block! the editor cried, clapping Stephen on the
|
|
shoulder. Let us go. Where are those blasted keys?
|
|
|
|
He fumbled in his pocket pulling out the crushed typesheets.
|
|
|
|
--Foot and mouth. I know. That'll be all right. That'll go in. Where are
|
|
they? That's all right.
|
|
|
|
He thrust the sheets back and went into the inner office.
|
|
|
|
|
|
LET US HOPE
|
|
|
|
|
|
J. J. O'Molloy, about to follow him in, said quietly to Stephen:
|
|
|
|
--I hope you will live to see it published. Myles, one moment.
|
|
|
|
He went into the inner office, closing the door behind him.
|
|
|
|
--Come along, Stephen, the professor said. That is fine, isn't it? It has
|
|
the prophetic vision. FUIT ILIUM! The sack of windy Troy. Kingdoms of this
|
|
world. The masters of the Mediterranean are fellaheen today.
|
|
|
|
The first newsboy came pattering down the stairs at their heels and
|
|
rushed out into the street, yelling:
|
|
|
|
--Racing special!
|
|
|
|
Dublin. I have much, much to learn.
|
|
|
|
They turned to the left along Abbey street.
|
|
|
|
--I have a vision too, Stephen said.
|
|
|
|
--Yes? the professor said, skipping to get into step. Crawford will
|
|
follow.
|
|
|
|
Another newsboy shot past them, yelling as he ran:
|
|
|
|
--Racing special!
|
|
|
|
|
|
DEAR DIRTY DUBLIN
|
|
|
|
|
|
Dubliners.
|
|
|
|
--Two Dublin vestals, Stephen said, elderly and pious, have lived fifty
|
|
and fiftythree years in Fumbally's lane.
|
|
|
|
--Where is that? the professor asked.
|
|
|
|
--Off Blackpitts, Stephen said.
|
|
|
|
Damp night reeking of hungry dough. Against the wall. Face
|
|
glistering tallow under her fustian shawl. Frantic hearts. Akasic records.
|
|
Quicker, darlint!
|
|
|
|
On now. Dare it. Let there be life.
|
|
|
|
--They want to see the views of Dublin from the top of Nelson's pillar.
|
|
They save up three and tenpence in a red tin letterbox moneybox. They
|
|
shake out the threepenny bits and sixpences and coax out the pennies with
|
|
the blade of a knife. Two and three in silver and one and seven in
|
|
coppers. They put on their bonnets and best clothes and take their
|
|
umbrellas for fear it may come on to rain.
|
|
|
|
--Wise virgins, professor MacHugh said.
|
|
|
|
|
|
LIFE ON THE RAW
|
|
|
|
|
|
--They buy one and fourpenceworth of brawn and four slices of panloaf at
|
|
the north city diningrooms in Marlborough street from Miss Kate Collins,
|
|
proprietress ... They purchase four and twenty ripe plums from a girl at
|
|
the foot of Nelson's pillar to take off the thirst of the brawn. They give
|
|
two threepenny bits to the gentleman at the turnstile and begin to waddle
|
|
slowly up the winding staircase, grunting, encouraging each other, afraid
|
|
of the dark, panting, one asking the other have you the brawn, praising
|
|
God and the Blessed Virgin, threatening to come down, peeping at the
|
|
airslits. Glory be to God. They had no idea it was that high.
|
|
|
|
Their names are Anne Kearns and Florence MacCabe. Anne Kearns
|
|
has the lumbago for which she rubs on Lourdes water, given her by a lady
|
|
who got a bottleful from a passionist father. Florence MacCabe takes a
|
|
crubeen and a bottle of double X for supper every Saturday.
|
|
|
|
--Antithesis, the professor said nodding twice. Vestal virgins. I can see
|
|
them. What's keeping our friend?
|
|
|
|
He turned.
|
|
|
|
A bevy of scampering newsboys rushed down the steps, scattering in
|
|
all directions, yelling, their white papers fluttering. Hard after them
|
|
Myles Crawford appeared on the steps, his hat aureoling his scarlet face,
|
|
talking with J. J. O'Molloy.
|
|
|
|
--Come along, the professor cried, waving his arm.
|
|
|
|
He set off again to walk by Stephen's side.
|
|
|
|
|
|
RETURN OF BLOOM
|
|
|
|
|
|
--Yes, he said. I see them.
|
|
|
|
Mr Bloom, breathless, caught in a whirl of wild newsboys near the
|
|
offices of the IRISH CATHOLIC AND DUBLIN PENNY JOURNAL, called:
|
|
|
|
--Mr Crawford! A moment!
|
|
|
|
--TELEGRAPH! Racing special!
|
|
|
|
--What is it? Myles Crawford said, falling back a pace.
|
|
|
|
A newsboy cried in Mr Bloom's face:
|
|
|
|
--Terrible tragedy in Rathmines! A child bit by a bellows!
|
|
|
|
|
|
|
|
INTERVIEW WITH THE EDITOR
|
|
|
|
|
|
--Just this ad, Mr Bloom said, pushing through towards the steps,
|
|
puffing, and taking the cutting from his pocket. I spoke with Mr Keyes
|
|
just now. He'll give a renewal for two months, he says. After he'll see.
|
|
But he wants a par to call attention in the TELEGRAPH too, the Saturday
|
|
pink. And he wants it copied if it's not too late I told councillor
|
|
Nannetti from the KILKENNY PEOPLE. I can have access to it in the national
|
|
library. House of keys, don't you see? His name is Keyes. It's a play on
|
|
the name. But he practically promised he'd give the renewal. But he wants
|
|
just a little puff. What will I tell him, Mr Crawford?
|
|
|
|
|
|
|
|
K.M.A.
|
|
|
|
|
|
--Will you tell him he can kiss my arse? Myles Crawford said throwing out
|
|
his arm for emphasis. Tell him that straight from the stable.
|
|
|
|
A bit nervy. Look out for squalls. All off for a drink. Arm in arm.
|
|
Lenehan's yachting cap on the cadge beyond. Usual blarney. Wonder is
|
|
that young Dedalus the moving spirit. Has a good pair of boots on him
|
|
today. Last time I saw him he had his heels on view. Been walking in muck
|
|
somewhere. Careless chap. What was he doing in Irishtown?
|
|
|
|
--Well, Mr Bloom said, his eyes returning, if I can get the design I
|
|
suppose it's worth a short par. He'd give the ad, I think. I'll tell
|
|
him ...
|
|
|
|
|
|
K.M.R.I.A.
|
|
|
|
|
|
--He can kiss my royal Irish arse, Myles Crawford cried loudly over his
|
|
shoulder. Any time he likes, tell him.
|
|
|
|
While Mr Bloom stood weighing the point and about to smile he strode
|
|
on jerkily.
|
|
|
|
|
|
RAISING THE WIND
|
|
|
|
|
|
--NULLA BONA, Jack, he said, raising his hand to his chin. I'm up to
|
|
here. I've been through the hoop myself. I was looking for a fellow to
|
|
back a bill for me no later than last week. Sorry, Jack. You must take the
|
|
will for the deed. With a heart and a half if I could raise the wind
|
|
anyhow.
|
|
|
|
J. J. O'Molloy pulled a long face and walked on silently. They caught
|
|
up on the others and walked abreast.
|
|
|
|
--When they have eaten the brawn and the bread and wiped their twenty
|
|
fingers in the paper the bread was wrapped in they go nearer to the
|
|
railings.
|
|
|
|
--Something for you, the professor explained to Myles Crawford. Two old
|
|
Dublin women on the top of Nelson's pillar.
|
|
|
|
|
|
SOME COLUMN!--
|
|
THAT'S WHAT WADDLER ONE SAID
|
|
|
|
|
|
--That's new, Myles Crawford said. That's copy. Out for the waxies
|
|
Dargle. Two old trickies, what?
|
|
|
|
--But they are afraid the pillar will fall, Stephen went on. They see the
|
|
roofs and argue about where the different churches are: Rathmines' blue
|
|
dome, Adam and Eve's, saint Laurence O'Toole's. But it makes them giddy to
|
|
look so they pull up their skirts ...
|
|
|
|
|
|
THOSE SLIGHTLY RAMBUNCTIOUS FEMALES
|
|
|
|
|
|
--Easy all, Myles Crawford said. No poetic licence. We're in the
|
|
archdiocese here.
|
|
|
|
--And settle down on their striped petticoats, peering up at the statue
|
|
of the onehandled adulterer.
|
|
|
|
--Onehandled adulterer! the professor cried. I like that. I see the idea.
|
|
I see what you mean.
|
|
|
|
|
|
DAMES DONATE DUBLIN'S CITS SPEEDPILLS
|
|
VELOCITOUS AEROLITHS, BELIEF
|
|
|
|
|
|
--It gives them a crick in their necks, Stephen said, and they are too
|
|
tired to look up or down or to speak. They put the bag of plums between
|
|
them and eat the plums out of it, one after another, wiping off with their
|
|
handkerchiefs the plumjuice that dribbles out of their mouths and spitting
|
|
the plumstones slowly out between the railings.
|
|
|
|
He gave a sudden loud young laugh as a close. Lenehan and Mr O'Madden
|
|
Burke, hearing, turned, beckoned and led on across towards Mooney's.
|
|
|
|
--Finished? Myles Crawford said. So long as they do no worse.
|
|
|
|
|
|
SOPHIST WALLOPS HAUGHTY HELEN SQUARE ON
|
|
PROBOSCIS. SPARTANS GNASH MOLARS. ITHACANS
|
|
VOW PEN IS CHAMP.
|
|
|
|
|
|
--You remind me of Antisthenes, the professor said, a disciple of
|
|
Gorgias, the sophist. It is said of him that none could tell if he were
|
|
bitterer against others or against himself. He was the son of a noble and
|
|
a bondwoman. And he wrote a book in which he took away the palm of beauty
|
|
from Argive Helen and handed it to poor Penelope.
|
|
|
|
Poor Penelope. Penelope Rich.
|
|
|
|
They made ready to cross O'Connell street.
|
|
|
|
|
|
HELLO THERE, CENTRAL!
|
|
|
|
|
|
At various points along the eight lines tramcars with motionless
|
|
trolleys stood in their tracks, bound for or from Rathmines, Rathfarnham,
|
|
Blackrock, Kingstown and Dalkey, Sandymount Green, Ringsend and
|
|
Sandymount Tower, Donnybrook, Palmerston Park and Upper Rathmines,
|
|
all still, becalmed in short circuit. Hackney cars, cabs, delivery
|
|
waggons, mailvans, private broughams, aerated mineral water floats with
|
|
rattling crates of bottles, rattled, rolled, horsedrawn, rapidly.
|
|
|
|
|
|
|
|
WHAT?--AND LIKEWISE--WHERE?
|
|
|
|
|
|
--But what do you call it? Myles Crawford asked. Where did they get the
|
|
plums?
|
|
|
|
|
|
VIRGILIAN, SAYS PEDAGOGUE.
|
|
SOPHOMORE PLUMPS FOR OLD MAN MOSES.
|
|
|
|
|
|
--Call it, wait, the professor said, opening his long lips wide to
|
|
reflect. Call it, let me see. Call it: DEUS NOBIS HAEC OTIA FECIT.
|
|
|
|
--No, Stephen said. I call it A PISGAH SIGHT OF PALESTINE OR THE PARABLE
|
|
OF THE PLUMS.
|
|
|
|
--I see, the professor said.
|
|
|
|
He laughed richly.
|
|
|
|
--I see, he said again with new pleasure. Moses and the promised land. We
|
|
gave him that idea, he added to J. J. O'Molloy.
|
|
|
|
|
|
HORATIO IS CYNOSURE THIS FAIR JUNE DAY
|
|
|
|
|
|
J. J. O'Molloy sent a weary sidelong glance towards the statue and
|
|
held his peace.
|
|
|
|
--I see, the professor said.
|
|
|
|
He halted on sir John Gray's pavement island and peered aloft at Nelson
|
|
through the meshes of his wry smile.
|
|
|
|
|
|
DIMINISHED DIGITS PROVE TOO TITILLATING
|
|
FOR FRISKY FRUMPS. ANNE WIMBLES, FLO
|
|
WANGLES--YET CAN YOU BLAME THEM?
|
|
|
|
|
|
--Onehandled adulterer, he said smiling grimly. That tickles me, I must
|
|
say.
|
|
|
|
--Tickled the old ones too, Myles Crawford said, if the God Almighty's
|
|
truth was known.
|
|
|
|
|
|
* * * * * * *
|
|
|
|
|
|
Pineapple rock, lemon platt, butter scotch. A sugarsticky girl
|
|
shovelling scoopfuls of creams for a christian brother. Some school treat.
|
|
Bad for their tummies. Lozenge and comfit manufacturer to His Majesty
|
|
the King. God. Save. Our. Sitting on his throne sucking red jujubes white.
|
|
|
|
A sombre Y.M.C.A. young man, watchful among the warm sweet
|
|
fumes of Graham Lemon's, placed a throwaway in a hand of Mr Bloom.
|
|
|
|
Heart to heart talks.
|
|
|
|
Bloo ... Me? No.
|
|
|
|
Blood of the Lamb.
|
|
|
|
His slow feet walked him riverward, reading. Are you saved? All are
|
|
washed in the blood of the lamb. God wants blood victim. Birth, hymen,
|
|
martyr, war, foundation of a building, sacrifice, kidney burntoffering,
|
|
druids' altars. Elijah is coming. Dr John Alexander Dowie restorer of the
|
|
church in Zion is coming.
|
|
|
|
|
|
IS COMING! IS COMING!! IS COMING!!!
|
|
ALL HEARTILY WELCOME.
|
|
|
|
|
|
Paying game. Torry and Alexander last year. Polygamy. His wife will
|
|
put the stopper on that. Where was that ad some Birmingham firm the
|
|
luminous crucifix. Our Saviour. Wake up in the dead of night and see him
|
|
on the wall, hanging. Pepper's ghost idea. Iron nails ran in.
|
|
|
|
Phosphorus it must be done with. If you leave a bit of codfish for
|
|
instance. I could see the bluey silver over it. Night I went down to the
|
|
pantry in the kitchen. Don't like all the smells in it waiting to rush
|
|
out. What was it she wanted? The Malaga raisins. Thinking of Spain. Before
|
|
Rudy was born. The phosphorescence, that bluey greeny. Very good for the
|
|
brain.
|
|
|
|
From Butler's monument house corner he glanced along Bachelor's
|
|
walk. Dedalus' daughter there still outside Dillon's auctionrooms. Must be
|
|
selling off some old furniture. Knew her eyes at once from the father.
|
|
Lobbing about waiting for him. Home always breaks up when the mother
|
|
goes. Fifteen children he had. Birth every year almost. That's in their
|
|
theology or the priest won't give the poor woman the confession, the
|
|
absolution. Increase and multiply. Did you ever hear such an idea? Eat you
|
|
out of house and home. No families themselves to feed. Living on the fat
|
|
of the land. Their butteries and larders. I'd like to see them do the
|
|
black fast Yom Kippur. Crossbuns. One meal and a collation for fear he'd
|
|
collapse on the altar. A housekeeper of one of those fellows if you could
|
|
pick it out of her. Never pick it out of her. Like getting l.s.d. out of
|
|
him. Does himself well. No guests. All for number one. Watching his water.
|
|
Bring your own bread and butter. His reverence: mum's the word.
|
|
|
|
Good Lord, that poor child's dress is in flitters. Underfed she looks
|
|
too. Potatoes and marge, marge and potatoes. It's after they feel it.
|
|
Proof of the pudding. Undermines the constitution.
|
|
|
|
As he set foot on O'Connell bridge a puffball of smoke plumed up
|
|
from the parapet. Brewery barge with export stout. England. Sea air sours
|
|
it, I heard. Be interesting some day get a pass through Hancock to see the
|
|
brewery. Regular world in itself. Vats of porter wonderful. Rats get in
|
|
too. Drink themselves bloated as big as a collie floating. Dead drunk on
|
|
the porter. Drink till they puke again like christians. Imagine drinking
|
|
that! Rats: vats. Well, of course, if we knew all the things.
|
|
|
|
Looking down he saw flapping strongly, wheeling between the gaunt
|
|
quaywalls, gulls. Rough weather outside. If I threw myself down?
|
|
Reuben J's son must have swallowed a good bellyful of that sewage. One and
|
|
eightpence too much. Hhhhm. It's the droll way he comes out with the
|
|
things. Knows how to tell a story too.
|
|
|
|
They wheeled lower. Looking for grub. Wait.
|
|
|
|
He threw down among them a crumpled paper ball. Elijah thirtytwo
|
|
feet per sec is com. Not a bit. The ball bobbed unheeded on the wake of
|
|
swells, floated under by the bridgepiers. Not such damn fools. Also the
|
|
day I threw that stale cake out of the Erin's King picked it up in the
|
|
wake fifty yards astern. Live by their wits. They wheeled, flapping.
|
|
|
|
THE HUNGRY FAMISHED GULL
|
|
FLAPS O'ER THE WATERS DULL.
|
|
|
|
|
|
That is how poets write, the similar sounds. But then Shakespeare has
|
|
no rhymes: blank verse. The flow of the language it is. The thoughts.
|
|
Solemn.
|
|
|
|
|
|
HAMLET, I AM THY FATHER'S SPIRIT
|
|
DOOMED FOR A CERTAIN TIME TO WALK THE EARTH.
|
|
|
|
|
|
--Two apples a penny! Two for a penny!
|
|
|
|
His gaze passed over the glazed apples serried on her stand.
|
|
Australians they must be this time of year. Shiny peels: polishes them up
|
|
with a rag or a handkerchief.
|
|
|
|
Wait. Those poor birds.
|
|
|
|
He halted again and bought from the old applewoman two Banbury
|
|
cakes for a penny and broke the brittle paste and threw its fragments down
|
|
into the Liffey. See that? The gulls swooped silently, two, then all from
|
|
their heights, pouncing on prey. Gone. Every morsel.
|
|
|
|
Aware of their greed and cunning he shook the powdery crumb from his
|
|
hands. They never expected that. Manna. Live on fish, fishy flesh
|
|
they have, all seabirds, gulls, seagoose. Swans from Anna Liffey swim
|
|
down here sometimes to preen themselves. No accounting for tastes.
|
|
Wonder what kind is swanmeat. Robinson Crusoe had to live on them.
|
|
|
|
They wheeled flapping weakly. I'm not going to throw any more.
|
|
Penny quite enough. Lot of thanks I get. Not even a caw. They spread foot
|
|
and mouth disease too. If you cram a turkey say on chestnutmeal it tastes
|
|
like that. Eat pig like pig. But then why is it that saltwater fish are
|
|
not salty? How is that?
|
|
|
|
His eyes sought answer from the river and saw a rowboat rock at anchor
|
|
on the treacly swells lazily its plastered board.
|
|
|
|
KINO'S
|
|
11/-
|
|
TROUSERS
|
|
|
|
Good idea that. Wonder if he pays rent to the corporation. How can
|
|
you own water really? It's always flowing in a stream, never the same,
|
|
which in the stream of life we trace. Because life is a stream. All kinds
|
|
of places are good for ads. That quack doctor for the clap used to be
|
|
stuck up in all the greenhouses. Never see it now. Strictly confidential.
|
|
Dr Hy Franks. Didn't cost him a red like Maginni the dancing master self
|
|
advertisement. Got fellows to stick them up or stick them up himself for
|
|
that matter on the q. t. running in to loosen a button. Flybynight. Just
|
|
the place too. POST NO BILLS. POST 110 PILLS. Some chap with a dose
|
|
burning him.
|
|
|
|
If he ...?
|
|
|
|
O!
|
|
|
|
Eh?
|
|
|
|
No ... No.
|
|
|
|
No, no. I don't believe it. He wouldn't surely?
|
|
|
|
No, no.
|
|
|
|
Mr Bloom moved forward, raising his troubled eyes. Think no more about
|
|
that. After one. Timeball on the ballastoffice is down. Dunsink time.
|
|
Fascinating little book that is of sir Robert Ball's. Parallax. I never
|
|
exactly understood. There's a priest. Could ask him. Par it's Greek:
|
|
parallel, parallax. Met him pike hoses she called it till I told her about
|
|
the transmigration. O rocks!
|
|
|
|
Mr Bloom smiled O rocks at two windows of the ballastoffice. She's
|
|
right after all. Only big words for ordinary things on account of the
|
|
sound. She's not exactly witty. Can be rude too. Blurt out what I was
|
|
thinking. Still, I don't know. She used to say Ben Dollard had a base
|
|
barreltone voice. He has legs like barrels and you'd think he was singing
|
|
into a barrel. Now, isn't that wit. They used to call him big Ben. Not
|
|
half as witty as calling him base barreltone. Appetite like an albatross.
|
|
Get outside of a baron of beef. Powerful man he was at stowing away number
|
|
one Bass. Barrel of Bass. See? It all works out.
|
|
|
|
|
|
A procession of whitesmocked sandwichmen marched slowly towards
|
|
him along the gutter, scarlet sashes across their boards. Bargains. Like
|
|
that priest they are this morning: we have sinned: we have suffered. He
|
|
read the scarlet letters on their five tall white hats: H. E. L. Y. S.
|
|
Wisdom Hely's. Y lagging behind drew a chunk of bread from under his
|
|
foreboard, crammed it into his mouth and munched as he walked. Our staple
|
|
food. Three bob a day, walking along the gutters, street after street.
|
|
Just keep skin and bone together, bread and skilly. They are not Boyl:
|
|
no, M Glade's men. Doesn't bring in any business either. I suggested
|
|
to him about a transparent showcart with two smart girls sitting
|
|
inside writing letters, copybooks, envelopes, blottingpaper. I bet that
|
|
would have caught on. Smart girls writing something catch the eye at once.
|
|
Everyone dying to know what she's writing. Get twenty of them round you
|
|
if you stare at nothing. Have a finger in the pie. Women too. Curiosity.
|
|
Pillar of salt. Wouldn't have it of course because he didn't think
|
|
of it himself first. Or the inkbottle I suggested with a false stain
|
|
of black celluloid. His ideas for ads like Plumtree's potted under
|
|
the obituaries, cold meat department. You can't lick 'em. What? Our
|
|
envelopes. Hello, Jones, where are you going? Can't stop, Robinson,
|
|
I am hastening to purchase the only reliable inkeraser KANSELL,
|
|
sold by Hely's Ltd, 85 Dame street. Well out of that ruck I am.
|
|
Devil of a job it was collecting accounts of those convents. Tranquilla
|
|
convent. That was a nice nun there, really sweet face. Wimple suited her
|
|
small head. Sister? Sister? I am sure she was crossed in love by her eyes.
|
|
Very hard to bargain with that sort of a woman. I disturbed her at her
|
|
devotions that morning. But glad to communicate with the outside world.
|
|
Our great day, she said. Feast of Our Lady of Mount Carmel. Sweet name
|
|
too: caramel. She knew I, I think she knew by the way she. If she had
|
|
married she would have changed. I suppose they really were short of
|
|
money. Fried everything in the best butter all the same. No lard for them.
|
|
My heart's broke eating dripping. They like buttering themselves in and
|
|
out. Molly tasting it, her veil up. Sister? Pat Claffey, the pawnbroker's
|
|
daughter. It was a nun they say invented barbed wire.
|
|
|
|
He crossed Westmoreland street when apostrophe S had plodded by.
|
|
Rover cycleshop. Those races are on today. How long ago is that? Year
|
|
Phil Gilligan died. We were in Lombard street west. Wait: was in Thom's.
|
|
Got the job in Wisdom Hely's year we married. Six years. Ten years ago:
|
|
ninetyfour he died yes that's right the big fire at Arnott's. Val Dillon
|
|
was lord mayor. The Glencree dinner. Alderman Robert O'Reilly emptying the
|
|
port into his soup before the flag fell. Bobbob lapping it for the inner
|
|
alderman. Couldn't hear what the band played. For what we have already
|
|
received may the Lord make us. Milly was a kiddy then. Molly had that
|
|
elephantgrey dress with the braided frogs. Mantailored with selfcovered
|
|
buttons. She didn't like it because I sprained my ankle first day she wore
|
|
choir picnic at the Sugarloaf. As if that. Old Goodwin's tall hat done up
|
|
with some sticky stuff. Flies' picnic too. Never put a dress on her back
|
|
like it. Fitted her like a glove, shoulders and hips. Just beginning to
|
|
plump it out well. Rabbitpie we had that day. People looking after her.
|
|
|
|
Happy. Happier then. Snug little room that was with the red
|
|
wallpaper. Dockrell's, one and ninepence a dozen. Milly's tubbing night.
|
|
American soap I bought: elderflower. Cosy smell of her bathwater. Funny
|
|
she looked soaped all over. Shapely too. Now photography. Poor papa's
|
|
daguerreotype atelier he told me of. Hereditary taste.
|
|
|
|
He walked along the curbstone.
|
|
|
|
Stream of life. What was the name of that priestylooking chap was
|
|
always squinting in when he passed? Weak eyes, woman. Stopped in
|
|
Citron's saint Kevin's parade. Pen something. Pendennis? My memory is
|
|
getting. Pen ...? Of course it's years ago. Noise of the trams probably.
|
|
Well, if he couldn't remember the dayfather's name that he sees every day.
|
|
|
|
Bartell d'Arcy was the tenor, just coming out then. Seeing her home
|
|
after practice. Conceited fellow with his waxedup moustache. Gave her that
|
|
song WINDS THAT BLOW FROM THE SOUTH.
|
|
|
|
Windy night that was I went to fetch her there was that lodge meeting
|
|
on about those lottery tickets after Goodwin's concert in the supperroom
|
|
or oakroom of the Mansion house. He and I behind. Sheet of her music blew
|
|
out of my hand against the High school railings. Lucky it didn't. Thing
|
|
like that spoils the effect of a night for her. Professor Goodwin linking
|
|
her in front. Shaky on his pins, poor old sot. His farewell concerts.
|
|
Positively last appearance on any stage. May be for months and may be for
|
|
never. Remember her laughing at the wind, her blizzard collar up. Corner
|
|
of Harcourt road remember that gust. Brrfoo! Blew up all her skirts and
|
|
her boa nearly smothered old Goodwin. She did get flushed in the wind.
|
|
Remember when we got home raking up the fire and frying up those pieces
|
|
of lap of mutton for her supper with the Chutney sauce she liked. And the
|
|
mulled rum. Could see her in the bedroom from the hearth unclamping the
|
|
busk of her stays: white.
|
|
|
|
Swish and soft flop her stays made on the bed. Always warm from
|
|
her. Always liked to let her self out. Sitting there after till near two
|
|
taking out her hairpins. Milly tucked up in beddyhouse. Happy. Happy.
|
|
That was the night ...
|
|
|
|
--O, Mr Bloom, how do you do?
|
|
|
|
--O, how do you do, Mrs Breen?
|
|
|
|
--No use complaining. How is Molly those times? Haven't seen her for ages.
|
|
|
|
--In the pink, Mr Bloom said gaily. Milly has a position down in
|
|
Mullingar, you know.
|
|
|
|
--Go away! Isn't that grand for her?
|
|
|
|
--Yes. In a photographer's there. Getting on like a house on fire. How are
|
|
all your charges?
|
|
|
|
--All on the baker's list, Mrs Breen said.
|
|
|
|
How many has she? No other in sight.
|
|
|
|
--You're in black, I see. You have no ...
|
|
|
|
--No, Mr Bloom said. I have just come from a funeral.
|
|
|
|
Going to crop up all day, I foresee. Who's dead, when and what did
|
|
he die of? Turn up like a bad penny.
|
|
|
|
--O, dear me, Mrs Breen said. I hope it wasn't any near relation.
|
|
|
|
May as well get her sympathy.
|
|
|
|
--Dignam, Mr Bloom said. An old friend of mine. He died quite suddenly,
|
|
poor fellow. Heart trouble, I believe. Funeral was this morning.
|
|
|
|
|
|
YOUR FUNERAL'S TOMORROW
|
|
WHILE YOU'RE COMING THROUGH THE RYE.
|
|
DIDDLEDIDDLE DUMDUM
|
|
DIDDLEDIDDLE ...
|
|
|
|
|
|
--Sad to lose the old friends, Mrs Breen's womaneyes said melancholily.
|
|
|
|
Now that's quite enough about that. Just: quietly: husband.
|
|
|
|
--And your lord and master?
|
|
|
|
Mrs Breen turned up her two large eyes. Hasn't lost them anyhow.
|
|
|
|
--O, don't be talking! she said. He's a caution to rattlesnakes. He's in
|
|
there now with his lawbooks finding out the law of libel. He has me
|
|
heartscalded. Wait till I show you.
|
|
|
|
Hot mockturtle vapour and steam of newbaked jampuffs rolypoly
|
|
poured out from Harrison's. The heavy noonreek tickled the top of Mr
|
|
Bloom's gullet. Want to make good pastry, butter, best flour, Demerara
|
|
sugar, or they'd taste it with the hot tea. Or is it from her? A barefoot
|
|
arab stood over the grating, breathing in the fumes. Deaden the gnaw of
|
|
hunger that way. Pleasure or pain is it? Penny dinner. Knife and fork
|
|
chained to the table.
|
|
|
|
Opening her handbag, chipped leather. Hatpin: ought to have a
|
|
guard on those things. Stick it in a chap's eye in the tram. Rummaging.
|
|
Open. Money. Please take one. Devils if they lose sixpence. Raise Cain.
|
|
Husband barging. Where's the ten shillings I gave you on Monday? Are
|
|
you feeding your little brother's family? Soiled handkerchief:
|
|
medicinebottle. Pastille that was fell. What is she? ...
|
|
|
|
--There must be a new moon out, she said. He's always bad then. Do you
|
|
know what he did last night?
|
|
|
|
Her hand ceased to rummage. Her eyes fixed themselves on him, wide
|
|
in alarm, yet smiling.
|
|
|
|
--What? Mr Bloom asked.
|
|
|
|
Let her speak. Look straight in her eyes. I believe you. Trust me.
|
|
|
|
--Woke me up in the night, she said. Dream he had, a nightmare.
|
|
|
|
Indiges.
|
|
|
|
--Said the ace of spades was walking up the stairs.
|
|
|
|
--The ace of spades! Mr Bloom said.
|
|
|
|
She took a folded postcard from her handbag.
|
|
|
|
--Read that, she said. He got it this morning.
|
|
|
|
--What is it? Mr Bloom asked, taking the card. U.P.?
|
|
|
|
--U.P.: up, she said. Someone taking a rise out of him. It's a great shame
|
|
for them whoever he is.
|
|
|
|
--Indeed it is, Mr Bloom said.
|
|
|
|
She took back the card, sighing.
|
|
|
|
--And now he's going round to Mr Menton's office. He's going to take an
|
|
action for ten thousand pounds, he says.
|
|
|
|
She folded the card into her untidy bag and snapped the catch.
|
|
|
|
Same blue serge dress she had two years ago, the nap bleaching. Seen
|
|
its best days. Wispish hair over her ears. And that dowdy toque: three old
|
|
grapes to take the harm out of it. Shabby genteel. She used to be a tasty
|
|
dresser. Lines round her mouth. Only a year or so older than Molly.
|
|
|
|
See the eye that woman gave her, passing. Cruel. The unfair sex.
|
|
|
|
He looked still at her, holding back behind his look his discontent.
|
|
Pungent mockturtle oxtail mulligatawny. I'm hungry too. Flakes of pastry
|
|
on the gusset of her dress: daub of sugary flour stuck to her cheek.
|
|
Rhubarb tart with liberal fillings, rich fruit interior. Josie Powell that
|
|
was. In Luke Doyle's long ago. Dolphin's Barn, the charades. U.P.: up.
|
|
|
|
Change the subject.
|
|
|
|
--Do you ever see anything of Mrs Beaufoy? Mr Bloom asked.
|
|
|
|
--Mina Purefoy? she said.
|
|
|
|
Philip Beaufoy I was thinking. Playgoers' Club. Matcham often
|
|
thinks of the masterstroke. Did I pull the chain? Yes. The last act.
|
|
|
|
--Yes.
|
|
|
|
--I just called to ask on the way in is she over it. She's in the lying-in
|
|
hospital in Holles street. Dr Horne got her in. She's three days bad now.
|
|
|
|
--O, Mr Bloom said. I'm sorry to hear that.
|
|
|
|
--Yes, Mrs Breen said. And a houseful of kids at home. It's a very stiff
|
|
birth, the nurse told me.
|
|
|
|
---O, Mr Bloom said.
|
|
|
|
His heavy pitying gaze absorbed her news. His tongue clacked in
|
|
compassion. Dth! Dth!
|
|
|
|
--I'm sorry to hear that, he said. Poor thing! Three days! That's terrible
|
|
for her.
|
|
|
|
Mrs Breen nodded.
|
|
|
|
--She was taken bad on the Tuesday ...
|
|
|
|
Mr Bloom touched her funnybone gently, warning her:
|
|
|
|
--Mind! Let this man pass.
|
|
|
|
A bony form strode along the curbstone from the river staring with a
|
|
rapt gaze into the sunlight through a heavystringed glass. Tight as a
|
|
skullpiece a tiny hat gripped his head. From his arm a folded dustcoat, a
|
|
stick and an umbrella dangled to his stride.
|
|
|
|
--Watch him, Mr Bloom said. He always walks outside the lampposts. Watch!
|
|
|
|
--Who is he if it's a fair question? Mrs Breen asked. Is he dotty?
|
|
|
|
--His name is Cashel Boyle O'Connor Fitzmaurice Tisdall Farrell, Mr
|
|
Bloom said smiling. Watch!
|
|
|
|
--He has enough of them, she said. Denis will be like that one of these
|
|
days.
|
|
|
|
She broke off suddenly.
|
|
|
|
--There he is, she said. I must go after him. Goodbye. Remember me to
|
|
Molly, won't you?
|
|
|
|
--I will, Mr Bloom said.
|
|
|
|
He watched her dodge through passers towards the shopfronts. Denis
|
|
Breen in skimpy frockcoat and blue canvas shoes shuffled out of Harrison's
|
|
hugging two heavy tomes to his ribs. Blown in from the bay. Like old
|
|
times. He suffered her to overtake him without surprise and thrust his
|
|
dull grey beard towards her, his loose jaw wagging as he spoke earnestly.
|
|
|
|
Meshuggah. Off his chump.
|
|
|
|
Mr Bloom walked on again easily, seeing ahead of him in sunlight the
|
|
tight skullpiece, the dangling stickumbrelladustcoat. Going the two days.
|
|
Watch him! Out he goes again. One way of getting on in the world. And
|
|
that other old mosey lunatic in those duds. Hard time she must have with
|
|
him.
|
|
|
|
U.P.: up. I'll take my oath that's Alf Bergan or Richie Goulding.
|
|
Wrote it for a lark in the Scotch house I bet anything. Round to Menton's
|
|
office. His oyster eyes staring at the postcard. Be a feast for the gods.
|
|
|
|
He passed the IRISH TIMES. There might be other answers Iying there.
|
|
Like to answer them all. Good system for criminals. Code. At their lunch
|
|
now. Clerk with the glasses there doesn't know me. O, leave them there to
|
|
simmer. Enough bother wading through fortyfour of them. Wanted, smart
|
|
lady typist to aid gentleman in literary work. I called you naughty
|
|
darling because I do not like that other world. Please tell me what is the
|
|
meaning. Please tell me what perfume does your wife. Tell me who made the
|
|
world. The way they spring those questions on you. And the other one
|
|
Lizzie Twigg. My literary efforts have had the good fortune to meet with
|
|
the approval of the eminent poet A. E. (Mr Geo. Russell). No time to do
|
|
her hair drinking sloppy tea with a book of poetry.
|
|
|
|
Best paper by long chalks for a small ad. Got the provinces now.
|
|
Cook and general, exc. cuisine, housemaid kept. Wanted live man for spirit
|
|
counter. Resp. girl (R.C.) wishes to hear of post in fruit or pork shop.
|
|
James Carlisle made that. Six and a half per cent dividend. Made a big
|
|
deal on Coates's shares. Ca' canny. Cunning old Scotch hunks. All the
|
|
toady news. Our gracious and popular vicereine. Bought the IRISH FIELD
|
|
now. Lady Mountcashel has quite recovered after her confinement and rode
|
|
out with the Ward Union staghounds at the enlargement yesterday at
|
|
Rathoath. Uneatable fox. Pothunters too. Fear injects juices make it
|
|
tender enough for them. Riding astride. Sit her horse like a man.
|
|
Weightcarrying huntress. No sidesaddle or pillion for her, not for Joe.
|
|
First to the meet and in at the death. Strong as a brood mare some of
|
|
those horsey women. Swagger around livery stables. Toss off a glass of
|
|
brandy neat while you'd say knife. That one at the Grosvenor this morning.
|
|
Up with her on the car: wishswish. Stonewall or fivebarred gate
|
|
put her mount to it. Think that pugnosed driver did it out of spite.
|
|
Who is this she was like? O yes! Mrs Miriam Dandrade that sold me
|
|
her old wraps and black underclothes in the Shelbourne hotel.
|
|
Divorced Spanish American. Didn't take a feather out of her
|
|
my handling them. As if I was her clotheshorse. Saw her in the
|
|
viceregal party when Stubbs the park ranger got me in with Whelan of the
|
|
EXPRESS. Scavenging what the quality left. High tea. Mayonnaise I poured
|
|
on the plums thinking it was custard. Her ears ought to have tingled for a
|
|
few weeks after. Want to be a bull for her. Born courtesan. No nursery
|
|
work for her, thanks.
|
|
|
|
Poor Mrs Purefoy! Methodist husband. Method in his madness.
|
|
Saffron bun and milk and soda lunch in the educational dairy. Y. M. C. A.
|
|
Eating with a stopwatch, thirtytwo chews to the minute. And still his
|
|
muttonchop whiskers grew. Supposed to be well connected. Theodore's
|
|
cousin in Dublin Castle. One tony relative in every family. Hardy annuals
|
|
he presents her with. Saw him out at the Three Jolly Topers marching along
|
|
bareheaded and his eldest boy carrying one in a marketnet. The squallers.
|
|
Poor thing! Then having to give the breast year after year all hours of
|
|
the night. Selfish those t.t's are. Dog in the manger. Only one lump of
|
|
sugar in my tea, if you please.
|
|
|
|
He stood at Fleet street crossing. Luncheon interval. A sixpenny at
|
|
Rowe's? Must look up that ad in the national library. An eightpenny in the
|
|
Burton. Better. On my way.
|
|
|
|
He walked on past Bolton's Westmoreland house. Tea. Tea. Tea. I forgot
|
|
to tap Tom Kernan.
|
|
|
|
Sss. Dth, dth, dth! Three days imagine groaning on a bed with a
|
|
vinegared handkerchief round her forehead, her belly swollen out. Phew!
|
|
Dreadful simply! Child's head too big: forceps. Doubled up inside her
|
|
trying to butt its way out blindly, groping for the way out. Kill me that
|
|
would. Lucky Molly got over hers lightly. They ought to invent something
|
|
to stop that. Life with hard labour. Twilight sleep idea: queen Victoria
|
|
was given that. Nine she had. A good layer. Old woman that lived in a shoe
|
|
she had so many children. Suppose he was consumptive. Time someone thought
|
|
about it instead of gassing about the what was it the pensive bosom of the
|
|
silver effulgence. Flapdoodle to feed fools on. They could easily have big
|
|
establishments whole thing quite painless out of all the taxes give every
|
|
child born five quid at compound interest up to twentyone five per cent is
|
|
a hundred shillings and five tiresome pounds multiply by twenty decimal
|
|
system encourage people to put by money save hundred and ten and a bit
|
|
twentyone years want to work it out on paper come to a tidy sum more than
|
|
you think.
|
|
|
|
Not stillborn of course. They are not even registered. Trouble for
|
|
nothing.
|
|
|
|
Funny sight two of them together, their bellies out. Molly and Mrs
|
|
Moisel. Mothers' meeting. Phthisis retires for the time being, then
|
|
returns. How flat they look all of a sudden after. Peaceful eyes.
|
|
Weight off their mind. Old Mrs Thornton was a jolly old soul. All
|
|
my babies, she said. The spoon of pap in her mouth before she fed
|
|
them. O, that's nyumnyum. Got her hand crushed by old Tom Wall's son.
|
|
His first bow to the public. Head like a prize pumpkin. Snuffy Dr Murren.
|
|
People knocking them up at all hours. For God' sake, doctor. Wife in
|
|
her throes. Then keep them waiting months for their fee. To attendance
|
|
on your wife. No gratitude in people. Humane doctors, most of them.
|
|
|
|
Before the huge high door of the Irish house of parliament a flock of
|
|
pigeons flew. Their little frolic after meals. Who will we do it on? I
|
|
pick the fellow in black. Here goes. Here's good luck. Must be thrilling
|
|
from the air. Apjohn, myself and Owen Goldberg up in the trees near Goose
|
|
green playing the monkeys. Mackerel they called me.
|
|
|
|
A squad of constables debouched from College street, marching in
|
|
Indian file. Goosestep. Foodheated faces, sweating helmets, patting their
|
|
truncheons. After their feed with a good load of fat soup under their
|
|
belts. Policeman's lot is oft a happy one. They split up in groups and
|
|
scattered, saluting, towards their beats. Let out to graze. Best moment to
|
|
attack one in pudding time. A punch in his dinner. A squad of others,
|
|
marching irregularly, rounded Trinity railings making for the station.
|
|
Bound for their troughs. Prepare to receive cavalry. Prepare to receive
|
|
soup.
|
|
|
|
He crossed under Tommy Moore's roguish finger. They did right to
|
|
put him up over a urinal: meeting of the waters. Ought to be places for
|
|
women. Running into cakeshops. Settle my hat straight. THERE IS NOT IN
|
|
THIS WIDE WORLD A VALLEE. Great song of Julia Morkan's. Kept her voice up
|
|
to the very last. Pupil of Michael Balfe's, wasn't she?
|
|
|
|
He gazed after the last broad tunic. Nasty customers to tackle. Jack
|
|
Power could a tale unfold: father a G man. If a fellow gave them trouble
|
|
being lagged they let him have it hot and heavy in the bridewell. Can't
|
|
blame them after all with the job they have especially the young hornies.
|
|
That horsepoliceman the day Joe Chamberlain was given his degree in
|
|
Trinity he got a run for his money. My word he did! His horse's hoofs
|
|
clattering after us down Abbey street. Lucky I had the presence of mind to
|
|
dive into Manning's or I was souped. He did come a wallop, by George.
|
|
Must have cracked his skull on the cobblestones. I oughtn't to have got
|
|
myself swept along with those medicals. And the Trinity jibs in their
|
|
mortarboards. Looking for trouble. Still I got to know that young Dixon
|
|
who dressed that sting for me in the Mater and now he's in Holles street
|
|
where Mrs Purefoy. Wheels within wheels. Police whistle in my ears still.
|
|
All skedaddled. Why he fixed on me. Give me in charge. Right here it
|
|
began.
|
|
|
|
--Up the Boers!
|
|
|
|
--Three cheers for De Wet!
|
|
|
|
--We'll hang Joe Chamberlain on a sourapple tree.
|
|
|
|
Silly billies: mob of young cubs yelling their guts out. Vinegar hill.
|
|
The Butter exchange band. Few years' time half of them magistrates and
|
|
civil servants. War comes on: into the army helterskelter: same fellows
|
|
used to. Whether on the scaffold high.
|
|
|
|
Never know who you're talking to. Corny Kelleher he has Harvey
|
|
Duff in his eye. Like that Peter or Denis or James Carey that blew the
|
|
gaff on the invincibles. Member of the corporation too. Egging raw youths
|
|
on to get in the know all the time drawing secret service pay from the
|
|
castle. Drop him like a hot potato. Why those plainclothes men are always
|
|
courting slaveys. Easily twig a man used to uniform. Squarepushing up
|
|
against a backdoor. Maul her a bit. Then the next thing on the menu. And
|
|
who is the gentleman does be visiting there? Was the young master saying
|
|
anything? Peeping Tom through the keyhole. Decoy duck. Hotblooded young
|
|
student fooling round her fat arms ironing.
|
|
|
|
--Are those yours, Mary?
|
|
|
|
--I don't wear such things ... Stop or I'll tell the missus on you.
|
|
Out half the night.
|
|
|
|
--There are great times coming, Mary. Wait till you see.
|
|
|
|
--Ah, gelong with your great times coming.
|
|
|
|
Barmaids too. Tobaccoshopgirls.
|
|
|
|
James Stephens' idea was the best. He knew them. Circles of ten so
|
|
that a fellow couldn't round on more than his own ring. Sinn Fein. Back
|
|
out you get the knife. Hidden hand. Stay in. The firing squad. Turnkey's
|
|
daughter got him out of Richmond, off from Lusk. Putting up in the
|
|
Buckingham Palace hotel under their very noses. Garibaldi.
|
|
|
|
You must have a certain fascination: Parnell. Arthur Griffith is a
|
|
squareheaded fellow but he has no go in him for the mob. Or gas about our
|
|
lovely land. Gammon and spinach. Dublin Bakery Company's tearoom.
|
|
Debating societies. That republicanism is the best form of government.
|
|
That the language question should take precedence of the economic
|
|
question. Have your daughters inveigling them to your house. Stuff them
|
|
up with meat and drink. Michaelmas goose. Here's a good lump of thyme
|
|
seasoning under the apron for you. Have another quart of goosegrease
|
|
before it gets too cold. Halffed enthusiasts. Penny roll and a walk with
|
|
the band. No grace for the carver. The thought that the other chap pays
|
|
best sauce in the world. Make themselves thoroughly at home. Show us over
|
|
those apricots, meaning peaches. The not far distant day. Homerule sun
|
|
rising up in the northwest.
|
|
|
|
His smile faded as he walked, a heavy cloud hiding the sun slowly,
|
|
shadowing Trinity's surly front. Trams passed one another, ingoing,
|
|
outgoing, clanging. Useless words. Things go on same, day after day:
|
|
squads of police marching out, back: trams in, out. Those two loonies
|
|
mooching about. Dignam carted off. Mina Purefoy swollen belly on a bed
|
|
groaning to have a child tugged out of her. One born every second
|
|
somewhere. Other dying every second. Since I fed the birds five minutes.
|
|
Three hundred kicked the bucket. Other three hundred born, washing the
|
|
blood off, all are washed in the blood of the lamb, bawling maaaaaa.
|
|
|
|
Cityful passing away, other cityful coming, passing away too: other
|
|
coming on, passing on. Houses, lines of houses, streets, miles of
|
|
pavements, piledup bricks, stones. Changing hands. This owner, that.
|
|
Landlord never dies they say. Other steps into his shoes when he gets
|
|
his notice to quit. They buy the place up with gold and still they
|
|
have all the gold. Swindle in it somewhere. Piled up in cities, worn
|
|
away age after age. Pyramids in sand. Built on bread and onions.
|
|
Slaves Chinese wall. Babylon. Big stones left. Round towers. Rest rubble,
|
|
sprawling suburbs, jerrybuilt. Kerwan's mushroom houses built of breeze.
|
|
Shelter, for the night.
|
|
|
|
No-one is anything.
|
|
|
|
This is the very worst hour of the day. Vitality. Dull, gloomy: hate
|
|
this hour. Feel as if I had been eaten and spewed.
|
|
|
|
Provost's house. The reverend Dr Salmon: tinned salmon. Well
|
|
tinned in there. Like a mortuary chapel. Wouldn't live in it if they paid
|
|
me. Hope they have liver and bacon today. Nature abhors a vacuum.
|
|
|
|
The sun freed itself slowly and lit glints of light among the silverware
|
|
opposite in Walter Sexton's window by which John Howard Parnell passed,
|
|
unseeing.
|
|
|
|
There he is: the brother. Image of him. Haunting face. Now that's a
|
|
coincidence. Course hundreds of times you think of a person and don't
|
|
meet him. Like a man walking in his sleep. No-one knows him. Must be a
|
|
corporation meeting today. They say he never put on the city marshal's
|
|
uniform since he got the job. Charley Kavanagh used to come out on his
|
|
high horse, cocked hat, puffed, powdered and shaved. Look at the
|
|
woebegone walk of him. Eaten a bad egg. Poached eyes on ghost. I have a
|
|
pain. Great man's brother: his brother's brother. He'd look nice on the
|
|
city charger. Drop into the D.B.C. probably for his coffee, play chess
|
|
there. His brother used men as pawns. Let them all go to pot. Afraid to
|
|
pass a remark on him. Freeze them up with that eye of his. That's the
|
|
fascination: the name. All a bit touched. Mad Fanny and his other sister
|
|
Mrs Dickinson driving about with scarlet harness. Bolt upright lik
|
|
surgeon M'Ardle. Still David Sheehy beat him for south Meath.
|
|
Apply for the Chiltern Hundreds and retire into public life. The patriot's
|
|
banquet. Eating orangepeels in the park. Simon Dedalus said when they put
|
|
him in parliament that Parnell would come back from the grave and lead
|
|
him out of the house of commons by the arm.
|
|
|
|
--Of the twoheaded octopus, one of whose heads is the head upon which
|
|
the ends of the world have forgotten to come while the other speaks with a
|
|
Scotch accent. The tentacles ...
|
|
|
|
They passed from behind Mr Bloom along the curbstone. Beard and
|
|
bicycle. Young woman.
|
|
|
|
And there he is too. Now that's really a coincidence: second time.
|
|
Coming events cast their shadows before. With the approval of the eminent
|
|
poet, Mr Geo. Russell. That might be Lizzie Twigg with him. A. E.: what
|
|
does that mean? Initials perhaps. Albert Edward, Arthur Edmund,
|
|
Alphonsus Eb Ed El Esquire. What was he saying? The ends of the world
|
|
with a Scotch accent. Tentacles: octopus. Something occult: symbolism.
|
|
Holding forth. She's taking it all in. Not saying a word. To aid gentleman
|
|
in literary work.
|
|
|
|
His eyes followed the high figure in homespun, beard and bicycle, a
|
|
listening woman at his side. Coming from the vegetarian. Only
|
|
weggebobbles and fruit. Don't eat a beefsteak. If you do the eyes of that
|
|
cow will pursue you through all eternity. They say it's healthier.
|
|
Windandwatery though. Tried it. Keep you on the run all day. Bad as a
|
|
bloater. Dreams all night. Why do they call that thing they gave me
|
|
nutsteak? Nutarians. Fruitarians. To give you the idea you are eating
|
|
rumpsteak. Absurd. Salty too. They cook in soda. Keep you sitting by the
|
|
tap all night.
|
|
|
|
Her stockings are loose over her ankles. I detest that: so tasteless.
|
|
Those literary etherial people they are all. Dreamy, cloudy, symbolistic.
|
|
Esthetes they are. I wouldn't be surprised if it was that kind of food you
|
|
see produces the like waves of the brain the poetical. For example one of
|
|
those policemen sweating Irish stew into their shirts you couldn't squeeze
|
|
a line of poetry out of him. Don't know what poetry is even. Must be in a
|
|
certain mood.
|
|
|
|
|
|
THE DREAMY CLOUDY GULL
|
|
WAVES O'ER THE WATERS DULL.
|
|
|
|
|
|
He crossed at Nassau street corner and stood before the window of
|
|
Yeates and Son, pricing the fieldglasses. Or will I drop into old Harris's
|
|
and have a chat with young Sinclair? Wellmannered fellow. Probably at his
|
|
lunch. Must get those old glasses of mine set right. Goerz lenses six
|
|
guineas. Germans making their way everywhere. Sell on easy terms to
|
|
capture trade. Undercutting. Might chance on a pair in the railway lost
|
|
property office. Astonishing the things people leave behind them in trains
|
|
and cloakrooms. What do they be thinking about? Women too. Incredible.
|
|
Last year travelling to Ennis had to pick up that farmer's daughter's ba
|
|
and hand it to her at Limerick junction. Unclaimed money too. There's a
|
|
little watch up there on the roof of the bank to test those glasses by.
|
|
|
|
His lids came down on the lower rims of his irides. Can't see it. If you
|
|
imagine it's there you can almost see it. Can't see it.
|
|
|
|
He faced about and, standing between the awnings, held out his right
|
|
hand at arm's length towards the sun. Wanted to try that often. Yes:
|
|
completely. The tip of his little finger blotted out the sun's disk. Must
|
|
be the focus where the rays cross. If I had black glasses. Interesting.
|
|
There was a lot of talk about those sunspots when we were in Lombard
|
|
street west. Looking up from the back garden. Terrific explosions they
|
|
are. There will be a total eclipse this year: autumn some time.
|
|
|
|
Now that I come to think of it that ball falls at Greenwich time. It's
|
|
the clock is worked by an electric wire from Dunsink. Must go out there
|
|
some first Saturday of the month. If I could get an introduction to
|
|
professor Joly or learn up something about his family. That would do to:
|
|
man always feels complimented. Flattery where least expected. Nobleman
|
|
proud to be descended from some king's mistress. His foremother. Lay it on
|
|
with a trowel. Cap in hand goes through the land. Not go in and blurt out
|
|
what you know you're not to: what's parallax? Show this gentleman the
|
|
door.
|
|
|
|
Ah.
|
|
|
|
His hand fell to his side again.
|
|
|
|
Never know anything about it. Waste of time. Gasballs spinning
|
|
about, crossing each other, passing. Same old dingdong always. Gas: then
|
|
solid: then world: then cold: then dead shell drifting around, frozen
|
|
rock, like that pineapple rock. The moon. Must be a new moon out, she
|
|
said. I believe there is.
|
|
|
|
He went on by la maison Claire.
|
|
|
|
Wait. The full moon was the night we were Sunday fortnight exactly
|
|
there is a new moon. Walking down by the Tolka. Not bad for a Fairview
|
|
moon. She was humming. The young May moon she's beaming, love. He
|
|
other side of her. Elbow, arm. He. Glowworm's la-amp is gleaming, love.
|
|
Touch. Fingers. Asking. Answer. Yes.
|
|
|
|
Stop. Stop. If it was it was. Must.
|
|
|
|
Mr Bloom, quickbreathing, slowlier walking passed Adam court.
|
|
|
|
With a keep quiet relief his eyes took note this is the street here
|
|
middle of the day of Bob Doran's bottle shoulders. On his annual bend,
|
|
M Coy said. They drink in order to say or do something or CHERCHEZ LA
|
|
FEMME. Up in the Coombe with chummies and streetwalkers and then the
|
|
rest of the year sober as a judge.
|
|
|
|
Yes. Thought so. Sloping into the Empire. Gone. Plain soda would do
|
|
him good. Where Pat Kinsella had his Harp theatre before Whitbred ran
|
|
the Queen's. Broth of a boy. Dion Boucicault business with his
|
|
harvestmoon face in a poky bonnet. Three Purty Maids from School. How
|
|
time flies, eh? Showing long red pantaloons under his skirts. Drinkers,
|
|
drinking, laughed spluttering, their drink against their breath. More
|
|
power, Pat. Coarse red: fun for drunkards: guffaw and smoke. Take off that
|
|
white hat. His parboiled eyes. Where is he now? Beggar somewhere. The harp
|
|
that once did starve us all.
|
|
|
|
I was happier then. Or was that I? Or am I now I? Twentyeight I was.
|
|
She twentythree. When we left Lombard street west something changed.
|
|
Could never like it again after Rudy. Can't bring back time. Like holding
|
|
water in your hand. Would you go back to then? Just beginning then.
|
|
Would you? Are you not happy in your home you poor little naughty boy?
|
|
Wants to sew on buttons for me. I must answer. Write it in the library.
|
|
|
|
Grafton street gay with housed awnings lured his senses. Muslin
|
|
prints, silkdames and dowagers, jingle of harnesses, hoofthuds lowringing
|
|
in the baking causeway. Thick feet that woman has in the white stockings.
|
|
Hope the rain mucks them up on her. Countrybred chawbacon. All the beef
|
|
to the heels were in. Always gives a woman clumsy feet. Molly looks out of
|
|
plumb.
|
|
|
|
He passed, dallying, the windows of Brown Thomas, silk mercers.
|
|
Cascades of ribbons. Flimsy China silks. A tilted urn poured from its
|
|
mouth a flood of bloodhued poplin: lustrous blood. The huguenots brought
|
|
that here. LA CAUSA E SANTA! Tara Tara. Great chorus that. Taree tara.
|
|
Must be washed in rainwater. Meyerbeer. Tara: bom bom bom.
|
|
|
|
Pincushions. I'm a long time threatening to buy one. Sticking them all
|
|
over the place. Needles in window curtains.
|
|
|
|
He bared slightly his left forearm. Scrape: nearly gone. Not today
|
|
anyhow. Must go back for that lotion. For her birthday perhaps.
|
|
Junejulyaugseptember eighth. Nearly three months off. Then she mightn't
|
|
like it. Women won't pick up pins. Say it cuts lo.
|
|
|
|
Gleaming silks, petticoats on slim brass rails, rays of flat silk
|
|
stockings.
|
|
|
|
Useless to go back. Had to be. Tell me all.
|
|
|
|
High voices. Sunwarm silk. Jingling harnesses. All for a woman,
|
|
home and houses, silkwebs, silver, rich fruits spicy from Jaffa. Agendath
|
|
Netaim. Wealth of the world.
|
|
|
|
A warm human plumpness settled down on his brain. His brain
|
|
yielded. Perfume of embraces all him assailed. With hungered flesh
|
|
obscurely, he mutely craved to adore.
|
|
|
|
Duke street. Here we are. Must eat. The Burton. Feel better then.
|
|
|
|
He turned Combridge's corner, still pursued. Jingling, hoofthuds.
|
|
Perfumed bodies, warm, full. All kissed, yielded: in deep summer fields,
|
|
tangled pressed grass, in trickling hallways of tenements, along sofas,
|
|
creaking beds.
|
|
|
|
--Jack, love!
|
|
|
|
--Darling!
|
|
|
|
--Kiss me, Reggy!
|
|
|
|
--My boy!
|
|
|
|
--Love!
|
|
|
|
His heart astir he pushed in the door of the Burton restaurant. Stink
|
|
gripped his trembling breath: pungent meatjuice, slush of greens. See the
|
|
animals feed.
|
|
|
|
Men, men, men.
|
|
|
|
Perched on high stools by the bar, hats shoved back, at the tables
|
|
calling for more bread no charge, swilling, wolfing gobfuls of sloppy
|
|
food, their eyes bulging, wiping wetted moustaches. A pallid suetfaced
|
|
young man polished his tumbler knife fork and spoon with his napkin. New
|
|
set of microbes. A man with an infant's saucestained napkin tucked round
|
|
him shovelled gurgling soup down his gullet. A man spitting back on his
|
|
plate: halfmasticated gristle: gums: no teeth to chewchewchew it. Chump
|
|
chop from the grill. Bolting to get it over. Sad booser's eyes. Bitten off
|
|
more than he can chew. Am I like that? See ourselves as others see us.
|
|
Hungry man is an angry man. Working tooth and jaw. Don't! O! A bone! That
|
|
last pagan king of Ireland Cormac in the schoolpoem choked himself at
|
|
Sletty southward of the Boyne. Wonder what he was eating. Something
|
|
galoptious. Saint Patrick converted him to Christianity. Couldn't swallow
|
|
it all however.
|
|
|
|
--Roast beef and cabbage.
|
|
|
|
--One stew.
|
|
|
|
Smells of men. Spaton sawdust, sweetish warmish cigarette smoke, reek of
|
|
plug, spilt beer, men's beery piss, the stale of ferment.
|
|
|
|
His gorge rose.
|
|
|
|
Couldn't eat a morsel here. Fellow sharpening knife and fork to eat
|
|
all before him, old chap picking his tootles. Slight spasm, full, chewing
|
|
the cud. Before and after. Grace after meals. Look on this picture then on
|
|
that. Scoffing up stewgravy with sopping sippets of bread. Lick it off the
|
|
plate, man! Get out of this.
|
|
|
|
He gazed round the stooled and tabled eaters, tightening the wings of
|
|
his nose.
|
|
|
|
--Two stouts here.
|
|
|
|
--One corned and cabbage.
|
|
|
|
That fellow ramming a knifeful of cabbage down as if his life
|
|
depended on it. Good stroke. Give me the fidgets to look. Safer to eat
|
|
from his three hands. Tear it limb from limb. Second nature to him. Born
|
|
with a silver knife in his mouth. That's witty, I think. Or no. Silver
|
|
means born rich. Born with a knife. But then the allusion is lost.
|
|
|
|
An illgirt server gathered sticky clattering plates. Rock, the head
|
|
bailiff, standing at the bar blew the foamy crown from his tankard. Well
|
|
up: it splashed yellow near his boot. A diner, knife and fork upright,
|
|
elbows on table, ready for a second helping stared towards the foodlift
|
|
across his stained square of newspaper. Other chap telling him something
|
|
with his mouth full. Sympathetic listener. Table talk. I munched hum un
|
|
thu Unchster Bunk un Munchday. Ha? Did you, faith?
|
|
|
|
Mr Bloom raised two fingers doubtfully to his lips. His eyes said:
|
|
|
|
--Not here. Don't see him.
|
|
|
|
Out. I hate dirty eaters.
|
|
|
|
He backed towards the door. Get a light snack in Davy Byrne's. Stopgap.
|
|
Keep me going. Had a good breakfast.
|
|
|
|
--Roast and mashed here.
|
|
|
|
--Pint of stout.
|
|
|
|
Every fellow for his own, tooth and nail. Gulp. Grub. Gulp. Gobstuff.
|
|
|
|
He came out into clearer air and turned back towards Grafton street.
|
|
Eat or be eaten. Kill! Kill!
|
|
|
|
Suppose that communal kitchen years to come perhaps. All trotting
|
|
down with porringers and tommycans to be filled. Devour contents in the
|
|
street. John Howard Parnell example the provost of Trinity every mother's
|
|
son don't talk of your provosts and provost of Trinity women and children
|
|
cabmen priests parsons fieldmarshals archbishops. From Ailesbury road,
|
|
Clyde road, artisans' dwellings, north Dublin union, lord mayor in his
|
|
gingerbread coach, old queen in a bathchair. My plate's empty. After you
|
|
with our incorporated drinkingcup. Like sir Philip Crampton's fountain.
|
|
Rub off the microbes with your handkerchief. Next chap rubs on a new
|
|
batch with his. Father O'Flynn would make hares of them all. Have rows
|
|
all the same. All for number one. Children fighting for the scrapings of
|
|
the pot. Want a souppot as big as the Phoenix park. Harpooning flitches
|
|
and hindquarters out of it. Hate people all round you. City Arms hotel
|
|
TABLE D'HOTE she called it. Soup, joint and sweet. Never know whose
|
|
thoughts you're chewing. Then who'd wash up all the plates and forks?
|
|
Might be all feeding on tabloids that time. Teeth getting worse and worse.
|
|
|
|
After all there's a lot in that vegetarian fine flavour of things from the
|
|
earth garlic of course it stinks after Italian organgrinders crisp of
|
|
onions mushrooms truffles. Pain to the animal too. Pluck and draw fowl.
|
|
Wretched brutes there at the cattlemarket waiting for the poleaxe to split
|
|
their skulls open. Moo. Poor trembling calves. Meh. Staggering bob. Bubble
|
|
and squeak. Butchers' buckets wobbly lights. Give us that brisket off the
|
|
hook. Plup. Rawhead and bloody bones. Flayed glasseyed sheep hung from
|
|
their haunches, sheepsnouts bloodypapered snivelling nosejam on sawdust.
|
|
Top and lashers going out. Don't maul them pieces, young one.
|
|
|
|
Hot fresh blood they prescribe for decline. Blood always needed.
|
|
Insidious. Lick it up smokinghot, thick sugary. Famished ghosts.
|
|
|
|
Ah, I'm hungry.
|
|
|
|
He entered Davy Byrne's. Moral pub. He doesn't chat. Stands a
|
|
drink now and then. But in leapyear once in four. Cashed a cheque for me
|
|
once.
|
|
|
|
What will I take now? He drew his watch. Let me see now. Shandygaff?
|
|
|
|
--Hello, Bloom, Nosey Flynn said from his nook.
|
|
|
|
--Hello, Flynn.
|
|
|
|
--How's things?
|
|
|
|
--Tiptop ... Let me see. I'll take a glass of burgundy and ... let
|
|
me see.
|
|
|
|
Sardines on the shelves. Almost taste them by looking. Sandwich?
|
|
Ham and his descendants musterred and bred there. Potted meats. What is
|
|
home without Plumtree's potted meat? Incomplete. What a stupid ad!
|
|
Under the obituary notices they stuck it. All up a plumtree. Dignam's
|
|
potted meat. Cannibals would with lemon and rice. White missionary too
|
|
salty. Like pickled pork. Expect the chief consumes the parts of honour.
|
|
Ought to be tough from exercise. His wives in a row to watch the effect.
|
|
THERE WAS A RIGHT ROYAL OLD NIGGER. WHO ATE OR SOMETHING THE SOMETHINGS OF
|
|
THE REVEREND MR MACTRIGGER. With it an abode of bliss. Lord knows what
|
|
concoction. Cauls mouldy tripes windpipes faked and minced up. Puzzle
|
|
find the meat. Kosher. No meat and milk together. Hygiene that was what
|
|
they call now. Yom Kippur fast spring cleaning of inside. Peace and war
|
|
depend on some fellow's digestion. Religions. Christmas turkeys and geese.
|
|
Slaughter of innocents. Eat drink and be merry. Then casual wards full
|
|
after. Heads bandaged. Cheese digests all but itself. Mity cheese.
|
|
|
|
--Have you a cheese sandwich?
|
|
|
|
--Yes, sir.
|
|
|
|
Like a few olives too if they had them. Italian I prefer. Good glass of
|
|
burgundy take away that. Lubricate. A nice salad, cool as a cucumber, Tom
|
|
Kernan can dress. Puts gusto into it. Pure olive oil. Milly served me that
|
|
cutlet with a sprig of parsley. Take one Spanish onion. God made food, the
|
|
devil the cooks. Devilled crab.
|
|
|
|
--Wife well?
|
|
|
|
--Quite well, thanks ... A cheese sandwich, then. Gorgonzola, have you?
|
|
|
|
--Yes, sir.
|
|
|
|
Nosey Flynn sipped his grog.
|
|
|
|
--Doing any singing those times?
|
|
|
|
Look at his mouth. Could whistle in his own ear. Flap ears to match.
|
|
Music. Knows as much about it as my coachman. Still better tell him. Does
|
|
no harm. Free ad.
|
|
|
|
--She's engaged for a big tour end of this month. You may have heard
|
|
perhaps.
|
|
|
|
--No. O, that's the style. Who's getting it up?
|
|
|
|
The curate served.
|
|
|
|
--How much is that?
|
|
|
|
--Seven d., sir ... Thank you, sir.
|
|
|
|
Mr Bloom cut his sandwich into slender strips. MR MACTRIGGER. Easier
|
|
than the dreamy creamy stuff. HIS FIVE HUNDRED WIVES. HAD THE TIME OF
|
|
THEIR LIVES.
|
|
|
|
--Mustard, sir?
|
|
|
|
--Thank you.
|
|
|
|
He studded under each lifted strip yellow blobs. THEIR LIVES. I have it.
|
|
IT GREW BIGGER AND BIGGER AND BIGGER.
|
|
|
|
--Getting it up? he said. Well, it's like a company idea, you see. Part
|
|
shares and part profits.
|
|
|
|
--Ay, now I remember, Nosey Flynn said, putting his hand in his pocket to
|
|
scratch his groin. Who is this was telling me? Isn't Blazes Boylan mixed
|
|
up in it?
|
|
|
|
A warm shock of air heat of mustard hanched on Mr Bloom's heart.
|
|
He raised his eyes and met the stare of a bilious clock. Two. Pub clock
|
|
five minutes fast. Time going on. Hands moving. Two. Not yet.
|
|
|
|
His midriff yearned then upward, sank within him, yearned more longly,
|
|
longingly.
|
|
|
|
Wine.
|
|
|
|
He smellsipped the cordial juice and, bidding his throat strongly to
|
|
speed it, set his wineglass delicately down.
|
|
|
|
--Yes, he said. He's the organiser in point of fact.
|
|
|
|
No fear: no brains.
|
|
|
|
Nosey Flynn snuffled and scratched. Flea having a good square meal.
|
|
|
|
--He had a good slice of luck, Jack Mooney was telling me, over that
|
|
boxingmatch Myler Keogh won again that soldier in the Portobello
|
|
barracks. By God, he had the little kipper down in the county Carlow he
|
|
was telling me ...
|
|
|
|
Hope that dewdrop doesn't come down into his glass. No, snuffled it
|
|
up.
|
|
|
|
--For near a month, man, before it came off. Sucking duck eggs by God till
|
|
further orders. Keep him off the boose, see? O, by God, Blazes is a hairy
|
|
chap.
|
|
|
|
Davy Byrne came forward from the hindbar in tuckstitched
|
|
shirtsleeves, cleaning his lips with two wipes of his napkin. Herring's
|
|
blush. Whose smile upon each feature plays with such and such replete.
|
|
Too much fat on the parsnips.
|
|
|
|
--And here's himself and pepper on him, Nosey Flynn said. Can you give
|
|
us a good one for the Gold cup?
|
|
|
|
--I'm off that, Mr Flynn, Davy Byrne answered. I never put anything on a
|
|
horse.
|
|
|
|
--You're right there, Nosey Flynn said.
|
|
|
|
Mr Bloom ate his strips of sandwich, fresh clean bread, with relish of
|
|
disgust pungent mustard, the feety savour of green cheese. Sips of his
|
|
wine soothed his palate. Not logwood that. Tastes fuller this weather with
|
|
the chill off.
|
|
|
|
Nice quiet bar. Nice piece of wood in that counter. Nicely planed.
|
|
Like the way it curves there.
|
|
|
|
--I wouldn't do anything at all in that line, Davy Byrne said. It ruined
|
|
many a man, the same horses.
|
|
|
|
Vintners' sweepstake. Licensed for the sale of beer, wine and spirits
|
|
for consumption on the premises. Heads I win tails you lose.
|
|
|
|
--True for you, Nosey Flynn said. Unless you're in the know. There's no
|
|
straight sport going now. Lenehan gets some good ones. He's giving
|
|
Sceptre today. Zinfandel's the favourite, lord Howard de Walden's, won at
|
|
Epsom. Morny Cannon is riding him. I could have got seven to one against
|
|
Saint Amant a fortnight before.
|
|
|
|
--That so? Davy Byrne said ...
|
|
|
|
He went towards the window and, taking up the pettycash book, scanned
|
|
its pages.
|
|
|
|
--I could, faith, Nosey Flynn said, snuffling. That was a rare bit of
|
|
horseflesh. Saint Frusquin was her sire. She won in a thunderstorm,
|
|
Rothschild's filly, with wadding in her ears. Blue jacket and yellow cap.
|
|
Bad luck to big Ben Dollard and his John O'Gaunt. He put me off it. Ay.
|
|
|
|
He drank resignedly from his tumbler, running his fingers down the flutes.
|
|
|
|
--Ay, he said, sighing.
|
|
|
|
Mr Bloom, champing, standing, looked upon his sigh. Nosey
|
|
numbskull. Will I tell him that horse Lenehan? He knows already. Better
|
|
let him forget. Go and lose more. Fool and his money. Dewdrop coming down
|
|
again. Cold nose he'd have kissing a woman. Still they might like. Prickly
|
|
beards they like. Dogs' cold noses. Old Mrs Riordan with the rumbling
|
|
stomach's Skye terrier in the City Arms hotel. Molly fondling him in her
|
|
lap. O, the big doggybowwowsywowsy!
|
|
|
|
Wine soaked and softened rolled pith of bread mustard a moment
|
|
mawkish cheese. Nice wine it is. Taste it better because I'm not thirsty.
|
|
Bath of course does that. Just a bite or two. Then about six o'clock I can.
|
|
Six. Six. Time will be gone then. She ...
|
|
|
|
Mild fire of wine kindled his veins. I wanted that badly. Felt so off
|
|
colour. His eyes unhungrily saw shelves of tins: sardines, gaudy
|
|
lobsters' claws. All the odd things people pick up for food. Out of
|
|
shells, periwinkles with a pin, off trees, snails out of the ground the
|
|
French eat, out of the sea with bait on a hook. Silly fish learn nothing
|
|
in a thousand years. If you didn't know risky putting anything into your
|
|
mouth. Poisonous berries. Johnny Magories. Roundness you think good.
|
|
Gaudy colour warns you off. One fellow told another and so on. Try it on
|
|
the dog first. Led on by the smell or the look. Tempting fruit. Ice
|
|
cones. Cream. Instinct. Orangegroves for instance. Need artificial
|
|
irrigation. Bleibtreustrasse. Yes but what about oysters. Unsightly like
|
|
a clot of phlegm. Filthy shells. Devil to open them too. Who found them
|
|
out? Garbage, sewage they feed on. Fizz and Red bank oysters. Effect on
|
|
the sexual. Aphrodis. He was in the Red Bank this morning. Was he oysters
|
|
old fish at table perhaps he young flesh in bed no June has no ar no
|
|
oysters. But there are people like things high. Tainted game. Jugged
|
|
hare. First catch your hare. Chinese eating eggs fifty years old, blue
|
|
and green again. Dinner of thirty courses. Each dish harmless might mix
|
|
inside. Idea for a poison mystery. That archduke Leopold was it no yes or
|
|
was it Otto one of those Habsburgs? Or who was it used to eat the scruff
|
|
off his own head? Cheapest lunch in town. Of course aristocrats, then the
|
|
others copy to be in the fashion. Milly too rock oil and flour. Raw
|
|
pastry I like myself. Half the catch of oysters they throw back in the
|
|
sea to keep up the price. Cheap no-one would buy. Caviare. Do the grand.
|
|
Hock in green glasses. Swell blowout. Lady this. Powdered bosom pearls.
|
|
The ELITE. CREME DE LA CREME. They want special dishes to pretend
|
|
they're. Hermit with a platter of pulse keep down the stings of the
|
|
flesh. Know me come eat with me. Royal sturgeon high sheriff, Coffey, the
|
|
butcher, right to venisons of the forest from his ex. Send him back the
|
|
half of a cow. Spread I saw down in the Master of the Rolls' kitchen
|
|
area. Whitehatted CHEF like a rabbi. Combustible duck. Curly cabbage A LA
|
|
DUCHESSE DE PARME. Just as well to write it on the bill of fare so you
|
|
can know what you've eaten. Too many drugs spoil the broth. I know it
|
|
myself. Dosing it with Edwards' desiccated soup. Geese stuffed silly for
|
|
them. Lobsters boiled alive. Do ptake some ptarmigan. Wouldn't mind being
|
|
a waiter in a swell hotel. Tips, evening dress, halfnaked ladies. May I
|
|
tempt you to a little more filleted lemon sole, miss Dubedat? Yes, do
|
|
bedad. And she did bedad. Huguenot name I expect that. A miss Dubedat
|
|
lived in Killiney, I remember. DU, DE LA French. Still it's the same fish
|
|
perhaps old Micky Hanlon of Moore street ripped the guts out of making
|
|
money hand over fist finger in fishes' gills can't write his name on a
|
|
cheque think he was painting the landscape with his mouth twisted.
|
|
Moooikill A Aitcha Ha ignorant as a kish of brogues, worth fifty thousand
|
|
pounds.
|
|
|
|
Stuck on the pane two flies buzzed, stuck.
|
|
|
|
Glowing wine on his palate lingered swallowed. Crushing in the winepress
|
|
grapes of Burgundy. Sun's heat it is. Seems to a secret touch telling me
|
|
memory. Touched his sense moistened remembered. Hidden under wild ferns
|
|
on Howth below us bay sleeping: sky. No sound. The sky. The bay purple by
|
|
the Lion's head. Green by Drumleck. Yellowgreen towards Sutton. Fields of
|
|
undersea, the lines faint brown in grass, buried cities. Pillowed on my
|
|
coat she had her hair, earwigs in the heather scrub my hand under her
|
|
nape, you'll toss me all. O wonder! Coolsoft with ointments her hand
|
|
touched me, caressed: her eyes upon me did not turn away. Ravished over
|
|
her I lay, full lips full open, kissed her mouth. Yum. Softly she gave me
|
|
in my mouth the seedcake warm and chewed. Mawkish pulp her mouth had
|
|
mumbled sweetsour of her spittle. Joy: I ate it: joy. Young life, her
|
|
lips that gave me pouting. Soft warm sticky gumjelly lips. Flowers her
|
|
eyes were, take me, willing eyes. Pebbles fell. She lay still. A goat.
|
|
No-one. High on Ben Howth rhododendrons a nannygoat walking surefooted,
|
|
dropping currants. Screened under ferns she laughed warmfolded. Wildly I
|
|
lay on her, kissed her: eyes, her lips, her stretched neck beating,
|
|
woman's breasts full in her blouse of nun's veiling, fat nipples upright.
|
|
Hot I tongued her. She kissed me. I was kissed. All yielding she tossed
|
|
my hair. Kissed, she kissed me.
|
|
|
|
Me. And me now.
|
|
|
|
Stuck, the flies buzzed.
|
|
|
|
His downcast eyes followed the silent veining of the oaken slab. Beauty:
|
|
it curves: curves are beauty. Shapely goddesses, Venus, Juno: curves the
|
|
world admires. Can see them library museum standing in the round hall,
|
|
naked goddesses. Aids to digestion. They don't care what man looks. All
|
|
to see. Never speaking. I mean to say to fellows like Flynn. Suppose she
|
|
did Pygmalion and Galatea what would she say first? Mortal! Put you in
|
|
your proper place. Quaffing nectar at mess with gods golden dishes, all
|
|
ambrosial. Not like a tanner lunch we have, boiled mutton, carrots and
|
|
turnips, bottle of Allsop. Nectar imagine it drinking electricity: gods'
|
|
food. Lovely forms of women sculped Junonian. Immortal lovely. And we
|
|
stuffing food in one hole and out behind: food, chyle, blood, dung,
|
|
earth, food: have to feed it like stoking an engine. They have no. Never
|
|
looked. I'll look today. Keeper won't see. Bend down let something drop
|
|
see if she.
|
|
|
|
Dribbling a quiet message from his bladder came to go to do not to do
|
|
there to do. A man and ready he drained his glass to the lees and walked,
|
|
to men too they gave themselves, manly conscious, lay with men lovers, a
|
|
youth enjoyed her, to the yard.
|
|
|
|
When the sound of his boots had ceased Davy Byrne said from his book:
|
|
|
|
--What is this he is? Isn't he in the insurance line?
|
|
|
|
--He's out of that long ago, Nosey Flynn said. He does canvassing for the
|
|
FREEMAN.
|
|
|
|
--I know him well to see, Davy Byrne said. Is he in trouble?
|
|
|
|
--Trouble? Nosey Flynn said. Not that I heard of. Why?
|
|
|
|
--I noticed he was in mourning.
|
|
|
|
--Was he? Nosey Flynn said. So he was, faith. I asked him how was all at
|
|
home. You're right, by God. So he was.
|
|
|
|
--I never broach the subject, Davy Byrne said humanely, if I see a
|
|
gentleman is in trouble that way. It only brings it up fresh in their
|
|
minds.
|
|
|
|
--It's not the wife anyhow, Nosey Flynn said. I met him the day before
|
|
yesterday and he coming out of that Irish farm dairy John Wyse Nolan's
|
|
wife has in Henry street with a jar of cream in his hand taking it home
|
|
to his better half. She's well nourished, I tell you. Plovers on toast.
|
|
|
|
--And is he doing for the FREEMAN? Davy Byrne said.
|
|
|
|
Nosey Flynn pursed his lips.
|
|
|
|
---He doesn't buy cream on the ads he picks up. You can make bacon of
|
|
that.
|
|
|
|
--How so? Davy Byrne asked, coming from his book.
|
|
|
|
Nosey Flynn made swift passes in the air with juggling fingers. He
|
|
winked.
|
|
|
|
--He's in the craft, he said.
|
|
|
|
---Do you tell me so? Davy Byrne said.
|
|
|
|
--Very much so, Nosey Flynn said. Ancient free and accepted order. He's
|
|
an excellent brother. Light, life and love, by God. They give him a leg
|
|
up. I was told that by a--well, I won't say who.
|
|
|
|
--Is that a fact?
|
|
|
|
--O, it's a fine order, Nosey Flynn said. They stick to you when you're
|
|
down. I know a fellow was trying to get into it. But they're as close as
|
|
damn it. By God they did right to keep the women out of it.
|
|
|
|
Davy Byrne smiledyawnednodded all in one:
|
|
|
|
--Iiiiiichaaaaaaach!
|
|
|
|
--There was one woman, Nosey Flynn said, hid herself in a clock to find
|
|
out what they do be doing. But be damned but they smelt her out and swore
|
|
her in on the spot a master mason. That was one of the saint Legers of
|
|
Doneraile.
|
|
|
|
Davy Byrne, sated after his yawn, said with tearwashed eyes:
|
|
|
|
--And is that a fact? Decent quiet man he is. I often saw him in here and
|
|
I never once saw him--you know, over the line.
|
|
|
|
--God Almighty couldn't make him drunk, Nosey Flynn said firmly. Slips
|
|
off when the fun gets too hot. Didn't you see him look at his watch? Ah,
|
|
you weren't there. If you ask him to have a drink first thing he does he
|
|
outs with the watch to see what he ought to imbibe. Declare to God he
|
|
does.
|
|
|
|
--There are some like that, Davy Byrne said. He's a safe man, I'd say.
|
|
|
|
--He's not too bad, Nosey Flynn said, snuffling it up. He's been known to
|
|
put his hand down too to help a fellow. Give the devil his due. O, Bloom
|
|
has his good points. But there's one thing he'll never do.
|
|
|
|
His hand scrawled a dry pen signature beside his grog.
|
|
|
|
--I know, Davy Byrne said.
|
|
|
|
--Nothing in black and white, Nosey Flynn said.
|
|
|
|
Paddy Leonard and Bantam Lyons came in. Tom Rochford followed frowning, a
|
|
plaining hand on his claret waistcoat.
|
|
|
|
--Day, Mr Byrne.
|
|
|
|
--Day, gentlemen.
|
|
|
|
They paused at the counter.
|
|
|
|
--Who's standing? Paddy Leonard asked.
|
|
|
|
--I'm sitting anyhow, Nosey Flynn answered.
|
|
|
|
--Well, what'll it be? Paddy Leonard asked.
|
|
|
|
--I'll take a stone ginger, Bantam Lyons said.
|
|
|
|
--How much? Paddy Leonard cried. Since when, for God' sake? What's yours,
|
|
Tom?
|
|
|
|
--How is the main drainage? Nosey Flynn asked, sipping.
|
|
|
|
For answer Tom Rochford pressed his hand to his breastbone and hiccupped.
|
|
|
|
--Would I trouble you for a glass of fresh water, Mr Byrne? he said.
|
|
|
|
--Certainly, sir.
|
|
|
|
Paddy Leonard eyed his alemates.
|
|
|
|
--Lord love a duck, he said. Look at what I'm standing drinks to! Cold
|
|
water and gingerpop! Two fellows that would suck whisky off a sore leg.
|
|
He has some bloody horse up his sleeve for the Gold cup. A dead snip.
|
|
|
|
--Zinfandel is it? Nosey Flynn asked.
|
|
|
|
Tom Rochford spilt powder from a twisted paper into the water set before
|
|
him.
|
|
|
|
--That cursed dyspepsia, he said before drinking.
|
|
|
|
--Breadsoda is very good, Davy Byrne said.
|
|
|
|
Tom Rochford nodded and drank.
|
|
|
|
--Is it Zinfandel?
|
|
|
|
--Say nothing! Bantam Lyons winked. I'm going to plunge five bob on my
|
|
own.
|
|
|
|
--Tell us if you're worth your salt and be damned to you, Paddy Leonard
|
|
said. Who gave it to you?
|
|
|
|
Mr Bloom on his way out raised three fingers in greeting.
|
|
|
|
--So long! Nosey Flynn said.
|
|
|
|
The others turned.
|
|
|
|
--That's the man now that gave it to me, Bantam Lyons whispered.
|
|
|
|
--Prrwht! Paddy Leonard said with scorn. Mr Byrne, sir, we'll take two of
|
|
your small Jamesons after that and a ...
|
|
|
|
--Stone ginger, Davy Byrne added civilly.
|
|
|
|
--Ay, Paddy Leonard said. A suckingbottle for the baby.
|
|
|
|
Mr Bloom walked towards Dawson street, his tongue brushing his teeth
|
|
smooth. Something green it would have to be: spinach, say. Then with
|
|
those Rontgen rays searchlight you could.
|
|
|
|
At Duke lane a ravenous terrier choked up a sick knuckly cud on the
|
|
cobblestones and lapped it with new zest. Surfeit. Returned with thanks
|
|
having fully digested the contents. First sweet then savoury. Mr Bloom
|
|
coasted warily. Ruminants. His second course. Their upper jaw they move.
|
|
Wonder if Tom Rochford will do anything with that invention of his?
|
|
Wasting time explaining it to Flynn's mouth. Lean people long mouths.
|
|
Ought to be a hall or a place where inventors could go in and invent
|
|
free. Course then you'd have all the cranks pestering.
|
|
|
|
He hummed, prolonging in solemn echo the closes of the bars:
|
|
|
|
|
|
DON GIOVANNI, A CENAR TECO
|
|
M'INVITASTI.
|
|
|
|
|
|
Feel better. Burgundy. Good pick me up. Who distilled first? Some chap in
|
|
the blues. Dutch courage. That KILKENNY PEOPLE in the national library
|
|
now I must.
|
|
|
|
Bare clean closestools waiting in the window of William Miller, plumber,
|
|
turned back his thoughts. They could: and watch it all the way down,
|
|
swallow a pin sometimes come out of the ribs years after, tour round the
|
|
body changing biliary duct spleen squirting liver gastric juice coils of
|
|
intestines like pipes. But the poor buffer would have to stand all the
|
|
time with his insides entrails on show. Science.
|
|
|
|
--A CENAR TECO.
|
|
|
|
What does that TECO mean? Tonight perhaps.
|
|
|
|
|
|
DON GIOVANNI, THOU HAST ME INVITED
|
|
TO COME TO SUPPER TONIGHT,
|
|
THE RUM THE RUMDUM.
|
|
|
|
|
|
Doesn't go properly.
|
|
|
|
Keyes: two months if I get Nannetti to. That'll be two pounds ten about
|
|
two pounds eight. Three Hynes owes me. Two eleven. Prescott's dyeworks
|
|
van over there. If I get Billy Prescott's ad: two fifteen. Five guineas
|
|
about. On the pig's back.
|
|
|
|
Could buy one of those silk petticoats for Molly, colour of her new
|
|
garters.
|
|
|
|
Today. Today. Not think.
|
|
|
|
Tour the south then. What about English wateringplaces? Brighton,
|
|
Margate. Piers by moonlight. Her voice floating out. Those lovely seaside
|
|
girls. Against John Long's a drowsing loafer lounged in heavy thought,
|
|
gnawing a crusted knuckle. Handy man wants job. Small wages. Will eat
|
|
anything.
|
|
|
|
Mr Bloom turned at Gray's confectioner's window of unbought tarts and
|
|
passed the reverend Thomas Connellan's bookstore. WHY I LEFT THE CHURCH
|
|
OF ROME? BIRDS' NEST. Women run him. They say they used to give pauper
|
|
children soup to change to protestants in the time of the potato blight.
|
|
Society over the way papa went to for the conversion of poor jews. Same
|
|
bait. Why we left the church of Rome.
|
|
|
|
A blind stripling stood tapping the curbstone with his slender cane. No
|
|
tram in sight. Wants to cross.
|
|
|
|
--Do you want to cross? Mr Bloom asked.
|
|
|
|
The blind stripling did not answer. His wallface frowned weakly. He moved
|
|
his head uncertainly.
|
|
|
|
--You're in Dawson street, Mr Bloom said. Molesworth street is opposite.
|
|
Do you want to cross? There's nothing in the way.
|
|
|
|
The cane moved out trembling to the left. Mr Bloom's eye followed its
|
|
line and saw again the dyeworks' van drawn up before Drago's. Where I saw
|
|
his brillantined hair just when I was. Horse drooping. Driver in John
|
|
Long's. Slaking his drouth.
|
|
|
|
--There's a van there, Mr Bloom said, but it's not moving. I'll see you
|
|
across. Do you want to go to Molesworth street?
|
|
|
|
--Yes, the stripling answered. South Frederick street.
|
|
|
|
--Come, Mr Bloom said.
|
|
|
|
He touched the thin elbow gently: then took the limp seeing hand to guide
|
|
it forward.
|
|
|
|
Say something to him. Better not do the condescending. They mistrust what
|
|
you tell them. Pass a common remark.
|
|
|
|
--The rain kept off.
|
|
|
|
No answer.
|
|
|
|
Stains on his coat. Slobbers his food, I suppose. Tastes all different
|
|
for him. Have to be spoonfed first. Like a child's hand, his hand. Like
|
|
Milly's was. Sensitive. Sizing me up I daresay from my hand. Wonder if he
|
|
has a name. Van. Keep his cane clear of the horse's legs: tired drudge
|
|
get his doze. That's right. Clear. Behind a bull: in front of a horse.
|
|
|
|
--Thanks, sir.
|
|
|
|
Knows I'm a man. Voice.
|
|
|
|
--Right now? First turn to the left.
|
|
|
|
The blind stripling tapped the curbstone and went on his way, drawing his
|
|
cane back, feeling again.
|
|
|
|
Mr Bloom walked behind the eyeless feet, a flatcut suit of herringbone
|
|
tweed. Poor young fellow! How on earth did he know that van was there?
|
|
Must have felt it. See things in their forehead perhaps: kind of sense of
|
|
volume. Weight or size of it, something blacker than the dark. Wonder
|
|
would he feel it if something was removed. Feel a gap. Queer idea of
|
|
Dublin he must have, tapping his way round by the stones. Could he walk
|
|
in a beeline if he hadn't that cane? Bloodless pious face like a fellow
|
|
going in to be a priest.
|
|
|
|
Penrose! That was that chap's name.
|
|
|
|
Look at all the things they can learn to do. Read with their fingers.
|
|
Tune pianos. Or we are surprised they have any brains. Why we think a
|
|
deformed person or a hunchback clever if he says something we might say.
|
|
Of course the other senses are more. Embroider. Plait baskets. People
|
|
ought to help. Workbasket I could buy for Molly's birthday. Hates sewing.
|
|
Might take an objection. Dark men they call them.
|
|
|
|
Sense of smell must be stronger too. Smells on all sides, bunched
|
|
together. Each street different smell. Each person too. Then the spring,
|
|
the summer: smells. Tastes? They say you can't taste wines with your eyes
|
|
shut or a cold in the head. Also smoke in the dark they say get no
|
|
pleasure.
|
|
|
|
And with a woman, for instance. More shameless not seeing. That girl
|
|
passing the Stewart institution, head in the air. Look at me. I have them
|
|
all on. Must be strange not to see her. Kind of a form in his mind's eye.
|
|
The voice, temperatures: when he touches her with his fingers must almost
|
|
see the lines, the curves. His hands on her hair, for instance. Say it
|
|
was black, for instance. Good. We call it black. Then passing over her
|
|
white skin. Different feel perhaps. Feeling of white.
|
|
|
|
Postoffice. Must answer. Fag today. Send her a postal order two
|
|
shillings, half a crown. Accept my little present. Stationer's just here
|
|
too. Wait. Think over it.
|
|
|
|
With a gentle finger he felt ever so slowly the hair combed back above
|
|
his ears. Again. Fibres of fine fine straw. Then gently his finger felt
|
|
the skin of his right cheek. Downy hair there too. Not smooth enough. The
|
|
belly is the smoothest. No-one about. There he goes into Frederick
|
|
street. Perhaps to Levenston's dancing academy piano. Might be settling
|
|
my braces.
|
|
|
|
Walking by Doran's publichouse he slid his hand between his waistcoat and
|
|
trousers and, pulling aside his shirt gently, felt a slack fold of his
|
|
belly. But I know it's whitey yellow. Want to try in the dark to see.
|
|
|
|
He withdrew his hand and pulled his dress to.
|
|
|
|
Poor fellow! Quite a boy. Terrible. Really terrible. What dreams would he
|
|
have, not seeing? Life a dream for him. Where is the justice being born
|
|
that way? All those women and children excursion beanfeast burned and
|
|
drowned in New York. Holocaust. Karma they call that transmigration for
|
|
sins you did in a past life the reincarnation met him pike hoses. Dear,
|
|
dear, dear. Pity, of course: but somehow you can't cotton on to them
|
|
someway.
|
|
|
|
Sir Frederick Falkiner going into the freemasons' hall. Solemn as Troy.
|
|
After his good lunch in Earlsfort terrace. Old legal cronies cracking a
|
|
magnum. Tales of the bench and assizes and annals of the bluecoat school.
|
|
I sentenced him to ten years. I suppose he'd turn up his nose at that
|
|
stuff I drank. Vintage wine for them, the year marked on a dusty bottle.
|
|
Has his own ideas of justice in the recorder's court. Wellmeaning old
|
|
man. Police chargesheets crammed with cases get their percentage
|
|
manufacturing crime. Sends them to the rightabout. The devil on
|
|
moneylenders. Gave Reuben J. a great strawcalling. Now he's really what
|
|
they call a dirty jew. Power those judges have. Crusty old topers in
|
|
wigs. Bear with a sore paw. And may the Lord have mercy on your soul.
|
|
|
|
Hello, placard. Mirus bazaar. His Excellency the lord lieutenant.
|
|
Sixteenth. Today it is. In aid of funds for Mercer's hospital. THE
|
|
MESSIAH was first given for that. Yes. Handel. What about going out
|
|
there: Ballsbridge. Drop in on Keyes. No use sticking to him like a
|
|
leech. Wear out my welcome. Sure to know someone on the gate.
|
|
|
|
Mr Bloom came to Kildare street. First I must. Library.
|
|
|
|
Straw hat in sunlight. Tan shoes. Turnedup trousers. It is. It is.
|
|
|
|
His heart quopped softly. To the right. Museum. Goddesses. He swerved to
|
|
the right.
|
|
|
|
Is it? Almost certain. Won't look. Wine in my face. Why did I? Too heady.
|
|
Yes, it is. The walk. Not see. Get on.
|
|
|
|
Making for the museum gate with long windy steps he lifted his eyes.
|
|
Handsome building. Sir Thomas Deane designed. Not following me?
|
|
|
|
Didn't see me perhaps. Light in his eyes.
|
|
|
|
The flutter of his breath came forth in short sighs. Quick. Cold statues:
|
|
quiet there. Safe in a minute.
|
|
|
|
No. Didn't see me. After two. Just at the gate.
|
|
|
|
My heart!
|
|
|
|
His eyes beating looked steadfastly at cream curves of stone. Sir Thomas
|
|
Deane was the Greek architecture.
|
|
|
|
Look for something I.
|
|
|
|
His hasty hand went quick into a pocket, took out, read unfolded Agendath
|
|
Netaim. Where did I?
|
|
|
|
Busy looking.
|
|
|
|
He thrust back quick Agendath.
|
|
|
|
Afternoon she said.
|
|
|
|
I am looking for that. Yes, that. Try all pockets. Handker. FREEMAN.
|
|
Where did I? Ah, yes. Trousers. Potato. Purse. Where?
|
|
|
|
Hurry. Walk quietly. Moment more. My heart.
|
|
|
|
His hand looking for the where did I put found in his hip pocket soap
|
|
lotion have to call tepid paper stuck. Ah soap there I yes. Gate.
|
|
|
|
Safe!
|
|
|
|
|
|
* * * * * * *
|
|
|
|
|
|
Urbane, to comfort them, the quaker librarian purred:
|
|
|
|
--And we have, have we not, those priceless pages of WILHELM MEISTER. A
|
|
great poet on a great brother poet. A hesitating soul taking arms against
|
|
a sea of troubles, torn by conflicting doubts, as one sees in real life.
|
|
|
|
He came a step a sinkapace forward on neatsleather creaking and a step
|
|
backward a sinkapace on the solemn floor.
|
|
|
|
A noiseless attendant setting open the door but slightly made him a
|
|
noiseless beck.
|
|
|
|
--Directly, said he, creaking to go, albeit lingering. The beautiful
|
|
ineffectual dreamer who comes to grief against hard facts. One always
|
|
feels that Goethe's judgments are so true. True in the larger analysis.
|
|
|
|
Twicreakingly analysis he corantoed off. Bald, most zealous by the door
|
|
he gave his large ear all to the attendant's words: heard them: and was
|
|
gone.
|
|
|
|
Two left.
|
|
|
|
--Monsieur de la Palice, Stephen sneered, was alive fifteen minutes
|
|
before his death.
|
|
|
|
--Have you found those six brave medicals, John Eglinton asked with
|
|
elder's gall, to write PARADISE LOST at your dictation? THE SORROWS OF
|
|
SATAN he calls it.
|
|
|
|
Smile. Smile Cranly's smile.
|
|
|
|
|
|
FIRST HE TICKLED HER
|
|
THEN HE PATTED HER
|
|
THEN HE PASSED THE FEMALE CATHETER.
|
|
FOR HE WAS A MEDICAL
|
|
JOLLY OLD MEDI ...
|
|
|
|
|
|
--I feel you would need one more for HAMLET. Seven is dear to the mystic
|
|
mind. The shining seven W.B. calls them.
|
|
|
|
Glittereyed his rufous skull close to his greencapped desklamp sought the
|
|
face bearded amid darkgreener shadow, an ollav, holyeyed. He laughed low:
|
|
a sizar's laugh of Trinity: unanswered.
|
|
|
|
|
|
ORCHESTRAL SATAN, WEEPING MANY A ROOD
|
|
TEARS SUCH AS ANGELS WEEP.
|
|
ED EGLI AVEA DEL CUL FATTO TROMBETTA.
|
|
|
|
|
|
He holds my follies hostage.
|
|
|
|
Cranly's eleven true Wicklowmen to free their sireland. Gaptoothed
|
|
Kathleen, her four beautiful green fields, the stranger in her house. And
|
|
one more to hail him: AVE, RABBI: the Tinahely twelve. In the shadow of
|
|
the glen he cooees for them. My soul's youth I gave him, night by night.
|
|
God speed. Good hunting.
|
|
|
|
Mulligan has my telegram.
|
|
|
|
Folly. Persist.
|
|
|
|
--Our young Irish bards, John Eglinton censured, have yet to create a
|
|
figure which the world will set beside Saxon Shakespeare's Hamlet though
|
|
I admire him, as old Ben did, on this side idolatry.
|
|
|
|
--All these questions are purely academic, Russell oracled out of his
|
|
shadow. I mean, whether Hamlet is Shakespeare or James I or Essex.
|
|
Clergymen's discussions of the historicity of Jesus. Art has to reveal to
|
|
us ideas, formless spiritual essences. The supreme question about a work
|
|
of art is out of how deep a life does it spring. The painting of Gustave
|
|
Moreau is the painting of ideas. The deepest poetry of Shelley, the words
|
|
of Hamlet bring our minds into contact with the eternal wisdom, Plato's
|
|
world of ideas. All the rest is the speculation of schoolboys for
|
|
schoolboys.
|
|
|
|
A. E. has been telling some yankee interviewer. Wall, tarnation strike
|
|
me!
|
|
|
|
--The schoolmen were schoolboys first, Stephen said superpolitely.
|
|
Aristotle was once Plato's schoolboy.
|
|
|
|
--And has remained so, one should hope, John Eglinton sedately said. One
|
|
can see him, a model schoolboy with his diploma under his arm.
|
|
|
|
He laughed again at the now smiling bearded face.
|
|
|
|
Formless spiritual. Father, Word and Holy Breath. Allfather, the heavenly
|
|
man. Hiesos Kristos, magician of the beautiful, the Logos who suffers in
|
|
us at every moment. This verily is that. I am the fire upon the altar. I
|
|
am the sacrificial butter.
|
|
|
|
Dunlop, Judge, the noblest Roman of them all, A.E., Arval, the Name
|
|
Ineffable, in heaven hight: K.H., their master, whose identity is no
|
|
secret to adepts. Brothers of the great white lodge always watching to
|
|
see if they can help. The Christ with the bridesister, moisture of light,
|
|
born of an ensouled virgin, repentant sophia, departed to the plane of
|
|
buddhi. The life esoteric is not for ordinary person. O.P. must work off
|
|
bad karma first. Mrs Cooper Oakley once glimpsed our very illustrious
|
|
sister H.P.B.'s elemental.
|
|
|
|
O, fie! Out on't! PFUITEUFEL! You naughtn't to look, missus, so you
|
|
naughtn't when a lady's ashowing of her elemental.
|
|
|
|
Mr Best entered, tall, young, mild, light. He bore in his hand with grace
|
|
a notebook, new, large, clean, bright.
|
|
|
|
--That model schoolboy, Stephen said, would find Hamlet's musings about
|
|
the afterlife of his princely soul, the improbable, insignificant and
|
|
undramatic monologue, as shallow as Plato's.
|
|
|
|
John Eglinton, frowning, said, waxing wroth:
|
|
|
|
--Upon my word it makes my blood boil to hear anyone compare Aristotle
|
|
with Plato.
|
|
|
|
--Which of the two, Stephen asked, would have banished me from his
|
|
commonwealth?
|
|
|
|
Unsheathe your dagger definitions. Horseness is the whatness of allhorse.
|
|
Streams of tendency and eons they worship. God: noise in the street: very
|
|
peripatetic. Space: what you damn well have to see. Through spaces
|
|
smaller than red globules of man's blood they creepycrawl after Blake's
|
|
buttocks into eternity of which this vegetable world is but a shadow.
|
|
Hold to the now, the here, through which all future plunges to the past.
|
|
|
|
Mr Best came forward, amiable, towards his colleague.
|
|
|
|
--Haines is gone, he said.
|
|
|
|
--Is he?
|
|
|
|
--I was showing him Jubainville's book. He's quite enthusiastic, don't
|
|
you know, about Hyde's LOVESONGS OF CONNACHT. I couldn't bring him in to
|
|
hear the discussion. He's gone to Gill's to buy it.
|
|
|
|
|
|
BOUND THEE FORTH, MY BOOKLET, QUICK
|
|
TO GREET THE CALLOUS PUBLIC.
|
|
WRIT, I WEEN, 'TWAS NOT MY WISH
|
|
IN LEAN UNLOVELY ENGLISH.
|
|
|
|
|
|
--The peatsmoke is going to his head, John Eglinton opined.
|
|
|
|
We feel in England. Penitent thief. Gone. I smoked his baccy. Green
|
|
twinkling stone. An emerald set in the ring of the sea.
|
|
|
|
--People do not know how dangerous lovesongs can be, the auric egg of
|
|
Russell warned occultly. The movements which work revolutions in the
|
|
world are born out of the dreams and visions in a peasant's heart on the
|
|
hillside. For them the earth is not an exploitable ground but the living
|
|
mother. The rarefied air of the academy and the arena produce the
|
|
sixshilling novel, the musichall song. France produces the finest flower
|
|
of corruption in Mallarme but the desirable life is revealed only to the
|
|
poor of heart, the life of Homer's Phaeacians.
|
|
|
|
From these words Mr Best turned an unoffending face to Stephen.
|
|
|
|
--Mallarme, don't you know, he said, has written those wonderful prose
|
|
poems Stephen MacKenna used to read to me in Paris. The one about HAMLET.
|
|
He says: IL SE PROMENE, LISANT AU LIVRE DE LUI-MEME, don't you know,
|
|
READING THE BOOK OF HIMSELF. He describes HAMLET given in a French town,
|
|
don't you know, a provincial town. They advertised it.
|
|
|
|
His free hand graciously wrote tiny signs in air.
|
|
|
|
|
|
HAMLET
|
|
OU
|
|
LE DISTRAIT
|
|
PIECE DE SHAKESPEARE
|
|
|
|
|
|
He repeated to John Eglinton's newgathered frown:
|
|
|
|
--PIECE DE SHAKESPEARE, don't you know. It's so French. The French point
|
|
of view. HAMLET OU ...
|
|
|
|
--The absentminded beggar, Stephen ended.
|
|
|
|
John Eglinton laughed.
|
|
|
|
--Yes, I suppose it would be, he said. Excellent people, no doubt, but
|
|
distressingly shortsighted in some matters.
|
|
|
|
Sumptuous and stagnant exaggeration of murder.
|
|
|
|
--A deathsman of the soul Robert Greene called him, Stephen said. Not for
|
|
nothing was he a butcher's son, wielding the sledded poleaxe and spitting
|
|
in his palms. Nine lives are taken off for his father's one. Our Father
|
|
who art in purgatory. Khaki Hamlets don't hesitate to shoot. The
|
|
bloodboltered shambles in act five is a forecast of the concentration
|
|
camp sung by Mr Swinburne.
|
|
|
|
Cranly, I his mute orderly, following battles from afar.
|
|
|
|
WHELPS AND DAMS OF MURDEROUS FOES WHOM NONE
|
|
BUT WE HAD SPARED ...
|
|
|
|
|
|
Between the Saxon smile and yankee yawp. The devil and the deep sea.
|
|
|
|
--He will have it that HAMLET is a ghoststory, John Eglinton said for Mr
|
|
Best's behoof. Like the fat boy in Pickwick he wants to make our flesh
|
|
creep.
|
|
|
|
|
|
LIST! LIST! O LIST!
|
|
|
|
|
|
My flesh hears him: creeping, hears.
|
|
|
|
|
|
IF THOU DIDST EVER ...
|
|
|
|
|
|
--What is a ghost? Stephen said with tingling energy. One who has faded
|
|
into impalpability through death, through absence, through change of
|
|
manners. Elizabethan London lay as far from Stratford as corrupt Paris
|
|
lies from virgin Dublin. Who is the ghost from LIMBO PATRUM, returning to
|
|
the world that has forgotten him? Who is King Hamlet?
|
|
|
|
John Eglinton shifted his spare body, leaning back to judge.
|
|
|
|
Lifted.
|
|
|
|
--It is this hour of a day in mid June, Stephen said, begging with a
|
|
swift glance their hearing. The flag is up on the playhouse by the
|
|
bankside. The bear Sackerson growls in the pit near it, Paris garden.
|
|
Canvasclimbers who sailed with Drake chew their sausages among the
|
|
groundlings.
|
|
|
|
Local colour. Work in all you know. Make them accomplices.
|
|
|
|
--Shakespeare has left the huguenot's house in Silver street and walks by
|
|
the swanmews along the riverbank. But he does not stay to feed the pen
|
|
chivying her game of cygnets towards the rushes. The swan of Avon has
|
|
other thoughts.
|
|
|
|
Composition of place. Ignatius Loyola, make haste to help me!
|
|
|
|
--The play begins. A player comes on under the shadow, made up in the
|
|
castoff mail of a court buck, a wellset man with a bass voice. It is the
|
|
ghost, the king, a king and no king, and the player is Shakespeare who
|
|
has studied HAMLET all the years of his life which were not vanity in
|
|
order to play the part of the spectre. He speaks the words to Burbage,
|
|
the young player who stands before him beyond the rack of cerecloth,
|
|
calling him by a name:
|
|
|
|
HAMLET, I AM THY FATHER'S SPIRIT,
|
|
|
|
bidding him list. To a son he speaks, the son of his soul, the prince,
|
|
young Hamlet and to the son of his body, Hamnet Shakespeare, who has died
|
|
in Stratford that his namesake may live for ever.
|
|
|
|
Is it possible that that player Shakespeare, a ghost by absence, and in
|
|
the vesture of buried Denmark, a ghost by death, speaking his own words
|
|
to his own son's name (had Hamnet Shakespeare lived he would have been
|
|
prince Hamlet's twin), is it possible, I want to know, or probable that
|
|
he did not draw or foresee the logical conclusion of those premises: you
|
|
are the dispossessed son: I am the murdered father: your mother is the
|
|
guilty queen, Ann Shakespeare, born Hathaway?
|
|
|
|
--But this prying into the family life of a great man, Russell began
|
|
impatiently.
|
|
|
|
Art thou there, truepenny?
|
|
|
|
--Interesting only to the parish clerk. I mean, we have the plays. I mean
|
|
when we read the poetry of KING LEAR what is it to us how the poet lived?
|
|
As for living our servants can do that for us, Villiers de l'Isle has
|
|
said. Peeping and prying into greenroom gossip of the day, the poet's
|
|
drinking, the poet's debts. We have KING LEAR: and it is immortal.
|
|
|
|
Mr Best's face, appealed to, agreed.
|
|
|
|
|
|
FLOW OVER THEM WITH YOUR WAVES AND WITH YOUR WATERS, MANANAAN,
|
|
MANANAAN MACLIR ...
|
|
|
|
|
|
How now, sirrah, that pound he lent you when you were hungry?
|
|
|
|
Marry, I wanted it.
|
|
|
|
Take thou this noble.
|
|
|
|
Go to! You spent most of it in Georgina Johnson's bed, clergyman's
|
|
daughter. Agenbite of inwit.
|
|
|
|
Do you intend to pay it back?
|
|
|
|
O, yes.
|
|
|
|
When? Now?
|
|
|
|
Well ... No.
|
|
|
|
When, then?
|
|
|
|
I paid my way. I paid my way.
|
|
|
|
Steady on. He's from beyant Boyne water. The northeast corner. You owe
|
|
it.
|
|
|
|
Wait. Five months. Molecules all change. I am other I now. Other I got
|
|
pound.
|
|
|
|
Buzz. Buzz.
|
|
|
|
But I, entelechy, form of forms, am I by memory because under
|
|
everchanging forms.
|
|
|
|
I that sinned and prayed and fasted.
|
|
|
|
A child Conmee saved from pandies.
|
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|
|
I, I and I. I.
|
|
|
|
A.E.I.O.U.
|
|
|
|
--Do you mean to fly in the face of the tradition of three centuries?
|
|
John Eglinton's carping voice asked. Her ghost at least has been laid for
|
|
ever. She died, for literature at least, before she was born.
|
|
|
|
--She died, Stephen retorted, sixtyseven years after she was born. She
|
|
saw him into and out of the world. She took his first embraces. She bore
|
|
his children and she laid pennies on his eyes to keep his eyelids closed
|
|
when he lay on his deathbed.
|
|
|
|
Mother's deathbed. Candle. The sheeted mirror. Who brought me into this
|
|
world lies there, bronzelidded, under few cheap flowers. LILIATA
|
|
RUTILANTIUM.
|
|
|
|
I wept alone.
|
|
|
|
John Eglinton looked in the tangled glowworm of his lamp.
|
|
|
|
--The world believes that Shakespeare made a mistake, he said, and got
|
|
out of it as quickly and as best he could.
|
|
|
|
--Bosh! Stephen said rudely. A man of genius makes no mistakes. His
|
|
errors are volitional and are the portals of discovery.
|
|
|
|
Portals of discovery opened to let in the quaker librarian,
|
|
softcreakfooted, bald, eared and assiduous.
|
|
|
|
--A shrew, John Eglinton said shrewdly, is not a useful portal of
|
|
discovery, one should imagine. What useful discovery did Socrates learn
|
|
from Xanthippe?
|
|
|
|
--Dialectic, Stephen answered: and from his mother how to bring thoughts
|
|
into the world. What he learnt from his other wife Myrto (ABSIT NOMEN!),
|
|
Socratididion's Epipsychidion, no man, not a woman, will ever know. But
|
|
neither the midwife's lore nor the caudlelectures saved him from the
|
|
archons of Sinn Fein and their naggin of hemlock.
|
|
|
|
--But Ann Hathaway? Mr Best's quiet voice said forgetfully. Yes, we seem
|
|
to be forgetting her as Shakespeare himself forgot her.
|
|
|
|
His look went from brooder's beard to carper's skull, to remind, to chide
|
|
them not unkindly, then to the baldpink lollard costard, guiltless though
|
|
maligned.
|
|
|
|
--He had a good groatsworth of wit, Stephen said, and no truant memory.
|
|
He carried a memory in his wallet as he trudged to Romeville whistling
|
|
THE GIRL I LEFT BEHIND ME. If the earthquake did not time it we should
|
|
know where to place poor Wat, sitting in his form, the cry of hounds, the
|
|
studded bridle and her blue windows. That memory, VENUS AND ADONIS, lay
|
|
in the bedchamber of every light-of-love in London. Is Katharine the
|
|
shrew illfavoured? Hortensio calls her young and beautiful. Do you think
|
|
the writer of ANTONY AND CLEOPATRA, a passionate pilgrim, had his eyes in
|
|
the back of his head that he chose the ugliest doxy in all Warwickshire
|
|
to lie withal? Good: he left her and gained the world of men. But his
|
|
boywomen are the women of a boy. Their life, thought, speech are lent
|
|
them by males. He chose badly? He was chosen, it seems to me. If others
|
|
have their will Ann hath a way. By cock, she was to blame. She put the
|
|
comether on him, sweet and twentysix. The greyeyed goddess who bends over
|
|
the boy Adonis, stooping to conquer, as prologue to the swelling act, is
|
|
a boldfaced Stratford wench who tumbles in a cornfield a lover younger
|
|
than herself.
|
|
|
|
And my turn? When?
|
|
|
|
Come!
|
|
|
|
--Ryefield, Mr Best said brightly, gladly, raising his new book, gladly,
|
|
brightly.
|
|
|
|
He murmured then with blond delight for all:
|
|
|
|
|
|
BETWEEN THE ACRES OF THE RYE
|
|
THESE PRETTY COUNTRYFOLK WOULD LIE.
|
|
|
|
|
|
Paris: the wellpleased pleaser.
|
|
|
|
A tall figure in bearded homespun rose from shadow and unveiled its
|
|
cooperative watch.
|
|
|
|
--I am afraid I am due at the HOMESTEAD.
|
|
|
|
Whither away? Exploitable ground.
|
|
|
|
--Are you going? John Eglinton's active eyebrows asked. Shall we see you
|
|
at Moore's tonight? Piper is coming.
|
|
|
|
--Piper! Mr Best piped. Is Piper back?
|
|
|
|
Peter Piper pecked a peck of pick of peck of pickled pepper.
|
|
|
|
--I don't know if I can. Thursday. We have our meeting. If I can get away
|
|
in time.
|
|
|
|
Yogibogeybox in Dawson chambers. ISIS UNVEILED. Their Pali book we tried
|
|
to pawn. Crosslegged under an umbrel umbershoot he thrones an Aztec
|
|
logos, functioning on astral levels, their oversoul, mahamahatma. The
|
|
faithful hermetists await the light, ripe for chelaship, ringroundabout
|
|
him. Louis H. Victory. T. Caulfield Irwin. Lotus ladies tend them i'the
|
|
eyes, their pineal glands aglow. Filled with his god, he thrones, Buddh
|
|
under plantain. Gulfer of souls, engulfer. Hesouls, shesouls, shoals of
|
|
souls. Engulfed with wailing creecries, whirled, whirling, they bewail.
|
|
|
|
|
|
IN QUINTESSENTIAL TRIVIALITY
|
|
FOR YEARS IN THIS FLESHCASE A SHESOUL DWELT.
|
|
|
|
|
|
--They say we are to have a literary surprise, the quaker librarian said,
|
|
friendly and earnest. Mr Russell, rumour has it, is gathering together a
|
|
sheaf of our younger poets' verses. We are all looking forward anxiously.
|
|
|
|
Anxiously he glanced in the cone of lamplight where three faces, lighted,
|
|
shone.
|
|
|
|
See this. Remember.
|
|
|
|
Stephen looked down on a wide headless caubeen, hung on his
|
|
ashplanthandle over his knee. My casque and sword. Touch lightly with two
|
|
index fingers. Aristotle's experiment. One or two? Necessity is that in
|
|
virtue of which it is impossible that one can be otherwise. Argal, one
|
|
hat is one hat.
|
|
|
|
Listen.
|
|
|
|
Young Colum and Starkey. George Roberts is doing the commercial part.
|
|
Longworth will give it a good puff in the EXPRESS. O, will he? I liked
|
|
Colum's DROVER. Yes, I think he has that queer thing genius. Do you think
|
|
he has genius really? Yeats admired his line: AS IN WILD EARTH A GRECIAN
|
|
VASE. Did he? I hope you'll be able to come tonight. Malachi Mulligan is
|
|
coming too. Moore asked him to bring Haines. Did you hear Miss Mitchell's
|
|
joke about Moore and Martyn? That Moore is Martyn's wild oats? Awfully
|
|
clever, isn't it? They remind one of Don Quixote and Sancho Panza. Our
|
|
national epic has yet to be written, Dr Sigerson says. Moore is the man
|
|
for it. A knight of the rueful countenance here in Dublin. With a saffron
|
|
kilt? O'Neill Russell? O, yes, he must speak the grand old tongue. And
|
|
his Dulcinea? James Stephens is doing some clever sketches. We are
|
|
becoming important, it seems.
|
|
|
|
Cordelia. CORDOGLIO. Lir's loneliest daughter.
|
|
|
|
Nookshotten. Now your best French polish.
|
|
|
|
--Thank you very much, Mr Russell, Stephen said, rising. If you will be
|
|
so kind as to give the letter to Mr Norman ...
|
|
|
|
--O, yes. If he considers it important it will go in. We have so much
|
|
correspondence.
|
|
|
|
--I understand, Stephen said. Thanks.
|
|
|
|
God ild you. The pigs' paper. Bullockbefriending.
|
|
|
|
Synge has promised me an article for DANA too. Are we going to be read? I
|
|
feel we are. The Gaelic league wants something in Irish. I hope you will
|
|
come round tonight. Bring Starkey.
|
|
|
|
Stephen sat down.
|
|
|
|
The quaker librarian came from the leavetakers. Blushing, his mask said:
|
|
|
|
--Mr Dedalus, your views are most illuminating.
|
|
|
|
He creaked to and fro, tiptoing up nearer heaven by the altitude of a
|
|
chopine, and, covered by the noise of outgoing, said low:
|
|
|
|
--Is it your view, then, that she was not faithful to the poet?
|
|
|
|
Alarmed face asks me. Why did he come? Courtesy or an inward light?
|
|
|
|
--Where there is a reconciliation, Stephen said, there must have been
|
|
first a sundering.
|
|
|
|
--Yes.
|
|
|
|
Christfox in leather trews, hiding, a runaway in blighted treeforks, from
|
|
hue and cry. Knowing no vixen, walking lonely in the chase. Women he won
|
|
to him, tender people, a whore of Babylon, ladies of justices, bully
|
|
tapsters' wives. Fox and geese. And in New Place a slack dishonoured body
|
|
that once was comely, once as sweet, as fresh as cinnamon, now her leaves
|
|
falling, all, bare, frighted of the narrow grave and unforgiven.
|
|
|
|
--Yes. So you think ...
|
|
|
|
The door closed behind the outgoer.
|
|
|
|
Rest suddenly possessed the discreet vaulted cell, rest of warm and
|
|
brooding air.
|
|
|
|
A vestal's lamp.
|
|
|
|
Here he ponders things that were not: what Caesar would have lived to do
|
|
had he believed the soothsayer: what might have been: possibilities of
|
|
the possible as possible: things not known: what name Achilles bore when
|
|
he lived among women.
|
|
|
|
Coffined thoughts around me, in mummycases, embalmed in spice of words.
|
|
Thoth, god of libraries, a birdgod, moonycrowned. And I heard the voice
|
|
of that Egyptian highpriest. IN PAINTED CHAMBERS LOADED WITH TILEBOOKS.
|
|
|
|
They are still. Once quick in the brains of men. Still: but an itch of
|
|
death is in them, to tell me in my ear a maudlin tale, urge me to wreak
|
|
their will.
|
|
|
|
--Certainly, John Eglinton mused, of all great men he is the most
|
|
enigmatic. We know nothing but that he lived and suffered. Not even so
|
|
much. Others abide our question. A shadow hangs over all the rest.
|
|
|
|
--But HAMLET is so personal, isn't it? Mr Best pleaded. I mean, a kind of
|
|
private paper, don't you know, of his private life. I mean, I don't care
|
|
a button, don't you know, who is killed or who is guilty ...
|
|
|
|
He rested an innocent book on the edge of the desk, smiling his defiance.
|
|
His private papers in the original. TA AN BAD AR AN TIR. TAIM IN MO
|
|
SHAGART. Put beurla on it, littlejohn.
|
|
|
|
Quoth littlejohn Eglinton:
|
|
|
|
--I was prepared for paradoxes from what Malachi Mulligan told us but I
|
|
may as well warn you that if you want to shake my belief that Shakespeare
|
|
is Hamlet you have a stern task before you.
|
|
|
|
Bear with me.
|
|
|
|
Stephen withstood the bane of miscreant eyes glinting stern under
|
|
wrinkled brows. A basilisk. E QUANDO VEDE L'UOMO L'ATTOSCA. Messer
|
|
Brunetto, I thank thee for the word.
|
|
|
|
--As we, or mother Dana, weave and unweave our bodies, Stephen said, from
|
|
day to day, their molecules shuttled to and fro, so does the artist weave
|
|
and unweave his image. And as the mole on my right breast is where it was
|
|
when I was born, though all my body has been woven of new stuff time
|
|
after time, so through the ghost of the unquiet father the image of the
|
|
unliving son looks forth. In the intense instant of imagination, when the
|
|
mind, Shelley says, is a fading coal, that which I was is that which I am
|
|
and that which in possibility I may come to be. So in the future, the
|
|
sister of the past, I may see myself as I sit here now but by reflection
|
|
from that which then I shall be.
|
|
|
|
Drummond of Hawthornden helped you at that stile.
|
|
|
|
--Yes, Mr Best said youngly. I feel Hamlet quite young. The bitterness
|
|
might be from the father but the passages with Ophelia are surely from
|
|
the son.
|
|
|
|
Has the wrong sow by the lug. He is in my father. I am in his son.
|
|
|
|
--That mole is the last to go, Stephen said, laughing.
|
|
|
|
John Eglinton made a nothing pleasing mow.
|
|
|
|
--If that were the birthmark of genius, he said, genius would be a drug
|
|
in the market. The plays of Shakespeare's later years which Renan admired
|
|
so much breathe another spirit.
|
|
|
|
--The spirit of reconciliation, the quaker librarian breathed.
|
|
|
|
--There can be no reconciliation, Stephen said, if there has not been a
|
|
sundering.
|
|
|
|
Said that.
|
|
|
|
--If you want to know what are the events which cast their shadow over
|
|
the hell of time of KING LEAR, OTHELLO, HAMLET, TROILUS AND CRESSIDA,
|
|
look to see when and how the shadow lifts. What softens the heart of a
|
|
man, shipwrecked in storms dire, Tried, like another Ulysses, Pericles,
|
|
prince of Tyre?
|
|
|
|
Head, redconecapped, buffeted, brineblinded.
|
|
|
|
--A child, a girl, placed in his arms, Marina.
|
|
|
|
--The leaning of sophists towards the bypaths of apocrypha is a constant
|
|
quantity, John Eglinton detected. The highroads are dreary but they lead
|
|
to the town.
|
|
|
|
Good Bacon: gone musty. Shakespeare Bacon's wild oats. Cypherjugglers
|
|
going the highroads. Seekers on the great quest. What town, good masters?
|
|
Mummed in names: A. E., eon: Magee, John Eglinton. East of the sun, west
|
|
of the moon: TIR NA N-OG. Booted the twain and staved.
|
|
|
|
|
|
HOW MANY MILES TO DUBLIN?
|
|
THREE SCORE AND TEN, SIR.
|
|
WILL WE BE THERE BY CANDLELIGHT?
|
|
|
|
|
|
--Mr Brandes accepts it, Stephen said, as the first play of the closing
|
|
period.
|
|
|
|
--Does he? What does Mr Sidney Lee, or Mr Simon Lazarus as some aver his
|
|
name is, say of it?
|
|
|
|
--Marina, Stephen said, a child of storm, Miranda, a wonder, Perdita,
|
|
that which was lost. What was lost is given back to him: his daughter's
|
|
child. MY DEAREST WIFE, Pericles says, WAS LIKE THIS MAID. Will any man
|
|
love the daughter if he has not loved the mother?
|
|
|
|
--The art of being a grandfather, Mr Best gan murmur. L'ART D'ETRE GRAND
|
|
...
|
|
|
|
--Will he not see reborn in her, with the memory of his own youth added,
|
|
another image?
|
|
|
|
Do you know what you are talking about? Love, yes. Word known to all men.
|
|
Amor vero aliquid alicui bonum vult unde et ea quae concupiscimus ...
|
|
|
|
--His own image to a man with that queer thing genius is the standard of
|
|
all experience, material and moral. Such an appeal will touch him. The
|
|
images of other males of his blood will repel him. He will see in them
|
|
grotesque attempts of nature to foretell or to repeat himself.
|
|
|
|
The benign forehead of the quaker librarian enkindled rosily with hope.
|
|
|
|
--I hope Mr Dedalus will work out his theory for the enlightenment of the
|
|
public. And we ought to mention another Irish commentator, Mr George
|
|
Bernard Shaw. Nor should we forget Mr Frank Harris. His articles on
|
|
Shakespeare in the SATURDAY REVIEW were surely brilliant. Oddly enough he
|
|
too draws for us an unhappy relation with the dark lady of the sonnets.
|
|
The favoured rival is William Herbert, earl of Pembroke. I own that if
|
|
the poet must be rejected such a rejection would seem more in harmony
|
|
with--what shall I say?--our notions of what ought not to have been.
|
|
|
|
Felicitously he ceased and held a meek head among them, auk's egg, prize
|
|
of their fray.
|
|
|
|
He thous and thees her with grave husbandwords. Dost love, Miriam? Dost
|
|
love thy man?
|
|
|
|
--That may be too, Stephen said. There's a saying of Goethe's which Mr
|
|
Magee likes to quote. Beware of what you wish for in youth because you
|
|
will get it in middle life. Why does he send to one who is a BUONAROBA, a
|
|
bay where all men ride, a maid of honour with a scandalous girlhood, a
|
|
lordling to woo for him? He was himself a lord of language and had made
|
|
himself a coistrel gentleman and he had written ROMEO AND JULIET. Why?
|
|
Belief in himself has been untimely killed. He was overborne in a
|
|
cornfield first (ryefield, I should say) and he will never be a victor in
|
|
his own eyes after nor play victoriously the game of laugh and lie down.
|
|
Assumed dongiovannism will not save him. No later undoing will undo the
|
|
first undoing. The tusk of the boar has wounded him there where love lies
|
|
ableeding. If the shrew is worsted yet there remains to her woman's
|
|
invisible weapon. There is, I feel in the words, some goad of the flesh
|
|
driving him into a new passion, a darker shadow of the first, darkening
|
|
even his own understanding of himself. A like fate awaits him and the two
|
|
rages commingle in a whirlpool.
|
|
|
|
They list. And in the porches of their ears I pour.
|
|
|
|
--The soul has been before stricken mortally, a poison poured in the
|
|
porch of a sleeping ear. But those who are done to death in sleep cannot
|
|
know the manner of their quell unless their Creator endow their souls
|
|
with that knowledge in the life to come. The poisoning and the beast with
|
|
two backs that urged it King Hamlet's ghost could not know of were he not
|
|
endowed with knowledge by his creator. That is why the speech (his lean
|
|
unlovely English) is always turned elsewhere, backward. Ravisher and
|
|
ravished, what he would but would not, go with him from Lucrece's
|
|
bluecircled ivory globes to Imogen's breast, bare, with its mole
|
|
cinquespotted. He goes back, weary of the creation he has piled up to
|
|
hide him from himself, an old dog licking an old sore. But, because loss
|
|
is his gain, he passes on towards eternity in undiminished personality,
|
|
untaught by the wisdom he has written or by the laws he has revealed. His
|
|
beaver is up. He is a ghost, a shadow now, the wind by Elsinore's rocks
|
|
or what you will, the sea's voice, a voice heard only in the heart of him
|
|
who is the substance of his shadow, the son consubstantial with the
|
|
father.
|
|
|
|
--Amen! was responded from the doorway.
|
|
|
|
Hast thou found me, O mine enemy?
|
|
|
|
ENTR'ACTE.
|
|
|
|
A ribald face, sullen as a dean's, Buck Mulligan came forward, then
|
|
blithe in motley, towards the greeting of their smiles. My telegram.
|
|
|
|
--You were speaking of the gaseous vertebrate, if I mistake not? he asked
|
|
of Stephen.
|
|
|
|
Primrosevested he greeted gaily with his doffed Panama as with a bauble.
|
|
|
|
They make him welcome. WAS DU VERLACHST WIRST DU NOCH DIENEN.
|
|
|
|
Brood of mockers: Photius, pseudomalachi, Johann Most.
|
|
|
|
He Who Himself begot middler the Holy Ghost and Himself sent Himself,
|
|
Agenbuyer, between Himself and others, Who, put upon by His fiends,
|
|
stripped and whipped, was nailed like bat to barndoor, starved on
|
|
crosstree, Who let Him bury, stood up, harrowed hell, fared into heaven
|
|
and there these nineteen hundred years sitteth on the right hand of His
|
|
Own Self but yet shall come in the latter day to doom the quick and dead
|
|
when all the quick shall be dead already.
|
|
|
|
Glo--o--ri--a in ex--cel--sis De--o.
|
|
|
|
He lifts his hands. Veils fall. O, flowers! Bells with bells with bells
|
|
aquiring.
|
|
|
|
--Yes, indeed, the quaker librarian said. A most instructive discussion.
|
|
Mr Mulligan, I'll be bound, has his theory too of the play and of
|
|
Shakespeare. All sides of life should be represented.
|
|
|
|
He smiled on all sides equally.
|
|
|
|
Buck Mulligan thought, puzzled:
|
|
|
|
--Shakespeare? he said. I seem to know the name.
|
|
|
|
A flying sunny smile rayed in his loose features.
|
|
|
|
--To be sure, he said, remembering brightly. The chap that writes like
|
|
Synge.
|
|
|
|
Mr Best turned to him.
|
|
|
|
--Haines missed you, he said. Did you meet him? He'll see you after at
|
|
the D. B. C. He's gone to Gill's to buy Hyde's LOVESONGS OF CONNACHT.
|
|
|
|
--I came through the museum, Buck Mulligan said. Was he here?
|
|
|
|
--The bard's fellowcountrymen, John Eglinton answered, are rather tired
|
|
perhaps of our brilliancies of theorising. I hear that an actress played
|
|
Hamlet for the fourhundredandeighth time last night in Dublin. Vining
|
|
held that the prince was a woman. Has no-one made him out to be an
|
|
Irishman? Judge Barton, I believe, is searching for some clues. He swears
|
|
(His Highness not His Lordship) by saint Patrick.
|
|
|
|
--The most brilliant of all is that story of Wilde's, Mr Best said,
|
|
lifting his brilliant notebook. That PORTRAIT OF MR W. H. where he proves
|
|
that the sonnets were written by a Willie Hughes, a man all hues.
|
|
|
|
--For Willie Hughes, is it not? the quaker librarian asked.
|
|
|
|
Or Hughie Wills? Mr William Himself. W. H.: who am I?
|
|
|
|
--I mean, for Willie Hughes, Mr Best said, amending his gloss easily. Of
|
|
course it's all paradox, don't you know, Hughes and hews and hues, the
|
|
colour, but it's so typical the way he works it out. It's the very
|
|
essence of Wilde, don't you know. The light touch.
|
|
|
|
His glance touched their faces lightly as he smiled, a blond ephebe. Tame
|
|
essence of Wilde.
|
|
|
|
You're darned witty. Three drams of usquebaugh you drank with Dan Deasy's
|
|
ducats.
|
|
|
|
How much did I spend? O, a few shillings.
|
|
|
|
For a plump of pressmen. Humour wet and dry.
|
|
|
|
Wit. You would give your five wits for youth's proud livery he pranks in.
|
|
Lineaments of gratified desire.
|
|
|
|
There be many mo. Take her for me. In pairing time. Jove, a cool ruttime
|
|
send them. Yea, turtledove her.
|
|
|
|
Eve. Naked wheatbellied sin. A snake coils her, fang in's kiss.
|
|
|
|
--Do you think it is only a paradox? the quaker librarian was asking. The
|
|
mocker is never taken seriously when he is most serious.
|
|
|
|
They talked seriously of mocker's seriousness.
|
|
|
|
Buck Mulligan's again heavy face eyed Stephen awhile. Then, his head
|
|
wagging, he came near, drew a folded telegram from his pocket. His mobile
|
|
lips read, smiling with new delight.
|
|
|
|
--Telegram! he said. Wonderful inspiration! Telegram! A papal bull!
|
|
|
|
He sat on a corner of the unlit desk, reading aloud joyfully:
|
|
|
|
--THE SENTIMENTALIST IS HE WHO WOULD ENJOY WITHOUT INCURRING THE IMMENSE
|
|
DEBTORSHIP FOR A THING DONE. Signed: Dedalus. Where did you launch it
|
|
from? The kips? No. College Green. Have you drunk the four quid? The aunt
|
|
is going to call on your unsubstantial father. Telegram! Malachi
|
|
Mulligan, The Ship, lower Abbey street. O, you peerless mummer! O, you
|
|
priestified Kinchite!
|
|
|
|
Joyfully he thrust message and envelope into a pocket but keened in a
|
|
querulous brogue:
|
|
|
|
--It's what I'm telling you, mister honey, it's queer and sick we were,
|
|
Haines and myself, the time himself brought it in. 'Twas murmur we did
|
|
for a gallus potion would rouse a friar, I'm thinking, and he limp with
|
|
leching. And we one hour and two hours and three hours in Connery's
|
|
sitting civil waiting for pints apiece.
|
|
|
|
He wailed:
|
|
|
|
--And we to be there, mavrone, and you to be unbeknownst sending us your
|
|
conglomerations the way we to have our tongues out a yard long like the
|
|
drouthy clerics do be fainting for a pussful.
|
|
|
|
Stephen laughed.
|
|
|
|
Quickly, warningfully Buck Mulligan bent down.
|
|
|
|
--The tramper Synge is looking for you, he said, to murder you. He heard
|
|
you pissed on his halldoor in Glasthule. He's out in pampooties to murder
|
|
you.
|
|
|
|
--Me! Stephen exclaimed. That was your contribution to literature.
|
|
|
|
Buck Mulligan gleefully bent back, laughing to the dark eavesdropping
|
|
ceiling.
|
|
|
|
--Murder you! he laughed.
|
|
|
|
Harsh gargoyle face that warred against me over our mess of hash of
|
|
lights in rue Saint-Andre-des-Arts. In words of words for words,
|
|
palabras. Oisin with Patrick. Faunman he met in Clamart woods,
|
|
brandishing a winebottle. C'EST VENDREDI SAINT! Murthering Irish. His
|
|
image, wandering, he met. I mine. I met a fool i'the forest.
|
|
|
|
--Mr Lyster, an attendant said from the door ajar.
|
|
|
|
-- ... in which everyone can find his own. So Mr Justice Madden in his
|
|
DIARY OF MASTER WILLIAM SILENCE has found the hunting terms ... Yes? What
|
|
is it?
|
|
|
|
--There's a gentleman here, sir, the attendant said, coming forward and
|
|
offering a card. From the FREEMAN. He wants to see the files of the
|
|
KILKENNY PEOPLE for last year.
|
|
|
|
--Certainly, certainly, certainly. Is the gentleman? ...
|
|
|
|
He took the eager card, glanced, not saw, laid down unglanced, looked,
|
|
asked, creaked, asked:
|
|
|
|
--Is he? ... O, there!
|
|
|
|
Brisk in a galliard he was off, out. In the daylit corridor he talked
|
|
with voluble pains of zeal, in duty bound, most fair, most kind, most
|
|
honest broadbrim.
|
|
|
|
--This gentleman? FREEMAN'S JOURNAL? KILKENNY PEOPLE? To be sure. Good
|
|
day, sir. KILKENNY ... We have certainly ...
|
|
|
|
A patient silhouette waited, listening.
|
|
|
|
--All the leading provincial ... NORTHERN WHIG, CORK EXAMINER,
|
|
ENNISCORTHY GUARDIAN, 1903 ... Will you please? ... Evans, conduct this
|
|
gentleman ... If you just follow the atten ... Or, please allow me ...
|
|
This way ... Please, sir ...
|
|
|
|
Voluble, dutiful, he led the way to all the provincial papers, a bowing
|
|
dark figure following his hasty heels.
|
|
|
|
The door closed.
|
|
|
|
--The sheeny! Buck Mulligan cried.
|
|
|
|
He jumped up and snatched the card.
|
|
|
|
--What's his name? Ikey Moses? Bloom.
|
|
|
|
He rattled on:
|
|
|
|
--Jehovah, collector of prepuces, is no more. I found him over in the
|
|
museum where I went to hail the foamborn Aphrodite. The Greek mouth that
|
|
has never been twisted in prayer. Every day we must do homage to her.
|
|
LIFE OF LIFE, THY LIPS ENKINDLE.
|
|
|
|
Suddenly he turned to Stephen:
|
|
|
|
--He knows you. He knows your old fellow. O, I fear me, he is Greeker
|
|
than the Greeks. His pale Galilean eyes were upon her mesial groove.
|
|
Venus Kallipyge. O, the thunder of those loins! THE GOD PURSUING THE
|
|
MAIDEN HID.
|
|
|
|
--We want to hear more, John Eglinton decided with Mr Best's approval. We
|
|
begin to be interested in Mrs S. Till now we had thought of her, if at
|
|
all, as a patient Griselda, a Penelope stayathome.
|
|
|
|
--Antisthenes, pupil of Gorgias, Stephen said, took the palm of beauty
|
|
from Kyrios Menelaus' brooddam, Argive Helen, the wooden mare of Troy in
|
|
whom a score of heroes slept, and handed it to poor Penelope. Twenty
|
|
years he lived in London and, during part of that time, he drew a salary
|
|
equal to that of the lord chancellor of Ireland. His life was rich. His
|
|
art, more than the art of feudalism as Walt Whitman called it, is the art
|
|
of surfeit. Hot herringpies, green mugs of sack, honeysauces, sugar of
|
|
roses, marchpane, gooseberried pigeons, ringocandies. Sir Walter Raleigh,
|
|
when they arrested him, had half a million francs on his back including a
|
|
pair of fancy stays. The gombeenwoman Eliza Tudor had underlinen enough
|
|
to vie with her of Sheba. Twenty years he dallied there between conjugial
|
|
love and its chaste delights and scortatory love and its foul pleasures.
|
|
You know Manningham's story of the burgher's wife who bade Dick Burbage
|
|
to her bed after she had seen him in RICHARD III and how Shakespeare,
|
|
overhearing, without more ado about nothing, took the cow by the horns
|
|
and, when Burbage came knocking at the gate, answered from the capon's
|
|
blankets: WILLIAM THE CONQUEROR CAME BEFORE RICHARD III. And the gay
|
|
lakin, mistress Fitton, mount and cry O, and his dainty birdsnies, lady
|
|
Penelope Rich, a clean quality woman is suited for a player, and the
|
|
punks of the bankside, a penny a time.
|
|
|
|
Cours la Reine. ENCORE VINGT SOUS. NOUS FERONS DE PETITES COCHONNERIES.
|
|
MINETTE? TU VEUX?
|
|
|
|
--The height of fine society. And sir William Davenant of oxford's mother
|
|
with her cup of canary for any cockcanary.
|
|
|
|
Buck Mulligan, his pious eyes upturned, prayed:
|
|
|
|
--Blessed Margaret Mary Anycock!
|
|
|
|
--And Harry of six wives' daughter. And other lady friends from neighbour
|
|
seats as Lawn Tennyson, gentleman poet, sings. But all those twenty years
|
|
what do you suppose poor Penelope in Stratford was doing behind the
|
|
diamond panes?
|
|
|
|
Do and do. Thing done. In a rosery of Fetter lane of Gerard, herbalist,
|
|
he walks, greyedauburn. An azured harebell like her veins. Lids of Juno's
|
|
eyes, violets. He walks. One life is all. One body. Do. But do. Afar, in
|
|
a reek of lust and squalor, hands are laid on whiteness.
|
|
|
|
Buck Mulligan rapped John Eglinton's desk sharply.
|
|
|
|
--Whom do you suspect? he challenged.
|
|
|
|
--Say that he is the spurned lover in the sonnets. Once spurned twice
|
|
spurned. But the court wanton spurned him for a lord, his dearmylove.
|
|
|
|
Love that dare not speak its name.
|
|
|
|
--As an Englishman, you mean, John sturdy Eglinton put in, he loved a
|
|
lord.
|
|
|
|
Old wall where sudden lizards flash. At Charenton I watched them.
|
|
|
|
--It seems so, Stephen said, when he wants to do for him, and for all
|
|
other and singular uneared wombs, the holy office an ostler does for the
|
|
stallion. Maybe, like Socrates, he had a midwife to mother as he had a
|
|
shrew to wife. But she, the giglot wanton, did not break a bedvow. Two
|
|
deeds are rank in that ghost's mind: a broken vow and the dullbrained
|
|
yokel on whom her favour has declined, deceased husband's brother. Sweet
|
|
Ann, I take it, was hot in the blood. Once a wooer, twice a wooer.
|
|
|
|
Stephen turned boldly in his chair.
|
|
|
|
--The burden of proof is with you not with me, he said frowning. If you
|
|
deny that in the fifth scene of HAMLET he has branded her with infamy
|
|
tell me why there is no mention of her during the thirtyfour years
|
|
between the day she married him and the day she buried him. All those
|
|
women saw their men down and under: Mary, her goodman John, Ann, her poor
|
|
dear Willun, when he went and died on her, raging that he was the first
|
|
to go, Joan, her four brothers, Judith, her husband and all her sons,
|
|
Susan, her husband too, while Susan's daughter, Elizabeth, to use
|
|
granddaddy's words, wed her second, having killed her first.
|
|
|
|
O, yes, mention there is. In the years when he was living richly in royal
|
|
London to pay a debt she had to borrow forty shillings from her father's
|
|
shepherd. Explain you then. Explain the swansong too wherein he has
|
|
commended her to posterity.
|
|
|
|
He faced their silence.
|
|
|
|
To whom thus Eglinton:
|
|
|
|
|
|
You mean the will.
|
|
But that has been explained, I believe, by jurists.
|
|
She was entitled to her widow's dower
|
|
At common law. His legal knowledge was great
|
|
Our judges tell us.
|
|
Him Satan fleers,
|
|
Mocker:
|
|
And therefore he left out her name
|
|
From the first draft but he did not leave out
|
|
The presents for his granddaughter, for his daughters,
|
|
For his sister, for his old cronies in Stratford
|
|
And in London. And therefore when he was urged,
|
|
As I believe, to name her
|
|
He left her his
|
|
Secondbest
|
|
Bed.
|
|
PUNKT.
|
|
Leftherhis
|
|
Secondbest
|
|
Leftherhis
|
|
Bestabed
|
|
Secabest
|
|
Leftabed.
|
|
|
|
|
|
Woa!
|
|
|
|
AMPLIUS. IN SOCIETATE HUMANA HOC EST MAXIME NECESSARIUM UT SIT AMICITIA
|
|
INTER MULTOS.
|
|
|
|
--Saint Thomas, Stephen began ...
|
|
|
|
--ORA PRO NOBIS, Monk Mulligan groaned, sinking to a chair.
|
|
|
|
There he keened a wailing rune.
|
|
|
|
--POGUE MAHONE! ACUSHLA MACHREE! It's destroyed we are from this day!
|
|
It's destroyed we are surely!
|
|
|
|
All smiled their smiles.
|
|
|
|
--Saint Thomas, Stephen smiling said, whose gorbellied works I enjoy
|
|
reading in the original, writing of incest from a standpoint different
|
|
from that of the new Viennese school Mr Magee spoke of, likens it in his
|
|
wise and curious way to an avarice of the emotions. He means that the
|
|
love so given to one near in blood is covetously withheld from some
|
|
stranger who, it may be, hungers for it. Jews, whom christians tax with
|
|
avarice, are of all races the most given to intermarriage. Accusations
|
|
are made in anger. The christian laws which built up the hoards of the
|
|
jews (for whom, as for the lollards, storm was shelter) bound their
|
|
affections too with hoops of steel. Whether these be sins or virtues old
|
|
Nobodaddy will tell us at doomsday leet. But a man who holds so tightly
|
|
to what he calls his rights over what he calls his debts will hold
|
|
tightly also to what he calls his rights over her whom he calls his wife.
|
|
No sir smile neighbour shall covet his ox or his wife or his manservant
|
|
or his maidservant or his jackass.
|
|
|
|
--Or his jennyass, Buck Mulligan antiphoned.
|
|
|
|
--Gentle Will is being roughly handled, gentle Mr Best said gently.
|
|
|
|
--Which will? gagged sweetly Buck Mulligan. We are getting mixed.
|
|
|
|
--The will to live, John Eglinton philosophised, for poor Ann, Will's
|
|
widow, is the will to die.
|
|
|
|
--REQUIESCAT! Stephen prayed.
|
|
|
|
|
|
WHAT OF ALL THE WILL TO DO?
|
|
IT HAS VANISHED LONG AGO ...
|
|
|
|
|
|
--She lies laid out in stark stiffness in that secondbest bed, the mobled
|
|
queen, even though you prove that a bed in those days was as rare as a
|
|
motorcar is now and that its carvings were the wonder of seven parishes.
|
|
In old age she takes up with gospellers (one stayed with her at New Place
|
|
and drank a quart of sack the town council paid for but in which bed he
|
|
slept it skills not to ask) and heard she had a soul. She read or had
|
|
read to her his chapbooks preferring them to the MERRY WIVES and, loosing
|
|
her nightly waters on the jordan, she thought over HOOKS AND EYES FOR
|
|
BELIEVERS' BREECHES and THE MOST SPIRITUAL SNUFFBOX TO MAKE THE MOST
|
|
DEVOUT SOULS SNEEZE. Venus has twisted her lips in prayer. Agenbite of
|
|
inwit: remorse of conscience. It is an age of exhausted whoredom groping
|
|
for its god.
|
|
|
|
--History shows that to be true, INQUIT EGLINTONUS CHRONOLOLOGOS. The
|
|
ages succeed one another. But we have it on high authority that a man's
|
|
worst enemies shall be those of his own house and family. I feel that
|
|
Russell is right. What do we care for his wife or father? I should say
|
|
that only family poets have family lives. Falstaff was not a family man.
|
|
I feel that the fat knight is his supreme creation.
|
|
|
|
Lean, he lay back. Shy, deny thy kindred, the unco guid. Shy, supping
|
|
with the godless, he sneaks the cup. A sire in Ultonian Antrim bade it
|
|
him. Visits him here on quarter days. Mr Magee, sir, there's a gentleman
|
|
to see you. Me? Says he's your father, sir. Give me my Wordsworth. Enter
|
|
Magee Mor Matthew, a rugged rough rugheaded kern, in strossers with a
|
|
buttoned codpiece, his nether stocks bemired with clauber of ten forests,
|
|
a wand of wilding in his hand.
|
|
|
|
Your own? He knows your old fellow. The widower.
|
|
|
|
Hurrying to her squalid deathlair from gay Paris on the quayside I
|
|
touched his hand. The voice, new warmth, speaking. Dr Bob Kenny is
|
|
attending her. The eyes that wish me well. But do not know me.
|
|
|
|
--A father, Stephen said, battling against hopelessness, is a necessary
|
|
evil. He wrote the play in the months that followed his father's death.
|
|
If you hold that he, a greying man with two marriageable daughters, with
|
|
thirtyfive years of life, NEL MEZZO DEL CAMMIN DI NOSTRA VITA, with fifty
|
|
of experience, is the beardless undergraduate from Wittenberg then you
|
|
must hold that his seventyyear old mother is the lustful queen. No. The
|
|
corpse of John Shakespeare does not walk the night. From hour to hour it
|
|
rots and rots. He rests, disarmed of fatherhood, having devised that
|
|
mystical estate upon his son. Boccaccio's Calandrino was the first and
|
|
last man who felt himself with child. Fatherhood, in the sense of
|
|
conscious begetting, is unknown to man. It is a mystical estate, an
|
|
apostolic succession, from only begetter to only begotten. On that
|
|
mystery and not on the madonna which the cunning Italian intellect flung
|
|
to the mob of Europe the church is founded and founded irremovably
|
|
because founded, like the world, macro and microcosm, upon the void. Upon
|
|
incertitude, upon unlikelihood. AMOR MATRIS, subjective and objective
|
|
genitive, may be the only true thing in life. Paternity may be a legal
|
|
fiction. Who is the father of any son that any son should love him or he
|
|
any son?
|
|
|
|
What the hell are you driving at?
|
|
|
|
I know. Shut up. Blast you. I have reasons.
|
|
|
|
AMPLIUS. ADHUC. ITERUM. POSTEA.
|
|
|
|
Are you condemned to do this?
|
|
|
|
--They are sundered by a bodily shame so steadfast that the criminal
|
|
annals of the world, stained with all other incests and bestialities,
|
|
hardly record its breach. Sons with mothers, sires with daughters, lesbic
|
|
sisters, loves that dare not speak their name, nephews with grandmothers,
|
|
jailbirds with keyholes, queens with prize bulls. The son unborn mars
|
|
beauty: born, he brings pain, divides affection, increases care. He is a
|
|
new male: his growth is his father's decline, his youth his father's
|
|
envy, his friend his father's enemy.
|
|
|
|
In rue Monsieur-le-Prince I thought it.
|
|
|
|
--What links them in nature? An instant of blind rut.
|
|
|
|
Am I a father? If I were?
|
|
|
|
Shrunken uncertain hand.
|
|
|
|
--Sabellius, the African, subtlest heresiarch of all the beasts of the
|
|
field, held that the Father was Himself His Own Son. The bulldog of
|
|
Aquin, with whom no word shall be impossible, refutes him. Well: if the
|
|
father who has not a son be not a father can the son who has not a father
|
|
be a son? When Rutlandbaconsouthamptonshakespeare or another poet of the
|
|
same name in the comedy of errors wrote HAMLET he was not the father of
|
|
his own son merely but, being no more a son, he was and felt himself the
|
|
father of all his race, the father of his own grandfather, the father of
|
|
his unborn grandson who, by the same token, never was born, for nature,
|
|
as Mr Magee understands her, abhors perfection.
|
|
|
|
Eglintoneyes, quick with pleasure, looked up shybrightly. Gladly
|
|
glancing, a merry puritan, through the twisted eglantine.
|
|
|
|
Flatter. Rarely. But flatter.
|
|
|
|
--Himself his own father, Sonmulligan told himself. Wait. I am big with
|
|
child. I have an unborn child in my brain. Pallas Athena! A play! The
|
|
play's the thing! Let me parturiate!
|
|
|
|
He clasped his paunchbrow with both birthaiding hands.
|
|
|
|
--As for his family, Stephen said, his mother's name lives in the forest
|
|
of Arden. Her death brought from him the scene with Volumnia in
|
|
CORIOLANUS. His boyson's death is the deathscene of young Arthur in KING
|
|
JOHN. Hamlet, the black prince, is Hamnet Shakespeare. Who the girls in
|
|
THE TEMPEST, in PERICLES, in WINTER'S TALE are we know. Who Cleopatra,
|
|
fleshpot of Egypt, and Cressid and Venus are we may guess. But there is
|
|
another member of his family who is recorded.
|
|
|
|
--The plot thickens, John Eglinton said.
|
|
|
|
The quaker librarian, quaking, tiptoed in, quake, his mask, quake, with
|
|
haste, quake, quack.
|
|
|
|
Door closed. Cell. Day.
|
|
|
|
They list. Three. They.
|
|
|
|
I you he they.
|
|
|
|
Come, mess.
|
|
|
|
STEPHEN: He had three brothers, Gilbert, Edmund, Richard. Gilbert in his
|
|
old age told some cavaliers he got a pass for nowt from Maister Gatherer
|
|
one time mass he did and he seen his brud Maister Wull the playwriter up
|
|
in Lunnon in a wrastling play wud a man on's back. The playhouse sausage
|
|
filled Gilbert's soul. He is nowhere: but an Edmund and a Richard are
|
|
recorded in the works of sweet William.
|
|
|
|
MAGEEGLINJOHN: Names! What's in a name?
|
|
|
|
BEST: That is my name, Richard, don't you know. I hope you are going to
|
|
say a good word for Richard, don't you know, for my sake.
|
|
|
|
(Laughter)
|
|
|
|
BUCKMULLIGAN: (PIANO, DIMINUENDO)
|
|
|
|
Then outspoke medical Dick
|
|
To his comrade medical Davy ...
|
|
|
|
STEPHEN: In his trinity of black Wills, the villain shakebags, Iago,
|
|
Richard Crookback, Edmund in KING LEAR, two bear the wicked uncles'
|
|
names. Nay, that last play was written or being written while his brother
|
|
Edmund lay dying in Southwark.
|
|
|
|
BEST: I hope Edmund is going to catch it. I don't want Richard, my
|
|
name ...
|
|
|
|
(Laughter)
|
|
|
|
QUAKERLYSTER: (A TEMPO) But he that filches from me my good name ...
|
|
|
|
STEPHEN: (STRINGENDO) He has hidden his own name, a fair name, William,
|
|
in the plays, a super here, a clown there, as a painter of old Italy set
|
|
his face in a dark corner of his canvas. He has revealed it in the
|
|
sonnets where there is Will in overplus. Like John o'Gaunt his name is
|
|
dear to him, as dear as the coat and crest he toadied for, on a bend
|
|
sable a spear or steeled argent, honorificabilitudinitatibus, dearer than
|
|
his glory of greatest shakescene in the country. What's in a name? That
|
|
is what we ask ourselves in childhood when we write the name that we are
|
|
told is ours. A star, a daystar, a firedrake, rose at his birth. It shone
|
|
by day in the heavens alone, brighter than Venus in the night, and by
|
|
night it shone over delta in Cassiopeia, the recumbent constellation
|
|
which is the signature of his initial among the stars. His eyes watched
|
|
it, lowlying on the horizon, eastward of the bear, as he walked by the
|
|
slumberous summer fields at midnight returning from Shottery and from her
|
|
arms.
|
|
|
|
|
|
Both satisfied. I too.
|
|
|
|
Don't tell them he was nine years old when it was quenched.
|
|
|
|
And from her arms.
|
|
|
|
Wait to be wooed and won. Ay, meacock. Who will woo you?
|
|
|
|
Read the skies. AUTONTIMORUMENOS. BOUS STEPHANOUMENOS. Where's your
|
|
configuration? Stephen, Stephen, cut the bread even. S. D: SUA DONNA.
|
|
GIA: DI LUI. GELINDO RISOLVE DI NON AMARE S. D.
|
|
|
|
--What is that, Mr Dedalus? the quaker librarian asked. Was it a
|
|
celestial phenomenon?
|
|
|
|
--A star by night, Stephen said. A pillar of the cloud by day.
|
|
|
|
What more's to speak?
|
|
|
|
Stephen looked on his hat, his stick, his boots.
|
|
|
|
STEPHANOS, my crown. My sword. His boots are spoiling the shape of
|
|
my feet. Buy a pair. Holes in my socks. Handkerchief too.
|
|
|
|
--You make good use of the name, John Eglinton allowed. Your own name
|
|
is strange enough. I suppose it explains your fantastical humour.
|
|
|
|
Me, Magee and Mulligan.
|
|
|
|
Fabulous artificer. The hawklike man. You flew. Whereto?
|
|
Newhaven-Dieppe, steerage passenger. Paris and back. Lapwing. Icarus.
|
|
PATER, AIT. Seabedabbled, fallen, weltering. Lapwing you are. Lapwing be.
|
|
|
|
Mr Best eagerquietly lifted his book to say:
|
|
|
|
--That's very interesting because that brother motive, don't you know, we
|
|
find also in the old Irish myths. Just what you say. The three brothers
|
|
Shakespeare. In Grimm too, don't you know, the fairytales. The third
|
|
brother that always marries the sleeping beauty and wins the best prize.
|
|
|
|
Best of Best brothers. Good, better, best.
|
|
|
|
The quaker librarian springhalted near.
|
|
|
|
--I should like to know, he said, which brother you ... I understand you
|
|
to suggest there was misconduct with one of the brothers ... But
|
|
perhaps I am anticipating?
|
|
|
|
He caught himself in the act: looked at all: refrained.
|
|
|
|
An attendant from the doorway called:
|
|
|
|
--Mr Lyster! Father Dineen wants ...
|
|
|
|
--O, Father Dineen! Directly.
|
|
|
|
Swiftly rectly creaking rectly rectly he was rectly gone.
|
|
|
|
John Eglinton touched the foil.
|
|
|
|
--Come, he said. Let us hear what you have to say of Richard and
|
|
Edmund. You kept them for the last, didn't you?
|
|
|
|
--In asking you to remember those two noble kinsmen nuncle Richie and
|
|
nuncle Edmund, Stephen answered, I feel I am asking too much perhaps. A
|
|
brother is as easily forgotten as an umbrella.
|
|
|
|
Lapwing.
|
|
|
|
Where is your brother? Apothecaries' hall. My whetstone. Him, then
|
|
Cranly, Mulligan: now these. Speech, speech. But act. Act speech. They
|
|
mock to try you. Act. Be acted on.
|
|
|
|
Lapwing.
|
|
|
|
I am tired of my voice, the voice of Esau. My kingdom for a drink.
|
|
|
|
On.
|
|
|
|
--You will say those names were already in the chronicles from which he
|
|
took the stuff of his plays. Why did he take them rather than others?
|
|
Richard, a whoreson crookback, misbegotten, makes love to a widowed
|
|
Ann (what's in a name?), woos and wins her, a whoreson merry widow.
|
|
Richard the conqueror, third brother, came after William the conquered.
|
|
The other four acts of that play hang limply from that first. Of all his
|
|
kings Richard is the only king unshielded by Shakespeare's reverence,
|
|
the angel of the world. Why is the underplot of KING LEAR in which Edmund
|
|
figures lifted out of Sidney's ARCADIA and spatchcocked on to a Celtic
|
|
legend older than history?
|
|
|
|
--That was Will's way, John Eglinton defended. We should not now
|
|
combine a Norse saga with an excerpt from a novel by George Meredith.
|
|
QUE VOULEZ-VOUS? Moore would say. He puts Bohemia on the seacoast and
|
|
makes Ulysses quote Aristotle.
|
|
|
|
--Why? Stephen answered himself. Because the theme of the false or the
|
|
usurping or the adulterous brother or all three in one is to Shakespeare,
|
|
what the poor are not, always with him. The note of banishment,
|
|
banishment from the heart, banishment from home, sounds uninterruptedly
|
|
from THE TWO GENTLEMEN OF VERONA onward till Prospero breaks his staff,
|
|
buries it certain fathoms in the earth and drowns his book. It doubles
|
|
itself in the middle of his life, reflects itself in another, repeats
|
|
itself, protasis, epitasis, catastasis, catastrophe. It repeats
|
|
itself again when he is near the grave, when his married daughter
|
|
Susan, chip of the old block, is accused of adultery. But it was
|
|
the original sin that darkened his understanding, weakened his
|
|
will and left in him a strong inclination to evil. The words are
|
|
those of my lords bishops of Maynooth. An original sin and, like original
|
|
sin, committed by another in whose sin he too has sinned. It is between
|
|
the lines of his last written words, it is petrified on his tombstone
|
|
under which her four bones are not to be laid. Age has not withered it.
|
|
Beauty and peace have not done it away. It is in infinite variety
|
|
everywhere in the world he has created, in MUCH ADO ABOUT NOTHING, twice
|
|
in AS YOU LIKE IT, in THE TEMPEST, in HAMLET, in MEASURE FOR MEASURE--and
|
|
in all the other plays which I have not read.
|
|
|
|
He laughed to free his mind from his mind's bondage.
|
|
|
|
Judge Eglinton summed up.
|
|
|
|
--The truth is midway, he affirmed. He is the ghost and the prince. He is
|
|
all in all.
|
|
|
|
--He is, Stephen said. The boy of act one is the mature man of act five.
|
|
All in all. In CYMBELINE, in OTHELLO he is bawd and cuckold. He acts and
|
|
is acted on. Lover of an ideal or a perversion, like Jose he kills the
|
|
real Carmen. His unremitting intellect is the hornmad Iago ceaselessly
|
|
willing that the moor in him shall suffer.
|
|
|
|
--Cuckoo! Cuckoo! Cuck Mulligan clucked lewdly. O word of fear!
|
|
|
|
Dark dome received, reverbed.
|
|
|
|
--And what a character is Iago! undaunted John Eglinton exclaimed.
|
|
When all is said Dumas FILS (or is it Dumas PERE?) is right. After God
|
|
Shakespeare has created most.
|
|
|
|
--Man delights him not nor woman neither, Stephen said. He returns after
|
|
a life of absence to that spot of earth where he was born, where he has
|
|
always been, man and boy, a silent witness and there, his journey of life
|
|
ended, he plants his mulberrytree in the earth. Then dies. The motion is
|
|
ended. Gravediggers bury Hamlet PERE and Hamlet FILS. A king and a
|
|
prince at last in death, with incidental music. And, what though murdered
|
|
and betrayed, bewept by all frail tender hearts for, Dane or Dubliner,
|
|
sorrow for the dead is the only husband from whom they refuse to be
|
|
divorced. If you like the epilogue look long on it: prosperous Prospero,
|
|
the good man rewarded, Lizzie, grandpa's lump of love, and nuncle Richie,
|
|
the bad man taken off by poetic justice to the place where the bad niggers
|
|
go. Strong curtain. He found in the world without as actual what was in his
|
|
world within as possible. Maeterlinck says: IF SOCRATES LEAVE HIS HOUSE
|
|
TODAY HE WILL FIND THE SAGE SEATED ON HIS DOORSTEP. IF JUDAS GO FORTH
|
|
TONIGHT IT IS TO JUDAS HIS STEPS WILL TEND. Every life is many days,
|
|
day after day. We walk through ourselves, meeting robbers, ghosts, giants,
|
|
old men, young men, wives, widows, brothers-in-love, but always meeting
|
|
ourselves. The playwright who wrote the folio of this world and wrote it
|
|
badly (He gave us light first and the sun two days later), the lord of
|
|
things as they are whom the most Roman of catholics call DIO BOIA,
|
|
hangman god, is doubtless all in all in all of us, ostler and butcher,
|
|
and would be bawd and cuckold too but that in the economy of heaven,
|
|
foretold by Hamlet, there are no more marriages, glorified man, an
|
|
androgynous angel, being a wife unto himself.
|
|
|
|
--EUREKA! Buck Mulligan cried. EUREKA!
|
|
|
|
Suddenly happied he jumped up and reached in a stride John Eglinton's
|
|
desk.
|
|
|
|
--May I? he said. The Lord has spoken to Malachi.
|
|
|
|
He began to scribble on a slip of paper.
|
|
|
|
Take some slips from the counter going out.
|
|
|
|
--Those who are married, Mr Best, douce herald, said, all save one, shall
|
|
live. The rest shall keep as they are.
|
|
|
|
He laughed, unmarried, at Eglinton Johannes, of arts a bachelor.
|
|
|
|
Unwed, unfancied, ware of wiles, they fingerponder nightly each his
|
|
variorum edition of THE TAMING OF THE SHREW.
|
|
|
|
--You are a delusion, said roundly John Eglinton to Stephen. You have
|
|
brought us all this way to show us a French triangle. Do you believe your
|
|
own theory?
|
|
|
|
--No, Stephen said promptly.
|
|
|
|
--Are you going to write it? Mr Best asked. You ought to make it a
|
|
dialogue, don't you know, like the Platonic dialogues Wilde wrote.
|
|
|
|
John Eclecticon doubly smiled.
|
|
|
|
--Well, in that case, he said, I don't see why you should expect payment
|
|
for it since you don't believe it yourself. Dowden believes there is some
|
|
mystery in HAMLET but will say no more. Herr Bleibtreu, the man Piper met
|
|
in Berlin, who is working up that Rutland theory, believes that the secret
|
|
is hidden in the Stratford monument. He is going to visit the present
|
|
duke, Piper says, and prove to him that his ancestor wrote the plays.
|
|
It will come as a surprise to his grace. But he believes his theory.
|
|
|
|
I believe, O Lord, help my unbelief. That is, help me to believe or help
|
|
me to unbelieve? Who helps to believe? EGOMEN. Who to unbelieve? Other
|
|
chap.
|
|
|
|
--You are the only contributor to DANA who asks for pieces of silver. Then
|
|
I don't know about the next number. Fred Ryan wants space for an article
|
|
on economics.
|
|
|
|
Fraidrine. Two pieces of silver he lent me. Tide you over. Economics.
|
|
|
|
--For a guinea, Stephen said, you can publish this interview.
|
|
|
|
Buck Mulligan stood up from his laughing scribbling, laughing: and
|
|
then gravely said, honeying malice:
|
|
|
|
--I called upon the bard Kinch at his summer residence in upper
|
|
Mecklenburgh street and found him deep in the study of the SUMMA CONTRA
|
|
GENTILES in the company of two gonorrheal ladies, Fresh Nelly and Rosalie,
|
|
the coalquay whore.
|
|
|
|
He broke away.
|
|
|
|
--Come, Kinch. Come, wandering Aengus of the birds.
|
|
|
|
Come, Kinch. You have eaten all we left. Ay. I will serve you your orts
|
|
and offals.
|
|
|
|
Stephen rose.
|
|
|
|
Life is many days. This will end.
|
|
|
|
--We shall see you tonight, John Eglinton said. NOTRE AMI Moore says
|
|
Malachi Mulligan must be there.
|
|
|
|
Buck Mulligan flaunted his slip and panama.
|
|
|
|
--Monsieur Moore, he said, lecturer on French letters to the youth of
|
|
Ireland. I'll be there. Come, Kinch, the bards must drink. Can you walk
|
|
straight?
|
|
|
|
Laughing, he ...
|
|
|
|
Swill till eleven. Irish nights entertainment.
|
|
|
|
Lubber ...
|
|
|
|
Stephen followed a lubber ...
|
|
|
|
One day in the national library we had a discussion. Shakes. After.
|
|
His lub back: I followed. I gall his kibe.
|
|
|
|
Stephen, greeting, then all amort, followed a lubber jester, a
|
|
wellkempt head, newbarbered, out of the vaulted cell into a shattering
|
|
daylight of no thought.
|
|
|
|
What have I learned? Of them? Of me?
|
|
|
|
Walk like Haines now.
|
|
|
|
The constant readers' room. In the readers' book Cashel Boyle
|
|
O'Connor Fitzmaurice Tisdall Farrell parafes his polysyllables. Item: was
|
|
Hamlet mad? The quaker's pate godlily with a priesteen in booktalk.
|
|
|
|
--O please do, sir ... I shall be most pleased ...
|
|
|
|
Amused Buck Mulligan mused in pleasant murmur with himself, selfnodding:
|
|
|
|
--A pleased bottom.
|
|
|
|
The turnstile.
|
|
|
|
Is that? ... Blueribboned hat ... Idly writing ... What? Looked? ...
|
|
|
|
The curving balustrade: smoothsliding Mincius.
|
|
|
|
Puck Mulligan, panamahelmeted, went step by step, iambing, trolling:
|
|
|
|
|
|
JOHN EGLINTON, MY JO, JOHN,
|
|
WHY WON'T YOU WED A WIFE?
|
|
|
|
|
|
He spluttered to the air:
|
|
|
|
--O, the chinless Chinaman! Chin Chon Eg Lin Ton. We went over to their
|
|
playbox, Haines and I, the plumbers' hall. Our players are creating a new
|
|
art for Europe like the Greeks or M. Maeterlinck. Abbey Theatre! I smell
|
|
the pubic sweat of monks.
|
|
|
|
He spat blank.
|
|
|
|
Forgot: any more than he forgot the whipping lousy Lucy gave him.
|
|
And left the FEMME DE TRENTE ANS. And why no other children born? And his
|
|
first child a girl?
|
|
|
|
Afterwit. Go back.
|
|
|
|
The dour recluse still there (he has his cake) and the douce youngling,
|
|
minion of pleasure, Phedo's toyable fair hair.
|
|
|
|
Eh ... I just eh ... wanted ... I forgot ... he ...
|
|
|
|
--Longworth and M'Curdy Atkinson were there ...
|
|
|
|
Puck Mulligan footed featly, trilling:
|
|
|
|
I HARDLY HEAR THE PURLIEU CRY
|
|
OR A TOMMY TALK AS I PASS ONE BY
|
|
BEFORE MY THOUGHTS BEGIN TO RUN
|
|
ON F. M'CURDY ATKINSON,
|
|
THE SAME THAT HAD THE WOODEN LEG
|
|
AND THAT FILIBUSTERING FILIBEG
|
|
THAT NEVER DARED TO SLAKE HIS DROUTH,
|
|
MAGEE THAT HAD THE CHINLESS MOUTH.
|
|
BEING AFRAID TO MARRY ON EARTH
|
|
THEY MASTURBATED FOR ALL THEY WERE WORTH.
|
|
|
|
Jest on. Know thyself.
|
|
|
|
Halted, below me, a quizzer looks at me. I halt.
|
|
|
|
--Mournful mummer, Buck Mulligan moaned. Synge has left off wearing
|
|
black to be like nature. Only crows, priests and English coal are black.
|
|
|
|
A laugh tripped over his lips.
|
|
|
|
--Longworth is awfully sick, he said, after what you wrote about that old
|
|
hake Gregory. O you inquisitional drunken jewjesuit! She gets you a job on
|
|
the paper and then you go and slate her drivel to Jaysus. Couldn't you do
|
|
the Yeats touch?
|
|
|
|
He went on and down, mopping, chanting with waving graceful arms:
|
|
|
|
--The most beautiful book that has come out of our country in my time.
|
|
One thinks of Homer.
|
|
|
|
He stopped at the stairfoot.
|
|
|
|
--I have conceived a play for the mummers, he said solemnly.
|
|
|
|
The pillared Moorish hall, shadows entwined. Gone the nine men's
|
|
morrice with caps of indices.
|
|
|
|
In sweetly varying voices Buck Mulligan read his tablet:
|
|
|
|
|
|
EVERYMAN HIS OWN WIFE
|
|
OR
|
|
A HONEYMOON IN THE HAND
|
|
(A NATIONAL IMMORALITY IN THREE ORGASMS)
|
|
BY
|
|
BALLOCKY MULLIGAN
|
|
|
|
|
|
He turned a happy patch's smirk to Stephen, saying:
|
|
|
|
--The disguise, I fear, is thin. But listen.
|
|
|
|
He read, MARCATO:
|
|
|
|
--Characters:
|
|
|
|
|
|
TODY TOSTOFF (a ruined Pole)
|
|
CRAB (a bushranger)
|
|
MEDICAL DICK )
|
|
and ) (two birds with one stone)
|
|
MEDICAL DAVY )
|
|
MOTHER GROGAN (a watercarrier)
|
|
FRESH NELLY
|
|
and
|
|
ROSALIE (the coalquay whore).
|
|
|
|
|
|
He laughed, lolling a to and fro head, walking on, followed by Stephen:
|
|
and mirthfully he told the shadows, souls of men:
|
|
|
|
--O, the night in the Camden hall when the daughters of Erin had to lift
|
|
their skirts to step over you as you lay in your mulberrycoloured,
|
|
multicoloured, multitudinous vomit!
|
|
|
|
--The most innocent son of Erin, Stephen said, for whom they ever lifted
|
|
them.
|
|
|
|
About to pass through the doorway, feeling one behind, he stood aside.
|
|
|
|
Part. The moment is now. Where then? If Socrates leave his house
|
|
today, if Judas go forth tonight. Why? That lies in space which I in time
|
|
must come to, ineluctably.
|
|
|
|
My will: his will that fronts me. Seas between.
|
|
|
|
A man passed out between them, bowing, greeting.
|
|
|
|
--Good day again, Buck Mulligan said.
|
|
|
|
The portico.
|
|
|
|
Here I watched the birds for augury. Aengus of the birds. They go,
|
|
they come. Last night I flew. Easily flew. Men wondered. Street of harlots
|
|
after. A creamfruit melon he held to me. In. You will see.
|
|
|
|
--The wandering jew, Buck Mulligan whispered with clown's awe. Did you
|
|
see his eye? He looked upon you to lust after you. I fear thee, ancient
|
|
mariner. O, Kinch, thou art in peril. Get thee a breechpad.
|
|
|
|
Manner of Oxenford.
|
|
|
|
Day. Wheelbarrow sun over arch of bridge.
|
|
|
|
A dark back went before them, step of a pard, down, out by the
|
|
gateway, under portcullis barbs.
|
|
|
|
They followed.
|
|
|
|
Offend me still. Speak on.
|
|
|
|
Kind air defined the coigns of houses in Kildare street. No birds. Frail
|
|
from the housetops two plumes of smoke ascended, pluming, and in a flaw
|
|
of softness softly were blown.
|
|
|
|
Cease to strive. Peace of the druid priests of Cymbeline: hierophantic:
|
|
from wide earth an altar.
|
|
|
|
|
|
LAUD WE THE GODS
|
|
AND LET OUR CROOKED SMOKES CLIMB TO THEIR NOSTRILS
|
|
FROM OUR BLESS'D ALTARS.
|
|
|
|
|
|
* * * * * * *
|
|
|
|
|
|
The superior, the very reverend John Conmee S.J. reset his smooth
|
|
watch in his interior pocket as he came down the presbytery steps. Five to
|
|
three. Just nice time to walk to Artane. What was that boy's name again?
|
|
Dignam. Yes. VERE DIGNUM ET IUSTUM EST. Brother Swan was the person to
|
|
see. Mr Cunningham's letter. Yes. Oblige him, if possible. Good practical
|
|
catholic: useful at mission time.
|
|
|
|
A onelegged sailor, swinging himself onward by lazy jerks of his
|
|
crutches, growled some notes. He jerked short before the convent of the
|
|
sisters of charity and held out a peaked cap for alms towards the very
|
|
reverend John Conmee S. J. Father Conmee blessed him in the sun for his
|
|
purse held, he knew, one silver crown.
|
|
|
|
Father Conmee crossed to Mountjoy square. He thought, but not for
|
|
long, of soldiers and sailors, whose legs had been shot off by
|
|
cannonballs, ending their days in some pauper ward, and of cardinal
|
|
Wolsey's words: IF I HAD SERVED MY GOD AS I HAVE SERVED MY KING HE WOULD
|
|
NOT HAVE ABANDONED ME IN MY OLD DAYS. He walked by the treeshade of
|
|
sunnywinking leaves: and towards him came the wife of Mr David Sheehy
|
|
M.P.
|
|
|
|
--Very well, indeed, father. And you, father?
|
|
|
|
Father Conmee was wonderfully well indeed. He would go to Buxton
|
|
probably for the waters. And her boys, were they getting on well at
|
|
Belvedere? Was that so? Father Conmee was very glad indeed to hear that.
|
|
And Mr Sheehy himself? Still in London. The house was still sitting, to be
|
|
sure it was. Beautiful weather it was, delightful indeed. Yes, it was very
|
|
probable that Father Bernard Vaughan would come again to preach. O,
|
|
yes: a very great success. A wonderful man really.
|
|
|
|
Father Conmee was very glad to see the wife of Mr David Sheehy
|
|
M.P. Iooking so well and he begged to be remembered to Mr David Sheehy
|
|
M.P. Yes, he would certainly call.
|
|
|
|
--Good afternoon, Mrs Sheehy.
|
|
|
|
Father Conmee doffed his silk hat and smiled, as he took leave, at the
|
|
jet beads of her mantilla inkshining in the sun. And smiled yet again, in
|
|
going. He had cleaned his teeth, he knew, with arecanut paste.
|
|
|
|
Father Conmee walked and, walking, smiled for he thought on Father
|
|
Bernard Vaughan's droll eyes and cockney voice.
|
|
|
|
--Pilate! Wy don't you old back that owlin mob?
|
|
|
|
A zealous man, however. Really he was. And really did great good in.
|
|
his way. Beyond a doubt. He loved Ireland, he said, and he loved the
|
|
Irish. Of good family too would one think it? Welsh, were they not?
|
|
|
|
O, lest he forget. That letter to father provincial.
|
|
|
|
Father Conmee stopped three little schoolboys at the corner of
|
|
Mountjoy square. Yes: they were from Belvedere. The little house. Aha.
|
|
And were they good boys at school? O. That was very good now. And what
|
|
was his name? Jack Sohan. And his name? Ger. Gallaher. And the other
|
|
little man? His name was Brunny Lynam. O, that was a very nice name to
|
|
have.
|
|
|
|
Father Conmee gave a letter from his breast to Master Brunny Lynam
|
|
and pointed to the red pillarbox at the corner of Fitzgibbon street.
|
|
|
|
--But mind you don't post yourself into the box, little man, he said.
|
|
|
|
The boys sixeyed Father Conmee and laughed:
|
|
|
|
--O, sir.
|
|
|
|
--Well, let me see if you can post a letter, Father Conmee said.
|
|
|
|
Master Brunny Lynam ran across the road and put Father Conmee's
|
|
letter to father provincial into the mouth of the bright red letterbox.
|
|
Father Conmee smiled and nodded and smiled and walked along Mountjoy
|
|
square east.
|
|
|
|
Mr Denis J Maginni, professor of dancing &c, in silk hat, slate
|
|
frockcoat with silk facings, white kerchief tie, tight lavender trousers,
|
|
canary gloves and pointed patent boots, walking with grave deportment
|
|
most respectfully took the curbstone as he passed lady Maxwell at the
|
|
corner of Dignam's court.
|
|
|
|
Was that not Mrs M'Guinness?
|
|
|
|
Mrs M'Guinness, stately, silverhaired, bowed to Father Conmee from
|
|
the farther footpath along which she sailed. And Father Conmee smiled and
|
|
saluted. How did she do?
|
|
|
|
A fine carriage she had. Like Mary, queen of Scots, something. And to
|
|
think that she was a pawnbroker! Well, now! Such a ... what should he
|
|
say? ... such a queenly mien.
|
|
|
|
Father Conmee walked down Great Charles street and glanced at the
|
|
shutup free church on his left. The reverend T. R. Greene B.A. will (D.V.)
|
|
speak. The incumbent they called him. He felt it incumbent on him to say a
|
|
few words. But one should be charitable. Invincible ignorance. They acted
|
|
according to their lights.
|
|
|
|
Father Conmee turned the corner and walked along the North
|
|
Circular road. It was a wonder that there was not a tramline in such an
|
|
important thoroughfare. Surely, there ought to be.
|
|
|
|
A band of satchelled schoolboys crossed from Richmond street. All
|
|
raised untidy caps. Father Conmee greeted them more than once benignly.
|
|
Christian brother boys.
|
|
|
|
Father Conmee smelt incense on his right hand as he walked. Saint
|
|
Joseph's church, Portland row. For aged and virtuous females. Father
|
|
Conmee raised his hat to the Blessed Sacrament. Virtuous: but occasionally
|
|
they were also badtempered.
|
|
|
|
Near Aldborough house Father Conmee thought of that spendthrift
|
|
nobleman. And now it was an office or something.
|
|
|
|
Father Conmee began to walk along the North Strand road and was
|
|
saluted by Mr William Gallagher who stood in the doorway of his shop.
|
|
Father Conmee saluted Mr William Gallagher and perceived the odours
|
|
that came from baconflitches and ample cools of butter. He passed
|
|
Grogan's the Tobacconist against which newsboards leaned and told of a
|
|
dreadful catastrophe in New York. In America those things were
|
|
continually happening. Unfortunate people to die like that, unprepared.
|
|
Still, an act of perfect contrition.
|
|
|
|
Father Conmee went by Daniel Bergin's publichouse against the
|
|
window of which two unlabouring men lounged. They saluted him and
|
|
were saluted.
|
|
|
|
Father Conmee passed H. J. O'Neill's funeral establishment where
|
|
Corny Kelleher totted figures in the daybook while he chewed a blade of
|
|
hay. A constable on his beat saluted Father Conmee and Father Conmee
|
|
saluted the constable. In Youkstetter's, the porkbutcher's, Father Conmee
|
|
observed pig's puddings, white and black and red, lie neatly curled in
|
|
tubes.
|
|
|
|
Moored under the trees of Charleville Mall Father Conmee saw a
|
|
turfbarge, a towhorse with pendent head, a bargeman with a hat of dirty
|
|
straw seated amidships, smoking and staring at a branch of poplar above
|
|
him. It was idyllic: and Father Conmee reflected on the providence of the
|
|
Creator who had made turf to be in bogs whence men might dig it out and
|
|
bring it to town and hamlet to make fires in the houses of poor people.
|
|
|
|
On Newcomen bridge the very reverend John Conmee S.J. of saint
|
|
Francis Xavier's church, upper Gardiner street, stepped on to an outward
|
|
bound tram.
|
|
|
|
Off an inward bound tram stepped the reverend Nicholas Dudley
|
|
C. C. of saint Agatha's church, north William street, on to Newcomen
|
|
bridge.
|
|
|
|
At Newcomen bridge Father Conmee stepped into an outward bound
|
|
tram for he disliked to traverse on foot the dingy way past Mud Island.
|
|
|
|
Father Conmee sat in a corner of the tramcar, a blue ticket tucked
|
|
with care in the eye of one plump kid glove, while four shillings, a
|
|
sixpence and five pennies chuted from his other plump glovepalm into his
|
|
purse. Passing the ivy church he reflected that the ticket inspector
|
|
usually made his visit when one had carelessly thrown away the ticket.
|
|
The solemnity of the occupants of the car seemed to Father Conmee
|
|
excessive for a journey so short and cheap. Father Conmee liked cheerful
|
|
decorum.
|
|
|
|
It was a peaceful day. The gentleman with the glasses opposite Father
|
|
Conmee had finished explaining and looked down. His wife, Father
|
|
Conmee supposed. A tiny yawn opened the mouth of the wife of the gentleman
|
|
with the glasses. She raised her small gloved fist, yawned ever so gently,
|
|
tiptapping her small gloved fist on her opening mouth and smiled tinily,
|
|
sweetly.
|
|
|
|
Father Conmee perceived her perfume in the car. He perceived also
|
|
that the awkward man at the other side of her was sitting on the edge of
|
|
the seat.
|
|
|
|
Father Conmee at the altarrails placed the host with difficulty in the
|
|
mouth of the awkward old man who had the shaky head.
|
|
|
|
At Annesley bridge the tram halted and, when it was about to go, an
|
|
old woman rose suddenly from her place to alight. The conductor pulled
|
|
the bellstrap to stay the car for her. She passed out with her basket and
|
|
a marketnet: and Father Conmee saw the conductor help her and net and
|
|
basket down: and Father Conmee thought that, as she had nearly passed
|
|
the end of the penny fare, she was one of those good souls who had always
|
|
to be told twice BLESS YOU, MY CHILD, that they have been absolved, PRAY
|
|
FOR ME. But they had so many worries in life, so many cares, poor
|
|
creatures.
|
|
|
|
From the hoardings Mr Eugene Stratton grimaced with thick niggerlips at
|
|
Father Conmee.
|
|
|
|
Father Conmee thought of the souls of black and brown and yellow
|
|
men and of his sermon on saint Peter Claver S.J. and the African mission
|
|
and of the propagation of the faith and of the millions of black and brown
|
|
and yellow souls that had not received the baptism of water when their last
|
|
hour came like a thief in the night. That book by the Belgian jesuit, LE
|
|
NOMBRE DES ELUS, seemed to Father Conmee a reasonable plea. Those were
|
|
millions of human souls created by God in His Own likeness to whom the
|
|
faith had not (D.V.) been brought. But they were God's souls, created by
|
|
God. It seemed to Father Conmee a pity that they should all be lost, a
|
|
waste, if one might say.
|
|
|
|
At the Howth road stop Father Conmee alighted, was saluted by the
|
|
conductor and saluted in his turn.
|
|
|
|
The Malahide road was quiet. It pleased Father Conmee, road and
|
|
name. The joybells were ringing in gay Malahide. Lord Talbot de Malahide,
|
|
immediate hereditary lord admiral of Malahide and the seas adjoining.
|
|
Then came the call to arms and she was maid, wife and widow in one day.
|
|
Those were old worldish days, loyal times in joyous townlands, old times
|
|
in the barony.
|
|
|
|
Father Conmee, walking, thought of his little book OLD TIMES IN THE
|
|
BARONY and of the book that might be written about jesuit houses and of
|
|
Mary Rochfort, daughter of lord Molesworth, first countess of Belvedere.
|
|
|
|
A listless lady, no more young, walked alone the shore of lough
|
|
Ennel, Mary, first countess of Belvedere, listlessly walking in the
|
|
evening, not startled when an otter plunged. Who could know the truth?
|
|
Not the jealous lord Belvedere and not her confessor if she had not
|
|
committed adultery fully, EIACULATIO SEMINIS INTER VAS NATURALE MULIERIS,
|
|
with her husband's brother? She would half confess if she had not all
|
|
sinned as women did. Only God knew and she and he, her husband's brother.
|
|
|
|
Father Conmee thought of that tyrannous incontinence, needed
|
|
however for man's race on earth, and of the ways of God which were not
|
|
our ways.
|
|
|
|
Don John Conmee walked and moved in times of yore. He was
|
|
humane and honoured there. He bore in mind secrets confessed and he
|
|
smiled at smiling noble faces in a beeswaxed drawingroom, ceiled with full
|
|
fruit clusters. And the hands of a bride and of a bridegroom, noble to
|
|
noble, were impalmed by Don John Conmee.
|
|
|
|
It was a charming day.
|
|
|
|
The lychgate of a field showed Father Conmee breadths of cabbages,
|
|
curtseying to him with ample underleaves. The sky showed him a flock of
|
|
small white clouds going slowly down the wind. MOUTONNER, the French
|
|
said. A just and homely word.
|
|
|
|
Father Conmee, reading his office, watched a flock of muttoning
|
|
clouds over Rathcoffey. His thinsocked ankles were tickled by the stubble
|
|
of Clongowes field. He walked there, reading in the evening, and heard the
|
|
cries of the boys' lines at their play, young cries in the quiet evening.
|
|
He was their rector: his reign was mild.
|
|
|
|
Father Conmee drew off his gloves and took his rededged breviary out.
|
|
An ivory bookmark told him the page.
|
|
|
|
Nones. He should have read that before lunch. But lady Maxwell had come.
|
|
|
|
Father Conmee read in secret PATER and AVE and crossed his breast.
|
|
DEUS IN ADIUTORIUM.
|
|
|
|
He walked calmly and read mutely the nones, walking and reading till
|
|
he came to RES in BEATI IMMACULATI: PRINCIPIUM VERBORUM TUORUM VERITAS:
|
|
IN ETERNUM OMNIA INDICIA IUSTITIAE TUAE.
|
|
|
|
A flushed young man came from a gap of a hedge and after him came
|
|
a young woman with wild nodding daisies in her hand. The young man
|
|
raised his cap abruptly: the young woman abruptly bent and with slow care
|
|
detached from her light skirt a clinging twig.
|
|
|
|
Father Conmee blessed both gravely and turned a thin page of his
|
|
breviary. SIN: PRINCIPES PERSECUTI SUNT ME GRATIS: ET A VERBIS TUIS
|
|
FORMIDAVIT COR MEUM.
|
|
|
|
|
|
* * * * *
|
|
|
|
|
|
Corny Kelleher closed his long daybook and glanced with his
|
|
drooping eye at a pine coffinlid sentried in a corner. He pulled himself
|
|
erect, went to it and, spinning it on its axle, viewed its shape and brass
|
|
furnishings. Chewing his blade of hay he laid the coffinlid by and came to
|
|
the doorway. There he tilted his hatbrim to give shade to his eyes and
|
|
leaned against the doorcase, looking idly out.
|
|
|
|
Father John Conmee stepped into the Dollymount tram on
|
|
Newcomen bridge.
|
|
|
|
Corny Kelleher locked his largefooted boots and gazed, his hat
|
|
downtilted, chewing his blade of hay.
|
|
|
|
Constable 57C, on his beat, stood to pass the time of day.
|
|
|
|
--That's a fine day, Mr Kelleher.
|
|
|
|
--Ay, Corny Kelleher said.
|
|
|
|
--It's very close, the constable said.
|
|
|
|
Corny Kelleher sped a silent jet of hayjuice arching from his mouth
|
|
while a generous white arm from a window in Eccles street flung forth a
|
|
coin.
|
|
|
|
--What's the best news? he asked.
|
|
|
|
--I seen that particular party last evening, the constable said with bated
|
|
breath.
|
|
|
|
|
|
* * * * *
|
|
|
|
|
|
A onelegged sailor crutched himself round MacConnell's corner,
|
|
skirting Rabaiotti's icecream car, and jerked himself up Eccles street.
|
|
Towards Larry O'Rourke, in shirtsleeves in his doorway, he growled
|
|
unamiably:
|
|
|
|
--FOR ENGLAND ...
|
|
|
|
He swung himself violently forward past Katey and Boody Dedalus,
|
|
halted and growled:
|
|
|
|
--HOME AND BEAUTY.
|
|
|
|
J. J. O'Molloy's white careworn face was told that Mr Lambert was
|
|
in the warehouse with a visitor.
|
|
|
|
A stout lady stopped, took a copper coin from her purse and dropped
|
|
it into the cap held out to her. The sailor grumbled thanks, glanced
|
|
sourly at the unheeding windows, sank his head and swung himself forward
|
|
four strides.
|
|
|
|
He halted and growled angrily:
|
|
|
|
--FOR ENGLAND ...
|
|
|
|
Two barefoot urchins, sucking long liquorice laces, halted near him,
|
|
gaping at his stump with their yellowslobbered mouths.
|
|
|
|
He swung himself forward in vigorous jerks, halted, lifted his head
|
|
towards a window and bayed deeply:
|
|
|
|
--HOME AND BEAUTY.
|
|
|
|
The gay sweet chirping whistling within went on a bar or two, ceased.
|
|
The blind of the window was drawn aside. A card UNFURNISHED APARTMENTS
|
|
slipped from the sash and fell. A plump bare generous arm shone, was seen,
|
|
held forth from a white petticoatbodice and taut shiftstraps. A woman's
|
|
hand flung forth a coin over the area railings. It fell on the path.
|
|
|
|
One of the urchins ran to it, picked it up and dropped it into the
|
|
minstrel's cap, saying:
|
|
|
|
--There, sir.
|
|
|
|
|
|
* * * * *
|
|
|
|
|
|
Katey and Boody Dedalus shoved in the door of the closesteaming
|
|
kitchen.
|
|
|
|
--Did you put in the books? Boody asked.
|
|
|
|
Maggy at the range rammed down a greyish mass beneath bubbling
|
|
suds twice with her potstick and wiped her brow.
|
|
|
|
--They wouldn't give anything on them, she said.
|
|
|
|
Father Conmee walked through Clongowes fields, his thinsocked
|
|
ankles tickled by stubble.
|
|
|
|
--Where did you try? Boody asked.
|
|
|
|
--M'Guinness's.
|
|
|
|
Boody stamped her foot and threw her satchel on the table.
|
|
|
|
--Bad cess to her big face! she cried.
|
|
|
|
Katey went to the range and peered with squinting eyes.
|
|
|
|
--What's in the pot? she asked.
|
|
|
|
--Shirts, Maggy said.
|
|
|
|
Boody cried angrily:
|
|
|
|
--Crickey, is there nothing for us to eat?
|
|
|
|
Katey, lifting the kettlelid in a pad of her stained skirt, asked:
|
|
|
|
--And what's in this?
|
|
|
|
A heavy fume gushed in answer.
|
|
|
|
--Peasoup, Maggy said.
|
|
|
|
--Where did you get it? Katey asked.
|
|
|
|
--Sister Mary Patrick, Maggy said.
|
|
|
|
The lacquey rang his bell.
|
|
|
|
--Barang!
|
|
|
|
Boody sat down at the table and said hungrily:
|
|
|
|
--Give us it here.
|
|
|
|
Maggy poured yellow thick soup from the kettle into a bowl. Katey,
|
|
sitting opposite Boody, said quietly, as her fingertip lifted to her mouth
|
|
random crumbs:
|
|
|
|
--A good job we have that much. Where's Dilly?
|
|
|
|
--Gone to meet father, Maggy said.
|
|
|
|
Boody, breaking big chunks of bread into the yellow soup, added:
|
|
|
|
--Our father who art not in heaven.
|
|
|
|
Maggy, pouring yellow soup in Katey's bowl, exclaimed:
|
|
|
|
--Boody! For shame!
|
|
|
|
A skiff, a crumpled throwaway, Elijah is coming, rode lightly down
|
|
the Liffey, under Loopline bridge, shooting the rapids where water chafed
|
|
around the bridgepiers, sailing eastward past hulls and anchorchains,
|
|
between the Customhouse old dock and George's quay.
|
|
|
|
* * * * *
|
|
|
|
|
|
The blond girl in Thornton's bedded the wicker basket with rustling
|
|
fibre. Blazes Boylan handed her the bottle swathed in pink tissue paper
|
|
and a small jar.
|
|
|
|
--Put these in first, will you? he said.
|
|
|
|
--Yes, sir, the blond girl said. And the fruit on top.
|
|
|
|
--That'll do, game ball, Blazes Boylan said.
|
|
|
|
She bestowed fat pears neatly, head by tail, and among them ripe
|
|
shamefaced peaches.
|
|
|
|
Blazes Boylan walked here and there in new tan shoes about the
|
|
fruitsmelling shop, lifting fruits, young juicy crinkled and plump red
|
|
tomatoes, sniffing smells.
|
|
|
|
H. E. L. Y.'S filed before him, tallwhitehatted, past Tangier lane,
|
|
plodding towards their goal.
|
|
|
|
He turned suddenly from a chip of strawberries, drew a gold watch
|
|
from his fob and held it at its chain's length.
|
|
|
|
--Can you send them by tram? Now?
|
|
|
|
A darkbacked figure under Merchants' arch scanned books on the
|
|
hawker's cart.
|
|
|
|
--Certainly, sir. Is it in the city?
|
|
|
|
--O, yes, Blazes Boylan said. Ten minutes.
|
|
|
|
The blond girl handed him a docket and pencil.
|
|
|
|
--Will you write the address, sir?
|
|
|
|
Blazes Boylan at the counter wrote and pushed the docket to her.
|
|
|
|
--Send it at once, will you? he said. It's for an invalid.
|
|
|
|
--Yes, sir. I will, sir.
|
|
|
|
Blazes Boylan rattled merry money in his trousers' pocket.
|
|
|
|
--What's the damage? he asked.
|
|
|
|
The blond girl's slim fingers reckoned the fruits.
|
|
|
|
Blazes Boylan looked into the cut of her blouse. A young pullet. He
|
|
took a red carnation from the tall stemglass.
|
|
|
|
--This for me? he asked gallantly.
|
|
|
|
The blond girl glanced sideways at him, got up regardless, with his tie
|
|
a bit crooked, blushing.
|
|
|
|
--Yes, sir, she said.
|
|
|
|
Bending archly she reckoned again fat pears and blushing peaches.
|
|
|
|
Blazes Boylan looked in her blouse with more favour, the stalk of the
|
|
red flower between his smiling teeth.
|
|
|
|
--May I say a word to your telephone, missy? he asked roguishly.
|
|
|
|
|
|
* * * * *
|
|
|
|
|
|
--MA! Almidano Artifoni said.
|
|
|
|
He gazed over Stephen's shoulder at Goldsmith's knobby poll.
|
|
|
|
Two carfuls of tourists passed slowly, their women sitting fore,
|
|
gripping the handrests. Palefaces. Men's arms frankly round their stunted
|
|
forms. They looked from Trinity to the blind columned porch of the bank
|
|
of Ireland where pigeons roocoocooed.
|
|
|
|
--ANCH'IO HO AVUTO DI QUESTE IDEE, Almidano Artifoni said, QUAND' ERO
|
|
GIOVINE COME LEI. EPPOI MI SONO CONVINTO CHE IL MONDO E UNA BESTIA.
|
|
PECCATO. PERCHE LA SUA VOCE ... SAREBBE UN CESPITE DI RENDITA, VIA.
|
|
INVECE, LEI SI SACRIFICA.
|
|
|
|
--SACRIFIZIO INCRUENTO, Stephen said smiling, swaying his ashplant in slow
|
|
swingswong from its midpoint, lightly.
|
|
|
|
--SPERIAMO, the round mustachioed face said pleasantly. MA, DIA RETTA A
|
|
ME. CI RIFLETTA.
|
|
|
|
By the stern stone hand of Grattan, bidding halt, an Inchicore tram
|
|
unloaded straggling Highland soldiers of a band.
|
|
|
|
--CI RIFLETTERO, Stephen said, glancing down the solid trouserleg.
|
|
|
|
--MA, SUL SERIO, EH? Almidano Artifoni said.
|
|
|
|
His heavy hand took Stephen's firmly. Human eyes. They gazed
|
|
curiously an instant and turned quickly towards a Dalkey tram.
|
|
|
|
--ECCOLO, Almidano Artifoni said in friendly haste. VENGA A TROVARMI E CI
|
|
PENSI. ADDIO, CARO.
|
|
|
|
--ARRIVEDERLA, MAESTRO, Stephen said, raising his hat when his hand was
|
|
freed. E GRAZIE.
|
|
|
|
--DI CHE? Almidano Artifoni said. SCUSI, EH? TANTE BELLE COSE!
|
|
|
|
Almidano Artifoni, holding up a baton of rolled music as a signal,
|
|
trotted on stout trousers after the Dalkey tram. In vain he trotted,
|
|
signalling in vain among the rout of barekneed gillies smuggling
|
|
implements of music through Trinity gates.
|
|
|
|
|
|
* * * * *
|
|
|
|
|
|
Miss Dunne hid the Capel street library copy of THE WOMAN IN WHITE
|
|
far back in her drawer and rolled a sheet of gaudy notepaper into her
|
|
typewriter.
|
|
|
|
Too much mystery business in it. Is he in love with that one, Marion?
|
|
Change it and get another by Mary Cecil Haye.
|
|
|
|
The disk shot down the groove, wobbled a while, ceased and ogled
|
|
them: six.
|
|
|
|
Miss Dunne clicked on the keyboard:
|
|
|
|
--16 June 1904.
|
|
|
|
Five tallwhitehatted sandwichmen between Monypeny's corner and
|
|
the slab where Wolfe Tone's statue was not, eeled themselves turning
|
|
H. E. L. Y.'S and plodded back as they had come.
|
|
|
|
|
|
Then she stared at the large poster of Marie Kendall, charming soubrette,
|
|
and, listlessly lolling, scribbled on the jotter sixteens and capital
|
|
esses. Mustard hair and dauby cheeks. She's not nicelooking, is she? The
|
|
way she's holding up her bit of a skirt. Wonder will that fellow be at the
|
|
band tonight. If I could get that dressmaker to make a concertina skirt
|
|
like Susy Nagle's. They kick out grand. Shannon and all the boatclub
|
|
swells never took his eyes off her. Hope to goodness he won't keep me here
|
|
till seven.
|
|
|
|
The telephone rang rudely by her ear.
|
|
|
|
--Hello. Yes, sir. No, sir. Yes, sir. I'll ring them up after five. Only
|
|
those two, sir, for Belfast and Liverpool. All right, sir. Then I can go
|
|
after six if you're not back. A quarter after. Yes, sir. Twentyseven and
|
|
six. I'll tell him. Yes: one, seven, six.
|
|
|
|
She scribbled three figures on an envelope.
|
|
|
|
--Mr Boylan! Hello! That gentleman from SPORT was in looking for you.
|
|
Mr Lenehan, yes. He said he'll be in the Ormond at four. No, sir. Yes,
|
|
sir. I'll ring them up after five.
|
|
|
|
|
|
* * * * *
|
|
|
|
|
|
Two pink faces turned in the flare of the tiny torch.
|
|
|
|
--Who's that? Ned Lambert asked. Is that Crotty?
|
|
|
|
--Ringabella and Crosshaven, a voice replied groping for foothold.
|
|
|
|
--Hello, Jack, is that yourself? Ned Lambert said, raising in salute his
|
|
pliant lath among the flickering arches. Come on. Mind your steps there.
|
|
|
|
The vesta in the clergyman's uplifted hand consumed itself in a long soft
|
|
flame and was let fall. At their feet its red speck died: and mouldy air
|
|
closed round them.
|
|
|
|
--How interesting! a refined accent said in the gloom.
|
|
|
|
--Yes, sir, Ned Lambert said heartily. We are standing in the historic
|
|
council chamber of saint Mary's abbey where silken Thomas proclaimed
|
|
himself a rebel in 1534. This is the most historic spot in all Dublin.
|
|
O'Madden Burke is going to write something about it one of these days. The
|
|
old bank of Ireland was over the way till the time of the union and the
|
|
original jews' temple was here too before they built their synagogue over
|
|
in Adelaide road. You were never here before, Jack, were you?
|
|
|
|
--No, Ned.
|
|
|
|
--He rode down through Dame walk, the refined accent said, if my
|
|
memory serves me. The mansion of the Kildares was in Thomas court.
|
|
|
|
--That's right, Ned Lambert said. That's quite right, sir.
|
|
|
|
--If you will be so kind then, the clergyman said, the next time to allow
|
|
me perhaps ...
|
|
|
|
--Certainly, Ned Lambert said. Bring the camera whenever you like. I'll
|
|
get those bags cleared away from the windows. You can take it from here or
|
|
from here.
|
|
|
|
In the still faint light he moved about, tapping with his lath the piled
|
|
seedbags and points of vantage on the floor.
|
|
|
|
From a long face a beard and gaze hung on a chessboard.
|
|
|
|
--I'm deeply obliged, Mr Lambert, the clergyman said. I won't trespass on
|
|
your valuable time ...
|
|
|
|
--You're welcome, sir, Ned Lambert said. Drop in whenever you like. Next
|
|
week, say. Can you see?
|
|
|
|
--Yes, yes. Good afternoon, Mr Lambert. Very pleased to have met you.
|
|
|
|
--Pleasure is mine, sir, Ned Lambert answered.
|
|
|
|
He followed his guest to the outlet and then whirled his lath away
|
|
among the pillars. With J. J. O'Molloy he came forth slowly into Mary's
|
|
abbey where draymen were loading floats with sacks of carob and palmnut
|
|
meal, O'Connor, Wexford.
|
|
|
|
He stood to read the card in his hand.
|
|
|
|
--The reverend Hugh C. Love, Rathcoffey. Present address: Saint
|
|
Michael's, Sallins. Nice young chap he is. He's writing a book about the
|
|
Fitzgeralds he told me. He's well up in history, faith.
|
|
|
|
The young woman with slow care detached from her light skirt a
|
|
clinging twig.
|
|
|
|
--I thought you were at a new gunpowder plot, J. J. O'Molloy said.
|
|
|
|
Ned Lambert cracked his fingers in the air.
|
|
|
|
--God! he cried. I forgot to tell him that one about the earl of Kildare
|
|
after he set fire to Cashel cathedral. You know that one? I'M BLOODY SORRY
|
|
I DID IT, says he, BUT I DECLARE TO GOD I THOUGHT THE ARCHBISHOP WAS
|
|
INSIDE. He mightn't like it, though. What? God, I'll tell him anyhow.
|
|
That was the great earl, the Fitzgerald Mor. Hot members they were all of
|
|
them, the Geraldines.
|
|
|
|
The horses he passed started nervously under their slack harness. He
|
|
slapped a piebald haunch quivering near him and cried:
|
|
|
|
--Woa, sonny!
|
|
|
|
He turned to J. J. O'Molloy and asked:
|
|
|
|
--Well, Jack. What is it? What's the trouble? Wait awhile. Hold hard.
|
|
|
|
With gaping mouth and head far back he stood still and, after an
|
|
instant, sneezed loudly.
|
|
|
|
--Chow! he said. Blast you!
|
|
|
|
--The dust from those sacks, J. J. O'Molloy said politely.
|
|
|
|
--No, Ned Lambert gasped, I caught a ... cold night before ... blast
|
|
your soul ... night before last ... and there was a hell of a lot of
|
|
draught ...
|
|
|
|
He held his handkerchief ready for the coming ...
|
|
|
|
--I was ... Glasnevin this morning ... poor little ... what do you call
|
|
him ... Chow! ... Mother of Moses!
|
|
|
|
|
|
* * * * *
|
|
|
|
|
|
Tom Rochford took the top disk from the pile he clasped against his
|
|
claret waistcoat.
|
|
|
|
--See? he said. Say it's turn six. In here, see. Turn Now On.
|
|
|
|
He slid it into the left slot for them. It shot down the groove, wobbled
|
|
a while, ceased, ogling them: six.
|
|
|
|
Lawyers of the past, haughty, pleading, beheld pass from the
|
|
consolidated taxing office to Nisi Prius court Richie Goulding carrying
|
|
the costbag of Goulding, Collis and Ward and heard rustling from the
|
|
admiralty division of king's bench to the court of appeal an elderly
|
|
female with false teeth smiling incredulously and a black silk skirt of
|
|
great amplitude.
|
|
|
|
--See? he said. See now the last one I put in is over here: Turns Over.
|
|
The impact. Leverage, see?
|
|
|
|
He showed them the rising column of disks on the right.
|
|
|
|
--Smart idea, Nosey Flynn said, snuffling. So a fellow coming in late can
|
|
see what turn is on and what turns are over.
|
|
|
|
--See? Tom Rochford said.
|
|
|
|
He slid in a disk for himself: and watched it shoot, wobble, ogle, stop:
|
|
four. Turn Now On.
|
|
|
|
--I'll see him now in the Ormond, Lenehan said, and sound him. One good
|
|
turn deserves another.
|
|
|
|
--Do, Tom Rochford said. Tell him I'm Boylan with impatience.
|
|
|
|
--Goodnight, M'Coy said abruptly. When you two begin
|
|
|
|
Nosey Flynn stooped towards the lever, snuffling at it.
|
|
|
|
--But how does it work here, Tommy? he asked.
|
|
|
|
--Tooraloo, Lenehan said. See you later.
|
|
|
|
He followed M'Coy out across the tiny square of Crampton court.
|
|
|
|
--He's a hero, he said simply.
|
|
|
|
--I know, M'Coy said. The drain, you mean.
|
|
|
|
--Drain? Lenehan said. It was down a manhole.
|
|
|
|
They passed Dan Lowry's musichall where Marie Kendall, charming
|
|
soubrette, smiled on them from a poster a dauby smile.
|
|
|
|
Going down the path of Sycamore street beside the Empire musichall
|
|
Lenehan showed M'Coy how the whole thing was. One of those manholes
|
|
like a bloody gaspipe and there was the poor devil stuck down in it, half
|
|
choked with sewer gas. Down went Tom Rochford anyhow, booky's vest
|
|
and all, with the rope round him. And be damned but he got the rope round
|
|
the poor devil and the two were hauled up.
|
|
|
|
--The act of a hero, he said.
|
|
|
|
At the Dolphin they halted to allow the ambulance car to gallop past
|
|
them for Jervis street.
|
|
|
|
--This way, he said, walking to the right. I want to pop into Lynam's to
|
|
see Sceptre's starting price. What's the time by your gold watch and
|
|
chain?
|
|
|
|
M'Coy peered into Marcus Tertius Moses' sombre office, then at
|
|
O'Neill's clock.
|
|
|
|
--After three, he said. Who's riding her?
|
|
|
|
--O. Madden, Lenehan said. And a game filly she is.
|
|
|
|
While he waited in Temple bar M'Coy dodged a banana peel with
|
|
gentle pushes of his toe from the path to the gutter. Fellow might damn
|
|
easy get a nasty fall there coming along tight in the dark.
|
|
|
|
The gates of the drive opened wide to give egress to the viceregal
|
|
cavalcade.
|
|
|
|
--Even money, Lenehan said returning. I knocked against Bantam Lyons in
|
|
there going to back a bloody horse someone gave him that hasn't an
|
|
earthly. Through here.
|
|
|
|
They went up the steps and under Merchants' arch. A darkbacked
|
|
figure scanned books on the hawker's cart.
|
|
|
|
--There he is, Lenehan said.
|
|
|
|
--Wonder what he's buying, M'Coy said, glancing behind.
|
|
|
|
--LEOPOLDO OR THE BLOOM IS ON THE RYE, Lenehan said.
|
|
|
|
--He's dead nuts on sales, M'Coy said. I was with him one day and he
|
|
bought a book from an old one in Liffey street for two bob. There were
|
|
fine plates in it worth double the money, the stars and the moon and
|
|
comets with long tails. Astronomy it was about.
|
|
|
|
Lenehan laughed.
|
|
|
|
--I'll tell you a damn good one about comets' tails, he said. Come over in
|
|
the sun.
|
|
|
|
They crossed to the metal bridge and went along Wellington quay by
|
|
the riverwall.
|
|
|
|
Master Patrick Aloysius Dignam came out of Mangan's, late
|
|
Fehrenbach's, carrying a pound and a half of porksteaks.
|
|
|
|
--There was a long spread out at Glencree reformatory, Lenehan said
|
|
eagerly. The annual dinner, you know. Boiled shirt affair. The lord mayor
|
|
was there, Val Dillon it was, and sir Charles Cameron and Dan Dawson
|
|
spoke and there was music. Bartell d'Arcy sang and Benjamin Dollard ...
|
|
|
|
--I know, M'Coy broke in. My missus sang there once.
|
|
|
|
--Did she? Lenehan said.
|
|
|
|
A card UNFURNISHED APARTMENTS reappeared on the windowsash of
|
|
number 7 Eccles street.
|
|
|
|
He checked his tale a moment but broke out in a wheezy laugh.
|
|
|
|
--But wait till I tell you, he said. Delahunt of Camden street had the
|
|
catering and yours truly was chief bottlewasher. Bloom and the wife were
|
|
there. Lashings of stuff we put up: port wine and sherry and curacao to
|
|
which we did ample justice. Fast and furious it was. After liquids came
|
|
solids. Cold joints galore and mince pies ...
|
|
|
|
--I know, M'Coy said. The year the missus was there ...
|
|
|
|
Lenehan linked his arm warmly.
|
|
|
|
--But wait till I tell you, he said. We had a midnight lunch too after all
|
|
the jollification and when we sallied forth it was blue o'clock the
|
|
morning after the night before. Coming home it was a gorgeous winter's
|
|
night on the Featherbed Mountain. Bloom and Chris Callinan were on one
|
|
side of the car and I was with the wife on the other. We started singing
|
|
glees and duets: LO, THE EARLY BEAM OF MORNING. She was well primed with a
|
|
good load of Delahunt's port under her bellyband. Every jolt the bloody
|
|
car gave I had her bumping up against me. Hell's delights! She has a fine
|
|
pair, God bless her. Like that.
|
|
|
|
|
|
He held his caved hands a cubit from him, frowning:
|
|
|
|
--I was tucking the rug under her and settling her boa all the time. Know
|
|
what I mean?
|
|
|
|
His hands moulded ample curves of air. He shut his eyes tight in
|
|
delight, his body shrinking, and blew a sweet chirp from his lips.
|
|
|
|
--The lad stood to attention anyhow, he said with a sigh. She's a gamey
|
|
mare and no mistake. Bloom was pointing out all the stars and the comets
|
|
in the heavens to Chris Callinan and the jarvey: the great bear and
|
|
Hercules and the dragon, and the whole jingbang lot. But, by God, I was
|
|
lost, so to speak, in the milky way. He knows them all, faith. At last she
|
|
spotted a weeny weeshy one miles away. AND WHAT STAR IS THAT, POLDY? says
|
|
she. By God, she had Bloom cornered. THAT ONE, IS IT? says Chris Callinan,
|
|
SURE THAT'S ONLY WHAT YOU MIGHT CALL A PINPRICK. By God, he wasn't far
|
|
wide of the mark.
|
|
|
|
Lenehan stopped and leaned on the riverwall, panting with soft
|
|
laughter.
|
|
|
|
--I'm weak, he gasped.
|
|
|
|
M'Coy's white face smiled about it at instants and grew grave.
|
|
Lenehan walked on again. He lifted his yachtingcap and scratched his
|
|
hindhead rapidly. He glanced sideways in the sunlight at M'Coy.
|
|
|
|
--He's a cultured allroundman, Bloom is, he said seriously. He's not one
|
|
of your common or garden ... you know ... There's a touch of the artist
|
|
about old Bloom.
|
|
|
|
|
|
* * * * *
|
|
|
|
|
|
Mr Bloom turned over idly pages of THE AWFUL DISCLOSURES OF MARIA
|
|
MONK, then of Aristotle's MASTERPIECE. Crooked botched print. Plates:
|
|
infants cuddled in a ball in bloodred wombs like livers of slaughtered
|
|
cows. Lots of them like that at this moment all over the world. All
|
|
butting with their skulls to get out of it. Child born every minute
|
|
somewhere. Mrs Purefoy.
|
|
|
|
He laid both books aside and glanced at the third: TALES OF THE GHETTO
|
|
by Leopold von Sacher Masoch.
|
|
|
|
--That I had, he said, pushing it by.
|
|
|
|
The shopman let two volumes fall on the counter.
|
|
|
|
--Them are two good ones, he said.
|
|
|
|
Onions of his breath came across the counter out of his ruined
|
|
mouth. He bent to make a bundle of the other books, hugged them against
|
|
his unbuttoned waistcoat and bore them off behind the dingy curtain.
|
|
|
|
On O'Connell bridge many persons observed the grave deportment
|
|
and gay apparel of Mr Denis J Maginni, professor of dancing &c.
|
|
|
|
Mr Bloom, alone, looked at the titles. FAIR TYRANTS by James Lovebirch.
|
|
Know the kind that is. Had it? Yes.
|
|
|
|
He opened it. Thought so.
|
|
|
|
A woman's voice behind the dingy curtain. Listen: the man.
|
|
|
|
No: she wouldn't like that much. Got her it once.
|
|
|
|
He read the other title: SWEETS OF SIN. More in her line. Let us see.
|
|
|
|
He read where his finger opened.
|
|
|
|
--ALL THE DOLLARBILLS HER HUSBAND GAVE HER WERE SPENT IN THE STORES ON
|
|
WONDROUS GOWNS AND COSTLIEST FRILLIES. FOR HIM! FOR RAOUL!
|
|
|
|
Yes. This. Here. Try.
|
|
|
|
--HER MOUTH GLUED ON HIS IN A LUSCIOUS VOLUPTUOUS KISS WHILE HIS HANDS
|
|
FELT FOR THE OPULENT CURVES INSIDE HER DESHABILLE.
|
|
|
|
Yes. Take this. The end.
|
|
|
|
--YOU ARE LATE, HE SPOKE HOARSELY, EYING HER WITH A SUSPICIOUS GLARE.
|
|
THE BEAUTIFUL WOMAN THREW OFF HER SABLETRIMMED WRAP, DISPLAYING HER
|
|
QUEENLY SHOULDERS AND HEAVING EMBONPOINT. AN IMPERCEPTIBLE SMILE PLAYED
|
|
ROUND HER PERFECT LIPS AS SHE TURNED TO HIM CALMLY.
|
|
|
|
Mr Bloom read again: THE BEAUTIFUL WOMAN.
|
|
|
|
Warmth showered gently over him, cowing his flesh. Flesh yielded
|
|
amply amid rumpled clothes: whites of eyes swooning up. His nostrils
|
|
arched themselves for prey. Melting breast ointments (FOR HIM! FOR
|
|
RAOUL!). Armpits' oniony sweat. Fishgluey slime (HER HEAVING EMBONPOINT!).
|
|
Feel! Press! Crushed! Sulphur dung of lions!
|
|
|
|
Young! Young!
|
|
|
|
An elderly female, no more young, left the building of the courts of
|
|
chancery, king's bench, exchequer and common pleas, having heard in the
|
|
lord chancellor's court the case in lunacy of Potterton, in the admiralty
|
|
division the summons, exparte motion, of the owners of the Lady Cairns
|
|
versus the owners of the barque Mona, in the court of appeal reservation
|
|
of judgment in the case of Harvey versus the Ocean Accident and Guarantee
|
|
Corporation.
|
|
|
|
Phlegmy coughs shook the air of the bookshop, bulging out the dingy
|
|
curtains. The shopman's uncombed grey head came out and his unshaven
|
|
reddened face, coughing. He raked his throat rudely, puked phlegm on the
|
|
floor. He put his boot on what he had spat, wiping his sole along it, and
|
|
bent, showing a rawskinned crown, scantily haired.
|
|
|
|
Mr Bloom beheld it.
|
|
|
|
Mastering his troubled breath, he said:
|
|
|
|
--I'll take this one.
|
|
|
|
The shopman lifted eyes bleared with old rheum.
|
|
|
|
--SWEETS OF SIN, he said, tapping on it. That's a good one.
|
|
|
|
|
|
* * * * *
|
|
|
|
|
|
The lacquey by the door of Dillon's auctionrooms shook his handbell
|
|
twice again and viewed himself in the chalked mirror of the cabinet.
|
|
|
|
Dilly Dedalus, loitering by the curbstone, heard the beats of the bell,
|
|
the cries of the auctioneer within. Four and nine. Those lovely curtains.
|
|
Five shillings. Cosy curtains. Selling new at two guineas. Any advance on
|
|
five shillings? Going for five shillings.
|
|
|
|
The lacquey lifted his handbell and shook it:
|
|
|
|
--Barang!
|
|
|
|
Bang of the lastlap bell spurred the halfmile wheelmen to their sprint.
|
|
J. A. Jackson, W. E. Wylie, A. Munro and H. T. Gahan, their stretched
|
|
necks wagging, negotiated the curve by the College library.
|
|
|
|
Mr Dedalus, tugging a long moustache, came round from Williams's
|
|
row. He halted near his daughter.
|
|
|
|
--It's time for you, she said.
|
|
|
|
--Stand up straight for the love of the lord Jesus, Mr Dedalus said. Are
|
|
you trying to imitate your uncle John, the cornetplayer, head upon
|
|
shoulder? Melancholy God!
|
|
|
|
Dilly shrugged her shoulders. Mr Dedalus placed his hands on them
|
|
and held them back.
|
|
|
|
--Stand up straight, girl, he said. You'll get curvature of the spine.
|
|
Do you know what you look like?
|
|
|
|
He let his head sink suddenly down and forward, hunching his
|
|
shoulders and dropping his underjaw.
|
|
|
|
--Give it up, father, Dilly said. All the people are looking at you.
|
|
|
|
Mr Dedalus drew himself upright and tugged again at his moustache.
|
|
|
|
--Did you get any money? Dilly asked.
|
|
|
|
--Where would I get money? Mr Dedalus said. There is no-one in Dublin
|
|
would lend me fourpence.
|
|
|
|
--You got some, Dilly said, looking in his eyes.
|
|
|
|
--How do you know that? Mr Dedalus asked, his tongue in his cheek.
|
|
|
|
Mr Kernan, pleased with the order he had booked, walked boldly
|
|
along James's street.
|
|
|
|
--I know you did, Dilly answered. Were you in the Scotch house now?
|
|
|
|
--I was not, then, Mr Dedalus said, smiling. Was it the little nuns
|
|
taught you to be so saucy? Here.
|
|
|
|
He handed her a shilling.
|
|
|
|
--See if you can do anything with that, he said.
|
|
|
|
--I suppose you got five, Dilly said. Give me more than that.
|
|
|
|
--Wait awhile, Mr Dedalus said threateningly. You're like the rest of
|
|
them, are you? An insolent pack of little bitches since your poor mother
|
|
died. But wait awhile. You'll all get a short shrift and a long day from
|
|
me. Low blackguardism! I'm going to get rid of you. Wouldn't care if I
|
|
was stretched out stiff. He's dead. The man upstairs is dead.
|
|
|
|
He left her and walked on. Dilly followed quickly and pulled his coat.
|
|
|
|
--Well, what is it? he said, stopping.
|
|
|
|
The lacquey rang his bell behind their backs.
|
|
|
|
--Barang!
|
|
|
|
--Curse your bloody blatant soul, Mr Dedalus cried, turning on him.
|
|
|
|
The lacquey, aware of comment, shook the lolling clapper of his bell
|
|
but feebly:
|
|
|
|
--Bang!
|
|
|
|
Mr Dedalus stared at him.
|
|
|
|
--Watch him, he said. It's instructive. I wonder will he allow us to talk.
|
|
|
|
--You got more than that, father, Dilly said.
|
|
|
|
--I'm going to show you a little trick, Mr Dedalus said. I'll leave you
|
|
all where Jesus left the jews. Look, there's all I have. I got two
|
|
shillings from Jack Power and I spent twopence for a shave for the
|
|
funeral.
|
|
|
|
He drew forth a handful of copper coins, nervously.
|
|
|
|
--Can't you look for some money somewhere? Dilly said.
|
|
|
|
Mr Dedalus thought and nodded.
|
|
|
|
--I will, he said gravely. I looked all along the gutter in O'Connell
|
|
street. I'll try this one now.
|
|
|
|
--You're very funny, Dilly said, grinning.
|
|
|
|
--Here, Mr Dedalus said, handing her two pennies. Get a glass of milk for
|
|
yourself and a bun or a something. I'll be home shortly.
|
|
|
|
He put the other coins in his pocket and started to walk on.
|
|
|
|
The viceregal cavalcade passed, greeted by obsequious policemen, out
|
|
of Parkgate.
|
|
|
|
--I'm sure you have another shilling, Dilly said.
|
|
|
|
The lacquey banged loudly.
|
|
|
|
Mr Dedalus amid the din walked off, murmuring to himself with a
|
|
pursing mincing mouth gently:
|
|
|
|
--The little nuns! Nice little things! O, sure they wouldn't do anything!
|
|
O, sure they wouldn't really! Is it little sister Monica!
|
|
|
|
|
|
* * * * *
|
|
|
|
|
|
From the sundial towards James's gate walked Mr Kernan, pleased with the
|
|
order he had booked for Pulbrook Robertson, boldly along James's street,
|
|
past Shackleton's offices. Got round him all right. How do you do, Mr
|
|
Crimmins? First rate, sir. I was afraid you might be up in your other
|
|
establishment in Pimlico. How are things going? Just keeping alive.
|
|
Lovely weather we're having. Yes, indeed. Good for the country. Those
|
|
farmers are always grumbling. I'll just take a thimbleful of your best
|
|
gin, Mr Crimmins. A small gin, sir. Yes, sir. Terrible affair that
|
|
General Slocum explosion. Terrible, terrible! A thousand casualties. And
|
|
heartrending scenes. Men trampling down women and children. Most brutal
|
|
thing. What do they say was the cause? Spontaneous combustion. Most
|
|
scandalous revelation. Not a single lifeboat would float and the firehose
|
|
all burst. What I can't understand is how the inspectors ever allowed a
|
|
boat like that ... Now, you're talking straight, Mr Crimmins. You know
|
|
why? Palm oil. Is that a fact? Without a doubt. Well now, look at that.
|
|
And America they say is the land of the free. I thought we were bad here.
|
|
|
|
I smiled at him. AMERICA, I said quietly, just like that. WHAT IS IT? THE
|
|
SWEEPINGS OF EVERY COUNTRY INCLUDING OUR OWN. ISN'T THAT TRUE? That's a
|
|
fact.
|
|
|
|
Graft, my dear sir. Well, of course, where there's money going there's
|
|
always someone to pick it up.
|
|
|
|
Saw him looking at my frockcoat. Dress does it. Nothing like a dressy
|
|
appearance. Bowls them over.
|
|
|
|
--Hello, Simon, Father Cowley said. How are things?
|
|
|
|
--Hello, Bob, old man, Mr Dedalus answered, stopping.
|
|
|
|
Mr Kernan halted and preened himself before the sloping mirror of Peter
|
|
Kennedy, hairdresser. Stylish coat, beyond a doubt. Scott of Dawson
|
|
street. Well worth the half sovereign I gave Neary for it. Never built
|
|
under three guineas. Fits me down to the ground. Some Kildare street club
|
|
toff had it probably. John Mulligan, the manager of the Hibernian bank,
|
|
gave me a very sharp eye yesterday on Carlisle bridge as if he remembered
|
|
me.
|
|
|
|
Aham! Must dress the character for those fellows. Knight of the road.
|
|
Gentleman. And now, Mr Crimmins, may we have the honour of your custom
|
|
again, sir. The cup that cheers but not inebriates, as the old saying has
|
|
it.
|
|
|
|
North wall and sir John Rogerson's quay, with hulls and anchorchains,
|
|
sailing westward, sailed by a skiff, a crumpled throwaway, rocked on the
|
|
ferrywash, Elijah is coming.
|
|
|
|
Mr Kernan glanced in farewell at his image. High colour, of course.
|
|
Grizzled moustache. Returned Indian officer. Bravely he bore his stumpy
|
|
body forward on spatted feet, squaring his shoulders. Is that Ned
|
|
Lambert's brother over the way, Sam? What? Yes. He's as like it as damn
|
|
it. No. The windscreen of that motorcar in the sun there. Just a flash
|
|
like that. Damn like him.
|
|
|
|
Aham! Hot spirit of juniper juice warmed his vitals and his breath. Good
|
|
drop of gin, that was. His frocktails winked in bright sunshine to his
|
|
fat strut.
|
|
|
|
Down there Emmet was hanged, drawn and quartered. Greasy black rope. Dogs
|
|
licking the blood off the street when the lord lieutenant's wife drove by
|
|
in her noddy.
|
|
|
|
Bad times those were. Well, well. Over and done with. Great topers too.
|
|
Fourbottle men.
|
|
|
|
Let me see. Is he buried in saint Michan's? Or no, there was a midnight
|
|
burial in Glasnevin. Corpse brought in through a secret door in the wall.
|
|
Dignam is there now. Went out in a puff. Well, well. Better turn down
|
|
here. Make a detour.
|
|
|
|
Mr Kernan turned and walked down the slope of Watling street by the
|
|
corner of Guinness's visitors' waitingroom. Outside the Dublin Distillers
|
|
Company's stores an outside car without fare or jarvey stood, the reins
|
|
knotted to the wheel. Damn dangerous thing. Some Tipperary bosthoon
|
|
endangering the lives of the citizens. Runaway horse.
|
|
|
|
Denis Breen with his tomes, weary of having waited an hour in John Henry
|
|
Menton's office, led his wife over O'Connell bridge, bound for the office
|
|
of Messrs Collis and Ward.
|
|
|
|
Mr Kernan approached Island street.
|
|
|
|
Times of the troubles. Must ask Ned Lambert to lend me those
|
|
reminiscences of sir Jonah Barrington. When you look back on it all now
|
|
in a kind of retrospective arrangement. Gaming at Daly's. No cardsharping
|
|
then. One of those fellows got his hand nailed to the table by a dagger.
|
|
Somewhere here lord Edward Fitzgerald escaped from major Sirr. Stables
|
|
behind Moira house.
|
|
|
|
Damn good gin that was.
|
|
|
|
Fine dashing young nobleman. Good stock, of course. That ruffian, that
|
|
sham squire, with his violet gloves gave him away. Course they were on
|
|
the wrong side. They rose in dark and evil days. Fine poem that is:
|
|
Ingram. They were gentlemen. Ben Dollard does sing that ballad
|
|
touchingly. Masterly rendition.
|
|
|
|
|
|
AT THE SIEGE OF ROSS DID MY FATHER FALL.
|
|
|
|
|
|
A cavalcade in easy trot along Pembroke quay passed, outriders leaping,
|
|
leaping in their, in their saddles. Frockcoats. Cream sunshades.
|
|
|
|
Mr Kernan hurried forward, blowing pursily.
|
|
|
|
His Excellency! Too bad! Just missed that by a hair. Damn it! What a
|
|
pity!
|
|
|
|
|
|
* * * * *
|
|
|
|
|
|
Stephen Dedalus watched through the webbed window the lapidary's fingers
|
|
prove a timedulled chain. Dust webbed the window and the showtrays. Dust
|
|
darkened the toiling fingers with their vulture nails. Dust slept on dull
|
|
coils of bronze and silver, lozenges of cinnabar, on rubies, leprous and
|
|
winedark stones.
|
|
|
|
Born all in the dark wormy earth, cold specks of fire, evil, lights
|
|
shining in the darkness. Where fallen archangels flung the stars of their
|
|
brows. Muddy swinesnouts, hands, root and root, gripe and wrest them.
|
|
|
|
She dances in a foul gloom where gum bums with garlic. A sailorman,
|
|
rustbearded, sips from a beaker rum and eyes her. A long and seafed
|
|
silent rut. She dances, capers, wagging her sowish haunches and her hips,
|
|
on her gross belly flapping a ruby egg.
|
|
|
|
Old Russell with a smeared shammy rag burnished again his gem, turned it
|
|
and held it at the point of his Moses' beard. Grandfather ape gloating on
|
|
a stolen hoard.
|
|
|
|
And you who wrest old images from the burial earth? The brainsick words
|
|
of sophists: Antisthenes. A lore of drugs. Orient and immortal wheat
|
|
standing from everlasting to everlasting.
|
|
|
|
Two old women fresh from their whiff of the briny trudged through
|
|
Irishtown along London bridge road, one with a sanded tired umbrella, one
|
|
with a midwife's bag in which eleven cockles rolled.
|
|
|
|
The whirr of flapping leathern bands and hum of dynamos from the
|
|
powerhouse urged Stephen to be on. Beingless beings. Stop! Throb always
|
|
without you and the throb always within. Your heart you sing of. I
|
|
between them. Where? Between two roaring worlds where they swirl, I.
|
|
Shatter them, one and both. But stun myself too in the blow. Shatter me
|
|
you who can. Bawd and butcher were the words. I say! Not yet awhile. A
|
|
look around.
|
|
|
|
Yes, quite true. Very large and wonderful and keeps famous time. You say
|
|
right, sir. A Monday morning, 'twas so, indeed.
|
|
|
|
Stephen went down Bedford row, the handle of the ash clacking against his
|
|
shoulderblade. In Clohissey's window a faded 1860 print of Heenan boxing
|
|
Sayers held his eye. Staring backers with square hats stood round the
|
|
roped prizering. The heavyweights in tight loincloths proposed gently
|
|
each to other his bulbous fists. And they are throbbing: heroes' hearts.
|
|
|
|
He turned and halted by the slanted bookcart.
|
|
|
|
--Twopence each, the huckster said. Four for sixpence.
|
|
|
|
Tattered pages. THE IRISH BEEKEEPER. LIFE AND MIRACLES OF THE CURE' OF
|
|
ARS. POCKET GUIDE TO KILLARNEY.
|
|
|
|
I might find here one of my pawned schoolprizes. STEPHANO DEDALO, ALUMNO
|
|
OPTIMO, PALMAM FERENTI.
|
|
|
|
Father Conmee, having read his little hours, walked through the hamlet of
|
|
Donnycarney, murmuring vespers.
|
|
|
|
Binding too good probably. What is this? Eighth and ninth book of Moses.
|
|
Secret of all secrets. Seal of King David. Thumbed pages: read and read.
|
|
Who has passed here before me? How to soften chapped hands. Recipe for
|
|
white wine vinegar. How to win a woman's love. For me this. Say the
|
|
following talisman three times with hands folded:
|
|
|
|
--SE EL YILO NEBRAKADA FEMININUM! AMOR ME SOLO! SANKTUS! AMEN.
|
|
|
|
Who wrote this? Charms and invocations of the most blessed abbot Peter
|
|
Salanka to all true believers divulged. As good as any other abbot's
|
|
charms, as mumbling Joachim's. Down, baldynoddle, or we'll wool your
|
|
wool.
|
|
|
|
--What are you doing here, Stephen?
|
|
|
|
Dilly's high shoulders and shabby dress.
|
|
|
|
Shut the book quick. Don't let see.
|
|
|
|
--What are you doing? Stephen said.
|
|
|
|
A Stuart face of nonesuch Charles, lank locks falling at its sides. It
|
|
glowed as she crouched feeding the fire with broken boots. I told her of
|
|
Paris. Late lieabed under a quilt of old overcoats, fingering a pinchbeck
|
|
bracelet, Dan Kelly's token. NEBRAKADA FEMININUM.
|
|
|
|
--What have you there? Stephen asked.
|
|
|
|
--I bought it from the other cart for a penny, Dilly said, laughing
|
|
nervously. Is it any good?
|
|
|
|
My eyes they say she has. Do others see me so? Quick, far and daring.
|
|
Shadow of my mind.
|
|
|
|
He took the coverless book from her hand. Chardenal's French primer.
|
|
|
|
--What did you buy that for? he asked. To learn French?
|
|
|
|
She nodded, reddening and closing tight her lips.
|
|
|
|
Show no surprise. Quite natural.
|
|
|
|
--Here, Stephen said. It's all right. Mind Maggy doesn't pawn it on you.
|
|
I suppose all my books are gone.
|
|
|
|
--Some, Dilly said. We had to.
|
|
|
|
She is drowning. Agenbite. Save her. Agenbite. All against us. She will
|
|
drown me with her, eyes and hair. Lank coils of seaweed hair around me,
|
|
my heart, my soul. Salt green death.
|
|
|
|
We.
|
|
|
|
Agenbite of inwit. Inwit's agenbite.
|
|
|
|
Misery! Misery!
|
|
|
|
|
|
* * * * *
|
|
|
|
|
|
--Hello, Simon, Father Cowley said. How are things?
|
|
|
|
--Hello, Bob, old man, Mr Dedalus answered, stopping.
|
|
|
|
They clasped hands loudly outside Reddy and Daughter's. Father Cowley
|
|
brushed his moustache often downward with a scooping hand.
|
|
|
|
--What's the best news? Mr Dedalus said.
|
|
|
|
--Why then not much, Father Cowley said. I'm barricaded up, Simon, with
|
|
two men prowling around the house trying to effect an entrance.
|
|
|
|
--Jolly, Mr Dedalus said. Who is it?
|
|
|
|
--O, Father Cowley said. A certain gombeen man of our acquaintance.
|
|
|
|
--With a broken back, is it? Mr Dedalus asked.
|
|
|
|
--The same, Simon, Father Cowley answered. Reuben of that ilk. I'm just
|
|
waiting for Ben Dollard. He's going to say a word to long John to get him
|
|
to take those two men off. All I want is a little time.
|
|
|
|
He looked with vague hope up and down the quay, a big apple bulging in
|
|
his neck.
|
|
|
|
--I know, Mr Dedalus said, nodding. Poor old bockedy Ben! He's always
|
|
doing a good turn for someone. Hold hard!
|
|
|
|
He put on his glasses and gazed towards the metal bridge an instant.
|
|
|
|
--There he is, by God, he said, arse and pockets.
|
|
|
|
Ben Dollard's loose blue cutaway and square hat above large slops crossed
|
|
the quay in full gait from the metal bridge. He came towards them at an
|
|
amble, scratching actively behind his coattails.
|
|
|
|
As he came near Mr Dedalus greeted:
|
|
|
|
--Hold that fellow with the bad trousers.
|
|
|
|
--Hold him now, Ben Dollard said.
|
|
|
|
Mr Dedalus eyed with cold wandering scorn various points of Ben Dollard's
|
|
figure. Then, turning to Father Cowley with a nod, he muttered
|
|
sneeringly:
|
|
|
|
--That's a pretty garment, isn't it, for a summer's day?
|
|
|
|
--Why, God eternally curse your soul, Ben Dollard growled furiously, I
|
|
threw out more clothes in my time than you ever saw.
|
|
|
|
He stood beside them beaming, on them first and on his roomy clothes from
|
|
points of which Mr Dedalus flicked fluff, saying:
|
|
|
|
--They were made for a man in his health, Ben, anyhow.
|
|
|
|
--Bad luck to the jewman that made them, Ben Dollard said. Thanks be to
|
|
God he's not paid yet.
|
|
|
|
--And how is that BASSO PROFONDO, Benjamin? Father Cowley asked.
|
|
|
|
Cashel Boyle O'Connor Fitzmaurice Tisdall Farrell, murmuring, glassyeyed,
|
|
strode past the Kildare street club.
|
|
|
|
Ben Dollard frowned and, making suddenly a chanter's mouth, gave forth a
|
|
deep note.
|
|
|
|
--Aw! he said.
|
|
|
|
--That's the style, Mr Dedalus said, nodding to its drone.
|
|
|
|
--What about that? Ben Dollard said. Not too dusty? What?
|
|
|
|
He turned to both.
|
|
|
|
--That'll do, Father Cowley said, nodding also.
|
|
|
|
The reverend Hugh C. Love walked from the old chapterhouse of saint
|
|
Mary's abbey past James and Charles Kennedy's, rectifiers, attended by
|
|
Geraldines tall and personable, towards the Tholsel beyond the ford of
|
|
hurdles.
|
|
|
|
Ben Dollard with a heavy list towards the shopfronts led them forward,
|
|
his joyful fingers in the air.
|
|
|
|
--Come along with me to the subsheriff's office, he said. I want to show
|
|
you the new beauty Rock has for a bailiff. He's a cross between Lobengula
|
|
and Lynchehaun. He's well worth seeing, mind you. Come along. I saw John
|
|
Henry Menton casually in the Bodega just now and it will cost me a fall
|
|
if I don't ... Wait awhile ... We're on the right lay, Bob, believe you
|
|
me.
|
|
|
|
--For a few days tell him, Father Cowley said anxiously.
|
|
|
|
Ben Dollard halted and stared, his loud orifice open, a dangling button
|
|
of his coat wagging brightbacked from its thread as he wiped away the
|
|
heavy shraums that clogged his eyes to hear aright.
|
|
|
|
--What few days? he boomed. Hasn't your landlord distrained for rent?
|
|
|
|
--He has, Father Cowley said.
|
|
|
|
--Then our friend's writ is not worth the paper it's printed on, Ben
|
|
Dollard said. The landlord has the prior claim. I gave him all the
|
|
particulars. 29 Windsor avenue. Love is the name?
|
|
|
|
--That's right, Father Cowley said. The reverend Mr Love. He's a minister
|
|
in the country somewhere. But are you sure of that?
|
|
|
|
--You can tell Barabbas from me, Ben Dollard said, that he can put that
|
|
writ where Jacko put the nuts.
|
|
|
|
He led Father Cowley boldly forward, linked to his bulk.
|
|
|
|
--Filberts I believe they were, Mr Dedalus said, as he dropped his
|
|
glasses on his coatfront, following them.
|
|
|
|
|
|
* * * * *
|
|
|
|
|
|
--The youngster will be all right, Martin Cunningham said, as they passed
|
|
out of the Castleyard gate.
|
|
|
|
The policeman touched his forehead.
|
|
|
|
--God bless you, Martin Cunningham said, cheerily.
|
|
|
|
He signed to the waiting jarvey who chucked at the reins and set on
|
|
towards Lord Edward street.
|
|
|
|
Bronze by gold, Miss Kennedy's head by Miss Douce's head, appeared above
|
|
the crossblind of the Ormond hotel.
|
|
|
|
--Yes, Martin Cunningham said, fingering his beard. I wrote to Father
|
|
Conmee and laid the whole case before him.
|
|
|
|
--You could try our friend, Mr Power suggested backward.
|
|
|
|
--Boyd? Martin Cunningham said shortly. Touch me not.
|
|
|
|
John Wyse Nolan, lagging behind, reading the list, came after them
|
|
quickly down Cork hill.
|
|
|
|
On the steps of the City hall Councillor Nannetti, descending, hailed
|
|
Alderman Cowley and Councillor Abraham Lyon ascending.
|
|
|
|
The castle car wheeled empty into upper Exchange street.
|
|
|
|
--Look here, Martin, John Wyse Nolan said, overtaking them at the MAIL
|
|
office. I see Bloom put his name down for five shillings.
|
|
|
|
--Quite right, Martin Cunningham said, taking the list. And put down the
|
|
five shillings too.
|
|
|
|
--Without a second word either, Mr Power said.
|
|
|
|
--Strange but true, Martin Cunningham added.
|
|
|
|
John Wyse Nolan opened wide eyes.
|
|
|
|
--I'll say there is much kindness in the jew, he quoted, elegantly.
|
|
|
|
They went down Parliament street.
|
|
|
|
--There's Jimmy Henry, Mr Power said, just heading for Kavanagh's.
|
|
|
|
--Righto, Martin Cunningham said. Here goes.
|
|
|
|
Outside LA MAISON CLAIRE Blazes Boylan waylaid Jack Mooney's brother-in-
|
|
law, humpy, tight, making for the liberties.
|
|
|
|
John Wyse Nolan fell back with Mr Power, while Martin Cunningham took the
|
|
elbow of a dapper little man in a shower of hail suit, who walked
|
|
uncertainly, with hasty steps past Micky Anderson's watches.
|
|
|
|
--The assistant town clerk's corns are giving him some trouble, John Wyse
|
|
Nolan told Mr Power.
|
|
|
|
They followed round the corner towards James Kavanagh's winerooms. The
|
|
empty castle car fronted them at rest in Essex gate. Martin Cunningham,
|
|
speaking always, showed often the list at which Jimmy Henry did not
|
|
glance.
|
|
|
|
--And long John Fanning is here too, John Wyse Nolan said, as large as
|
|
life.
|
|
|
|
The tall form of long John Fanning filled the doorway where he stood.
|
|
|
|
--Good day, Mr Subsheriff, Martin Cunningham said, as all halted and
|
|
greeted.
|
|
|
|
Long John Fanning made no way for them. He removed his large Henry Clay
|
|
decisively and his large fierce eyes scowled intelligently over all their
|
|
faces.
|
|
|
|
--Are the conscript fathers pursuing their peaceful deliberations? he
|
|
said with rich acrid utterance to the assistant town clerk.
|
|
|
|
Hell open to christians they were having, Jimmy Henry said pettishly,
|
|
about their damned Irish language. Where was the marshal, he wanted to
|
|
know, to keep order in the council chamber. And old Barlow the macebearer
|
|
laid up with asthma, no mace on the table, nothing in order, no quorum
|
|
even, and Hutchinson, the lord mayor, in Llandudno and little Lorcan
|
|
Sherlock doing LOCUM TENENS for him. Damned Irish language, language of
|
|
our forefathers.
|
|
|
|
Long John Fanning blew a plume of smoke from his lips.
|
|
|
|
Martin Cunningham spoke by turns, twirling the peak of his beard, to the
|
|
assistant town clerk and the subsheriff, while John Wyse Nolan held his
|
|
peace.
|
|
|
|
--What Dignam was that? long John Fanning asked.
|
|
|
|
Jimmy Henry made a grimace and lifted his left foot.
|
|
|
|
--O, my corns! he said plaintively. Come upstairs for goodness' sake till
|
|
I sit down somewhere. Uff! Ooo! Mind!
|
|
|
|
Testily he made room for himself beside long John Fanning's flank and
|
|
passed in and up the stairs.
|
|
|
|
--Come on up, Martin Cunningham said to the subsheriff. I don't think you
|
|
knew him or perhaps you did, though.
|
|
|
|
With John Wyse Nolan Mr Power followed them in.
|
|
|
|
--Decent little soul he was, Mr Power said to the stalwart back of long
|
|
John Fanning ascending towards long John Fanning in the mirror.
|
|
|
|
--Rather lowsized. Dignam of Menton's office that was, Martin Cunningham
|
|
said.
|
|
|
|
Long John Fanning could not remember him.
|
|
|
|
Clatter of horsehoofs sounded from the air.
|
|
|
|
--What's that? Martin Cunningham said.
|
|
|
|
All turned where they stood. John Wyse Nolan came down again. From the
|
|
cool shadow of the doorway he saw the horses pass Parliament street,
|
|
harness and glossy pasterns in sunlight shimmering. Gaily they went past
|
|
before his cool unfriendly eyes, not quickly. In saddles of the leaders,
|
|
leaping leaders, rode outriders.
|
|
|
|
--What was it? Martin Cunningham asked, as they went on up the staircase.
|
|
|
|
--The lord lieutenantgeneral and general governor of Ireland, John Wyse
|
|
Nolan answered from the stairfoot.
|
|
|
|
|
|
* * * * *
|
|
|
|
|
|
As they trod across the thick carpet Buck Mulligan whispered behind
|
|
his Panama to Haines:
|
|
|
|
--Parnell's brother. There in the corner.
|
|
|
|
They chose a small table near the window, opposite a longfaced man
|
|
whose beard and gaze hung intently down on a chessboard.
|
|
|
|
--Is that he? Haines asked, twisting round in his seat.
|
|
|
|
--Yes, Mulligan said. That's John Howard, his brother, our city marshal.
|
|
|
|
John Howard Parnell translated a white bishop quietly and his grey
|
|
claw went up again to his forehead whereat it rested. An instant after,
|
|
under its screen, his eyes looked quickly, ghostbright, at his foe and
|
|
fell once more upon a working corner.
|
|
|
|
--I'll take a MELANGE, Haines said to the waitress.
|
|
|
|
--Two MELANGES, Buck Mulligan said. And bring us some scones and butter
|
|
and some cakes as well.
|
|
|
|
When she had gone he said, laughing:
|
|
|
|
--We call it D.B.C. because they have damn bad cakes. O, but you missed
|
|
Dedalus on HAMLET.
|
|
|
|
Haines opened his newbought book.
|
|
|
|
--I'm sorry, he said. Shakespeare is the happy huntingground of all minds
|
|
that have lost their balance.
|
|
|
|
The onelegged sailor growled at the area of 14 Nelson street:
|
|
|
|
--ENGLAND EXPECTS ...
|
|
|
|
Buck Mulligan's primrose waistcoat shook gaily to his laughter.
|
|
|
|
--You should see him, he said, when his body loses its balance. Wandering
|
|
Aengus I call him.
|
|
|
|
--I am sure he has an IDEE FIXE, Haines said, pinching his chin
|
|
thoughtfully with thumb and forefinger. Now I am speculating what it would
|
|
be likely to be. Such persons always have.
|
|
|
|
Buck Mulligan bent across the table gravely.
|
|
|
|
--They drove his wits astray, he said, by visions of hell. He will never
|
|
capture the Attic note. The note of Swinburne, of all poets, the white
|
|
death and the ruddy birth. That is his tragedy. He can never be a poet.
|
|
The joy of creation ...
|
|
|
|
--Eternal punishment, Haines said, nodding curtly. I see. I tackled him
|
|
this morning on belief. There was something on his mind, I saw. It's
|
|
rather interesting because professor Pokorny of Vienna makes an
|
|
interesting point out of that.
|
|
|
|
Buck Mulligan's watchful eyes saw the waitress come. He helped her
|
|
to unload her tray.
|
|
|
|
--He can find no trace of hell in ancient Irish myth, Haines said, amid
|
|
the cheerful cups. The moral idea seems lacking, the sense of destiny, of
|
|
retribution. Rather strange he should have just that fixed idea. Does he
|
|
write anything for your movement?
|
|
|
|
He sank two lumps of sugar deftly longwise through the whipped
|
|
cream. Buck Mulligan slit a steaming scone in two and plastered butter
|
|
over its smoking pith. He bit off a soft piece hungrily.
|
|
|
|
--Ten years, he said, chewing and laughing. He is going to write something
|
|
in ten years.
|
|
|
|
--Seems a long way off, Haines said, thoughtfully lifting his spoon.
|
|
Still, I shouldn't wonder if he did after all.
|
|
|
|
He tasted a spoonful from the creamy cone of his cup.
|
|
|
|
--This is real Irish cream I take it, he said with forbearance.
|
|
I don't want to be imposed on.
|
|
|
|
Elijah, skiff, light crumpled throwaway, sailed eastward by flanks of
|
|
ships and trawlers, amid an archipelago of corks, beyond new Wapping
|
|
street past Benson's ferry, and by the threemasted schooner ROSEVEAN from
|
|
Bridgwater with bricks.
|
|
|
|
|
|
* * * * *
|
|
|
|
|
|
Almidano Artifoni walked past Holles street, past Sewell's yard.
|
|
Behind him Cashel Boyle O'Connor Fitzmaurice Tisdall Farrell, with
|
|
stickumbrelladustcoat dangling, shunned the lamp before Mr Law Smith's
|
|
house and, crossing, walked along Merrion square. Distantly behind him a
|
|
blind stripling tapped his way by the wall of College park.
|
|
|
|
Cashel Boyle O'Connor Fitzmaurice Tisdall Farrell walked as far as
|
|
Mr Lewis Werner's cheerful windows, then turned and strode back along
|
|
Merrion square, his stickumbrelladustcoat dangling.
|
|
|
|
At the corner of Wilde's house he halted, frowned at Elijah's name
|
|
announced on the Metropolitan hall, frowned at the distant pleasance of
|
|
duke's lawn. His eyeglass flashed frowning in the sun. With ratsteeth
|
|
bared he muttered:
|
|
|
|
--COACTUS VOLUI.
|
|
|
|
He strode on for Clare street, grinding his fierce word.
|
|
|
|
As he strode past Mr Bloom's dental windows the sway of his
|
|
dustcoat brushed rudely from its angle a slender tapping cane and swept
|
|
onwards, having buffeted a thewless body. The blind stripling turned his
|
|
sickly face after the striding form.
|
|
|
|
--God's curse on you, he said sourly, whoever you are! You're blinder nor
|
|
I am, you bitch's bastard!
|
|
|
|
|
|
* * * * *
|
|
|
|
|
|
Opposite Ruggy O'Donohoe's Master Patrick Aloysius Dignam,
|
|
pawing the pound and a half of Mangan's, late Fehrenbach's, porksteaks he
|
|
had been sent for, went along warm Wicklow street dawdling. It was too
|
|
blooming dull sitting in the parlour with Mrs Stoer and Mrs Quigley and
|
|
Mrs MacDowell and the blind down and they all at their sniffles and
|
|
sipping sups of the superior tawny sherry uncle Barney brought from
|
|
Tunney's. And they eating crumbs of the cottage fruitcake, jawing the
|
|
whole blooming time and sighing.
|
|
|
|
After Wicklow lane the window of Madame Doyle, courtdress
|
|
milliner, stopped him. He stood looking in at the two puckers stripped to
|
|
their pelts and putting up their props. From the sidemirrors two mourning
|
|
Masters Dignam gaped silently. Myler Keogh, Dublin's pet lamb, will meet
|
|
sergeantmajor Bennett, the Portobello bruiser, for a purse of fifty
|
|
sovereigns. Gob, that'd be a good pucking match to see. Myler Keogh,
|
|
that's the chap sparring out to him with the green sash. Two bar entrance,
|
|
soldiers half price. I could easy do a bunk on ma. Master Dignam on his
|
|
left turned as he turned. That's me in mourning. When is it? May the
|
|
twentysecond. Sure, the blooming thing is all over. He turned to the right
|
|
and on his right Master Dignam turned, his cap awry, his collar sticking
|
|
up. Buttoning it down, his chin lifted, he saw the image of Marie Kendall,
|
|
charming soubrette, beside the two puckers. One of them mots that do be in
|
|
the packets of fags Stoer smokes that his old fellow welted hell out of
|
|
him for one time he found out.
|
|
|
|
Master Dignam got his collar down and dawdled on. The best pucker
|
|
going for strength was Fitzsimons. One puck in the wind from that fellow
|
|
would knock you into the middle of next week, man. But the best pucker
|
|
for science was Jem Corbet before Fitzsimons knocked the stuffings out of
|
|
him, dodging and all.
|
|
|
|
In Grafton street Master Dignam saw a red flower in a toff's mouth
|
|
and a swell pair of kicks on him and he listening to what the drunk was
|
|
telling him and grinning all the time.
|
|
|
|
No Sandymount tram.
|
|
|
|
Master Dignam walked along Nassau street, shifted the porksteaks to
|
|
his other hand. His collar sprang up again and he tugged it down. The
|
|
blooming stud was too small for the buttonhole of the shirt, blooming end
|
|
to it. He met schoolboys with satchels. I'm not going tomorrow either,
|
|
stay away till Monday. He met other schoolboys. Do they notice I'm in
|
|
mourning? Uncle Barney said he'd get it into the paper tonight. Then
|
|
they'll all see it in the paper and read my name printed and pa's name.
|
|
|
|
His face got all grey instead of being red like it was and there was a
|
|
fly walking over it up to his eye. The scrunch that was when they were
|
|
screwing the screws into the coffin: and the bumps when they were bringing
|
|
it downstairs.
|
|
|
|
Pa was inside it and ma crying in the parlour and uncle Barney telling
|
|
the men how to get it round the bend. A big coffin it was, and high and
|
|
heavylooking. How was that? The last night pa was boosed he was standing
|
|
on the landing there bawling out for his boots to go out to Tunney's for
|
|
to boose more and he looked butty and short in his shirt. Never see him
|
|
again. Death, that is. Pa is dead. My father is dead. He told me to be a
|
|
good son to ma. I couldn't hear the other things he said but I saw his
|
|
tongue and his teeth trying to say it better. Poor pa. That was Mr Dignam,
|
|
my father. I hope he's in purgatory now because he went to confession to
|
|
Father Conroy on Saturday night.
|
|
|
|
|
|
* * * * *
|
|
|
|
|
|
William Humble, earl of Dudley, and lady Dudley, accompanied by
|
|
lieutenantcolonel Heseltine, drove out after luncheon from the viceregal
|
|
lodge. In the following carriage were the honourable Mrs Paget, Miss de
|
|
Courcy and the honourable Gerald Ward A.D.C. in attendance.
|
|
|
|
The cavalcade passed out by the lower gate of Phoenix park saluted
|
|
by obsequious policemen and proceeded past Kingsbridge along the
|
|
northern quays. The viceroy was most cordially greeted on his way through
|
|
the metropolis. At Bloody bridge Mr Thomas Kernan beyond the river
|
|
greeted him vainly from afar Between Queen's and Whitworth bridges lord
|
|
Dudley's viceregal carriages passed and were unsaluted by Mr Dudley
|
|
White, B. L., M. A., who stood on Arran quay outside Mrs M. E. White's,
|
|
the pawnbroker's, at the corner of Arran street west stroking his nose
|
|
with his forefinger, undecided whether he should arrive at Phibsborough
|
|
more quickly by a triple change of tram or by hailing a car or on foot
|
|
through Smithfield, Constitution hill and Broadstone terminus. In the
|
|
porch of Four Courts Richie Goulding with the costbag of Goulding,
|
|
Collis and Ward saw him with surprise. Past Richmond bridge at the
|
|
doorstep of the office of Reuben J Dodd, solicitor, agent for the
|
|
Patriotic Insurance Company, an elderly female about to enter changed
|
|
her plan and retracing her steps by King's windows smiled credulously
|
|
on the representative of His Majesty. From its sluice in Wood quay
|
|
wall under Tom Devan's office Poddle river hung out in fealty a tongue
|
|
of liquid sewage. Above the crossblind of the Ormond hotel, gold by
|
|
bronze, Miss Kennedy's head by Miss Douce's head watched and admired.
|
|
On Ormond quay Mr Simon Dedalus, steering his way from the greenhouse
|
|
for the subsheriff's office, stood still in midstreet and brought his
|
|
hat low. His Excellency graciously returned Mr Dedalus' greeting. From
|
|
Cahill's corner the reverend Hugh C. Love, M.A., made obeisance
|
|
unperceived, mindful of lords deputies whose hands benignant
|
|
had held of yore rich advowsons. On Grattan bridge Lenehan and M'Coy,
|
|
taking leave of each other, watched the carriages go by. Passing by Roger
|
|
Greene's office and Dollard's big red printinghouse Gerty MacDowell,
|
|
carrying the Catesby's cork lino letters for her father who was laid up,
|
|
knew by the style it was the lord and lady lieutenant but she couldn't see
|
|
what Her Excellency had on because the tram and Spring's big yellow
|
|
furniture van had to stop in front of her on account of its being the lord
|
|
lieutenant. Beyond Lundy Foot's from the shaded door of Kavanagh's
|
|
winerooms John Wyse Nolan smiled with unseen coldness towards the lord
|
|
lieutenantgeneral and general governor of Ireland. The Right Honourable
|
|
William Humble, earl of Dudley, G. C. V. O., passed Micky Anderson's
|
|
all times ticking watches and Henry and James's wax smartsuited
|
|
freshcheeked models, the gentleman Henry, DERNIER CRI James. Over against
|
|
Dame gate Tom Rochford and Nosey Flynn watched the approach of the
|
|
cavalcade. Tom Rochford, seeing the eyes of lady Dudley fixed on him,
|
|
took his thumbs quickly out of the pockets of his claret waistcoat and
|
|
doffed his cap to her. A charming SOUBRETTE, great Marie Kendall, with
|
|
dauby cheeks and lifted skirt smiled daubily from her poster upon William
|
|
Humble, earl of Dudley, and upon lieutenantcolonel H. G. Heseltine, and
|
|
also upon the honourable Gerald Ward A. D. C. From the window of the
|
|
D. B. C. Buck Mulligan gaily, and Haines gravely, gazed down on the
|
|
viceregal equipage over the shoulders of eager guests, whose mass of forms
|
|
darkened the chessboard whereon John Howard Parnell looked intently. In
|
|
Fownes's street Dilly Dedalus, straining her sight upward from
|
|
Chardenal's first French primer, saw sunshades spanned and wheelspokes
|
|
spinning in the glare. John Henry Menton, filling the doorway of
|
|
Commercial Buildings, stared from winebig oyster eyes, holding a fat gold
|
|
hunter watch not looked at in his fat left hand not feeling it. Where the
|
|
foreleg of King Billy's horse pawed the air Mrs Breen plucked her
|
|
hastening husband back from under the hoofs of the outriders. She shouted
|
|
in his ear the tidings. Understanding, he shifted his tomes to his left
|
|
breast and saluted the second carriage. The honourable Gerald Ward A.D.C.,
|
|
agreeably surprised, made haste to reply. At Ponsonby's corner a jaded
|
|
white flagon H. halted and four tallhatted white flagons halted behind
|
|
him, E.L.Y'S, while outriders pranced past and carriages. Opposite
|
|
Pigott's music warerooms Mr Denis J Maginni, professor of dancing &c,
|
|
gaily apparelled, gravely walked, outpassed by a viceroy and unobserved.
|
|
By the provost's wall came jauntily Blazes Boylan, stepping in tan shoes
|
|
and socks with skyblue clocks to the refrain of MY GIRL'S A YORKSHIRE
|
|
GIRL.
|
|
|
|
Blazes Boylan presented to the leaders' skyblue frontlets and high
|
|
action a skyblue tie, a widebrimmed straw hat at a rakish angle and a suit
|
|
of indigo serge. His hands in his jacket pockets forgot to salute but he
|
|
offered to the three ladies the bold admiration of his eyes and the red
|
|
flower between his lips. As they drove along Nassau street His Excellency
|
|
drew the attention of his bowing consort to the programme of music which
|
|
was being discoursed in College park. Unseen brazen highland laddies
|
|
blared and drumthumped after the CORTEGE:
|
|
|
|
|
|
BUT THOUGH SHE'S A FACTORY LASS
|
|
AND WEARS NO FANCY CLOTHES.
|
|
BARAABUM.
|
|
YET I'VE A SORT OF A
|
|
YORKSHIRE RELISH FOR
|
|
MY LITTLE YORKSHIRE ROSE.
|
|
BARAABUM.
|
|
|
|
|
|
Thither of the wall the quartermile flat handicappers, M. C. Green, H.
|
|
Shrift, T. M. Patey, C. Scaife, J. B. Jeffs, G. N. Morphy, F. Stevenson,
|
|
C. Adderly and W. C. Huggard, started in pursuit. Striding past Finn's
|
|
hotel Cashel Boyle O'Connor Fitzmaurice Tisdall Farrell stared through a
|
|
fierce eyeglass across the carriages at the head of Mr M. E. Solomons in
|
|
the window of the Austro-Hungarian viceconsulate. Deep in Leinster street
|
|
by Trinity's postern a loyal king's man, Hornblower, touched his tallyho
|
|
cap. As the glossy horses pranced by Merrion square Master Patrick
|
|
Aloysius Dignam, waiting, saw salutes being given to the gent with the
|
|
topper and raised also his new black cap with fingers greased by
|
|
porksteak paper. His collar too sprang up. The viceroy, on his way to
|
|
inaugurate the Mirus bazaar in aid of funds for Mercer's hospital,
|
|
drove with his following towards Lower Mount street. He passed a blind
|
|
stripling opposite Broadbent's. In Lower Mount street a pedestrian in a
|
|
brown macintosh, eating dry bread, passed swiftly and unscathed across the
|
|
viceroy's path. At the Royal Canal bridge, from his hoarding, Mr Eugene
|
|
Stratton, his blub lips agrin, bade all comers welcome to Pembroke
|
|
township. At Haddington road corner two sanded women halted themselves,
|
|
an umbrella and a bag in which eleven cockles rolled to view with wonder
|
|
the lord mayor and lady mayoress without his golden chain. On
|
|
Northumberland and Lansdowne roads His Excellency acknowledged punctually
|
|
salutes from rare male walkers, the salute of two small schoolboys at the
|
|
garden gate of the house said to have been admired by the late queen when
|
|
visiting the Irish capital with her husband, the prince consort, in 1849
|
|
and the salute of Almidano Artifoni's sturdy trousers swallowed by a
|
|
closing door.
|
|
|
|
|
|
* * * * * * *
|
|
|
|
|
|
Bronze by gold heard the hoofirons, steelyringing Imperthnthn thnthnthn.
|
|
|
|
Chips, picking chips off rocky thumbnail, chips.
|
|
|
|
Horrid! And gold flushed more.
|
|
|
|
A husky fifenote blew.
|
|
|
|
Blew. Blue bloom is on the.
|
|
|
|
Goldpinnacled hair.
|
|
|
|
A jumping rose on satiny breast of satin, rose of Castile.
|
|
|
|
Trilling, trilling: Idolores.
|
|
|
|
Peep! Who's in the ... peepofgold?
|
|
|
|
Tink cried to bronze in pity.
|
|
|
|
And a call, pure, long and throbbing. Longindying call.
|
|
|
|
Decoy. Soft word. But look: the bright stars fade. Notes chirruping
|
|
answer.
|
|
|
|
O rose! Castile. The morn is breaking.
|
|
|
|
Jingle jingle jaunted jingling.
|
|
|
|
Coin rang. Clock clacked.
|
|
|
|
Avowal. SONNEZ. I could. Rebound of garter. Not leave thee. Smack. LA
|
|
CLOCHE! Thigh smack. Avowal. Warm. Sweetheart, goodbye!
|
|
|
|
Jingle. Bloo.
|
|
|
|
Boomed crashing chords. When love absorbs. War! War! The tympanum.
|
|
|
|
A sail! A veil awave upon the waves.
|
|
|
|
Lost. Throstle fluted. All is lost now.
|
|
|
|
Horn. Hawhorn.
|
|
|
|
When first he saw. Alas!
|
|
|
|
Full tup. Full throb.
|
|
|
|
Warbling. Ah, lure! Alluring.
|
|
|
|
Martha! Come!
|
|
|
|
Clapclap. Clipclap. Clappyclap.
|
|
|
|
Goodgod henev erheard inall.
|
|
|
|
Deaf bald Pat brought pad knife took up.
|
|
|
|
A moonlit nightcall: far, far.
|
|
|
|
I feel so sad. P. S. So lonely blooming.
|
|
|
|
Listen!
|
|
|
|
The spiked and winding cold seahorn. Have you the? Each, and for other,
|
|
plash and silent roar.
|
|
|
|
Pearls: when she. Liszt's rhapsodies. Hissss.
|
|
|
|
You don't?
|
|
|
|
Did not: no, no: believe: Lidlyd. With a cock with a carra.
|
|
|
|
Black. Deepsounding. Do, Ben, do.
|
|
|
|
Wait while you wait. Hee hee. Wait while you hee.
|
|
|
|
But wait!
|
|
|
|
Low in dark middle earth. Embedded ore.
|
|
|
|
Naminedamine. Preacher is he:
|
|
|
|
All gone. All fallen.
|
|
|
|
Tiny, her tremulous fernfoils of maidenhair.
|
|
|
|
Amen! He gnashed in fury.
|
|
|
|
Fro. To, fro. A baton cool protruding.
|
|
|
|
Bronzelydia by Minagold.
|
|
|
|
By bronze, by gold, in oceangreen of shadow. Bloom. Old Bloom.
|
|
|
|
One rapped, one tapped, with a carra, with a cock.
|
|
|
|
Pray for him! Pray, good people!
|
|
|
|
His gouty fingers nakkering.
|
|
|
|
Big Benaben. Big Benben.
|
|
|
|
Last rose Castile of summer left bloom I feel so sad alone.
|
|
|
|
Pwee! Little wind piped wee.
|
|
|
|
True men. Lid Ker Cow De and Doll. Ay, ay. Like you men. Will lift your
|
|
tschink with tschunk.
|
|
|
|
Fff! Oo!
|
|
|
|
Where bronze from anear? Where gold from afar? Where hoofs?
|
|
|
|
Rrrpr. Kraa. Kraandl.
|
|
|
|
Then not till then. My eppripfftaph. Be pfrwritt.
|
|
|
|
Done.
|
|
|
|
Begin!
|
|
|
|
Bronze by gold, miss Douce's head by miss Kennedy's head, over the
|
|
crossblind of the Ormond bar heard the viceregal hoofs go by, ringing
|
|
steel.
|
|
|
|
--Is that her? asked miss Kennedy.
|
|
|
|
Miss Douce said yes, sitting with his ex, pearl grey and EAU DE NIL.
|
|
|
|
--Exquisite contrast, miss Kennedy said.
|
|
|
|
|
|
When all agog miss Douce said eagerly:
|
|
|
|
--Look at the fellow in the tall silk.
|
|
|
|
--Who? Where? gold asked more eagerly.
|
|
|
|
--In the second carriage, miss Douce's wet lips said, laughing in the sun.
|
|
|
|
He's looking. Mind till I see.
|
|
|
|
She darted, bronze, to the backmost corner, flattening her face
|
|
against the pane in a halo of hurried breath.
|
|
|
|
Her wet lips tittered:
|
|
|
|
--He's killed looking back.
|
|
|
|
She laughed:
|
|
|
|
--O wept! Aren't men frightful idiots?
|
|
|
|
With sadness.
|
|
|
|
Miss Kennedy sauntered sadly from bright light, twining a loose hair
|
|
behind an ear. Sauntering sadly, gold no more, she twisted twined a hair.
|
|
|
|
Sadly she twined in sauntering gold hair behind a curving ear.
|
|
|
|
--It's them has the fine times, sadly then she said.
|
|
|
|
A man.
|
|
|
|
Bloowho went by by Moulang's pipes bearing in his breast the sweets
|
|
of sin, by Wine's antiques, in memory bearing sweet sinful words, by
|
|
Carroll's dusky battered plate, for Raoul.
|
|
|
|
The boots to them, them in the bar, them barmaids came. For them
|
|
unheeding him he banged on the counter his tray of chattering china. And
|
|
|
|
--There's your teas, he said.
|
|
|
|
Miss Kennedy with manners transposed the teatray down to an
|
|
upturned lithia crate, safe from eyes, low.
|
|
|
|
--What is it? loud boots unmannerly asked.
|
|
|
|
--Find out, miss Douce retorted, leaving her spyingpoint.
|
|
|
|
--Your BEAU, is it?
|
|
|
|
A haughty bronze replied:
|
|
|
|
--I'll complain to Mrs de Massey on you if I hear any more of your
|
|
impertinent insolence.
|
|
|
|
--Imperthnthn thnthnthn, bootssnout sniffed rudely, as he retreated as she
|
|
threatened as he had come.
|
|
|
|
Bloom.
|
|
|
|
On her flower frowning miss Douce said:
|
|
|
|
--Most aggravating that young brat is. If he doesn't conduct himself I'll
|
|
wring his ear for him a yard long.
|
|
|
|
Ladylike in exquisite contrast.
|
|
|
|
--Take no notice, miss Kennedy rejoined.
|
|
|
|
She poured in a teacup tea, then back in the teapot tea. They cowered
|
|
under their reef of counter, waiting on footstools, crates upturned,
|
|
waiting for their teas to draw. They pawed their blouses, both of black
|
|
satin, two and nine a yard, waiting for their teas to draw, and two and
|
|
seven.
|
|
|
|
Yes, bronze from anear, by gold from afar, heard steel from anear,
|
|
hoofs ring from afar, and heard steelhoofs ringhoof ringsteel.
|
|
|
|
--Am I awfully sunburnt?
|
|
|
|
Miss bronze unbloused her neck.
|
|
|
|
--No, said miss Kennedy. It gets brown after. Did you try the borax with
|
|
the cherry laurel water?
|
|
|
|
Miss Douce halfstood to see her skin askance in the barmirror
|
|
gildedlettered where hock and claret glasses shimmered and in their midst
|
|
a shell.
|
|
|
|
--And leave it to my hands, she said.
|
|
|
|
--Try it with the glycerine, miss Kennedy advised.
|
|
|
|
Bidding her neck and hands adieu miss Douce
|
|
|
|
--Those things only bring out a rash, replied, reseated. I asked that old
|
|
fogey in Boyd's for something for my skin.
|
|
|
|
Miss Kennedy, pouring now a fulldrawn tea, grimaced and prayed:
|
|
|
|
--O, don't remind me of him for mercy' sake!
|
|
|
|
--But wait till I tell you, miss Douce entreated.
|
|
|
|
Sweet tea miss Kennedy having poured with milk plugged both two
|
|
ears with little fingers.
|
|
|
|
--No, don't, she cried.
|
|
|
|
--I won't listen, she cried.
|
|
|
|
But Bloom?
|
|
|
|
Miss Douce grunted in snuffy fogey's tone:
|
|
|
|
--For your what? says he.
|
|
|
|
Miss Kennedy unplugged her ears to hear, to speak: but said, but
|
|
prayed again:
|
|
|
|
--Don't let me think of him or I'll expire. The hideous old wretch! That
|
|
night in the Antient Concert Rooms.
|
|
|
|
She sipped distastefully her brew, hot tea, a sip, sipped, sweet tea.
|
|
|
|
--Here he was, miss Douce said, cocking her bronze head three quarters,
|
|
ruffling her nosewings. Hufa! Hufa!
|
|
|
|
Shrill shriek of laughter sprang from miss Kennedy's throat. Miss
|
|
Douce huffed and snorted down her nostrils that quivered imperthnthn like
|
|
a snout in quest.
|
|
|
|
--O! shrieking, miss Kennedy cried. Will you ever forget his goggle eye?
|
|
|
|
Miss Douce chimed in in deep bronze laughter, shouting:
|
|
|
|
--And your other eye!
|
|
|
|
Bloowhose dark eye read Aaron Figatner's name. Why do I always
|
|
think Figather? Gathering figs, I think. And Prosper Lore's huguenot name.
|
|
By Bassi's blessed virgins Bloom's dark eyes went by. Bluerobed, white
|
|
under, come to me. God they believe she is: or goddess. Those today. I
|
|
could not see. That fellow spoke. A student. After with Dedalus' son. He
|
|
might be Mulligan. All comely virgins. That brings those rakes of fellows
|
|
in: her white.
|
|
|
|
By went his eyes. The sweets of sin. Sweet are the sweets.
|
|
|
|
Of sin.
|
|
|
|
In a giggling peal young goldbronze voices blended, Douce with
|
|
Kennedy your other eye. They threw young heads back, bronze gigglegold,
|
|
to let freefly their laughter, screaming, your other, signals to each
|
|
other, high piercing notes.
|
|
|
|
Ah, panting, sighing, sighing, ah, fordone, their mirth died down.
|
|
|
|
Miss Kennedy lipped her cup again, raised, drank a sip and
|
|
gigglegiggled. Miss Douce, bending over the teatray, ruffled again her
|
|
nose and rolled droll fattened eyes. Again Kennygiggles, stooping, her
|
|
fair pinnacles of hair, stooping, her tortoise napecomb showed, spluttered
|
|
out of her mouth her tea, choking in tea and laughter, coughing with
|
|
choking, crying:
|
|
|
|
--O greasy eyes! Imagine being married to a man like that! she cried. With
|
|
his bit of beard!
|
|
|
|
Douce gave full vent to a splendid yell, a full yell of full woman,
|
|
delight, joy, indignation.
|
|
|
|
--Married to the greasy nose! she yelled.
|
|
|
|
Shrill, with deep laughter, after, gold after bronze, they urged each
|
|
each to peal after peal, ringing in changes, bronzegold, goldbronze,
|
|
shrilldeep, to laughter after laughter. And then laughed more. Greasy I
|
|
knows. Exhausted, breathless, their shaken heads they laid, braided and
|
|
pinnacled by glossycombed, against the counterledge. All flushed (O!),
|
|
panting, sweating (O!), all breathless.
|
|
|
|
Married to Bloom, to greaseabloom.
|
|
|
|
--O saints above! miss Douce said, sighed above her jumping rose. I wished
|
|
|
|
I hadn't laughed so much. I feel all wet.
|
|
|
|
--O, miss Douce! miss Kennedy protested. You horrid thing!
|
|
|
|
And flushed yet more (you horrid!), more goldenly.
|
|
|
|
By Cantwell's offices roved Greaseabloom, by Ceppi's virgins, bright
|
|
of their oils. Nannetti's father hawked those things about, wheedling at
|
|
doors as I. Religion pays. Must see him for that par. Eat first. I want.
|
|
Not yet. At four, she said. Time ever passing. Clockhands turning. On.
|
|
Where eat? The Clarence, Dolphin. On. For Raoul. Eat. If I net five
|
|
guineas with those ads. The violet silk petticoats. Not yet. The sweets
|
|
of sin.
|
|
|
|
Flushed less, still less, goldenly paled.
|
|
|
|
Into their bar strolled Mr Dedalus. Chips, picking chips off one of his
|
|
rocky thumbnails. Chips. He strolled.
|
|
|
|
--O, welcome back, miss Douce.
|
|
|
|
He held her hand. Enjoyed her holidays?
|
|
|
|
--Tiptop.
|
|
|
|
He hoped she had nice weather in Rostrevor.
|
|
|
|
--Gorgeous, she said. Look at the holy show I am. Lying out on the strand
|
|
all day.
|
|
|
|
Bronze whiteness.
|
|
|
|
--That was exceedingly naughty of you, Mr Dedalus told her and pressed
|
|
her hand indulgently. Tempting poor simple males.
|
|
|
|
Miss Douce of satin douced her arm away.
|
|
|
|
--O go away! she said. You're very simple, I don't think.
|
|
|
|
He was.
|
|
|
|
--Well now I am, he mused. I looked so simple in the cradle they christened
|
|
me simple Simon.
|
|
|
|
--You must have been a doaty, miss Douce made answer. And what did the
|
|
doctor order today?
|
|
|
|
--Well now, he mused, whatever you say yourself. I think I'll trouble you
|
|
for some fresh water and a half glass of whisky.
|
|
|
|
Jingle.
|
|
|
|
--With the greatest alacrity, miss Douce agreed.
|
|
|
|
With grace of alacrity towards the mirror gilt Cantrell and
|
|
Cochrane's she turned herself. With grace she tapped a measure of gold
|
|
whisky from her crystal keg. Forth from the skirt of his coat Mr Dedalus
|
|
brought pouch and pipe. Alacrity she served. He blew through the flue two
|
|
husky fifenotes.
|
|
|
|
--By Jove, he mused, I often wanted to see the Mourne mountains. Must be
|
|
a great tonic in the air down there. But a long threatening comes at last,
|
|
they say. Yes. Yes.
|
|
|
|
Yes. He fingered shreds of hair, her maidenhair, her mermaid's, into
|
|
the bowl. Chips. Shreds. Musing. Mute.
|
|
|
|
None nought said nothing. Yes.
|
|
|
|
Gaily miss Douce polished a tumbler, trilling:
|
|
|
|
--O, IDOLORES, QUEEN OF THE EASTERN SEAS!
|
|
|
|
--Was Mr Lidwell in today?
|
|
|
|
In came Lenehan. Round him peered Lenehan. Mr Bloom reached Essex bridge.
|
|
Yes, Mr Bloom crossed bridge of Yessex. To Martha I must write. Buy paper.
|
|
Daly's. Girl there civil. Bloom. Old Bloom. Blue bloom is on the rye.
|
|
|
|
--He was in at lunchtime, miss Douce said.
|
|
|
|
Lenehan came forward.
|
|
|
|
--Was Mr Boylan looking for me?
|
|
|
|
He asked. She answered:
|
|
|
|
--Miss Kennedy, was Mr Boylan in while I was upstairs?
|
|
|
|
She asked. Miss voice of Kennedy answered, a second teacup poised,
|
|
her gaze upon a page:
|
|
|
|
--No. He was not.
|
|
|
|
Miss gaze of Kennedy, heard, not seen, read on. Lenehan round the
|
|
sandwichbell wound his round body round.
|
|
|
|
--Peep! Who's in the corner?
|
|
|
|
No glance of Kennedy rewarding him he yet made overtures. To mind
|
|
her stops. To read only the black ones: round o and crooked ess.
|
|
|
|
Jingle jaunty jingle.
|
|
|
|
Girlgold she read and did not glance. Take no notice. She took no
|
|
notice while he read by rote a solfa fable for her, plappering flatly:
|
|
|
|
--Ah fox met ah stork. Said thee fox too thee stork: Will you put your
|
|
bill down inn my troath and pull upp ah bone?
|
|
|
|
He droned in vain. Miss Douce turned to her tea aside.
|
|
|
|
He sighed aside:
|
|
|
|
--Ah me! O my!
|
|
|
|
He greeted Mr Dedalus and got a nod.
|
|
|
|
--Greetings from the famous son of a famous father.
|
|
|
|
--Who may he be? Mr Dedalus asked.
|
|
|
|
Lenehan opened most genial arms. Who?
|
|
|
|
--Who may he be? he asked. Can you ask? Stephen, the youthful bard.
|
|
|
|
Dry.
|
|
|
|
Mr Dedalus, famous father, laid by his dry filled pipe.
|
|
|
|
--I see, he said. I didn't recognise him for the moment. I hear he is
|
|
keeping very select company. Have you seen him lately?
|
|
|
|
He had.
|
|
|
|
--I quaffed the nectarbowl with him this very day, said Lenehan. In
|
|
Mooney's EN VILLE and in Mooney's SUR MER. He had received the rhino for
|
|
the labour of his muse.
|
|
|
|
He smiled at bronze's teabathed lips, at listening lips and eyes:
|
|
|
|
--The ELITE of Erin hung upon his lips. The ponderous pundit, Hugh
|
|
|
|
MacHugh, Dublin's most brilliant scribe and editor and that minstrel boy
|
|
of the wild wet west who is known by the euphonious appellation of the
|
|
O'Madden Burke.
|
|
|
|
After an interval Mr Dedalus raised his grog and
|
|
|
|
--That must have been highly diverting, said he. I see.
|
|
|
|
He see. He drank. With faraway mourning mountain eye. Set down
|
|
his glass.
|
|
|
|
He looked towards the saloon door.
|
|
|
|
--I see you have moved the piano.
|
|
|
|
--The tuner was in today, miss Douce replied, tuning it for the smoking
|
|
concert and I never heard such an exquisite player.
|
|
|
|
--Is that a fact?
|
|
|
|
--Didn't he, miss Kennedy? The real classical, you know. And blind too,
|
|
poor fellow. Not twenty I'm sure he was.
|
|
|
|
--Is that a fact? Mr Dedalus said.
|
|
|
|
He drank and strayed away.
|
|
|
|
--So sad to look at his face, miss Douce condoled.
|
|
|
|
God's curse on bitch's bastard.
|
|
|
|
Tink to her pity cried a diner's bell. To the door of the bar and
|
|
diningroom came bald Pat, came bothered Pat, came Pat, waiter of
|
|
Ormond. Lager for diner. Lager without alacrity she served.
|
|
|
|
With patience Lenehan waited for Boylan with impatience, for
|
|
jinglejaunty blazes boy.
|
|
|
|
Upholding the lid he (who?) gazed in the coffin (coffin?) at the
|
|
oblique triple (piano!) wires. He pressed (the same who pressed
|
|
indulgently her hand), soft pedalling, a triple of keys to see the
|
|
thicknesses of felt advancing, to hear the muffled hammerfall in action.
|
|
|
|
Two sheets cream vellum paper one reserve two envelopes when I was
|
|
in Wisdom Hely's wise Bloom in Daly's Henry Flower bought. Are you not
|
|
happy in your home? Flower to console me and a pin cuts lo. Means
|
|
something, language of flow. Was it a daisy? Innocence that is.
|
|
Respectable girl meet after mass. Thanks awfully muchly. Wise Bloom eyed
|
|
on the door a poster, a swaying mermaid smoking mid nice waves. Smoke
|
|
mermaids, coolest whiff of all. Hair streaming: lovelorn. For some man.
|
|
For Raoul. He eyed and saw afar on Essex bridge a gay hat riding on a
|
|
jaunting car. It is. Again. Third time. Coincidence.
|
|
|
|
Jingling on supple rubbers it jaunted from the bridge to Ormond
|
|
quay. Follow. Risk it. Go quick. At four. Near now. Out.
|
|
|
|
--Twopence, sir, the shopgirl dared to say.
|
|
|
|
--Aha ... I was forgetting ... Excuse ...
|
|
|
|
--And four.
|
|
|
|
At four she. Winsomely she on Bloohimwhom smiled. Bloo smi qui
|
|
go. Ternoon. Think you're the only pebble on the beach? Does that to all.
|
|
|
|
For men.
|
|
|
|
In drowsy silence gold bent on her page.
|
|
|
|
From the saloon a call came, long in dying. That was a tuningfork the
|
|
tuner had that he forgot that he now struck. A call again. That he now
|
|
poised that it now throbbed. You hear? It throbbed, pure, purer, softly
|
|
and softlier, its buzzing prongs. Longer in dying call.
|
|
|
|
Pat paid for diner's popcorked bottle: and over tumbler, tray and
|
|
popcorked bottle ere he went he whispered, bald and bothered, with Miss
|
|
|
|
Douce.
|
|
|
|
--THE BRIGHT STARS FADE ...
|
|
|
|
A voiceless song sang from within, singing:
|
|
|
|
-- ... THE MORN IS BREAKING.
|
|
|
|
A duodene of birdnotes chirruped bright treble answer under sensitive
|
|
hands. Brightly the keys, all twinkling, linked, all harpsichording,
|
|
called to a voice to sing the strain of dewy morn, of youth, of love's
|
|
leavetaking, life's, love's morn.
|
|
|
|
--THE DEWDROPS PEARL ...
|
|
|
|
Lenehan's lips over the counter lisped a low whistle of decoy.
|
|
|
|
--But look this way, he said, rose of Castile.
|
|
|
|
Jingle jaunted by the curb and stopped.
|
|
|
|
She rose and closed her reading, rose of Castile: fretted, forlorn,
|
|
dreamily rose.
|
|
|
|
--Did she fall or was she pushed? he asked her.
|
|
|
|
She answered, slighting:
|
|
|
|
--Ask no questions and you'll hear no lies.
|
|
|
|
Like lady, ladylike.
|
|
|
|
Blazes Boylan's smart tan shoes creaked on the barfloor where he
|
|
strode. Yes, gold from anear by bronze from afar. Lenehan heard and knew
|
|
and hailed him:
|
|
|
|
--See the conquering hero comes.
|
|
|
|
Between the car and window, warily walking, went Bloom,
|
|
unconquered hero. See me he might. The seat he sat on: warm. Black wary
|
|
hecat walked towards Richie Goulding's legal bag, lifted aloft, saluting.
|
|
|
|
--AND I FROM THEE ...
|
|
|
|
--I heard you were round, said Blazes Boylan.
|
|
|
|
He touched to fair miss Kennedy a rim of his slanted straw. She
|
|
smiled on him. But sister bronze outsmiled her, preening for him her
|
|
richer hair, a bosom and a rose.
|
|
|
|
Smart Boylan bespoke potions.
|
|
|
|
--What's your cry? Glass of bitter? Glass of bitter, please, and a sloegin
|
|
for me. Wire in yet?
|
|
|
|
Not yet. At four she. Who said four?
|
|
|
|
Cowley's red lugs and bulging apple in the door of the sheriff's office.
|
|
|
|
Avoid. Goulding a chance. What is he doing in the Ormond? Car waiting.
|
|
|
|
Wait.
|
|
|
|
Hello. Where off to? Something to eat? I too was just. In here. What,
|
|
Ormond? Best value in Dublin. Is that so? Diningroom. Sit tight there.
|
|
See, not be seen. I think I'll join you. Come on. Richie led on. Bloom
|
|
followed bag. Dinner fit for a prince.
|
|
|
|
Miss Douce reached high to take a flagon, stretching her satin arm,
|
|
her bust, that all but burst, so high.
|
|
|
|
--O! O! jerked Lenehan, gasping at each stretch. O!
|
|
|
|
But easily she seized her prey and led it low in triumph.
|
|
|
|
--Why don't you grow? asked Blazes Boylan.
|
|
|
|
Shebronze, dealing from her oblique jar thick syrupy liquor for his
|
|
lips, looked as it flowed (flower in his coat: who gave him?), and
|
|
syrupped with her voice:
|
|
|
|
--Fine goods in small parcels.
|
|
|
|
That is to say she. Neatly she poured slowsyrupy sloe.
|
|
|
|
--Here's fortune, Blazes said.
|
|
|
|
He pitched a broad coin down. Coin rang.
|
|
|
|
--Hold on, said Lenehan, till I ...
|
|
|
|
--Fortune, he wished, lifting his bubbled ale.
|
|
|
|
--Sceptre will win in a canter, he said.
|
|
|
|
--I plunged a bit, said Boylan winking and drinking. Not on my own, you
|
|
know. Fancy of a friend of mine.
|
|
|
|
Lenehan still drank and grinned at his tilted ale and at miss Douce's
|
|
lips that all but hummed, not shut, the oceansong her lips had trilled.
|
|
|
|
Idolores. The eastern seas.
|
|
|
|
Clock whirred. Miss Kennedy passed their way (flower, wonder who
|
|
gave), bearing away teatray. Clock clacked.
|
|
|
|
Miss Douce took Boylan's coin, struck boldly the cashregister. It
|
|
clanged. Clock clacked. Fair one of Egypt teased and sorted in the till
|
|
and hummed and handed coins in change. Look to the west. A clack. For me.
|
|
|
|
--What time is that? asked Blazes Boylan. Four?
|
|
|
|
O'clock.
|
|
|
|
Lenehan, small eyes ahunger on her humming, bust ahumming,
|
|
tugged Blazes Boylan's elbowsleeve.
|
|
|
|
--Let's hear the time, he said.
|
|
|
|
|
|
The bag of Goulding, Collis, Ward led Bloom by ryebloom flowered
|
|
tables. Aimless he chose with agitated aim, bald Pat attending, a table
|
|
near the door. Be near. At four. Has he forgotten? Perhaps a trick. Not
|
|
come: whet appetite. I couldn't do. Wait, wait. Pat, waiter, waited.
|
|
|
|
Sparkling bronze azure eyed Blazure's skyblue bow and eyes.
|
|
|
|
--Go on, pressed Lenehan. There's no-one. He never heard.
|
|
|
|
-- ... TO FLORA'S LIPS DID HIE.
|
|
|
|
High, a high note pealed in the treble clear.
|
|
|
|
Bronzedouce communing with her rose that sank and rose sought
|
|
|
|
Blazes Boylan's flower and eyes.
|
|
|
|
--Please, please.
|
|
|
|
He pleaded over returning phrases of avowal.
|
|
|
|
--I COULD NOT LEAVE THEE ...
|
|
|
|
--Afterwits, miss Douce promised coyly.
|
|
|
|
--No, now, urged Lenehan. SONNEZLACLOCHE! O do! There's no-one.
|
|
|
|
She looked. Quick. Miss Kenn out of earshot. Sudden bent. Two
|
|
kindling faces watched her bend.
|
|
|
|
Quavering the chords strayed from the air, found it again, lost chord,
|
|
and lost and found it, faltering.
|
|
|
|
--Go on! Do! SONNEZ!
|
|
|
|
Bending, she nipped a peak of skirt above her knee. Delayed. Taunted
|
|
them still, bending, suspending, with wilful eyes.
|
|
|
|
--SONNEZ!
|
|
|
|
Smack. She set free sudden in rebound her nipped elastic garter
|
|
smackwarm against her smackable a woman's warmhosed thigh.
|
|
|
|
--LA CLOCHE! cried gleeful Lenehan. Trained by owner. No sawdust there.
|
|
|
|
She smilesmirked supercilious (wept! aren't men?), but, lightward
|
|
gliding, mild she smiled on Boylan.
|
|
|
|
--You're the essence of vulgarity, she in gliding said.
|
|
|
|
Boylan, eyed, eyed. Tossed to fat lips his chalice, drank off his chalice
|
|
tiny, sucking the last fat violet syrupy drops. His spellbound eyes went
|
|
after, after her gliding head as it went down the bar by mirrors, gilded
|
|
arch for ginger ale, hock and claret glasses shimmering, a spiky shell,
|
|
where it concerted, mirrored, bronze with sunnier bronze.
|
|
|
|
Yes, bronze from anearby.
|
|
|
|
-- ... SWEETHEART, GOODBYE!
|
|
|
|
--I'm off, said Boylan with impatience.
|
|
|
|
He slid his chalice brisk away, grasped his change.
|
|
|
|
--Wait a shake, begged Lenehan, drinking quickly. I wanted to tell you.
|
|
|
|
Tom Rochford ...
|
|
|
|
--Come on to blazes, said Blazes Boylan, going.
|
|
|
|
Lenehan gulped to go.
|
|
|
|
--Got the horn or what? he said. Wait. I'm coming.
|
|
|
|
He followed the hasty creaking shoes but stood by nimbly by the
|
|
threshold, saluting forms, a bulky with a slender.
|
|
|
|
--How do you do, Mr Dollard?
|
|
|
|
--Eh? How do? How do? Ben Dollard's vague bass answered, turning an
|
|
instant from Father Cowley's woe. He won't give you any trouble, Bob. Alf
|
|
Bergan will speak to the long fellow. We'll put a barleystraw in that
|
|
Judas Iscariot's ear this time.
|
|
|
|
Sighing Mr Dedalus came through the saloon, a finger soothing an
|
|
eyelid.
|
|
|
|
--Hoho, we will, Ben Dollard yodled jollily. Come on, Simon. Give us a
|
|
ditty. We heard the piano.
|
|
|
|
Bald Pat, bothered waiter, waited for drink orders. Power for Richie.
|
|
And Bloom? Let me see. Not make him walk twice. His corns. Four now.
|
|
How warm this black is. Course nerves a bit. Refracts (is it?) heat. Let
|
|
me see. Cider. Yes, bottle of cider.
|
|
|
|
--What's that? Mr Dedalus said. I was only vamping, man.
|
|
|
|
--Come on, come on, Ben Dollard called. Begone dull care. Come, Bob.
|
|
|
|
He ambled Dollard, bulky slops, before them (hold that fellow with
|
|
the: hold him now) into the saloon. He plumped him Dollard on the stool.
|
|
His gouty paws plumped chords. Plumped, stopped abrupt.
|
|
|
|
Bald Pat in the doorway met tealess gold returning. Bothered, he
|
|
wanted Power and cider. Bronze by the window, watched, bronze from
|
|
afar.
|
|
|
|
Jingle a tinkle jaunted.
|
|
|
|
Bloom heard a jing, a little sound. He's off. Light sob of breath Bloom
|
|
sighed on the silent bluehued flowers. Jingling. He's gone. Jingle. Hear.
|
|
|
|
--Love and War, Ben, Mr Dedalus said. God be with old times.
|
|
|
|
Miss Douce's brave eyes, unregarded, turned from the crossblind,
|
|
smitten by sunlight. Gone. Pensive (who knows?), smitten (the smiting
|
|
light), she lowered the dropblind with a sliding cord. She drew down
|
|
pensive (why did he go so quick when I?) about her bronze, over the bar
|
|
where bald stood by sister gold, inexquisite contrast, contrast
|
|
inexquisite nonexquisite, slow cool dim seagreen sliding depth of shadow,
|
|
EAU DE NIL.
|
|
|
|
--Poor old Goodwin was the pianist that night, Father Cowley reminded
|
|
them. There was a slight difference of opinion between himself and the
|
|
Collard grand.
|
|
|
|
There was.
|
|
|
|
--A symposium all his own, Mr Dedalus said. The devil wouldn't stop him.
|
|
He was a crotchety old fellow in the primary stage of drink.
|
|
|
|
--God, do you remember? Ben bulky Dollard said, turning from the
|
|
punished keyboard. And by Japers I had no wedding garment.
|
|
|
|
They laughed all three. He had no wed. All trio laughed. No wedding
|
|
garment.
|
|
|
|
--Our friend Bloom turned in handy that night, Mr Dedalus said. Where's
|
|
my pipe, by the way?
|
|
|
|
He wandered back to the bar to the lost chord pipe. Bald Pat carried
|
|
two diners' drinks, Richie and Poldy. And Father Cowley laughed again.
|
|
|
|
--I saved the situation, Ben, I think.
|
|
|
|
--You did, averred Ben Dollard. I remember those tight trousers too. That
|
|
was a brilliant idea, Bob.
|
|
|
|
Father Cowley blushed to his brilliant purply lobes. He saved the
|
|
situa. Tight trou. Brilliant ide.
|
|
|
|
--I knew he was on the rocks, he said. The wife was playing the piano in
|
|
the coffee palace on Saturdays for a very trifling consideration and who
|
|
was it gave me the wheeze she was doing the other business? Do you
|
|
remember? We had to search all Holles street to find them till the chap in
|
|
Keogh's gave us the number. Remember? Ben remembered, his broad visage
|
|
wondering.
|
|
|
|
--By God, she had some luxurious operacloaks and things there.
|
|
|
|
Mr Dedalus wandered back, pipe in hand.
|
|
|
|
--Merrion square style. Balldresses, by God, and court dresses. He
|
|
wouldn't take any money either. What? Any God's quantity of cocked hats
|
|
and boleros and trunkhose. What?
|
|
|
|
--Ay, ay, Mr Dedalus nodded. Mrs Marion Bloom has left off clothes of all
|
|
descriptions.
|
|
|
|
Jingle jaunted down the quays. Blazes sprawled on bounding tyres.
|
|
|
|
Liver and bacon. Steak and kidney pie. Right, sir. Right, Pat.
|
|
|
|
Mrs Marion. Met him pike hoses. Smell of burn. Of Paul de Kock. Nice
|
|
name he.
|
|
|
|
--What's this her name was? A buxom lassy. Marion ...
|
|
|
|
--Tweedy.
|
|
|
|
--Yes. Is she alive?
|
|
|
|
--And kicking.
|
|
|
|
--She was a daughter of ...
|
|
|
|
--Daughter of the regiment.
|
|
|
|
--Yes, begad. I remember the old drummajor.
|
|
|
|
Mr Dedalus struck, whizzed, lit, puffed savoury puff after
|
|
|
|
--Irish? I don't know, faith. Is she, Simon?
|
|
|
|
Puff after stiff, a puff, strong, savoury, crackling.
|
|
|
|
--Buccinator muscle is ... What? ... Bit rusty ... O, she is ... My
|
|
Irish Molly, O.
|
|
|
|
He puffed a pungent plumy blast.
|
|
|
|
--From the rock of Gibraltar... all the way.
|
|
|
|
They pined in depth of ocean shadow, gold by the beerpull, bronze by
|
|
maraschino, thoughtful all two. Mina Kennedy, 4 Lismore terrace,
|
|
Drumcondra with Idolores, a queen, Dolores, silent.
|
|
|
|
Pat served, uncovered dishes. Leopold cut liverslices. As said before he
|
|
ate with relish the inner organs, nutty gizzards, fried cods' roes while
|
|
Richie Goulding, Collis, Ward ate steak and kidney, steak then kidney,
|
|
bite by bite of pie he ate Bloom ate they ate.
|
|
|
|
Bloom with Goulding, married in silence, ate. Dinners fit for princes.
|
|
|
|
By Bachelor's walk jogjaunty jingled Blazes Boylan, bachelor, in sun
|
|
in heat, mare's glossy rump atrot, with flick of whip, on bounding tyres:
|
|
sprawled, warmseated, Boylan impatience, ardentbold. Horn. Have you
|
|
the? Horn. Have you the? Haw haw horn.
|
|
|
|
Over their voices Dollard bassooned attack, booming over bombarding
|
|
chords:
|
|
|
|
--WHEN LOVE ABSORBS MY ARDENT SOUL ...
|
|
|
|
Roll of Bensoulbenjamin rolled to the quivery loveshivery roofpanes.
|
|
|
|
--War! War! cried Father Cowley. You're the warrior.
|
|
|
|
--So I am, Ben Warrior laughed. I was thinking of your landlord. Love or
|
|
money.
|
|
|
|
He stopped. He wagged huge beard, huge face over his blunder huge.
|
|
|
|
--Sure, you'd burst the tympanum of her ear, man, Mr Dedalus said
|
|
through smoke aroma, with an organ like yours.
|
|
|
|
In bearded abundant laughter Dollard shook upon the keyboard. He
|
|
would.
|
|
|
|
--Not to mention another membrane, Father Cowley added. Half time,
|
|
Ben. AMOROSO MA NON TROPPO. Let me there.
|
|
|
|
Miss Kennedy served two gentlemen with tankards of cool stout. She
|
|
passed a remark. It was indeed, first gentleman said, beautiful weather.
|
|
They drank cool stout. Did she know where the lord lieutenant was going?
|
|
And heard steelhoofs ringhoof ring. No, she couldn't say. But it would be
|
|
in the paper. O, she need not trouble. No trouble. She waved about her
|
|
outspread INDEPENDENT, searching, the lord lieutenant, her pinnacles of
|
|
hair slowmoving, lord lieuten. Too much trouble, first gentleman said. O,
|
|
not in the least. Way he looked that. Lord lieutenant. Gold by bronze
|
|
heard iron steel.
|
|
|
|
-- ............ MY ARDENT SOUL
|
|
I CARE NOT FOROR THE MORROW.
|
|
|
|
In liver gravy Bloom mashed mashed potatoes. Love and War
|
|
someone is. Ben Dollard's famous. Night he ran round to us to borrow a
|
|
dress suit for that concert. Trousers tight as a drum on him. Musical
|
|
porkers. Molly did laugh when he went out. Threw herself back across the
|
|
bed, screaming, kicking. With all his belongings on show. O saints above,
|
|
I'm drenched! O, the women in the front row! O, I never laughed so many!
|
|
Well, of course that's what gives him the base barreltone. For instance
|
|
eunuchs. Wonder who's playing. Nice touch. Must be Cowley. Musical.
|
|
Knows whatever note you play. Bad breath he has, poor chap. Stopped.
|
|
|
|
Miss Douce, engaging, Lydia Douce, bowed to suave solicitor, George
|
|
Lidwell, gentleman, entering. Good afternoon. She gave her moist
|
|
(a lady's) hand to his firm clasp. Afternoon. Yes, she was back. To the
|
|
old dingdong again.
|
|
|
|
--Your friends are inside, Mr Lidwell.
|
|
|
|
George Lidwell, suave, solicited, held a lydiahand.
|
|
|
|
Bloom ate liv as said before. Clean here at least. That chap in the
|
|
Burton, gummy with gristle. No-one here: Goulding and I. Clean tables,
|
|
flowers, mitres of napkins. Pat to and fro. Bald Pat. Nothing to do. Best
|
|
value in Dub.
|
|
|
|
Piano again. Cowley it is. Way he sits in to it, like one together,
|
|
mutual understanding. Tiresome shapers scraping fiddles, eye on the
|
|
bowend, sawing the cello, remind you of toothache. Her high long snore.
|
|
Night we were in the box. Trombone under blowing like a grampus,
|
|
between the acts, other brass chap unscrewing, emptying spittle.
|
|
Conductor's legs too, bagstrousers, jiggedy jiggedy. Do right to hide
|
|
them.
|
|
|
|
Jiggedy jingle jaunty jaunty.
|
|
|
|
Only the harp. Lovely. Gold glowering light. Girl touched it. Poop of
|
|
a lovely. Gravy's rather good fit for a. Golden ship. Erin. The harp that
|
|
once or twice. Cool hands. Ben Howth, the rhododendrons. We are their
|
|
harps. I. He. Old. Young.
|
|
|
|
--Ah, I couldn't, man, Mr Dedalus said, shy, listless.
|
|
|
|
Strongly.
|
|
|
|
--Go on, blast you! Ben Dollard growled. Get it out in bits.
|
|
|
|
--M'APPARI, Simon, Father Cowley said.
|
|
|
|
Down stage he strode some paces, grave, tall in affliction, his long
|
|
arms outheld. Hoarsely the apple of his throat hoarsed softly. Softly he
|
|
sang to a dusty seascape there: A LAST FAREWELL. A headland, a ship, a
|
|
sail upon the billows. Farewell. A lovely girl, her veil awave upon the
|
|
wind upon the headland, wind around her.
|
|
|
|
Cowley sang:
|
|
|
|
|
|
--M'APPARI TUTT'AMOR:
|
|
IL MIO SGUARDO L'INCONTR ...
|
|
|
|
|
|
She waved, unhearing Cowley, her veil, to one departing, dear one, to
|
|
wind, love, speeding sail, return.
|
|
|
|
--Go on, Simon.
|
|
|
|
--Ah, sure, my dancing days are done, Ben ... Well ...
|
|
|
|
Mr Dedalus laid his pipe to rest beside the tuningfork and, sitting,
|
|
touched the obedient keys.
|
|
|
|
--No, Simon, Father Cowley turned. Play it in the original. One flat.
|
|
|
|
The keys, obedient, rose higher, told, faltered, confessed, confused.
|
|
|
|
Up stage strode Father Cowley.
|
|
|
|
--Here, Simon, I'll accompany you, he said. Get up.
|
|
|
|
By Graham Lemon's pineapple rock, by Elvery's elephant jingly
|
|
jogged. Steak, kidney, liver, mashed, at meat fit for princes sat princes
|
|
Bloom and Goulding. Princes at meat they raised and drank, Power and
|
|
cider.
|
|
|
|
Most beautiful tenor air ever written, Richie said: SONNAMBULA. He
|
|
heard Joe Maas sing that one night. Ah, what M'Guckin! Yes. In his way.
|
|
Choirboy style. Maas was the boy. Massboy. A lyrical tenor if you like.
|
|
Never forget it. Never.
|
|
|
|
Tenderly Bloom over liverless bacon saw the tightened features strain.
|
|
Backache he. Bright's bright eye. Next item on the programme. Paying the
|
|
piper. Pills, pounded bread, worth a guinea a box. Stave it off awhile.
|
|
Sings too: DOWN AMONG THE DEAD MEN. Appropriate. Kidney pie. Sweets to
|
|
the. Not making much hand of it. Best value in. Characteristic of him.
|
|
Power. Particular about his drink. Flaw in the glass, fresh Vartry water.
|
|
Fecking matches from counters to save. Then squander a sovereign in dribs
|
|
and drabs. And when he's wanted not a farthing. Screwed refusing to pay
|
|
his fare. Curious types.
|
|
|
|
Never would Richie forget that night. As long as he lived: never. In
|
|
the gods of the old Royal with little Peake. And when the first note.
|
|
|
|
Speech paused on Richie's lips.
|
|
|
|
Coming out with a whopper now. Rhapsodies about damn all.
|
|
|
|
Believes his own lies. Does really. Wonderful liar. But want a good
|
|
memory.
|
|
|
|
--Which air is that? asked Leopold Bloom.
|
|
|
|
--ALL IS LOST NOW.
|
|
|
|
Richie cocked his lips apout. A low incipient note sweet banshee murmured:
|
|
all. A thrush. A throstle. His breath, birdsweet, good teeth he's
|
|
proud of, fluted with plaintive woe. Is lost. Rich sound. Two notes in one
|
|
there. Blackbird I heard in the hawthorn valley. Taking my motives he
|
|
twined and turned them. All most too new call is lost in all. Echo. How
|
|
sweet the answer. How is that done? All lost now. Mournful he whistled.
|
|
Fall, surrender, lost.
|
|
|
|
Bloom bent leopold ear, turning a fringe of doyley down under the
|
|
vase. Order. Yes, I remember. Lovely air. In sleep she went to him.
|
|
Innocence in the moon. Brave. Don't know their danger. Still hold her
|
|
back. Call name. Touch water. Jingle jaunty. Too late. She longed to go.
|
|
That's why. Woman. As easy stop the sea. Yes: all is lost.
|
|
|
|
--A beautiful air, said Bloom lost Leopold. I know it well.
|
|
|
|
Never in all his life had Richie Goulding.
|
|
|
|
He knows it well too. Or he feels. Still harping on his daughter. Wise
|
|
child that knows her father, Dedalus said. Me?
|
|
|
|
Bloom askance over liverless saw. Face of the all is lost. Rollicking
|
|
Richie once. Jokes old stale now. Wagging his ear. Napkinring in his eye.
|
|
Now begging letters he sends his son with. Crosseyed Walter sir I did sir.
|
|
Wouldn't trouble only I was expecting some money. Apologise.
|
|
|
|
Piano again. Sounds better than last time I heard. Tuned probably.
|
|
Stopped again.
|
|
|
|
Dollard and Cowley still urged the lingering singer out with it.
|
|
|
|
--With it, Simon.
|
|
|
|
--It, Simon.
|
|
|
|
--Ladies and gentlemen, I am most deeply obliged by your kind
|
|
solicitations.
|
|
|
|
--It, Simon.
|
|
|
|
--I have no money but if you will lend me your attention I shall endeavour
|
|
to sing to you of a heart bowed down.
|
|
|
|
By the sandwichbell in screening shadow Lydia, her bronze and rose,
|
|
a lady's grace, gave and withheld: as in cool glaucous EAU DE NIL Mina
|
|
to tankards two her pinnacles of gold.
|
|
|
|
The harping chords of prelude closed. A chord, longdrawn, expectant,
|
|
drew a voice away.
|
|
|
|
--WHEN FIRST I SAW THAT FORM ENDEARING ...
|
|
|
|
Richie turned.
|
|
|
|
--Si Dedalus' voice, he said.
|
|
|
|
Braintipped, cheek touched with flame, they listened feeling that flow
|
|
endearing flow over skin limbs human heart soul spine. Bloom signed to
|
|
Pat, bald Pat is a waiter hard of hearing, to set ajar the door of the
|
|
bar. The door of the bar. So. That will do. Pat, waiter, waited, waiting
|
|
to hear, for he was hard of hear by the door.
|
|
|
|
--SORROW FROM ME SEEMED TO DEPART.
|
|
|
|
Through the hush of air a voice sang to them, low, not rain, not leaves
|
|
in murmur, like no voice of strings or reeds or whatdoyoucallthem
|
|
dulcimers touching their still ears with words, still hearts of their each
|
|
his remembered lives. Good, good to hear: sorrow from them each seemed to
|
|
from both depart when first they heard. When first they saw, lost Richie
|
|
Poldy, mercy of beauty, heard from a person wouldn't expect it in the
|
|
least, her first merciful lovesoft oftloved word.
|
|
|
|
Love that is singing: love's old sweet song. Bloom unwound slowly
|
|
the elastic band of his packet. Love's old sweet SONNEZ LA gold. Bloom
|
|
wound a skein round four forkfingers, stretched it, relaxed, and wound it
|
|
round his troubled double, fourfold, in octave, gyved them fast.
|
|
|
|
--FULL OF HOPE AND ALL DELIGHTED ...
|
|
|
|
Tenors get women by the score. Increase their flow. Throw flower at
|
|
his feet. When will we meet? My head it simply. Jingle all delighted. He
|
|
can't sing for tall hats. Your head it simply swurls. Perfumed for him.
|
|
What perfume does your wife? I want to know. Jing. Stop. Knock. Last look
|
|
at mirror always before she answers the door. The hall. There? How do you?
|
|
I do well. There? What? Or? Phial of cachous, kissing comfits, in her
|
|
satchel. Yes? Hands felt for the opulent.
|
|
|
|
Alas the voice rose, sighing, changed: loud, full, shining, proud.
|
|
|
|
--BUT ALAS, 'TWAS IDLE DREAMING ...
|
|
|
|
Glorious tone he has still. Cork air softer also their brogue. Silly man!
|
|
Could have made oceans of money. Singing wrong words. Wore out his
|
|
wife: now sings. But hard to tell. Only the two themselves. If he doesn't
|
|
break down. Keep a trot for the avenue. His hands and feet sing too.
|
|
Drink. Nerves overstrung. Must be abstemious to sing. Jenny Lind soup:
|
|
stock, sage, raw eggs, half pint of cream. For creamy dreamy.
|
|
|
|
Tenderness it welled: slow, swelling, full it throbbed. That's the chat.
|
|
Ha, give! Take! Throb, a throb, a pulsing proud erect.
|
|
|
|
Words? Music? No: it's what's behind.
|
|
|
|
Bloom looped, unlooped, noded, disnoded.
|
|
|
|
Bloom. Flood of warm jamjam lickitup secretness flowed to flow in
|
|
music out, in desire, dark to lick flow invading. Tipping her tepping her
|
|
tapping her topping her. Tup. Pores to dilate dilating. Tup. The joy the
|
|
feel the warm the. Tup. To pour o'er sluices pouring gushes. Flood, gush,
|
|
flow, joygush, tupthrob. Now! Language of love.
|
|
|
|
-- ... RAY OF HOPE IS ...
|
|
|
|
Beaming. Lydia for Lidwell squeak scarcely hear so ladylike the muse
|
|
unsqueaked a ray of hopk.
|
|
|
|
MARTHA it is. Coincidence. Just going to write. Lionel's song. Lovely
|
|
name you have. Can't write. Accept my little pres. Play on her
|
|
heartstrings pursestrings too. She's a. I called you naughty boy. Still
|
|
the name: Martha. How strange! Today.
|
|
|
|
The voice of Lionel returned, weaker but unwearied. It sang again to
|
|
Richie Poldy Lydia Lidwell also sang to Pat open mouth ear waiting to
|
|
wait. How first he saw that form endearing, how sorrow seemed to part,
|
|
how look, form, word charmed him Gould Lidwell, won Pat Bloom's heart.
|
|
|
|
Wish I could see his face, though. Explain better. Why the barber in
|
|
Drago's always looked my face when I spoke his face in the glass. Still
|
|
hear it better here than in the bar though farther.
|
|
|
|
--EACH GRACEFUL LOOK ...
|
|
|
|
First night when first I saw her at Mat Dillon's in Terenure. Yellow,
|
|
black lace she wore. Musical chairs. We two the last. Fate. After her.
|
|
Fate.
|
|
|
|
Round and round slow. Quick round. We two. All looked. Halt. Down she
|
|
sat. All ousted looked. Lips laughing. Yellow knees.
|
|
|
|
--CHARMED MY EYE ...
|
|
|
|
Singing. WAITING she sang. I turned her music. Full voice of perfume
|
|
of what perfume does your lilactrees. Bosom I saw, both full, throat
|
|
warbling. First I saw. She thanked me. Why did she me? Fate. Spanishy
|
|
eyes. Under a peartree alone patio this hour in old Madrid one side in
|
|
shadow Dolores shedolores. At me. Luring. Ah, alluring.
|
|
|
|
--MARTHA! AH, MARTHA!
|
|
|
|
Quitting all languor Lionel cried in grief, in cry of passion dominant
|
|
to love to return with deepening yet with rising chords of harmony. In cry
|
|
of lionel loneliness that she should know, must martha feel. For only her
|
|
he waited. Where? Here there try there here all try where. Somewhere.
|
|
|
|
--CO-OME, THOU LOST ONE!
|
|
CO-OME, THOU DEAR ONE!
|
|
|
|
Alone. One love. One hope. One comfort me. Martha, chestnote, return!
|
|
|
|
--COME!
|
|
|
|
It soared, a bird, it held its flight, a swift pure cry, soar silver orb
|
|
it leaped serene, speeding, sustained, to come, don't spin it out too long
|
|
long breath he breath long life, soaring high, high resplendent, aflame,
|
|
crowned, high in the effulgence symbolistic, high, of the etherial bosom,
|
|
high, of the high vast irradiation everywhere all soaring all around about
|
|
the all, the endlessnessnessness ...
|
|
|
|
--TO ME!
|
|
|
|
Siopold!
|
|
|
|
Consumed.
|
|
|
|
Come. Well sung. All clapped. She ought to. Come. To me, to him, to
|
|
her, you too, me, us.
|
|
|
|
--Bravo! Clapclap. Good man, Simon. Clappyclapclap. Encore!
|
|
Clapclipclap clap. Sound as a bell. Bravo, Simon! Clapclopclap. Encore,
|
|
enclap, said, cried, clapped all, Ben Dollard, Lydia Douce, George
|
|
Lidwell, Pat, Mina Kennedy, two gentlemen with two tankards, Cowley,
|
|
first gent with tank and bronze miss Douce and gold MJiss Mina.
|
|
|
|
Blazes Boylan's smart tan shoes creaked on the barfloor, said before.
|
|
Jingle by monuments of sir John Gray, Horatio onehandled Nelson,
|
|
reverend father Theobald Mathew, jaunted, as said before just now. Atrot,
|
|
in heat, heatseated. CLOCHE. SONNEZ LA. CLOCHE. SONNEZ LA. Slower the mare
|
|
went up the hill by the Rotunda, Rutland square. Too slow for Boylan,
|
|
blazes Boylan, impatience Boylan, joggled the mare.
|
|
|
|
An afterclang of Cowley's chords closed, died on the air made richer.
|
|
|
|
And Richie Goulding drank his Power and Leopold Bloom his cider
|
|
drank, Lidwell his Guinness, second gentleman said they would partake of
|
|
two more tankards if she did not mind. Miss Kennedy smirked, disserving,
|
|
coral lips, at first, at second. She did not mind.
|
|
|
|
--Seven days in jail, Ben Dollard said, on bread and water. Then you'd
|
|
sing, Simon, like a garden thrush.
|
|
|
|
Lionel Simon, singer, laughed. Father Bob Cowley played. Mina
|
|
Kennedy served. Second gentleman paid. Tom Kernan strutted in. Lydia,
|
|
admired, admired. But Bloom sang dumb.
|
|
|
|
Admiring.
|
|
|
|
Richie, admiring, descanted on that man's glorious voice. He
|
|
remembered one night long ago. Never forget that night. Si sang 'TWAS
|
|
RANK AND FAME: in Ned Lambert's 'twas. Good God he never heard in all his
|
|
life a note like that he never did THEN FALSE ONE WE HAD BETTER PART so
|
|
clear so God he never heard SINCE LOVE LIVES NOT a clinking voice lives
|
|
not ask Lambert he can tell you too.
|
|
|
|
Goulding, a flush struggling in his pale, told Mr Bloom, face of the
|
|
night, Si in Ned Lambert's, Dedalus house, sang 'TWAS RANK AND FAME.
|
|
|
|
He, Mr Bloom, listened while he, Richie Goulding, told him, Mr
|
|
Bloom, of the night he, Richie, heard him, Si Dedalus, sing 'TWAS RANK AND
|
|
FAME in his, Ned Lambert's, house.
|
|
|
|
Brothers-in-law: relations. We never speak as we pass by. Rift in the
|
|
lute I think. Treats him with scorn. See. He admires him all the more. The
|
|
night Si sang. The human voice, two tiny silky chords, wonderful, more
|
|
than all others.
|
|
|
|
That voice was a lamentation. Calmer now. It's in the silence after
|
|
you feel you hear. Vibrations. Now silent air.
|
|
|
|
Bloom ungyved his crisscrossed hands and with slack fingers plucked
|
|
the slender catgut thong. He drew and plucked. It buzz, it twanged. While
|
|
Goulding talked of Barraclough's voice production, while Tom Kernan,
|
|
harking back in a retrospective sort of arrangement talked to listening
|
|
Father Cowley, who played a voluntary, who nodded as he played. While
|
|
big Ben Dollard talked with Simon Dedalus, lighting, who nodded as he
|
|
smoked, who smoked.
|
|
|
|
Thou lost one. All songs on that theme. Yet more Bloom stretched his
|
|
string. Cruel it seems. Let people get fond of each other: lure them on.
|
|
Then tear asunder. Death. Explos. Knock on the head. Outtohelloutofthat.
|
|
Human life. Dignam. Ugh, that rat's tail wriggling! Five bob I gave.
|
|
CORPUS PARADISUM. Corncrake croaker: belly like a poisoned pup. Gone.
|
|
They sing. Forgotten. I too; And one day she with. Leave her: get tired.
|
|
Suffer then. Snivel. Big spanishy eyes goggling at nothing. Her
|
|
wavyavyeavyheavyeavyevyevyhair un comb:'d.
|
|
|
|
Yet too much happy bores. He stretched more, more. Are you not
|
|
happy in your? Twang. It snapped.
|
|
|
|
Jingle into Dorset street.
|
|
|
|
Miss Douce withdrew her satiny arm, reproachful, pleased.
|
|
|
|
--Don't make half so free, said she, till we are better acquainted.
|
|
|
|
George Lidwell told her really and truly: but she did not believe.
|
|
|
|
First gentleman told Mina that was so. She asked him was that so.
|
|
And second tankard told her so. That that was so.
|
|
|
|
Miss Douce, miss Lydia, did not believe: miss Kennedy, Mina, did not
|
|
believe: George Lidwell, no: miss Dou did not: the first, the first: gent
|
|
with the tank: believe, no, no: did not, miss Kenn: Lidlydiawell: the
|
|
tank.
|
|
|
|
Better write it here. Quills in the postoffice chewed and twisted.
|
|
|
|
Bald Pat at a sign drew nigh. A pen and ink. He went. A pad. He
|
|
went. A pad to blot. He heard, deaf Pat.
|
|
|
|
--Yes, Mr Bloom said, teasing the curling catgut line. It certainly is.
|
|
Few lines will do. My present. All that Italian florid music is. Who is
|
|
this wrote? Know the name you know better. Take out sheet notepaper,
|
|
envelope: unconcerned. It's so characteristic.
|
|
|
|
--Grandest number in the whole opera, Goulding said.
|
|
|
|
--It is, Bloom said.
|
|
|
|
Numbers it is. All music when you come to think. Two multiplied by two
|
|
divided by half is twice one. Vibrations: chords those are. One plus two
|
|
plus six is seven. Do anything you like with figures juggling. Always find
|
|
out this equal to that. Symmetry under a cemetery wall. He doesn't see my
|
|
mourning. Callous: all for his own gut. Musemathematics. And you think
|
|
you're listening to the etherial. But suppose you said it like: Martha,
|
|
seven times nine minus x is thirtyfive thousand. Fall quite flat. It's on
|
|
account of the sounds it is.
|
|
|
|
Instance he's playing now. Improvising. Might be what you like, till
|
|
you hear the words. Want to listen sharp. Hard. Begin all right: then hear
|
|
chords a bit off: feel lost a bit. In and out of sacks, over barrels,
|
|
through wirefences, obstacle race. Time makes the tune. Question of mood
|
|
you're in. Still always nice to hear. Except scales up and down, girls
|
|
learning. Two together nextdoor neighbours. Ought to invent dummy pianos
|
|
for that. BLUMENLIED I bought for her. The name. Playing it slow, a girl,
|
|
night I came home, the girl. Door of the stables near Cecilia street.
|
|
Milly no taste. Queer because we both, I mean.
|
|
|
|
Bald deaf Pat brought quite flat pad ink. Pat set with ink pen quite
|
|
flat pad. Pat took plate dish knife fork. Pat went.
|
|
|
|
It was the only language Mr Dedalus said to Ben. He heard them as a
|
|
boy in Ringabella, Crosshaven, Ringabella, singing their barcaroles.
|
|
Queenstown harbour full of Italian ships. Walking, you know, Ben, in the
|
|
moonlight with those earthquake hats. Blending their voices. God, such
|
|
music, Ben. Heard as a boy. Cross Ringabella haven mooncarole.
|
|
|
|
Sour pipe removed he held a shield of hand beside his lips that cooed
|
|
a moonlight nightcall, clear from anear, a call from afar, replying.
|
|
|
|
Down the edge of his FREEMAN baton ranged Bloom's, your other eye,
|
|
scanning for where did I see that. Callan, Coleman, Dignam Patrick.
|
|
Heigho! Heigho! Fawcett. Aha! Just I was looking ...
|
|
|
|
Hope he's not looking, cute as a rat. He held unfurled his FREEMAN.
|
|
Can't see now. Remember write Greek ees. Bloom dipped, Bloo mur: dear
|
|
sir. Dear Henry wrote: dear Mady. Got your lett and flow. Hell did I put?
|
|
Some pock or oth. It is utterl imposs. Underline IMPOSS. To write today.
|
|
|
|
Bore this. Bored Bloom tambourined gently with I am just reflecting
|
|
fingers on flat pad Pat brought.
|
|
|
|
On. Know what I mean. No, change that ee. Accep my poor litt pres
|
|
enclos. Ask her no answ. Hold on. Five Dig. Two about here. Penny the
|
|
gulls. Elijah is com. Seven Davy Byrne's. Is eight about. Say half a
|
|
crown. My poor little pres: p. o. two and six. Write me a long. Do you
|
|
despise? Jingle, have you the? So excited. Why do you call me naught?
|
|
You naughty too? O, Mairy lost the string of her. Bye for today. Yes, yes,
|
|
will tell you. Want to. To keep it up. Call me that other. Other world she
|
|
wrote. My patience are exhaust. To keep it up. You must believe. Believe.
|
|
The tank. It. Is. True.
|
|
|
|
Folly am I writing? Husbands don't. That's marriage does, their
|
|
wives. Because I'm away from. Suppose. But how? She must. Keep young.
|
|
If she found out. Card in my high grade ha. No, not tell all. Useless
|
|
pain. If they don't see. Woman. Sauce for the gander.
|
|
|
|
A hackney car, number three hundred and twentyfour, driver Barton James of
|
|
number one Harmony avenue, Donnybrook, on which sat a fare, a young
|
|
gentleman, stylishly dressed in an indigoblue serge suit made by
|
|
George Robert Mesias, tailor and cutter, of number five Eden quay, and
|
|
wearing a straw hat very dressy, bought of John Plasto of number one
|
|
Great Brunswick street, hatter. Eh? This is the jingle that joggled and
|
|
jingled. By Dlugacz' porkshop bright tubes of Agendath trotted a
|
|
gallantbuttocked mare.
|
|
|
|
--Answering an ad? keen Richie's eyes asked Bloom.
|
|
|
|
--Yes, Mr Bloom said. Town traveller. Nothing doing, I expect.
|
|
|
|
Bloom mur: best references. But Henry wrote: it will excite me. You
|
|
know how. In haste. Henry. Greek ee. Better add postscript. What is he
|
|
playing now? Improvising. Intermezzo. P. S. The rum tum tum. How will
|
|
you pun? You punish me? Crooked skirt swinging, whack by. Tell me I want
|
|
to. Know. O. Course if I didn't I wouldn't ask. La la la ree. Trails off
|
|
there sad in minor. Why minor sad? Sign H. They like sad tail at end.
|
|
P. P. S. La la la ree. I feel so sad today. La ree. So lonely. Dee.
|
|
|
|
He blotted quick on pad of Pat. Envel. Address. Just copy out of
|
|
paper. Murmured: Messrs Callan, Coleman and Co, limited. Henry wrote:
|
|
|
|
|
|
Miss Martha Clifford
|
|
c/o P. O.
|
|
Dolphin's Barn Lane
|
|
Dublin
|
|
|
|
|
|
Blot over the other so he can't read. There. Right. Idea prize titbit.
|
|
Something detective read off blottingpad. Payment at the rate of guinea
|
|
per col. Matcham often thinks the laughing witch. Poor Mrs Purefoy. U. P:
|
|
up.
|
|
|
|
Too poetical that about the sad. Music did that. Music hath charms.
|
|
Shakespeare said. Quotations every day in the year. To be or not to be.
|
|
Wisdom while you wait.
|
|
|
|
In Gerard's rosery of Fetter lane he walks, greyedauburn. One life is
|
|
all. One body. Do. But do.
|
|
|
|
Done anyhow. Postal order, stamp. Postoffice lower down. Walk
|
|
now. Enough. Barney Kiernan's I promised to meet them. Dislike that job.
|
|
|
|
House of mourning. Walk. Pat! Doesn't hear. Deaf beetle he is.
|
|
|
|
Car near there now. Talk. Talk. Pat! Doesn't. Settling those napkins.
|
|
Lot of ground he must cover in the day. Paint face behind on him then he'd
|
|
be two. Wish they'd sing more. Keep my mind off.
|
|
|
|
Bald Pat who is bothered mitred the napkins. Pat is a waiter hard of
|
|
his hearing. Pat is a waiter who waits while you wait. Hee hee hee hee. He
|
|
waits while you wait. Hee hee. A waiter is he. Hee hee hee hee. He waits
|
|
while you wait. While you wait if you wait he will wait while you wait.
|
|
Hee hee hee hee. Hoh. Wait while you wait.
|
|
|
|
Douce now. Douce Lydia. Bronze and rose.
|
|
|
|
She had a gorgeous, simply gorgeous, time. And look at the lovely
|
|
shell she brought.
|
|
|
|
To the end of the bar to him she bore lightly the spiked and winding
|
|
seahorn that he, George Lidwell, solicitor, might hear.
|
|
|
|
--Listen! she bade him.
|
|
|
|
Under Tom Kernan's ginhot words the accompanist wove music slow.
|
|
Authentic fact. How Walter Bapty lost his voice. Well, sir, the husband
|
|
took him by the throat. SCOUNDREL, said he, YOU'LL SING NO MORE LOVESONGS.
|
|
He did, faith, sir Tom. Bob Cowley wove. Tenors get wom. Cowley lay back.
|
|
|
|
Ah, now he heard, she holding it to his ear. Hear! He heard.
|
|
|
|
Wonderful. She held it to her own. And through the sifted light pale gold
|
|
in contrast glided. To hear.
|
|
|
|
Tap.
|
|
|
|
Bloom through the bardoor saw a shell held at their ears. He heard
|
|
more faintly that that they heard, each for herself alone, then each for
|
|
other, hearing the plash of waves, loudly, a silent roar.
|
|
|
|
Bronze by a weary gold, anear, afar, they listened.
|
|
|
|
Her ear too is a shell, the peeping lobe there. Been to the seaside.
|
|
Lovely seaside girls. Skin tanned raw. Should have put on coldcream first
|
|
make it brown. Buttered toast. O and that lotion mustn't forget. Fever
|
|
near her mouth. Your head it simply. Hair braided over: shell with
|
|
seaweed. Why do they hide their ears with seaweed hair? And Turks the
|
|
mouth, why? Her eyes over the sheet. Yashmak. Find the way in. A cave. No
|
|
admittance except on business.
|
|
|
|
The sea they think they hear. Singing. A roar. The blood it is. Souse
|
|
in the ear sometimes. Well, it's a sea. Corpuscle islands.
|
|
|
|
Wonderful really. So distinct. Again. George Lidwell held its murmur,
|
|
hearing: then laid it by, gently.
|
|
|
|
--What are the wild waves saying? he asked her, smiled.
|
|
|
|
Charming, seasmiling and unanswering Lydia on Lidwell smiled.
|
|
|
|
Tap.
|
|
|
|
By Larry O'Rourke's, by Larry, bold Larry O', Boylan swayed and
|
|
Boylan turned.
|
|
|
|
From the forsaken shell miss Mina glided to her tankards waiting.
|
|
No, she was not so lonely archly miss Douce's head let Mr Lidwell know.
|
|
Walks in the moonlight by the sea. No, not alone. With whom? She nobly
|
|
answered: with a gentleman friend.
|
|
|
|
Bob Cowley's twinkling fingers in the treble played again. The
|
|
landlord has the prior. A little time. Long John. Big Ben. Lightly he
|
|
played a light bright tinkling measure for tripping ladies, arch and
|
|
smiling, and for their gallants, gentlemen friends. One: one, one, one,
|
|
one, one: two, one, three, four.
|
|
|
|
Sea, wind, leaves, thunder, waters, cows lowing, the cattlemarket,
|
|
cocks, hens don't crow, snakes hissss. There's music everywhere.
|
|
Ruttledge's door: ee creaking. No, that's noise. Minuet of DON GIOVANNI
|
|
he's playing now. Court dresses of all descriptions in castle chambers
|
|
dancing. Misery. Peasants outside. Green starving faces eating
|
|
dockleaves. Nice that is. Look: look, look, look, look, look: you
|
|
look at us.
|
|
|
|
That's joyful I can feel. Never have written it. Why? My joy is other
|
|
joy. But both are joys. Yes, joy it must be. Mere fact of music shows you
|
|
are. Often thought she was in the dumps till she began to lilt. Then
|
|
know.
|
|
|
|
M'Coy valise. My wife and your wife. Squealing cat. Like tearing silk.
|
|
Tongue when she talks like the clapper of a bellows. They can't manage
|
|
men's intervals. Gap in their voices too. Fill me. I'm warm, dark, open.
|
|
Molly in QUIS EST HOMO: Mercadante. My ear against the wall to hear. Want
|
|
a woman who can deliver the goods.
|
|
|
|
Jog jig jogged stopped. Dandy tan shoe of dandy Boylan socks
|
|
skyblue clocks came light to earth.
|
|
|
|
O, look we are so! Chamber music. Could make a kind of pun on
|
|
that. It is a kind of music I often thought when she. Acoustics that is.
|
|
Tinkling. Empty vessels make most noise. Because the acoustics, the
|
|
resonance changes according as the weight of the water is equal to the law
|
|
of falling water. Like those rhapsodies of Liszt's, Hungarian, gipsyeyed.
|
|
Pearls. Drops. Rain. Diddleiddle addleaddle ooddleooddle. Hissss. Now.
|
|
Maybe now. Before.
|
|
|
|
One rapped on a door, one tapped with a knock, did he knock Paul
|
|
de Kock with a loud proud knocker with a cock carracarracarra cock.
|
|
Cockcock.
|
|
|
|
Tap.
|
|
|
|
--QUI SDEGNO, Ben, said Father Cowley.
|
|
|
|
--No, Ben, Tom Kernan interfered. THE CROPPY BOY. Our native Doric.
|
|
|
|
--Ay do, Ben, Mr Dedalus said. Good men and true.
|
|
|
|
--Do, do, they begged in one.
|
|
|
|
I'll go. Here, Pat, return. Come. He came, he came, he did not stay.
|
|
To me. How much?
|
|
|
|
--What key? Six sharps?
|
|
|
|
--F sharp major, Ben Dollard said.
|
|
|
|
Bob Cowley's outstretched talons griped the black deepsounding chords.
|
|
|
|
Must go prince Bloom told Richie prince. No, Richie said. Yes, must.
|
|
Got money somewhere. He's on for a razzle backache spree. Much? He
|
|
seehears lipspeech. One and nine. Penny for yourself. Here. Give him
|
|
twopence tip. Deaf, bothered. But perhaps he has wife and family waiting,
|
|
waiting Patty come home. Hee hee hee hee. Deaf wait while they wait.
|
|
|
|
But wait. But hear. Chords dark. Lugugugubrious. Low. In a cave of
|
|
the dark middle earth. Embedded ore. Lumpmusic.
|
|
|
|
The voice of dark age, of unlove, earth's fatigue made grave approach
|
|
and painful, come from afar, from hoary mountains, called on good men
|
|
and true. The priest he sought. With him would he speak a word.
|
|
|
|
Tap.
|
|
|
|
Ben Dollard's voice. Base barreltone. Doing his level best to say it.
|
|
Croak of vast manless moonless womoonless marsh. Other comedown. Big
|
|
ships' chandler's business he did once. Remember: rosiny ropes, ships'
|
|
lanterns. Failed to the tune of ten thousand pounds. Now in the Iveagh
|
|
home. Cubicle number so and so. Number one Bass did that for him.
|
|
|
|
The priest's at home. A false priest's servant bade him welcome. Step
|
|
in. The holy father. With bows a traitor servant. Curlycues of chords.
|
|
|
|
Ruin them. Wreck their lives. Then build them cubicles to end their
|
|
days in. Hushaby. Lullaby. Die, dog. Little dog, die.
|
|
|
|
The voice of warning, solemn warning, told them the youth had
|
|
entered a lonely hall, told them how solemn fell his footsteps there, told
|
|
them the gloomy chamber, the vested priest sitting to shrive.
|
|
|
|
Decent soul. Bit addled now. Thinks he'll win in ANSWERS, poets'
|
|
picture puzzle. We hand you crisp five pound note. Bird sitting hatching
|
|
in a nest. Lay of the last minstrel he thought it was. See blank tee what
|
|
domestic animal? Tee dash ar most courageous mariner. Good voice he has
|
|
still. No eunuch yet with all his belongings.
|
|
|
|
Listen. Bloom listened. Richie Goulding listened. And by the door
|
|
deaf Pat, bald Pat, tipped Pat, listened. The chords harped slower.
|
|
|
|
The voice of penance and of grief came slow, embellished, tremulous.
|
|
Ben's contrite beard confessed. IN NOMINE DOMINI, in God's name he knelt.
|
|
He beat his hand upon his breast, confessing: MEA CULPA.
|
|
|
|
Latin again. That holds them like birdlime. Priest with the
|
|
communion corpus for those women. Chap in the mortuary, coffin or
|
|
coffey, CORPUSNOMINE. Wonder where that rat is by now. Scrape.
|
|
|
|
Tap.
|
|
|
|
They listened. Tankards and miss Kennedy. George Lidwell, eyelid
|
|
well expressive, fullbusted satin. Kernan. Si.
|
|
|
|
The sighing voice of sorrow sang. His sins. Since Easter he had
|
|
cursed three times. You bitch's bast. And once at masstime he had gone to
|
|
play. Once by the churchyard he had passed and for his mother's rest he
|
|
had not prayed. A boy. A croppy boy.
|
|
|
|
Bronze, listening, by the beerpull gazed far away. Soulfully. Doesn't
|
|
half know I'm. Molly great dab at seeing anyone looking.
|
|
|
|
Bronze gazed far sideways. Mirror there. Is that best side of her face?
|
|
They always know. Knock at the door. Last tip to titivate.
|
|
|
|
Cockcarracarra.
|
|
|
|
What do they think when they hear music? Way to catch rattlesnakes.
|
|
Night Michael Gunn gave us the box. Tuning up. Shah of Persia liked that
|
|
best. Remind him of home sweet home. Wiped his nose in curtain too.
|
|
Custom his country perhaps. That's music too. Not as bad as it sounds.
|
|
Tootling. Brasses braying asses through uptrunks. Doublebasses helpless,
|
|
gashes in their sides. Woodwinds mooing cows. Semigrand open crocodile
|
|
music hath jaws. Woodwind like Goodwin's name.
|
|
|
|
She looked fine. Her crocus dress she wore lowcut, belongings on
|
|
show. Clove her breath was always in theatre when she bent to ask a
|
|
question. Told her what Spinoza says in that book of poor papa's.
|
|
Hypnotised, listening. Eyes like that. She bent. Chap in dresscircle
|
|
staring down into her with his operaglass for all he was worth. Beauty
|
|
of music you must hear twice. Nature woman half a look. God made the
|
|
country man the tune. Met him pike hoses. Philosophy. O rocks!
|
|
|
|
All gone. All fallen. At the siege of Ross his father, at Gorey all his
|
|
brothers fell. To Wexford, we are the boys of Wexford, he would. Last of
|
|
his name and race.
|
|
|
|
I too. Last of my race. Milly young student. Well, my fault perhaps.
|
|
No son. Rudy. Too late now. Or if not? If not? If still?
|
|
|
|
He bore no hate.
|
|
|
|
Hate. Love. Those are names. Rudy. Soon I am old. Big Ben his voice
|
|
unfolded. Great voice Richie Goulding said, a flush struggling in his
|
|
pale, to Bloom soon old. But when was young?
|
|
|
|
Ireland comes now. My country above the king. She listens. Who
|
|
fears to speak of nineteen four? Time to be shoving. Looked enough.
|
|
|
|
--BLESS ME, FATHER, Dollard the croppy cried. BLESS ME AND LET ME GO.
|
|
|
|
Tap.
|
|
|
|
Bloom looked, unblessed to go. Got up to kill: on eighteen bob a
|
|
week. Fellows shell out the dibs. Want to keep your weathereye open. Those
|
|
girls, those lovely. By the sad sea waves. Chorusgirl's romance. Letters
|
|
read out for breach of promise. From Chickabiddy's owny Mumpsypum.
|
|
Laughter in court. Henry. I never signed it. The lovely name you.
|
|
|
|
Low sank the music, air and words. Then hastened. The false priest
|
|
rustling soldier from his cassock. A yeoman captain. They know it all by
|
|
heart. The thrill they itch for. Yeoman cap.
|
|
|
|
Tap. Tap.
|
|
|
|
Thrilled she listened, bending in sympathy to hear.
|
|
|
|
Blank face. Virgin should say: or fingered only. Write something on
|
|
it: page. If not what becomes of them? Decline, despair. Keeps them young.
|
|
Even admire themselves. See. Play on her. Lip blow. Body of white woman,
|
|
a flute alive. Blow gentle. Loud. Three holes, all women. Goddess I didn't
|
|
see. They want it. Not too much polite. That's why he gets them. Gold in
|
|
your pocket, brass in your face. Say something. Make her hear. With look
|
|
to look. Songs without words. Molly, that hurdygurdy boy. She knew he
|
|
meant the monkey was sick. Or because so like the Spanish. Understand
|
|
animals too that way. Solomon did. Gift of nature.
|
|
|
|
Ventriloquise. My lips closed. Think in my stom. What?
|
|
|
|
Will? You? I. Want. You. To.
|
|
|
|
With hoarse rude fury the yeoman cursed, swelling in apoplectic
|
|
bitch's bastard. A good thought, boy, to come. One hour's your time to
|
|
live, your last.
|
|
|
|
Tap. Tap.
|
|
|
|
Thrill now. Pity they feel. To wipe away a tear for martyrs that want
|
|
to, dying to, die. For all things dying, for all things born. Poor Mrs
|
|
Purefoy. Hope she's over. Because their wombs.
|
|
|
|
A liquid of womb of woman eyeball gazed under a fence of lashes,
|
|
calmly, hearing. See real beauty of the eye when she not speaks. On yonder
|
|
river. At each slow satiny heaving bosom's wave (her heaving embon) red
|
|
rose rose slowly sank red rose. Heartbeats: her breath: breath that is
|
|
life. And all the tiny tiny fernfoils trembled of maidenhair.
|
|
|
|
But look. The bright stars fade. O rose! Castile. The morn. Ha.
|
|
Lidwell. For him then not for. Infatuated. I like that? See her
|
|
from here though. Popped corks, splashes of beerfroth, stacks of empties.
|
|
|
|
On the smooth jutting beerpull laid Lydia hand, lightly, plumply, leave
|
|
it to my hands. All lost in pity for croppy. Fro, to: to, fro: over the
|
|
polished knob (she knows his eyes, my eyes, her eyes) her thumb and finger
|
|
passed in pity: passed, reposed and, gently touching, then slid so
|
|
smoothly, slowly down, a cool firm white enamel baton protruding through
|
|
their sliding ring.
|
|
|
|
With a cock with a carra.
|
|
|
|
Tap. Tap. Tap.
|
|
|
|
I hold this house. Amen. He gnashed in fury. Traitors swing.
|
|
|
|
The chords consented. Very sad thing. But had to be. Get out before
|
|
the end. Thanks, that was heavenly. Where's my hat. Pass by her. Can
|
|
leave that Freeman. Letter I have. Suppose she were the? No. Walk,
|
|
walk, walk. Like Cashel Boylo Connoro Coylo Tisdall Maurice Tisntdall
|
|
Farrell. Waaaaaaalk.
|
|
|
|
Well, I must be. Are you off? Yrfmstbyes. Blmstup. O'er ryehigh blue.
|
|
Ow. Bloom stood up. Soap feeling rather sticky behind. Must have
|
|
sweated: music. That lotion, remember. Well, so long. High grade. Card
|
|
inside. Yes.
|
|
|
|
By deaf Pat in the doorway straining ear Bloom passed.
|
|
|
|
At Geneva barrack that young man died. At Passage was his body
|
|
laid. Dolor! O, he dolores! The voice of the mournful chanter called to
|
|
dolorous prayer.
|
|
|
|
By rose, by satiny bosom, by the fondling hand, by slops, by empties,
|
|
by popped corks, greeting in going, past eyes and maidenhair, bronze and
|
|
faint gold in deepseashadow, went Bloom, soft Bloom, I feel so lonely
|
|
Bloom.
|
|
|
|
Tap. Tap. Tap.
|
|
|
|
Pray for him, prayed the bass of Dollard. You who hear in peace. Breathe
|
|
a prayer, drop a tear, good men, good people. He was the croppy boy.
|
|
|
|
Scaring eavesdropping boots croppy bootsboy Bloom in the Ormond
|
|
hallway heard the growls and roars of bravo, fat backslapping, their boots
|
|
all treading, boots not the boots the boy. General chorus off for a swill
|
|
to wash it down. Glad I avoided.
|
|
|
|
--Come on, Ben, Simon Dedalus cried. By God, you're as good as ever you
|
|
were.
|
|
|
|
--Better, said Tomgin Kernan. Most trenchant rendition of that ballad,
|
|
upon my soul and honour It is.
|
|
|
|
--Lablache, said Father Cowley.
|
|
|
|
Ben Dollard bulkily cachuchad towards the bar, mightily praisefed and all
|
|
big roseate, on heavyfooted feet, his gouty fingers nakkering castagnettes
|
|
in the air.
|
|
|
|
Big Benaben Dollard. Big Benben. Big Benben.
|
|
|
|
Rrr.
|
|
|
|
And deepmoved all, Simon trumping compassion from foghorn nose,
|
|
all laughing they brought him forth, Ben Dollard, in right good cheer.
|
|
|
|
--You're looking rubicund, George Lidwell said.
|
|
|
|
Miss Douce composed her rose to wait.
|
|
|
|
--Ben machree, said Mr Dedalus, clapping Ben's fat back shoulderblade.
|
|
Fit as a fiddle only he has a lot of adipose tissue concealed about his
|
|
person.
|
|
|
|
Rrrrrrrsss.
|
|
|
|
--Fat of death, Simon, Ben Dollard growled.
|
|
|
|
Richie rift in the lute alone sat: Goulding, Collis, Ward. Uncertainly
|
|
he waited. Unpaid Pat too.
|
|
|
|
Tap. Tap. Tap. Tap.
|
|
|
|
Miss Mina Kennedy brought near her lips to ear of tankard one.
|
|
|
|
--Mr Dollard, they murmured low.
|
|
|
|
--Dollard, murmured tankard.
|
|
|
|
Tank one believed: miss Kenn when she: that doll he was: she doll:
|
|
the tank.
|
|
|
|
He murmured that he knew the name. The name was familiar to him,
|
|
that is to say. That was to say he had heard the name of. Dollard, was it?
|
|
Dollard, yes.
|
|
|
|
Yes, her lips said more loudly, Mr Dollard. He sang that song lovely,
|
|
murmured Mina. Mr Dollard. And THE LAST ROSE OF SUMMER was a lovely
|
|
song. Mina loved that song. Tankard loved the song that Mina.
|
|
|
|
'Tis the last rose of summer dollard left bloom felt wind wound round
|
|
inside.
|
|
|
|
Gassy thing that cider: binding too. Wait. Postoffice near Reuben J's
|
|
one and eightpence too. Get shut of it. Dodge round by Greek street. Wish
|
|
I hadn't promised to meet. Freer in air. Music. Gets on your nerves.
|
|
Beerpull. Her hand that rocks the cradle rules the. Ben Howth. That rules
|
|
the world.
|
|
|
|
Far. Far. Far. Far.
|
|
|
|
Tap. Tap. Tap. Tap.
|
|
|
|
Up the quay went Lionelleopold, naughty Henry with letter for
|
|
Mady, with sweets of sin with frillies for Raoul with met him pike hoses
|
|
went Poldy on.
|
|
|
|
Tap blind walked tapping by the tap the curbstone tapping, tap by tap.
|
|
|
|
Cowley, he stuns himself with it: kind of drunkenness. Better give
|
|
way only half way the way of a man with a maid. Instance enthusiasts. All
|
|
ears. Not lose a demisemiquaver. Eyes shut. Head nodding in time. Dotty.
|
|
You daren't budge. Thinking strictly prohibited. Always talking shop.
|
|
Fiddlefaddle about notes.
|
|
|
|
All a kind of attempt to talk. Unpleasant when it stops because you
|
|
never know exac. Organ in Gardiner street. Old Glynn fifty quid a year.
|
|
Queer up there in the cockloft, alone, with stops and locks and keys.
|
|
Seated all day at the organ. Maunder on for hours, talking to himself or
|
|
the other fellow blowing the bellows. Growl angry, then shriek cursing
|
|
(want to have wadding or something in his no don't she cried), then all of
|
|
a soft sudden wee little wee little pipy wind.
|
|
|
|
Pwee! A wee little wind piped eeee. In Bloom's little wee.
|
|
|
|
--Was he? Mr Dedalus said, returning with fetched pipe. I was with him
|
|
this morning at poor little Paddy Dignam's ...
|
|
|
|
--Ay, the Lord have mercy on him.
|
|
|
|
--By the bye there's a tuningfork in there on the ...
|
|
|
|
Tap. Tap. Tap. Tap.
|
|
|
|
--The wife has a fine voice. Or had. What? Lidwell asked.
|
|
|
|
--O, that must be the tuner, Lydia said to Simonlionel first I saw, forgot
|
|
it when he was here.
|
|
|
|
Blind he was she told George Lidwell second I saw. And played so
|
|
exquisitely, treat to hear. Exquisite contrast: bronzelid, minagold.
|
|
|
|
--Shout! Ben Dollard shouted, pouring. Sing out!
|
|
|
|
--'lldo! cried Father Cowley.
|
|
|
|
Rrrrrr.
|
|
|
|
I feel I want ...
|
|
|
|
Tap. Tap. Tap. Tap. Tap
|
|
|
|
--Very, Mr Dedalus said, staring hard at a headless sardine.
|
|
|
|
Under the sandwichbell lay on a bier of bread one last, one lonely, last
|
|
sardine of summer. Bloom alone.
|
|
|
|
--Very, he stared. The lower register, for choice.
|
|
|
|
Tap. Tap. Tap. Tap. Tap. Tap. Tap. Tap.
|
|
|
|
Bloom went by Barry's. Wish I could. Wait. That wonderworker if I
|
|
had. Twentyfour solicitors in that one house. Counted them. Litigation.
|
|
Love one another. Piles of parchment. Messrs Pick and Pocket have power
|
|
of attorney. Goulding, Collis, Ward.
|
|
|
|
But for example the chap that wallops the big drum. His vocation:
|
|
Mickey Rooney's band. Wonder how it first struck him. Sitting at home
|
|
after pig's cheek and cabbage nursing it in the armchair. Rehearsing his
|
|
band part. Pom. Pompedy. Jolly for the wife. Asses' skins. Welt them
|
|
through life, then wallop after death. Pom. Wallop. Seems to be what you
|
|
call yashmak or I mean kismet. Fate.
|
|
|
|
Tap. Tap. A stripling, blind, with a tapping cane came taptaptapping
|
|
by Daly's window where a mermaid hair all streaming (but he couldn't see)
|
|
blew whiffs of a mermaid (blind couldn't), mermaid, coolest whiff of all.
|
|
|
|
Instruments. A blade of grass, shell of her hands, then blow. Even
|
|
comb and tissuepaper you can knock a tune out of. Molly in her shift in
|
|
Lombard street west, hair down. I suppose each kind of trade made its own,
|
|
don't you see? Hunter with a horn. Haw. Have you the? CLOCHE. SONNEZ LA.
|
|
Shepherd his pipe. Pwee little wee. Policeman a whistle. Locks and keys!
|
|
Sweep! Four o'clock's all's well! Sleep! All is lost now. Drum? Pompedy.
|
|
Wait. I know. Towncrier, bumbailiff. Long John. Waken the dead. Pom.
|
|
Dignam. Poor little NOMINEDOMINE. Pom. It is music. I mean of course it's
|
|
all pom pom pom very much what they call DA CAPO. Still you can hear. As
|
|
we march, we march along, march along. Pom.
|
|
|
|
I must really. Fff. Now if I did that at a banquet. Just a question of
|
|
custom shah of Persia. Breathe a prayer, drop a tear. All the same he must
|
|
have been a bit of a natural not to see it was a yeoman cap. Muffled up.
|
|
Wonder who was that chap at the grave in the brown macin. O, the whore
|
|
of the lane!
|
|
|
|
A frowsy whore with black straw sailor hat askew came glazily in the
|
|
day along the quay towards Mr Bloom. When first he saw that form
|
|
endearing? Yes, it is. I feel so lonely. Wet night in the lane. Horn. Who
|
|
had the? Heehaw shesaw. Off her beat here. What is she? Hope she. Psst!
|
|
Any chance of your wash. Knew Molly. Had me decked. Stout lady does be
|
|
with you in the brown costume. Put you off your stroke, that. Appointment
|
|
we made knowing we'd never, well hardly ever. Too dear too near to home
|
|
sweet home. Sees me, does she? Looks a fright in the day. Face like dip.
|
|
Damn her. O, well, she has to live like the rest. Look in here.
|
|
|
|
In Lionel Marks's antique saleshop window haughty Henry Lionel
|
|
Leopold dear Henry Flower earnestly Mr Leopold Bloom envisaged
|
|
battered candlesticks melodeon oozing maggoty blowbags. Bargain: six bob.
|
|
Might learn to play. Cheap. Let her pass. Course everything is dear if
|
|
you don't want it. That's what good salesman is. Make you buy what he
|
|
wants to sell. Chap sold me the Swedish razor he shaved me with. Wanted
|
|
to charge me for the edge he gave it. She's passing now. Six bob.
|
|
|
|
Must be the cider or perhaps the burgund.
|
|
|
|
Near bronze from anear near gold from afar they chinked their clinking
|
|
glasses all, brighteyed and gallant, before bronze Lydia's tempting
|
|
last rose of summer, rose of Castile. First Lid, De, Cow, Ker, Doll, a
|
|
fifth: Lidwell, Si Dedalus, Bob Cowley, Kernan and big Ben Dollard.
|
|
|
|
Tap. A youth entered a lonely Ormond hall.
|
|
|
|
Bloom viewed a gallant pictured hero in Lionel Marks's window. Robert
|
|
Emmet's last words. Seven last words. Of Meyerbeer that is.
|
|
|
|
--True men like you men.
|
|
|
|
--Ay, ay, Ben.
|
|
|
|
--Will lift your glass with us.
|
|
|
|
They lifted.
|
|
|
|
Tschink. Tschunk.
|
|
|
|
Tip. An unseeing stripling stood in the door. He saw not bronze. He
|
|
saw not gold. Nor Ben nor Bob nor Tom nor Si nor George nor tanks nor
|
|
Richie nor Pat. Hee hee hee hee. He did not see.
|
|
|
|
Seabloom, greaseabloom viewed last words. Softly. WHEN MY COUNTRY
|
|
TAKES HER PLACE AMONG.
|
|
|
|
Prrprr.
|
|
|
|
Must be the bur.
|
|
|
|
Fff! Oo. Rrpr.
|
|
|
|
NATIONS OF THE EARTH. No-one behind. She's passed. THEN AND NOT TILL
|
|
THEN. Tram kran kran kran. Good oppor. Coming. Krandlkrankran. I'm
|
|
sure it's the burgund. Yes. One, two. LET MY EPITAPH BE. Kraaaaaa.
|
|
WRITTEN. I HAVE.
|
|
|
|
Pprrpffrrppffff.
|
|
|
|
DONE.
|
|
|
|
|
|
* * * * * * *
|
|
|
|
|
|
I was just passing the time of day with old Troy of the D. M. P. at the
|
|
corner of Arbour hill there and be damned but a bloody sweep came along
|
|
and he near drove his gear into my eye. I turned around to let him have
|
|
the weight of my tongue when who should I see dodging along Stony Batter
|
|
only Joe Hynes.
|
|
|
|
--Lo, Joe, says I. How are you blowing? Did you see that bloody
|
|
chimneysweep near shove my eye out with his brush?
|
|
|
|
--Soot's luck, says Joe. Who's the old ballocks you were talking to?
|
|
|
|
--Old Troy, says I, was in the force. I'm on two minds not to give that
|
|
fellow in charge for obstructing the thoroughfare with his brooms and
|
|
ladders.
|
|
|
|
--What are you doing round those parts? says Joe.
|
|
|
|
--Devil a much, says I. There's a bloody big foxy thief beyond by the
|
|
garrison church at the corner of Chicken lane--old Troy was just giving
|
|
me a wrinkle about him--lifted any God's quantity of tea and sugar to pay
|
|
three bob a week said he had a farm in the county Down off a
|
|
hop-of-my-thumb by the name of Moses Herzog over there near Heytesbury
|
|
street.
|
|
|
|
--Circumcised? says Joe.
|
|
|
|
--Ay, says I. A bit off the top. An old plumber named Geraghty. I'm
|
|
hanging on to his taw now for the past fortnight and I can't get a penny
|
|
out of him.
|
|
|
|
--That the lay you're on now? says Joe.
|
|
|
|
--Ay, says I. How are the mighty fallen! Collector of bad and doubtful
|
|
debts. But that's the most notorious bloody robber you'd meet in a day's
|
|
walk and the face on him all pockmarks would hold a shower of rain. TELL
|
|
HIM, says he, I DARE HIM, says he, AND I DOUBLEDARE HIM TO SEND YOU ROUND
|
|
HERE AGAIN OR IF HE DOES, says he, I'LL HAVE HIM SUMMONSED UP BEFORE THE
|
|
COURT, SO I WILL, FOR TRADING WITHOUT A LICENCE. And he after stuffing
|
|
himself till he's fit to burst. Jesus, I had to laugh at the little jewy
|
|
getting his shirt out. HE DRINK ME MY TEAS. HE EAT ME MY SUGARS. BECAUSE
|
|
HE NO PAY ME MY MONEYS?
|
|
|
|
For nonperishable goods bought of Moses Herzog, of 13 Saint
|
|
Kevin's parade in the city of Dublin, Wood quay ward, merchant,
|
|
hereinafter called the vendor, and sold and delivered to Michael E.
|
|
Geraghty, esquire, of 29 Arbour hill in the city of Dublin, Arran quay
|
|
ward, gentleman, hereinafter called the purchaser, videlicet, five pounds
|
|
avoirdupois of first choice tea at three shillings and no pence per pound
|
|
avoirdupois and three stone avoirdupois of sugar, crushed crystal, at
|
|
threepence per pound avoirdupois, the said purchaser debtor to the said
|
|
vendor of one pound five shillings and sixpence sterling for value
|
|
received which amount shall be paid by said purchaser to said vendor in
|
|
weekly instalments every seven calendar days of three shillings and no
|
|
pence sterling: and the said nonperishable goods shall not be pawned or
|
|
pledged or sold or otherwise alienated by the said purchaser but shall be
|
|
and remain and be held to be the sole and exclusive property of the said
|
|
vendor to be disposed of at his good will and pleasure until the said
|
|
amount shall have been duly paid by the said purchaser to the said vendor
|
|
in the manner herein set forth as this day hereby agreed between the said
|
|
vendor, his heirs, successors, trustees and assigns of the one part and
|
|
the said purchaser, his heirs, successors, trustees and assigns of the
|
|
other part.
|
|
|
|
--Are you a strict t.t.? says Joe.
|
|
|
|
--Not taking anything between drinks, says I.
|
|
|
|
--What about paying our respects to our friend? says Joe.
|
|
|
|
--Who? says I. Sure, he's out in John of God's off his head, poor man.
|
|
|
|
--Drinking his own stuff? says Joe.
|
|
|
|
--Ay, says I. Whisky and water on the brain.
|
|
|
|
--Come around to Barney Kiernan's, says Joe. I want to see the citizen.
|
|
|
|
--Barney mavourneen's be it, says I. Anything strange or wonderful, Joe?
|
|
|
|
--Not a word, says Joe. I was up at that meeting in the City Arms.
|
|
|
|
---What was that, Joe? says I.
|
|
|
|
--Cattle traders, says Joe, about the foot and mouth disease. I want to
|
|
give the citizen the hard word about it.
|
|
|
|
So we went around by the Linenhall barracks and the back of the
|
|
courthouse talking of one thing or another. Decent fellow Joe when he has
|
|
it but sure like that he never has it. Jesus, I couldn't get over that
|
|
bloody foxy Geraghty, the daylight robber. For trading without a licence,
|
|
says he.
|
|
|
|
In Inisfail the fair there lies a land, the land of holy Michan. There
|
|
rises a watchtower beheld of men afar. There sleep the mighty dead as in
|
|
life they slept, warriors and princes of high renown. A pleasant land it
|
|
is in sooth of murmuring waters, fishful streams where sport the gurnard,
|
|
the plaice, the roach, the halibut, the gibbed haddock, the grilse,
|
|
the dab, the brill, the flounder, the pollock, the mixed coarse fish
|
|
generally and other denizens of the aqueous kingdom too numerous to be
|
|
enumerated. In the mild breezes of the west and of the east the lofty
|
|
trees wave in different directions their firstclass foliage, the wafty
|
|
sycamore, the Lebanonian cedar, the exalted planetree, the eugenic
|
|
eucalyptus and other ornaments of the arboreal world with which that
|
|
region is thoroughly well supplied. Lovely maidens sit in close proximity
|
|
to the roots of the lovely trees singing the most lovely songs while they
|
|
play with all kinds of lovely objects as for example golden ingots,
|
|
silvery fishes, crans of herrings, drafts of eels, codlings, creels of
|
|
fingerlings, purple seagems and playful insects. And heroes voyage from
|
|
afar to woo them, from Eblana to Slievemargy, the peerless princes of
|
|
unfettered Munster and of Connacht the just and of smooth sleek Leinster
|
|
and of Cruahan's land and of Armagh the splendid and of the noble district
|
|
of Boyle, princes, the sons of kings.
|
|
|
|
And there rises a shining palace whose crystal glittering roof is seen by
|
|
mariners who traverse the extensive sea in barks built expressly for that
|
|
purpose, and thither come all herds and fatlings and firstfruits of that
|
|
land for O'Connell Fitzsimon takes toll of them, a chieftain descended
|
|
from chieftains. Thither the extremely large wains bring foison of the
|
|
fields, flaskets of cauliflowers, floats of spinach, pineapple chunks,
|
|
Rangoon beans, strikes of tomatoes, drums of figs, drills of Swedes,
|
|
spherical potatoes and tallies of iridescent kale, York and Savoy, and
|
|
trays of onions, pearls of the earth, and punnets of mushrooms and
|
|
custard marrows and fat vetches and bere and rape and red green yellow
|
|
brown russet sweet big bitter ripe pomellated apples and chips of
|
|
strawberries and sieves of gooseberries, pulpy and pelurious, and
|
|
strawberries fit for princes and raspberries from their canes.
|
|
|
|
I dare him, says he, and I doubledare him. Come out here, Geraghty,
|
|
you notorious bloody hill and dale robber!
|
|
|
|
And by that way wend the herds innumerable of bellwethers and
|
|
flushed ewes and shearling rams and lambs and stubble geese and medium
|
|
steers and roaring mares and polled calves and longwoods and storesheep
|
|
and Cuffe's prime springers and culls and sowpigs and baconhogs and the
|
|
various different varieties of highly distinguished swine and Angus
|
|
heifers and polly bulllocks of immaculate pedigree together with prime
|
|
premiated milchcows and beeves: and there is ever heard a trampling,
|
|
cackling, roaring, lowing, bleating, bellowing, rumbling, grunting,
|
|
champing, chewing, of sheep and pigs and heavyhooved kine from
|
|
pasturelands of Lusk and Rush and Carrickmines and from the streamy vales
|
|
of Thomond, from the M'Gillicuddy's reeks the inaccessible and lordly
|
|
Shannon the unfathomable, and from the gentle declivities of the place of
|
|
the race of Kiar, their udders distended with superabundance of milk and
|
|
butts of butter and rennets of cheese and farmer's firkins and targets of
|
|
lamb and crannocks of corn and oblong eggs in great hundreds, various in
|
|
size, the agate with this dun.
|
|
|
|
So we turned into Barney Kiernan's and there, sure enough, was the citizen
|
|
up in the corner having a great confab with himself and that bloody
|
|
mangy mongrel, Garryowen, and he waiting for what the sky would drop
|
|
in the way of drink.
|
|
|
|
--There he is, says I, in his gloryhole, with his cruiskeen lawn and his
|
|
load of papers, working for the cause.
|
|
|
|
The bloody mongrel let a grouse out of him would give you the creeps. Be
|
|
a corporal work of mercy if someone would take the life of that
|
|
bloody dog. I'm told for a fact he ate a good part of the breeches off a
|
|
constabulary man in Santry that came round one time with a blue paper
|
|
about a licence.
|
|
|
|
--Stand and deliver, says he.
|
|
|
|
--That's all right, citizen, says Joe. Friends here.
|
|
|
|
--Pass, friends, says he.
|
|
|
|
Then he rubs his hand in his eye and says he:
|
|
|
|
--What's your opinion of the times?
|
|
|
|
Doing the rapparee and Rory of the hill. But, begob, Joe was equal to
|
|
the occasion.
|
|
|
|
--I think the markets are on a rise, says he, sliding his hand down his
|
|
fork.
|
|
|
|
So begob the citizen claps his paw on his knee and he says:
|
|
|
|
--Foreign wars is the cause of it.
|
|
|
|
And says Joe, sticking his thumb in his pocket:
|
|
|
|
--It's the Russians wish to tyrannise.
|
|
|
|
--Arrah, give over your bloody codding, Joe, says I. I've a thirst on me I
|
|
wouldn't sell for half a crown.
|
|
|
|
--Give it a name, citizen, says Joe.
|
|
|
|
--Wine of the country, says he.
|
|
|
|
--What's yours? says Joe.
|
|
|
|
--Ditto MacAnaspey, says I.
|
|
|
|
--Three pints, Terry, says Joe. And how's the old heart, citizen? says he.
|
|
|
|
--Never better, A CHARA, says he. What Garry? Are we going to win? Eh?
|
|
|
|
And with that he took the bloody old towser by the scruff of the neck
|
|
and, by Jesus, he near throttled him.
|
|
|
|
The figure seated on a large boulder at the foot of a round tower
|
|
was that of a broadshouldered deepchested stronglimbed frankeyed
|
|
redhaired freelyfreckled shaggybearded widemouthed largenosed
|
|
longheaded deepvoiced barekneed brawnyhanded hairylegged ruddyfaced
|
|
sinewyarmed hero. From shoulder to shoulder he measured several ells and
|
|
his rocklike mountainous knees were covered, as was likewise the rest of
|
|
his body wherever visible, with a strong growth of tawny prickly hair in
|
|
hue and toughness similar to the mountain gorse (ULEX EUROPEUS). The
|
|
widewinged nostrils, from which bristles of the same tawny hue projected,
|
|
were of such capaciousness that within their cavernous obscurity the
|
|
fieldlark might easily have lodged her nest. The eyes in which a tear and
|
|
a smile strove ever for the mastery were of the dimensions of a goodsized
|
|
cauliflower. A powerful current of warm breath issued at regular intervals
|
|
from the profound cavity of his mouth while in rhythmic resonance the
|
|
loud strong hale reverberations of his formidable heart thundered
|
|
rumblingly causing the ground, the summit of the lofty tower and the still
|
|
loftier walls of the cave to vibrate and tremble.
|
|
|
|
He wore a long unsleeved garment of recently flayed oxhide reaching to the
|
|
knees in a loose kilt and this was bound about his middle by a girdle of
|
|
plaited straw and rushes. Beneath this he wore trews of deerskin, roughly
|
|
stitched with gut. His nether extremities were encased in high Balbriggan
|
|
buskins dyed in lichen purple, the feet being shod with brogues of salted
|
|
cowhide laced with the windpipe of the same beast. From his girdle hung a
|
|
row of seastones which jangled at every movement of his portentous frame
|
|
and on these were graven with rude yet striking art the tribal images of
|
|
many Irish heroes and heroines of antiquity, Cuchulin, Conn of hundred
|
|
battles, Niall of nine hostages, Brian of Kincora, the ardri Malachi, Art
|
|
MacMurragh, Shane O'Neill, Father John Murphy, Owen Roe, Patrick
|
|
Sarsfield, Red Hugh O'Donnell, Red Jim MacDermott, Soggarth Eoghan
|
|
O'Growney, Michael Dwyer, Francy Higgins, Henry Joy M'Cracken,
|
|
Goliath, Horace Wheatley, Thomas Conneff, Peg Woffington, the Village
|
|
Blacksmith, Captain Moonlight, Captain Boycott, Dante Alighieri,
|
|
Christopher Columbus, S. Fursa, S. Brendan, Marshal MacMahon,
|
|
Charlemagne, Theobald Wolfe Tone, the Mother of the Maccabees, the Last
|
|
of the Mohicans, the Rose of Castile, the Man for Galway, The Man that
|
|
Broke the Bank at Monte Carlo, The Man in the Gap, The Woman Who
|
|
Didn't, Benjamin Franklin, Napoleon Bonaparte, John L. Sullivan,
|
|
Cleopatra, Savourneen Deelish, Julius Caesar, Paracelsus, sir Thomas
|
|
Lipton, William Tell, Michelangelo Hayes, Muhammad, the Bride of
|
|
Lammermoor, Peter the Hermit, Peter the Packer, Dark Rosaleen, Patrick
|
|
W. Shakespeare, Brian Confucius, Murtagh Gutenberg, Patricio
|
|
Velasquez, Captain Nemo, Tristan and Isolde, the first Prince of Wales,
|
|
Thomas Cook and Son, the Bold Soldier Boy, Arrah na Pogue, Dick
|
|
Turpin, Ludwig Beethoven, the Colleen Bawn, Waddler Healy, Angus the
|
|
Culdee, Dolly Mount, Sidney Parade, Ben Howth, Valentine Greatrakes,
|
|
Adam and Eve, Arthur Wellesley, Boss Croker, Herodotus, Jack the
|
|
Giantkiller, Gautama Buddha, Lady Godiva, The Lily of Killarney, Balor
|
|
of the Evil Eye, the Queen of Sheba, Acky Nagle, Joe Nagle, Alessandro
|
|
Volta, Jeremiah O'Donovan Rossa, Don Philip O'Sullivan Beare. A
|
|
couched spear of acuminated granite rested by him while at his feet
|
|
reposed a savage animal of the canine tribe whose stertorous gasps
|
|
announced that he was sunk in uneasy slumber, a supposition confirmed by
|
|
hoarse growls and spasmodic movements which his master repressed from time
|
|
to time by tranquilising blows of a mighty cudgel rudely fashioned out of
|
|
paleolithic stone.
|
|
|
|
So anyhow Terry brought the three pints Joe was standing and begob
|
|
the sight nearly left my eyes when I saw him land out a quid O, as true as
|
|
I'm telling you. A goodlooking sovereign.
|
|
|
|
--And there's more where that came from, says he.
|
|
|
|
--Were you robbing the poorbox, Joe? says I.
|
|
|
|
--Sweat of my brow, says Joe. 'Twas the prudent member gave me the wheeze.
|
|
|
|
--I saw him before I met you, says I, sloping around by Pill lane and
|
|
Greek street with his cod's eye counting up all the guts of the fish.
|
|
|
|
Who comes through Michan's land, bedight in sable armour? O'Bloom,
|
|
the son of Rory: it is he. Impervious to fear is Rory's son: he
|
|
of the prudent soul.
|
|
|
|
--For the old woman of Prince's street, says the citizen, the subsidised
|
|
organ. The pledgebound party on the floor of the house. And look at this
|
|
blasted rag, says he. Look at this, says he. THE IRISH INDEPENDENT, if you
|
|
please, founded by Parnell to be the workingman's friend. Listen to the
|
|
births and deaths in the IRISH ALL FOR IRELAND INDEPENDENT, and I'll thank
|
|
you and the marriages.
|
|
|
|
And he starts reading them out:
|
|
|
|
--Gordon, Barnfield crescent, Exeter; Redmayne of Iffley, Saint Anne's on
|
|
Sea: the wife of William T Redmayne of a son. How's that, eh? Wright and
|
|
Flint, Vincent and Gillett to Rotha Marion daughter of Rosa and the late
|
|
George Alfred Gillett, 179 Clapham road, Stockwell, Playwood and
|
|
Ridsdale at Saint Jude's, Kensington by the very reverend Dr Forrest, dean
|
|
of Worcester. Eh? Deaths. Bristow, at Whitehall lane, London: Carr, Stoke
|
|
Newington, of gastritis and heart disease: Cockburn, at the Moat house,
|
|
Chepstow ...
|
|
|
|
--I know that fellow, says Joe, from bitter experience.
|
|
|
|
--Cockburn. Dimsey, wife of David Dimsey, late of the admiralty: Miller,
|
|
Tottenham, aged eightyfive: Welsh, June 12, at 35 Canning street,
|
|
Liverpool, Isabella Helen. How's that for a national press, eh, my brown
|
|
son! How's that for Martin Murphy, the Bantry jobber?
|
|
|
|
--Ah, well, says Joe, handing round the boose. Thanks be to God they had
|
|
the start of us. Drink that, citizen.
|
|
|
|
--I will, says he, honourable person.
|
|
|
|
--Health, Joe, says I. And all down the form.
|
|
|
|
Ah! Ow! Don't be talking! I was blue mouldy for the want of that
|
|
pint. Declare to God I could hear it hit the pit of my stomach with a
|
|
click.
|
|
|
|
And lo, as they quaffed their cup of joy, a godlike messenger came
|
|
swiftly in, radiant as the eye of heaven, a comely youth and behind him
|
|
there passed an elder of noble gait and countenance, bearing the sacred
|
|
scrolls of law and with him his lady wife a dame of peerless lineage,
|
|
fairest of her race.
|
|
|
|
Little Alf Bergan popped in round the door and hid behind Barney's
|
|
snug, squeezed up with the laughing. And who was sitting up there in the
|
|
corner that I hadn't seen snoring drunk blind to the world only Bob Doran.
|
|
I didn't know what was up and Alf kept making signs out of the door. And
|
|
begob what was it only that bloody old pantaloon Denis Breen in his
|
|
bathslippers with two bloody big books tucked under his oxter and the wife
|
|
hotfoot after him, unfortunate wretched woman, trotting like a poodle. I
|
|
thought Alf would split.
|
|
|
|
--Look at him, says he. Breen. He's traipsing all round Dublin with a
|
|
postcard someone sent him with U. p: up on it to take a li ...
|
|
|
|
And he doubled up.
|
|
|
|
--Take a what? says I.
|
|
|
|
--Libel action, says he, for ten thousand pounds.
|
|
|
|
--O hell! says I.
|
|
|
|
The bloody mongrel began to growl that'd put the fear of God in you
|
|
seeing something was up but the citizen gave him a kick in the ribs.
|
|
|
|
--BI I DHO HUSHT, says he.
|
|
|
|
--Who? says Joe.
|
|
|
|
--Breen, says Alf. He was in John Henry Menton's and then he went round
|
|
to Collis and Ward's and then Tom Rochford met him and sent him round
|
|
to the subsheriff's for a lark. O God, I've a pain laughing. U. p: up. The
|
|
long fellow gave him an eye as good as a process and now the bloody old
|
|
lunatic is gone round to Green street to look for a G man.
|
|
|
|
--When is long John going to hang that fellow in Mountjoy? says Joe.
|
|
|
|
--Bergan, says Bob Doran, waking up. Is that Alf Bergan?
|
|
|
|
--Yes, says Alf. Hanging? Wait till I show you. Here, Terry, give us a
|
|
pony. That bloody old fool! Ten thousand pounds. You should have seen long
|
|
John's eye. U. p ...
|
|
|
|
And he started laughing.
|
|
|
|
--Who are you laughing at? says Bob Doran. Is that Bergan?
|
|
|
|
--Hurry up, Terry boy, says Alf.
|
|
|
|
Terence O'Ryan heard him and straightway brought him a crystal
|
|
cup full of the foamy ebon ale which the noble twin brothers Bungiveagh
|
|
and Bungardilaun brew ever in their divine alevats, cunning as the sons of
|
|
deathless Leda. For they garner the succulent berries of the hop and mass
|
|
and sift and bruise and brew them and they mix therewith sour juices and
|
|
bring the must to the sacred fire and cease not night or day from their
|
|
toil, those cunning brothers, lords of the vat.
|
|
|
|
|
|
Then did you, chivalrous Terence, hand forth, as to the manner born,
|
|
that nectarous beverage and you offered the crystal cup to him that
|
|
thirsted, the soul of chivalry, in beauty akin to the immortals.
|
|
|
|
But he, the young chief of the O'Bergan's, could ill brook to be outdone
|
|
in generous deeds but gave therefor with gracious gesture a testoon
|
|
of costliest bronze. Thereon embossed in excellent smithwork was seen the
|
|
image of a queen of regal port, scion of the house of Brunswick, Victoria
|
|
her name, Her Most Excellent Majesty, by grace of God of the United
|
|
Kingdom of Great Britain and Ireland and of the British dominions beyond
|
|
the sea, queen, defender of the faith, Empress of India, even she, who
|
|
bore rule, a victress over many peoples, the wellbeloved, for they knew
|
|
and loved her from the rising of the sun to the going down thereof, the
|
|
pale, the dark, the ruddy and the ethiop.
|
|
|
|
--What's that bloody freemason doing, says the citizen, prowling up and
|
|
down outside?
|
|
|
|
--What's that? says Joe.
|
|
|
|
--Here you are, says Alf, chucking out the rhino. Talking about hanging,
|
|
I'll show you something you never saw. Hangmen's letters. Look at here.
|
|
|
|
So he took a bundle of wisps of letters and envelopes out of his pocket.
|
|
|
|
--Are you codding? says I.
|
|
|
|
--Honest injun, says Alf. Read them.
|
|
|
|
So Joe took up the letters.
|
|
|
|
--Who are you laughing at? says Bob Doran.
|
|
|
|
So I saw there was going to be a bit of a dust Bob's a queer chap
|
|
when the porter's up in him so says I just to make talk:
|
|
|
|
--How's Willy Murray those times, Alf?
|
|
|
|
--I don't know, says Alf I saw him just now in Capel street with Paddy
|
|
Dignam. Only I was running after that ...
|
|
|
|
--You what? says Joe, throwing down the letters. With who?
|
|
|
|
--With Dignam, says Alf.
|
|
|
|
--Is it Paddy? says Joe.
|
|
|
|
--Yes, says Alf. Why?
|
|
|
|
--Don't you know he's dead? says Joe.
|
|
|
|
--Paddy Dignam dead! says Alf.
|
|
|
|
--Ay, says Joe.
|
|
|
|
--Sure I'm after seeing him not five minutes ago, says Alf, as plain as a
|
|
pikestaff.
|
|
|
|
--Who's dead? says Bob Doran.
|
|
|
|
--You saw his ghost then, says Joe, God between us and harm.
|
|
|
|
--What? says Alf. Good Christ, only five ... What? ... And Willy Murray
|
|
with him, the two of them there near whatdoyoucallhim's ... What?
|
|
Dignam dead?
|
|
|
|
--What about Dignam? says Bob Doran. Who's talking about... ?
|
|
|
|
--Dead! says Alf. He's no more dead than you are.
|
|
|
|
--Maybe so, says Joe. They took the liberty of burying him this morning
|
|
anyhow.
|
|
|
|
--Paddy? says Alf.
|
|
|
|
--Ay, says Joe. He paid the debt of nature, God be merciful to him.
|
|
|
|
--Good Christ! says Alf.
|
|
|
|
Begob he was what you might call flabbergasted.
|
|
|
|
In the darkness spirit hands were felt to flutter and when prayer by
|
|
tantras had been directed to the proper quarter a faint but increasing
|
|
luminosity of ruby light became gradually visible, the apparition of the
|
|
etheric double being particularly lifelike owing to the discharge of jivic
|
|
rays from the crown of the head and face. Communication was effected
|
|
through the pituitary body and also by means of the orangefiery and
|
|
scarlet rays emanating from the sacral region and solar plexus. Questioned
|
|
by his earthname as to his whereabouts in the heavenworld he stated that
|
|
he was now on the path of pr l ya or return but was still submitted to
|
|
trial at the hands of certain bloodthirsty entities on the lower astral
|
|
levels. In reply to a question as to his first sensations in the great
|
|
divide beyond he stated that previously he had seen as in a glass darkly
|
|
but that those who had passed over had summit possibilities of atmic
|
|
development opened up to them. Interrogated as to whether life there
|
|
resembled our experience in the flesh he stated that he had heard from
|
|
more favoured beings now in the spirit that their abodes were equipped
|
|
with every modern home comfort such as talafana, alavatar, hatakalda,
|
|
wataklasat and that the highest adepts were steeped in waves of volupcy
|
|
of the very purest nature. Having requested a quart of buttermilk this was
|
|
brought and evidently afforded relief. Asked if he had any message
|
|
for the living he exhorted all who were still at the wrong side of Maya
|
|
to acknowledge the true path for it was reported in devanic circles that
|
|
Mars and Jupiter were out for mischief on the eastern angle where the
|
|
ram has power. It was then queried whether there were any special
|
|
desires on the part of the defunct and the reply was: WE GREET YOU,
|
|
FRIENDS OF EARTH, WHO ARE STILL IN THE BODY. MIND C. K. DOESN'T PILE IT
|
|
ON. It was ascertained that the reference was to Mr Cornelius Kelleher,
|
|
manager of Messrs H. J. O'Neill's popular funeral establishment, a
|
|
personal friend of the defunct, who had been responsible for the carrying
|
|
out of the interment arrangements. Before departing he requested that it
|
|
should be told to his dear son Patsy that the other boot which he had been
|
|
looking for was at present under the commode in the return room and that
|
|
the pair should be sent to Cullen's to be soled only as the heels were
|
|
still good. He stated that this had greatly perturbed his peace of mind in
|
|
the other region and earnestly requested that his desire should be made
|
|
known.
|
|
|
|
Assurances were given that the matter would be attended to and it was
|
|
intimated that this had given satisfaction.
|
|
|
|
He is gone from mortal haunts: O'Dignam, sun of our morning. Fleet
|
|
was his foot on the bracken: Patrick of the beamy brow. Wail, Banba, with
|
|
your wind: and wail, O ocean, with your whirlwind.
|
|
|
|
--There he is again, says the citizen, staring out.
|
|
|
|
--Who? says I.
|
|
|
|
--Bloom, says he. He's on point duty up and down there for the last ten
|
|
minutes.
|
|
|
|
And, begob, I saw his physog do a peep in and then slidder off again.
|
|
|
|
Little Alf was knocked bawways. Faith, he was.
|
|
|
|
--Good Christ! says he. I could have sworn it was him.
|
|
|
|
And says Bob Doran, with the hat on the back of his poll, lowest
|
|
blackguard in Dublin when he's under the influence:
|
|
|
|
--Who said Christ is good?
|
|
|
|
--I beg your parsnips, says Alf.
|
|
|
|
--Is that a good Christ, says Bob Doran, to take away poor little Willy
|
|
Dignam?
|
|
|
|
--Ah, well, says Alf, trying to pass it off. He's over all his troubles.
|
|
|
|
But Bob Doran shouts out of him.
|
|
|
|
--He's a bloody ruffian, I say, to take away poor little Willy Dignam.
|
|
|
|
Terry came down and tipped him the wink to keep quiet, that they
|
|
didn't want that kind of talk in a respectable licensed premises. And Bob
|
|
Doran starts doing the weeps about Paddy Dignam, true as you're there.
|
|
|
|
--The finest man, says he, snivelling, the finest purest character.
|
|
|
|
The tear is bloody near your eye. Talking through his bloody hat.
|
|
Fitter for him go home to the little sleepwalking bitch he married,
|
|
Mooney, the bumbailiff's daughter, mother kept a kip in Hardwicke street,
|
|
that used to be stravaging about the landings Bantam Lyons told me that
|
|
was stopping there at two in the morning without a stitch on her, exposing
|
|
her person, open to all comers, fair field and no favour.
|
|
|
|
--The noblest, the truest, says he. And he's gone, poor little Willy, poor
|
|
little Paddy Dignam.
|
|
|
|
And mournful and with a heavy heart he bewept the extinction of that
|
|
beam of heaven.
|
|
|
|
Old Garryowen started growling again at Bloom that was skeezing
|
|
round the door.
|
|
|
|
--Come in, come on, he won't eat you, says the citizen.
|
|
|
|
So Bloom slopes in with his cod's eye on the dog and he asks Terry
|
|
was Martin Cunningham there.
|
|
|
|
--O, Christ M'Keown, says Joe, reading one of the letters. Listen to this,
|
|
will you?
|
|
|
|
And he starts reading out one.
|
|
|
|
|
|
7 HUNTER STREET, LIVERPOOL.
|
|
TO THE HIGH SHERIFF OF DUBLIN, DUBLIN.
|
|
|
|
HONOURED SIR I BEG TO OFFER MY SERVICES IN THE ABOVEMENTIONED PAINFUL
|
|
CASE I HANGED JOE GANN IN BOOTLE JAIL ON THE 12 OF FEBUARY 1900 AND I
|
|
HANGED ...
|
|
|
|
--Show us, Joe, says I.
|
|
|
|
-- ... PRIVATE ARTHUR CHACE FOR FOWL MURDER OF JESSIE TILSIT IN
|
|
PENTONVILLE PRISON AND I WAS ASSISTANT WHEN ...
|
|
|
|
--Jesus, says I.
|
|
|
|
-- ... BILLINGTON EXECUTED THE AWFUL MURDERER TOAD SMITH ...
|
|
|
|
The citizen made a grab at the letter.
|
|
|
|
--Hold hard, says Joe, I HAVE A SPECIAL NACK OF PUTTING THE NOOSE ONCE IN
|
|
HE CAN'T GET OUT HOPING TO BE FAVOURED I REMAIN, HONOURED SIR, MY TERMS IS
|
|
FIVE GINNEES.
|
|
|
|
H. RUMBOLD,
|
|
MASTER BARBER.
|
|
|
|
|
|
--And a barbarous bloody barbarian he is too, says the citizen.
|
|
|
|
--And the dirty scrawl of the wretch, says Joe. Here, says he, take them
|
|
to hell out of my sight, Alf. Hello, Bloom, says he, what will you have?
|
|
|
|
So they started arguing about the point, Bloom saying he wouldn't
|
|
and he couldn't and excuse him no offence and all to that and then he said
|
|
well he'd just take a cigar. Gob, he's a prudent member and no mistake.
|
|
|
|
--Give us one of your prime stinkers, Terry, says Joe.
|
|
|
|
And Alf was telling us there was one chap sent in a mourning card
|
|
with a black border round it.
|
|
|
|
--They're all barbers, says he, from the black country that would hang
|
|
their own fathers for five quid down and travelling expenses.
|
|
|
|
And he was telling us there's two fellows waiting below to pull his
|
|
heels down when he gets the drop and choke him properly and then they
|
|
chop up the rope after and sell the bits for a few bob a skull.
|
|
|
|
In the dark land they bide, the vengeful knights of the razor. Their
|
|
deadly coil they grasp: yea, and therein they lead to Erebus whatsoever
|
|
wight hath done a deed of blood for I will on nowise suffer it even so
|
|
saith the Lord.
|
|
|
|
So they started talking about capital punishment and of course Bloom
|
|
comes out with the why and the wherefore and all the codology of the
|
|
business and the old dog smelling him all the time I'm told those jewies
|
|
does have a sort of a queer odour coming off them for dogs about I don't
|
|
know what all deterrent effect and so forth and so on.
|
|
|
|
--There's one thing it hasn't a deterrent effect on, says Alf.
|
|
|
|
--What's that? says Joe.
|
|
|
|
--The poor bugger's tool that's being hanged, says Alf.
|
|
|
|
--That so? says Joe.
|
|
|
|
--God's truth, says Alf. I heard that from the head warder that was in
|
|
|
|
Kilmainham when they hanged Joe Brady, the invincible. He told me when
|
|
they cut him down after the drop it was standing up in their faces like a
|
|
poker.
|
|
|
|
--Ruling passion strong in death, says Joe, as someone said.
|
|
|
|
--That can be explained by science, says Bloom. It's only a natural
|
|
phenomenon, don't you see, because on account of the ...
|
|
|
|
And then he starts with his jawbreakers about phenomenon and
|
|
science and this phenomenon and the other phenomenon.
|
|
|
|
The distinguished scientist Herr Professor Luitpold Blumenduft
|
|
tendered medical evidence to the effect that the instantaneous fracture of
|
|
the cervical vertebrae and consequent scission of the spinal cord would,
|
|
according to the best approved tradition of medical science, be calculated
|
|
to inevitably produce in the human subject a violent ganglionic stimulus
|
|
of the nerve centres of the genital apparatus, thereby causing the elastic
|
|
pores of the CORPORA CAVERNOSA to rapidly dilate in such a way as to
|
|
instantaneously facilitate the flow of blood to that part of the human
|
|
anatomy known as the penis or male organ resulting in the phenomenon which
|
|
has been denominated by the faculty a morbid upwards and outwards
|
|
philoprogenitive erection IN ARTICULO MORTIS PER DIMINUTIONEM CAPITIS.
|
|
|
|
So of course the citizen was only waiting for the wink of the word and
|
|
he starts gassing out of him about the invincibles and the old guard and
|
|
the men of sixtyseven and who fears to speak of ninetyeight and Joe with
|
|
him about all the fellows that were hanged, drawn and transported for the
|
|
cause by drumhead courtmartial and a new Ireland and new this, that and
|
|
the other. Talking about new Ireland he ought to go and get a new dog so
|
|
he ought. Mangy ravenous brute sniffing and sneezing all round the place
|
|
and scratching his scabs. And round he goes to Bob Doran that was
|
|
standing Alf a half one sucking up for what he could get. So of course Bob
|
|
Doran starts doing the bloody fool with him:
|
|
|
|
--Give us the paw! Give the paw, doggy! Good old doggy! Give the paw
|
|
here! Give us the paw!
|
|
|
|
Arrah, bloody end to the paw he'd paw and Alf trying to keep him
|
|
from tumbling off the bloody stool atop of the bloody old dog and he
|
|
talking all kinds of drivel about training by kindness and thoroughbred
|
|
dog and intelligent dog: give you the bloody pip. Then he starts scraping
|
|
a few bits of old biscuit out of the bottom of a Jacobs' tin he told Terry
|
|
to bring. Gob, he golloped it down like old boots and his tongue hanging
|
|
out of him a yard long for more. Near ate the tin and all, hungry bloody
|
|
mongrel.
|
|
|
|
And the citizen and Bloom having an argument about the point, the
|
|
brothers Sheares and Wolfe Tone beyond on Arbour Hill and Robert
|
|
Emmet and die for your country, the Tommy Moore touch about Sara
|
|
Curran and she's far from the land. And Bloom, of course, with his
|
|
knockmedown cigar putting on swank with his lardy face. Phenomenon!
|
|
The fat heap he married is a nice old phenomenon with a back on her like a
|
|
ballalley. Time they were stopping up in the CITY ARMS pisser Burke told
|
|
me there was an old one there with a cracked loodheramaun of a nephew and
|
|
Bloom trying to get the soft side of her doing the mollycoddle playing
|
|
bezique to come in for a bit of the wampum in her will and not eating meat
|
|
of a Friday because the old one was always thumping her craw and taking
|
|
the lout out for a walk. And one time he led him the rounds of Dublin and,
|
|
by the holy farmer, he never cried crack till he brought him home as drunk
|
|
as a boiled owl and he said he did it to teach him the evils of alcohol
|
|
and by herrings, if the three women didn't near roast him, it's a queer
|
|
story, the old one, Bloom's wife and Mrs O'Dowd that kept the hotel.
|
|
Jesus, I had to laugh at pisser Burke taking them off chewing the fat.
|
|
And Bloom with his BUT DON'T YOU SEE? and BUT ON THE OTHER HAND. And sure,
|
|
more be token, the lout I'm told was in Power's after, the blender's,
|
|
round in Cope street going home footless in a cab five times in the week
|
|
after drinking his way through all the samples in the bloody
|
|
establishment. Phenomenon!
|
|
|
|
--The memory of the dead, says the citizen taking up his pintglass and
|
|
glaring at Bloom.
|
|
|
|
--Ay, ay, says Joe.
|
|
|
|
--You don't grasp my point, says Bloom. What I mean is ...
|
|
|
|
--SINN FEIN! says the citizen. SINN FEIN AMHAIN! The friends we love are
|
|
by our side and the foes we hate before us.
|
|
|
|
The last farewell was affecting in the extreme. From the belfries far
|
|
and near the funereal deathbell tolled unceasingly while all around the
|
|
gloomy precincts rolled the ominous warning of a hundred muffled drums
|
|
punctuated by the hollow booming of pieces of ordnance. The deafening
|
|
claps of thunder and the dazzling flashes of lightning which lit up the
|
|
ghastly scene testified that the artillery of heaven had lent its
|
|
supernatural pomp to the already gruesome spectacle. A torrential rain
|
|
poured down from the floodgates of the angry heavens upon the bared heads
|
|
of the assembled multitude which numbered at the lowest computation five
|
|
hundred thousand persons. A posse of Dublin Metropolitan police
|
|
superintended by the Chief Commissioner in person maintained order in
|
|
the vast throng for whom the York street brass and reed band whiled away
|
|
the intervening time by admirably rendering on their blackdraped
|
|
instruments the matchless melody endeared to us from the cradle by
|
|
Speranza's plaintive muse. Special quick excursion trains and upholstered
|
|
charabancs had been provided for the comfort of our country cousins of
|
|
whom there were large contingents. Considerable amusement was caused
|
|
by the favourite Dublin streetsingers L-n-h-n and M-ll-g-n who sang THE
|
|
NIGHT BEFORE LARRY WAS STRETCHED in their usual mirth-provoking fashion.
|
|
Our two inimitable drolls did a roaring trade with their broadsheets among
|
|
lovers of the comedy element and nobody who has a corner in his heart for
|
|
real Irish fun without vulgarity will grudge them their hardearned
|
|
pennies. The children of the Male and Female Foundling Hospital who
|
|
thronged the windows overlooking the scene were delighted with this
|
|
unexpected addition to the day's entertainment and a word of praise is due
|
|
to the Little Sisters of the Poor for their excellent idea of affording
|
|
the poor fatherless and motherless children a genuinely instructive treat.
|
|
The viceregal houseparty which included many wellknown ladies was
|
|
chaperoned by Their Excellencies to the most favourable positions on the
|
|
grandstand while the picturesque foreign delegation known as the Friends
|
|
of the Emerald Isle was accommodated on a tribune directly opposite.
|
|
The delegation, present in full force, consisted of Commendatore
|
|
Bacibaci Beninobenone (the semiparalysed DOYEN of the party who had
|
|
to be assisted to his seat by the aid of a powerful steam crane),
|
|
Monsieur Pierrepaul Petitepatant, the Grandjoker Vladinmire
|
|
Pokethankertscheff, the Archjoker Leopold Rudolph von
|
|
Schwanzenbad-Hodenthaler, Countess Marha Viraga Kisaszony Putrapesthi,
|
|
Hiram Y. Bomboost, Count Athanatos Karamelopulos, Ali Baba Backsheesh
|
|
Rahat Lokum Effendi, Senor Hidalgo Caballero Don Pecadillo y
|
|
Palabras y Paternoster de la Malora de la Malaria, Hokopoko Harakiri,
|
|
Hi Hung Chang, Olaf Kobberkeddelsen, Mynheer Trik van Trumps,
|
|
Pan Poleaxe Paddyrisky, Goosepond Prhklstr Kratchinabritchisitch,
|
|
Borus Hupinkoff, Herr Hurhausdirektorpresident Hans Chuechli-Steuerli,
|
|
Nationalgymnasiummuseumsanatoriumandsuspensoriumsordinaryprivatdocent-
|
|
generalhistoryspecialprofessordoctor Kriegfried Ueberallgemein.
|
|
All the delegates without exception expressed themselves in the
|
|
strongest possible heterogeneous terms concerning the nameless
|
|
barbarity which they had been called upon to witness. An animated
|
|
altercation (in which all took part) ensued among the F. O. T. E. I.
|
|
as to whether the eighth or the ninth of March was the correct
|
|
date of the birth of Ireland's patron saint. In the course of the
|
|
argument cannonballs, scimitars, boomerangs, blunderbusses, stinkpots,
|
|
meatchoppers, umbrellas, catapults, knuckledusters, sandbags, lumps of pig
|
|
iron were resorted to and blows were freely exchanged. The baby
|
|
policeman, Constable MacFadden, summoned by special courier from
|
|
Booterstown, quickly restored order and with lightning promptitude
|
|
proposed the seventeenth of the month as a solution equally honourable for
|
|
both contending parties. The readywitted ninefooter's suggestion at once
|
|
appealed to all and was unanimously accepted. Constable MacFadden was
|
|
heartily congratulated by all the F.O.T.E.I., several of whom were
|
|
bleeding profusely. Commendatore Beninobenone having been extricated
|
|
from underneath the presidential armchair, it was explained by his legal
|
|
adviser Avvocato Pagamimi that the various articles secreted in his
|
|
thirtytwo pockets had been abstracted by him during the affray from the
|
|
pockets of his junior colleagues in the hope of bringing them to their
|
|
senses. The objects (which included several hundred ladies' and
|
|
gentlemen's gold and silver watches) were promptly restored to their
|
|
rightful owners and general harmony reigned supreme.
|
|
|
|
Quietly, unassumingly Rumbold stepped on to the scaffold in faultless
|
|
morning dress and wearing his favourite flower, the GLADIOLUS CRUENTUS.
|
|
He announced his presence by that gentle Rumboldian cough which so
|
|
many have tried (unsuccessfully) to imitate--short, painstaking yet withal
|
|
so characteristic of the man. The arrival of the worldrenowned headsman
|
|
was greeted by a roar of acclamation from the huge concourse, the
|
|
viceregal ladies waving their handkerchiefs in their excitement while the
|
|
even more excitable foreign delegates cheered vociferously in a medley of
|
|
cries, HOCH, BANZAI, ELJEN, ZIVIO, CHINCHIN, POLLA KRONIA, HIPHIP, VIVE,
|
|
ALLAH, amid which the ringing EVVIVA of the delegate of the land of song
|
|
(a high double F recalling those piercingly lovely notes with which the
|
|
eunuch Catalani beglamoured our greatgreatgrandmothers) was easily
|
|
distinguishable. It was exactly seventeen o'clock. The signal for prayer
|
|
was then promptly given by megaphone and in an instant all heads were
|
|
bared, the commendatore's patriarchal sombrero, which has been in the
|
|
possession of his family since the revolution of Rienzi, being removed by
|
|
his medical adviser in attendance, Dr Pippi. The learned prelate who
|
|
administered the last comforts of holy religion to the hero martyr when
|
|
about to pay the death penalty knelt in a most christian spirit in a pool
|
|
of rainwater, his cassock above his hoary head, and offered up to the
|
|
throne of grace fervent prayers of supplication. Hand by the block stood
|
|
the grim figure of the executioner, his visage being concealed in a
|
|
tengallon pot with two circular perforated apertures through which
|
|
his eyes glowered furiously. As he awaited the fatal signal he
|
|
tested the edge of his horrible weapon by honing it upon his
|
|
brawny forearm or decapitated in rapid succession a flock of
|
|
sheep which had been provided by the admirers of his fell but necessary
|
|
office. On a handsome mahogany table near him were neatly arranged the
|
|
quartering knife, the various finely tempered disembowelling appliances
|
|
(specially supplied by the worldfamous firm of cutlers, Messrs John Round
|
|
and Sons, Sheffield), a terra cotta saucepan for the reception of the
|
|
duodenum, colon, blind intestine and appendix etc when successfully
|
|
extracted and two commodious milkjugs destined to receive the most
|
|
precious blood of the most precious victim. The housesteward of the
|
|
amalgamated cats' and dogs' home was in attendance to convey these
|
|
vessels when replenished to that beneficent institution. Quite an
|
|
excellent repast consisting of rashers and eggs, fried steak and onions,
|
|
done to a nicety, delicious hot breakfast rolls and invigorating tea had
|
|
been considerately provided by the authorities for the consumption
|
|
of the central figure of the tragedy who was in capital spirits
|
|
when prepared for death and evinced the keenest interest in the
|
|
proceedings from beginning to end but he, with an abnegation rare
|
|
in these our times, rose nobly to the occasion and expressed the
|
|
dying wish (immediately acceded to) that the meal should be
|
|
divided in aliquot parts among the members of the sick and indigent
|
|
roomkeepers' association as a token of his regard and esteem. The NEC and
|
|
NON PLUS ULTRA of emotion were reached when the blushing bride elect burst
|
|
her way through the serried ranks of the bystanders and flung herself upon
|
|
the muscular bosom of him who was about to be launched into eternity for
|
|
her sake. The hero folded her willowy form in a loving embrace murmuring
|
|
fondly SHEILA, MY OWN. Encouraged by this use of her christian name she
|
|
kissed passionately all the various suitable areas of his person which the
|
|
decencies of prison garb permitted her ardour to reach. She swore to him
|
|
as they mingled the salt streams of their tears that she would ever
|
|
cherish his memory, that she would never forget her hero boy who went to
|
|
his death with a song on his lips as if he were but going to a hurling
|
|
match in Clonturk park. She brought back to his recollection the happy
|
|
days of blissful childhood together on the banks of Anna Liffey when they
|
|
had indulged in the innocent pastimes of the young and, oblivious of the
|
|
dreadful present, they both laughed heartily, all the spectators,
|
|
including the venerable pastor, joining in the general merriment. That
|
|
monster audience simply rocked with delight. But anon they were overcome
|
|
with grief and clasped their hands for the last time. A fresh torrent of
|
|
tears burst from their lachrymal ducts and the vast concourse of people,
|
|
touched to the inmost core, broke into heartrending sobs, not the least
|
|
affected being the aged prebendary himself. Big strong men, officers of
|
|
the peace and genial giants of the royal Irish constabulary,
|
|
were making frank use of their handkerchiefs and it is safe to say
|
|
that there was not a dry eye in that record assemblage. A most
|
|
romantic incident occurred when a handsome young Oxford graduate,
|
|
noted for his chivalry towards the fair sex, stepped forward and,
|
|
presenting his visiting card, bankbook and genealogical tree,
|
|
solicited the hand of the hapless young lady, requesting her to
|
|
name the day, and was accepted on the spot. Every lady in the
|
|
audience was presented with a tasteful souvenir of the occasion
|
|
in the shape of a skull and crossbones brooch, a timely and generous
|
|
act which evoked a fresh outburst of emotion: and when the gallant
|
|
young Oxonian (the bearer, by the way, of one of the most timehonoured
|
|
names in Albion's history) placed on the finger of his blushing FIANCEE
|
|
an expensive engagement ring with emeralds set in the form of a
|
|
fourleaved shamrock the excitement knew no bounds. Nay, even the stern
|
|
provostmarshal, lieutenantcolonel Tomkin-Maxwell ffrenchmullan Tomlinson,
|
|
who presided on the sad occasion, he who had blown a considerable number
|
|
of sepoys from the cannonmouth without flinching, could not now restrain
|
|
his natural emotion. With his mailed gauntlet he brushed away a furtive
|
|
tear and was overheard, by those privileged burghers who happened to be
|
|
in his immediate ENTOURAGE, to murmur to himself in a faltering undertone:
|
|
|
|
--God blimey if she aint a clinker, that there bleeding tart. Blimey it
|
|
makes me kind of bleeding cry, straight, it does, when I sees her cause I
|
|
thinks of my old mashtub what's waiting for me down Limehouse way.
|
|
|
|
So then the citizen begins talking about the Irish language and the
|
|
corporation meeting and all to that and the shoneens that can't speak
|
|
their own language and Joe chipping in because he stuck someone for
|
|
a quid and Bloom putting in his old goo with his twopenny stump that
|
|
he cadged off of Joe and talking about the Gaelic league and the
|
|
antitreating league and drink, the curse of Ireland. Antitreating
|
|
is about the size of it. Gob, he'd let you pour all manner of drink
|
|
down his throat till the Lord would call him before you'd ever
|
|
see the froth of his pint. And one night I went in with a fellow
|
|
into one of their musical evenings, song and dance about she could
|
|
get up on a truss of hay she could my Maureen Lay and there was a fellow
|
|
with a Ballyhooly blue ribbon badge spiffing out of him in Irish and a lot
|
|
of colleen bawns going about with temperance beverages and selling medals
|
|
and oranges and lemonade and a few old dry buns, gob, flahoolagh
|
|
entertainment, don't be talking. Ireland sober is Ireland free. And then
|
|
an old fellow starts blowing into his bagpipes and all the gougers
|
|
shuffling their feet to the tune the old cow died of. And one or two sky
|
|
pilots having an eye around that there was no goings on with the females,
|
|
hitting below the belt.
|
|
|
|
So howandever, as I was saying, the old dog seeing the tin was empty
|
|
starts mousing around by Joe and me. I'd train him by kindness, so I
|
|
would, if he was my dog. Give him a rousing fine kick now and again where
|
|
it wouldn't blind him.
|
|
|
|
--Afraid he'll bite you? says the citizen, jeering.
|
|
|
|
--No, says I. But he might take my leg for a lamppost.
|
|
|
|
So he calls the old dog over.
|
|
|
|
--What's on you, Garry? says he.
|
|
|
|
Then he starts hauling and mauling and talking to him in Irish and
|
|
the old towser growling, letting on to answer, like a duet in the opera.
|
|
Such growling you never heard as they let off between them. Someone that
|
|
has nothing better to do ought to write a letter PRO BONO PUBLICO to the
|
|
papers about the muzzling order for a dog the like of that. Growling and
|
|
grousing and his eye all bloodshot from the drouth is in it and the
|
|
hydrophobia dropping out of his jaws.
|
|
|
|
All those who are interested in the spread of human culture among
|
|
the lower animals (and their name is legion) should make a point of not
|
|
missing the really marvellous exhibition of cynanthropy given by the
|
|
famous old Irish red setter wolfdog formerly known by the SOBRIQUET of
|
|
Garryowen and recently rechristened by his large circle of friends and
|
|
acquaintances Owen Garry. The exhibition, which is the result of years of
|
|
training by kindness and a carefully thoughtout dietary system, comprises,
|
|
among other achievements, the recitation of verse. Our greatest living
|
|
phonetic expert (wild horses shall not drag it from us!) has left no stone
|
|
unturned in his efforts to delucidate and compare the verse recited and has
|
|
found it bears a STRIKING resemblance (the italics are ours) to the ranns
|
|
of ancient Celtic bards. We are not speaking so much of those delightful
|
|
lovesongs with which the writer who conceals his identity under the
|
|
graceful pseudonym of the Little Sweet Branch has familiarised the
|
|
bookloving world but rather (as a contributor D. O. C. points out in an
|
|
interesting communication published by an evening contemporary) of the
|
|
harsher and more personal note which is found in the satirical effusions
|
|
of the famous Raftery and of Donal MacConsidine to say nothing of a more
|
|
modern lyrist at present very much in the public eye. We subjoin a
|
|
specimen which has been rendered into English by an eminent scholar
|
|
whose name for the moment we are not at liberty to disclose though
|
|
we believe that our readers will find the topical allusion rather
|
|
more than an indication. The metrical system of the canine original,
|
|
which recalls the intricate alliterative and isosyllabic rules of
|
|
the Welsh englyn, is infinitely more complicated but we believe our
|
|
readers will agree that the spirit has been well caught. Perhaps
|
|
it should be added that the effect is greatly increased if Owen's
|
|
verse be spoken somewhat slowly and indistinctly in a tone suggestive
|
|
of suppressed rancour.
|
|
|
|
|
|
THE CURSE OF MY CURSES
|
|
SEVEN DAYS EVERY DAY
|
|
AND SEVEN DRY THURSDAYS
|
|
ON YOU, BARNEY KIERNAN,
|
|
HAS NO SUP OF WATER
|
|
TO COOL MY COURAGE,
|
|
AND MY GUTS RED ROARING
|
|
AFTER LOWRY'S LIGHTS.
|
|
|
|
|
|
So he told Terry to bring some water for the dog and, gob, you could
|
|
hear him lapping it up a mile off. And Joe asked him would he have
|
|
another.
|
|
|
|
--I will, says he, A CHARA, to show there's no ill feeling.
|
|
|
|
Gob, he's not as green as he's cabbagelooking. Arsing around from
|
|
one pub to another, leaving it to your own honour, with old Giltrap's dog
|
|
and getting fed up by the ratepayers and corporators. Entertainment for
|
|
man and beast. And says Joe:
|
|
|
|
--Could you make a hole in another pint?
|
|
|
|
--Could a swim duck? says I.
|
|
|
|
--Same again, Terry, says Joe. Are you sure you won't have anything in the
|
|
way of liquid refreshment? says he.
|
|
|
|
--Thank you, no, says Bloom. As a matter of fact I just wanted to meet
|
|
Martin Cunningham, don't you see, about this insurance of poor Dignam's.
|
|
Martin asked me to go to the house. You see, he, Dignam, I mean, didn't
|
|
serve any notice of the assignment on the company at the time and
|
|
nominally under the act the mortgagee can't recover on the policy.
|
|
|
|
--Holy Wars, says Joe, laughing, that's a good one if old Shylock is
|
|
landed. So the wife comes out top dog, what?
|
|
|
|
--Well, that's a point, says Bloom, for the wife's admirers.
|
|
|
|
--Whose admirers? says Joe.
|
|
|
|
--The wife's advisers, I mean, says Bloom.
|
|
|
|
Then he starts all confused mucking it up about mortgagor under the act
|
|
like the lord chancellor giving it out on the bench and for the benefit of
|
|
the wife and that a trust is created but on the other hand that Dignam
|
|
owed Bridgeman the money and if now the wife or the widow contested the
|
|
mortgagee's right till he near had the head of me addled with his
|
|
mortgagor under the act. He was bloody safe he wasn't run in himself under
|
|
the act that time as a rogue and vagabond only he had a friend in court.
|
|
Selling bazaar tickets or what do you call it royal Hungarian privileged
|
|
lottery. True as you're there. O, commend me to an israelite! Royal and
|
|
privileged Hungarian robbery.
|
|
|
|
So Bob Doran comes lurching around asking Bloom to tell Mrs
|
|
Dignam he was sorry for her trouble and he was very sorry about the
|
|
funeral and to tell her that he said and everyone who knew him said that
|
|
there was never a truer, a finer than poor little Willy that's dead to tell
|
|
her. Choking with bloody foolery. And shaking Bloom's hand doing the
|
|
tragic to tell her that. Shake hands, brother. You're a rogue and I'm
|
|
another.
|
|
|
|
--Let me, said he, so far presume upon our acquaintance which, however
|
|
slight it may appear if judged by the standard of mere time, is founded,
|
|
as I hope and believe, on a sentiment of mutual esteem as to request of
|
|
you this favour. But, should I have overstepped the limits of reserve
|
|
let the sincerity of my feelings be the excuse for my boldness.
|
|
|
|
--No, rejoined the other, I appreciate to the full the motives which
|
|
actuate your conduct and I shall discharge the office you entrust
|
|
to me consoled by the reflection that, though the errand be one of
|
|
sorrow, this proof of your confidence sweetens in some measure the
|
|
bitterness of the cup.
|
|
|
|
--Then suffer me to take your hand, said he. The goodness of your heart, I
|
|
feel sure, will dictate to you better than my inadequate words the
|
|
expressions which are most suitable to convey an emotion whose
|
|
poignancy, were I to give vent to my feelings, would deprive me even of
|
|
speech.
|
|
|
|
And off with him and out trying to walk straight. Boosed at five
|
|
o'clock. Night he was near being lagged only Paddy Leonard knew the bobby,
|
|
14A. Blind to the world up in a shebeen in Bride street after closing
|
|
time, fornicating with two shawls and a bully on guard, drinking porter
|
|
out of teacups. And calling himself a Frenchy for the shawls, Joseph
|
|
Manuo, and talking against the Catholic religion, and he serving mass in
|
|
Adam and Eve's when he was young with his eyes shut, who wrote the new
|
|
testament, and the old testament, and hugging and smugging. And the two
|
|
shawls killed with the laughing, picking his pockets, the bloody
|
|
fool and he spilling the porter all over the bed and the two shawls
|
|
screeching laughing at one another. HOW IS YOUR TESTAMENT? HAVE YOU
|
|
GOT AN OLD TESTAMENT? Only Paddy was passing there, I tell you what.
|
|
Then see him of a Sunday with his little concubine of a wife, and
|
|
she wagging her tail up the aisle of the chapel with her patent boots
|
|
on her, no less, and her violets, nice as pie, doing the little lady.
|
|
Jack Mooney's sister. And the old prostitute of a mother
|
|
procuring rooms to street couples. Gob, Jack made him toe the line. Told
|
|
him if he didn't patch up the pot, Jesus, he'd kick the shite out of him.
|
|
|
|
So Terry brought the three pints.
|
|
|
|
--Here, says Joe, doing the honours. Here, citizen.
|
|
|
|
--SLAN LEAT, says he.
|
|
|
|
--Fortune, Joe, says I. Good health, citizen.
|
|
|
|
Gob, he had his mouth half way down the tumbler already. Want a
|
|
small fortune to keep him in drinks.
|
|
|
|
--Who is the long fellow running for the mayoralty, Alf? says Joe.
|
|
|
|
--Friend of yours, says Alf.
|
|
|
|
--Nannan? says Joe. The mimber?
|
|
|
|
--I won't mention any names, says Alf.
|
|
|
|
--I thought so, says Joe. I saw him up at that meeting now with William
|
|
Field, M. P., the cattle traders.
|
|
|
|
--Hairy Iopas, says the citizen, that exploded volcano, the darling of all
|
|
countries and the idol of his own.
|
|
|
|
So Joe starts telling the citizen about the foot and mouth disease and
|
|
the cattle traders and taking action in the matter and the citizen sending
|
|
them all to the rightabout and Bloom coming out with his sheepdip for the
|
|
scab and a hoose drench for coughing calves and the guaranteed remedy
|
|
for timber tongue. Because he was up one time in a knacker's yard.
|
|
Walking about with his book and pencil here's my head and my heels are
|
|
coming till Joe Cuffe gave him the order of the boot for giving lip to a
|
|
grazier. Mister Knowall. Teach your grandmother how to milk ducks.
|
|
Pisser Burke was telling me in the hotel the wife used to be in rivers of
|
|
tears some times with Mrs O'Dowd crying her eyes out with her eight inches
|
|
of fat all over her. Couldn't loosen her farting strings but old cod's eye
|
|
was waltzing around her showing her how to do it. What's your programme
|
|
today? Ay. Humane methods. Because the poor animals suffer and experts
|
|
say and the best known remedy that doesn't cause pain to the animal and
|
|
on the sore spot administer gently. Gob, he'd have a soft hand under a
|
|
hen.
|
|
|
|
Ga Ga Gara. Klook Klook Klook. Black Liz is our hen. She lays eggs
|
|
for us. When she lays her egg she is so glad. Gara. Klook Klook Klook.
|
|
Then comes good uncle Leo. He puts his hand under black Liz and takes
|
|
her fresh egg. Ga ga ga ga Gara. Klook Klook Klook.
|
|
|
|
--Anyhow, says Joe, Field and Nannetti are going over tonight to London
|
|
to ask about it on the floor of the house of commons.
|
|
|
|
--Are you sure, says Bloom, the councillor is going? I wanted to see him,
|
|
as it happens.
|
|
|
|
--Well, he's going off by the mailboat, says Joe, tonight.
|
|
|
|
--That's too bad, says Bloom. I wanted particularly. Perhaps only Mr Field
|
|
is going. I couldn't phone. No. You're sure?
|
|
|
|
--Nannan's going too, says Joe. The league told him to ask a question
|
|
tomorrow about the commissioner of police forbidding Irish games in the
|
|
park. What do you think of that, citizen? THE SLUAGH NA H-EIREANN.
|
|
|
|
Mr Cowe Conacre (Multifarnham. Nat.): Arising out of the question of my
|
|
honourable friend, the member for Shillelagh, may I ask the right
|
|
honourable gentleman whether the government has issued orders that these
|
|
animals shall be slaughtered though no medical evidence is forthcoming as
|
|
to their pathological condition?
|
|
|
|
Mr Allfours (Tamoshant. Con.): Honourable members are already in
|
|
possession of the evidence produced before a committee of the whole house.
|
|
I feel I cannot usefully add anything to that. The answer to the
|
|
honourable member's question is in the affirmative.
|
|
|
|
Mr Orelli O'Reilly (Montenotte. Nat.): Have similar orders been issued for
|
|
the slaughter of human animals who dare to play Irish games in the
|
|
Phoenix park?
|
|
|
|
Mr Allfours: The answer is in the negative.
|
|
|
|
Mr Cowe Conacre: Has the right honourable gentleman's famous
|
|
Mitchelstown telegram inspired the policy of gentlemen on the Treasury
|
|
bench? (O! O!)
|
|
|
|
Mr Allfours: I must have notice of that question.
|
|
|
|
Mr Staylewit (Buncombe. Ind.): Don't hesitate to shoot.
|
|
|
|
(Ironical opposition cheers.)
|
|
|
|
The speaker: Order! Order!
|
|
|
|
(The house rises. Cheers.)
|
|
|
|
--There's the man, says Joe, that made the Gaelic sports revival. There he
|
|
is sitting there. The man that got away James Stephens. The champion of
|
|
all Ireland at putting the sixteen pound shot. What was your best throw,
|
|
citizen?
|
|
|
|
--NA BACLEIS, says the citizen, letting on to be modest. There was a time
|
|
I was as good as the next fellow anyhow.
|
|
|
|
--Put it there, citizen, says Joe. You were and a bloody sight better.
|
|
|
|
--Is that really a fact? says Alf.
|
|
|
|
--Yes, says Bloom. That's well known. Did you not know that?
|
|
|
|
So off they started about Irish sports and shoneen games the like of lawn
|
|
tennis and about hurley and putting the stone and racy of the soil and
|
|
building up a nation once again and all to that. And of course Bloom had
|
|
to have his say too about if a fellow had a rower's heart violent
|
|
exercise was bad. I declare to my antimacassar if you took up a
|
|
straw from the bloody floor and if you said to Bloom: LOOK AT, BLOOM.
|
|
DO YOU SEE THAT STRAW? THAT'S A STRAW. Declare to my aunt he'd talk
|
|
about it for an hour so he would and talk steady.
|
|
|
|
A most interesting discussion took place in the ancient hall of BRIAN
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O'CIARNAIN'S in SRAID NA BRETAINE BHEAG, under the auspices of SLUAGH NA
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H-EIREANN, on the revival of ancient Gaelic sports and the importance of
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physical culture, as understood in ancient Greece and ancient Rome and
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ancient Ireland, for the development of the race. The venerable president
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of the noble order was in the chair and the attendance was of large
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dimensions. After an instructive discourse by the chairman, a magnificent
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oration eloquently and forcibly expressed, a most interesting and
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instructive discussion of the usual high standard of excellence
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ensued as to the desirability of the revivability of the ancient
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games and sports of our ancient Panceltic forefathers. The
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wellknown and highly respected worker in the cause of our old
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tongue, Mr Joseph M'Carthy Hynes, made an eloquent appeal for
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the resuscitation of the ancient Gaelic sports and pastimes,
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practised morning and evening by Finn MacCool, as calculated to revive the
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best traditions of manly strength and prowess handed down to us from
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ancient ages. L. Bloom, who met with a mixed reception of applause and
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hisses, having espoused the negative the vocalist chairman brought the
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discussion to a close, in response to repeated requests and hearty
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plaudits from all parts of a bumper house, by a remarkably noteworthy
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rendering of the immortal Thomas Osborne Davis' evergreen verses (happily
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too familiar to need recalling here) A NATION ONCE AGAIN in the execution
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of which the veteran patriot champion may be said without fear of
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contradiction to have fairly excelled himself. The Irish Caruso-Garibaldi
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was in superlative form and his stentorian notes were heard to the
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greatest advantage in the timehonoured anthem sung as only our citizen
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can sing it. His superb highclass vocalism, which by its superquality
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greatly enhanced his already international reputation, was vociferously
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applauded by the large audience among which were to be noticed many
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prominent members of the clergy as well as representatives of the press
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and the bar and the other learned professions. The proceedings then
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terminated.
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Amongst the clergy present were the very rev. William Delany, S. J.,
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L. L. D.; the rt rev. Gerald Molloy, D. D.; the rev. P. J. Kavanagh,
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C. S. Sp.; the rev. T. Waters, C. C.; the rev. John M. Ivers, P. P.; the
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rev. P. J. Cleary, O. S. F.; the rev. L. J. Hickey, O. P.; the very rev.
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Fr. Nicholas, O. S. F. C.; the very rev. B. Gorman, O. D. C.; the rev. T.
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Maher, S. J.; the very rev. James Murphy, S. J.; the rev. John Lavery,
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V. F.; the very rev. William Doherty, D. D.; the rev. Peter Fagan, O. M.;
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the rev. T. Brangan, O. S. A.; the rev. J. Flavin, C. C.; the rev. M. A.
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Hackett, C. C.; the rev. W. Hurley, C. C.; the rt rev. Mgr M'Manus,
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V. G.; the rev. B. R. Slattery, O. M. I.; the very rev. M. D. Scally, P.
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P.; the rev. F. T. Purcell, O. P.; the very rev. Timothy canon Gorman,
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P. P.; the rev. J. Flanagan, C. C. The laity included P. Fay, T. Quirke,
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etc., etc.
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--Talking about violent exercise, says Alf, were you at that Keogh-Bennett
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match?
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--No, says Joe.
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--I heard So and So made a cool hundred quid over it, says Alf.
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--Who? Blazes? says Joe.
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And says Bloom:
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--What I meant about tennis, for example, is the agility and training the
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eye.
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--Ay, Blazes, says Alf. He let out that Myler was on the beer to run up
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the odds and he swatting all the time.
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--We know him, says the citizen. The traitor's son. We know what put
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English gold in his pocket.
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---True for you, says Joe.
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And Bloom cuts in again about lawn tennis and the circulation of the
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blood, asking Alf:
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--Now, don't you think, Bergan?
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--Myler dusted the floor with him, says Alf. Heenan and Sayers was only a
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bloody fool to it. Handed him the father and mother of a beating. See the
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little kipper not up to his navel and the big fellow swiping. God, he gave
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him one last puck in the wind, Queensberry rules and all, made him puke
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what he never ate.
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It was a historic and a hefty battle when Myler and Percy were
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scheduled to don the gloves for the purse of fifty sovereigns. Handicapped
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as he was by lack of poundage, Dublin's pet lamb made up for it by
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superlative skill in ringcraft. The final bout of fireworks was a
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gruelling for both champions. The welterweight sergeantmajor had
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tapped some lively claret in the previous mixup during which Keogh
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had been receivergeneral of rights and lefts, the artilleryman
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putting in some neat work on the pet's nose, and Myler came on
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looking groggy. The soldier got to business, leading off with a
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powerful left jab to which the Irish gladiator retaliated by shooting
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out a stiff one flush to the point of Bennett's jaw. The redcoat
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ducked but the Dubliner lifted him with a left hook, the body punch being
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a fine one. The men came to handigrips. Myler quickly became busy and got
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his man under, the bout ending with the bulkier man on the ropes, Myler
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punishing him. The Englishman, whose right eye was nearly closed, took
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his corner where he was liberally drenched with water and when the bell
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went came on gamey and brimful of pluck, confident of knocking out the
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fistic Eblanite in jigtime. It was a fight to a finish and the best man
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for it. The two fought like tigers and excitement ran fever high. The
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referee twice cautioned Pucking Percy for holding but the pet was tricky
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and his footwork a treat to watch. After a brisk exchange of courtesies
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during which a smart upper cut of the military man brought blood freely
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from his opponent's mouth the lamb suddenly waded in all over his man and
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landed a terrific left to Battling Bennett's stomach, flooring him flat.
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It was a knockout clean and clever. Amid tense expectation the Portobello
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bruiser was being counted out when Bennett's second Ole Pfotts Wettstein
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threw in the towel and the Santry boy was declared victor to the frenzied
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cheers of the public who broke through the ringropes and fairly mobbed him
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with delight.
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--He knows which side his bread is buttered, says Alf. I hear he's running
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a concert tour now up in the north.
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--He is, says Joe. Isn't he?
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--Who? says Bloom. Ah, yes. That's quite true. Yes, a kind of summer tour,
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you see. Just a holiday.
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--Mrs B. is the bright particular star, isn't she? says Joe.
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--My wife? says Bloom. She's singing, yes. I think it will be a success
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too.
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He's an excellent man to organise. Excellent.
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Hoho begob says I to myself says I. That explains the milk in the cocoanut
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and absence of hair on the animal's chest. Blazes doing the tootle on the
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flute. Concert tour. Dirty Dan the dodger's son off Island bridge that
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sold the same horses twice over to the government to fight the Boers. Old
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Whatwhat. I called about the poor and water rate, Mr Boylan. You what?
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The water rate, Mr Boylan. You whatwhat? That's the bucko that'll
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organise her, take my tip. 'Twixt me and you Caddareesh.
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Pride of Calpe's rocky mount, the ravenhaired daughter of Tweedy.
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There grew she to peerless beauty where loquat and almond scent the air.
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The gardens of Alameda knew her step: the garths of olives knew and
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bowed. The chaste spouse of Leopold is she: Marion of the bountiful
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bosoms.
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And lo, there entered one of the clan of the O'Molloy's, a comely hero
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of white face yet withal somewhat ruddy, his majesty's counsel learned in
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the law, and with him the prince and heir of the noble line of Lambert.
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--Hello, Ned.
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--Hello, Alf.
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--Hello, Jack.
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--Hello, Joe.
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--God save you, says the citizen.
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--Save you kindly, says J. J. What'll it be, Ned?
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--Half one, says Ned.
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So J. J. ordered the drinks.
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--Were you round at the court? says Joe.
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--Yes, says J. J. He'll square that, Ned, says he.
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--Hope so, says Ned.
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Now what were those two at? J. J. getting him off the grand jury list
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and the other give him a leg over the stile. With his name in Stubbs's.
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Playing cards, hobnobbing with flash toffs with a swank glass in their
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eye, adrinking fizz and he half smothered in writs and garnishee orders.
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Pawning his gold watch in Cummins of Francis street where no-one would
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know him in the private office when I was there with Pisser releasing his
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boots out of the pop. What's your name, sir? Dunne, says he. Ay, and done
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says I. Gob, he'll come home by weeping cross one of those days, I'm
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thinking.
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--Did you see that bloody lunatic Breen round there? says Alf. U. p: up.
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--Yes, says J. J. Looking for a private detective.
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--Ay, says Ned. And he wanted right go wrong to address the court only
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Corny Kelleher got round him telling him to get the handwriting examined
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first.
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--Ten thousand pounds, says Alf, laughing. God, I'd give anything to hear
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him before a judge and jury.
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--Was it you did it, Alf? says Joe. The truth, the whole truth and nothing
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but the truth, so help you Jimmy Johnson.
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--Me? says Alf. Don't cast your nasturtiums on my character.
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--Whatever statement you make, says Joe, will be taken down in evidence
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against you.
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--Of course an action would lie, says J. J. It implies that he is not
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COMPOS MENTIS. U. p: up.
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--COMPOS your eye! says Alf, laughing. Do you know that he's balmy?
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Look at his head. Do you know that some mornings he has to get his hat on
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with a shoehorn.
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--Yes, says J. J., but the truth of a libel is no defence to an indictment
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for publishing it in the eyes of the law.
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--Ha ha, Alf, says Joe.
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--Still, says Bloom, on account of the poor woman, I mean his wife.
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--Pity about her, says the citizen. Or any other woman marries a half and
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half.
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--How half and half? says Bloom. Do you mean he ...
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--Half and half I mean, says the citizen. A fellow that's neither fish nor
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flesh.
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--Nor good red herring, says Joe.
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--That what's I mean, says the citizen. A pishogue, if you know what that
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is.
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Begob I saw there was trouble coming. And Bloom explaining he meant on
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account of it being cruel for the wife having to go round after the
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old stuttering fool. Cruelty to animals so it is to let that bloody
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povertystricken Breen out on grass with his beard out tripping him,
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bringing down the rain. And she with her nose cockahoop after she married
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him because a cousin of his old fellow's was pewopener to the pope.
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Picture of him on the wall with his Smashall Sweeney's moustaches, the
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signior Brini from Summerhill, the eyetallyano, papal Zouave to the Holy
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Father, has left the quay and gone to Moss street. And who was he, tell
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us? A nobody, two pair back and passages, at seven shillings a week, and
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he covered with all kinds of breastplates bidding defiance to the world.
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--And moreover, says J. J., a postcard is publication. It was held to be
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sufficient evidence of malice in the testcase Sadgrove v. Hole. In my
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opinion an action might lie.
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Six and eightpence, please. Who wants your opinion? Let us drink
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our pints in peace. Gob, we won't be let even do that much itself.
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--Well, good health, Jack, says Ned.
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--Good health, Ned, says J. J.
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---There he is again, says Joe.
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--Where? says Alf.
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And begob there he was passing the door with his books under his
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oxter and the wife beside him and Corny Kelleher with his wall eye looking
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in as they went past, talking to him like a father, trying to sell him a
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secondhand coffin.
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--How did that Canada swindle case go off? says Joe.
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--Remanded, says J. J.
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One of the bottlenosed fraternity it was went by the name of James
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Wought alias Saphiro alias Spark and Spiro, put an ad in the papers saying
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he'd give a passage to Canada for twenty bob. What? Do you see any green
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in the white of my eye? Course it was a bloody barney. What? Swindled
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them all, skivvies and badhachs from the county Meath, ay, and his own
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kidney too. J. J. was telling us there was an ancient Hebrew Zaretsky or
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something weeping in the witnessbox with his hat on him, swearing by the
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holy Moses he was stuck for two quid.
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--Who tried the case? says Joe.
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--Recorder, says Ned.
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--Poor old sir Frederick, says Alf, you can cod him up to the two eyes.
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--Heart as big as a lion, says Ned. Tell him a tale of woe about arrears
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of rent and a sick wife and a squad of kids and, faith, he'll dissolve in
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tears on the bench.
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--Ay, says Alf. Reuben J was bloody lucky he didn't clap him in the dock
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the other day for suing poor little Gumley that's minding stones, for the
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corporation there near Butt bridge.
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And he starts taking off the old recorder letting on to cry:
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--A most scandalous thing! This poor hardworking man! How many
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children? Ten, did you say?
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--Yes, your worship. And my wife has the typhoid.
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--And the wife with typhoid fever! Scandalous! Leave the court
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immediately, sir. No, sir, I'll make no order for payment. How dare you,
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sir, come up before me and ask me to make an order! A poor hardworking
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industrious man! I dismiss the case.
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And whereas on the sixteenth day of the month of the oxeyed goddess and in
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the third week after the feastday of the Holy and Undivided Trinity,
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the daughter of the skies, the virgin moon being then in her first
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quarter, it came to pass that those learned judges repaired them to the
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halls of law. There master Courtenay, sitting in his own chamber,
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gave his rede and master Justice Andrews, sitting without a jury
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in the probate court, weighed well and pondered the claim of the
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first chargeant upon the property in the matter of the will
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propounded and final testamentary disposition IN RE the real and
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personal estate of the late lamented Jacob Halliday, vintner, deceased,
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versus Livingstone, an infant, of unsound mind, and another. And to the
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solemn court of Green street there came sir Frederick the Falconer. And he
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sat him there about the hour of five o'clock to administer the law of the
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brehons at the commission for all that and those parts to be holden in
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and for the county of the city of Dublin. And there sat with him the high
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sinhedrim of the twelve tribes of Iar, for every tribe one man, of the
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tribe of Patrick and of the tribe of Hugh and of the tribe of Owen and of
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the tribe of Conn and of the tribe of Oscar and of the tribe of
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Fergus and of the tribe of Finn and of the tribe of Dermot and of
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the tribe of Cormac and of the tribe of Kevin and of the tribe of
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Caolte and of the tribe of Ossian, there being in all twelve good
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men and true. And he conjured them by Him who died on rood that
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they should well and truly try and true deliverance make in the
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issue joined between their sovereign lord the king and the prisoner at
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the bar and true verdict give according to the evidence so help them God
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and kiss the book. And they rose in their seats, those twelve of Iar, and
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they swore by the name of Him Who is from everlasting that they would do
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His rightwiseness. And straightway the minions of the law led forth from
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their donjon keep one whom the sleuthhounds of justice had apprehended in
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consequence of information received. And they shackled him hand and foot
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and would take of him ne bail ne mainprise but preferred a charge against
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him for he was a malefactor.
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--Those are nice things, says the citizen, coming over here to Ireland
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filling the country with bugs.
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So Bloom lets on he heard nothing and he starts talking with Joe, telling
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him he needn't trouble about that little matter till the first but if he
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would just say a word to Mr Crawford. And so Joe swore high and holy by
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this and by that he'd do the devil and all.
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--Because, you see, says Bloom, for an advertisement you must have
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repetition. That's the whole secret.
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--Rely on me, says Joe.
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--Swindling the peasants, says the citizen, and the poor of Ireland. We
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want no more strangers in our house.
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--O, I'm sure that will be all right, Hynes, says Bloom. It's just that
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Keyes, you see.
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--Consider that done, says Joe.
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--Very kind of you, says Bloom.
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--The strangers, says the citizen. Our own fault. We let them come in. We
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brought them in. The adulteress and her paramour brought the Saxon
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robbers here.
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--Decree NISI, says J. J.
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And Bloom letting on to be awfully deeply interested in nothing, a
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spider's web in the corner behind the barrel, and the citizen scowling
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after him and the old dog at his feet looking up to know who to bite and
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when.
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--A dishonoured wife, says the citizen, that's what's the cause of all our
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misfortunes.
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--And here she is, says Alf, that was giggling over the POLICE GAZETTE
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with Terry on the counter, in all her warpaint.
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--Give us a squint at her, says I.
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And what was it only one of the smutty yankee pictures Terry
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borrows off of Corny Kelleher. Secrets for enlarging your private parts.
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Misconduct of society belle. Norman W. Tupper, wealthy Chicago
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contractor, finds pretty but faithless wife in lap of officer Taylor.
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Belle in her bloomers misconducting herself, and her fancyman feeling for
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her tickles and Norman W. Tupper bouncing in with his peashooter just in
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time to be late after she doing the trick of the loop with officer Taylor.
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--O jakers, Jenny, says Joe, how short your shirt is!
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--There's hair, Joe, says I. Get a queer old tailend of corned beef off of
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that one, what?
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So anyhow in came John Wyse Nolan and Lenehan with him with a
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face on him as long as a late breakfast.
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--Well, says the citizen, what's the latest from the scene of action? What
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did those tinkers in the city hall at their caucus meeting decide about
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the Irish language?
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O'Nolan, clad in shining armour, low bending made obeisance to the
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puissant and high and mighty chief of all Erin and did him to wit of that
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which had befallen, how that the grave elders of the most obedient city,
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second of the realm, had met them in the tholsel, and there, after due
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prayers to the gods who dwell in ether supernal, had taken solemn counsel
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whereby they might, if so be it might be, bring once more into honour
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among mortal men the winged speech of the seadivided Gael.
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--It's on the march, says the citizen. To hell with the bloody brutal
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Sassenachs and their PATOIS.
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So J. J. puts in a word, doing the toff about one story was good till
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you heard another and blinking facts and the Nelson policy, putting your
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blind eye to the telescope and drawing up a bill of attainder to impeach a
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nation, and Bloom trying to back him up moderation and botheration and
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their colonies and their civilisation.
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--Their syphilisation, you mean, says the citizen. To hell with them! The
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curse of a goodfornothing God light sideways on the bloody thicklugged
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sons of whores' gets! No music and no art and no literature worthy of the
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name. Any civilisation they have they stole from us. Tonguetied sons of
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bastards' ghosts.
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--The European family, says J. J. ...
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--They're not European, says the citizen. I was in Europe with Kevin Egan
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of Paris. You wouldn't see a trace of them or their language anywhere in
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Europe except in a CABINET D'AISANCE.
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And says John Wyse:
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--Full many a flower is born to blush unseen.
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And says Lenehan that knows a bit of the lingo:
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--CONSPUEZ LES ANGLAIS! PERFIDE ALBION!
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He said and then lifted he in his rude great brawny strengthy hands
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the medher of dark strong foamy ale and, uttering his tribal slogan LAMH
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DEARG ABU, he drank to the undoing of his foes, a race of mighty valorous
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heroes, rulers of the waves, who sit on thrones of alabaster silent as the
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deathless gods.
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--What's up with you, says I to Lenehan. You look like a fellow that had
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lost a bob and found a tanner.
|
|
|
|
--Gold cup, says he.
|
|
|
|
--Who won, Mr Lenehan? says Terry.
|
|
|
|
--THROWAWAY, says he, at twenty to one. A rank outsider. And the rest
|
|
nowhere.
|
|
|
|
--And Bass's mare? says Terry.
|
|
|
|
--Still running, says he. We're all in a cart. Boylan plunged two quid on
|
|
my tip SCEPTRE for himself and a lady friend.
|
|
|
|
--I had half a crown myself, says Terry, on ZINFANDEL that Mr Flynn gave
|
|
me. Lord Howard de Walden's.
|
|
|
|
--Twenty to one, says Lenehan. Such is life in an outhouse. THROWAWAY,
|
|
says he. Takes the biscuit, and talking about bunions. Frailty, thy name
|
|
is SCEPTRE.
|
|
|
|
So he went over to the biscuit tin Bob Doran left to see if there was
|
|
anything he could lift on the nod, the old cur after him backing his luck
|
|
with his mangy snout up. Old Mother Hubbard went to the cupboard.
|
|
|
|
--Not there, my child, says he.
|
|
|
|
--Keep your pecker up, says Joe. She'd have won the money only for the
|
|
other dog.
|
|
|
|
And J. J. and the citizen arguing about law and history with Bloom
|
|
sticking in an odd word.
|
|
|
|
--Some people, says Bloom, can see the mote in others' eyes but they can't
|
|
see the beam in their own.
|
|
|
|
--RAIMEIS, says the citizen. There's no-one as blind as the fellow that
|
|
won't see, if you know what that means. Where are our missing
|
|
twenty millions of Irish should be here today instead of four,
|
|
our lost tribes? And our potteries and textiles, the finest in
|
|
the whole world! And our wool that was sold in Rome in the time
|
|
of Juvenal and our flax and our damask from the looms of Antrim
|
|
and our Limerick lace, our tanneries and our white flint glass
|
|
down there by Ballybough and our Huguenot poplin that we have since
|
|
Jacquard de Lyon and our woven silk and our Foxford tweeds and ivory
|
|
raised point from the Carmelite convent in New Ross, nothing like it in
|
|
the whole wide world. Where are the Greek merchants that came through the
|
|
pillars of Hercules, the Gibraltar now grabbed by the foe of mankind, with
|
|
gold and Tyrian purple to sell in Wexford at the fair of Carmen? Read
|
|
Tacitus and Ptolemy, even Giraldus Cambrensis. Wine, peltries,
|
|
Connemara marble, silver from Tipperary, second to none, our farfamed
|
|
horses even today, the Irish hobbies, with king Philip of Spain offering
|
|
to pay customs duties for the right to fish in our waters. What do the
|
|
yellowjohns of Anglia owe us for our ruined trade and our ruined hearths?
|
|
And the beds of the Barrow and Shannon they won't deepen with millions
|
|
of acres of marsh and bog to make us all die of consumption?
|
|
|
|
--As treeless as Portugal we'll be soon, says John Wyse, or Heligoland
|
|
with its one tree if something is not done to reafforest the land.
|
|
Larches, firs, all the trees of the conifer family are going fast. I was
|
|
reading a report of lord Castletown's ...
|
|
|
|
--Save them, says the citizen, the giant ash of Galway and the chieftain
|
|
elm of Kildare with a fortyfoot bole and an acre of foliage. Save the
|
|
trees of Ireland for the future men of Ireland on the fair hills of
|
|
Eire, O.
|
|
|
|
--Europe has its eyes on you, says Lenehan.
|
|
|
|
The fashionable international world attended EN MASSE this afternoon
|
|
at the wedding of the chevalier Jean Wyse de Neaulan, grand high chief
|
|
ranger of the Irish National Foresters, with Miss Fir Conifer of Pine
|
|
Valley. Lady Sylvester Elmshade, Mrs Barbara Lovebirch, Mrs Poll Ash,
|
|
Mrs Holly Hazeleyes, Miss Daphne Bays, Miss Dorothy Canebrake, Mrs
|
|
Clyde Twelvetrees, Mrs Rowan Greene, Mrs Helen Vinegadding, Miss
|
|
Virginia Creeper, Miss Gladys Beech, Miss Olive Garth, Miss Blanche
|
|
Maple, Mrs Maud Mahogany, Miss Myra Myrtle, Miss Priscilla
|
|
Elderflower, Miss Bee Honeysuckle, Miss Grace Poplar, Miss O Mimosa
|
|
San, Miss Rachel Cedarfrond, the Misses Lilian and Viola Lilac, Miss
|
|
Timidity Aspenall, Mrs Kitty Dewey-Mosse, Miss May Hawthorne, Mrs
|
|
Gloriana Palme, Mrs Liana Forrest, Mrs Arabella Blackwood and Mrs
|
|
Norma Holyoake of Oakholme Regis graced the ceremony by their
|
|
presence. The bride who was given away by her father, the M'Conifer of
|
|
the Glands, looked exquisitely charming in a creation carried out in green
|
|
mercerised silk, moulded on an underslip of gloaming grey, sashed with a
|
|
yoke of broad emerald and finished with a triple flounce of darkerhued
|
|
fringe, the scheme being relieved by bretelles and hip insertions of acorn
|
|
bronze. The maids of honour, Miss Larch Conifer and Miss Spruce Conifer,
|
|
sisters of the bride, wore very becoming costumes in the same tone, a
|
|
dainty MOTIF of plume rose being worked into the pleats in a pinstripe and
|
|
repeated capriciously in the jadegreen toques in the form of heron
|
|
feathers of paletinted coral. Senhor Enrique Flor presided at the
|
|
organ with his wellknown ability and, in addition to the prescribed
|
|
numbers of the nuptial mass, played a new and striking arrangement
|
|
of WOODMAN, SPARE THAT TREE at the conclusion of the service. On
|
|
leaving the church of Saint Fiacre IN HORTO after the papal
|
|
blessing the happy pair were subjected to a playful crossfire
|
|
of hazelnuts, beechmast, bayleaves, catkins of willow, ivytod,
|
|
hollyberries, mistletoe sprigs and quicken shoots. Mr and Mrs Wyse
|
|
Conifer Neaulan will spend a quiet honeymoon in the Black Forest.
|
|
|
|
--And our eyes are on Europe, says the citizen. We had our trade with
|
|
Spain and the French and with the Flemings before those mongrels were
|
|
pupped, Spanish ale in Galway, the winebark on the winedark waterway.
|
|
|
|
--And will again, says Joe.
|
|
|
|
--And with the help of the holy mother of God we will again, says the
|
|
citizen, clapping his thigh. our harbours that are empty will be full
|
|
again, Queenstown, Kinsale, Galway, Blacksod Bay, Ventry in the kingdom of
|
|
Kerry, Killybegs, the third largest harbour in the wide world with a fleet
|
|
of masts of the Galway Lynches and the Cavan O'Reillys and the
|
|
O'Kennedys of Dublin when the earl of Desmond could make a treaty with
|
|
the emperor Charles the Fifth himself. And will again, says he, when the
|
|
first Irish battleship is seen breasting the waves with our own flag to
|
|
the fore, none of your Henry Tudor's harps, no, the oldest flag afloat,
|
|
the flag of the province of Desmond and Thomond, three crowns on a blue
|
|
field, the three sons of Milesius.
|
|
|
|
And he took the last swig out of the pint. Moya. All wind and piss like
|
|
a tanyard cat. Cows in Connacht have long horns. As much as his bloody
|
|
life is worth to go down and address his tall talk to the assembled
|
|
multitude in Shanagolden where he daren't show his nose with the Molly
|
|
Maguires looking for him to let daylight through him for grabbing the
|
|
holding of an evicted tenant.
|
|
|
|
--Hear, hear to that, says John Wyse. What will you have?
|
|
|
|
--An imperial yeomanry, says Lenehan, to celebrate the occasion.
|
|
|
|
--Half one, Terry, says John Wyse, and a hands up. Terry! Are you asleep?
|
|
|
|
--Yes, sir, says Terry. Small whisky and bottle of Allsop. Right, sir.
|
|
|
|
Hanging over the bloody paper with Alf looking for spicy bits instead
|
|
of attending to the general public. Picture of a butting match, trying to
|
|
crack their bloody skulls, one chap going for the other with his head down
|
|
like a bull at a gate. And another one: BLACK BEAST BURNED IN OMAHA, GA.
|
|
A lot of Deadwood Dicks in slouch hats and they firing at a Sambo strung
|
|
up in a tree with his tongue out and a bonfire under him. Gob, they ought
|
|
to drown him in the sea after and electrocute and crucify him to make sure
|
|
of their job.
|
|
|
|
--But what about the fighting navy, says Ned, that keeps our foes at bay?
|
|
|
|
--I'll tell you what about it, says the citizen. Hell upon earth it is.
|
|
Read the revelations that's going on in the papers about flogging on the
|
|
training ships at Portsmouth. A fellow writes that calls himself DISGUSTED
|
|
ONE.
|
|
|
|
So he starts telling us about corporal punishment and about the crew
|
|
of tars and officers and rearadmirals drawn up in cocked hats and the
|
|
parson with his protestant bible to witness punishment and a young lad
|
|
brought out, howling for his ma, and they tie him down on the buttend of a
|
|
gun.
|
|
|
|
--A rump and dozen, says the citizen, was what that old ruffian sir John
|
|
Beresford called it but the modern God's Englishman calls it caning on the
|
|
breech.
|
|
|
|
And says John Wyse:
|
|
|
|
--'Tis a custom more honoured in the breach than in the observance.
|
|
|
|
Then he was telling us the master at arms comes along with a long
|
|
cane and he draws out and he flogs the bloody backside off of the poor lad
|
|
till he yells meila murder.
|
|
|
|
--That's your glorious British navy, says the citizen, that bosses the
|
|
earth.
|
|
|
|
The fellows that never will be slaves, with the only hereditary chamber on
|
|
the face of God's earth and their land in the hands of a dozen gamehogs
|
|
and cottonball barons. That's the great empire they boast about of drudges
|
|
and whipped serfs.
|
|
|
|
--On which the sun never rises, says Joe.
|
|
|
|
--And the tragedy of it is, says the citizen, they believe it. The
|
|
unfortunate yahoos believe it.
|
|
|
|
They believe in rod, the scourger almighty, creator of hell upon earth,
|
|
and in Jacky Tar, the son of a gun, who was conceived of unholy boast,
|
|
born of the fighting navy, suffered under rump and dozen, was scarified,
|
|
flayed and curried, yelled like bloody hell, the third day he arose again
|
|
from the bed, steered into haven, sitteth on his beamend till further
|
|
orders whence he shall come to drudge for a living and be paid.
|
|
|
|
--But, says Bloom, isn't discipline the same everywhere. I mean wouldn't
|
|
it be the same here if you put force against force?
|
|
|
|
Didn't I tell you? As true as I'm drinking this porter if he was at his
|
|
last gasp he'd try to downface you that dying was living.
|
|
|
|
--We'll put force against force, says the citizen. We have our greater
|
|
Ireland beyond the sea. They were driven out of house and home in the
|
|
black 47. Their mudcabins and their shielings by the roadside were laid
|
|
low by the batteringram and the TIMES rubbed its hands and told the
|
|
whitelivered Saxons there would soon be as few Irish in Ireland as
|
|
redskins in America. Even the Grand Turk sent us his piastres. But the
|
|
Sassenach tried to starve the nation at home while the land was full of
|
|
crops that the British hyenas bought and sold in Rio de Janeiro. Ay, they
|
|
drove out the peasants in hordes. Twenty thousand of them died in the
|
|
coffinships. But those that came to the land of the free remember the
|
|
land of bondage. And they will come again and with a vengeance, no
|
|
cravens, the sons of Granuaile, the champions of Kathleen ni Houlihan.
|
|
|
|
--Perfectly true, says Bloom. But my point was ...
|
|
|
|
--We are a long time waiting for that day, citizen, says Ned. Since the
|
|
poor old woman told us that the French were on the sea and landed at
|
|
Killala.
|
|
|
|
--Ay, says John Wyse. We fought for the royal Stuarts that reneged us
|
|
against the Williamites and they betrayed us. Remember Limerick and the
|
|
broken treatystone. We gave our best blood to France and Spain, the wild
|
|
geese. Fontenoy, eh? And Sarsfield and O'Donnell, duke of Tetuan in
|
|
Spain, and Ulysses Browne of Camus that was fieldmarshal to Maria Teresa.
|
|
But what did we ever get for it?
|
|
|
|
--The French! says the citizen. Set of dancing masters! Do you know what
|
|
it is? They were never worth a roasted fart to Ireland. Aren't they
|
|
trying to make an ENTENTE CORDIALE now at Tay Pay's dinnerparty with
|
|
perfidious Albion? Firebrands of Europe and they always were.
|
|
|
|
--CONSPUEZ LES FRANCAIS, says Lenehan, nobbling his beer.
|
|
|
|
--And as for the Prooshians and the Hanoverians, says Joe, haven't we had
|
|
enough of those sausageeating bastards on the throne from George the
|
|
elector down to the German lad and the flatulent old bitch that's dead?
|
|
|
|
Jesus, I had to laugh at the way he came out with that about the old one
|
|
with the winkers on her, blind drunk in her royal palace every night of
|
|
God, old Vic, with her jorum of mountain dew and her coachman carting her
|
|
up body and bones to roll into bed and she pulling him by the whiskers
|
|
and singing him old bits of songs about EHREN ON THE RHINE and come where
|
|
the boose is cheaper.
|
|
|
|
--Well, says J. J. We have Edward the peacemaker now.
|
|
|
|
--Tell that to a fool, says the citizen. There's a bloody sight more pox
|
|
than pax about that boyo. Edward Guelph-Wettin!
|
|
|
|
--And what do you think, says Joe, of the holy boys, the priests and
|
|
bishops of Ireland doing up his room in Maynooth in His Satanic Majesty's
|
|
racing colours and sticking up pictures of all the horses his jockeys
|
|
rode. The earl of Dublin, no less.
|
|
|
|
--They ought to have stuck up all the women he rode himself, says little
|
|
Alf.
|
|
|
|
And says J. J.:
|
|
|
|
--Considerations of space influenced their lordships' decision.
|
|
|
|
--Will you try another, citizen? says Joe.
|
|
|
|
--Yes, sir, says he. I will.
|
|
|
|
--You? says Joe.
|
|
|
|
--Beholden to you, Joe, says I. May your shadow never grow less.
|
|
|
|
--Repeat that dose, says Joe.
|
|
|
|
Bloom was talking and talking with John Wyse and he quite excited with
|
|
his dunducketymudcoloured mug on him and his old plumeyes rolling about.
|
|
|
|
--Persecution, says he, all the history of the world is full of it.
|
|
Perpetuating national hatred among nations.
|
|
|
|
--But do you know what a nation means? says John Wyse.
|
|
|
|
--Yes, says Bloom.
|
|
|
|
--What is it? says John Wyse.
|
|
|
|
--A nation? says Bloom. A nation is the same people living in the same
|
|
place.
|
|
|
|
--By God, then, says Ned, laughing, if that's so I'm a nation for I'm
|
|
living in the same place for the past five years.
|
|
|
|
So of course everyone had the laugh at Bloom and says he, trying to
|
|
muck out of it:
|
|
|
|
--Or also living in different places.
|
|
|
|
--That covers my case, says Joe.
|
|
|
|
--What is your nation if I may ask? says the citizen.
|
|
|
|
--Ireland, says Bloom. I was born here. Ireland.
|
|
|
|
The citizen said nothing only cleared the spit out of his gullet and,
|
|
gob, he spat a Red bank oyster out of him right in the corner.
|
|
|
|
--After you with the push, Joe, says he, taking out his handkerchief to
|
|
swab himself dry.
|
|
|
|
--Here you are, citizen, says Joe. Take that in your right hand and repeat
|
|
after me the following words.
|
|
|
|
The muchtreasured and intricately embroidered ancient Irish
|
|
facecloth attributed to Solomon of Droma and Manus Tomaltach og
|
|
MacDonogh, authors of the Book of Ballymote, was then carefully
|
|
produced and called forth prolonged admiration. No need to dwell on the
|
|
legendary beauty of the cornerpieces, the acme of art, wherein one can
|
|
distinctly discern each of the four evangelists in turn presenting to each
|
|
of the four masters his evangelical symbol, a bogoak sceptre, a North
|
|
American puma (a far nobler king of beasts than the British article, be it
|
|
said in passing), a Kerry calf and a golden eagle from Carrantuohill. The
|
|
scenes depicted on the emunctory field, showing our ancient duns and raths
|
|
and cromlechs and grianauns and seats of learning and maledictive stones,
|
|
are as wonderfully beautiful and the pigments as delicate as when the
|
|
Sligo illuminators gave free rein to their artistic fantasy long long ago
|
|
in the time of the Barmecides. Glendalough, the lovely lakes of Killarney,
|
|
the ruins of Clonmacnois, Cong Abbey, Glen Inagh and the Twelve Pins,
|
|
Ireland's Eye, the Green Hills of Tallaght, Croagh Patrick, the brewery of
|
|
Messrs Arthur Guinness, Son and Company (Limited), Lough Neagh's banks,
|
|
the vale of Ovoca, Isolde's tower, the Mapas obelisk, Sir Patrick Dun's
|
|
hospital, Cape Clear, the glen of Aherlow, Lynch's castle, the Scotch
|
|
house, Rathdown Union Workhouse at Loughlinstown, Tullamore jail,
|
|
Castleconnel rapids, Kilballymacshonakill, the cross at Monasterboice,
|
|
Jury's Hotel, S. Patrick's Purgatory, the Salmon Leap, Maynooth college
|
|
refectory, Curley's hole, the three birthplaces of the first duke of
|
|
Wellington, the rock of Cashel, the bog of Allen, the Henry Street
|
|
Warehouse, Fingal's Cave--all these moving scenes are still there for us
|
|
today rendered more beautiful still by the waters of sorrow which have
|
|
passed over them and by the rich incrustations of time.
|
|
|
|
--Show us over the drink, says I. Which is which?
|
|
|
|
--That's mine, says Joe, as the devil said to the dead policeman.
|
|
|
|
--And I belong to a race too, says Bloom, that is hated and persecuted.
|
|
Also now. This very moment. This very instant.
|
|
|
|
Gob, he near burnt his fingers with the butt of his old cigar.
|
|
|
|
--Robbed, says he. Plundered. Insulted. Persecuted. Taking what belongs
|
|
to us by right. At this very moment, says he, putting up his fist, sold by
|
|
auction in Morocco like slaves or cattle.
|
|
|
|
--Are you talking about the new Jerusalem? says the citizen.
|
|
|
|
--I'm talking about injustice, says Bloom.
|
|
|
|
--Right, says John Wyse. Stand up to it then with force like men.
|
|
|
|
That's an almanac picture for you. Mark for a softnosed bullet. Old
|
|
lardyface standing up to the business end of a gun. Gob, he'd adorn a
|
|
sweepingbrush, so he would, if he only had a nurse's apron on him. And
|
|
then he collapses all of a sudden, twisting around all the opposite, as
|
|
limp as a wet rag.
|
|
|
|
--But it's no use, says he. Force, hatred, history, all that. That's not
|
|
life for men and women, insult and hatred. And everybody knows that it's
|
|
the very opposite of that that is really life.
|
|
|
|
--What? says Alf.
|
|
|
|
--Love, says Bloom. I mean the opposite of hatred. I must go now, says he
|
|
to John Wyse. Just round to the court a moment to see if Martin is there.
|
|
If he comes just say I'll be back in a second. Just a moment.
|
|
|
|
Who's hindering you? And off he pops like greased lightning.
|
|
|
|
--A new apostle to the gentiles, says the citizen. Universal love.
|
|
|
|
--Well, says John Wyse. Isn't that what we're told. Love your neighbour.
|
|
|
|
--That chap? says the citizen. Beggar my neighbour is his motto. Love,
|
|
moya! He's a nice pattern of a Romeo and Juliet.
|
|
|
|
Love loves to love love. Nurse loves the new chemist. Constable 14A
|
|
loves Mary Kelly. Gerty MacDowell loves the boy that has the bicycle.
|
|
M. B. loves a fair gentleman. Li Chi Han lovey up kissy Cha Pu Chow.
|
|
Jumbo, the elephant, loves Alice, the elephant. Old Mr Verschoyle with the
|
|
ear trumpet loves old Mrs Verschoyle with the turnedin eye. The man in the
|
|
brown macintosh loves a lady who is dead. His Majesty the King loves Her
|
|
Majesty the Queen. Mrs Norman W. Tupper loves officer Taylor. You love
|
|
a certain person. And this person loves that other person because
|
|
everybody loves somebody but God loves everybody.
|
|
|
|
--Well, Joe, says I, your very good health and song. More power, citizen.
|
|
|
|
--Hurrah, there, says Joe.
|
|
|
|
--The blessing of God and Mary and Patrick on you, says the citizen.
|
|
|
|
And he ups with his pint to wet his whistle.
|
|
|
|
--We know those canters, says he, preaching and picking your pocket.
|
|
What about sanctimonious Cromwell and his ironsides that put the women
|
|
and children of Drogheda to the sword with the bible text GOD IS LOVE
|
|
pasted round the mouth of his cannon? The bible! Did you read that skit in
|
|
the UNITED IRISHMAN today about that Zulu chief that's visiting England?
|
|
|
|
--What's that? says Joe.
|
|
|
|
So the citizen takes up one of his paraphernalia papers and he starts
|
|
reading out:
|
|
|
|
--A delegation of the chief cotton magnates of Manchester was presented
|
|
yesterday to His Majesty the Alaki of Abeakuta by Gold Stick in Waiting,
|
|
Lord Walkup of Walkup on Eggs, to tender to His Majesty the heartfelt
|
|
thanks of British traders for the facilities afforded them in his
|
|
dominions. The delegation partook of luncheon at the conclusion
|
|
of which the dusky potentate, in the course of a happy speech,
|
|
freely translated by the British chaplain, the reverend Ananias
|
|
Praisegod Barebones, tendered his best thanks to Massa Walkup and
|
|
emphasised the cordial relations existing between Abeakuta and the
|
|
British empire, stating that he treasured as one of his dearest
|
|
possessions an illuminated bible, the volume of the word of God
|
|
and the secret of England's greatness, graciously presented to him by
|
|
the white chief woman, the great squaw Victoria, with a personal
|
|
dedication from the august hand of the Royal Donor. The Alaki then drank a
|
|
lovingcup of firstshot usquebaugh to the toast BLACK AND WHITE from the
|
|
skull of his immediate predecessor in the dynasty Kakachakachak,
|
|
surnamed Forty Warts, after which he visited the chief factory of
|
|
Cottonopolis and signed his mark in the visitors' book, subsequently
|
|
executing a charming old Abeakutic wardance, in the course of which he
|
|
swallowed several knives and forks, amid hilarious applause from the girl
|
|
hands.
|
|
|
|
--Widow woman, says Ned. I wouldn't doubt her. Wonder did he put that
|
|
bible to the same use as I would.
|
|
|
|
--Same only more so, says Lenehan. And thereafter in that fruitful land
|
|
the broadleaved mango flourished exceedingly.
|
|
|
|
--Is that by Griffith? says John Wyse.
|
|
|
|
--No, says the citizen. It's not signed Shanganagh. It's only
|
|
initialled: P.
|
|
|
|
--And a very good initial too, says Joe.
|
|
|
|
--That's how it's worked, says the citizen. Trade follows the flag.
|
|
|
|
--Well, says J. J., if they're any worse than those Belgians in the Congo
|
|
Free State they must be bad. Did you read that report by a man what's this
|
|
his name is?
|
|
|
|
--Casement, says the citizen. He's an Irishman.
|
|
|
|
--Yes, that's the man, says J. J. Raping the women and girls and flogging
|
|
the natives on the belly to squeeze all the red rubber they can out of
|
|
them.
|
|
|
|
--I know where he's gone, says Lenehan, cracking his fingers.
|
|
|
|
--Who? says I.
|
|
|
|
--Bloom, says he. The courthouse is a blind. He had a few bob on
|
|
THROWAWAY and he's gone to gather in the shekels.
|
|
|
|
--Is it that whiteeyed kaffir? says the citizen, that never backed a horse
|
|
in anger in his life?
|
|
|
|
--That's where he's gone, says Lenehan. I met Bantam Lyons going to back
|
|
that horse only I put him off it and he told me Bloom gave him the tip.
|
|
Bet you what you like he has a hundred shillings to five on. He's the only
|
|
man in Dublin has it. A dark horse.
|
|
|
|
--He's a bloody dark horse himself, says Joe.
|
|
|
|
--Mind, Joe, says I. Show us the entrance out.
|
|
|
|
--There you are, says Terry.
|
|
|
|
Goodbye Ireland I'm going to Gort. So I just went round the back of
|
|
the yard to pumpship and begob (hundred shillings to five) while I was
|
|
letting off my (THROWAWAY twenty to) letting off my load gob says I to
|
|
myself I knew he was uneasy in his (two pints off of Joe and one in
|
|
Slattery's off) in his mind to get off the mark to (hundred shillings is
|
|
five quid) and when they were in the (dark horse) pisser Burke
|
|
was telling me card party and letting on the child was sick (gob, must
|
|
have done about a gallon) flabbyarse of a wife speaking down the tube
|
|
SHE'S BETTER or SHE'S (ow!) all a plan so he could vamoose with the
|
|
pool if he won or (Jesus, full up I was) trading without a licence (ow!)
|
|
Ireland my nation says he (hoik! phthook!) never be up to those
|
|
bloody (there's the last of it) Jerusalem (ah!) cuckoos.
|
|
|
|
So anyhow when I got back they were at it dingdong, John Wyse
|
|
saying it was Bloom gave the ideas for Sinn Fein to Griffith to put in his
|
|
paper all kinds of jerrymandering, packed juries and swindling the taxes
|
|
off of the government and appointing consuls all over the world to walk
|
|
about selling Irish industries. Robbing Peter to pay Paul. Gob, that puts
|
|
the bloody kybosh on it if old sloppy eyes is mucking up the show. Give us
|
|
a bloody chance. God save Ireland from the likes of that bloody
|
|
mouseabout. Mr Bloom with his argol bargol. And his old fellow before him
|
|
perpetrating frauds, old Methusalem Bloom, the robbing bagman, that
|
|
poisoned himself with the prussic acid after he swamping the country with
|
|
his baubles and his penny diamonds. Loans by post on easy terms. Any
|
|
amount of money advanced on note of hand. Distance no object. No security.
|
|
Gob, he's like Lanty MacHale's goat that'd go a piece of the road with
|
|
every one.
|
|
|
|
--Well, it's a fact, says John Wyse. And there's the man now that'll tell
|
|
you all about it, Martin Cunningham.
|
|
|
|
Sure enough the castle car drove up with Martin on it and Jack Power
|
|
with him and a fellow named Crofter or Crofton, pensioner out of the
|
|
collector general's, an orangeman Blackburn does have on the registration
|
|
and he drawing his pay or Crawford gallivanting around the country at the
|
|
king's expense.
|
|
|
|
Our travellers reached the rustic hostelry and alighted from their
|
|
palfreys.
|
|
|
|
--Ho, varlet! cried he, who by his mien seemed the leader of the party.
|
|
Saucy knave! To us!
|
|
|
|
So saying he knocked loudly with his swordhilt upon the open lattice.
|
|
|
|
Mine host came forth at the summons, girding him with his tabard.
|
|
|
|
--Give you good den, my masters, said he with an obsequious bow.
|
|
|
|
--Bestir thyself, sirrah! cried he who had knocked. Look to our steeds.
|
|
And for ourselves give us of your best for ifaith we need it.
|
|
|
|
--Lackaday, good masters, said the host, my poor house has but a bare
|
|
larder. I know not what to offer your lordships.
|
|
|
|
--How now, fellow? cried the second of the party, a man of pleasant
|
|
countenance, So servest thou the king's messengers, master Taptun?
|
|
|
|
An instantaneous change overspread the landlord's visage.
|
|
|
|
--Cry you mercy, gentlemen, he said humbly. An you be the king's
|
|
messengers (God shield His Majesty!) you shall not want for aught. The
|
|
king's friends (God bless His Majesty!) shall not go afasting in my house
|
|
I warrant me.
|
|
|
|
--Then about! cried the traveller who had not spoken, a lusty trencherman
|
|
by his aspect. Hast aught to give us?
|
|
|
|
Mine host bowed again as he made answer:
|
|
|
|
--What say you, good masters, to a squab pigeon pasty, some collops of
|
|
venison, a saddle of veal, widgeon with crisp hog's bacon, a boar's head
|
|
with pistachios, a bason of jolly custard, a medlar tansy and a flagon of
|
|
old Rhenish?
|
|
|
|
--Gadzooks! cried the last speaker. That likes me well. Pistachios!
|
|
|
|
--Aha! cried he of the pleasant countenance. A poor house and a bare
|
|
larder, quotha! 'Tis a merry rogue.
|
|
|
|
So in comes Martin asking where was Bloom.
|
|
|
|
--Where is he? says Lenehan. Defrauding widows and orphans.
|
|
|
|
--Isn't that a fact, says John Wyse, what I was telling the citizen about
|
|
Bloom and the Sinn Fein?
|
|
|
|
--That's so, says Martin. Or so they allege.
|
|
|
|
--Who made those allegations? says Alf.
|
|
|
|
--I, says Joe. I'm the alligator.
|
|
|
|
--And after all, says John Wyse, why can't a jew love his country like the
|
|
next fellow?
|
|
|
|
--Why not? says J. J., when he's quite sure which country it is.
|
|
|
|
--Is he a jew or a gentile or a holy Roman or a swaddler or what the hell
|
|
is he? says Ned. Or who is he? No offence, Crofton.
|
|
|
|
--Who is Junius? says J. J.
|
|
|
|
--We don't want him, says Crofter the Orangeman or presbyterian.
|
|
|
|
--He's a perverted jew, says Martin, from a place in Hungary and it was he
|
|
drew up all the plans according to the Hungarian system. We know that in
|
|
the castle.
|
|
|
|
--Isn't he a cousin of Bloom the dentist? says Jack Power.
|
|
|
|
--Not at all, says Martin. Only namesakes. His name was Virag, the
|
|
father's name that poisoned himself. He changed it by deedpoll, the father
|
|
did.
|
|
|
|
--That's the new Messiah for Ireland! says the citizen. Island of saints
|
|
and sages!
|
|
|
|
--Well, they're still waiting for their redeemer, says Martin. For that
|
|
matter so are we.
|
|
|
|
--Yes, says J. J., and every male that's born they think it may be their
|
|
Messiah. And every jew is in a tall state of excitement, I believe, till
|
|
he knows if he's a father or a mother.
|
|
|
|
--Expecting every moment will be his next, says Lenehan.
|
|
|
|
--O, by God, says Ned, you should have seen Bloom before that son of his
|
|
that died was born. I met him one day in the south city markets buying a
|
|
tin of Neave's food six weeks before the wife was delivered.
|
|
|
|
--EN VENTRE SA MERE, says J. J.
|
|
|
|
--Do you call that a man? says the citizen.
|
|
|
|
--I wonder did he ever put it out of sight, says Joe.
|
|
|
|
--Well, there were two children born anyhow, says Jack Power.
|
|
|
|
--And who does he suspect? says the citizen.
|
|
|
|
Gob, there's many a true word spoken in jest. One of those mixed
|
|
middlings he is. Lying up in the hotel Pisser was telling me once a month
|
|
with headache like a totty with her courses. Do you know what I'm telling
|
|
you? It'd be an act of God to take a hold of a fellow the like of that and
|
|
throw him in the bloody sea. Justifiable homicide, so it would. Then
|
|
sloping off with his five quid without putting up a pint of stuff like a
|
|
man. Give us your blessing. Not as much as would blind your eye.
|
|
|
|
--Charity to the neighbour, says Martin. But where is he? We can't wait.
|
|
|
|
--A wolf in sheep's clothing, says the citizen. That's what he is. Virag
|
|
from Hungary! Ahasuerus I call him. Cursed by God.
|
|
|
|
--Have you time for a brief libation, Martin? says Ned.
|
|
|
|
--Only one, says Martin. We must be quick. J. J. and S.
|
|
|
|
--You, Jack? Crofton? Three half ones, Terry.
|
|
|
|
--Saint Patrick would want to land again at Ballykinlar and convert us,
|
|
says the citizen, after allowing things like that to contaminate our
|
|
shores.
|
|
|
|
--Well, says Martin, rapping for his glass. God bless all here is my
|
|
prayer.
|
|
|
|
--Amen, says the citizen.
|
|
|
|
--And I'm sure He will, says Joe.
|
|
|
|
And at the sound of the sacring bell, headed by a crucifer with acolytes,
|
|
thurifers, boatbearers, readers, ostiarii, deacons and subdeacons,
|
|
the blessed company drew nigh of mitred abbots and priors and guardians
|
|
and monks and friars: the monks of Benedict of Spoleto, Carthusians and
|
|
Camaldolesi, Cistercians and Olivetans, Oratorians and Vallombrosans,
|
|
and the friars of Augustine, Brigittines, Premonstratensians, Servi,
|
|
Trinitarians, and the children of Peter Nolasco: and therewith from Carmel
|
|
mount the children of Elijah prophet led by Albert bishop and by Teresa of
|
|
Avila, calced and other: and friars, brown and grey, sons of poor Francis,
|
|
capuchins, cordeliers, minimes and observants and the daughters of Clara:
|
|
and the sons of Dominic, the friars preachers, and the sons of Vincent:
|
|
and the monks of S. Wolstan: and Ignatius his children: and the
|
|
confraternity of the christian brothers led by the reverend brother
|
|
Edmund Ignatius Rice. And after came all saints and martyrs,
|
|
virgins and confessors: S. Cyr and S. Isidore Arator and S. James the
|
|
Less and S. Phocas of Sinope and S. Julian Hospitator and S. Felix
|
|
de Cantalice and S. Simon Stylites and S. Stephen Protomartyr and
|
|
S. John of God and S. Ferreol and S. Leugarde and S. Theodotus and S.
|
|
Vulmar and S. Richard and S. Vincent de Paul and S. Martin of Todi
|
|
and S. Martin of Tours and S. Alfred and S. Joseph and S.
|
|
Denis and S. Cornelius and S. Leopold and S. Bernard and S. Terence and
|
|
S. Edward and S. Owen Caniculus and S. Anonymous and S. Eponymous
|
|
and S. Pseudonymous and S. Homonymous and S. Paronymous and S.
|
|
Synonymous and S. Laurence O'Toole and S. James of Dingle and
|
|
Compostella and S. Columcille and S. Columba and S. Celestine and S.
|
|
Colman and S. Kevin and S. Brendan and S. Frigidian and S. Senan and S.
|
|
Fachtna and S. Columbanus and S. Gall and S. Fursey and S. Fintan and S.
|
|
Fiacre and S. John Nepomuc and S. Thomas Aquinas and S. Ives of
|
|
Brittany and S. Michan and S. Herman-Joseph and the three patrons of
|
|
holy youth S. Aloysius Gonzaga and S. Stanislaus Kostka and S. John
|
|
Berchmans and the saints Gervasius, Servasius and Bonifacius and S. Bride
|
|
and S. Kieran and S. Canice of Kilkenny and S. Jarlath of Tuam and S.
|
|
Finbarr and S. Pappin of Ballymun and Brother Aloysius Pacificus and
|
|
Brother Louis Bellicosus and the saints Rose of Lima and of Viterbo and S.
|
|
Martha of Bethany and S. Mary of Egypt and S. Lucy and S. Brigid and S.
|
|
Attracta and S. Dympna and S. Ita and S. Marion Calpensis and the
|
|
Blessed Sister Teresa of the Child Jesus and S. Barbara and S. Scholastica
|
|
and S. Ursula with eleven thousand virgins. And all came with nimbi and
|
|
aureoles and gloriae, bearing palms and harps and swords and olive
|
|
crowns, in robes whereon were woven the blessed symbols of their
|
|
efficacies, inkhorns, arrows, loaves, cruses, fetters, axes, trees,
|
|
bridges, babes in a bathtub, shells, wallets, shears, keys, dragons,
|
|
lilies, buckshot, beards, hogs, lamps, bellows, beehives, soupladles,
|
|
stars, snakes, anvils, boxes of vaseline, bells, crutches, forceps,
|
|
stags' horns, watertight boots, hawks, millstones, eyes on a dish, wax
|
|
candles, aspergills, unicorns. And as they wended their way by Nelson's
|
|
Pillar, Henry street, Mary street, Capel street, Little Britain street
|
|
chanting the introit in EPIPHANIA DOMINI which beginneth SURGE,
|
|
ILLUMINARE and thereafter most sweetly the gradual OMNES which saith
|
|
DE SABA VENIENT they did divers wonders such as casting out devils,
|
|
raising the dead to life, multiplying fishes, healing the halt and the
|
|
blind, discovering various articles which had been mislaid, interpreting
|
|
and fulfilling the scriptures, blessing and prophesying. And last, beneath
|
|
a canopy of cloth of gold came the reverend Father O'Flynn attended by
|
|
Malachi and Patrick. And when the good fathers had reached the appointed
|
|
place, the house of Bernard Kiernan and Co, limited, 8, 9 and 10 little
|
|
Britain street, wholesale grocers, wine and brandy shippers, licensed for
|
|
the sale of beer, wine and spirits for consumption on the premises, the
|
|
celebrant blessed the house and censed the mullioned windows and the
|
|
groynes and the vaults and the arrises and the capitals and the pediments
|
|
and the cornices and the engrailed arches and the spires and the cupolas
|
|
and sprinkled the lintels thereof with blessed water and prayed that God
|
|
might bless that house as he had blessed the house of Abraham and Isaac
|
|
and Jacob and make the angels of His light to inhabit therein. And
|
|
entering he blessed the viands and the beverages and the company of all
|
|
the blessed answered his prayers.
|
|
|
|
--ADIUTORIUM NOSTRUM IN NOMINE DOMINI.
|
|
|
|
--QUI FECIT COELUM ET TERRAM.
|
|
|
|
--DOMINUS VOBISCUM.
|
|
|
|
--ET CUM SPIRITU TUO.
|
|
|
|
And he laid his hands upon that he blessed and gave thanks and he
|
|
prayed and they all with him prayed:
|
|
|
|
--DEUS, CUIUS VERBO SANCTIFICANTUR OMNIA, BENEDICTIONEM TUAM EFFUNDE SUPER
|
|
CREATURAS ISTAS: ET PRAESTA UT QUISQUIS EIS SECUNDUM LEGEM ET VOLUNTATEM
|
|
TUAM CUM GRATIARUM ACTIONE USUS FUERIT PER INVOCATIONEM SANCTISSIMI
|
|
NOMINIS TUI CORPORIS SANITATEM ET ANIMAE TUTELAM TE AUCTORE PERCIPIAT PER
|
|
CHRISTUM DOMINUM NOSTRUM.
|
|
|
|
--And so say all of us, says Jack.
|
|
|
|
--Thousand a year, Lambert, says Crofton or Crawford.
|
|
|
|
--Right, says Ned, taking up his John Jameson. And butter for fish.
|
|
|
|
|
|
I was just looking around to see who the happy thought would strike
|
|
when be damned but in he comes again letting on to be in a hell of a
|
|
hurry.
|
|
|
|
--I was just round at the courthouse, says he, looking for you. I hope I'm
|
|
not ...
|
|
|
|
--No, says Martin, we're ready.
|
|
|
|
Courthouse my eye and your pockets hanging down with gold and silver.
|
|
Mean bloody scut. Stand us a drink itself. Devil a sweet fear! There's
|
|
a jew for you! All for number one. Cute as a shithouse rat. Hundred to
|
|
five.
|
|
|
|
--Don't tell anyone, says the citizen,
|
|
|
|
--Beg your pardon, says he.
|
|
|
|
--Come on boys, says Martin, seeing it was looking blue. Come along now.
|
|
|
|
--Don't tell anyone, says the citizen, letting a bawl out of him. It's a
|
|
secret.
|
|
|
|
And the bloody dog woke up and let a growl.
|
|
|
|
--Bye bye all, says Martin.
|
|
|
|
And he got them out as quick as he could, Jack Power and Crofton or
|
|
whatever you call him and him in the middle of them letting on to be all
|
|
at sea and up with them on the bloody jaunting car.
|
|
|
|
---Off with you, says
|
|
|
|
Martin to the jarvey.
|
|
|
|
The milkwhite dolphin tossed his mane and, rising in the golden poop
|
|
the helmsman spread the bellying sail upon the wind and stood off forward
|
|
with all sail set, the spinnaker to larboard. A many comely nymphs drew
|
|
nigh to starboard and to larboard and, clinging to the sides of the noble
|
|
bark, they linked their shining forms as doth the cunning wheelwright when
|
|
he fashions about the heart of his wheel the equidistant rays whereof each
|
|
one is sister to another and he binds them all with an outer ring and
|
|
giveth speed to the feet of men whenas they ride to a hosting or contend
|
|
for the smile of ladies fair. Even so did they come and set them, those
|
|
willing nymphs, the undying sisters. And they laughed, sporting in a
|
|
circle of their foam: and the bark clave the waves.
|
|
|
|
But begob I was just lowering the heel of the pint when I saw the
|
|
citizen getting up to waddle to the door, puffing and blowing with the
|
|
dropsy, and he cursing the curse of Cromwell on him, bell, book and candle
|
|
in Irish, spitting and spatting out of him and Joe and little Alf round
|
|
him like a leprechaun trying to peacify him.
|
|
|
|
--Let me alone, says he.
|
|
|
|
And begob he got as far as the door and they holding him and he
|
|
bawls out of him:
|
|
|
|
--Three cheers for Israel!
|
|
|
|
Arrah, sit down on the parliamentary side of your arse for Christ'
|
|
sake and don't be making a public exhibition of yourself. Jesus, there's
|
|
always some bloody clown or other kicking up a bloody murder about
|
|
bloody nothing. Gob, it'd turn the porter sour in your guts, so it would.
|
|
|
|
And all the ragamuffins and sluts of the nation round the door and Martin
|
|
telling the jarvey to drive ahead and the citizen bawling and Alf and
|
|
Joe at him to whisht and he on his high horse about the jews and the
|
|
loafers calling for a speech and Jack Power trying to get him to sit down
|
|
on the car and hold his bloody jaw and a loafer with a patch over his eye
|
|
starts singing IF THE MAN IN THE MOON WAS A JEW, JEW, JEW and a slut
|
|
shouts out of her:
|
|
|
|
--Eh, mister! Your fly is open, mister!
|
|
|
|
And says he:
|
|
|
|
--Mendelssohn was a jew and Karl Marx and Mercadante and Spinoza.
|
|
And the Saviour was a jew and his father was a jew. Your God.
|
|
|
|
--He had no father, says Martin. That'll do now. Drive ahead.
|
|
|
|
--Whose God? says the citizen.
|
|
|
|
--Well, his uncle was a jew, says he. Your God was a jew. Christ was a jew
|
|
like me.
|
|
|
|
Gob, the citizen made a plunge back into the shop.
|
|
|
|
--By Jesus, says he, I'll brain that bloody jewman for using the holy
|
|
name.
|
|
|
|
By Jesus, I'll crucify him so I will. Give us that biscuitbox here.
|
|
|
|
--Stop! Stop! says Joe.
|
|
|
|
A large and appreciative gathering of friends and acquaintances from
|
|
the metropolis and greater Dublin assembled in their thousands to bid
|
|
farewell to Nagyasagos uram Lipoti Virag, late of Messrs Alexander
|
|
Thom's, printers to His Majesty, on the occasion of his departure for the
|
|
distant clime of Szazharminczbrojugulyas-Dugulas (Meadow of
|
|
Murmuring Waters). The ceremony which went off with great ECLAT was
|
|
characterised by the most affecting cordiality. An illuminated scroll of
|
|
ancient Irish vellum, the work of Irish artists, was presented to the
|
|
distinguished phenomenologist on behalf of a large section of the
|
|
community and was accompanied by the gift of a silver casket, tastefully
|
|
executed in the style of ancient Celtic ornament, a work which reflects
|
|
every credit on the makers, Messrs Jacob AGUS Jacob. The departing guest
|
|
was the recipient of a hearty ovation, many of those who were present
|
|
being visibly moved when the select orchestra of Irish pipes struck up the
|
|
wellknown strains of COME BACK TO ERIN, followed immediately by RAKOCZSY'S
|
|
MARCH. Tarbarrels and bonfires were lighted along the coastline of the four
|
|
seas on the summits of the Hill of Howth, Three Rock Mountain, Sugarloaf,
|
|
Bray Head, the mountains of Mourne, the Galtees, the Ox and Donegal and
|
|
Sperrin peaks, the Nagles and the Bograghs, the Connemara hills, the reeks
|
|
of M Gillicuddy, Slieve Aughty, Slieve Bernagh and Slieve Bloom. Amid
|
|
cheers that rent the welkin, responded to by answering cheers from a big
|
|
muster of henchmen on the distant Cambrian and Caledonian hills, the
|
|
mastodontic pleasureship slowly moved away saluted by a final floral
|
|
tribute from the representatives of the fair sex who were present in large
|
|
numbers while, as it proceeded down the river, escorted by a flotilla of
|
|
barges, the flags of the Ballast office and Custom House were dipped in
|
|
salute as were also those of the electrical power station at the
|
|
Pigeonhouse and the Poolbeg Light. VISSZONTLATASRA, KEDVES BARATON!
|
|
VISSZONTLATASRA! Gone but not forgotten.
|
|
|
|
Gob, the devil wouldn't stop him till he got hold of the bloody tin
|
|
anyhow and out with him and little Alf hanging on to his elbow and he
|
|
shouting like a stuck pig, as good as any bloody play in the Queen's royal
|
|
theatre:
|
|
|
|
--Where is he till I murder him?
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|
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|
And Ned and J. J. paralysed with the laughing.
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|
|
|
--Bloody wars, says I, I'll be in for the last gospel.
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|
|
|
But as luck would have it the jarvey got the nag's head round the
|
|
other way and off with him.
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|
|
|
--Hold on, citizen, says Joe. Stop!
|
|
|
|
Begob he drew his hand and made a swipe and let fly. Mercy of God the sun
|
|
was in his eyes or he'd have left him for dead. Gob, he near sent it
|
|
into the county Longford. The bloody nag took fright and the old mongrel
|
|
after the car like bloody hell and all the populace shouting and laughing
|
|
and the old tinbox clattering along the street.
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|
|
|
The catastrophe was terrific and instantaneous in its effect. The
|
|
observatory of Dunsink registered in all eleven shocks, all of the fifth
|
|
grade of Mercalli's scale, and there is no record extant of a similar
|
|
seismic disturbance in our island since the earthquake of 1534, the
|
|
year of the rebellion of Silken Thomas. The epicentre appears to have
|
|
been that part of the metropolis which constitutes the Inn's Quay
|
|
ward and parish of Saint Michan covering a surface of fortyone acres,
|
|
two roods and one square pole or perch. All the lordly residences in
|
|
the vicinity of the palace of justice were demolished and that noble
|
|
edifice itself, in which at the time of the catastrophe important
|
|
legal debates were in progress, is literally a mass of ruins beneath
|
|
which it is to be feared all the occupants have been buried alive.
|
|
From the reports of eyewitnesses it transpires that the seismic waves
|
|
were accompanied by a violent atmospheric perturbation of cyclonic
|
|
character. An article of headgear since ascertained to belong to the much
|
|
respected clerk of the crown and peace Mr George Fottrell and a silk
|
|
umbrella with gold handle with the engraved initials, crest, coat of arms
|
|
and house number of the erudite and worshipful chairman of quarter
|
|
sessions sir Frederick Falkiner, recorder of Dublin, have been discovered
|
|
by search parties in remote parts of the island respectively, the former
|
|
on the third basaltic ridge of the giant's causeway, the latter embedded
|
|
to the extent of one foot three inches in the sandy beach of Holeopen
|
|
bay near the old head of Kinsale. Other eyewitnesses depose that they
|
|
observed an incandescent object of enormous proportions hurtling through
|
|
the atmosphere at a terrifying velocity in a trajectory directed
|
|
southwest by west. Messages of condolence and sympathy are being
|
|
hourly received from all parts of the different continents and the
|
|
sovereign pontiff has been graciously pleased to decree that a
|
|
special MISSA PRO DEFUNCTIS shall be celebrated simultaneously by
|
|
the ordinaries of each and every cathedral church of all the episcopal
|
|
dioceses subject to the spiritual authority of the Holy See in suffrage of
|
|
the souls of those faithful departed who have been so unexpectedly called
|
|
away from our midst. The work of salvage, removal of DEBRIS, human remains
|
|
etc has been entrusted to Messrs Michael Meade and Son, 159 Great
|
|
Brunswick street, and Messrs T. and C. Martin, 77, 78, 79 and 80 North
|
|
Wall, assisted by the men and officers of the Duke of Cornwall's light
|
|
infantry under the general supervision of H. R. H., rear admiral, the
|
|
right honourable sir Hercules Hannibal Habeas Corpus Anderson, K. G.,
|
|
K. P., K. T., P. C., K. C. B., M. P, J. P., M. B., D. S. O., S. O. D.,
|
|
M. F. H., M. R. I. A., B. L., Mus. Doc., P. L. G., F. T. C. D.,
|
|
F. R. U. I., F. R. C. P. I. and F. R. C. S. I.
|
|
|
|
You never saw the like of it in all your born puff. Gob, if he got that
|
|
lottery ticket on the side of his poll he'd remember the gold cup,
|
|
he would so, but begob the citizen would have been lagged for assault
|
|
and battery and Joe for aiding and abetting. The jarvey saved his life
|
|
by furious driving as sure as God made Moses. What? O, Jesus, he did.
|
|
And he let a volley of oaths after him.
|
|
|
|
--Did I kill him, says he, or what?
|
|
|
|
And he shouting to the bloody dog:
|
|
|
|
--After him, Garry! After him, boy!
|
|
|
|
And the last we saw was the bloody car rounding the corner and old
|
|
sheepsface on it gesticulating and the bloody mongrel after it with his
|
|
lugs back for all he was bloody well worth to tear him limb from limb.
|
|
Hundred to five! Jesus, he took the value of it out of him, I promise you.
|
|
|
|
When, lo, there came about them all a great brightness and they
|
|
beheld the chariot wherein He stood ascend to heaven. And they beheld
|
|
Him in the chariot, clothed upon in the glory of the brightness, having
|
|
raiment as of the sun, fair as the moon and terrible that for awe they
|
|
durst not look upon Him. And there came a voice out of heaven, calling:
|
|
ELIJAH! ELIJAH! And He answered with a main cry: ABBA! ADONAI! And they
|
|
beheld Him even Him, ben Bloom Elijah, amid clouds of angels ascend
|
|
to the glory of the brightness at an angle of fortyfive degrees over
|
|
Donohoe's in Little Green street like a shot off a shovel.
|
|
|
|
|
|
* * * * * * *
|
|
|
|
|
|
The summer evening had begun to fold the world in its mysterious
|
|
embrace. Far away in the west the sun was setting and the last glow of all
|
|
too fleeting day lingered lovingly on sea and strand, on the proud
|
|
promontory of dear old Howth guarding as ever the waters of the bay, on
|
|
the weedgrown rocks along Sandymount shore and, last but not least, on the
|
|
quiet church whence there streamed forth at times upon the stillness the
|
|
voice of prayer to her who is in her pure radiance a beacon ever to the
|
|
stormtossed heart of man, Mary, star of the sea.
|
|
|
|
The three girl friends were seated on the rocks, enjoying the evening
|
|
scene and the air which was fresh but not too chilly. Many a time and oft
|
|
were they wont to come there to that favourite nook to have a cosy chat
|
|
beside the sparkling waves and discuss matters feminine, Cissy Caffrey and
|
|
Edy Boardman with the baby in the pushcar and Tommy and Jacky
|
|
Caffrey, two little curlyheaded boys, dressed in sailor suits with caps to
|
|
match and the name H.M.S. Belleisle printed on both. For Tommy and
|
|
Jacky Caffrey were twins, scarce four years old and very noisy and spoiled
|
|
twins sometimes but for all that darling little fellows with bright merry
|
|
faces and endearing ways about them. They were dabbling in the sand with
|
|
their spades and buckets, building castles as children do, or playing with
|
|
their big coloured ball, happy as the day was long. And Edy Boardman was
|
|
rocking the chubby baby to and fro in the pushcar while that young
|
|
gentleman fairly chuckled with delight. He was but eleven months and nine
|
|
days old and, though still a tiny toddler, was just beginning to lisp his
|
|
first babyish words. Cissy Caffrey bent over to him to tease his fat
|
|
little plucks and the dainty dimple in his chin.
|
|
|
|
--Now, baby, Cissy Caffrey said. Say out big, big. I want a drink of
|
|
water.
|
|
|
|
And baby prattled after her:
|
|
|
|
--A jink a jink a jawbo.
|
|
|
|
Cissy Caffrey cuddled the wee chap for she was awfully fond of children,
|
|
so patient with little sufferers and Tommy Caffrey could never be got to
|
|
take his castor oil unless it was Cissy Caffrey that held his nose and
|
|
promised him the scatty heel of the loaf or brown bread with golden syrup
|
|
on. What a persuasive power that girl had! But to be sure baby Boardman
|
|
was as good as gold, a perfect little dote in his new fancy bib. None of
|
|
your spoilt beauties, Flora MacFlimsy sort, was Cissy Caffrey.
|
|
A truerhearted lass never drew the breath of life, always with a laugh in
|
|
her gipsylike eyes and a frolicsome word on her cherryripe red lips, a
|
|
girl lovable in the extreme. And Edy Boardman laughed too at the quaint
|
|
language of little brother.
|
|
|
|
But just then there was a slight altercation between Master Tommy
|
|
and Master Jacky. Boys will be boys and our two twins were no exception
|
|
to this golden rule. The apple of discord was a certain castle of sand
|
|
which Master Jacky had built and Master Tommy would have it right go wrong
|
|
that it was to be architecturally improved by a frontdoor like the
|
|
Martello tower had. But if Master Tommy was headstrong Master Jacky was
|
|
selfwilled too and, true to the maxim that every little Irishman's house
|
|
is his castle, he fell upon his hated rival and to such purpose that the
|
|
wouldbe assailant came to grief and (alas to relate!) the coveted castle
|
|
too. Needless to say the cries of discomfited Master Tommy drew the
|
|
attention of the girl friends.
|
|
|
|
--Come here, Tommy, his sister called imperatively. At once! And you,
|
|
Jacky, for shame to throw poor Tommy in the dirty sand. Wait till I catch
|
|
you for that.
|
|
|
|
His eyes misty with unshed tears Master Tommy came at her call for
|
|
their big sister's word was law with the twins. And in a sad plight he was
|
|
too after his misadventure. His little man-o'-war top and unmentionables
|
|
were full of sand but Cissy was a past mistress in the art of smoothing
|
|
over life's tiny troubles and very quickly not one speck of sand was
|
|
to be seen on his smart little suit. Still the blue eyes were glistening
|
|
with hot tears that would well up so she kissed away the hurtness and
|
|
shook her hand at Master Jacky the culprit and said if she was near
|
|
him she wouldn't be far from him, her eyes dancing in admonition.
|
|
|
|
--Nasty bold Jacky! she cried.
|
|
|
|
She put an arm round the little mariner and coaxed winningly:
|
|
|
|
--What's your name? Butter and cream?
|
|
|
|
--Tell us who is your sweetheart, spoke Edy Boardman. Is Cissy your
|
|
sweetheart?
|
|
|
|
--Nao, tearful Tommy said.
|
|
|
|
--Is Edy Boardman your sweetheart? Cissy queried.
|
|
|
|
--Nao, Tommy said.
|
|
|
|
--I know, Edy Boardman said none too amiably with an arch glance from
|
|
her shortsighted eyes. I know who is Tommy's sweetheart. Gerty is
|
|
Tommy's sweetheart.
|
|
|
|
--Nao, Tommy said on the verge of tears.
|
|
|
|
Cissy's quick motherwit guessed what was amiss and she whispered
|
|
to Edy Boardman to take him there behind the pushcar where the
|
|
gentleman couldn't see and to mind he didn't wet his new tan shoes.
|
|
|
|
But who was Gerty?
|
|
|
|
Gerty MacDowell who was seated near her companions, lost in
|
|
thought, gazing far away into the distance was, in very truth, as fair a
|
|
specimen of winsome Irish girlhood as one could wish to see. She was
|
|
pronounced beautiful by all who knew her though, as folks often said, she
|
|
was more a Giltrap than a MacDowell. Her figure was slight and graceful,
|
|
inclining even to fragility but those iron jelloids she had been taking of
|
|
late had done her a world of good much better than the Widow Welch's
|
|
female pills and she was much better of those discharges she used to get
|
|
and that tired feeling. The waxen pallor of her face was almost spiritual
|
|
in its ivorylike purity though her rosebud mouth was a genuine Cupid's
|
|
bow, Greekly perfect. Her hands were of finely veined alabaster
|
|
with tapering fingers and as white as lemonjuice and queen of ointments
|
|
could make them though it was not true that she used to wear kid gloves
|
|
in bed or take a milk footbath either. Bertha Supple told that once
|
|
to Edy Boardman, a deliberate lie, when she was black out at daggers
|
|
drawn with Gerty (the girl chums had of course their little tiffs
|
|
from time to time like the rest of mortals) and she told her not to
|
|
let on whatever she did that it was her that told her or she'd never
|
|
speak to her again. No. Honour where honour is due. There was an
|
|
innate refinement, a languid queenly HAUTEUR about Gerty which
|
|
was unmistakably evidenced in her delicate hands and higharched instep.
|
|
Had kind fate but willed her to be born a gentlewoman of high degree in
|
|
her own right and had she only received the benefit of a good education
|
|
Gerty MacDowell might easily have held her own beside any lady in the
|
|
land and have seen herself exquisitely gowned with jewels on her brow and
|
|
patrician suitors at her feet vying with one another to pay their devoirs
|
|
to her. Mayhap it was this, the love that might have been, that lent to
|
|
her softlyfeatured face at whiles a look, tense with suppressed meaning,
|
|
that imparted a strange yearning tendency to the beautiful eyes, a charm
|
|
few could resist. Why have women such eyes of witchery? Gerty's were of
|
|
the bluest Irish blue, set off by lustrous lashes and dark expressive
|
|
brows. Time was when those brows were not so silkily seductive. It was
|
|
Madame Vera Verity, directress of the Woman Beautiful page of the Princess
|
|
Novelette, who had first advised her to try eyebrowleine which gave that
|
|
haunting expression to the eyes, so becoming in leaders of fashion, and
|
|
she had never regretted it. Then there was blushing scientifically cured
|
|
and how to be tall increase your height and you have a beautiful face but
|
|
your nose? That would suit Mrs Dignam because she had a button one. But
|
|
Gerty's crowning glory was her wealth of wonderful hair. It was dark brown
|
|
with a natural wave in it. She had cut it that very morning on account
|
|
of the new moon and it nestled about her pretty head in a profusion of
|
|
luxuriant clusters and pared her nails too, Thursday for wealth. And just
|
|
now at Edy's words as a telltale flush, delicate as the faintest
|
|
rosebloom, crept into her cheeks she looked so lovely in her sweet girlish
|
|
shyness that of a surety God's fair land of Ireland did not hold
|
|
her equal.
|
|
|
|
For an instant she was silent with rather sad downcast eyes. She was
|
|
about to retort but something checked the words on her tongue. Inclination
|
|
prompted her to speak out: dignity told her to be silent. The pretty lips
|
|
pouted awhile but then she glanced up and broke out into a joyous little
|
|
laugh which had in it all the freshness of a young May morning. She knew
|
|
right well, no-one better, what made squinty Edy say that because of him
|
|
cooling in his attentions when it was simply a lovers' quarrel. As per
|
|
usual somebody's nose was out of joint about the boy that had the bicycle
|
|
off the London bridge road always riding up and down in front of her
|
|
window. Only now his father kept him in in the evenings studying
|
|
hard to get an exhibition in the intermediate that was on and he was
|
|
going to go to Trinity college to study for a doctor when he left
|
|
the high school like his brother W. E. Wylie who was racing in the
|
|
bicycle races in Trinity college university. Little recked he perhaps
|
|
for what she felt, that dull aching void in her heart sometimes,
|
|
piercing to the core. Yet he was young and perchance he might
|
|
learn to love her in time. They were protestants in his family
|
|
and of course Gerty knew Who came first and after Him the Blessed
|
|
Virgin and then Saint Joseph. But he was undeniably handsome with an
|
|
exquisite nose and he was what he looked, every inch a gentleman, the
|
|
shape of his head too at the back without his cap on that she would know
|
|
anywhere something off the common and the way he turned the bicycle at
|
|
the lamp with his hands off the bars and also the nice perfume of those
|
|
good cigarettes and besides they were both of a size too he and she and
|
|
that was why Edy Boardman thought she was so frightfully clever because
|
|
he didn't go and ride up and down in front of her bit of a garden.
|
|
|
|
Gerty was dressed simply but with the instinctive taste of a votary of
|
|
Dame Fashion for she felt that there was just a might that he might be
|
|
out. A neat blouse of electric blue selftinted by dolly dyes (because it
|
|
was expected in the LADY'S PICTORIAL that electric blue would be worn)
|
|
with a smart vee opening down to the division and kerchief pocket
|
|
(in which she always kept a piece of cottonwool scented with her
|
|
favourite perfume because the handkerchief spoiled the sit) and a
|
|
navy threequarter skirt cut to the stride showed off her slim graceful
|
|
figure to perfection. She wore a coquettish little love of a hat of
|
|
wideleaved nigger straw contrast trimmed with an underbrim of eggblue
|
|
chenille and at the side a butterfly bow of silk to tone. All Tuesday
|
|
week afternoon she was hunting to match that chenille but at last
|
|
she found what she wanted at Clery's summer sales, the very it, slightly
|
|
shopsoiled but you would never notice, seven fingers two and a penny. She
|
|
did it up all by herself and what joy was hers when she tried it on then,
|
|
smiling at the lovely reflection which the mirror gave back to her!
|
|
And when she put it on the waterjug to keep the shape she knew that that
|
|
would take the shine out of some people she knew. Her shoes were the
|
|
newest thing in footwear (Edy Boardman prided herself that she was very
|
|
PETITE but she never had a foot like Gerty MacDowell, a five, and never
|
|
would ash, oak or elm) with patent toecaps and just one smart buckle over
|
|
her higharched instep. Her wellturned ankle displayed its perfect
|
|
proportions beneath her skirt and just the proper amount and no more of
|
|
her shapely limbs encased in finespun hose with highspliced heels and wide
|
|
garter tops. As for undies they were Gerty's chief care and who that knows
|
|
the fluttering hopes and fears of sweet seventeen (though Gerty would
|
|
never see seventeen again) can find it in his heart to blame her? She had
|
|
four dinky sets with awfully pretty stitchery, three garments and
|
|
nighties extra, and each set slotted with different coloured ribbons,
|
|
rosepink, pale blue, mauve and peagreen, and she aired them herself
|
|
and blued them when they came home from the wash and ironed them
|
|
and she had a brickbat to keep the iron on because she wouldn't trust
|
|
those washerwomen as far as she'd see them scorching the things.
|
|
She was wearing the blue for luck, hoping against hope, her own
|
|
colour and lucky too for a bride to have a bit of blue somewhere
|
|
on her because the green she wore that day week brought grief because
|
|
his father brought him in to study for the intermediate exhibition
|
|
and because she thought perhaps he might be out because when she was
|
|
dressing that morning she nearly slipped up the old pair on her inside out
|
|
and that was for luck and lovers' meeting if you put those things on
|
|
inside out or if they got untied that he was thinking about you so long
|
|
as it wasn't of a Friday.
|
|
|
|
And yet and yet! That strained look on her face! A gnawing sorrow is
|
|
there all the time. Her very soul is in her eyes and she would give worlds
|
|
to be in the privacy of her own familiar chamber where, giving way to
|
|
tears, she could have a good cry and relieve her pentup feelingsthough not
|
|
too much because she knew how to cry nicely before the mirror. You are
|
|
lovely, Gerty, it said. The paly light of evening falls upon a face
|
|
infinitely sad and wistful. Gerty MacDowell yearns in vain. Yes, she had
|
|
known from the very first that her daydream of a marriage has been
|
|
arranged and the weddingbells ringing for Mrs Reggy Wylie T. C. D.
|
|
(because the one who married the elder brother would be Mrs Wylie) and in
|
|
the fashionable intelligence Mrs Gertrude Wylie was wearing a sumptuous
|
|
confection of grey trimmed with expensive blue fox was not to be. He was
|
|
too young to understand. He would not believe in love, a woman's
|
|
birthright. The night of the party long ago in Stoer's (he was still in
|
|
short trousers) when they were alone and he stole an arm round her waist
|
|
she went white to the very lips. He called her little one in a strangely
|
|
husky voice and snatched a half kiss (the first!) but it was only the end
|
|
of her nose and then he hastened from the room with a remark about
|
|
refreshments. Impetuous fellow! Strength of character had never been Reggy
|
|
Wylie's strong point and he who would woo and win Gerty MacDowell must be
|
|
a man among men. But waiting, always waiting to be asked and it was leap
|
|
year too and would soon be over. No prince charming is her beau ideal to
|
|
lay a rare and wondrous love at her feet but rather a manly man with a
|
|
strong quiet face who had not found his ideal, perhaps his hair slightly
|
|
flecked with grey, and who would understand, take her in his sheltering
|
|
arms, strain her to him in all the strength of his deep passionate nature
|
|
and comfort her with a long long kiss. It would be like heaven. For such
|
|
a one she yearns this balmy summer eve. With all the heart of her she
|
|
longs to be his only, his affianced bride for riches for poor, in sickness
|
|
in health, till death us two part, from this to this day forward.
|
|
|
|
And while Edy Boardman was with little Tommy behind the pushcar she was
|
|
just thinking would the day ever come when she could call herself his
|
|
little wife to be. Then they could talk about her till they went blue in
|
|
the face, Bertha Supple too, and Edy, little spitfire, because she would
|
|
be twentytwo in November. She would care for him with creature comforts
|
|
too for Gerty was womanly wise and knew that a mere man liked that
|
|
feeling of hominess. Her griddlecakes done to a goldenbrown hue and
|
|
queen Ann's pudding of delightful creaminess had won golden opinions from
|
|
all because she had a lucky hand also for lighting a fire, dredge in the
|
|
fine selfraising flour and always stir in the same direction, then cream
|
|
the milk and sugar and whisk well the white of eggs though she didn't like
|
|
the eating part when there were any people that made her shy and often she
|
|
wondered why you couldn't eat something poetical like violets or roses and
|
|
they would have a beautifully appointed drawingroom with pictures and
|
|
engravings and the photograph of grandpapa Giltrap's lovely dog
|
|
Garryowen that almost talked it was so human and chintz covers for the
|
|
chairs and that silver toastrack in Clery's summer jumble sales like they
|
|
have in rich houses. He would be tall with broad shoulders (she had always
|
|
admired tall men for a husband) with glistening white teeth under his
|
|
carefully trimmed sweeping moustache and they would go on the continent
|
|
for their honeymoon (three wonderful weeks!) and then, when they settled
|
|
down in a nice snug and cosy little homely house, every morning they
|
|
would both have brekky, simple but perfectly served, for their own two
|
|
selves and before he went out to business he would give his dear little
|
|
wifey a good hearty hug and gaze for a moment deep down into her eyes.
|
|
|
|
Edy Boardman asked Tommy Caffrey was he done and he said yes so
|
|
then she buttoned up his little knickerbockers for him and told him to run
|
|
off and play with Jacky and to be good now and not to fight. But Tommy
|
|
said he wanted the ball and Edy told him no that baby was playing with the
|
|
ball and if he took it there'd be wigs on the green but Tommy said it was
|
|
his ball and he wanted his ball and he pranced on the ground, if you
|
|
please. The temper of him! O, he was a man already was little Tommy
|
|
Caffrey since he was out of pinnies. Edy told him no, no and to be off now
|
|
with him and she told Cissy Caffrey not to give in to him.
|
|
|
|
--You're not my sister, naughty Tommy said. It's my ball.
|
|
|
|
But Cissy Caffrey told baby Boardman to look up, look up high at her
|
|
finger and she snatched the ball quickly and threw it along the sand and
|
|
Tommy after it in full career, having won the day.
|
|
|
|
--Anything for a quiet life, laughed Ciss.
|
|
|
|
And she tickled tiny tot's two cheeks to make him forget and played here's
|
|
the lord mayor, here's his two horses, here's his gingerbread carriage
|
|
and here he walks in, chinchopper, chinchopper, chinchopper chin. But Edy
|
|
got as cross as two sticks about him getting his own way like that from
|
|
everyone always petting him.
|
|
|
|
--I'd like to give him something, she said, so I would, where I won't say.
|
|
|
|
--On the beeoteetom, laughed Cissy merrily.
|
|
|
|
Gerty MacDowell bent down her head and crimsoned at the idea of Cissy
|
|
saying an unladylike thing like that out loud she'd be ashamed of her
|
|
life to say, flushing a deep rosy red, and Edy Boardman said she was sure
|
|
the gentleman opposite heard what she said. But not a pin cared Ciss.
|
|
|
|
--Let him! she said with a pert toss of her head and a piquant tilt of her
|
|
nose. Give it to him too on the same place as quick as I'd look at him.
|
|
|
|
Madcap Ciss with her golliwog curls. You had to laugh at her
|
|
sometimes. For instance when she asked you would you have some more
|
|
Chinese tea and jaspberry ram and when she drew the jugs too and the men's
|
|
faces on her nails with red ink make you split your sides or when she
|
|
wanted to go where you know she said she wanted to run and pay a visit to
|
|
the Miss White. That was just like Cissycums. O, and will you ever forget
|
|
her the evening she dressed up in her father's suit and hat and the burned
|
|
cork moustache and walked down Tritonville road, smoking a cigarette.
|
|
There was none to come up to her for fun. But she was sincerity itself,
|
|
one of the bravest and truest hearts heaven ever made, not one of your
|
|
twofaced things, too sweet to be wholesome.
|
|
|
|
And then there came out upon the air the sound of voices and the
|
|
pealing anthem of the organ. It was the men's temperance retreat conducted
|
|
by the missioner, the reverend John Hughes S. J., rosary, sermon and
|
|
benediction of the Most Blessed Sacrament. They were there gathered
|
|
together without distinction of social class (and a most edifying
|
|
spectacle it was to see) in that simple fane beside the waves,
|
|
after the storms of this weary world, kneeling before the feet of
|
|
the immaculate, reciting the litany of Our Lady of Loreto,
|
|
beseeching her to intercede for them, the old familiar words,
|
|
holy Mary, holy virgin of virgins. How sad to poor Gerty's ears!
|
|
Had her father only avoided the clutches of the demon drink, by
|
|
taking the pledge or those powders the drink habit cured in Pearson's
|
|
Weekly, she might now be rolling in her carriage, second to none. Over and
|
|
over had she told herself that as she mused by the dying embers in a brown
|
|
study without the lamp because she hated two lights or oftentimes gazing
|
|
out of the window dreamily by the hour at the rain falling on the rusty
|
|
bucket, thinking. But that vile decoction which has ruined so many hearths
|
|
and homes had cist its shadow over her childhood days. Nay, she had even
|
|
witnessed in the home circle deeds of violence caused by intemperance and
|
|
had seen her own father, a prey to the fumes of intoxication, forget
|
|
himself completely for if there was one thing of all things that Gerty
|
|
knew it was that the man who lifts his hand to a woman save in the way of
|
|
kindness, deserves to be branded as the lowest of the low.
|
|
|
|
And still the voices sang in supplication to the Virgin most powerful,
|
|
Virgin most merciful. And Gerty, rapt in thought, scarce saw or heard her
|
|
companions or the twins at their boyish gambols or the gentleman off
|
|
Sandymount green that Cissy Caffrey called the man that was so like
|
|
himself passing along the strand taking a short walk. You never saw him
|
|
any way screwed but still and for all that she would not like him for a
|
|
father because he was too old or something or on account of his face (it
|
|
was a palpable case of Doctor Fell) or his carbuncly nose with the pimples
|
|
on it and his sandy moustache a bit white under his nose. Poor father!
|
|
With all his faults she loved him still when he sang TELL ME, MARY, HOW TO
|
|
WOO THEE or MY LOVE AND COTTAGE NEAR ROCHELLE and they had stewed cockles
|
|
and lettuce with Lazenby's salad dressing for supper and when he sang THE
|
|
MOON HATH RAISED with Mr Dignam that died suddenly and was buried, God
|
|
have mercy on him, from a stroke. Her mother's birthday that was and
|
|
Charley was home on his holidays and Tom and Mr Dignam and Mrs and
|
|
Patsy and Freddy Dignam and they were to have had a group taken.
|
|
No-one would have thought the end was so near. Now he was laid to rest.
|
|
And her mother said to him to let that be a warning to him for the rest of
|
|
his days and he couldn't even go to the funeral on account of the gout and
|
|
she had to go into town to bring him the letters and samples from his
|
|
office about Catesby's cork lino, artistic, standard designs, fit for a
|
|
palace, gives tiptop wear and always bright and cheery in the home.
|
|
|
|
A sterling good daughter was Gerty just like a second mother in the house,
|
|
a ministering angel too with a little heart worth its weight in gold.
|
|
And when her mother had those raging splitting headaches who was it
|
|
rubbed the menthol cone on her forehead but Gerty though she didn't like
|
|
her mother's taking pinches of snuff and that was the only single thing
|
|
they ever had words about, taking snuff. Everyone thought the world of her
|
|
for her gentle ways. It was Gerty who turned off the gas at the main every
|
|
night and it was Gerty who tacked up on the wall of that place where she
|
|
never forgot every fortnight the chlorate of lime Mr Tunney the grocer's
|
|
christmas almanac, the picture of halcyon days where a young gentleman in
|
|
the costume they used to wear then with a threecornered hat was offering a
|
|
bunch of flowers to his ladylove with oldtime chivalry through her lattice
|
|
window. You could see there was a story behind it. The colours were done
|
|
something lovely. She was in a soft clinging white in a studied attitude
|
|
and the gentleman was in chocolate and he looked a thorough aristocrat.
|
|
She often looked at them dreamily when she went there for a certain
|
|
purpose and felt her own arms that were white and soft just like hers with
|
|
the sleeves back and thought about those times because she had found out
|
|
in Walker's pronouncing dictionary that belonged to grandpapa Giltrap
|
|
about the halcyon days what they meant.
|
|
|
|
The twins were now playing in the most approved brotherly fashion till at
|
|
last Master Jacky who was really as bold as brass there was no getting
|
|
behind that deliberately kicked the ball as hard as ever he could down
|
|
towards the seaweedy rocks. Needless to say poor Tommy was not slow to
|
|
voice his dismay but luckily the gentleman in black who was sitting there
|
|
by himself came gallantly to the rescue and intercepted the ball. Our two
|
|
champions claimed their plaything with lusty cries and to avoid trouble
|
|
Cissy Caffrey called to the gentleman to throw it to her please. The
|
|
gentleman aimed the ball once or twice and then threw it up the strand
|
|
towards Cissy Caffrey but it rolled down the slope and stopped right under
|
|
Gerty's skirt near the little pool by the rock. The twins clamoured again
|
|
for it and Cissy told her to kick it away and let them fight for it so
|
|
Gerty drew back her foot but she wished their stupid ball hadn't come
|
|
rolling down to her and she gave a kick but she missed and Edy and Cissy
|
|
laughed.
|
|
|
|
--If you fail try again, Edy Boardman said.
|
|
|
|
Gerty smiled assent and bit her lip. A delicate pink crept into her
|
|
pretty cheek but she was determined to let them see so she just lifted her
|
|
skirt a little but just enough and took good aim and gave the ball a jolly
|
|
good kick and it went ever so far and the two twins after it down towards
|
|
the shingle. Pure jealousy of course it was nothing else to draw attention
|
|
on account of the gentleman opposite looking. She felt the warm flush, a
|
|
danger signal always with Gerty MacDowell, surging and flaming into her
|
|
cheeks. Till then they had only exchanged glances of the most casual but
|
|
now under the brim of her new hat she ventured a look at him and the face
|
|
that met her gaze there in the twilight, wan and strangely drawn, seemed
|
|
to her the saddest she had ever seen.
|
|
|
|
Through the open window of the church the fragrant incense was wafted and
|
|
with it the fragrant names of her who was conceived without stain of
|
|
original sin, spiritual vessel, pray for us, honourable vessel, pray for
|
|
us, vessel of singular devotion, pray for us, mystical rose. And careworn
|
|
hearts were there and toilers for their daily bread and many who had erred
|
|
and wandered, their eyes wet with contrition but for all that bright with
|
|
hope for the reverend father Father Hughes had told them what the great
|
|
saint Bernard said in his famous prayer of Mary, the most pious Virgin's
|
|
intercessory power that it was not recorded in any age that those who
|
|
implored her powerful protection were ever abandoned by her.
|
|
|
|
The twins were now playing again right merrily for the troubles of
|
|
childhood are but as fleeting summer showers. Cissy Caffrey played with
|
|
baby Boardman till he crowed with glee, clapping baby hands in air. Peep
|
|
she cried behind the hood of the pushcar and Edy asked where was Cissy
|
|
gone and then Cissy popped up her head and cried ah! and, my word,
|
|
didn't the little chap enjoy that! And then she told him to say papa.
|
|
|
|
--Say papa, baby. Say pa pa pa pa pa pa pa.
|
|
|
|
And baby did his level best to say it for he was very intelligent for
|
|
eleven months everyone said and big for his age and the picture of health,
|
|
a perfect little bunch of love, and he would certainly turn out to be
|
|
something great, they said.
|
|
|
|
--Haja ja ja haja.
|
|
|
|
Cissy wiped his little mouth with the dribbling bib and wanted him to sit
|
|
up properly and say pa pa pa but when she undid the strap she cried out,
|
|
holy saint Denis, that he was possing wet and to double the half blanket
|
|
the other way under him. Of course his infant majesty was most
|
|
obstreperous at such toilet formalities and he let everyone know it:
|
|
|
|
--Habaa baaaahabaaa baaaa.
|
|
|
|
And two great big lovely big tears coursing down his cheeks. It was all no
|
|
use soothering him with no, nono, baby, no and telling him about the
|
|
geegee and where was the puffpuff but Ciss, always readywitted, gave him
|
|
in his mouth the teat of the suckingbottle and the young heathen was
|
|
quickly appeased.
|
|
|
|
Gerty wished to goodness they would take their squalling baby home out of
|
|
that and not get on her nerves, no hour to be out, and the little brats
|
|
of twins. She gazed out towards the distant sea. It was like the paintings
|
|
that man used to do on the pavement with all the coloured chalks and such
|
|
a pity too leaving them there to be all blotted out, the evening and the
|
|
clouds coming out and the Bailey light on Howth and to hear the music like
|
|
that and the perfume of those incense they burned in the church like a
|
|
kind of waft. And while she gazed her heart went pitapat. Yes, it was her
|
|
he was looking at, and there was meaning in his look. His eyes burned into
|
|
her as though they would search her through and through, read her very
|
|
soul. Wonderful eyes they were, superbly expressive, but could you trust
|
|
them? People were so queer. She could see at once by his dark eyes and his
|
|
pale intellectual face that he was a foreigner, the image of the photo she
|
|
had of Martin Harvey, the matinee idol, only for the moustache which she
|
|
preferred because she wasn't stagestruck like Winny Rippingham that
|
|
wanted they two to always dress the same on account of a play but she
|
|
could not see whether he had an aquiline nose or a slightly RETROUSSE from
|
|
where he was sitting. He was in deep mourning, she could see that, and the
|
|
story of a haunting sorrow was written on his face. She would have given
|
|
worlds to know what it was. He was looking up so intently, so still, and
|
|
he saw her kick the ball and perhaps he could see the bright steel buckles
|
|
of her shoes if she swung them like that thoughtfully with the toes down.
|
|
She was glad that something told her to put on the transparent stockings
|
|
thinking Reggy Wylie might be out but that was far away. Here was that of
|
|
which she had so often dreamed. It was he who mattered and there was joy
|
|
on her face because she wanted him because she felt instinctively that he
|
|
was like no-one else. The very heart of the girlwoman went out to him, her
|
|
dreamhusband, because she knew on the instant it was him. If he had
|
|
suffered, more sinned against than sinning, or even, even, if he had been
|
|
himself a sinner, a wicked man, she cared not. Even if he was a protestant
|
|
or methodist she could convert him easily if he truly loved her. There
|
|
were wounds that wanted healing with heartbalm. She was a womanly woman
|
|
not like other flighty girls unfeminine he had known, those cyclists
|
|
showing off what they hadn't got and she just yearned to know all, to
|
|
forgive all if she could make him fall in love with her, make him forget
|
|
the memory of the past. Then mayhap he would embrace her gently, like a
|
|
real man, crushing her soft body to him, and love her, his ownest girlie,
|
|
for herself alone.
|
|
|
|
Refuge of sinners. Comfortress of the afflicted. ORA PRO NOBIS. Well
|
|
has it been said that whosoever prays to her with faith and constancy can
|
|
never be lost or cast away: and fitly is she too a haven of refuge for the
|
|
afflicted because of the seven dolours which transpierced her own heart.
|
|
Gerty could picture the whole scene in the church, the stained glass
|
|
windows lighted up, the candles, the flowers and the blue banners of the
|
|
blessed Virgin's sodality and Father Conroy was helping Canon O'Hanlon at
|
|
the altar, carrying things in and out with his eyes cast down. He looked
|
|
almost a saint and his confessionbox was so quiet and clean and dark and
|
|
his hands were just like white wax and if ever she became a Dominican nun
|
|
in their white habit perhaps he might come to the convent for the novena
|
|
of Saint Dominic. He told her that time when she told him about that in
|
|
confession, crimsoning up to the roots of her hair for fear he could see,
|
|
not to be troubled because that was only the voice of nature and we were
|
|
all subject to nature's laws, he said, in this life and that that was no
|
|
sin because that came from the nature of woman instituted by God, he said,
|
|
and that Our Blessed Lady herself said to the archangel Gabriel be it done
|
|
unto me according to Thy Word. He was so kind and holy and often and often
|
|
she thought and thought could she work a ruched teacosy with embroidered
|
|
floral design for him as a present or a clock but they had a clock she
|
|
noticed on the mantelpiece white and gold with a canarybird that came out
|
|
of a little house to tell the time the day she went there about the
|
|
flowers for the forty hours' adoration because it was hard to know what
|
|
sort of a present to give or perhaps an album of illuminated views of
|
|
Dublin or some place.
|
|
|
|
The exasperating little brats of twins began to quarrel again and Jacky
|
|
threw the ball out towards the sea and they both ran after it. Little
|
|
monkeys common as ditchwater. Someone ought to take them and give them
|
|
a good hiding for themselves to keep them in their places, the both of
|
|
them. And Cissy and Edy shouted after them to come back because they
|
|
were afraid the tide might come in on them and be drowned.
|
|
|
|
--Jacky! Tommy!
|
|
|
|
Not they! What a great notion they had! So Cissy said it was the very
|
|
last time she'd ever bring them out. She jumped up and called them and she
|
|
ran down the slope past him, tossing her hair behind her which had a good
|
|
enough colour if there had been more of it but with all the thingamerry
|
|
she was always rubbing into it she couldn't get it to grow long because it
|
|
wasn't natural so she could just go and throw her hat at it. She ran
|
|
with long gandery strides it was a wonder she didn't rip up her skirt at
|
|
the side that was too tight on her because there was a lot of the tomboy
|
|
about Cissy Caffrey and she was a forward piece whenever she thought
|
|
she had a good opportunity to show and just because she was a good runner
|
|
she ran like that so that he could see all the end of her petticoat
|
|
running and her skinny shanks up as far as possible. It would have
|
|
served her just right if she had tripped up over something accidentally
|
|
on purpose with her high crooked French heels on her to make her look
|
|
tall and got a fine tumble. TABLEAU! That would have been a very charming
|
|
expose for a gentleman like that to witness.
|
|
|
|
Queen of angels, queen of patriarchs, queen of prophets, of all saints,
|
|
they prayed, queen of the most holy rosary and then Father Conroy handed
|
|
the thurible to Canon O'Hanlon and he put in the incense and censed the
|
|
Blessed Sacrament and Cissy Caffrey caught the two twins and she was
|
|
itching to give them a ringing good clip on the ear but she didn't because
|
|
she thought he might be watching but she never made a bigger mistake in
|
|
all her life because Gerty could see without looking that he never
|
|
took his eyes off of her and then Canon O'Hanlon handed the thurible
|
|
back to Father Conroy and knelt down looking up at the Blessed Sacrament
|
|
and the choir began to sing the TANTUM ERGO and she just swung her foot
|
|
in and out in time as the music rose and fell to the TANTUMER GOSA
|
|
CRAMEN TUM. Three and eleven she paid for those stockings in Sparrow's
|
|
of George's street on the Tuesday, no the Monday before Easter and there
|
|
wasn't a brack on them and that was what he was looking at, transparent,
|
|
and not at her insignificant ones that had neither shape nor form
|
|
(the cheek of her!) because he had eyes in his head to see the difference
|
|
for himself.
|
|
|
|
Cissy came up along the strand with the two twins and their ball with
|
|
her hat anyhow on her to one side after her run and she did look a streel
|
|
tugging the two kids along with the flimsy blouse she bought only a
|
|
fortnight before like a rag on her back and a bit of her petticoat hanging
|
|
like a caricature. Gerty just took off her hat for a moment to settle her
|
|
hair and a prettier, a daintier head of nutbrown tresses was never seen on
|
|
a girl's shoulders--a radiant little vision, in sooth, almost maddening in
|
|
its sweetness. You would have to travel many a long mile before you found
|
|
a head of hair the like of that. She could almost see the swift answering
|
|
flash of admiration in his eyes that set her tingling in every nerve.
|
|
She put on her hat so that she could see from underneath the brim and
|
|
swung her buckled shoe faster for her breath caught as she caught the
|
|
expression in his eyes. He was eying her as a snake eyes its prey. Her
|
|
woman's instinct told her that she had raised the devil in him and at the
|
|
thought a burning scarlet swept from throat to brow till the lovely colour
|
|
of her face became a glorious rose.
|
|
|
|
Edy Boardman was noticing it too because she was squinting at Gerty,
|
|
half smiling, with her specs like an old maid, pretending to nurse the
|
|
baby. Irritable little gnat she was and always would be and that was why
|
|
no-one could get on with her poking her nose into what was no concern of
|
|
hers. And she said to Gerty:
|
|
|
|
--A penny for your thoughts.
|
|
|
|
--What? replied Gerty with a smile reinforced by the whitest of teeth.
|
|
I was only wondering was it late.
|
|
|
|
Because she wished to goodness they'd take the snottynosed twins and their
|
|
babby home to the mischief out of that so that was why she just gave a
|
|
gentle hint about its being late. And when Cissy came up Edy asked her the
|
|
time and Miss Cissy, as glib as you like, said it was half past kissing
|
|
time, time to kiss again. But Edy wanted to know because they were told to
|
|
be in early.
|
|
|
|
--Wait, said Cissy, I'll run ask my uncle Peter over there what's the time
|
|
by his conundrum.
|
|
|
|
So over she went and when he saw her coming she could see him take his
|
|
hand out of his pocket, getting nervous, and beginning to play with his
|
|
watchchain, looking up at the church. Passionate nature though he was
|
|
Gerty could see that he had enormous control over himself. One moment he
|
|
had been there, fascinated by a loveliness that made him gaze, and the
|
|
next moment it was the quiet gravefaced gentleman, selfcontrol expressed
|
|
in every line of his distinguishedlooking figure.
|
|
|
|
Cissy said to excuse her would he mind please telling her what was the
|
|
right time and Gerty could see him taking out his watch, listening to it
|
|
and looking up and clearing his throat and he said he was very sorry his
|
|
watch was stopped but he thought it must be after eight because the sun
|
|
was set. His voice had a cultured ring in it and though he spoke in
|
|
measured accents there was a suspicion of a quiver in the mellow tones.
|
|
Cissy said thanks and came back with her tongue out and said uncle said
|
|
his waterworks were out of order.
|
|
|
|
Then they sang the second verse of the TANTUM ERGO and Canon
|
|
O'Hanlon got up again and censed the Blessed Sacrament and knelt down and
|
|
he told Father Conroy that one of the candles was just going to set fire
|
|
to the flowers and Father Conroy got up and settled it all right and she
|
|
could see the gentleman winding his watch and listening to the works and
|
|
she swung her leg more in and out in time. It was getting darker but he
|
|
could see and he was looking all the time that he was winding the watch or
|
|
whatever he was doing to it and then he put it back and put his hands back
|
|
into his pockets. She felt a kind of a sensation rushing all over her and
|
|
she knew by the feel of her scalp and that irritation against her stays
|
|
that that thing must be coming on because the last time too was when she
|
|
clipped her hair on account of the moon. His dark eyes fixed themselves
|
|
on her again drinking in her every contour, literally worshipping at her
|
|
shrine. If ever there was undisguised admiration in a man's passionate
|
|
gaze it was there plain to be seen on that man's face. It is for you,
|
|
Gertrude MacDowell, and you know it.
|
|
|
|
Edy began to get ready to go and it was high time for her and Gerty
|
|
noticed that that little hint she gave had had the desired effect because
|
|
it was a long way along the strand to where there was the place to push up
|
|
the pushcar and Cissy took off the twins' caps and tidied their hair to
|
|
make herself attractive of course and Canon O'Hanlon stood up with his
|
|
cope poking up at his neck and Father Conroy handed him the card to read
|
|
off and he read out PANEM DE COELO PRAESTITISTI EIS and Edy and Cissy were
|
|
talking about the time all the time and asking her but Gerty could pay
|
|
them back in their own coin and she just answered with scathing politeness
|
|
when Edy asked her was she heartbroken about her best boy throwing her
|
|
over. Gerty winced sharply. A brief cold blaze shone from her eyes that
|
|
spoke volumes of scorn immeasurable. It hurt--O yes, it cut deep because
|
|
Edy had her own quiet way of saying things like that she knew would wound
|
|
like the confounded little cat she was. Gerty's lips parted swiftly to
|
|
frame the word but she fought back the sob that rose to her throat,
|
|
so slim, so flawless, so beautifully moulded it seemed one an artist
|
|
might have dreamed of. She had loved him better than he knew.
|
|
Lighthearted deceiver and fickle like all his sex he would never
|
|
understand what he had meant to her and for an instant there was
|
|
in the blue eyes a quick stinging of tears. Their eyes were
|
|
probing her mercilessly but with a brave effort she sparkled back in
|
|
sympathy as she glanced at her new conquest for them to see.
|
|
|
|
--O, responded Gerty, quick as lightning, laughing, and the proud head
|
|
flashed up. I can throw my cap at who I like because it's leap year.
|
|
|
|
Her words rang out crystalclear, more musical than the cooing of the
|
|
ringdove, but they cut the silence icily. There was that in her young
|
|
voice that told that she was not a one to be lightly trifled with.
|
|
As for Mr Reggy with his swank and his bit of money she could just
|
|
chuck him aside as if he was so much filth and never again would she
|
|
cast as much as a second thought on him and tear his silly postcard
|
|
into a dozen pieces. And if ever after he dared to presume she
|
|
could give him one look of measured scorn that would make him
|
|
shrivel up on the spot. Miss puny little Edy's countenance fell to
|
|
no slight extent and Gerty could see by her looking as black as
|
|
thunder that she was simply in a towering rage though she hid it, the
|
|
little kinnatt, because that shaft had struck home for her petty jealousy
|
|
and they both knew that she was something aloof, apart, in another sphere,
|
|
that she was not of them and never would be and there was somebody else
|
|
too that knew it and saw it so they could put that in their pipe
|
|
and smoke it.
|
|
|
|
Edy straightened up baby Boardman to get ready to go and Cissy
|
|
tucked in the ball and the spades and buckets and it was high time too
|
|
because the sandman was on his way for Master Boardman junior. And
|
|
Cissy told him too that billy winks was coming and that baby was to go
|
|
deedaw and baby looked just too ducky, laughing up out of his gleeful
|
|
eyes, and Cissy poked him like that out of fun in his wee fat tummy and
|
|
baby, without as much as by your leave, sent up his compliments to all
|
|
and sundry on to his brandnew dribbling bib.
|
|
|
|
--O my! Puddeny pie! protested Ciss. He has his bib destroyed.
|
|
|
|
The slight CONTRETEMPS claimed her attention but in two twos she set
|
|
that little matter to rights.
|
|
|
|
Gerty stifled a smothered exclamation and gave a nervous cough and
|
|
Edy asked what and she was just going to tell her to catch it while it was
|
|
flying but she was ever ladylike in her deportment so she simply passed it
|
|
off with consummate tact by saying that that was the benediction because
|
|
just then the bell rang out from the steeple over the quiet seashore
|
|
because Canon O'Hanlon was up on the altar with the veil that Father
|
|
Conroy put round his shoulders giving the benediction with the Blessed
|
|
Sacrament in his hands.
|
|
|
|
How moving the scene there in the gathering twilight, the last glimpse of
|
|
Erin, the touching chime of those evening bells and at the same time a bat
|
|
flew forth from the ivied belfry through the dusk, hither, thither, with a
|
|
tiny lost cry. And she could see far away the lights of the lighthouses so
|
|
picturesque she would have loved to do with a box of paints because it was
|
|
easier than to make a man and soon the lamplighter would be going his
|
|
rounds past the presbyterian church grounds and along by shady
|
|
Tritonville avenue where the couples walked and lighting the lamp near her
|
|
window where Reggy Wylie used to turn his freewheel like she read in that
|
|
book THE LAMPLIGHTER by Miss Cummins, author of MABEL VAUGHAN and
|
|
other tales. For Gerty had her dreams that no-one knew of. She loved to
|
|
read poetry and when she got a keepsake from Bertha Supple of that lovely
|
|
confession album with the coralpink cover to write her thoughts in she
|
|
laid it in the drawer of her toilettable which, though it did not err
|
|
on the side of luxury, was scrupulously neat and clean. It was there
|
|
she kept her girlish treasure trove, the tortoiseshell combs, her
|
|
child of Mary badge, the whiterose scent, the eyebrowleine, her
|
|
alabaster pouncetbox and the ribbons to change when her things came
|
|
home from the wash and there were some beautiful thoughts written
|
|
in it in violet ink that she bought in Hely's of Dame Street for
|
|
she felt that she too could write poetry if she could only express
|
|
herself like that poem that appealed to her so deeply that she had
|
|
copied out of the newspaper she found one evening round the potherbs. ART
|
|
THOU REAL, MY IDEAL? it was called by Louis J Walsh, Magherafelt, and
|
|
after there was something about TWILIGHT, WILT THOU EVER? and ofttimes
|
|
the beauty of poetry, so sad in its transient loveliness, had misted
|
|
her eyes with silent tears for she felt that the years were slipping
|
|
by for her, one by one, and but for that one shortcoming she knew she
|
|
need fear no competition and that was an accident coming down Dalkey
|
|
hill and she always tried to conceal it. But it must end, she felt.
|
|
If she saw that magic lure in his eyes there would be no holding
|
|
back for her. Love laughs at locksmiths. She would make the great
|
|
sacrifice. Her every effort would be to share his thoughts. Dearer than
|
|
the whole world would she be to him and gild his days with happiness.
|
|
There was the allimportant question and she was dying to know was he a
|
|
married man or a widower who had lost his wife or some tragedy like the
|
|
nobleman with the foreign name from the land of song had to have her put
|
|
into a madhouse, cruel only to be kind. But even if--what then? Would it
|
|
make a very great difference? From everything in the least indelicate her
|
|
finebred nature instinctively recoiled. She loathed that sort of person,
|
|
the fallen women off the accommodation walk beside the Dodder that went
|
|
with the soldiers and coarse men with no respect for a girl's honour,
|
|
degrading the sex and being taken up to the police station. No, no: not
|
|
that. They would be just good friends like a big brother and sister
|
|
without all that other in spite of the conventions of Society with a big
|
|
ess. Perhaps it was an old flame he was in mourning for from the days
|
|
beyond recall. She thought she understood. She would try to understand
|
|
him because men were so different. The old love was waiting, waiting
|
|
with little white hands stretched out, with blue appealing eyes. Heart
|
|
of mine! She would follow, her dream of love, the dictates of her heart
|
|
that told her he was her all in all, the only man in all the world
|
|
for her for love was the master guide. Nothing else mattered. Come what
|
|
might she would be wild, untrammelled, free.
|
|
|
|
Canon O'Hanlon put the Blessed Sacrament back into the tabernacle
|
|
and genuflected and the choir sang LAUDATE DOMINUM OMNES GENTES and
|
|
then he locked the tabernacle door because the benediction was over and
|
|
Father Conroy handed him his hat to put on and crosscat Edy asked wasn't
|
|
she coming but Jacky Caffrey called out:
|
|
|
|
--O, look, Cissy!
|
|
|
|
And they all looked was it sheet lightning but Tommy saw it too over
|
|
the trees beside the church, blue and then green and purple.
|
|
|
|
--It's fireworks, Cissy Caffrey said.
|
|
|
|
And they all ran down the strand to see over the houses and the
|
|
church, helterskelter, Edy with the pushcar with baby Boardman in it and
|
|
Cissy holding Tommy and Jacky by the hand so they wouldn't fall running.
|
|
|
|
--Come on, Gerty, Cissy called. It's the bazaar fireworks.
|
|
|
|
But Gerty was adamant. She had no intention of being at their beck and
|
|
call. If they could run like rossies she could sit so she said she could
|
|
see from where she was. The eyes that were fastened upon her set
|
|
her pulses tingling. She looked at him a moment, meeting his glance,
|
|
and a light broke in upon her. Whitehot passion was in that face, passion
|
|
silent as the grave, and it had made her his. At last they were left
|
|
alone without the others to pry and pass remarks and she knew he
|
|
could be trusted to the death, steadfast, a sterling man, a man of
|
|
inflexible honour to his fingertips. His hands and face were working
|
|
and a tremour went over her. She leaned back far to look up where
|
|
the fireworks were and she caught her knee in her hands so as not
|
|
to fall back looking up and there was no-one to see only him and
|
|
her when she revealed all her graceful beautifully shaped legs like that,
|
|
supply soft and delicately rounded, and she seemed to hear the panting
|
|
of his heart, his hoarse breathing, because she knew too about the passion
|
|
of men like that, hotblooded, because Bertha Supple told her once in dead
|
|
secret and made her swear she'd never about the gentleman lodger that was
|
|
staying with them out of the Congested Districts Board that had pictures
|
|
cut out of papers of those skirtdancers and highkickers and she said he
|
|
used to do something not very nice that you could imagine sometimes in
|
|
the bed. But this was altogether different from a thing like that
|
|
because there was all the difference because she could almost feel
|
|
him draw her face to his and the first quick hot touch of his
|
|
handsome lips. Besides there was absolution so long as you didn't
|
|
do the other thing before being married and there ought to be
|
|
women priests that would understand without your telling out and
|
|
Cissy Caffrey too sometimes had that dreamy kind of dreamy look
|
|
in her eyes so that she too, my dear, and Winny Rippingham so mad
|
|
about actors' photographs and besides it was on account of that other
|
|
thing coming on the way it did.
|
|
|
|
And Jacky Caffrey shouted to look, there was another and she leaned back
|
|
and the garters were blue to match on account of the transparent and they
|
|
all saw it and they all shouted to look, look, there it was and she leaned
|
|
back ever so far to see the fireworks and something queer was flying
|
|
through the air, a soft thing, to and fro, dark. And she saw a long Roman
|
|
candle going up over the trees, up, up, and, in the tense hush,
|
|
they were all breathless with excitement as it went higher and higher
|
|
and she had to lean back more and more to look up after it, high,
|
|
high, almost out of sight, and her face was suffused with a divine,
|
|
an entrancing blush from straining back and he could see her other
|
|
things too, nainsook knickers, the fabric that caresses the skin,
|
|
better than those other pettiwidth, the green, four and eleven,
|
|
on account of being white and she let him and she saw that he saw and then
|
|
it went so high it went out of sight a moment and she was trembling in
|
|
every limb from being bent so far back that he had a full view
|
|
high up above her knee where no-one ever not even on the swing or wading
|
|
and she wasn't ashamed and he wasn't either to look in that immodest way
|
|
like that because he couldn't resist the sight of the wondrous revealment
|
|
half offered like those skirtdancers behaving so immodest before gentlemen
|
|
looking and he kept on looking, looking. She would fain have cried to him
|
|
chokingly, held out her snowy slender arms to him to come, to feel his
|
|
lips laid on her white brow, the cry of a young girl's love, a little
|
|
strangled cry, wrung from her, that cry that has rung through the ages.
|
|
And then a rocket sprang and bang shot blind blank and O! then the Roman
|
|
candle burst and it was like a sigh of O! and everyone cried O! O! in
|
|
raptures and it gushed out of it a stream of rain gold hair threads and
|
|
they shed and ah! they were all greeny dewy stars falling with golden,
|
|
O so lovely, O, soft, sweet, soft!
|
|
|
|
Then all melted away dewily in the grey air: all was silent. Ah! She
|
|
glanced at him as she bent forward quickly, a pathetic little glance of
|
|
piteous protest, of shy reproach under which he coloured like a girl
|
|
He was leaning back against the rock behind. Leopold Bloom (for it is he)
|
|
stands silent, with bowed head before those young guileless eyes. What a
|
|
brute he had been! At it again? A fair unsullied soul had called to him
|
|
and, wretch that he was, how had he answered? An utter cad he had been!
|
|
He of all men! But there was an infinite store of mercy in those eyes,
|
|
for him too a word of pardon even though he had erred and sinned and
|
|
wandered. Should a girl tell? No, a thousand times no. That was their
|
|
secret, only theirs, alone in the hiding twilight and there was none to
|
|
know or tell save the little bat that flew so softly through the evening
|
|
to and fro and little bats don't tell.
|
|
|
|
Cissy Caffrey whistled, imitating the boys in the football field to show
|
|
what a great person she was: and then she cried:
|
|
|
|
--Gerty! Gerty! We're going. Come on. We can see from farther up.
|
|
|
|
Gerty had an idea, one of love's little ruses. She slipped a hand into
|
|
her kerchief pocket and took out the wadding and waved in reply of course
|
|
without letting him and then slipped it back. Wonder if he's too far to.
|
|
She rose. Was it goodbye? No. She had to go but they would meet again,
|
|
there, and she would dream of that till then, tomorrow, of her dream of
|
|
yester eve. She drew herself up to her full height. Their souls met in a
|
|
last lingering glance and the eyes that reached her heart, full of a
|
|
strange shining, hung enraptured on her sweet flowerlike face. She half
|
|
smiled at him wanly, a sweet forgiving smile, a smile that verged on
|
|
tears, and then they parted.
|
|
|
|
Slowly, without looking back she went down the uneven strand to
|
|
Cissy, to Edy to Jacky and Tommy Caffrey, to little baby Boardman. It was
|
|
darker now and there were stones and bits of wood on the strand and slippy
|
|
seaweed. She walked with a certain quiet dignity characteristic of her but
|
|
with care and very slowly because--because Gerty MacDowell was ...
|
|
|
|
Tight boots? No. She's lame! O!
|
|
|
|
Mr Bloom watched her as she limped away. Poor girl! That's why she's left
|
|
on the shelf and the others did a sprint. Thought something was wrong by
|
|
the cut of her jib. Jilted beauty. A defect is ten times worse in a woman.
|
|
But makes them polite. Glad I didn't know it when she was on show. Hot
|
|
little devil all the same. I wouldn't mind. Curiosity like a nun or a
|
|
negress or a girl with glasses. That squinty one is delicate. Near her
|
|
monthlies, I expect, makes them feel ticklish. I have such a bad headache
|
|
today. Where did I put the letter? Yes, all right. All kinds of crazy
|
|
longings. Licking pennies. Girl in Tranquilla convent that nun told
|
|
me liked to smell rock oil. Virgins go mad in the end I suppose.
|
|
Sister? How many women in Dublin have it today? Martha, she. Something
|
|
in the air. That's the moon. But then why don't all women menstruate
|
|
at the same time with the same moon, I mean? Depends on the time
|
|
they were born I suppose. Or all start scratch then get out of step.
|
|
Sometimes Molly and Milly together. Anyhow I got the best of that.
|
|
Damned glad I didn't do it in the bath this morning over her silly
|
|
I will punish you letter. Made up for that tramdriver this morning.
|
|
That gouger M'Coy stopping me to say nothing. And his wife
|
|
engagement in the country valise, voice like a pickaxe. Thankful for small
|
|
mercies. Cheap too. Yours for the asking. Because they want it themselves.
|
|
Their natural craving. Shoals of them every evening poured out of offices.
|
|
Reserve better. Don't want it they throw it at you. Catch em alive, O.
|
|
Pity they can't see themselves. A dream of wellfilled hose. Where was
|
|
that? Ah, yes. Mutoscope pictures in Capel street: for men only. Peeping
|
|
Tom. Willy's hat and what the girls did with it. Do they snapshot
|
|
those girls or is it all a fake? LINGERIE does it. Felt for the
|
|
curves inside her DESHABILLE. Excites them also when they're. I'm all
|
|
clean come and dirty me. And they like dressing one another for the
|
|
sacrifice. Milly delighted with Molly's new blouse. At first.
|
|
Put them all on to take them all off. Molly. Why I bought her the violet
|
|
garters. Us too: the tie he wore, his lovely socks and turnedup trousers.
|
|
He wore a pair of gaiters the night that first we met. His lovely
|
|
shirt was shining beneath his what? of jet. Say a woman loses a charm with
|
|
every pin she takes out. Pinned together. O, Mairy lost the pin of her.
|
|
Dressed up to the nines for somebody. Fashion part of their charm. Just
|
|
changes when you're on the track of the secret. Except the east: Mary,
|
|
Martha: now as then. No reasonable offer refused. She wasn't in a hurry
|
|
either. Always off to a fellow when they are. They never forget an
|
|
appointment. Out on spec probably. They believe in chance because like
|
|
themselves. And the others inclined to give her an odd dig. Girl friends
|
|
at school, arms round each other's necks or with ten fingers locked,
|
|
kissing and whispering secrets about nothing in the convent garden. Nuns
|
|
with whitewashed faces, cool coifs and their rosaries going up and down,
|
|
vindictive too for what they can't get. Barbed wire. Be sure now and write
|
|
to me. And I'll write to you. Now won't you? Molly and Josie Powell. Till
|
|
Mr Right comes along, then meet once in a blue moon. TABLEAU! O, look
|
|
who it is for the love of God! How are you at all? What have you been
|
|
doing with yourself? Kiss and delighted to, kiss, to see you. Picking
|
|
holes in each other's appearance. You're looking splendid. Sister souls.
|
|
Showing their teeth at one another. How many have you left? Wouldn't lend
|
|
each other a pinch of salt.
|
|
|
|
Ah!
|
|
|
|
Devils they are when that's coming on them. Dark devilish appearance.
|
|
Molly often told me feel things a ton weight. Scratch the sole of
|
|
my foot. O that way! O, that's exquisite! Feel it myself too. Good to rest
|
|
once in a way. Wonder if it's bad to go with them then. Safe in one way.
|
|
Turns milk, makes fiddlestrings snap. Something about withering plants I
|
|
read in a garden. Besides they say if the flower withers she wears she's a
|
|
flirt. All are. Daresay she felt 1. When you feel like that you often meet
|
|
what you feel. Liked me or what? Dress they look at. Always know a fellow
|
|
courting: collars and cuffs. Well cocks and lions do the same and stags.
|
|
Same time might prefer a tie undone or something. Trousers? Suppose I
|
|
when I was? No. Gently does it. Dislike rough and tumble. Kiss in the dark
|
|
and never tell. Saw something in me. Wonder what. Sooner have me as I am
|
|
than some poet chap with bearsgrease plastery hair, lovelock over his
|
|
dexter optic. To aid gentleman in literary. Ought to attend to my
|
|
appearance my age. Didn't let her see me in profile. Still, you
|
|
never know. Pretty girls and ugly men marrying. Beauty and the
|
|
beast. Besides I can't be so if Molly. Took off her hat to show
|
|
her hair. Wide brim. Bought to hide her face, meeting someone might
|
|
know her, bend down or carry a bunch of flowers to smell. Hair
|
|
strong in rut. Ten bob I got for Molly's combings when we were on
|
|
the rocks in Holles street. Why not? Suppose he gave her money.
|
|
Why not? All a prejudice. She's worth ten, fifteen, more, a pound. What? I
|
|
think so. All that for nothing. Bold hand: Mrs Marion. Did I forget to
|
|
write address on that letter like the postcard I sent to Flynn? And the
|
|
day I went to Drimmie's without a necktie. Wrangle with Molly it was put
|
|
me off. No, I remember. Richie Goulding: he's another. Weighs on his mind.
|
|
Funny my watch stopped at half past four. Dust. Shark liver oil they use
|
|
to clean. Could do it myself. Save. Was that just when he, she?
|
|
|
|
O, he did. Into her. She did. Done.
|
|
|
|
Ah!
|
|
|
|
Mr Bloom with careful hand recomposed his wet shirt. O Lord, that little
|
|
limping devil. Begins to feel cold and clammy. Aftereffect not pleasant.
|
|
Still you have to get rid of it someway. They don't care. Complimented
|
|
perhaps. Go home to nicey bread and milky and say night prayers with the
|
|
kiddies. Well, aren't they? See her as she is spoil all. Must have the
|
|
stage setting, the rouge, costume, position, music. The name too. AMOURS
|
|
of actresses. Nell Gwynn, Mrs Bracegirdle, Maud Branscombe. Curtain up.
|
|
Moonlight silver effulgence. Maiden discovered with pensive bosom. Little
|
|
sweetheart come and kiss me. Still, I feel. The strength it gives a man.
|
|
That's the secret of it. Good job I let off there behind the wall coming
|
|
out of Dignam's. Cider that was. Otherwise I couldn't have. Makes you want
|
|
to sing after. LACAUS ESANT TARATARA. Suppose I spoke to her. What about?
|
|
Bad plan however if you don't know how to end the conversation. Ask them a
|
|
question they ask you another. Good idea if you're stuck. Gain time. But
|
|
then you're in a cart. Wonderful of course if you say: good evening, and
|
|
you see she's on for it: good evening. O but the dark evening in the
|
|
Appian way I nearly spoke to Mrs Clinch O thinking she was. Whew! Girl in
|
|
Meath street that night. All the dirty things I made her say. All wrong of
|
|
course. My arks she called it. It's so hard to find one who. Aho! If you
|
|
don't answer when they solicit must be horrible for them till they harden.
|
|
And kissed my hand when I gave her the extra two shillings. Parrots. Press
|
|
the button and the bird will squeak. Wish she hadn't called me sir. O, her
|
|
mouth in the dark! And you a married man with a single girl! That's what
|
|
they enjoy. Taking a man from another woman. Or even hear of it.
|
|
Different with me. Glad to get away from other chap's wife. Eating off his
|
|
cold plate. Chap in the Burton today spitting back gumchewed gristle.
|
|
French letter still in my pocketbook. Cause of half the trouble. But might
|
|
happen sometime, I don't think. Come in, all is prepared. I dreamt. What?
|
|
Worst is beginning. How they change the venue when it's not what they
|
|
like. Ask you do you like mushrooms because she once knew a gentleman
|
|
who. Or ask you what someone was going to say when he changed his
|
|
mind and stopped. Yet if I went the whole hog, say: I want to, something
|
|
like that. Because I did. She too. Offend her. Then make it up. Pretend to
|
|
want something awfully, then cry off for her sake. Flatters them. She must
|
|
have been thinking of someone else all the time. What harm? Must since she
|
|
came to the use of reason, he, he and he. First kiss does the trick. The
|
|
propitious moment. Something inside them goes pop. Mushy like, tell by
|
|
their eye, on the sly. First thoughts are best. Remember that till their
|
|
dying day. Molly, lieutenant Mulvey that kissed her under the Moorish wall
|
|
beside the gardens. Fifteen she told me. But her breasts were developed.
|
|
Fell asleep then. After Glencree dinner that was when we drove home.
|
|
Featherbed mountain. Gnashing her teeth in sleep. Lord mayor had his eye
|
|
on her too. Val Dillon. Apoplectic.
|
|
|
|
There she is with them down there for the fireworks. My fireworks.
|
|
Up like a rocket, down like a stick. And the children, twins they must be,
|
|
waiting for something to happen. Want to be grownups. Dressing in
|
|
mother's clothes. Time enough, understand all the ways of the world. And
|
|
the dark one with the mop head and the nigger mouth. I knew she could
|
|
whistle. Mouth made for that. Like Molly. Why that highclass whore in
|
|
Jammet's wore her veil only to her nose. Would you mind, please, telling
|
|
me the right time? I'll tell you the right time up a dark lane. Say prunes
|
|
and prisms forty times every morning, cure for fat lips. Caressing the
|
|
little boy too. Onlookers see most of the game. Of course they understand
|
|
birds, animals, babies. In their line.
|
|
|
|
Didn't look back when she was going down the strand. Wouldn't give that
|
|
satisfaction. Those girls, those girls, those lovely seaside girls. Fine
|
|
eyes she had, clear. It's the white of the eye brings that out not so much
|
|
the pupil. Did she know what I? Course. Like a cat sitting beyond a dog's
|
|
jump. Women never meet one like that Wilkins in the high school drawing a
|
|
picture of Venus with all his belongings on show. Call that innocence?
|
|
Poor idiot! His wife has her work cut out for her. Never see them sit
|
|
on a bench marked WET PAINT. Eyes all over them. Look under the bed
|
|
for what's not there. Longing to get the fright of their lives.
|
|
Sharp as needles they are. When I said to Molly the man at the corner
|
|
of Cuffe street was goodlooking, thought she might like, twigged at
|
|
once he had a false arm. Had, too. Where do they get that? Typist
|
|
going up Roger Greene's stairs two at a time to show her understandings.
|
|
Handed down from father to, mother to daughter, I mean. Bred in the
|
|
bone. Milly for example drying her handkerchief on the mirror to
|
|
save the ironing. Best place for an ad to catch a woman's eye on a
|
|
mirror. And when I sent her for Molly's Paisley shawl to Prescott's
|
|
by the way that ad I must, carrying home the change in her stocking!
|
|
Clever little minx. I never told her. Neat way she carries parcels
|
|
too. Attract men, small thing like that. Holding up her hand, shaking it,
|
|
to let the blood flow back when it was red. Who did you learn that from?
|
|
Nobody. Something the nurse taught me. O, don't they know! Three years
|
|
old she was in front of Molly's dressingtable, just before we left Lombard
|
|
street west. Me have a nice pace. Mullingar. Who knows? Ways of the
|
|
world. Young student. Straight on her pins anyway not like the other.
|
|
Still she was game. Lord, I am wet. Devil you are. Swell of her calf.
|
|
Transparent stockings, stretched to breaking point. Not like that frump
|
|
today. A. E. Rumpled stockings. Or the one in Grafton street. White. Wow!
|
|
Beef to the heel.
|
|
|
|
A monkey puzzle rocket burst, spluttering in darting crackles. Zrads
|
|
and zrads, zrads, zrads. And Cissy and Tommy and Jacky ran out to see
|
|
and Edy after with the pushcar and then Gerty beyond the curve of the
|
|
rocks. Will she? Watch! Watch! See! Looked round. She smelt an onion.
|
|
Darling, I saw, your. I saw all.
|
|
|
|
Lord!
|
|
|
|
Did me good all the same. Off colour after Kiernan's, Dignam's. For
|
|
this relief much thanks. In HAMLET, that is. Lord! It was all things
|
|
combined. Excitement. When she leaned back, felt an ache at the butt of my
|
|
tongue. Your head it simply swirls. He's right. Might have made a worse
|
|
fool of myself however. Instead of talking about nothing. Then I will tell
|
|
you all. Still it was a kind of language between us. It couldn't be? No,
|
|
Gerty they called her. Might be false name however like my name and the
|
|
address Dolphin's barn a blind.
|
|
|
|
|
|
HER MAIDEN NAME WAS JEMINA BROWN
|
|
AND SHE LIVED WITH HER MOTHER IN IRISHTOWN.
|
|
|
|
|
|
Place made me think of that I suppose. All tarred with the same brush.
|
|
Wiping pens in their stockings. But the ball rolled down to her as if it
|
|
understood. Every bullet has its billet. Course I never could throw
|
|
anything straight at school. Crooked as a ram's horn. Sad however because
|
|
it lasts only a few years till they settle down to potwalloping and papa's
|
|
pants will soon fit Willy and fuller's earth for the baby when they hold
|
|
him out to do ah ah. No soft job. Saves them. Keeps them out of harm's
|
|
way. Nature. Washing child, washing corpse. Dignam. Children's hands
|
|
always round them. Cocoanut skulls, monkeys, not even closed at first,
|
|
sour milk in their swaddles and tainted curds. Oughtn't to have given
|
|
that child an empty teat to suck. Fill it up with wind. Mrs Beaufoy,
|
|
Purefoy. Must call to the hospital. Wonder is nurse Callan there still.
|
|
She used to look over some nights when Molly was in the Coffee Palace.
|
|
That young doctor O'Hare I noticed her brushing his coat. And Mrs Breen
|
|
and Mrs Dignam once like that too, marriageable. Worst of all at night
|
|
Mrs Duggan told me in the City Arms. Husband rolling in drunk, stink of
|
|
pub off him like a polecat. Have that in your nose in the dark,
|
|
whiff of stale boose. Then ask in the morning: was I drunk last
|
|
night? Bad policy however to fault the husband. Chickens come
|
|
home to roost. They stick by one another like glue. Maybe the
|
|
women's fault also. That's where Molly can knock spots off them. It's the
|
|
blood of the south. Moorish. Also the form, the figure. Hands felt for the
|
|
opulent. Just compare for instance those others. Wife locked up at home,
|
|
skeleton in the cupboard. Allow me to introduce my. Then they trot you out
|
|
some kind of a nondescript, wouldn't know what to call her. Always see a
|
|
fellow's weak point in his wife. Still there's destiny in it, falling in
|
|
love. Have their own secrets between them. Chaps that would go to the dogs
|
|
if some woman didn't take them in hand. Then little chits of girls,
|
|
height of a shilling in coppers, with little hubbies. As God made them he
|
|
matched them. Sometimes children turn out well enough. Twice nought makes
|
|
one. Or old rich chap of seventy and blushing bride. Marry in May and
|
|
repent in December. This wet is very unpleasant. Stuck. Well the foreskin
|
|
is not back. Better detach.
|
|
|
|
Ow!
|
|
|
|
Other hand a sixfooter with a wifey up to his watchpocket. Long and
|
|
the short of it. Big he and little she. Very strange about my watch.
|
|
Wristwatches are always going wrong. Wonder is there any magnetic
|
|
influence between the person because that was about the time he. Yes, I
|
|
suppose, at once. Cat's away, the mice will play. I remember looking in
|
|
Pill lane. Also that now is magnetism. Back of everything magnetism. Earth
|
|
for instance pulling this and being pulled. That causes movement. And
|
|
time, well that's the time the movement takes. Then if one thing stopped
|
|
the whole ghesabo would stop bit by bit. Because it's all arranged.
|
|
Magnetic needle tells you what's going on in the sun, the stars. Little
|
|
piece of steel iron. When you hold out the fork. Come. Come. Tip. Woman
|
|
and man that is. Fork and steel. Molly, he. Dress up and look and suggest
|
|
and let you see and see more and defy you if you're a man to see that and,
|
|
like a sneeze coming, legs, look, look and if you have any guts in you.
|
|
Tip. Have to let fly.
|
|
|
|
Wonder how is she feeling in that region. Shame all put on before
|
|
third person. More put out about a hole in her stocking. Molly, her
|
|
underjaw stuck out, head back, about the farmer in the ridingboots and
|
|
spurs at the horse show. And when the painters were in Lombard street
|
|
west. Fine voice that fellow had. How Giuglini began. Smell that I did.
|
|
Like flowers. It was too. Violets. Came from the turpentine probably in
|
|
the paint. Make their own use of everything. Same time doing it scraped
|
|
her slipper on the floor so they wouldn't hear. But lots of them can't
|
|
kick the beam, I think. Keep that thing up for hours. Kind of a general
|
|
all round over me and half down my back.
|
|
|
|
Wait. Hm. Hm. Yes. That's her perfume. Why she waved her hand. I
|
|
leave you this to think of me when I'm far away on the pillow. What is it?
|
|
Heliotrope? No. Hyacinth? Hm. Roses, I think. She'd like scent of that
|
|
kind. Sweet and cheap: soon sour. Why Molly likes opoponax. Suits her,
|
|
with a little jessamine mixed. Her high notes and her low notes. At the
|
|
dance night she met him, dance of the hours. Heat brought it out. She was
|
|
wearing her black and it had the perfume of the time before. Good
|
|
conductor, is it? Or bad? Light too. Suppose there's some connection. For
|
|
instance if you go into a cellar where it's dark. Mysterious thing too.
|
|
Why did I smell it only now? Took its time in coming like herself, slow
|
|
but sure. Suppose it's ever so many millions of tiny grains blown across.
|
|
Yes, it is. Because those spice islands, Cinghalese this morning, smell
|
|
them leagues off. Tell you what it is. It's like a fine fine veil or web
|
|
they have all over the skin, fine like what do you call it gossamer, and
|
|
they're always spinning it out of them, fine as anything, like rainbow
|
|
colours without knowing it. Clings to everything she takes off. Vamp of
|
|
her stockings. Warm shoe. Stays. Drawers: little kick, taking them off.
|
|
Byby till next time. Also the cat likes to sniff in her shift on
|
|
the bed. Know her smell in a thousand. Bathwater too. Reminds me of
|
|
strawberries and cream. Wonder where it is really. There or the armpits
|
|
or under the neck. Because you get it out of all holes and corners.
|
|
Hyacinth perfume made of oil of ether or something. Muskrat.
|
|
Bag under their tails. One grain pour off odour for years. Dogs at
|
|
each other behind. Good evening. Evening. How do you sniff? Hm. Hm.
|
|
Very well, thank you. Animals go by that. Yes now, look at it that way.
|
|
We're the same. Some women, instance, warn you off when they have their
|
|
period. Come near. Then get a hogo you could hang your hat on. Like
|
|
what? Potted herrings gone stale or. Boof! Please keep off the grass.
|
|
|
|
Perhaps they get a man smell off us. What though? Cigary gloves long
|
|
John had on his desk the other day. Breath? What you eat and drink gives
|
|
that. No. Mansmell, I mean. Must be connected with that because priests
|
|
that are supposed to be are different. Women buzz round it like flies
|
|
round treacle. Railed off the altar get on to it at any cost. The tree
|
|
of forbidden priest. O, father, will you? Let me be the first to.
|
|
That diffuses itself all through the body, permeates. Source of life.
|
|
And it's extremely curious the smell. Celery sauce. Let me.
|
|
|
|
Mr Bloom inserted his nose. Hm. Into the. Hm. Opening of his
|
|
waistcoat. Almonds or. No. Lemons it is. Ah no, that's the soap.
|
|
|
|
O by the by that lotion. I knew there was something on my mind.
|
|
Never went back and the soap not paid. Dislike carrying bottles like that
|
|
hag this morning. Hynes might have paid me that three shillings. I could
|
|
mention Meagher's just to remind him. Still if he works that paragraph.
|
|
Two and nine. Bad opinion of me he'll have. Call tomorrow. How much do
|
|
I owe you? Three and nine? Two and nine, sir. Ah. Might stop him giving
|
|
credit another time. Lose your customers that way. Pubs do. Fellows run up
|
|
a bill on the slate and then slinking around the back streets into
|
|
somewhere else.
|
|
|
|
Here's this nobleman passed before. Blown in from the bay. Just went
|
|
as far as turn back. Always at home at dinnertime. Looks mangled out: had
|
|
a good tuck in. Enjoying nature now. Grace after meals. After supper walk
|
|
a mile. Sure he has a small bank balance somewhere, government sit. Walk
|
|
after him now make him awkward like those newsboys me today. Still you
|
|
learn something. See ourselves as others see us. So long as women don't
|
|
mock what matter? That's the way to find out. Ask yourself who is he now.
|
|
THE MYSTERY MAN ON THE BEACH, prize titbit story by Mr Leopold Bloom.
|
|
Payment at the rate of one guinea per column. And that fellow today at the
|
|
graveside in the brown macintosh. Corns on his kismet however. Healthy
|
|
perhaps absorb all the. Whistle brings rain they say. Must be some
|
|
somewhere. Salt in the Ormond damp. The body feels the atmosphere. Old
|
|
Betty's joints are on the rack. Mother Shipton's prophecy that is about
|
|
ships around they fly in the twinkling. No. Signs of rain it is. The royal
|
|
reader. And distant hills seem coming nigh.
|
|
|
|
Howth. Bailey light. Two, four, six, eight, nine. See. Has to change or
|
|
they might think it a house. Wreckers. Grace Darling. People afraid of the
|
|
dark. Also glowworms, cyclists: lightingup time. Jewels diamonds flash
|
|
better. Women. Light is a kind of reassuring. Not going to hurt you.
|
|
Better now of course than long ago. Country roads. Run you through the
|
|
small guts for nothing. Still two types there are you bob against.
|
|
Scowl or smile. Pardon! Not at all. Best time to spray plants too in the
|
|
shade after the sun. Some light still. Red rays are longest. Roygbiv
|
|
Vance taught us: red, orange, yellow, green, blue, indigo, violet.
|
|
A star I see. Venus? Can't tell yet. Two. When three it's night. Were
|
|
those nightclouds there all the time? Looks like a phantom ship. No.
|
|
Wait. Trees are they? An optical illusion. Mirage. Land of the setting
|
|
sun this. Homerule sun setting in the southeast. My native land,
|
|
goodnight.
|
|
|
|
Dew falling. Bad for you, dear, to sit on that stone. Brings on white
|
|
fluxions. Never have little baby then less he was big strong fight his way
|
|
up through. Might get piles myself. Sticks too like a summer cold, sore on
|
|
the mouth. Cut with grass or paper worst. Friction of the position.
|
|
Like to be that rock she sat on. O sweet little, you don't know how nice
|
|
you looked. I begin to like them at that age. Green apples. Grab at all
|
|
that offer. Suppose it's the only time we cross legs, seated. Also the
|
|
library today: those girl graduates. Happy chairs under them. But it's
|
|
the evening influence. They feel all that. Open like flowers, know
|
|
their hours, sunflowers, Jerusalem artichokes, in ballrooms, chandeliers,
|
|
avenues under the lamps. Nightstock in Mat Dillon's garden where I kissed
|
|
her shoulder. Wish I had a full length oilpainting of her then. June
|
|
that was too I wooed. The year returns. History repeats itself.
|
|
Ye crags and peaks I'm with you once again. Life, love, voyage round
|
|
your own little world. And now? Sad about her lame of course but must
|
|
be on your guard not to feel too much pity. They take advantage.
|
|
|
|
All quiet on Howth now. The distant hills seem. Where we. The
|
|
rhododendrons. I am a fool perhaps. He gets the plums, and I the
|
|
plumstones. Where I come in. All that old hill has seen. Names change:
|
|
that's all. Lovers: yum yum.
|
|
|
|
Tired I feel now. Will I get up? O wait. Drained all the manhood out
|
|
of me, little wretch. She kissed me. Never again. My youth. Only once it
|
|
comes. Or hers. Take the train there tomorrow. No. Returning not the
|
|
same. Like kids your second visit to a house. The new I want. Nothing new
|
|
under the sun. Care of P. O. Dolphin's Barn. Are you not happy in your?
|
|
Naughty darling. At Dolphin's barn charades in Luke Doyle's house. Mat
|
|
Dillon and his bevy of daughters: Tiny, Atty, Floey, Maimy, Louy, Hetty.
|
|
Molly too. Eightyseven that was. Year before we. And the old major,
|
|
partial to his drop of spirits. Curious she an only child, I an only
|
|
child. So it returns. Think you're escaping and run into yourself. Longest
|
|
way round is the shortest way home. And just when he and she. Circus horse
|
|
walking in a ring. Rip van Winkle we played. Rip: tear in Henny Doyle's
|
|
overcoat. Van: breadvan delivering. Winkle: cockles and periwinkles. Then
|
|
I did Rip van Winkle coming back. She leaned on the sideboard watching.
|
|
Moorish eyes. Twenty years asleep in Sleepy Hollow. All changed.
|
|
Forgotten. The young are old. His gun rusty from the dew.
|
|
|
|
Ba. What is that flying about? Swallow? Bat probably. Thinks I'm a tree,
|
|
so blind. Have birds no smell? Metempsychosis. They believed you could be
|
|
changed into a tree from grief. Weeping willow. Ba. There he goes.
|
|
Funny little beggar. Wonder where he lives. Belfry up there. Very likely.
|
|
Hanging by his heels in the odour of sanctity. Bell scared him out, I
|
|
suppose. Mass seems to be over. Could hear them all at it. Pray for us.
|
|
And pray for us. And pray for us. Good idea the repetition. Same
|
|
thing with ads. Buy from us. And buy from us. Yes, there's the light
|
|
in the priest's house. Their frugal meal. Remember about the mistake
|
|
in the valuation when I was in Thom's. Twentyeight it is. Two houses
|
|
they have. Gabriel Conroy's brother is curate. Ba. Again. Wonder why
|
|
they come out at night like mice. They're a mixed breed. Birds are
|
|
like hopping mice. What frightens them, light or noise? Better sit still.
|
|
All instinct like the bird in drouth got water out of the end of a
|
|
jar by throwing in pebbles. Like a little man in a cloak he is with tiny
|
|
hands. Weeny bones. Almost see them shimmering, kind of a bluey white.
|
|
Colours depend on the light you see. Stare the sun for example
|
|
like the eagle then look at a shoe see a blotch blob yellowish. Wants to
|
|
stamp his trademark on everything. Instance, that cat this morning on the
|
|
staircase. Colour of brown turf. Say you never see them with three
|
|
colours. Not true. That half tabbywhite tortoiseshell in the CITY ARMS
|
|
with the letter em on her forehead. Body fifty different colours. Howth
|
|
a while ago amethyst. Glass flashing. That's how that wise man what's his
|
|
name with the burning glass. Then the heather goes on fire. It can't be
|
|
tourists' matches. What? Perhaps the sticks dry rub together in the wind
|
|
and light. Or broken bottles in the furze act as a burning glass in the
|
|
sun. Archimedes. I have it! My memory's not so bad.
|
|
|
|
Ba. Who knows what they're always flying for. Insects? That bee last week
|
|
got into the room playing with his shadow on the ceiling. Might be the
|
|
one bit me, come back to see. Birds too. Never find out. Or what they say.
|
|
Like our small talk. And says she and says he. Nerve they have to fly over
|
|
the ocean and back. Lots must be killed in storms, telegraph wires.
|
|
Dreadful life sailors have too. Big brutes of oceangoing steamers
|
|
floundering along in the dark, lowing out like seacows. FAUGH A BALLAGH!
|
|
Out of that, bloody curse to you! Others in vessels, bit of a handkerchief
|
|
sail, pitched about like snuff at a wake when the stormy winds do blow.
|
|
Married too. Sometimes away for years at the ends of the earth somewhere.
|
|
No ends really because it's round. Wife in every port they say. She has a
|
|
good job if she minds it till Johnny comes marching home again. If ever he
|
|
does. Smelling the tail end of ports. How can they like the sea? Yet they
|
|
do. The anchor's weighed. Off he sails with a scapular or a medal
|
|
on him for luck. Well. And the tephilim no what's this they call it poor
|
|
papa's father had on his door to touch. That brought us out of the land
|
|
of Egypt and into the house of bondage. Something in all those
|
|
superstitions because when you go out never know what dangers. Hanging
|
|
on to a plank or astride of a beam for grim life, lifebelt round him,
|
|
gulping salt water, and that's the last of his nibs till the sharks
|
|
catch hold of him. Do fish ever get seasick?
|
|
|
|
Then you have a beautiful calm without a cloud, smooth sea, placid,
|
|
crew and cargo in smithereens, Davy Jones' locker, moon looking down so
|
|
peaceful. Not my fault, old cockalorum.
|
|
|
|
A last lonely candle wandered up the sky from Mirus bazaar in search
|
|
of funds for Mercer's hospital and broke, drooping, and shed a cluster of
|
|
violet but one white stars. They floated, fell: they faded. The shepherd's
|
|
hour: the hour of folding: hour of tryst. From house to house, giving his
|
|
everwelcome double knock, went the nine o'clock postman, the
|
|
glowworm's lamp at his belt gleaming here and there through the laurel
|
|
hedges. And among the five young trees a hoisted lintstock lit the lamp at
|
|
Leahy's terrace. By screens of lighted windows, by equal gardens a shrill
|
|
voice went crying, wailing: EVENING TELEGRAPH, STOP PRESS EDITION! RESULT
|
|
OF THE GOLD CUP RACE! and from the door of Dignam's house a boy ran out
|
|
and called. Twittering the bat flew here, flew there. Far out over the
|
|
sands the coming surf crept, grey. Howth settled for slumber, tired of
|
|
long days, of yumyum rhododendrons (he was old) and felt gladly the night
|
|
breeze lift, ruffle his fell of ferns. He lay but opened a red eye
|
|
unsleeping, deep and slowly breathing, slumberous but awake. And far on
|
|
Kish bank the anchored lightship twinkled, winked at Mr Bloom.
|
|
|
|
Life those chaps out there must have, stuck in the same spot. Irish
|
|
Lights board. Penance for their sins. Coastguards too. Rocket and breeches
|
|
buoy and lifeboat. Day we went out for the pleasure cruise in the Erin's
|
|
King, throwing them the sack of old papers. Bears in the zoo. Filthy trip.
|
|
Drunkards out to shake up their livers. Puking overboard to feed the
|
|
herrings. Nausea. And the women, fear of God in their faces. Milly,
|
|
no sign of funk. Her blue scarf loose, laughing. Don't know what death
|
|
is at that age. And then their stomachs clean. But being lost they fear.
|
|
When we hid behind the tree at Crumlin. I didn't want to. Mamma! Mamma!
|
|
Babes in the wood. Frightening them with masks too. Throwing them up
|
|
in the air to catch them. I'll murder you. Is it only half fun?
|
|
Or children playing battle. Whole earnest. How can people aim guns at
|
|
each other. Sometimes they go off. Poor kids! Only troubles wildfire
|
|
and nettlerash. Calomel purge I got her for that. After getting better
|
|
asleep with Molly. Very same teeth she has. What do they love?
|
|
Another themselves? But the morning she chased her with the umbrella.
|
|
Perhaps so as not to hurt. I felt her pulse. Ticking. Little hand
|
|
it was: now big. Dearest Papli. All that the hand says when you
|
|
touch. Loved to count my waistcoat buttons. Her first stays I
|
|
remember. Made me laugh to see. Little paps to begin with. Left one
|
|
is more sensitive, I think. Mine too. Nearer the heart? Padding
|
|
themselves out if fat is in fashion. Her growing pains at night, calling,
|
|
wakening me. Frightened she was when her nature came on her first.
|
|
Poor child! Strange moment for the mother too. Brings back her girlhood.
|
|
Gibraltar. Looking from Buena Vista. O'Hara's tower. The seabirds
|
|
screaming. Old Barbary ape that gobbled all his family. Sundown,
|
|
gunfire for the men to cross the lines. Looking out over the sea she
|
|
told me. Evening like this, but clear, no clouds. I always thought I'd
|
|
marry a lord or a rich gentleman coming with a private yacht. BUENAS
|
|
NOCHES, SENORITA. EL HOMBRE AMA LA MUCHACHA HERMOSA. Why me? Because
|
|
you were so foreign from the others.
|
|
|
|
Better not stick here all night like a limpet. This weather makes you
|
|
dull. Must be getting on for nine by the light. Go home. Too late for LEAH,
|
|
LILY OF KILLARNEY. No. Might be still up. Call to the hospital to see.
|
|
Hope she's over. Long day I've had. Martha, the bath, funeral, house of
|
|
Keyes, museum with those goddesses, Dedalus' song. Then that bawler in
|
|
Barney Kiernan's. Got my own back there. Drunken ranters what I said about
|
|
his God made him wince. Mistake to hit back. Or? No. Ought to go home and
|
|
laugh at themselves. Always want to be swilling in company. Afraid to be
|
|
alone like a child of two. Suppose he hit me. Look at it other way round.
|
|
Not so bad then. Perhaps not to hurt he meant. Three cheers for Israel.
|
|
Three cheers for the sister-in-law he hawked about, three fangs in her
|
|
mouth. Same style of beauty. Particularly nice old party for a cup of tea.
|
|
The sister of the wife of the wild man of Borneo has just come to town.
|
|
Imagine that in the early morning at close range. Everyone to his taste as
|
|
Morris said when he kissed the cow. But Dignam's put the boots on it.
|
|
Houses of mourning so depressing because you never know. Anyhow she
|
|
wants the money. Must call to those Scottish Widows as I promised. Strange
|
|
name. Takes it for granted we're going to pop off first. That widow
|
|
on Monday was it outside Cramer's that looked at me. Buried the poor
|
|
husband but progressing favourably on the premium. Her widow's mite.
|
|
Well? What do you expect her to do? Must wheedle her way along.
|
|
Widower I hate to see. Looks so forlorn. Poor man O'Connor wife and five
|
|
children poisoned by mussels here. The sewage. Hopeless. Some good
|
|
matronly woman in a porkpie hat to mother him. Take him in tow, platter
|
|
face and a large apron. Ladies' grey flannelette bloomers, three shillings
|
|
a pair, astonishing bargain. Plain and loved, loved for ever, they say.
|
|
Ugly: no woman thinks she is. Love, lie and be handsome for tomorrow we
|
|
die. See him sometimes walking about trying to find out who played the
|
|
trick. U. p: up. Fate that is. He, not me. Also a shop often noticed.
|
|
Curse seems to dog it. Dreamt last night? Wait. Something confused. She
|
|
had red slippers on. Turkish. Wore the breeches. Suppose she does? Would
|
|
I like her in pyjamas? Damned hard to answer. Nannetti's gone. Mailboat.
|
|
Near Holyhead by now. Must nail that ad of Keyes's. Work Hynes and
|
|
Crawford. Petticoats for Molly. She has something to put in them. What's
|
|
that? Might be money.
|
|
|
|
Mr Bloom stooped and turned over a piece of paper on the strand. He
|
|
brought it near his eyes and peered. Letter? No. Can't read. Better go.
|
|
Better. I'm tired to move. Page of an old copybook. All those holes and
|
|
pebbles. Who could count them? Never know what you find. Bottle with
|
|
story of a treasure in it, thrown from a wreck. Parcels post. Children
|
|
always want to throw things in the sea. Trust? Bread cast on the waters.
|
|
What's this? Bit of stick.
|
|
|
|
O! Exhausted that female has me. Not so young now. Will she come
|
|
here tomorrow? Wait for her somewhere for ever. Must come back.
|
|
Murderers do. Will I?
|
|
|
|
Mr Bloom with his stick gently vexed the thick sand at his foot. Write
|
|
a message for her. Might remain. What?
|
|
|
|
I.
|
|
|
|
Some flatfoot tramp on it in the morning. Useless. Washed away. Tide comes
|
|
here. Saw a pool near her foot. Bend, see my face there, dark mirror,
|
|
breathe on it, stirs. All these rocks with lines and scars and letters. O,
|
|
those transparent! Besides they don't know. What is the meaning of that
|
|
other world. I called you naughty boy because I do not like.
|
|
|
|
AM. A.
|
|
|
|
No room. Let it go.
|
|
|
|
Mr Bloom effaced the letters with his slow boot. Hopeless thing sand.
|
|
Nothing grows in it. All fades. No fear of big vessels coming up here.
|
|
Except Guinness's barges. Round the Kish in eighty days. Done half by
|
|
design.
|
|
|
|
He flung his wooden pen away. The stick fell in silted sand, stuck.
|
|
Now if you were trying to do that for a week on end you couldn't. Chance.
|
|
We'll never meet again. But it was lovely. Goodbye, dear. Thanks. Made me
|
|
feel so young.
|
|
|
|
Short snooze now if I had. Must be near nine. Liverpool boat long
|
|
gone.. Not even the smoke. And she can do the other. Did too. And Belfast.
|
|
I won't go. Race there, race back to Ennis. Let him. Just close my eyes a
|
|
moment. Won't sleep, though. Half dream. It never comes the same. Bat
|
|
again. No harm in him. Just a few.
|
|
|
|
O sweety all your little girlwhite up I saw dirty bracegirdle made me
|
|
do love sticky we two naughty Grace darling she him half past the bed met
|
|
him pike hoses frillies for Raoul de perfume your wife black hair heave
|
|
under embon SENORITA young eyes Mulvey plump bubs me breadvan Winkle
|
|
red slippers she rusty sleep wander years of dreams return tail end
|
|
Agendath swoony lovey showed me her next year in drawers return next in
|
|
her next her next.
|
|
|
|
A bat flew. Here. There. Here. Far in the grey a bell chimed. Mr
|
|
Bloom with open mouth, his left boot sanded sideways, leaned, breathed.
|
|
Just for a few
|
|
|
|
|
|
CUCKOO
|
|
CUCKOO
|
|
CUCKOO.
|
|
|
|
|
|
The clock on the mantelpiece in the priest's house cooed where Canon
|
|
O'Hanlon and Father Conroy and the reverend John Hughes S. J. were
|
|
taking tea and sodabread and butter and fried mutton chops with catsup
|
|
and talking about
|
|
|
|
|
|
CUCKOO
|
|
CUCKOO
|
|
CUCKOO.
|
|
|
|
|
|
Because it was a little canarybird that came out of its little house to
|
|
tell the time that Gerty MacDowell noticed the time she was there because
|
|
she was as quick as anything about a thing like that, was Gerty MacDowell,
|
|
and she noticed at once that that foreign gentleman that was sitting on
|
|
the rocks looking was
|
|
|
|
|
|
CUCKOO
|
|
CUCKOO
|
|
CUCKOO.
|
|
|
|
|
|
* * * * * * *
|
|
|
|
|
|
Deshil Holles Eamus. Deshil Holles Eamus. Deshil Holles Eamus.
|
|
|
|
Send us bright one, light one, Horhorn, quickening and wombfruit. Send
|
|
us bright one, light one, Horhorn, quickening and wombfruit. Send us
|
|
bright one, light one, Horhorn, quickening and wombfruit.
|
|
|
|
Hoopsa boyaboy hoopsa! Hoopsa boyaboy hoopsa! Hoopsa boyaboy hoopsa!
|
|
|
|
Universally that person's acumen is esteemed very little perceptive
|
|
concerning whatsoever matters are being held as most profitably by mortals
|
|
with sapience endowed to be studied who is ignorant of that which the most
|
|
in doctrine erudite and certainly by reason of that in them high mind's
|
|
ornament deserving of veneration constantly maintain when by general
|
|
consent they affirm that other circumstances being equal by no exterior
|
|
splendour is the prosperity of a nation more efficaciously asserted than
|
|
by the measure of how far forward may have progressed the tribute of its
|
|
solicitude for that proliferent continuance which of evils the original if
|
|
it be absent when fortunately present constitutes the certain sign of
|
|
omnipotent nature's incorrupted benefaction. For who is there who anything
|
|
of some significance has apprehended but is conscious that that exterior
|
|
splendour may be the surface of a downwardtending lutulent reality or on
|
|
the contrary anyone so is there unilluminated as not to perceive that as
|
|
no nature's boon can contend against the bounty of increase so it behoves
|
|
every most just citizen to become the exhortator and admonisher of his
|
|
semblables and to tremble lest what had in the past been by the nation
|
|
excellently commenced might be in the future not with similar excellence
|
|
accomplished if an inverecund habit shall have gradually traduced the
|
|
honourable by ancestors transmitted customs to that thither of profundity
|
|
that that one was audacious excessively who would have the hardihood to
|
|
rise affirming that no more odious offence can for anyone be than to
|
|
oblivious neglect to consign that evangel simultaneously command and
|
|
promise which on all mortals with prophecy of abundance or with
|
|
diminution's menace that exalted of reiteratedly procreating function ever
|
|
irrevocably enjoined?
|
|
|
|
It is not why therefore we shall wonder if, as the best historians relate,
|
|
among the Celts, who nothing that was not in its nature admirable admired,
|
|
the art of medicine shall have been highly honoured. Not to speak of
|
|
hostels, leperyards, sweating chambers, plaguegraves, their greatest
|
|
doctors, the O'Shiels, the O'Hickeys, the O'Lees, have sedulously set down
|
|
the divers methods by which the sick and the relapsed found again health
|
|
whether the malady had been the trembling withering or loose boyconnell
|
|
flux. Certainly in every public work which in it anything of gravity
|
|
contains preparation should be with importance commensurate and therefore
|
|
a plan was by them adopted (whether by having preconsidered or as the
|
|
maturation of experience it is difficult in being said which the
|
|
discrepant opinions of subsequent inquirers are not up to the present
|
|
congrued to render manifest) whereby maternity was so far from all
|
|
accident possibility removed that whatever care the patient in that
|
|
all hardest of woman hour chiefly required and not solely for the
|
|
copiously opulent but also for her who not being sufficiently moneyed
|
|
scarcely and often not even scarcely could subsist valiantly and for an
|
|
inconsiderable emolument was provided.
|
|
|
|
To her nothing already then and thenceforward was anyway able to be
|
|
molestful for this chiefly felt all citizens except with proliferent
|
|
mothers prosperity at all not to can be and as they had received eternity
|
|
gods mortals generation to befit them her beholding, when the case was so
|
|
hoving itself, parturient in vehicle thereward carrying desire immense
|
|
among all one another was impelling on of her to be received into that
|
|
domicile. O thing of prudent nation not merely in being seen but also
|
|
even in being related worthy of being praised that they her by
|
|
anticipation went seeing mother, that she by them suddenly to be about to
|
|
be cherished had been begun she felt!
|
|
|
|
Before born bliss babe had. Within womb won he worship. Whatever
|
|
in that one case done commodiously done was. A couch by midwives
|
|
attended with wholesome food reposeful, cleanest swaddles as though
|
|
forthbringing were now done and by wise foresight set: but to this no less
|
|
of what drugs there is need and surgical implements which are pertaining
|
|
to her case not omitting aspect of all very distracting spectacles in
|
|
various latitudes by our terrestrial orb offered together with images,
|
|
divine and human, the cogitation of which by sejunct females is to
|
|
tumescence conducive or eases issue in the high sunbright wellbuilt fair
|
|
home of mothers when, ostensibly far gone and reproductitive, it is come
|
|
by her thereto to lie in, her term up.
|
|
|
|
Some man that wayfaring was stood by housedoor at night's
|
|
oncoming. Of Israel's folk was that man that on earth wandering far had
|
|
fared. Stark ruth of man his errand that him lone led till that house.
|
|
|
|
Of that house A. Horne is lord. Seventy beds keeps he there teeming
|
|
mothers are wont that they lie for to thole and bring forth bairns hale so
|
|
God's angel to Mary quoth. Watchers tway there walk, white sisters in
|
|
ward sleepless. Smarts they still, sickness soothing: in twelve moons
|
|
thrice an hundred. Truest bedthanes they twain are, for Horne holding
|
|
wariest ward.
|
|
|
|
In ward wary the watcher hearing come that man mildhearted eft
|
|
rising with swire ywimpled to him her gate wide undid. Lo, levin leaping
|
|
lightens in eyeblink Ireland's westward welkin. Full she drad that God the
|
|
Wreaker all mankind would fordo with water for his evil sins. Christ's
|
|
rood made she on breastbone and him drew that he would rathe infare under
|
|
her thatch. That man her will wotting worthful went in Horne's house.
|
|
|
|
Loth to irk in Horne's hall hat holding the seeker stood. On her stow
|
|
he ere was living with dear wife and lovesome daughter that then over land
|
|
and seafloor nine years had long outwandered. Once her in townhithe
|
|
meeting he to her bow had not doffed. Her to forgive now he craved with
|
|
good ground of her allowed that that of him swiftseen face, hers, so young
|
|
then had looked. Light swift her eyes kindled, bloom of blushes his word
|
|
winning.
|
|
|
|
As her eyes then ongot his weeds swart therefor sorrow she feared.
|
|
Glad after she was that ere adread was. Her he asked if O'Hare Doctor
|
|
tidings sent from far coast and she with grameful sigh him answered that
|
|
O'Hare Doctor in heaven was. Sad was the man that word to hear that him
|
|
so heavied in bowels ruthful. All she there told him, ruing death for
|
|
friend so young, algate sore unwilling God's rightwiseness to withsay. She
|
|
said that he had a fair sweet death through God His goodness with
|
|
masspriest to be shriven, holy housel and sick men's oil to his limbs. The
|
|
man then right earnest asked the nun of which death the dead man was died
|
|
and the nun answered him and said that he was died in Mona Island through
|
|
bellycrab three year agone come Childermas and she prayed to God the
|
|
Allruthful to have his dear soul in his undeathliness. He heard her sad
|
|
words, in held hat sad staring. So stood they there both awhile in wanhope
|
|
sorrowing one with other.
|
|
|
|
Therefore, everyman, look to that last end that is thy death and the
|
|
dust that gripeth on every man that is born of woman for as he came naked
|
|
forth from his mother's womb so naked shall he wend him at the last for to
|
|
go as he came.
|
|
|
|
The man that was come in to the house then spoke to the
|
|
nursingwoman and he asked her how it fared with the woman that lay there
|
|
in childbed. The nursingwoman answered him and said that that woman
|
|
was in throes now full three days and that it would be a hard birth unneth
|
|
to bear but that now in a little it would be. She said thereto that she
|
|
had seen many births of women but never was none so hard as was that
|
|
woman's birth. Then she set it all forth to him for because she knew the
|
|
man that time was had lived nigh that house. The man hearkened to her
|
|
words for he felt with wonder women's woe in the travail that they have of
|
|
motherhood and he wondered to look on her face that was a fair face for
|
|
any man to see but yet was she left after long years a handmaid. Nine
|
|
twelve bloodflows chiding her childless.
|
|
|
|
And whiles they spake the door of the castle was opened and there
|
|
nighed them a mickle noise as of many that sat there at meat. And there
|
|
came against the place as they stood a young learningknight yclept Dixon.
|
|
And the traveller Leopold was couth to him sithen it had happed that they
|
|
had had ado each with other in the house of misericord where this
|
|
learningknight lay by cause the traveller Leopold came there to be healed
|
|
for he was sore wounded in his breast by a spear wherewith a horrible and
|
|
dreadful dragon was smitten him for which he did do make a salve of
|
|
volatile salt and chrism as much as he might suffice. And he said now that
|
|
he should go in to that castle for to make merry with them that were
|
|
there. And the traveller Leopold said that he should go otherwhither for
|
|
he was a man of cautels and a subtile. Also the lady was of his avis and
|
|
repreved the learningknight though she trowed well that the traveller had
|
|
said thing that was false for his subtility. But the learningknight would
|
|
not hear say nay nor do her mandement ne have him in aught contrarious to
|
|
his list and he said how it was a marvellous castle. And the traveller
|
|
Leopold went into the castle for to rest him for a space being sore of
|
|
limb after many marches environing in divers lands and sometime venery.
|
|
|
|
And in the castle was set a board that was of the birchwood of
|
|
Finlandy and it was upheld by four dwarfmen of that country but they
|
|
durst not move more for enchantment. And on this board were frightful
|
|
swords and knives that are made in a great cavern by swinking demons out
|
|
of white flames that they fix then in the horns of buffalos and stags that
|
|
there abound marvellously. And there were vessels that are wrought by
|
|
magic of Mahound out of seasand and the air by a warlock with his breath
|
|
that he blases in to them like to bubbles. And full fair cheer and rich
|
|
was on the board that no wight could devise a fuller ne richer. And there
|
|
was a vat of silver that was moved by craft to open in the which lay
|
|
strange fishes withouten heads though misbelieving men nie that this
|
|
be possible thing without they see it natheless they are so. And these
|
|
fishes lie in an oily water brought there from Portugal land because
|
|
of the fatness that therein is like to the juices of the olivepress.
|
|
And also it was a marvel to see in that castle how by magic they make
|
|
a compost out of fecund wheatkidneys out of Chaldee that by aid of
|
|
certain angry spirits that they do in to it swells up wondrously like
|
|
to a vast mountain. And they teach the serpents there to entwine
|
|
themselves up on long sticks out of the ground and of the scales of
|
|
these serpents they brew out a brewage like to mead.
|
|
|
|
And the learning knight let pour for childe Leopold a draught and halp
|
|
thereto the while all they that were there drank every each. And childe
|
|
Leopold did up his beaver for to pleasure him and took apertly somewhat in
|
|
amity for he never drank no manner of mead which he then put by and
|
|
anon full privily he voided the more part in his neighbour glass and his
|
|
neighbour nist not of this wile. And he sat down in that castle with them
|
|
for to rest him there awhile. Thanked be Almighty God.
|
|
|
|
This meanwhile this good sister stood by the door and begged them at
|
|
the reverence of Jesu our alther liege Lord to leave their wassailing for
|
|
there was above one quick with child, a gentle dame, whose time hied fast.
|
|
Sir Leopold heard on the upfloor cry on high and he wondered what cry that
|
|
it was whether of child or woman and I marvel, said he, that it be not
|
|
come or now. Meseems it dureth overlong. And he was ware and saw a
|
|
franklin that hight Lenehan on that side the table that was older than any
|
|
of the tother and for that they both were knights virtuous in the one
|
|
emprise and eke by cause that he was elder he spoke to him full gently.
|
|
But, said he, or it be long too she will bring forth by God His bounty and
|
|
have joy of her childing for she hath waited marvellous long. And the
|
|
franklin that had drunken said, Expecting each moment to be her next.
|
|
Also he took the cup that stood tofore him for him needed never none
|
|
asking nor desiring of him to drink and, Now drink, said he, fully
|
|
delectably, and he quaffed as far as he might to their both's health
|
|
for he was a passing good man of his lustiness. And sir Leopold
|
|
that was the goodliest guest that ever sat in scholars' hall and
|
|
that was the meekest man and the kindest that ever laid husbandly
|
|
hand under hen and that was the very truest knight of the world
|
|
one that ever did minion service to lady gentle pledged him courtly in
|
|
the cup. Woman's woe with wonder pondering.
|
|
|
|
Now let us speak of that fellowship that was there to the intent to be
|
|
drunken an they might. There was a sort of scholars along either side the
|
|
board, that is to wit, Dixon yclept junior of saint Mary Merciable's with
|
|
other his fellows Lynch and Madden, scholars of medicine, and the franklin
|
|
that hight Lenehan and one from Alba Longa, one Crotthers, and young
|
|
Stephen that had mien of a frere that was at head of the board and
|
|
Costello that men clepen Punch Costello all long of a mastery of him
|
|
erewhile gested (and of all them, reserved young Stephen, he was the most
|
|
drunken that demanded still of more mead) and beside the meek sir
|
|
Leopold. But on young Malachi they waited for that he promised to
|
|
have come and such as intended to no goodness said how he had broke
|
|
his avow. And sir Leopold sat with them for he bore fast friendship
|
|
to sir Simon and to this his son young Stephen and for that his languor
|
|
becalmed him there after longest wanderings insomuch as they feasted
|
|
him for that time in the honourablest manner. Ruth red him, love led
|
|
on with will to wander, loth to leave.
|
|
|
|
For they were right witty scholars. And he heard their aresouns each gen
|
|
other as touching birth and righteousness, young Madden maintaining that
|
|
put such case it were hard the wife to die (for so it had fallen out a
|
|
matter of some year agone with a woman of Eblana in Horne's house that
|
|
now was trespassed out of this world and the self night next before her
|
|
death all leeches and pothecaries had taken counsel of her case). And
|
|
they said farther she should live because in the beginning, they said,
|
|
the woman should bring forth in pain and wherefore they that were of this
|
|
imagination affirmed how young Madden had said truth for he had
|
|
conscience to let her die. And not few and of these was young Lynch were
|
|
in doubt that the world was now right evil governed as it was never other
|
|
howbeit the mean people believed it otherwise but the law nor his judges
|
|
did provide no remedy. A redress God grant. This was scant said but all
|
|
cried with one acclaim nay, by our Virgin Mother, the wife should live
|
|
and the babe to die. In colour whereof they waxed hot upon that head what
|
|
with argument and what for their drinking but the franklin Lenehan was
|
|
prompt each when to pour them ale so that at the least way mirth might
|
|
not lack. Then young Madden showed all the whole affair and said how that
|
|
she was dead and how for holy religion sake by rede of palmer and
|
|
bedesman and for a vow he had made to Saint Ultan of Arbraccan her
|
|
goodman husband would not let her death whereby they were all wondrous
|
|
grieved. To whom young Stephen had these words following: Murmur, sirs,
|
|
is eke oft among lay folk. Both babe and parent now glorify their Maker,
|
|
the one in limbo gloom, the other in purgefire. But, gramercy, what of
|
|
those Godpossibled souls that we nightly impossibilise, which is the sin
|
|
against the Holy Ghost, Very God, Lord and Giver of Life? For, sirs, he
|
|
said, our lust is brief. We are means to those small creatures within us
|
|
and nature has other ends than we. Then said Dixon junior to Punch
|
|
Costello wist he what ends. But he had overmuch drunken and the best word
|
|
he could have of him was that he would ever dishonest a woman whoso she
|
|
were or wife or maid or leman if it so fortuned him to be delivered of
|
|
his spleen of lustihead. Whereat Crotthers of Alba Longa sang young
|
|
Malachi's praise of that beast the unicorn how once in the millennium he
|
|
cometh by his horn, the other all this while, pricked forward with their
|
|
jibes wherewith they did malice him, witnessing all and several by saint
|
|
Foutinus his engines that he was able to do any manner of thing that lay
|
|
in man to do. Thereat laughed they all right jocundly only young Stephen
|
|
and sir Leopold which never durst laugh too open by reason of a strange
|
|
humour which he would not bewray and also for that he rued for her that
|
|
bare whoso she might be or wheresoever. Then spake young Stephen orgulous
|
|
of mother Church that would cast him out of her bosom, of law of canons,
|
|
of Lilith, patron of abortions, of bigness wrought by wind of seeds of
|
|
brightness or by potency of vampires mouth to mouth or, as Virgilius
|
|
saith, by the influence of the occident or by the reek of moonflower or
|
|
an she lie with a woman which her man has but lain with, EFFECTU SECUTO,
|
|
or peradventure in her bath according to the opinions of Averroes and
|
|
Moses Maimonides. He said also how at the end of the second month a human
|
|
soul was infused and how in all our holy mother foldeth ever souls for
|
|
God's greater glory whereas that earthly mother which was but a dam to
|
|
bear beastly should die by canon for so saith he that holdeth the
|
|
fisherman's seal, even that blessed Peter on which rock was holy church
|
|
for all ages founded. All they bachelors then asked of sir Leopold would
|
|
he in like case so jeopard her person as risk life to save life. A
|
|
wariness of mind he would answer as fitted all and, laying hand to jaw,
|
|
he said dissembling, as his wont was, that as it was informed him, who
|
|
had ever loved the art of physic as might a layman, and agreeing also
|
|
with his experience of so seldomseen an accident it was good for that
|
|
mother Church belike at one blow had birth and death pence and in such
|
|
sort deliverly he scaped their questions. That is truth, pardy, said
|
|
Dixon, and, or I err, a pregnant word. Which hearing young Stephen was a
|
|
marvellous glad man and he averred that he who stealeth from the poor
|
|
lendeth to the Lord for he was of a wild manner when he was drunken and
|
|
that he was now in that taking it appeared eftsoons.
|
|
|
|
But sir Leopold was passing grave maugre his word by cause he still had
|
|
pity of the terrorcausing shrieking of shrill women in their labour and
|
|
as he was minded of his good lady Marion that had borne him an only
|
|
manchild which on his eleventh day on live had died and no man of art
|
|
could save so dark is destiny. And she was wondrous stricken of heart for
|
|
that evil hap and for his burial did him on a fair corselet of lamb's
|
|
wool, the flower of the flock, lest he might perish utterly and lie
|
|
akeled (for it was then about the midst of the winter) and now Sir
|
|
Leopold that had of his body no manchild for an heir looked upon him his
|
|
friend's son and was shut up in sorrow for his forepassed happiness and
|
|
as sad as he was that him failed a son of such gentle courage (for all
|
|
accounted him of real parts) so grieved he also in no less measure for
|
|
young Stephen for that he lived riotously with those wastrels and
|
|
murdered his goods with whores.
|
|
|
|
About that present time young Stephen filled all cups that stood empty so
|
|
as there remained but little mo if the prudenter had not shadowed their
|
|
approach from him that still plied it very busily who, praying for the
|
|
intentions of the sovereign pontiff, he gave them for a pledge the vicar
|
|
of Christ which also as he said is vicar of Bray. Now drink we, quod he,
|
|
of this mazer and quaff ye this mead which is not indeed parcel of my
|
|
body but my soul's bodiment. Leave ye fraction of bread to them that live
|
|
by bread alone. Be not afeard neither for any want for this will comfort
|
|
more than the other will dismay. See ye here. And he showed them
|
|
glistering coins of the tribute and goldsmith notes the worth of two
|
|
pound nineteen shilling that he had, he said, for a song which he writ.
|
|
They all admired to see the foresaid riches in such dearth of money as
|
|
was herebefore. His words were then these as followeth: Know all men, he
|
|
said, time's ruins build eternity's mansions. What means this? Desire's
|
|
wind blasts the thorntree but after it becomes from a bramblebush to be a
|
|
rose upon the rood of time. Mark me now. In woman's womb word is made
|
|
flesh but in the spirit of the maker all flesh that passes becomes the
|
|
word that shall not pass away. This is the postcreation. OMNIS CARO AD TE
|
|
VENIET. No question but her name is puissant who aventried the dear corse
|
|
of our Agenbuyer, Healer and Herd, our mighty mother and mother most
|
|
venerable and Bernardus saith aptly that She hath an OMNIPOTENTIAM
|
|
DEIPARAE SUPPLICEM, that is to wit, an almightiness of petition because
|
|
she is the second Eve and she won us, saith Augustine too, whereas that
|
|
other, our grandam, which we are linked up with by successive anastomosis
|
|
of navelcords sold us all, seed, breed and generation, for a penny
|
|
pippin. But here is the matter now. Or she knew him, that second I say,
|
|
and was but creature of her creature, VERGINE MADRE, FIGLIA DI TUO
|
|
FIGLIO, or she knew him not and then stands she in the one denial or
|
|
ignorancy with Peter Piscator who lives in the house that Jack built and
|
|
with Joseph the joiner patron of the happy demise of all unhappy
|
|
marriages, PARCEQUE M. LEO TAXIL NOUS A DIT QUE QUI L'AVAIT MISE DANS
|
|
CETTE FICHUE POSITION C'ETAIT LE SACRE PIGEON, VENTRE DE DIEU! ENTWEDER
|
|
transubstantiality ODER consubstantiality but in no case
|
|
subsubstantiality. And all cried out upon it for a very scurvy word. A
|
|
pregnancy without joy, he said, a birth without pangs, a body without
|
|
blemish, a belly without bigness. Let the lewd with faith and fervour
|
|
worship. With will will we withstand, withsay.
|
|
|
|
Hereupon Punch Costello dinged with his fist upon the board and would
|
|
sing a bawdy catch STABOO STABELLA about a wench that was put in pod of a
|
|
jolly swashbuckler in Almany which he did straightways now attack: THE
|
|
FIRST THREE MONTHS SHE WAS NOT WELL, STABOO, when here nurse Quigley from
|
|
the door angerly bid them hist ye should shame you nor was it not meet as
|
|
she remembered them being her mind was to have all orderly against lord
|
|
Andrew came for because she was jealous that no gasteful turmoil might
|
|
shorten the honour of her guard. It was an ancient and a sad matron of a
|
|
sedate look and christian walking, in habit dun beseeming her megrims and
|
|
wrinkled visage, nor did her hortative want of it effect for
|
|
incontinently Punch Costello was of them all embraided and they reclaimed
|
|
the churl with civil rudeness some and shaked him with menace of
|
|
blandishments others whiles they all chode with him, a murrain seize the
|
|
dolt, what a devil he would be at, thou chuff, thou puny, thou got in
|
|
peasestraw, thou losel, thou chitterling, thou spawn of a rebel, thou
|
|
dykedropt, thou abortion thou, to shut up his drunken drool out of that
|
|
like a curse of God ape, the good sir Leopold that had for his cognisance
|
|
the flower of quiet, margerain gentle, advising also the time's occasion
|
|
as most sacred and most worthy to be most sacred. In Horne's house rest
|
|
should reign.
|
|
|
|
To be short this passage was scarce by when Master Dixon of Mary in
|
|
Eccles, goodly grinning, asked young Stephen what was the reason why he
|
|
had not cided to take friar's vows and he answered him obedience in the
|
|
womb, chastity in the tomb but involuntary poverty all his days. Master
|
|
Lenehan at this made return that he had heard of those nefarious deeds
|
|
and how, as he heard hereof counted, he had besmirched the lily virtue of
|
|
a confiding female which was corruption of minors and they all
|
|
intershowed it too, waxing merry and toasting to his fathership. But he
|
|
said very entirely it was clean contrary to their suppose for he was the
|
|
eternal son and ever virgin. Thereat mirth grew in them the more and they
|
|
rehearsed to him his curious rite of wedlock for the disrobing and
|
|
deflowering of spouses, as the priests use in Madagascar island, she to
|
|
be in guise of white and saffron, her groom in white and grain, with
|
|
burning of nard and tapers, on a bridebed while clerks sung kyries and
|
|
the anthem UT NOVETUR SEXUS OMNIS CORPORIS MYSTERIUM till she was there
|
|
unmaided. He gave them then a much admirable hymen minim by those
|
|
delicate poets Master John Fletcher and Master Francis Beaumont that is
|
|
in their MAID'S TRAGEDY that was writ for a like twining of lovers: TO
|
|
BED, TO BED was the burden of it to be played with accompanable concent
|
|
upon the virginals. An exquisite dulcet epithalame of most mollificative
|
|
suadency for juveniles amatory whom the odoriferous flambeaus of the
|
|
paranymphs have escorted to the quadrupedal proscenium of connubial
|
|
communion. Well met they were, said Master Dixon, joyed, but, harkee,
|
|
young sir, better were they named Beau Mount and Lecher for, by my troth,
|
|
of such a mingling much might come. Young Stephen said indeed to his best
|
|
remembrance they had but the one doxy between them and she of the stews
|
|
to make shift with in delights amorous for life ran very high in those
|
|
days and the custom of the country approved with it. Greater love than
|
|
this, he said, no man hath that a man lay down his wife for his friend.
|
|
Go thou and do likewise. Thus, or words to that effect, saith
|
|
Zarathustra, sometime regius professor of French letters to the
|
|
university of Oxtail nor breathed there ever that man to whom mankind was
|
|
more beholden. Bring a stranger within thy tower it will go hard but thou
|
|
wilt have the secondbest bed. ORATE, FRATRES, PRO MEMETIPSO. And all the
|
|
people shall say, Amen. Remember, Erin, thy generations and thy days of
|
|
old, how thou settedst little by me and by my word and broughtedst in a
|
|
stranger to my gates to commit fornication in my sight and to wax fat and
|
|
kick like Jeshurum. Therefore hast thou sinned against my light and hast
|
|
made me, thy lord, to be the slave of servants. Return, return, Clan
|
|
Milly: forget me not, O Milesian. Why hast thou done this abomination
|
|
before me that thou didst spurn me for a merchant of jalaps and didst
|
|
deny me to the Roman and to the Indian of dark speech with whom thy
|
|
daughters did lie luxuriously? Look forth now, my people, upon the land
|
|
of behest, even from Horeb and from Nebo and from Pisgah and from the
|
|
Horns of Hatten unto a land flowing with milk and money. But thou hast
|
|
suckled me with a bitter milk: my moon and my sun thou hast quenched for
|
|
ever. And thou hast left me alone for ever in the dark ways of my
|
|
bitterness: and with a kiss of ashes hast thou kissed my mouth. This
|
|
tenebrosity of the interior, he proceeded to say, hath not been illumined
|
|
by the wit of the septuagint nor so much as mentioned for the Orient from
|
|
on high Which brake hell's gates visited a darkness that was foraneous.
|
|
Assuefaction minorates atrocities (as Tully saith of his darling Stoics)
|
|
and Hamlet his father showeth the prince no blister of combustion. The
|
|
adiaphane in the noon of life is an Egypt's plague which in the nights of
|
|
prenativity and postmortemity is their most proper UBI and QUOMODO. And
|
|
as the ends and ultimates of all things accord in some mean and measure
|
|
with their inceptions and originals, that same multiplicit concordance
|
|
which leads forth growth from birth accomplishing by a retrogressive
|
|
metamorphosis that minishing and ablation towards the final which is
|
|
agreeable unto nature so is it with our subsolar being. The aged sisters
|
|
draw us into life: we wail, batten, sport, clip, clasp, sunder, dwindle,
|
|
die: over us dead they bend. First, saved from waters of old Nile, among
|
|
bulrushes, a bed of fasciated wattles: at last the cavity of a mountain,
|
|
an occulted sepulchre amid the conclamation of the hillcat and the
|
|
ossifrage. And as no man knows the ubicity of his tumulus nor to what
|
|
processes we shall thereby be ushered nor whether to Tophet or to
|
|
Edenville in the like way is all hidden when we would backward see from
|
|
what region of remoteness the whatness of our whoness hath fetched his
|
|
whenceness.
|
|
|
|
Thereto Punch Costello roared out mainly ETIENNE CHANSON but he loudly
|
|
bid them, lo, wisdom hath built herself a house, this vast majestic
|
|
longstablished vault, the crystal palace of the Creator, all in applepie
|
|
order, a penny for him who finds the pea.
|
|
|
|
|
|
BEHOLD THE MANSION REARED BY DEDAL JACK
|
|
SEE THE MALT STORED IN MANY A REFLUENT SACK,
|
|
IN THE PROUD CIRQUE OF JACKJOHN'S BIVOUAC.
|
|
|
|
|
|
A black crack of noise in the street here, alack, bawled back. Loud on
|
|
left Thor thundered: in anger awful the hammerhurler. Came now the storm
|
|
that hist his heart. And Master Lynch bade him have a care to flout and
|
|
witwanton as the god self was angered for his hellprate and paganry. And
|
|
he that had erst challenged to be so doughty waxed wan as they might all
|
|
mark and shrank together and his pitch that was before so haught uplift
|
|
was now of a sudden quite plucked down and his heart shook within the
|
|
cage of his breast as he tasted the rumour of that storm. Then did some
|
|
mock and some jeer and Punch Costello fell hard again to his yale which
|
|
Master Lenehan vowed he would do after and he was indeed but a word and a
|
|
blow on any the least colour. But the braggart boaster cried that an old
|
|
Nobodaddy was in his cups it was muchwhat indifferent and he would not
|
|
lag behind his lead. But this was only to dye his desperation as cowed he
|
|
crouched in Horne's hall. He drank indeed at one draught to pluck up a
|
|
heart of any grace for it thundered long rumblingly over all the heavens
|
|
so that Master Madden, being godly certain whiles, knocked him on his
|
|
ribs upon that crack of doom and Master Bloom, at the braggart's side,
|
|
spoke to him calming words to slumber his great fear, advertising how it
|
|
was no other thing but a hubbub noise that he heard, the discharge of
|
|
fluid from the thunderhead, look you, having taken place, and all of the
|
|
order of a natural phenomenon.
|
|
|
|
But was young Boasthard's fear vanquished by Calmer's words? No, for he
|
|
had in his bosom a spike named Bitterness which could not by words be
|
|
done away. And was he then neither calm like the one nor godly like the
|
|
other? He was neither as much as he would have liked to be either. But
|
|
could he not have endeavoured to have found again as in his youth the
|
|
bottle Holiness that then he lived withal? Indeed no for Grace was not
|
|
there to find that bottle. Heard he then in that clap the voice of the
|
|
god Bringforth or, what Calmer said, a hubbub of Phenomenon? Heard? Why,
|
|
he could not but hear unless he had plugged him up the tube Understanding
|
|
(which he had not done). For through that tube he saw that he was in the
|
|
land of Phenomenon where he must for a certain one day die as he was like
|
|
the rest too a passing show. And would he not accept to die like the rest
|
|
and pass away? By no means would he though he must nor would he make more
|
|
shows according as men do with wives which Phenomenon has commanded them
|
|
to do by the book Law. Then wotted he nought of that other land which is
|
|
called Believe-on-Me, that is the land of promise which behoves to the
|
|
king Delightful and shall be for ever where there is no death and no
|
|
birth neither wiving nor mothering at which all shall come as many as
|
|
believe on it? Yes, Pious had told him of that land and Chaste had
|
|
pointed him to the way but the reason was that in the way he fell in with
|
|
a certain whore of an eyepleasing exterior whose name, she said, is Bird-
|
|
in-the-Hand and she beguiled him wrongways from the true path by her
|
|
flatteries that she said to him as, Ho, you pretty man, turn aside hither
|
|
and I will show you a brave place, and she lay at him so flatteringly
|
|
that she had him in her grot which is named Two-in-the-Bush or, by some
|
|
learned, Carnal Concupiscence.
|
|
|
|
This was it what all that company that sat there at commons in Manse of
|
|
Mothers the most lusted after and if they met with this whore Bird-in-
|
|
the-Hand (which was within all foul plagues, monsters and a wicked devil)
|
|
they would strain the last but they would make at her and know her. For
|
|
regarding Believe-on-Me they said it was nought else but notion and they
|
|
could conceive no thought of it for, first, Two-in-the-Bush whither she
|
|
ticed them was the very goodliest grot and in it were four pillows on
|
|
which were four tickets with these words printed on them, Pickaback and
|
|
Topsyturvy and Shameface and Cheek by Jowl and, second, for that foul
|
|
plague Allpox and the monsters they cared not for them for Preservative
|
|
had given them a stout shield of oxengut and, third, that they might take
|
|
no hurt neither from Offspring that was that wicked devil by virtue of
|
|
this same shield which was named Killchild. So were they all in their
|
|
blind fancy, Mr Cavil and Mr Sometimes Godly, Mr Ape Swillale, Mr False
|
|
Franklin, Mr Dainty Dixon, Young Boasthard and Mr Cautious Calmer.
|
|
Wherein, O wretched company, were ye all deceived for that was the voice
|
|
of the god that was in a very grievous rage that he would presently lift
|
|
his arm up and spill their souls for their abuses and their spillings
|
|
done by them contrariwise to his word which forth to bring brenningly
|
|
biddeth.
|
|
|
|
So Thursday sixteenth June Patk. Dignam laid in clay of an apoplexy and
|
|
after hard drought, please God, rained, a bargeman coming in by water a
|
|
fifty mile or thereabout with turf saying the seed won't sprout, fields
|
|
athirst, very sadcoloured and stunk mightily, the quags and tofts too.
|
|
Hard to breathe and all the young quicks clean consumed without sprinkle
|
|
this long while back as no man remembered to be without. The rosy buds
|
|
all gone brown and spread out blobs and on the hills nought but dry flag
|
|
and faggots that would catch at first fire. All the world saying, for
|
|
aught they knew, the big wind of last February a year that did havoc the
|
|
land so pitifully a small thing beside this barrenness. But by and by, as
|
|
said, this evening after sundown, the wind sitting in the west, biggish
|
|
swollen clouds to be seen as the night increased and the weatherwise
|
|
poring up at them and some sheet lightnings at first and after, past ten
|
|
of the clock, one great stroke with a long thunder and in a brace of
|
|
shakes all scamper pellmell within door for the smoking shower, the men
|
|
making shelter for their straws with a clout or kerchief, womenfolk
|
|
skipping off with kirtles catched up soon as the pour came. In Ely place,
|
|
Baggot street, Duke's lawn, thence through Merrion green up to Holles
|
|
street a swash of water flowing that was before bonedry and not one chair
|
|
or coach or fiacre seen about but no more crack after that first. Over
|
|
against the Rt. Hon. Mr Justice Fitzgibbon's door (that is to sit with Mr
|
|
Healy the lawyer upon the college lands) Mal. Mulligan a gentleman's
|
|
gentleman that had but come from Mr Moore's the writer's (that was a
|
|
papish but is now, folk say, a good Williamite) chanced against Alec.
|
|
Bannon in a cut bob (which are now in with dance cloaks of Kendal green)
|
|
that was new got to town from Mullingar with the stage where his coz and
|
|
Mal M's brother will stay a month yet till Saint Swithin and asks what in
|
|
the earth he does there, he bound home and he to Andrew Horne's being
|
|
stayed for to crush a cup of wine, so he said, but would tell him of a
|
|
skittish heifer, big of her age and beef to the heel, and all this while
|
|
poured with rain and so both together on to Horne's. There Leop. Bloom of
|
|
Crawford's journal sitting snug with a covey of wags, likely brangling
|
|
fellows, Dixon jun., scholar of my lady of Mercy's, Vin. Lynch, a Scots
|
|
fellow, Will. Madden, T. Lenehan, very sad about a racer he fancied and
|
|
Stephen D. Leop. Bloom there for a languor he had but was now better, be
|
|
having dreamed tonight a strange fancy of his dame Mrs Moll with red
|
|
slippers on in a pair of Turkey trunks which is thought by those in ken
|
|
to be for a change and Mistress Purefoy there, that got in through
|
|
pleading her belly, and now on the stools, poor body, two days past her
|
|
term, the midwives sore put to it and can't deliver, she queasy for a
|
|
bowl of riceslop that is a shrewd drier up of the insides and her breath
|
|
very heavy more than good and should be a bullyboy from the knocks, they
|
|
say, but God give her soon issue. 'Tis her ninth chick to live, I hear,
|
|
and Lady day bit off her last chick's nails that was then a twelvemonth
|
|
and with other three all breastfed that died written out in a fair hand
|
|
in the king's bible. Her hub fifty odd and a methodist but takes the
|
|
sacrament and is to be seen any fair sabbath with a pair of his boys off
|
|
Bullock harbour dapping on the sound with a heavybraked reel or in a punt
|
|
he has trailing for flounder and pollock and catches a fine bag, I hear.
|
|
In sum an infinite great fall of rain and all refreshed and will much
|
|
increase the harvest yet those in ken say after wind and water fire shall
|
|
come for a prognostication of Malachi's almanac (and I hear that Mr
|
|
Russell has done a prophetical charm of the same gist out of the
|
|
Hindustanish for his farmer's gazette) to have three things in all but
|
|
this a mere fetch without bottom of reason for old crones and bairns yet
|
|
sometimes they are found in the right guess with their queerities no
|
|
telling how.
|
|
|
|
With this came up Lenehan to the feet of the table to say how the letter
|
|
was in that night's gazette and he made a show to find it about him (for
|
|
he swore with an oath that he had been at pains about it) but on
|
|
Stephen's persuasion he gave over the search and was bidden to sit near
|
|
by which he did mighty brisk. He was a kind of sport gentleman that went
|
|
for a merryandrew or honest pickle and what belonged of women, horseflesh
|
|
or hot scandal he had it pat. To tell the truth he was mean in fortunes
|
|
and for the most part hankered about the coffeehouses and low taverns
|
|
with crimps, ostlers, bookies, Paul's men, runners, flatcaps,
|
|
waistcoateers, ladies of the bagnio and other rogues of the game or with
|
|
a chanceable catchpole or a tipstaff often at nights till broad day of
|
|
whom he picked up between his sackpossets much loose gossip. He took his
|
|
ordinary at a boilingcook's and if he had but gotten into him a mess of
|
|
broken victuals or a platter of tripes with a bare tester in his purse he
|
|
could always bring himself off with his tongue, some randy quip he had
|
|
from a punk or whatnot that every mother's son of them would burst their
|
|
sides. The other, Costello that is, hearing this talk asked was it poetry
|
|
or a tale. Faith, no, he says, Frank (that was his name), 'tis all about
|
|
Kerry cows that are to be butchered along of the plague. But they can go
|
|
hang, says he with a wink, for me with their bully beef, a pox on it.
|
|
There's as good fish in this tin as ever came out of it and very friendly
|
|
he offered to take of some salty sprats that stood by which he had eyed
|
|
wishly in the meantime and found the place which was indeed the chief
|
|
design of his embassy as he was sharpset. MORT AUX VACHES, says Frank
|
|
then in the French language that had been indentured to a brandyshipper
|
|
that has a winelodge in Bordeaux and he spoke French like a gentleman
|
|
too. From a child this Frank had been a donought that his father, a
|
|
headborough, who could ill keep him to school to learn his letters and
|
|
the use of the globes, matriculated at the university to study the
|
|
mechanics but he took the bit between his teeth like a raw colt and was
|
|
more familiar with the justiciary and the parish beadle than with his
|
|
volumes. One time he would be a playactor, then a sutler or a welsher,
|
|
then nought would keep him from the bearpit and the cocking main, then he
|
|
was for the ocean sea or to hoof it on the roads with the romany folk,
|
|
kidnapping a squire's heir by favour of moonlight or fecking maids' linen
|
|
or choking chicken behind a hedge. He had been off as many times as a cat
|
|
has lives and back again with naked pockets as many more to his father
|
|
the headborough who shed a pint of tears as often as he saw him. What,
|
|
says Mr Leopold with his hands across, that was earnest to know the drift
|
|
of it, will they slaughter all? I protest I saw them but this day morning
|
|
going to the Liverpool boats, says he. I can scarce believe 'tis so bad,
|
|
says he. And he had experience of the like brood beasts and of springers,
|
|
greasy hoggets and wether wool, having been some years before actuary for
|
|
Mr Joseph Cuffe, a worthy salesmaster that drove his trade for live stock
|
|
and meadow auctions hard by Mr Gavin Low's yard in Prussia street. I
|
|
question with you there, says he. More like 'tis the hoose or the timber
|
|
tongue. Mr Stephen, a little moved but very handsomely told him no such
|
|
matter and that he had dispatches from the emperor's chief tailtickler
|
|
thanking him for the hospitality, that was sending over Doctor
|
|
Rinderpest, the bestquoted cowcatcher in all Muscovy, with a bolus or two
|
|
of physic to take the bull by the horns. Come, come, says Mr Vincent,
|
|
plain dealing. He'll find himself on the horns of a dilemma if he meddles
|
|
with a bull that's Irish, says he. Irish by name and irish by nature,
|
|
says Mr Stephen, and he sent the ale purling about, an Irish bull in an
|
|
English chinashop. I conceive you, says Mr Dixon. It is that same bull
|
|
that was sent to our island by farmer Nicholas, the bravest cattlebreeder
|
|
of them all, with an emerald ring in his nose. True for you, says Mr
|
|
Vincent cross the table, and a bullseye into the bargain, says he, and a
|
|
plumper and a portlier bull, says he, never shit on shamrock. He had
|
|
horns galore, a coat of cloth of gold and a sweet smoky breath coming out
|
|
of his nostrils so that the women of our island, leaving doughballs and
|
|
rollingpins, followed after him hanging his bulliness in daisychains.
|
|
What for that, says Mr Dixon, but before he came over farmer Nicholas
|
|
that was a eunuch had him properly gelded by a college of doctors who
|
|
were no better off than himself. So be off now, says he, and do all my
|
|
cousin german the lord Harry tells you and take a farmer's blessing, and
|
|
with that he slapped his posteriors very soundly. But the slap and the
|
|
blessing stood him friend, says Mr Vincent, for to make up he taught him
|
|
a trick worth two of the other so that maid, wife, abbess and widow to
|
|
this day affirm that they would rather any time of the month whisper in
|
|
his ear in the dark of a cowhouse or get a lick on the nape from his long
|
|
holy tongue than lie with the finest strapping young ravisher in the four
|
|
fields of all Ireland. Another then put in his word: And they dressed
|
|
him, says he, in a point shift and petticoat with a tippet and girdle and
|
|
ruffles on his wrists and clipped his forelock and rubbed him all over
|
|
with spermacetic oil and built stables for him at every turn of the road
|
|
with a gold manger in each full of the best hay in the market so that he
|
|
could doss and dung to his heart's content. By this time the father of
|
|
the faithful (for so they called him) was grown so heavy that he could
|
|
scarce walk to pasture. To remedy which our cozening dames and damsels
|
|
brought him his fodder in their apronlaps and as soon as his belly was
|
|
full he would rear up on his hind uarters to show their ladyships a
|
|
mystery and roar and bellow out of him in bulls' language and they all
|
|
after him. Ay, says another, and so pampered was he that he would suffer
|
|
nought to grow in all the land but green grass for himself (for that was
|
|
the only colour to his mind) and there was a board put up on a hillock in
|
|
the middle of the island with a printed notice, saying: By the Lord
|
|
Harry, Green is the grass that grows on the ground. And, says Mr Dixon,
|
|
if ever he got scent of a cattleraider in Roscommon or the wilds of
|
|
Connemara or a husbandman in Sligo that was sowing as much as a handful
|
|
of mustard or a bag of rapeseed out he'd run amok over half the
|
|
countryside rooting up with his horns whatever was planted and all by
|
|
lord Harry's orders. There was bad blood between them at first, says Mr
|
|
Vincent, and the lord Harry called farmer Nicholas all the old Nicks in
|
|
the world and an old whoremaster that kept seven trulls in his house and
|
|
I'll meddle in his matters, says he. I'll make that animal smell hell,
|
|
says he, with the help of that good pizzle my father left me. But one
|
|
evening, says Mr Dixon, when the lord Harry was cleaning his royal pelt
|
|
to go to dinner after winning a boatrace (he had spade oars for himself
|
|
but the first rule of the course was that the others were to row with
|
|
pitchforks) he discovered in himself a wonderful likeness to a bull and
|
|
on picking up a blackthumbed chapbook that he kept in the pantry he found
|
|
sure enough that he was a lefthanded descendant of the famous champion
|
|
bull of the Romans, BOS BOVUM, which is good bog Latin for boss of the
|
|
show. After that, says Mr Vincent, the lord Harry put his head into a
|
|
cow's drinkingtrough in the presence of all his courtiers and pulling it
|
|
out again told them all his new name. Then, with the water running off
|
|
him, he got into an old smock and skirt that had belonged to his
|
|
grandmother and bought a grammar of the bulls' language to study but he
|
|
could never learn a word of it except the first personal pronoun which he
|
|
copied out big and got off by heart and if ever he went out for a walk he
|
|
filled his pockets with chalk to write it upon what took his fancy, the
|
|
side of a rock or a teahouse table or a bale of cotton or a corkfloat. In
|
|
short, he and the bull of Ireland were soon as fast friends as an arse
|
|
and a shirt. They were, says Mr Stephen, and the end was that the men of
|
|
the island seeing no help was toward, as the ungrate women were all of
|
|
one mind, made a wherry raft, loaded themselves and their bundles of
|
|
chattels on shipboard, set all masts erect, manned the yards, sprang
|
|
their luff, heaved to, spread three sheets in the wind, put her head
|
|
between wind and water, weighed anchor, ported her helm, ran up the jolly
|
|
Roger, gave three times three, let the bullgine run, pushed off in their
|
|
bumboat and put to sea to recover the main of America. Which was the
|
|
occasion, says Mr Vincent, of the composing by a boatswain of that
|
|
rollicking chanty:
|
|
|
|
|
|
--POPE PETER'S BUT A PISSABED.
|
|
A MAN'S A MAN FOR A' THAT.
|
|
|
|
|
|
Our worthy acquaintance Mr Malachi Mulligan now appeared in the doorway
|
|
as the students were finishing their apologue accompanied with a friend
|
|
whom he had just rencountered, a young gentleman, his name Alec Bannon,
|
|
who had late come to town, it being his intention to buy a colour or a
|
|
cornetcy in the fencibles and list for the wars. Mr Mulligan was civil
|
|
enough to express some relish of it all the more as it jumped with a
|
|
project of his own for the cure of the very evil that had been touched
|
|
on. Whereat he handed round to the company a set of pasteboard cards
|
|
which he had had printed that day at Mr Quinnell's bearing a legend
|
|
printed in fair italics: MR MALACHI MULLIGAN. FERTILISER AND INCUBATOR.
|
|
LAMBAY ISLAND. His project, as he went on to expound, was to withdraw
|
|
from the round of idle pleasures such as form the chief business of sir
|
|
Fopling Popinjay and sir Milksop Quidnunc in town and to devote himself
|
|
to the noblest task for which our bodily organism has been framed. Well,
|
|
let us hear of it, good my friend, said Mr Dixon. I make no doubt it
|
|
smacks of wenching. Come, be seated, both. 'Tis as cheap sitting as
|
|
standing. Mr Mulligan accepted of the invitation and, expatiating upon
|
|
his design, told his hearers that he had been led into this thought by a
|
|
consideration of the causes of sterility, both the inhibitory and the
|
|
prohibitory, whether the inhibition in its turn were due to conjugal
|
|
vexations or to a parsimony of the balance as well as whether the
|
|
prohibition proceeded from defects congenital or from proclivities
|
|
acquired. It grieved him plaguily, he said, to see the nuptial couch
|
|
defrauded of its dearest pledges: and to reflect upon so many agreeable
|
|
females with rich jointures, a prey to the vilest bonzes, who hide their
|
|
flambeau under a bushel in an uncongenial cloister or lose their womanly
|
|
bloom in the embraces of some unaccountable muskin when they might
|
|
multiply the inlets of happiness, sacrificing the inestimable jewel of
|
|
their sex when a hundred pretty fellows were at hand to caress, this, he
|
|
assured them, made his heart weep. To curb this inconvenient (which he
|
|
concluded due to a suppression of latent heat), having advised with
|
|
certain counsellors of worth and inspected into this matter, he had
|
|
resolved to purchase in fee simple for ever the freehold of Lambay island
|
|
from its holder, lord Talbot de Malahide, a Tory gentleman of note much
|
|
in favour with our ascendancy party. He proposed to set up there a
|
|
national fertilising farm to be named OMPHALOS with an obelisk hewn and
|
|
erected after the fashion of Egypt and to offer his dutiful yeoman
|
|
services for the fecundation of any female of what grade of life soever
|
|
who should there direct to him with the desire of fulfilling the
|
|
functions of her natural. Money was no object, he said, nor would he take
|
|
a penny for his pains. The poorest kitchenwench no less than the opulent
|
|
lady of fashion, if so be their constructions and their tempers were warm
|
|
persuaders for their petitions, would find in him their man. For his
|
|
nutriment he shewed how he would feed himself exclusively upon a diet of
|
|
savoury tubercles and fish and coneys there, the flesh of these latter
|
|
prolific rodents being highly recommended for his purpose, both broiled
|
|
and stewed with a blade of mace and a pod or two of capsicum chillies.
|
|
After this homily which he delivered with much warmth of asseveration Mr
|
|
Mulligan in a trice put off from his hat a kerchief with which he had
|
|
shielded it. They both, it seems, had been overtaken by the rain and for
|
|
all their mending their pace had taken water, as might be observed by Mr
|
|
Mulligan's smallclothes of a hodden grey which was now somewhat piebald.
|
|
His project meanwhile was very favourably entertained by his auditors and
|
|
won hearty eulogies from all though Mr Dixon of Mary's excepted to it,
|
|
asking with a finicking air did he purpose also to carry coals to
|
|
Newcastle. Mr Mulligan however made court to the scholarly by an apt
|
|
quotation from the classics which, as it dwelt upon his memory, seemed to
|
|
him a sound and tasteful support of his contention: TALIS AC TANTA
|
|
DEPRAVATIO HUJUS SECULI, O QUIRITES, UT MATRESFAMILIARUM NOSTRAE LASCIVAS
|
|
CUJUSLIBET SEMIVIRI LIBICI TITILLATIONES TESTIBUS PONDEROSIS ATQUE
|
|
EXCELSIS ERECTIONIBUS CENTURIONUM ROMANORUM MAGNOPERE ANTEPONUNT, while
|
|
for those of ruder wit he drove home his point by analogies of the animal
|
|
kingdom more suitable to their stomach, the buck and doe of the forest
|
|
glade, the farmyard drake and duck.
|
|
|
|
Valuing himself not a little upon his elegance, being indeed a proper man
|
|
of person, this talkative now applied himself to his dress with
|
|
animadversions of some heat upon the sudden whimsy of the atmospherics
|
|
while the company lavished their encomiums upon the project he had
|
|
advanced. The young gentleman, his friend, overjoyed as he was at a
|
|
passage that had late befallen him, could not forbear to tell it his
|
|
nearest neighbour. Mr Mulligan, now perceiving the table, asked for whom
|
|
were those loaves and fishes and, seeing the stranger, he made him a
|
|
civil bow and said, Pray, sir, was you in need of any professional
|
|
assistance we could give? Who, upon his offer, thanked him very heartily,
|
|
though preserving his proper distance, and replied that he was come there
|
|
about a lady, now an inmate of Horne's house, that was in an interesting
|
|
condition, poor body, from woman's woe (and here he fetched a deep sigh)
|
|
to know if her happiness had yet taken place. Mr Dixon, to turn the
|
|
table, took on to ask of Mr Mulligan himself whether his incipient
|
|
ventripotence, upon which he rallied him, betokened an ovoblastic
|
|
gestation in the prostatic utricle or male womb or was due, as with the
|
|
noted physician, Mr Austin Meldon, to a wolf in the stomach. For answer
|
|
Mr Mulligan, in a gale of laughter at his smalls, smote himself bravely
|
|
below the diaphragm, exclaiming with an admirable droll mimic of Mother
|
|
Grogan (the most excellent creature of her sex though 'tis pity she's a
|
|
trollop): There's a belly that never bore a bastard. This was so happy a
|
|
conceit that it renewed the storm of mirth and threw the whole room into
|
|
the most violent agitations of delight. The spry rattle had run on in the
|
|
same vein of mimicry but for some larum in the antechamber.
|
|
|
|
Here the listener who was none other than the Scotch student, a little
|
|
fume of a fellow, blond as tow, congratulated in the liveliest fashion
|
|
with the young gentleman and, interrupting the narrative at a salient
|
|
point, having desired his visavis with a polite beck to have the
|
|
obligingness to pass him a flagon of cordial waters at the same time by a
|
|
questioning poise of the head (a whole century of polite breeding had not
|
|
achieved so nice a gesture) to which was united an equivalent but
|
|
contrary balance of the bottle asked the narrator as plainly as was ever
|
|
done in words if he might treat him with a cup of it. MAIS BIEN SUR,
|
|
noble stranger, said he cheerily, ET MILLE COMPLIMENTS. That you may and
|
|
very opportunely. There wanted nothing but this cup to crown my felicity.
|
|
But, gracious heaven, was I left with but a crust in my wallet and a
|
|
cupful of water from the well, my God, I would accept of them and find it
|
|
in my heart to kneel down upon the ground and give thanks to the powers
|
|
above for the happiness vouchsafed me by the Giver of good things. With
|
|
these words he approached the goblet to his lips, took a complacent
|
|
draught of the cordial, slicked his hair and, opening his bosom, out
|
|
popped a locket that hung from a silk riband, that very picture which he
|
|
had cherished ever since her hand had wrote therein. Gazing upon those
|
|
features with a world of tenderness, Ah, Monsieur, he said, had you but
|
|
beheld her as I did with these eyes at that affecting instant with her
|
|
dainty tucker and her new coquette cap (a gift for her feastday as she
|
|
told me prettily) in such an artless disorder, of so melting a
|
|
tenderness, 'pon my conscience, even you, Monsieur, had been impelled by
|
|
generous nature to deliver yourself wholly into the hands of such an
|
|
enemy or to quit the field for ever. I declare, I was never so touched in
|
|
all my life. God, I thank thee, as the Author of my days! Thrice happy
|
|
will he be whom so amiable a creature will bless with her favours. A sigh
|
|
of affection gave eloquence to these words and, having replaced the
|
|
locket in his bosom, he wiped his eye and sighed again. Beneficent
|
|
Disseminator of blessings to all Thy creatures, how great and universal
|
|
must be that sweetest of Thy tyrannies which can hold in thrall the free
|
|
and the bond, the simple swain and the polished coxcomb, the lover in the
|
|
heyday of reckless passion and the husband of maturer years. But indeed,
|
|
sir, I wander from the point. How mingled and imperfect are all our
|
|
sublunary joys. Maledicity! he exclaimed in anguish. Would to God that
|
|
foresight had but remembered me to take my cloak along! I could weep to
|
|
think of it. Then, though it had poured seven showers, we were neither of
|
|
us a penny the worse. But beshrew me, he cried, clapping hand to his
|
|
forehead, tomorrow will be a new day and, thousand thunders, I know of a
|
|
MARCHAND DE CAPOTES, Monsieur Poyntz, from whom I can have for a livre as
|
|
snug a cloak of the French fashion as ever kept a lady from wetting. Tut,
|
|
tut! cries Le Fecondateur, tripping in, my friend Monsieur Moore, that
|
|
most accomplished traveller (I have just cracked a half bottle AVEC LUI
|
|
in a circle of the best wits of the town), is my authority that in Cape
|
|
Horn, VENTRE BICHE, they have a rain that will wet through any, even the
|
|
stoutest cloak. A drenching of that violence, he tells me, SANS BLAGUE,
|
|
has sent more than one luckless fellow in good earnest posthaste to
|
|
another world. Pooh! A LIVRE! cries Monsieur Lynch. The clumsy things are
|
|
dear at a sou. One umbrella, were it no bigger than a fairy mushroom, is
|
|
worth ten such stopgaps. No woman of any wit would wear one. My dear
|
|
Kitty told me today that she would dance in a deluge before ever she
|
|
would starve in such an ark of salvation for, as she reminded me
|
|
(blushing piquantly and whispering in my ear though there was none to
|
|
snap her words but giddy butterflies), dame Nature, by the divine
|
|
blessing, has implanted it in our hearts and it has become a household
|
|
word that IL Y A DEUX CHOSES for which the innocence of our original
|
|
garb, in other circumstances a breach of the proprieties, is the fittest,
|
|
nay, the only garment. The first, said she (and here my pretty
|
|
philosopher, as I handed her to her tilbury, to fix my attention, gently
|
|
tipped with her tongue the outer chamber of my ear), the first is a bath
|
|
... But at this point a bell tinkling in the hall cut short a discourse
|
|
which promised so bravely for the enrichment of our store of knowledge.
|
|
|
|
Amid the general vacant hilarity of the assembly a bell rang and, while
|
|
all were conjecturing what might be the cause, Miss Callan entered and,
|
|
having spoken a few words in a low tone to young Mr Dixon, retired with a
|
|
profound bow to the company. The presence even for a moment among a party
|
|
of debauchees of a woman endued with every quality of modesty and not
|
|
less severe than beautiful refrained the humourous sallies even of the
|
|
most licentious but her departure was the signal for an outbreak of
|
|
ribaldry. Strike me silly, said Costello, a low fellow who was fuddled. A
|
|
monstrous fine bit of cowflesh! I'll be sworn she has rendezvoused you.
|
|
What, you dog? Have you a way with them? Gad's bud, immensely so, said Mr
|
|
Lynch. The bedside manner it is that they use in the Mater hospice.
|
|
Demme, does not Doctor O'Gargle chuck the nuns there under the chin. As I
|
|
look to be saved I had it from my Kitty who has been wardmaid there any
|
|
time these seven months. Lawksamercy, doctor, cried the young blood in
|
|
the primrose vest, feigning a womanish simper and with immodest
|
|
squirmings of his body, how you do tease a body! Drat the man! Bless me,
|
|
I'm all of a wibbly wobbly. Why, you're as bad as dear little Father
|
|
Cantekissem, that you are! May this pot of four half choke me, cried
|
|
Costello, if she aint in the family way. I knows a lady what's got a
|
|
white swelling quick as I claps eyes on her. The young surgeon, however,
|
|
rose and begged the company to excuse his retreat as the nurse had just
|
|
then informed him that he was needed in the ward. Merciful providence had
|
|
been pleased to put a period to the sufferings of the lady who was
|
|
ENCEINTE which she had borne with a laudable fortitude and she had given
|
|
birth to a bouncing boy. I want patience, said he, with those who,
|
|
without wit to enliven or learning to instruct, revile an ennobling
|
|
profession which, saving the reverence due to the Deity, is the greatest
|
|
power for happiness upon the earth. I am positive when I say that if need
|
|
were I could produce a cloud of witnesses to the excellence of her noble
|
|
exercitations which, so far from being a byword, should be a glorious
|
|
incentive in the human breast. I cannot away with them. What? Malign such
|
|
an one, the amiable Miss Callan, who is the lustre of her own sex and the
|
|
astonishment of ours? And at an instant the most momentous that can
|
|
befall a puny child of clay? Perish the thought! I shudder to think of
|
|
the future of a race where the seeds of such malice have been sown and
|
|
where no right reverence is rendered to mother and maid in house of
|
|
Horne. Having delivered himself of this rebuke he saluted those present
|
|
on the by and repaired to the door. A murmur of approval arose from all
|
|
and some were for ejecting the low soaker without more ado, a design
|
|
which would have been effected nor would he have received more than his
|
|
bare deserts had he not abridged his transgression by affirming with a
|
|
horrid imprecation (for he swore a round hand) that he was as good a son
|
|
of the true fold as ever drew breath. Stap my vitals, said he, them was
|
|
always the sentiments of honest Frank Costello which I was bred up most
|
|
particular to honour thy father and thy mother that had the best hand to
|
|
a rolypoly or a hasty pudding as you ever see what I always looks back on
|
|
with a loving heart.
|
|
|
|
To revert to Mr Bloom who, after his first entry, had been conscious of
|
|
some impudent mocks which he however had borne with as being the fruits
|
|
of that age upon which it is commonly charged that it knows not pity. The
|
|
young sparks, it is true, were as full of extravagancies as overgrown
|
|
children: the words of their tumultuary discussions were difficultly
|
|
understood and not often nice: their testiness and outrageous MOTS were
|
|
such that his intellects resiled from: nor were they scrupulously
|
|
sensible of the proprieties though their fund of strong animal spirits
|
|
spoke in their behalf. But the word of Mr Costello was an unwelcome
|
|
language for him for he nauseated the wretch that seemed to him a
|
|
cropeared creature of a misshapen gibbosity, born out of wedlock and
|
|
thrust like a crookback toothed and feet first into the world, which the
|
|
dint of the surgeon's pliers in his skull lent indeed a colour to, so as
|
|
to put him in thought of that missing link of creation's chain
|
|
desiderated by the late ingenious Mr Darwin. It was now for more than the
|
|
middle span of our allotted years that he had passed through the thousand
|
|
vicissitudes of existence and, being of a wary ascendancy and self a man
|
|
of rare forecast, he had enjoined his heart to repress all motions of a
|
|
rising choler and, by intercepting them with the readiest precaution,
|
|
foster within his breast that plenitude of sufferance which base minds
|
|
jeer at, rash judgers scorn and all find tolerable and but tolerable. To
|
|
those who create themselves wits at the cost of feminine delicacy (a
|
|
habit of mind which he never did hold with) to them he would concede
|
|
neither to bear the name nor to herit the tradition of a proper breeding:
|
|
while for such that, having lost all forbearance, can lose no more, there
|
|
remained the sharp antidote of experience to cause their insolency to
|
|
beat a precipitate and inglorious retreat. Not but what he could feel
|
|
with mettlesome youth which, caring nought for the mows of dotards or the
|
|
gruntlings of the severe, is ever (as the chaste fancy of the Holy Writer
|
|
expresses it) for eating of the tree forbid it yet not so far forth as to
|
|
pretermit humanity upon any condition soever towards a gentlewoman when
|
|
she was about her lawful occasions. To conclude, while from the sister's
|
|
words he had reckoned upon a speedy delivery he was, however, it must be
|
|
owned, not a little alleviated by the intelligence that the issue so
|
|
auspicated after an ordeal of such duress now testified once more to the
|
|
mercy as well as to the bounty of the Supreme Being.
|
|
|
|
Accordingly he broke his mind to his neighbour, saying that, to express
|
|
his notion of the thing, his opinion (who ought not perchance to express
|
|
one) was that one must have a cold constitution and a frigid genius not
|
|
to be rejoiced by this freshest news of the fruition of her confinement
|
|
since she had been in such pain through no fault of hers. The dressy
|
|
young blade said it was her husband's that put her in that expectation or
|
|
at least it ought to be unless she were another Ephesian matron. I must
|
|
acquaint you, said Mr Crotthers, clapping on the table so as to evoke a
|
|
resonant comment of emphasis, old Glory Allelujurum was round again
|
|
today, an elderly man with dundrearies, preferring through his nose a
|
|
request to have word of Wilhelmina, my life, as he calls her. I bade him
|
|
hold himself in readiness for that the event would burst anon. 'Slife,
|
|
I'll be round with you. I cannot but extol the virile potency of the old
|
|
bucko that could still knock another child out of her. All fell to
|
|
praising of it, each after his own fashion, though the same young blade
|
|
held with his former view that another than her conjugial had been the
|
|
man in the gap, a clerk in orders, a linkboy (virtuous) or an itinerant
|
|
vendor of articles needed in every household. Singular, communed the
|
|
guest with himself, the wonderfully unequal faculty of metempsychosis
|
|
possessed by them, that the puerperal dormitory and the dissecting
|
|
theatre should be the seminaries of such frivolity, that the mere
|
|
acquisition of academic titles should suffice to transform in a pinch of
|
|
time these votaries of levity into exemplary practitioners of an art
|
|
which most men anywise eminent have esteemed the noblest. But, he further
|
|
added, it is mayhap to relieve the pentup feelings that in common oppress
|
|
them for I have more than once observed that birds of a feather laugh
|
|
together.
|
|
|
|
But with what fitness, let it be asked of the noble lord, his patron, has
|
|
this alien, whom the concession of a gracious prince has admitted to
|
|
civic rights, constituted himself the lord paramount of our internal
|
|
polity? Where is now that gratitude which loyalty should have counselled?
|
|
During the recent war whenever the enemy had a temporary advantage with
|
|
his granados did this traitor to his kind not seize that moment to
|
|
discharge his piece against the empire of which he is a tenant at will
|
|
while he trembled for the security of his four per cents? Has he
|
|
forgotten this as he forgets all benefits received? Or is it that from
|
|
being a deluder of others he has become at last his own dupe as he is, if
|
|
report belie him not, his own and his only enjoyer? Far be it from
|
|
candour to violate the bedchamber of a respectable lady, the daughter of
|
|
a gallant major, or to cast the most distant reflections upon her virtue
|
|
but if he challenges attention there (as it was indeed highly his
|
|
interest not to have done) then be it so. Unhappy woman, she has been too
|
|
long and too persistently denied her legitimate prerogative to listen to
|
|
his objurgations with any other feeling than the derision of the
|
|
desperate. He says this, a censor of morals, a very pelican in his piety,
|
|
who did not scruple, oblivious of the ties of nature, to attempt illicit
|
|
intercourse with a female domestic drawn from the lowest strata of
|
|
society! Nay, had the hussy's scouringbrush not been her tutelary angel,
|
|
it had gone with her as hard as with Hagar, the Egyptian! In the question
|
|
of the grazing lands his peevish asperity is notorious and in Mr Cuffe's
|
|
hearing brought upon him from an indignant rancher a scathing retort
|
|
couched in terms as straightforward as they were bucolic. It ill becomes
|
|
him to preach that gospel. Has he not nearer home a seedfield that lies
|
|
fallow for the want of the ploughshare? A habit reprehensible at puberty
|
|
is second nature and an opprobrium in middle life. If he must dispense
|
|
his balm of Gilead in nostrums and apothegms of dubious taste to restore
|
|
to health a generation of unfledged profligates let his practice consist
|
|
better with the doctrines that now engross him. His marital breast is the
|
|
repository of secrets which decorum is reluctant to adduce. The lewd
|
|
suggestions of some faded beauty may console him for a consort neglected
|
|
and debauched but this new exponent of morals and healer of ills is at
|
|
his best an exotic tree which, when rooted in its native orient, throve
|
|
and flourished and was abundant in balm but, transplanted to a clime more
|
|
temperate, its roots have lost their quondam vigour while the stuff that
|
|
comes away from it is stagnant, acid and inoperative.
|
|
|
|
The news was imparted with a circumspection recalling the ceremonial
|
|
usage of the Sublime Porte by the second female infirmarian to the junior
|
|
medical officer in residence, who in his turn announced to the delegation
|
|
that an heir had been born, When he had betaken himself to the women's
|
|
apartment to assist at the prescribed ceremony of the afterbirth in the
|
|
presence of the secretary of state for domestic affairs and the members
|
|
of the privy council, silent in unanimous exhaustion and approbation the
|
|
delegates, chafing under the length and solemnity of their vigil and
|
|
hoping that the joyful occurrence would palliate a licence which the
|
|
simultaneous absence of abigail and obstetrician rendered the easier,
|
|
broke out at once into a strife of tongues. In vain the voice of Mr
|
|
Canvasser Bloom was heard endeavouring to urge, to mollify, to refrain.
|
|
The moment was too propitious for the display of that discursiveness
|
|
which seemed the only bond of union among tempers so divergent. Every
|
|
phase of the situation was successively eviscerated: the prenatal
|
|
repugnance of uterine brothers, the Caesarean section, posthumity with
|
|
respect to the father and, that rarer form, with respect to the mother,
|
|
the fratricidal case known as the Childs Murder and rendered memorable by
|
|
the impassioned plea of Mr Advocate Bushe which secured the acquittal of
|
|
the wrongfully accused, the rights of primogeniture and king's bounty
|
|
touching twins and triplets, miscarriages and infanticides, simulated or
|
|
dissimulated, the acardiac FOETUS IN FOETU and aprosopia due to a
|
|
congestion, the agnathia of certain chinless Chinamen (cited by Mr
|
|
Candidate Mulligan) in consequence of defective reunion of the maxillary
|
|
knobs along the medial line so that (as he said) one ear could hear what
|
|
the other spoke, the benefits of anesthesia or twilight sleep, the
|
|
prolongation of labour pains in advanced gravidancy by reason of pressure
|
|
on the vein, the premature relentment of the amniotic fluid (as
|
|
exemplified in the actual case) with consequent peril of sepsis to the
|
|
matrix, artificial insemination by means of syringes, involution of the
|
|
womb consequent upon the menopause, the problem of the perpetration of
|
|
the species in the case of females impregnated by delinquent rape, that
|
|
distressing manner of delivery called by the Brandenburghers STURZGEBURT,
|
|
the recorded instances of multiseminal, twikindled and monstrous births
|
|
conceived during the catamenic period or of consanguineous parents--in a
|
|
word all the cases of human nativity which Aristotle has classified in
|
|
his masterpiece with chromolithographic illustrations. The gravest
|
|
problems of obstetrics and forensic medicine were examined with as much
|
|
animation as the most popular beliefs on the state of pregnancy such as
|
|
the forbidding to a gravid woman to step over a countrystile lest, by her
|
|
movement, the navelcord should strangle her creature and the injunction
|
|
upon her in the event of a yearning, ardently and ineffectually
|
|
entertained, to place her hand against that part of her person which long
|
|
usage has consecrated as the seat of castigation. The abnormalities of
|
|
harelip, breastmole, supernumerary digits, negro's inkle, strawberry mark
|
|
and portwine stain were alleged by one as a PRIMA FACIE and natural
|
|
hypothetical explanation of those swineheaded (the case of Madame Grissel
|
|
Steevens was not forgotten) or doghaired infants occasionally born. The
|
|
hypothesis of a plasmic memory, advanced by the Caledonian envoy and
|
|
worthy of the metaphysical traditions of the land he stood for, envisaged
|
|
in such cases an arrest of embryonic development at some stage antecedent
|
|
to the human. An outlandish delegate sustained against both these views,
|
|
with such heat as almost carried conviction, the theory of copulation
|
|
between women and the males of brutes, his authority being his own
|
|
avouchment in support of fables such as that of the Minotaur which the
|
|
genius of the elegant Latin poet has handed down to us in the pages of
|
|
his Metamorphoses. The impression made by his words was immediate but
|
|
shortlived. It was effaced as easily as it had been evoked by an
|
|
allocution from Mr Candidate Mulligan in that vein of pleasantry which
|
|
none better than he knew how to affect, postulating as the supremest
|
|
object of desire a nice clean old man. Contemporaneously, a heated
|
|
argument having arisen between Mr Delegate Madden and Mr Candidate Lynch
|
|
regarding the juridical and theological dilemma created in the event of
|
|
one Siamese twin predeceasing the other, the difficulty by mutual consent
|
|
was referred to Mr Canvasser Bloom for instant submittal to Mr Coadjutor
|
|
Deacon Dedalus. Hitherto silent, whether the better to show by
|
|
preternatural gravity that curious dignity of the garb with which he was
|
|
invested or in obedience to an inward voice, he delivered briefly and, as
|
|
some thought, perfunctorily the ecclesiastical ordinance forbidding man
|
|
to put asunder what God has joined.
|
|
|
|
But Malachias' tale began to freeze them with horror. He conjured up the
|
|
scene before them. The secret panel beside the chimney slid back and in
|
|
the recess appeared ... Haines! Which of us did not feel his flesh creep!
|
|
He had a portfolio full of Celtic literature in one hand, in the other a
|
|
phial marked POISON. Surprise, horror, loathing were depicted on all
|
|
faces while he eyed them with a ghostly grin. I anticipated some such
|
|
reception, he began with an eldritch laugh, for which, it seems, history
|
|
is to blame. Yes, it is true. I am the murderer of Samuel Childs. And how
|
|
I am punished! The inferno has no terrors for me. This is the appearance
|
|
is on me. Tare and ages, what way would I be resting at all, he muttered
|
|
thickly, and I tramping Dublin this while back with my share of songs and
|
|
himself after me the like of a soulth or a bullawurrus? My hell, and
|
|
Ireland's, is in this life. It is what I tried to obliterate my crime.
|
|
Distractions, rookshooting, the Erse language (he recited some), laudanum
|
|
(he raised the phial to his lips), camping out. In vain! His spectre
|
|
stalks me. Dope is my only hope ... Ah! Destruction! The black panther!
|
|
With a cry he suddenly vanished and the panel slid back. An instant later
|
|
his head appeared in the door opposite and said: Meet me at Westland Row
|
|
station at ten past eleven. He was gone. Tears gushed from the eyes of
|
|
the dissipated host. The seer raised his hand to heaven, murmuring: The
|
|
vendetta of Mananaun! The sage repeated: LEX TALIONIS. The sentimentalist
|
|
is he who would enjoy without incurring the immense debtorship for a
|
|
thing done. Malachias, overcome by emotion, ceased. The mystery was
|
|
unveiled. Haines was the third brother. His real name was Childs. The
|
|
black panther was himself the ghost of his own father. He drank drugs to
|
|
obliterate. For this relief much thanks. The lonely house by the
|
|
graveyard is uninhabited. No soul will live there. The spider pitches her
|
|
web in the solitude. The nocturnal rat peers from his hole. A curse is on
|
|
it. It is haunted. Murderer's ground.
|
|
|
|
What is the age of the soul of man? As she hath the virtue of the
|
|
chameleon to change her hue at every new approach, to be gay with the
|
|
merry and mournful with the downcast, so too is her age changeable as her
|
|
mood. No longer is Leopold, as he sits there, ruminating, chewing the cud
|
|
of reminiscence, that staid agent of publicity and holder of a modest
|
|
substance in the funds. A score of years are blown away. He is young
|
|
Leopold. There, as in a retrospective arrangement, a mirror within a
|
|
mirror (hey, presto!), he beholdeth himself. That young figure of then is
|
|
seen, precociously manly, walking on a nipping morning from the old house
|
|
in Clanbrassil street to the high school, his booksatchel on him
|
|
bandolierwise, and in it a goodly hunk of wheaten loaf, a mother's
|
|
thought. Or it is the same figure, a year or so gone over, in his first
|
|
hard hat (ah, that was a day!), already on the road, a fullfledged
|
|
traveller for the family firm, equipped with an orderbook, a scented
|
|
handkerchief (not for show only), his case of bright trinketware (alas! a
|
|
thing now of the past!) and a quiverful of compliant smiles for this or
|
|
that halfwon housewife reckoning it out upon her fingertips or for a
|
|
budding virgin, shyly acknowledging (but the heart? tell me!) his studied
|
|
baisemoins. The scent, the smile, but, more than these, the dark eyes and
|
|
oleaginous address, brought home at duskfall many a commission to the
|
|
head of the firm, seated with Jacob's pipe after like labours in the
|
|
paternal ingle (a meal of noodles, you may be sure, is aheating), reading
|
|
through round horned spectacles some paper from the Europe of a month
|
|
before. But hey, presto, the mirror is breathed on and the young
|
|
knighterrant recedes, shrivels, dwindles to a tiny speck within the mist.
|
|
Now he is himself paternal and these about him might be his sons. Who can
|
|
say? The wise father knows his own child. He thinks of a drizzling night
|
|
in Hatch street, hard by the bonded stores there, the first. Together
|
|
(she is a poor waif, a child of shame, yours and mine and of all for a
|
|
bare shilling and her luckpenny), together they hear the heavy tread of
|
|
the watch as two raincaped shadows pass the new royal university. Bridie!
|
|
Bridie Kelly! He will never forget the name, ever remember the night:
|
|
first night, the bridenight. They are entwined in nethermost darkness,
|
|
the willer with the willed, and in an instant (FIAT!) light shall flood
|
|
the world. Did heart leap to heart? Nay, fair reader. In a breath 'twas
|
|
done but--hold! Back! It must not be! In terror the poor girl flees away
|
|
through the murk. She is the bride of darkness, a daughter of night. She
|
|
dare not bear the sunnygolden babe of day. No, Leopold. Name and memory
|
|
solace thee not. That youthful illusion of thy strength was taken from
|
|
thee--and in vain. No son of thy loins is by thee. There is none now to
|
|
be for Leopold, what Leopold was for Rudolph.
|
|
|
|
The voices blend and fuse in clouded silence: silence that is the
|
|
infinite of space: and swiftly, silently the soul is wafted over regions
|
|
of cycles of generations that have lived. A region where grey twilight
|
|
ever descends, never falls on wide sagegreen pasturefields, shedding her
|
|
dusk, scattering a perennial dew of stars. She follows her mother with
|
|
ungainly steps, a mare leading her fillyfoal. Twilight phantoms are they,
|
|
yet moulded in prophetic grace of structure, slim shapely haunches, a
|
|
supple tendonous neck, the meek apprehensive skull. They fade, sad
|
|
phantoms: all is gone. Agendath is a waste land, a home of screechowls
|
|
and the sandblind upupa. Netaim, the golden, is no more. And on the
|
|
highway of the clouds they come, muttering thunder of rebellion, the
|
|
ghosts of beasts. Huuh! Hark! Huuh! Parallax stalks behind and goads
|
|
them, the lancinating lightnings of whose brow are scorpions. Elk and
|
|
yak, the bulls of Bashan and of Babylon, mammoth and mastodon, they come
|
|
trooping to the sunken sea, LACUS MORTIS. Ominous revengeful zodiacal
|
|
host! They moan, passing upon the clouds, horned and capricorned, the
|
|
trumpeted with the tusked, the lionmaned, the giantantlered, snouter and
|
|
crawler, rodent, ruminant and pachyderm, all their moving moaning
|
|
multitude, murderers of the sun.
|
|
|
|
Onward to the dead sea they tramp to drink, unslaked and with horrible
|
|
gulpings, the salt somnolent inexhaustible flood. And the equine portent
|
|
grows again, magnified in the deserted heavens, nay to heaven's own
|
|
magnitude, till it looms, vast, over the house of Virgo. And lo, wonder
|
|
of metempsychosis, it is she, the everlasting bride, harbinger of the
|
|
daystar, the bride, ever virgin. It is she, Martha, thou lost one,
|
|
Millicent, the young, the dear, the radiant. How serene does she now
|
|
arise, a queen among the Pleiades, in the penultimate antelucan hour,
|
|
shod in sandals of bright gold, coifed with a veil of what do you call it
|
|
gossamer. It floats, it flows about her starborn flesh and loose it
|
|
streams, emerald, sapphire, mauve and heliotrope, sustained on currents
|
|
of the cold interstellar wind, winding, coiling, simply swirling,
|
|
writhing in the skies a mysterious writing till, after a myriad
|
|
metamorphoses of symbol, it blazes, Alpha, a ruby and triangled sign upon
|
|
the forehead of Taurus.
|
|
|
|
Francis was reminding Stephen of years before when they had been at
|
|
school together in Conmee's time. He asked about Glaucon, Alcibiades,
|
|
Pisistratus. Where were they now? Neither knew. You have spoken of the
|
|
past and its phantoms, Stephen said. Why think of them? If I call them
|
|
into life across the waters of Lethe will not the poor ghosts troop to my
|
|
call? Who supposes it? I, Bous Stephanoumenos, bullockbefriending bard,
|
|
am lord and giver of their life. He encircled his gadding hair with a
|
|
coronal of vineleaves, smiling at Vincent. That answer and those leaves,
|
|
Vincent said to him, will adorn you more fitly when something more, and
|
|
greatly more, than a capful of light odes can call your genius father.
|
|
All who wish you well hope this for you. All desire to see you bring
|
|
forth the work you meditate, to acclaim you Stephaneforos. I heartily
|
|
wish you may not fail them. O no, Vincent Lenehan said, laying a hand on
|
|
the shoulder near him. Have no fear. He could not leave his mother an
|
|
orphan. The young man's face grew dark. All could see how hard it was for
|
|
him to be reminded of his promise and of his recent loss. He would have
|
|
withdrawn from the feast had not the noise of voices allayed the smart.
|
|
Madden had lost five drachmas on Sceptre for a whim of the rider's name:
|
|
Lenehan as much more. He told them of the race. The flag fell and, huuh!
|
|
off, scamper, the mare ran out freshly with O. Madden up. She was leading
|
|
the field. All hearts were beating. Even Phyllis could not contain
|
|
herself. She waved her scarf and cried: Huzzah! Sceptre wins! But in the
|
|
straight on the run home when all were in close order the dark horse
|
|
Throwaway drew level, reached, outstripped her. All was lost now. Phyllis
|
|
was silent: her eyes were sad anemones. Juno, she cried, I am undone. But
|
|
her lover consoled her and brought her a bright casket of gold in which
|
|
lay some oval sugarplums which she partook. A tear fell: one only. A
|
|
whacking fine whip, said Lenehan, is W. Lane. Four winners yesterday and
|
|
three today. What rider is like him? Mount him on the camel or the
|
|
boisterous buffalo the victory in a hack canter is still his. But let us
|
|
bear it as was the ancient wont. Mercy on the luckless! Poor Sceptre! he
|
|
said with a light sigh. She is not the filly that she was. Never, by this
|
|
hand, shall we behold such another. By gad, sir, a queen of them. Do you
|
|
remember her, Vincent? I wish you could have seen my queen today, Vincent
|
|
said. How young she was and radiant (Lalage were scarce fair beside her)
|
|
in her yellow shoes and frock of muslin, I do not know the right name of
|
|
it. The chestnuts that shaded us were in bloom: the air drooped with
|
|
their persuasive odour and with pollen floating by us. In the sunny
|
|
patches one might easily have cooked on a stone a batch of those buns
|
|
with Corinth fruit in them that Periplipomenes sells in his booth near
|
|
the bridge. But she had nought for her teeth but the arm with which I
|
|
held her and in that she nibbled mischievously when I pressed too close.
|
|
A week ago she lay ill, four days on the couch, but today she was free,
|
|
blithe, mocked at peril. She is more taking then. Her posies tool Mad
|
|
romp that she is, she had pulled her fill as we reclined together. And in
|
|
your ear, my friend, you will not think who met us as we left the field.
|
|
Conmee himself! He was walking by the hedge, reading, I think a brevier
|
|
book with, I doubt not, a witty letter in it from Glycera or Chloe to
|
|
keep the page. The sweet creature turned all colours in her confusion,
|
|
feigning to reprove a slight disorder in her dress: a slip of underwood
|
|
clung there for the very trees adore her. When Conmee had passed she
|
|
glanced at her lovely echo in that little mirror she carries. But he had
|
|
been kind. In going by he had blessed us. The gods too are ever kind,
|
|
Lenehan said. If I had poor luck with Bass's mare perhaps this draught of
|
|
his may serve me more propensely. He was laying his hand upon a winejar:
|
|
Malachi saw it and withheld his act, pointing to the stranger and to the
|
|
scarlet label. Warily, Malachi whispered, preserve a druid silence. His
|
|
soul is far away. It is as painful perhaps to be awakened from a vision
|
|
as to be born. Any object, intensely regarded, may be a gate of access to
|
|
the incorruptible eon of the gods. Do you not think it, Stephen?
|
|
Theosophos told me so, Stephen answered, whom in a previous existence
|
|
Egyptian priests initiated into the mysteries of karmic law. The lords of
|
|
the moon, Theosophos told me, an orangefiery shipload from planet Alpha
|
|
of the lunar chain would not assume the etheric doubles and these were
|
|
therefore incarnated by the rubycoloured egos from the second
|
|
constellation.
|
|
|
|
However, as a matter of fact though, the preposterous surmise about him
|
|
being in some description of a doldrums or other or mesmerised which was.
|
|
entirely due to a misconception of the shallowest character, was not the
|
|
case at all. The individual whose visual organs while the above was going
|
|
on were at this juncture commencing to exhibit symptoms of animation was
|
|
as astute if not astuter than any man living and anybody that conjectured
|
|
the contrary would have found themselves pretty speedily in the wrong
|
|
shop. During the past four minutes or thereabouts he had been staring
|
|
hard at a certain amount of number one Bass bottled by Messrs Bass and Co
|
|
at Burton-on-Trent which happened to be situated amongst a lot of others
|
|
right opposite to where he was and which was certainly calculated to
|
|
attract anyone's remark on account of its scarlet appearance. He was
|
|
simply and solely, as it subsequently transpired for reasons best known
|
|
to himself, which put quite an altogether different complexion on the
|
|
proceedings, after the moment before's observations about boyhood days
|
|
and the turf, recollecting two or three private transactions of his own
|
|
which the other two were as mutually innocent of as the babe unborn.
|
|
Eventually, however, both their eyes met and as soon as it began to dawn
|
|
on him that the other was endeavouring to help himself to the thing he
|
|
involuntarily determined to help him himself and so he accordingly took
|
|
hold of the neck of the mediumsized glass recipient which contained the
|
|
fluid sought after and made a capacious hole in it by pouring a lot of it
|
|
out with, also at the same time, however, a considerable degree of
|
|
attentiveness in order not to upset any of the beer that was in it about
|
|
the place.
|
|
|
|
The debate which ensued was in its scope and progress an epitome of the
|
|
course of life. Neither place nor council was lacking in dignity. The
|
|
debaters were the keenest in the land, the theme they were engaged on the
|
|
loftiest and most vital. The high hall of Horne's house had never beheld
|
|
an assembly so representative and so varied nor had the old rafters of
|
|
that establishment ever listened to a language so encyclopaedic. A
|
|
gallant scene in truth it made. Crotthers was there at the foot of the
|
|
table in his striking Highland garb, his face glowing from the briny airs
|
|
of the Mull of Galloway. There too, opposite to him, was Lynch whose
|
|
countenance bore already the stigmata of early depravity and premature
|
|
wisdom. Next the Scotchman was the place assigned to Costello, the
|
|
eccentric, while at his side was seated in stolid repose the squat form
|
|
of Madden. The chair of the resident indeed stood vacant before the
|
|
hearth but on either flank of it the figure of Bannon in explorer's kit
|
|
of tweed shorts and salted cowhide brogues contrasted sharply with the
|
|
primrose elegance and townbred manners of Malachi Roland St John
|
|
Mulligan. Lastly at the head of the board was the young poet who found a
|
|
refuge from his labours of pedagogy and metaphysical inquisition in the
|
|
convivial atmosphere of Socratic discussion, while to right and left of
|
|
him were accommodated the flippant prognosticator, fresh from the
|
|
hippodrome, and that vigilant wanderer, soiled by the dust of travel and
|
|
combat and stained by the mire of an indelible dishonour, but from whose
|
|
steadfast and constant heart no lure or peril or threat or degradation
|
|
could ever efface the image of that voluptuous loveliness which the
|
|
inspired pencil of Lafayette has limned for ages yet to come.
|
|
|
|
It had better be stated here and now at the outset that the perverted
|
|
transcendentalism to which Mr S. Dedalus' (Div. Scep.) contentions would
|
|
appear to prove him pretty badly addicted runs directly counter to
|
|
accepted scientific methods. Science, it cannot be too often repeated,
|
|
deals with tangible phenomena. The man of science like the man in the
|
|
street has to face hardheaded facts that cannot be blinked and explain
|
|
them as best he can. There may be, it is true, some questions which
|
|
science cannot answer--at present--such as the first problem submitted by
|
|
Mr L. Bloom (Pubb. Canv.) regarding the future determination of sex. Must
|
|
we accept the view of Empedocles of Trinacria that the right ovary (the
|
|
postmenstrual period, assert others) is responsible for the birth of
|
|
males or are the too long neglected spermatozoa or nemasperms the
|
|
differentiating factors or is it, as most embryologists incline to opine,
|
|
such as Culpepper, Spallanzani, Blumenbach, Lusk, Hertwig, Leopold and
|
|
Valenti, a mixture of both? This would be tantamount to a cooperation
|
|
(one of nature's favourite devices) between the NISUS FORMATIVUS of the
|
|
nemasperm on the one hand and on the other a happily chosen position,
|
|
SUCCUBITUS FELIX of the passive element. The other problem raised by the
|
|
same inquirer is scarcely less vital: infant mortality. It is interesting
|
|
because, as he pertinently remarks, we are all born in the same way but
|
|
we all die in different ways. Mr M. Mulligan (Hyg. et Eug. Doc.) blames
|
|
the sanitary conditions in which our greylunged citizens contract
|
|
adenoids, pulmonary complaints etc. by inhaling the bacteria which lurk
|
|
in dust. These factors, he alleged, and the revolting spectacles offered
|
|
by our streets, hideous publicity posters, religious ministers of all
|
|
denominations, mutilated soldiers and sailors, exposed scorbutic
|
|
cardrivers, the suspended carcases of dead animals, paranoic bachelors
|
|
and unfructified duennas--these, he said, were accountable for any and
|
|
every fallingoff in the calibre of the race. Kalipedia, he prophesied,
|
|
would soon be generally adopted and all the graces of life, genuinely
|
|
good music, agreeable literature, light philosophy, instructive pictures,
|
|
plastercast reproductions of the classical statues such as Venus and
|
|
Apollo, artistic coloured photographs of prize babies, all these little
|
|
attentions would enable ladies who were in a particular condition to pass
|
|
the intervening months in a most enjoyable manner. Mr J. Crotthers (Disc.
|
|
Bacc.) attributes some of these demises to abdominal trauma in the case
|
|
of women workers subjected to heavy labours in the workshop and to
|
|
marital discipline in the home but by far the vast majority to neglect,
|
|
private or official, culminating in the exposure of newborn infants, the
|
|
practice of criminal abortion or in the atrocious crime of infanticide.
|
|
Although the former (we are thinking of neglect) is undoubtedly only too
|
|
true the case he cites of nurses forgetting to count the sponges in the
|
|
peritoneal cavity is too rare to be normative. In fact when one comes to
|
|
look into it the wonder is that so many pregnancies and deliveries go off
|
|
so well as they do, all things considered and in spite of our human
|
|
shortcomings which often baulk nature in her intentions. An ingenious
|
|
suggestion is that thrown out by Mr V. Lynch (Bacc. Arith.) that both
|
|
natality and mortality, as well as all other phenomena of evolution,
|
|
tidal movements, lunar phases, blood temperatures, diseases in general,
|
|
everything, in fine, in nature's vast workshop from the extinction of
|
|
some remote sun to the blossoming of one of the countless flowers which
|
|
beautify our public parks is subject to a law of numeration as yet
|
|
unascertained. Still the plain straightforward question why a child of
|
|
normally healthy parents and seemingly a healthy child and properly
|
|
looked after succumbs unaccountably in early childhood (though other
|
|
children of the same marriage do not) must certainly, in the poet's
|
|
words, give us pause. Nature, we may rest assured, has her own good and
|
|
cogent reasons for whatever she does and in all probability such deaths
|
|
are due to some law of anticipation by which organisms in which morbous
|
|
germs have taken up their residence (modern science has conclusively
|
|
shown that only the plasmic substance can be said to be immortal) tend to
|
|
disappear at an increasingly earlier stage of development, an arrangement
|
|
which, though productive of pain to some of our feelings (notably the
|
|
maternal), is nevertheless, some of us think, in the long run beneficial
|
|
to the race in general in securing thereby the survival of the fittest.
|
|
Mr S. Dedalus' (Div. Scep.) remark (or should it be called an
|
|
interruption?) that an omnivorous being which can masticate, deglute,
|
|
digest and apparently pass through the ordinary channel with
|
|
pluterperfect imperturbability such multifarious aliments as cancrenous
|
|
females emaciated by parturition, corpulent professional gentlemen, not
|
|
to speak of jaundiced politicians and chlorotic nuns, might possibly find
|
|
gastric relief in an innocent collation of staggering bob, reveals as
|
|
nought else could and in a very unsavoury light the tendency above
|
|
alluded to. For the enlightenment of those who are not so intimately
|
|
acquainted with the minutiae of the municipal abattoir as this
|
|
morbidminded esthete and embryo philosopher who for all his overweening
|
|
bumptiousness in things scientific can scarcely distinguish an acid from
|
|
an alkali prides himself on being, it should perhaps be stated that
|
|
staggering bob in the vile parlance of our lowerclass licensed
|
|
victuallers signifies the cookable and eatable flesh of a calf newly
|
|
dropped from its mother. In a recent public controversy with Mr L. Bloom
|
|
(Pubb. Canv.) which took place in the commons' hall of the National
|
|
Maternity Hospital, 29, 30 and 31 Holles street, of which, as is well
|
|
known, Dr A. Horne (Lic. in Midw., F. K. Q. C. P. I.) is the able and
|
|
popular master, he is reported by eyewitnesses as having stated that once
|
|
a woman has let the cat into the bag (an esthete's allusion, presumably,
|
|
to one of the most complicated and marvellous of all nature's processes--
|
|
the act of sexual congress) she must let it out again or give it life, as
|
|
he phrased it, to save her own. At the risk of her own, was the telling
|
|
rejoinder of his interlocutor, none the less effective for the moderate
|
|
and measured tone in which it was delivered.
|
|
|
|
Meanwhile the skill and patience of the physician had brought about a
|
|
happy ACCOUCHEMENT. It had been a weary weary while both for patient and
|
|
doctor. All that surgical skill could do was done and the brave woman had
|
|
manfully helped. She had. She had fought the good fight and now she was
|
|
very very happy. Those who have passed on, who have gone before, are
|
|
happy too as they gaze down and smile upon the touching scene. Reverently
|
|
look at her as she reclines there with the motherlight in her eyes, that
|
|
longing hunger for baby fingers (a pretty sight it is to see), in the
|
|
first bloom of her new motherhood, breathing a silent prayer of
|
|
thanksgiving to One above, the Universal Husband. And as her loving eyes
|
|
behold her babe she wishes only one blessing more, to have her dear Doady
|
|
there with her to share her joy, to lay in his arms that mite of God's
|
|
clay, the fruit of their lawful embraces. He is older now (you and I may
|
|
whisper it) and a trifle stooped in the shoulders yet in the whirligig of
|
|
years a grave dignity has come to the conscientious second accountant of
|
|
the Ulster bank, College Green branch. O Doady, loved one of old,
|
|
faithful lifemate now, it may never be again, that faroff time of the
|
|
roses! With the old shake of her pretty head she recalls those days. God!
|
|
How beautiful now across the mist of years! But their children are
|
|
grouped in her imagination about the bedside, hers and his, Charley, Mary
|
|
Alice, Frederick Albert (if he had lived), Mamy, Budgy (Victoria
|
|
Frances), Tom, Violet Constance Louisa, darling little Bobsy (called
|
|
after our famous hero of the South African war, lord Bobs of Waterford
|
|
and Candahar) and now this last pledge of their union, a Purefoy if ever
|
|
there was one, with the true Purefoy nose. Young hopeful will be
|
|
christened Mortimer Edward after the influential third cousin of Mr
|
|
Purefoy in the Treasury Remembrancer's office, Dublin Castle. And so time
|
|
wags on: but father Cronion has dealt lightly here. No, let no sigh break
|
|
from that bosom, dear gentle Mina. And Doady, knock the ashes from your
|
|
pipe, the seasoned briar you still fancy when the curfew rings for you
|
|
(may it be the distant day!) and dout the light whereby you read in the
|
|
Sacred Book for the oil too has run low, and so with a tranquil heart to
|
|
bed, to rest. He knows and will call in His own good time. You too have
|
|
fought the good fight and played loyally your man's part. Sir, to you my
|
|
hand. Well done, thou good and faithful servant!
|
|
|
|
There are sins or (let us call them as the world calls them) evil
|
|
memories which are hidden away by man in the darkest places of the heart
|
|
but they abide there and wait. He may suffer their memory to grow dim,
|
|
let them be as though they had not been and all but persuade himself that
|
|
they were not or at least were otherwise. Yet a chance word will call
|
|
them forth suddenly and they will rise up to confront him in the most
|
|
various circumstances, a vision or a dream, or while timbrel and harp
|
|
soothe his senses or amid the cool silver tranquility of the evening or
|
|
at the feast, at midnight, when he is now filled with wine. Not to insult
|
|
over him will the vision come as over one that lies under her wrath, not
|
|
for vengeance to cut him off from the living but shrouded in the piteous
|
|
vesture of the past, silent, remote, reproachful.
|
|
|
|
The stranger still regarded on the face before him a slow recession of
|
|
that false calm there, imposed, as it seemed, by habit or some studied
|
|
trick, upon words so embittered as to accuse in their speaker an
|
|
unhealthiness, a FLAIR, for the cruder things of life. A scene disengages
|
|
itself in the observer's memory, evoked, it would seem, by a word of so
|
|
natural a homeliness as if those days were really present there (as some
|
|
thought) with their immediate pleasures. A shaven space of lawn one soft
|
|
May evening, the wellremembered grove of lilacs at Roundtown, purple and
|
|
white, fragrant slender spectators of the game but with much real
|
|
interest in the pellets as they run slowly forward over the sward or
|
|
collide and stop, one by its fellow, with a brief alert shock. And yonder
|
|
about that grey urn where the water moves at times in thoughtful
|
|
irrigation you saw another as fragrant sisterhood, Floey, Atty, Tiny and
|
|
their darker friend with I know not what of arresting in her pose then,
|
|
Our Lady of the Cherries, a comely brace of them pendent from an ear,
|
|
bringing out the foreign warmth of the skin so daintily against the cool
|
|
ardent fruit. A lad of four or five in linseywoolsey (blossomtime but
|
|
there will be cheer in the kindly hearth when ere long the bowls are
|
|
gathered and hutched) is standing on the urn secured by that circle of
|
|
girlish fond hands. He frowns a little just as this young man does now
|
|
with a perhaps too conscious enjoyment of the danger but must needs
|
|
glance at whiles towards where his mother watches from the PIAZZETTA
|
|
giving upon the flowerclose with a faint shadow of remoteness or of
|
|
reproach (ALLES VERGANGLICHE) in her glad look.
|
|
|
|
Mark this farther and remember. The end comes suddenly. Enter that
|
|
antechamber of birth where the studious are assembled and note their
|
|
faces. Nothing, as it seems, there of rash or violent. Quietude of
|
|
custody, rather, befitting their station in that house, the vigilant
|
|
watch of shepherds and of angels about a crib in Bethlehem of Juda long
|
|
ago. But as before the lightning the serried stormclouds, heavy with
|
|
preponderant excess of moisture, in swollen masses turgidly distended,
|
|
compass earth and sky in one vast slumber, impending above parched field
|
|
and drowsy oxen and blighted growth of shrub and verdure till in an
|
|
instant a flash rives their centres and with the reverberation of the
|
|
thunder the cloudburst pours its torrent, so and not otherwise was the
|
|
transformation, violent and instantaneous, upon the utterance of the
|
|
word.
|
|
|
|
Burke's! outflings my lord Stephen, giving the cry, and a tag and bobtail
|
|
of all them after, cockerel, jackanapes, welsher, pilldoctor, punctual
|
|
Bloom at heels with a universal grabbing at headgear, ashplants, bilbos,
|
|
Panama hats and scabbards, Zermatt alpenstocks and what not. A dedale of
|
|
lusty youth, noble every student there. Nurse Callan taken aback in the
|
|
hallway cannot stay them nor smiling surgeon coming downstairs with news
|
|
of placentation ended, a full pound if a milligramme. They hark him on.
|
|
The door! It is open? Ha! They are out, tumultuously, off for a minute's
|
|
race, all bravely legging it, Burke's of Denzille and Holles their
|
|
ulterior goal. Dixon follows giving them sharp language but raps out an
|
|
oath, he too, and on. Bloom stays with nurse a thought to send a kind
|
|
word to happy mother and nurseling up there. Doctor Diet and Doctor
|
|
Quiet. Looks she too not other now? Ward of watching in Horne's house has
|
|
told its tale in that washedout pallor. Then all being gone, a glance of
|
|
motherwit helping, he whispers close in going: Madam, when comes the
|
|
storkbird for thee?
|
|
|
|
The air without is impregnated with raindew moisture, life essence
|
|
celestial, glistening on Dublin stone there under starshiny COELUM. God's
|
|
air, the Allfather's air, scintillant circumambient cessile air. Breathe
|
|
it deep into thee. By heaven, Theodore Purefoy, thou hast done a doughty
|
|
deed and no botch! Thou art, I vow, the remarkablest progenitor barring
|
|
none in this chaffering allincluding most farraginous chronicle.
|
|
Astounding! In her lay a Godframed Godgiven preformed possibility which
|
|
thou hast fructified with thy modicum of man's work. Cleave to her!
|
|
Serve! Toil on, labour like a very bandog and let scholarment and all
|
|
Malthusiasts go hang. Thou art all their daddies, Theodore. Art drooping
|
|
under thy load, bemoiled with butcher's bills at home and ingots (not
|
|
thine!) in the countinghouse? Head up! For every newbegotten thou shalt
|
|
gather thy homer of ripe wheat. See, thy fleece is drenched. Dost envy
|
|
Darby Dullman there with his Joan? A canting jay and a rheumeyed curdog
|
|
is all their progeny. Pshaw, I tell thee! He is a mule, a dead
|
|
gasteropod, without vim or stamina, not worth a cracked kreutzer.
|
|
Copulation without population! No, say I! Herod's slaughter of the
|
|
innocents were the truer name. Vegetables, forsooth, and sterile
|
|
cohabitation! Give her beefsteaks, red, raw, bleeding! She is a hoary
|
|
pandemonium of ills, enlarged glands, mumps, quinsy, bunions, hayfever,
|
|
bedsores, ringworm, floating kidney, Derbyshire neck, warts, bilious
|
|
attacks, gallstones, cold feet, varicose veins. A truce to threnes and
|
|
trentals and jeremies and all such congenital defunctive music! Twenty
|
|
years of it, regret them not. With thee it was not as with many that will
|
|
and would and wait and never--do. Thou sawest thy America, thy lifetask,
|
|
and didst charge to cover like the transpontine bison. How saith
|
|
Zarathustra? DEINE KUH TRUBSAL MELKEST DU. NUN TRINKST DU DIE SUSSE MILCH
|
|
DES EUTERS. See! it displodes for thee in abundance. Drink, man, an
|
|
udderful! Mother's milk, Purefoy, the milk of human kin, milk too of
|
|
those burgeoning stars overhead rutilant in thin rainvapour, punch milk,
|
|
such as those rioters will quaff in their guzzling den, milk of madness,
|
|
the honeymilk of Canaan's land. Thy cow's dug was tough, what? Ay, but
|
|
her milk is hot and sweet and fattening. No dollop this but thick rich
|
|
bonnyclaber. To her, old patriarch! Pap! PER DEAM PARTULAM ET PERTUNDAM
|
|
NUNC EST BIBENDUM!
|
|
|
|
All off for a buster, armstrong, hollering down the street. Bonafides.
|
|
Where you slep las nigh? Timothy of the battered naggin. Like ole Billyo.
|
|
Any brollies or gumboots in the fambly? Where the Henry Nevil's sawbones
|
|
and ole clo? Sorra one o' me knows. Hurrah there, Dix! Forward to the
|
|
ribbon counter. Where's Punch? All serene. Jay, look at the drunken
|
|
minister coming out of the maternity hospal! BENEDICAT VOS OMNIPOTENS
|
|
DEUS, PATER ET FILIUS. A make, mister. The Denzille lane boys. Hell,
|
|
blast ye! Scoot. Righto, Isaacs, shove em out of the bleeding limelight.
|
|
Yous join uz, dear sir? No hentrusion in life. Lou heap good man. Allee
|
|
samee dis bunch. EN AVANT, MES ENFANTS! Fire away number one on the gun.
|
|
Burke's! Burke's! Thence they advanced five parasangs. Slattery's mounted
|
|
foot. Where's that bleeding awfur? Parson Steve, apostates' creed! No,
|
|
no, Mulligan! Abaft there! Shove ahead. Keep a watch on the clock.
|
|
Chuckingout time. Mullee! What's on you? MA MERE M'A MARIEE. British
|
|
Beatitudes! RETAMPLATAN DIGIDI BOUMBOUM. Ayes have it. To be printed and
|
|
bound at the Druiddrum press by two designing females. Calf covers of
|
|
pissedon green. Last word in art shades. Most beautiful book come out of
|
|
Ireland my time. SILENTIUM! Get a spurt on. Tention. Proceed to nearest
|
|
canteen and there annex liquor stores. March! Tramp, tramp, tramp, the
|
|
boys are (atitudes!) parching. Beer, beef, business, bibles, bulldogs
|
|
battleships, buggery and bishops. Whether on the scaffold high. Beer,
|
|
beef, trample the bibles. When for Irelandear. Trample the trampellers.
|
|
Thunderation! Keep the durned millingtary step. We fall. Bishops
|
|
boosebox. Halt! Heave to. Rugger. Scrum in. No touch kicking. Wow, my
|
|
tootsies! You hurt? Most amazingly sorry!
|
|
|
|
Query. Who's astanding this here do? Proud possessor of damnall. Declare
|
|
misery. Bet to the ropes. Me nantee saltee. Not a red at me this week
|
|
gone. Yours? Mead of our fathers for the UBERMENSCH. Dittoh. Five number
|
|
ones. You, sir? Ginger cordial. Chase me, the cabby's caudle. Stimulate
|
|
the caloric. Winding of his ticker. Stopped short never to go again when
|
|
the old. Absinthe for me, savvy? CARAMBA! Have an eggnog or a prairie
|
|
oyster. Enemy? Avuncular's got my timepiece. Ten to. Obligated awful.
|
|
Don't mention it. Got a pectoral trauma, eh, Dix? Pos fact. Got bet be a
|
|
boomblebee whenever he wus settin sleepin in hes bit garten. Digs up near
|
|
the Mater. Buckled he is. Know his dona? Yup, sartin I do. Full of a
|
|
dure. See her in her dishybilly. Peels off a credit. Lovey lovekin. None
|
|
of your lean kine, not much. Pull down the blind, love. Two Ardilauns.
|
|
Same here. Look slippery. If you fall don't wait to get up. Five, seven,
|
|
nine. Fine! Got a prime pair of mincepies, no kid. And her take me to
|
|
rests and her anker of rum. Must be seen to be believed. Your starving
|
|
eyes and allbeplastered neck you stole my heart, O gluepot. Sir? Spud
|
|
again the rheumatiz? All poppycock, you'll scuse me saying. For the hoi
|
|
polloi. I vear thee beest a gert vool. Well, doc? Back fro Lapland? Your
|
|
corporosity sagaciating O K? How's the squaws and papooses? Womanbody
|
|
after going on the straw? Stand and deliver. Password. There's hair. Ours
|
|
the white death and the ruddy birth. Hi! Spit in your own eye, boss!
|
|
Mummer's wire. Cribbed out of Meredith. Jesified, orchidised, polycimical
|
|
jesuit! Aunty mine's writing Pa Kinch. Baddybad Stephen lead astray
|
|
goodygood Malachi.
|
|
|
|
Hurroo! Collar the leather, youngun. Roun wi the nappy. Here, Jock braw
|
|
Hielentman's your barleybree. Lang may your lum reek and your kailpot
|
|
boil! My tipple. MERCI. Here's to us. How's that? Leg before wicket.
|
|
Don't stain my brandnew sitinems. Give's a shake of peppe, you there.
|
|
Catch aholt. Caraway seed to carry away. Twig? Shrieks of silence. Every
|
|
cove to his gentry mort. Venus Pandemos. LES PETITES FEMMES. Bold bad
|
|
girl from the town of Mullingar. Tell her I was axing at her. Hauding
|
|
Sara by the wame. On the road to Malahide. Me? If she who seduced me had
|
|
left but the name. What do you want for ninepence? Machree, macruiskeen.
|
|
Smutty Moll for a mattress jig. And a pull all together. EX!
|
|
|
|
Waiting, guvnor? Most deciduously. Bet your boots on. Stunned like,
|
|
seeing as how no shiners is acoming. Underconstumble? He've got the chink
|
|
AD LIB. Seed near free poun on un a spell ago a said war hisn. Us come
|
|
right in on your invite, see? Up to you, matey. Out with the oof. Two bar
|
|
and a wing. You larn that go off of they there Frenchy bilks? Won't wash
|
|
here for nuts nohow. Lil chile velly solly. Ise de cutest colour coon
|
|
down our side. Gawds teruth, Chawley. We are nae fou. We're nae tha fou.
|
|
Au reservoir, mossoo. Tanks you.
|
|
|
|
'Tis, sure. What say? In the speakeasy. Tight. I shee you, shir. Bantam,
|
|
two days teetee. Bowsing nowt but claretwine. Garn! Have a glint, do.
|
|
Gum, I'm jiggered. And been to barber he have. Too full for words. With a
|
|
railway bloke. How come you so? Opera he'd like? Rose of Castile. Rows of
|
|
cast. Police! Some H2O for a gent fainted. Look at Bantam's flowers.
|
|
Gemini. He's going to holler. The colleen bawn. My colleen bawn. O,
|
|
cheese it! Shut his blurry Dutch oven with a firm hand. Had the winner
|
|
today till I tipped him a dead cert. The ruffin cly the nab of Stephen
|
|
Hand as give me the jady coppaleen. He strike a telegramboy paddock wire
|
|
big bug Bass to the depot. Shove him a joey and grahamise. Mare on form
|
|
hot order. Guinea to a goosegog. Tell a cram, that. Gospeltrue. Criminal
|
|
diversion? I think that yes. Sure thing. Land him in chokeechokee if the
|
|
harman beck copped the game. Madden back Madden's a maddening back. O
|
|
lust our refuge and our strength. Decamping. Must you go? Off to mammy.
|
|
Stand by. Hide my blushes someone. All in if he spots me. Come ahome, our
|
|
Bantam. Horryvar, mong vioo. Dinna forget the cowslips for hersel.
|
|
Cornfide. Wha gev ye thon colt? Pal to pal. Jannock. Of John Thomas, her
|
|
spouse. No fake, old man Leo. S'elp me, honest injun. Shiver my timbers
|
|
if I had. There's a great big holy friar. Vyfor you no me tell? Vel, I
|
|
ses, if that aint a sheeny nachez, vel, I vil get misha mishinnah.
|
|
Through yerd our lord, Amen.
|
|
|
|
You move a motion? Steve boy, you're going it some. More bluggy
|
|
drunkables? Will immensely splendiferous stander permit one stooder of
|
|
most extreme poverty and one largesize grandacious thirst to terminate
|
|
one expensive inaugurated libation? Give's a breather. Landlord,
|
|
landlord, have you good wine, staboo? Hoots, mon, a wee drap to pree. Cut
|
|
and come again. Right. Boniface! Absinthe the lot. NOS OMNES BIBERIMUS
|
|
VIRIDUM TOXICUM DIABOLUS CAPIAT POSTERIORIA NOSTRIA. Closingtime, gents.
|
|
Eh? Rome boose for the Bloom toff. I hear you say onions? Bloo? Cadges
|
|
ads. Photo's papli, by all that's gorgeous. Play low, pardner. Slide.
|
|
BONSOIR LA COMPAGNIE. And snares of the poxfiend. Where's the buck and
|
|
Namby Amby? Skunked? Leg bail. Aweel, ye maun e'en gang yer gates.
|
|
Checkmate. King to tower. Kind Kristyann wil yu help yung man hoose frend
|
|
tuk bungellow kee tu find plais whear tu lay crown of his hed 2 night.
|
|
Crickey, I'm about sprung. Tarnally dog gone my shins if this beent the
|
|
bestest puttiest longbreak yet. Item, curate, couple of cookies for this
|
|
child. Cot's plood and prandypalls, none! Not a pite of sheeses? Thrust
|
|
syphilis down to hell and with him those other licensed spirits. Time,
|
|
gents! Who wander through the world. Health all! A LA VOTRE!
|
|
|
|
Golly, whatten tunket's yon guy in the mackintosh? Dusty Rhodes. Peep at
|
|
his wearables. By mighty! What's he got? Jubilee mutton. Bovril, by
|
|
James. Wants it real bad. D'ye ken bare socks? Seedy cuss in the
|
|
Richmond? Rawthere! Thought he had a deposit of lead in his penis.
|
|
Trumpery insanity. Bartle the Bread we calls him. That, sir, was once a
|
|
prosperous cit. Man all tattered and torn that married a maiden all
|
|
forlorn. Slung her hook, she did. Here see lost love. Walking Mackintosh
|
|
of lonely canyon. Tuck and turn in. Schedule time. Nix for the hornies.
|
|
Pardon? Seen him today at a runefal? Chum o' yourn passed in his checks?
|
|
Ludamassy! Pore piccaninnies! Thou'll no be telling me thot, Pold veg!
|
|
Did ums blubble bigsplash crytears cos fren Padney was took off in black
|
|
bag? Of all de darkies Massa Pat was verra best. I never see the like
|
|
since I was born. TIENS, TIENS, but it is well sad, that, my faith, yes.
|
|
O, get, rev on a gradient one in nine. Live axle drives are souped. Lay
|
|
you two to one Jenatzy licks him ruddy well hollow. Jappies? High angle
|
|
fire, inyah! Sunk by war specials. Be worse for him, says he, nor any
|
|
Rooshian. Time all. There's eleven of them. Get ye gone. Forward, woozy
|
|
wobblers! Night. Night. May Allah the Excellent One your soul this night
|
|
ever tremendously conserve.
|
|
|
|
Your attention! We're nae tha fou. The Leith police dismisseth us. The
|
|
least tholice. Ware hawks for the chap puking. Unwell in his abominable
|
|
regions. Yooka. Night. Mona, my true love. Yook. Mona, my own love. Ook.
|
|
|
|
Hark! Shut your obstropolos. Pflaap! Pflaap! Blaze on. There she goes.
|
|
Brigade! Bout ship. Mount street way. Cut up! Pflaap! Tally ho. You not
|
|
come? Run, skelter, race. Pflaaaap!
|
|
|
|
Lynch! Hey? Sign on long o' me. Denzille lane this way. Change here for
|
|
Bawdyhouse. We two, she said, will seek the kips where shady Mary is.
|
|
Righto, any old time. LAETABUNTUR IN CUBILIBUS SUIS. You coming long?
|
|
Whisper, who the sooty hell's the johnny in the black duds? Hush! Sinned
|
|
against the light and even now that day is at hand when he shall come to
|
|
judge the world by fire. Pflaap! UT IMPLERENTUR SCRIPTURAE. Strike up a
|
|
ballad. Then outspake medical Dick to his comrade medical Davy.
|
|
Christicle, who's this excrement yellow gospeller on the Merrion hall?
|
|
Elijah is coming! Washed in the blood of the Lamb. Come on you
|
|
winefizzling, ginsizzling, booseguzzling existences! Come on, you dog-
|
|
gone, bullnecked, beetlebrowed, hogjowled, peanutbrained, weaseleyed
|
|
fourflushers, false alarms and excess baggage! Come on, you triple
|
|
extract of infamy! Alexander J Christ Dowie, that's my name, that's
|
|
yanked to glory most half this planet from Frisco beach to Vladivostok.
|
|
The Deity aint no nickel dime bumshow. I put it to you that He's on the
|
|
square and a corking fine business proposition. He's the grandest thing
|
|
yet and don't you forget it. Shout salvation in King Jesus. You'll need
|
|
to rise precious early you sinner there, if you want to diddle the
|
|
Almighty God. Pflaaaap! Not half. He's got a coughmixture with a punch in
|
|
it for you, my friend, in his back pocket. Just you try it on.
|
|
|
|
|
|
* * * * * * *
|
|
|
|
|
|
THE MABBOT STREET ENTRANCE OF NIGHTTOWN, BEFORE WHICH STRETCHES AN
|
|
UNCOBBLED TRAMSIDING SET WITH SKELETON TRACKS, RED AND GREEN WILL-O'-THE-
|
|
WISPS AND DANGER SIGNALS. ROWS OF GRIMY HOUSES WITH GAPING DOORS. RARE
|
|
LAMPS WITH FAINT RAINBOW FINS. ROUND RABAIOTTI'S HALTED ICE GONDOLA
|
|
STUNTED MEN AND WOMEN SQUABBLE. THEY GRAB WAFERS BETWEEN WHICH ARE WEDGED
|
|
LUMPS OF CORAL AND COPPER SNOW. SUCKING, THEY SCATTER SLOWLY. CHILDREN.
|
|
THE SWANCOMB OF THE GONDOLA, HIGHREARED, FORGES ON THROUGH THE MURK,
|
|
WHITE AND BLUE UNDER A LIGHTHOUSE. WHISTLES CALL AND ANSWER.
|
|
|
|
THE CALLS: Wait, my love, and I'll be with you.
|
|
|
|
THE ANSWERS: Round behind the stable.
|
|
|
|
(A DEAFMUTE IDIOT WITH GOGGLE EYES, HIS SHAPELESS MOUTH DRIBBLING, JERKS
|
|
PAST, SHAKEN IN SAINT VITUS' DANCE. A CHAIN OF CHILDREN 'S HANDS
|
|
IMPRISONS HIM.)
|
|
|
|
THE CHILDREN: Kithogue! Salute!
|
|
|
|
THE IDIOT: (LIFTS A PALSIED LEFT ARM AND GURGLES) Grhahute!
|
|
|
|
THE CHILDREN: Where's the great light?
|
|
|
|
THE IDIOT: (GOBBING) Ghaghahest.
|
|
|
|
(THEY RELEASE HIM. HE JERKS ON. A PIGMY WOMAN SWINGS ON A ROPE SLUNG
|
|
BETWEEN TWO RAILINGS, COUNTING. A FORM SPRAWLED AGAINST A DUSTBIN AND
|
|
MUFFLED BY ITS ARM AND HAT SNORES, GROANS, GRINDING GROWLING TEETH, AND
|
|
SNORES AGAIN. ON A STEP A GNOME TOTTING AMONG A RUBBISHTIP CROUCHES TO
|
|
SHOULDER A SACK OF RAGS AND BONES. A CRONE STANDING BY WITH A SMOKY
|
|
OILLAMP RAMS HER LAST BOTTLE IN THE MAW OF HIS SACK. HE HEAVES HIS BOOTY,
|
|
TUGS ASKEW HIS PEAKED CAP AND HOBBLES OFF MUTELY. THE CRONE MAKES BACK
|
|
FOR HER LAIR, SWAYING HER LAMP. A BANDY CHILD, ASQUAT ON THE DOORSTEP
|
|
WITH A PAPER SHUTTLECOCK, CRAWLS SIDLING AFTER HER IN SPURTS, CLUTCHES
|
|
HER SKIRT, SCRAMBLES UP. A DRUNKEN NAVVY GRIPS WITH BOTH HANDS THE
|
|
RAILINGS OF AN AREA, LURCHING HEAVILY. AT A COMER TWO NIGHT WATCH IN
|
|
SHOULDERCAPES, THEIR HANDS UPON THEIR STAFFHOLSTERS, LOOM TALL. A PLATE
|
|
CRASHES: A WOMAN SCREAMS: A CHILD WAILS. OATHS OF A MAN ROAR, MUTTER,
|
|
CEASE. FIGURES WANDER, LURK, PEER FROM WARRENS. IN A ROOM LIT BY A CANDLE
|
|
STUCK IN A BOTTLENECK A SLUT COMBS OUT THE TATTS FROM THE HAIR OF A
|
|
SCROFULOUS CHILD. CISSY CAFFREY'S VOICE, STILL YOUNG, SINGS SHRILL FROM A
|
|
LANE.)
|
|
|
|
CISSY CAFFREY:
|
|
|
|
|
|
I GAVE IT TO MOLLY
|
|
BECAUSE SHE WAS JOLLY,
|
|
THE LEG OF THE DUCK,
|
|
THE LEG OF THE DUCK.
|
|
|
|
|
|
(PRIVATE CARR AND PRIVATE COMPTON, SWAGGERSTICKS TIGHT IN THEIR OXTERS,
|
|
AS THEY MARCH UNSTEADILY RIGHTABOUTFACE AND BURST TOGETHER FROM THEIR
|
|
MOUTHS A VOLLEYED FART. LAUGHTER OF MEN FROM THE LANE. A HOARSE VIRAGO
|
|
RETORTS.)
|
|
|
|
THE VIRAGO: Signs on you, hairy arse. More power the Cavan girl.
|
|
|
|
CISSY CAFFREY: More luck to me. Cavan, Cootehill and Belturbet. (SHE
|
|
SINGS)
|
|
|
|
|
|
I GAVE IT TO NELLY
|
|
TO STICK IN HER BELLY,
|
|
THE LEG OF THE DUCK,
|
|
THE LEG OF THE DUCK.
|
|
|
|
|
|
(PRIVATE CARR AND PRIVATE COMPTON TURN AND COUNTERRETORT, THEIR TUNICS
|
|
BLOODBRIGHT IN A LAMPGLOW, BLACK SOCKETS OF CAPS ON THEIR BLOND CROPPED
|
|
POLLS. STEPHEN DEDALUS AND LYNCH PASS THROUGH THE CROWD CLOSE TO THE
|
|
REDCOATS.)
|
|
|
|
PRIVATE COMPTON: (JERKS HIS FINGER) Way for the parson.
|
|
|
|
PRIVATE CARR: (TURNS AND CALLS) What ho, parson!
|
|
|
|
CISSY CAFFREY: (HER VOICE SOARING HIGHER)
|
|
|
|
|
|
SHE HAS IT, SHE GOT IT,
|
|
WHEREVER SHE PUT IT,
|
|
THE LEG OF THE DUCK.
|
|
|
|
|
|
(STEPHEN, FLOURISHING THE ASHPLANT IN HIS LEFT HAND, CHANTS WITH JOY THE
|
|
INTROIT FOR PASCHAL TIME. LYNCH, HIS JOCKEYCAP LOW ON HIS BROW, ATTENDS
|
|
HIM, A SNEER OF DISCONTENT WRINKLING HIS FACE.)
|
|
|
|
STEPHEN: VIDI AQUAM EGREDIENTEM DE TEMPLO A LATERE DEXTRO. ALLELUIA.
|
|
|
|
(THE FAMISHED SNAGGLETUSKS OF AN ELDERLY BAWD PROTRUDE FROM A DOORWAY.)
|
|
|
|
THE BAWD: (HER VOICE WHISPERING HUSKILY) Sst! Come here till I tell you.
|
|
Maidenhead inside. Sst!
|
|
|
|
STEPHEN: (ALTIUS ALIQUANTULUM) ET OMNES AD QUOS PERVENIT AQUA ISTA.
|
|
|
|
THE BAWD: (SPITS IN THEIR TRAIL HER JET OF VENOM) Trinity medicals.
|
|
Fallopian tube. All prick and no pence.
|
|
|
|
(EDY BOARDMAN, SNIFFLING, CROUCHED WITH BERTHA SUPPLE, DRAWS HER SHAWL
|
|
ACROSS HER NOSTRILS.)
|
|
|
|
EDY BOARDMAN: (BICKERING) And says the one: I seen you up Faithful place
|
|
with your squarepusher, the greaser off the railway, in his cometobed
|
|
hat. Did you, says I. That's not for you to say, says I. You never seen
|
|
me in the mantrap with a married highlander, says I. The likes of her!
|
|
Stag that one is! Stubborn as a mule! And her walking with two fellows
|
|
the one time, Kilbride, the enginedriver, and lancecorporal Oliphant.
|
|
|
|
STEPHEN: (TRIUMPHALITER) SALVI FACTI SUNT.
|
|
|
|
(HE FLOURISHES HIS ASHPLANT, SHIVERING THE LAMP IMAGE, SHATTERING LIGHT
|
|
OVER THE WORLD. A LIVER AND WHITE SPANIEL ON THE PROWL SLINKS AFTER HIM,
|
|
GROWLING. LYNCH SCARES IT WITH A KICK.)
|
|
|
|
LYNCH: So that?
|
|
|
|
STEPHEN: (LOOKS BEHIND) So that gesture, not music not odour, would be a
|
|
universal language, the gift of tongues rendering visible not the lay
|
|
sense but the first entelechy, the structural rhythm.
|
|
|
|
LYNCH: Pornosophical philotheology. Metaphysics in Mecklenburgh street!
|
|
|
|
STEPHEN: We have shrewridden Shakespeare and henpecked Socrates. Even the
|
|
allwisest Stagyrite was bitted, bridled and mounted by a light of love.
|
|
|
|
LYNCH: Ba!
|
|
|
|
STEPHEN: Anyway, who wants two gestures to illustrate a loaf and a jug?
|
|
This movement illustrates the loaf and jug of bread or wine in Omar. Hold
|
|
my stick.
|
|
|
|
LYNCH: Damn your yellow stick. Where are we going?
|
|
|
|
STEPHEN: Lecherous lynx, TO LA BELLE DAME SANS MERCI, Georgina Johnson,
|
|
AD DEAM QUI LAETIFICAT IUVENTUTEM MEAM.
|
|
|
|
(STEPHEN THRUSTS THE ASHPLANT ON HIM AND SLOWLY HOLDS OUT HIS HANDS, HIS
|
|
HEAD GOING BACK TILL BOTH HANDS ARE A SPAN FROM HIS BREAST, DOWN TURNED,
|
|
IN PLANES INTERSECTING, THE FINGERS ABOUT TO PART, THE LEFT BEING
|
|
HIGHER.)
|
|
|
|
LYNCH: Which is the jug of bread? It skills not. That or the customhouse.
|
|
Illustrate thou. Here take your crutch and walk.
|
|
|
|
(THEY PASS. TOMMY CAFFREY SCRAMBLES TO A GASLAMP AND, CLASPING, CLIMBS IN
|
|
SPASMS. FROM THE TOP SPUR HE SLIDES DOWN. JACKY CAFFREY CLASPS TO CLIMB.
|
|
THE NAVVY LURCHES AGAINST THE LAMP. THE TWINS SCUTTLE OFF IN THE DARK.
|
|
THE NAVVY, SWAYING, PRESSES A FOREFINGER AGAINST A WING OF HIS NOSE AND
|
|
EJECTS FROM THE FARTHER NOSTRIL A LONG LIQUID JET OF SNOT. SHOULDERING
|
|
THE LAMP HE STAGGERS AWAY THROUGH THE CROWD WITH HIS FLARING CRESSET.
|
|
|
|
SNAKES OF RIVER FOG CREEP SLOWLY. FROM DRAINS, CLEFTS, CESSPOOLS, MIDDENS
|
|
ARISE ON ALL SIDES STAGNANT FUMES. A GLOW LEAPS IN THE SOUTH BEYOND THE
|
|
SEAWARD REACHES OF THE RIVER. THE NAVVY, STAGGERING FORWARD, CLEAVES THE
|
|
CROWD AND LURCHES TOWARDS THE TRAMSIDING ON THE FARTHER SIDE UNDER THE
|
|
RAILWAY BRIDGE BLOOM APPEARS, FLUSHED, PANTING, CRAMMING BREAD AND
|
|
CHOCOLATE INTO A SIDEPOCKET. FROM GILLEN'S HAIRDRESSER'S WINDOW A
|
|
COMPOSITE PORTRAIT SHOWS HIM GALLANT NELSON'S IMAGE. A CONCAVE MIRROR AT
|
|
THE SIDE PRESENTS TO HIM LOVELORN LONGLOST LUGUBRU BOOLOOHOOM. GRAVE
|
|
GLADSTONE SEES HIM LEVEL, BLOOM FOR BLOOM. HE PASSES, STRUCK BY THE STARE
|
|
OF TRUCULENT WELLINGTON, BUT IN THE CONVEX MIRROR GRIN UNSTRUCK THE
|
|
BONHAM EYES AND FATCHUCK CHEEKCHOPS OF JOLLYPOLDY THE RIXDIX DOLDY.
|
|
|
|
AT ANTONIO PABAIOTTI'S DOOR BLOOM HALTS, SWEATED UNDER THE BRIGHT
|
|
ARCLAMP. HE DISAPPEARS. IN A MOMENT HE REAPPEARS AND HURRIES ON.)
|
|
|
|
BLOOM: Fish and taters. N. g. Ah!
|
|
|
|
(HE DISAPPEARS INTO OLHAUSEN'S, THE PORKBUTCHER'S, UNDER THE DOWNCOMING
|
|
ROLLSHUTTER. A FEW MOMENTS LATER HE EMERGES FROM UNDER THE SHUTTER,
|
|
PUFFING POLDY, BLOWING BLOOHOOM. IN EACH HAND HE HOLDS A PARCEL, ONE
|
|
CONTAINING A LUKEWARM PIG'S CRUBEEN, THE OTHER A COLD SHEEP'S TROTTER,
|
|
SPRINKLED WITH WHOLEPEPPER. HE GASPS, STANDING UPRIGHT. THEN BENDING TO
|
|
ONE SIDE HE PRESSES A PARCEL AGAINST HIS RIBS AND GROANS.)
|
|
|
|
BLOOM: Stitch in my side. Why did I run?
|
|
|
|
(HE TAKES BREATH WITH CARE AND GOES FORWARD SLOWLY TOWARDS THE LAMPSET
|
|
SIDING. THE GLOW LEAPS AGAIN.)
|
|
|
|
BLOOM: What is that? A flasher? Searchlight.
|
|
|
|
(HE STANDS AT CORMACK'S CORNER, WATCHING)
|
|
|
|
BLOOM: AURORA BOREALIS or a steel foundry? Ah, the brigade, of course.
|
|
South side anyhow. Big blaze. Might be his house. Beggar's bush. We're
|
|
safe. (HE HUMS CHEERFULLY) London's burning, London's burning! On fire,
|
|
on fire! (HE CATCHES SIGHT OF THE NAVVY LURCHING THROUGH THE CROWD AT THE
|
|
FARTHER SIDE OF TALBOT STREET) I'll miss him. Run. Quick. Better cross
|
|
here.
|
|
|
|
(HE DARTS TO CROSS THE ROAD. URCHINS SHOUT.)
|
|
|
|
THE URCHINS: Mind out, mister! (TWO CYCLISTS, WITH LIGHTED PAPER LANTERNS
|
|
ASWING, SWIM BY HIM, GRAZING HIM, THEIR BELLS RATTLING)
|
|
|
|
THE BELLS: Haltyaltyaltyall.
|
|
|
|
BLOOM: (HALTS ERECT, STUNG BY A SPASM) Ow!
|
|
|
|
(HE LOOKS ROUND, DARTS FORWARD SUDDENLY. THROUGH RISING FOG A DRAGON
|
|
SANDSTREWER, TRAVELLING AT CAUTION, SLEWS HEAVILY DOWN UPON HIM, ITS HUGE
|
|
RED HEADLIGHT WINKING, ITS TROLLEY HISSING ON THE WIRE. THE MOTORMAN
|
|
BANGS HIS FOOTGONG.)
|
|
|
|
THE GONG: Bang Bang Bla Bak Blud Bugg Bloo.
|
|
|
|
(THE BRAKE CRACKS VIOLENTLY. BLOOM, RAISING A POLICEMAN'S WHITEGLOVED
|
|
HAND, BLUNDERS STIFFLEGGED OUT OF THE TRACK. THE MOTORMAN, THROWN
|
|
FORWARD, PUGNOSED, ON THE GUIDEWHEEL, YELLS AS HE SLIDES PAST OVER CHAINS
|
|
AND KEYS.)
|
|
|
|
THE MOTORMAN: Hey, shitbreeches, are you doing the hat trick?
|
|
|
|
BLOOM: (BLOOM TRICKLEAPS TO THE CURBSTONE AND HALTS AGAIN. HE BRUSHES A
|
|
MUDFLAKE FROM HIS CHEEK WITH A PARCELLED HAND.) No thoroughfare. Close
|
|
shave that but cured the stitch. Must take up Sandow's exercises again.
|
|
On the hands down. Insure against street accident too. The Providential.
|
|
(HE FEELS HIS TROUSER POCKET) Poor mamma's panacea. Heel easily catch in
|
|
track or bootlace in a cog. Day the wheel of the black Maria peeled off
|
|
my shoe at Leonard's corner. Third time is the charm. Shoe trick.
|
|
Insolent driver. I ought to report him. Tension makes them nervous. Might
|
|
be the fellow balked me this morning with that horsey woman. Same style
|
|
of beauty. Quick of him all the same. The stiff walk. True word spoken in
|
|
jest. That awful cramp in Lad lane. Something poisonous I ate. Emblem of
|
|
luck. Why? Probably lost cattle. Mark of the beast. (HE CLOSES HIS EYES
|
|
AN INSTANT) Bit light in the head. Monthly or effect of the other.
|
|
Brainfogfag. That tired feeling. Too much for me now. Ow!
|
|
|
|
(A SINISTER FIGURE LEANS ON PLAITED LEGS AGAINST O'BEIRNE'S WALL, A
|
|
VISAGE UNKNOWN, INJECTED WITH DARK MERCURY. FROM UNDER A WIDELEAVED
|
|
SOMBRERO THE FIGURE REGARDS HIM WITH EVIL EYE.)
|
|
|
|
BLOOM: BUENAS NOCHES, SENORITA BLANCA. QUE CALLE ES ESTA?
|
|
|
|
THE FIGURE: (IMPASSIVE, RAISES A SIGNAL ARM) Password. SRAID MABBOT.
|
|
|
|
BLOOM: Haha. MERCI. Esperanto. SLAN LEATH. (HE MUTTERS) Gaelic league
|
|
spy, sent by that fireeater.
|
|
|
|
(HE STEPS FORWARD. A SACKSHOULDERED RAGMAN BARS HIS PATH. HE STEPS LEFT,
|
|
RAGSACKMAN LEFT.)
|
|
|
|
BLOOM: I beg. (HE SWERVES, SIDLES, STEPASIDE, SLIPS PAST AND ON.)
|
|
|
|
BLOOM: Keep to the right, right, right. If there is a signpost planted by
|
|
the Touring Club at Stepaside who procured that public boon? I who lost
|
|
my way and contributed to the columns of the IRISH CYCLIST the letter
|
|
headed IN DARKEST STEPASIDE. Keep, keep, keep to the right. Rags and
|
|
bones at midnight. A fence more likely. First place murderer makes for.
|
|
Wash off his sins of the world.
|
|
|
|
(JACKY CAFFREY, HUNTED BY TOMMY CAFFREY, RUNS FULL TILT AGAINST BLOOM.)
|
|
|
|
BLOOM: O
|
|
|
|
(SHOCKED, ON WEAK HAMS, HE HALTS. TOMMY AND JACKY VANISH THERE, THERE.
|
|
BLOOM PATS WITH PARCELLED HANDS WATCH FOBPOCKET, BOOKPOCKET, PURSEPOKET,
|
|
SWEETS OF SIN, POTATO SOAP.)
|
|
|
|
BLOOM: Beware of pickpockets. Old thieves' dodge. Collide. Then snatch
|
|
your purse.
|
|
|
|
(THE RETRIEVER APPROACHES SNIFFING, NOSE TO THE GROUND. A SPRAWLED FORM
|
|
SNEEZES. A STOOPED BEARDED FIGURE APPEARS GARBED IN THE LONG CAFTAN OF AN
|
|
ELDER IN ZION AND A SMOKINGCAP WITH MAGENTA TASSELS. HORNED SPECTACLES
|
|
HANG DOWN AT THE WINGS OF THE NOSE. YELLOW POISON STREAKS ARE ON THE
|
|
DRAWN FACE.)
|
|
|
|
RUDOLPH: Second halfcrown waste money today. I told you not go with
|
|
drunken goy ever. So you catch no money.
|
|
|
|
BLOOM: (HIDES THE CRUBEEN AND TROTTER BEHIND HIS BACK AND, CRESTFALLEN,
|
|
FEELS WARM AND COLD FEETMEAT) JA, ICH WEISS, PAPACHI.
|
|
|
|
RUDOLPH: What you making down this place? Have you no soul? (WITH FEEBLE
|
|
VULTURE TALONS HE FEELS THE SILENT FACE OF BLOOM) Are you not my son
|
|
Leopold, the grandson of Leopold? Are you not my dear son Leopold who
|
|
left the house of his father and left the god of his fathers Abraham and
|
|
Jacob?
|
|
|
|
BLOOM: (WITH PRECAUTION) I suppose so, father. Mosenthal. All that's left
|
|
of him.
|
|
|
|
RUDOLPH: (SEVERELY) One night they bring you home drunk as dog after
|
|
spend your good money. What you call them running chaps?
|
|
|
|
BLOOM: (IN YOUTH'S SMART BLUE OXFORD SUIT WITH WHITE VESTSLIPS,
|
|
NARROWSHOULDERED, IN BROWN ALPINE HAT, WEARING GENT'S STERLING SILVER
|
|
WATERBURY KEYLESS WATCH AND DOUBLE CURB ALBERT WITH SEAL ATTACHED, ONE
|
|
SIDE OF HIM COATED WITH STIFFENING MUD) Harriers, father. Only that once.
|
|
|
|
RUDOLPH: Once! Mud head to foot. Cut your hand open. Lockjaw. They make
|
|
you kaputt, Leopoldleben. You watch them chaps.
|
|
|
|
BLOOM: (WEAKLY) They challenged me to a sprint. It was muddy. I slipped.
|
|
|
|
RUDOLPH: (WITH CONTEMPT) GOIM NACHEZ! Nice spectacles for your poor
|
|
mother!
|
|
|
|
BLOOM: Mamma!
|
|
|
|
ELLEN BLOOM: (IN PANTOMIME DAME'S STRINGED MOBCAP, WIDOW TWANKEY'S
|
|
CRINOLINE AND BUSTLE, BLOUSE WITH MUTTONLEG SLEEVES BUTTONED BEHIND, GREY
|
|
MITTENS AND CAMEO BROOCH, HER PLAITED HAIR IN A CRISPINE NET, APPEARS
|
|
OVER THE STAIRCASE BANISTERS, A SLANTED CANDLESTICK IN HER HAND, AND
|
|
CRIES OUT IN SHRILL ALARM) O blessed Redeemer, what have they done to
|
|
him! My smelling salts! (SHE HAULS UP A REEF OF SKIRT AND RANSACKS THE
|
|
POUCH OF HER STRIPED BLAY PETTICOAT. A PHIAL, AN AGNUS DEI, A SHRIVELLED
|
|
POTATO AND A CELLULOID DOLL FALL OUT) Sacred Heart of Mary, where were
|
|
you at all at all?
|
|
|
|
(BLOOM, MUMBLING, HIS EYES DOWNCAST, BEGINS TO BESTOW HIS PARCELS IN HIS
|
|
FILLED POCKETS BUT DESISTS, MUTTERING.)
|
|
|
|
A VOICE: (SHARPLY) Poldy!
|
|
|
|
BLOOM: Who? (HE DUCKS AND WARDS OFF A BLOW CLUMSILY) At your service.
|
|
|
|
(HE LOOKS UP. BESIDE HER MIRAGE OF DATEPALMS A HANDSOME WOMAN IN TURKISH
|
|
COSTUME STANDS BEFORE HIM. OPULENT CURVES FILL OUT HER SCARLET TROUSERS
|
|
AND JACKET, SLASHED WITH GOLD. A WIDE YELLOW CUMMERBUND GIRDLES HER. A
|
|
WHITE YASHMAK, VIOLET IN THE NIGHT, COVERS HER FACE, LEAVING FREE ONLY
|
|
HER LARGE DARK EYES AND RAVEN HAIR.)
|
|
|
|
BLOOM: Molly!
|
|
|
|
MARION: Welly? Mrs Marion from this out, my dear man, when you speak to
|
|
me. (SATIRICALLY) Has poor little hubby cold feet waiting so long?
|
|
|
|
BLOOM: (SHIFTS FROM FOOT TO FOOT) No, no. Not the least little bit.
|
|
|
|
(HE BREATHES IN DEEP AGITATION, SWALLOWING GULPS OF AIR, QUESTIONS,
|
|
HOPES, CRUBEENS FOR HER SUPPER, THINGS TO TELL HER, EXCUSE, DESIRE,
|
|
SPELLBOUND. A COIN GLEAMS ON HER FOREHEAD. ON HER FEET ARE JEWELLED
|
|
TOERINGS. HER ANKLES ARE LINKED BY A SLENDER FETTERCHAIN. BESIDE HER A
|
|
CAMEL, HOODED WITH A TURRETING TURBAN, WAITS. A SILK LADDER OF
|
|
INNUMERABLE RUNGS CLIMBS TO HIS BOBBING HOWDAH. HE AMBLES NEAR WITH
|
|
DISGRUNTLED HINDQUARTERS. FIERCELY SHE SLAPS HIS HAUNCH, HER GOLDCURB
|
|
WRISTBANGLES ANGRILING, SCOLDING HIM IN MOORISH.)
|
|
|
|
MARION: Nebrakada! Femininum!
|
|
|
|
(THE CAMEL, LIFTING A FORELEG, PLUCKS FROM A TREE A LARGE MANGO FRUIT,
|
|
OFFERS IT TO HIS MISTRESS, BLINKING, IN HIS CLOVEN HOOF, THEN DROOPS HIS
|
|
HEAD AND, GRUNTING, WITH UPLIFTED NECK, FUMBLES TO KNEEL. BLOOM STOOPS
|
|
HIS BACK FOR LEAPFROG.)
|
|
|
|
BLOOM: I can give you ... I mean as your business menagerer ... Mrs
|
|
Marion ... if you ...
|
|
|
|
MARION: So you notice some change? (HER HANDS PASSING SLOWLY OVER HER
|
|
TRINKETED STOMACHER, A SLOW FRIENDLY MOCKERY IN HER EYES) O Poldy, Poldy,
|
|
you are a poor old stick in the mud! Go and see life. See the wide world.
|
|
|
|
BLOOM: I was just going back for that lotion whitewax, orangeflower
|
|
water. Shop closes early on Thursday. But the first thing in the morning.
|
|
(HE PATS DIVERS POCKETS) This moving kidney. Ah!
|
|
|
|
(HE POINTS TO THE SOUTH, THEN TO THE EAST. A CAKE OF NEW CLEAN LEMON SOAP
|
|
ARISES, DIFFUSING LIGHT AND PERFUME.)
|
|
|
|
THE SOAP:
|
|
|
|
|
|
We're a capital couple are Bloom and I.
|
|
He brightens the earth. I polish the sky.
|
|
|
|
|
|
(THE FRECKLED FACE OF SWENY, THE DRUGGIST, APPEARS IN THE DISC OF THE
|
|
SOAPSUN.)
|
|
|
|
SWENY: Three and a penny, please.
|
|
|
|
BLOOM: Yes. For my wife. Mrs Marion. Special recipe.
|
|
|
|
MARION: (SOFTLY) Poldy!
|
|
|
|
BLOOM: Yes, ma'am?
|
|
|
|
MARION: TI TREMA UN POCO IL CUORE?
|
|
|
|
(IN DISDAIN SHE SAUNTERS AWAY, PLUMP AS A PAMPERED POUTER PIGEON, HUMMING
|
|
THE DUET FROM Don Giovanni.)
|
|
|
|
BLOOM: Are you sure about that VOGLIO? I mean the pronunciati ...
|
|
|
|
(HE FOLLOWS, FOLLOWED BY THE SNIFFING TERRIER. THE ELDERLY BAWD SEIZES
|
|
HIS SLEEVE, THE BRISTLES OF HER CHINMOLE GLITTERING.)
|
|
|
|
THE BAWD: Ten shillings a maidenhead. Fresh thing was never touched.
|
|
Fifteen. There's no-one in it only her old father that's dead drunk.
|
|
|
|
(SHE POINTS. IN THE GAP OF HER DARK DEN FURTIVE, RAINBEDRAGGLED, BRIDIE
|
|
KELLY STANDS.)
|
|
|
|
BRIDIE: Hatch street. Any good in your mind?
|
|
|
|
(WITH A SQUEAK SHE FLAPS HER BAT SHAWL AND RUNS. A BURLY ROUGH PURSUES
|
|
WITH BOOTED STRIDES. HE STUMBLES ON THE STEPS, RECOVERS, PLUNGES INTO
|
|
GLOOM. WEAK SQUEAKS OF LAUGHTER ARE HEARD, WEAKER.)
|
|
|
|
THE BAWD: (HER WOLFEYES SHINING) He's getting his pleasure. You won't get
|
|
a virgin in the flash houses. Ten shillings. Don't be all night before
|
|
the polis in plain clothes sees us. Sixtyseven is a bitch.
|
|
|
|
(LEERING, GERTY MACDOWELL LIMPS FORWARD. SHE DRAWS FROM BEHIND, OGLING,
|
|
AND SHOWS COYLY HER BLOODIED CLOUT.)
|
|
|
|
GERTY: With all my worldly goods I thee and thou. (SHE MURMURS) You did
|
|
that. I hate you.
|
|
|
|
BLOOM: I? When? You're dreaming. I never saw you.
|
|
|
|
THE BAWD: Leave the gentleman alone, you cheat. Writing the gentleman
|
|
false letters. Streetwalking and soliciting. Better for your mother take
|
|
the strap to you at the bedpost, hussy like you.
|
|
|
|
GERTY: (TO BLOOM) When you saw all the secrets of my bottom drawer. (SHE
|
|
PAWS HIS SLEEVE, SLOBBERING) Dirty married man! I love you for doing that
|
|
to me.
|
|
|
|
(SHE GLIDES AWAY CROOKEDLY. MRS BREEN IN MAN'S FRIEZE OVERCOAT WITH LOOSE
|
|
BELLOWS POCKETS, STANDS IN THE CAUSEWAY, HER ROGUISH EYES WIDEOPEN,
|
|
SMILING IN ALL HER HERBIVOROUS BUCKTEETH.)
|
|
|
|
MRS BREEN: Mr ...
|
|
|
|
BLOOM: (COUGHS GRAVELY) Madam, when we last had this pleasure by letter
|
|
dated the sixteenth instant ...
|
|
|
|
MRS BREEN: Mr Bloom! You down here in the haunts of sin! I caught you
|
|
nicely! Scamp!
|
|
|
|
BLOOM: (HURRIEDLY) Not so loud my name. Whatever do you think of me?
|
|
Don't give me away. Walls have ears. How do you do? It's ages since I.
|
|
You're looking splendid. Absolutely it. Seasonable weather we are having
|
|
this time of year. Black refracts heat. Short cut home here. Interesting
|
|
quarter. Rescue of fallen women. Magdalen asylum. I am the secretary ...
|
|
|
|
MRS BREEN: (HOLDS UP A FINGER) Now, don't tell a big fib! I know somebody
|
|
won't like that. O just wait till I see Molly! (SLILY) Account for
|
|
yourself this very sminute or woe betide you!
|
|
|
|
BLOOM: (LOOKS BEHIND) She often said she'd like to visit. Slumming. The
|
|
exotic, you see. Negro servants in livery too if she had money. Othello
|
|
black brute. Eugene Stratton. Even the bones and cornerman at the
|
|
Livermore christies. Bohee brothers. Sweep for that matter.
|
|
|
|
(TOM AND SAM BOHEE, COLOURED COONS IN WHITE DUCK SUITS, SCARLET SOCKS,
|
|
UPSTARCHED SAMBO CHOKERS AND LARGE SCARLET ASTERS IN THEIR BUTTONHOLES,
|
|
LEAP OUT. EACH HAS HIS BANJO SLUNG. THEIR PALER SMALLER NEGROID HANDS
|
|
JINGLE THE TWINGTWANG WIRES. FLASHING WHITE KAFFIR EYES AND TUSKS THEY
|
|
RATTLE THROUGH A BREAKDOWN IN CLUMSY CLOGS, TWINGING, SINGING, BACK TO
|
|
BACK, TOE HEEL, HEEL TOE, WITH SMACKFATCLACKING NIGGER LIPS.)
|
|
|
|
TOM AND SAM:
|
|
|
|
|
|
There's someone in the house with Dina
|
|
There's someone in the house, I know,
|
|
There's someone in the house with Dina
|
|
Playing on the old banjo.
|
|
|
|
|
|
(THEY WHISK BLACK MASKS FROM RAW BABBY FACES: THEN, CHUCKLING, CHORTLING,
|
|
TRUMMING, TWANGING, THEY DIDDLE DIDDLE CAKEWALK DANCE AWAY.)
|
|
|
|
BLOOM: (WITH A SOUR TENDERISH SMILE) A little frivol, shall we, if you
|
|
are so inclined? Would you like me perhaps to embrace you just for a
|
|
fraction of a second?
|
|
|
|
MRS BREEN: (SCREAMS GAILY) O, you ruck! You ought to see yourself!
|
|
|
|
BLOOM: For old sake' sake. I only meant a square party, a mixed marriage
|
|
mingling of our different little conjugials. You know I had a soft corner
|
|
for you. (GLOOMILY) 'Twas I sent you that valentine of the dear gazelle.
|
|
|
|
MRS BREEN: Glory Alice, you do look a holy show! Killing simply. (SHE
|
|
PUTS OUT HER HAND INQUISITIVELY) What are you hiding behind your back?
|
|
Tell us, there's a dear.
|
|
|
|
BLOOM: (SEIZES HER WRIST WITH HIS FREE HAND) Josie Powell that was,
|
|
prettiest deb in Dublin. How time flies by! Do you remember, harking back
|
|
in a retrospective arrangement, Old Christmas night, Georgina Simpson's
|
|
housewarming while they were playing the Irving Bishop game, finding the
|
|
pin blindfold and thoughtreading? Subject, what is in this snuffbox?
|
|
|
|
MRS BREEN: You were the lion of the night with your seriocomic recitation
|
|
and you looked the part. You were always a favourite with the ladies.
|
|
|
|
BLOOM: (SQUIRE OF DAMES, IN DINNER JACKET WITH WATEREDSILK FACINGS, BLUE
|
|
MASONIC BADGE IN HIS BUTTONHOLE, BLACK BOW AND MOTHER-OF-PEARL STUDS, A
|
|
PRISMATIC CHAMPAGNE GLASS TILTED IN HIS HAND) Ladies and gentlemen, I
|
|
give you Ireland, home and beauty.
|
|
|
|
MRS BREEN: The dear dead days beyond recall. Love's old sweet song.
|
|
|
|
BLOOM: (MEANINGFULLY DROPPING HIS VOICE) I confess I'm teapot with
|
|
curiosity to find out whether some person's something is a little teapot
|
|
at present.
|
|
|
|
MRS BREEN: (GUSHINGLY) Tremendously teapot! London's teapot and I'm
|
|
simply teapot all over me! (SHE RUBS SIDES WITH HIM) After the parlour
|
|
mystery games and the crackers from the tree we sat on the staircase
|
|
ottoman. Under the mistletoe. Two is company.
|
|
|
|
BLOOM: (WEARING A PURPLE NAPOLEON HAT WITH AN AMBER HALFMOON, HIS FINGERS
|
|
AND THUMB PASSING SLOWLY DOWN TO HER SOFT MOIST MEATY PALM WHICH SHE
|
|
SURRENDERS GENTLY) The witching hour of night. I took the splinter out of
|
|
this hand, carefully, slowly. (TENDERLY, AS HE SLIPS ON HER FINGER A RUBY
|
|
RING) LA CI DAREM LA MANO.
|
|
|
|
MRS BREEN: (IN A ONEPIECE EVENING FROCK EXECUTED IN MOONLIGHT BLUE, A
|
|
TINSEL SYLPH'S DIADEM ON HER BROW WITH HER DANCECARD FALLEN BESIDE HER
|
|
MOONBLUE SATIN SLIPPER, CURVES HER PALM SOFTLY, BREATHING QUICKLY) VOGLIO
|
|
E NON. You're hot! You're scalding! The left hand nearest the heart.
|
|
|
|
BLOOM: When you made your present choice they said it was beauty and the
|
|
beast. I can never forgive you for that. (HIS CLENCHED FIST AT HIS BROW)
|
|
Think what it means. All you meant to me then. (HOARSELY) Woman, it's
|
|
breaking me!
|
|
|
|
(DENIS BREEN, WHITETALLHATTED, WITH WISDOM HELY'S SANDWICH- BOARDS,
|
|
SHUFFLES PAST THEM IN CARPET SLIPPERS, HIS DULL BEARD THRUST OUT,
|
|
MUTTERING TO RIGHT AND LEFT. LITTLE ALF BERGAN, CLOAKED IN THE PALL OF
|
|
THE ACE OF SPADES, DOGS HIM TO LEFT AND RIGHT, DOUBLED IN LAUGHTER.)
|
|
|
|
ALF BERGAN: (POINTS JEERING AT THE SANDWICHBOARDS) U. p: Up.
|
|
|
|
MRS BREEN: (TO BLOOM) High jinks below stairs. (SHE GIVES HIM THE GLAD
|
|
EYE) Why didn't you kiss the spot to make it well? You wanted to.
|
|
|
|
BLOOM: (SHOCKED) Molly's best friend! Could you?
|
|
|
|
MRS BREEN: (HER PULPY TONGUE BETWEEN HER LIPS, OFFERS A PIGEON KISS)
|
|
Hnhn. The answer is a lemon. Have you a little present for me there?
|
|
|
|
BLOOM: (OFFHANDEDLY) Kosher. A snack for supper. The home without potted
|
|
meat is incomplete. I was at LEAH. Mrs Bandmann Palmer. Trenchant
|
|
exponent of Shakespeare. Unfortunately threw away the programme. Rattling
|
|
good place round there for pigs' feet. Feel.
|
|
|
|
(RICHIE GOULDING, THREE LADIES' HATS PINNED ON HIS HEAD, APPEARS WEIGHTED
|
|
TO ONE SIDE BY THE BLACK LEGAL BAG OF COLLIS AND WARD ON WHICH A SKULL
|
|
AND CROSSBONES ARE PAINTED IN WHITE LIMEWASH. HE OPENS IT AND SHOWS IT
|
|
FULL OF POLONIES, KIPPERED HERRINGS, FINDON HADDIES AND TIGHTPACKED
|
|
PILLS.)
|
|
|
|
RICHIE: Best value in Dub.
|
|
|
|
(BALD PAT, BOTHERED BEETLE, STANDS ON THE CURBSTONE, FOLDING HIS NAPKIN,
|
|
WAITING TO WAIT.)
|
|
|
|
PAT: (ADVANCES WITH A TILTED DISH OF SPILLSPILLING GRAVY) Steak and
|
|
kidney. Bottle of lager. Hee hee hee. Wait till I wait.
|
|
|
|
RICHIE: Goodgod. Inev erate inall ...
|
|
|
|
(WITH HANGING HEAD HE MARCHES DOGGEDLY FORWARD. THE NAVVY, LURCHING BY,
|
|
GORES HIM WITH HIS FLAMING PRONGHORN.)
|
|
|
|
RICHIE: (WITH A CRY OF PAIN, HIS HAND TO HIS BACK) Ah! Bright's! Lights!
|
|
|
|
BLOOM: (POINTS TO THE NAVVY) A spy. Don't attract attention. I hate
|
|
stupid crowds. I am not on pleasure bent. I am in a grave predicament.
|
|
|
|
MRS BREEN: Humbugging and deluthering as per usual with your cock and
|
|
bull story.
|
|
|
|
BLOOM: I want to tell you a little secret about how I came to be here.
|
|
But you must never tell. Not even Molly. I have a most particular reason.
|
|
|
|
MRS BREEN: (ALL AGOG) O, not for worlds.
|
|
|
|
BLOOM: Let's walk on. Shall us?
|
|
|
|
MRS BREEN: Let's.
|
|
|
|
(THE BAWD MAKES AN UNHEEDED SIGN. BLOOM WALKS ON WITH MRS BREEN. THE
|
|
TERRIER FOLLOWS, WHINING PITEOUSLY, WAGGING HIS TAIL.)
|
|
|
|
THE BAWD: Jewman's melt!
|
|
|
|
BLOOM: (IN AN OATMEAL SPORTING SUIT, A SPRIG OF WOODBINE IN THE LAPEL,
|
|
TONY BUFF SHIRT, SHEPHERD'S PLAID SAINT ANDREW'S CROSS SCARFTIE, WHITE
|
|
SPATS, FAWN DUSTCOAT ON HIS ARM, TAWNY RED BROGUES, FIELDGLASSES IN
|
|
BANDOLIER AND A GREY BILLYCOCK HAT) Do you remember a long long time,
|
|
years and years ago, just after Milly, Marionette we called her, was
|
|
weaned when we all went together to Fairyhouse races, was it?
|
|
|
|
MRS BREEN: (IN SMART SAXE TAILORMADE, WHITE VELOURS HAT AND SPIDER VEIL)
|
|
Leopardstown.
|
|
|
|
BLOOM: I mean, Leopardstown. And Molly won seven shillings on a three
|
|
year old named Nevertell and coming home along by Foxrock in that old
|
|
fiveseater shanderadan of a waggonette you were in your heyday then and
|
|
you had on that new hat of white velours with a surround of molefur that
|
|
Mrs Hayes advised you to buy because it was marked down to nineteen and
|
|
eleven, a bit of wire and an old rag of velveteen, and I'll lay you what
|
|
you like she did it on purpose ...
|
|
|
|
MRS BREEN: She did, of course, the cat! Don't tell me! Nice adviser!
|
|
|
|
BLOOM: Because it didn't suit you one quarter as well as the other ducky
|
|
little tammy toque with the bird of paradise wing in it that I admired on
|
|
you and you honestly looked just too fetching in it though it was a pity
|
|
to kill it, you cruel naughty creature, little mite of a thing with a
|
|
heart the size of a fullstop.
|
|
|
|
MRS BREEN: (SQUEEZES HIS ARM, SIMPERS) Naughty cruel I was!
|
|
|
|
BLOOM: (LOW, SECRETLY, EVER MORE RAPIDLY) And Molly was eating a sandwich
|
|
of spiced beef out of Mrs Joe Gallaher's lunch basket. Frankly, though
|
|
she had her advisers or admirers, I never cared much for her style. She
|
|
was ...
|
|
|
|
MRS BREEN: Too ...
|
|
|
|
BLOOM: Yes. And Molly was laughing because Rogers and Maggot O'Reilly
|
|
were mimicking a cock as we passed a farmhouse and Marcus Tertius Moses,
|
|
the tea merchant, drove past us in a gig with his daughter, Dancer Moses
|
|
was her name, and the poodle in her lap bridled up and you asked me if I
|
|
ever heard or read or knew or came across ...
|
|
|
|
MRS BREEN: (EAGERLY) Yes, yes, yes, yes, yes, yes, yes.
|
|
|
|
(SHE FADES FROM HIS SIDE. FOLLOWED BY THE WHINING DOG HE WALKS ON TOWARDS
|
|
HELLSGATES. IN AN ARCHWAY A STANDING WOMAN, BENT FORWARD, HER FEET APART,
|
|
PISSES COWILY. OUTSIDE A SHUTTERED PUB A BUNCH OF LOITERERS LISTEN TO A
|
|
TALE WHICH THEIR BROKENSNOUTED GAFFER RASPS OUT WITH RAUCOUS HUMOUR. AN
|
|
ARMLESS PAIR OF THEM FLOP WRESTLING, GROWLING, IN MAIMED SODDEN
|
|
PLAYFIGHT.)
|
|
|
|
THE GAFFER: (CROUCHES, HIS VOICE TWISTED IN HIS SNOUT) And when Cairns
|
|
came down from the scaffolding in Beaver street what was he after doing
|
|
it into only into the bucket of porter that was there waiting on the
|
|
shavings for Derwan's plasterers.
|
|
|
|
THE LOITERERS: (GUFFAW WITH CLEFT PALATES) O jays!
|
|
|
|
(THEIR PAINTSPECKLED HATS WAG. SPATTERED WITH SIZE AND LIME OF THEIR
|
|
LODGES THEY FRISK LIMBLESSLY ABOUT HIM.)
|
|
|
|
BLOOM: Coincidence too. They think it funny. Anything but that. Broad
|
|
daylight. Trying to walk. Lucky no woman.
|
|
|
|
THE LOITERERS: Jays, that's a good one. Glauber salts. O jays, into the
|
|
men's porter.
|
|
|
|
(BLOOM PASSES. CHEAP WHORES, SINGLY, COUPLED, SHAWLED, DISHEVELLED, CALL
|
|
FROM LANES, DOORS, CORNERS.)
|
|
|
|
THE WHORES:
|
|
|
|
Are you going far, queer fellow?
|
|
How's your middle leg?
|
|
Got a match on you?
|
|
Eh, come here till I stiffen it for you.
|
|
|
|
(HE PLODGES THROUGH THEIR SUMP TOWARDS THE LIGHTED STREET BEYOND. FROM A
|
|
BULGE OF WINDOW CURTAINS A GRAMOPHONE REARS A BATTERED BRAZEN TRUNK. IN
|
|
THE SHADOW A SHEBEENKEEPER HAGGLES WITH THE NAVVY AND THE TWO REDCOATS.)
|
|
|
|
THE NAVVY: (BELCHING) Where's the bloody house?
|
|
|
|
THE SHEBEENKEEPER: Purdon street. Shilling a bottle of stout. Respectable
|
|
woman.
|
|
|
|
THE NAVVY: (GRIPPING THE TWO REDCOATS, STAGGERS FORWARD WITH THEM) Come
|
|
on, you British army!
|
|
|
|
PRIVATE CARR: (BEHIND HIS BACK) He aint half balmy.
|
|
|
|
PRIVATE COMPTON: (LAUGHS) What ho!
|
|
|
|
PRIVATE CARR: (TO THE NAVVY) Portobello barracks canteen. You ask for
|
|
Carr. Just Carr.
|
|
|
|
THE NAVVY: (SHOUTS)
|
|
|
|
We are the boys. Of Wexford.
|
|
|
|
PRIVATE COMPTON: Say! What price the sergeantmajor?
|
|
|
|
PRIVATE CARR: Bennett? He's my pal. I love old Bennett.
|
|
|
|
THE NAVVY: (SHOUTS)
|
|
|
|
The galling chain.
|
|
And free our native land.
|
|
|
|
(HE STAGGERS FORWARD, DRAGGING THEM WITH HIM. BLOOM STOPS, AT FAULT. THE
|
|
DOG APPROACHES, HIS TONGUE OUTLOLLING, PANTING)
|
|
|
|
BLOOM: Wildgoose chase this. Disorderly houses. Lord knows where they are
|
|
gone. Drunks cover distance double quick. Nice mixup. Scene at Westland
|
|
row. Then jump in first class with third ticket. Then too far. Train with
|
|
engine behind. Might have taken me to Malahide or a siding for the night
|
|
or collision. Second drink does it. Once is a dose. What am I following
|
|
him for? Still, he's the best of that lot. If I hadn't heard about Mrs
|
|
Beaufoy Purefoy I wouldn't have gone and wouldn't have met. Kismet. He'll
|
|
lose that cash. Relieving office here. Good biz for cheapjacks, organs.
|
|
What do ye lack? Soon got, soon gone. Might have lost my life too with
|
|
that mangongwheeltracktrolleyglarejuggernaut only for presence of mind.
|
|
Can't always save you, though. If I had passed Truelock's window that day
|
|
two minutes later would have been shot. Absence of body. Still if bullet
|
|
only went through my coat get damages for shock, five hundred pounds.
|
|
What was he? Kildare street club toff. God help his gamekeeper.
|
|
|
|
(HE GAZES AHEAD, READING ON THE WALL A SCRAWLED CHALK LEGEND Wet Dream
|
|
AND A PHALLIC DESIGN.) Odd! Molly drawing on the frosted carriagepane at
|
|
Kingstown. What's that like? (GAUDY DOLLWOMEN LOLL IN THE LIGHTED
|
|
DOORWAYS, IN WINDOW EMBRASURES, SMOKING BIRDSEYE CIGARETTES. THE ODOUR OF
|
|
THE SICKSWEET WEED FLOATS TOWARDS HIM IN SLOW ROUND OVALLING WREATHS.)
|
|
|
|
THE WREATHS: Sweet are the sweets. Sweets of sin.
|
|
|
|
BLOOM: My spine's a bit limp. Go or turn? And this food? Eat it and get
|
|
all pigsticky. Absurd I am. Waste of money. One and eightpence too much.
|
|
(THE RETRIEVER DRIVES A COLD SNIVELLING MUZZLE AGAINST HIS HAND, WAGGING
|
|
HIS TAIL.) Strange how they take to me. Even that brute today. Better
|
|
speak to him first. Like women they like RENCONTRES. Stinks like a
|
|
polecat. CHACUN SON GOUT. He might be mad. Dogdays. Uncertain in his
|
|
movements. Good fellow! Fido! Good fellow! Garryowen! (THE WOLFDOG
|
|
SPRAWLS ON HIS BACK, WRIGGLING OBSCENELY WITH BEGGING PAWS, HIS LONG
|
|
BLACK TONGUE LOLLING OUT.) Influence of his surroundings. Give and have
|
|
done with it. Provided nobody. (CALLING ENCOURAGING WORDS HE SHAMBLES
|
|
BACK WITH A FURTIVE POACHER'S TREAD, DOGGED BY THE SETTER INTO A DARK
|
|
STALESTUNK CORNER. HE UNROLLS ONE PARCEL AND GOES TO DUMP THE CRUBEEN
|
|
SOFTLY BUT HOLDS BACK AND FEELS THE TROTTER.) Sizeable for threepence.
|
|
But then I have it in my left hand. Calls for more effort. Why? Smaller
|
|
from want of use. O, let it slide. Two and six.
|
|
|
|
(WITH REGRET HE LETS THE UNROLLED CRUBEEN AND TROTTER SLIDE. THE MASTIFF
|
|
MAULS THE BUNDLE CLUMSILY AND GLUTS HIMSELF WITH GROWLING GREED,
|
|
CRUNCHING THE BONES. TWO RAINCAPED WATCH APPROACH, SILENT, VIGILANT. THEY
|
|
MURMUR TOGETHER.)
|
|
|
|
THE WATCH: Bloom. Of Bloom. For Bloom. Bloom.
|
|
|
|
(EACH LAYS HAND ON BLOOM'S SHOULDER.)
|
|
|
|
FIRST WATCH: Caught in the act. Commit no nuisance.
|
|
|
|
BLOOM: (STAMMERS) I am doing good to others.
|
|
|
|
(A COVEY OF GULLS, STORM PETRELS, RISES HUNGRILY FROM LIFFEY SLIME WITH
|
|
BANBURY CAKES IN THEIR BEAKS.)
|
|
|
|
THE GULLS: Kaw kave kankury kake.
|
|
|
|
BLOOM: The friend of man. Trained by kindness.
|
|
|
|
(HE POINTS. BOB DORAN, TOPPLING FROM A HIGH BARSTOOL, SWAYS OVER THE
|
|
MUNCHING SPANIEL.)
|
|
|
|
BOB DORAN: Towser. Give us the paw. Give the paw.
|
|
|
|
(THE BULLDOG GROWLS, HIS SCRUFF STANDING, A GOBBET OF PIG'S KNUCKLE
|
|
BETWEEN HIS MOLARS THROUGH WHICH RABID SCUMSPITTLE DRIBBLES. BOB DORAN
|
|
FILLS SILENTLY INTO AN AREA.)
|
|
|
|
SECOND WATCH: Prevention of cruelty to animals.
|
|
|
|
BLOOM: (ENTHUSIASTICALLY) A noble work! I scolded that tramdriver on
|
|
Harold's cross bridge for illusing the poor horse with his harness scab.
|
|
Bad French I got for my pains. Of course it was frosty and the last tram.
|
|
All tales of circus life are highly demoralising.
|
|
|
|
(SIGNOR MAFFEI, PASSIONPALE, IN LIONTAMER'S COSTUME WITH DIAMOND STUDS IN
|
|
HIS SHIRTFRONT, STEPS FORWARD, HOLDING A CIRCUS PAPERHOOP, A CURLING
|
|
CARRIAGEWHIP AND A REVOLVER WITH WHICH HE COVERS THE GORGING BOARHOUND.)
|
|
|
|
SIGNOR MAFFEI: (WITH A SINISTER SMILE) Ladies and gentlemen, my educated
|
|
greyhound. It was I broke in the bucking broncho Ajax with my patent
|
|
spiked saddle for carnivores. Lash under the belly with a knotted thong.
|
|
Block tackle and a strangling pulley will bring your lion to heel, no
|
|
matter how fractious, even LEO FEROX there, the Libyan maneater. A redhot
|
|
crowbar and some liniment rubbing on the burning part produced Fritz of
|
|
Amsterdam, the thinking hyena. (HE GLARES) I possess the Indian sign. The
|
|
glint of my eye does it with these breastsparklers. (WITH A BEWITCHING
|
|
SMILE) I now introduce Mademoiselle Ruby, the pride of the ring.
|
|
|
|
FIRST WATCH: Come. Name and address.
|
|
|
|
BLOOM: I have forgotten for the moment. Ah, yes! (HE TAKES OFF HIS HIGH
|
|
GRADE HAT, SALUTING) Dr Bloom, Leopold, dental surgeon. You have heard of
|
|
von Blum Pasha. Umpteen millions. DONNERWETTER! Owns half Austria. Egypt.
|
|
Cousin.
|
|
|
|
FIRST WATCH: Proof.
|
|
|
|
(A CARD FALLS FROM INSIDE THE LEATHER HEADBAND OF BLOOM'S HAT.)
|
|
|
|
BLOOM: (IN RED FEZ, CADI'S DRESS COAT WITH BROAD GREEN SASH, WEARING A
|
|
FALSE BADGE OF THE LEGION OF HONOUR, PICKS UP THE CARD HASTILY AND OFFERS
|
|
IT) Allow me. My club is the Junior Army and Navy. Solicitors: Messrs
|
|
John Henry Menton, 27 Bachelor's Walk.
|
|
|
|
FIRST WATCH: (READS) Henry Flower. No fixed abode. Unlawfully watching
|
|
and besetting.
|
|
|
|
SECOND WATCH: An alibi. You are cautioned.
|
|
|
|
BLOOM: (PRODUCES FROM HIS HEARTPOCKET A CRUMPLED YELLOW FLOWER) This is
|
|
the flower in question. It was given me by a man I don't know his name.
|
|
(PLAUSIBLY) You know that old joke, rose of Castile. Bloom. The change of
|
|
name. Virag. (HE MURMURS PRIVATELY AND CONFIDENTIALLY) We are engaged you
|
|
see, sergeant. Lady in the case. Love entanglement. (HE SHOULDERS THE
|
|
SECOND WATCH GENTLY) Dash it all. It's a way we gallants have in the
|
|
navy. Uniform that does it. (HE TURNS GRAVELY TO THE FIRST WATCH) Still,
|
|
of course, you do get your Waterloo sometimes. Drop in some evening and
|
|
have a glass of old Burgundy. (TO THE SECOND WATCH GAILY) I'll introduce
|
|
you, inspector. She's game. Do it in the shake of a lamb's tail.
|
|
|
|
(A DARK MERCURIALISED FACE APPEARS, LEADING A VEILED FIGURE.)
|
|
|
|
THE DARK MERCURY: The Castle is looking for him. He was drummed out of
|
|
the army.
|
|
|
|
MARTHA: (THICKVEILED, A CRIMSON HALTER ROUND HER NECK, A COPY OF THE
|
|
Irish Times IN HER HAND, IN TONE OF REPROACH, POINTING) Henry! Leopold!
|
|
Lionel, thou lost one! Clear my name.
|
|
|
|
FIRST WATCH: (STERNLY) Come to the station.
|
|
|
|
BLOOM: (SCARED, HATS HIMSELF, STEPS BACK, THEN, PLUCKING AT HIS HEART AND
|
|
LIFTING HIS RIGHT FOREARM ON THE SQUARE, HE GIVES THE SIGN AND DUEGUARD
|
|
OF FELLOWCRAFT) No, no, worshipful master, light of love. Mistaken
|
|
identity. The Lyons mail. Lesurques and Dubosc. You remember the Childs
|
|
fratricide case. We medical men. By striking him dead with a hatchet. I
|
|
am wrongfully accused. Better one guilty escape than ninetynine
|
|
wrongfully condemned.
|
|
|
|
MARTHA: (SOBBING BEHIND HER VEIL) Breach of promise. My real name is
|
|
Peggy Griffin. He wrote to me that he was miserable. I'll tell my
|
|
brother, the Bective rugger fullback, on you, heartless flirt.
|
|
|
|
BLOOM: (BEHIND HIS HAND) She's drunk. The woman is inebriated. (HE
|
|
MURMURS VAGUELY THE PASS OF EPHRAIM) Shitbroleeth.
|
|
|
|
SECOND WATCH: (TEARS IN HIS EYES, TO BLOOM) You ought to be thoroughly
|
|
well ashamed of yourself.
|
|
|
|
BLOOM: Gentlemen of the jury, let me explain. A pure mare's nest. I am a
|
|
man misunderstood. I am being made a scapegoat of. I am a respectable
|
|
married man, without a stain on my character. I live in Eccles street. My
|
|
wife, I am the daughter of a most distinguished commander, a gallant
|
|
upstanding gentleman, what do you call him, Majorgeneral Brian Tweedy,
|
|
one of Britain's fighting men who helped to win our battles. Got his
|
|
majority for the heroic defence of Rorke's Drift.
|
|
|
|
FIRST WATCH: Regiment.
|
|
|
|
BLOOM: (TURNS TO THE GALLERY) The royal Dublins, boys, the salt of the
|
|
earth, known the world over. I think I see some old comrades in arms up
|
|
there among you. The R. D. F., with our own Metropolitan police,
|
|
guardians of our homes, the pluckiest lads and the finest body of men, as
|
|
physique, in the service of our sovereign.
|
|
|
|
A VOICE: Turncoat! Up the Boers! Who booed Joe Chamberlain?
|
|
|
|
BLOOM: (HIS HAND ON THE SHOULDER OF THE FIRST WATCH) My old dad too was a
|
|
J. P. I'm as staunch a Britisher as you are, sir. I fought with the
|
|
colours for king and country in the absentminded war under general Gough
|
|
in the park and was disabled at Spion Kop and Bloemfontein, was mentioned
|
|
in dispatches. I did all a white man could. (WITH QUIET FEELING) Jim
|
|
Bludso. Hold her nozzle again the bank.
|
|
|
|
FIRST WATCH: Profession or trade.
|
|
|
|
BLOOM: Well, I follow a literary occupation, author-journalist. In fact
|
|
we are just bringing out a collection of prize stories of which I am the
|
|
inventor, something that is an entirely new departure. I am connected
|
|
with the British and Irish press. If you ring up ...
|
|
|
|
(MYLES CRAWFORD STRIDES OUT JERKILY, A QUILL BETWEEN HIS TEETH. HIS
|
|
SCARLET BEAK BLAZES WITHIN THE AUREOLE OF HIS STRAW HAT. HE DANGLES A
|
|
HANK OF SPANISH ONIONS IN ONE HAND AND HOLDS WITH THE OTHER HAND A
|
|
TELEPHONE RECEIVER NOZZLE TO HIS EAR.)
|
|
|
|
MYLES CRAWFORD: (HIS COCK'S WATTLES WAGGING) Hello, seventyseven
|
|
eightfour. Hello. FREEMAN'S URINAL and WEEKLY ARSEWIPE here. Paralyse
|
|
Europe. You which? Bluebags? Who writes? Is it Bloom?
|
|
|
|
(MR PHILIP BEAUFOY, PALEFACED, STANDS IN THE WITNESSBOX, IN ACCURATE
|
|
MORNING DRESS, OUTBREAST POCKET WITH PEAK OF HANDKERCHIEF SHOWING,
|
|
CREASED LAVENDER TROUSERS AND PATENT BOOTS. HE CARRIES A LARGE PORTFOLIO
|
|
LABELLED Matcham's Masterstrokes.)
|
|
|
|
BEAUFOY: (DRAWLS) No, you aren't. Not by a long shot if I know it. I
|
|
don't see it that's all. No born gentleman, no-one with the most
|
|
rudimentary promptings of a gentleman would stoop to such particularly
|
|
loathsome conduct. One of those, my lord. A plagiarist. A soapy sneak
|
|
masquerading as a litterateur. It's perfectly obvious that with the most
|
|
inherent baseness he has cribbed some of my bestselling copy, really
|
|
gorgeous stuff, a perfect gem, the love passages in which are beneath
|
|
suspicion. The Beaufoy books of love and great possessions, with which
|
|
your lordship is doubtless familiar, are a household word throughout the
|
|
kingdom.
|
|
|
|
BLOOM: (MURMURS WITH HANGDOG MEEKNESS GLUM) That bit about the laughing
|
|
witch hand in hand I take exception to, if I may ...
|
|
|
|
BEAUFOY: (HIS LIP UPCURLED, SMILES SUPERCILIOUSLY ON THE COURT) You funny
|
|
ass, you! You're too beastly awfully weird for words! I don't think you
|
|
need over excessively disincommodate yourself in that regard. My literary
|
|
agent Mr J. B. Pinker is in attendance. I presume, my lord, we shall
|
|
receive the usual witnesses' fees, shan't we? We are considerably out of
|
|
pocket over this bally pressman johnny, this jackdaw of Rheims, who has
|
|
not even been to a university.
|
|
|
|
BLOOM: (INDISTINCTLY) University of life. Bad art.
|
|
|
|
BEAUFOY: (SHOUTS) It's a damnably foul lie, showing the moral rottenness
|
|
of the man! (HE EXTENDS HIS PORTFOLIO) We have here damning evidence, the
|
|
CORPUS DELICTI, my lord, a specimen of my maturer work disfigured by the
|
|
hallmark of the beast.
|
|
|
|
A VOICE FROM THE GALLERY:
|
|
|
|
Moses, Moses, king of the jews,
|
|
Wiped his arse in the Daily News.
|
|
|
|
BLOOM: (BRAVELY) Overdrawn.
|
|
|
|
BEAUFOY: You low cad! You ought to be ducked in the horsepond, you
|
|
rotter! (TO THE COURT) Why, look at the man's private life! Leading a
|
|
quadruple existence! Street angel and house devil. Not fit to be
|
|
mentioned in mixed society! The archconspirator of the age!
|
|
|
|
BLOOM: (TO THE COURT) And he, a bachelor, how ...
|
|
|
|
FIRST WATCH: The King versus Bloom. Call the woman Driscoll.
|
|
|
|
THE CRIER: Mary Driscoll, scullerymaid!
|
|
|
|
(MARY DRISCOLL, A SLIPSHOD SERVANT GIRL, APPROACHES. SHE HAS A BUCKET ON
|
|
THE CROOK OF HER ARM AND A SCOURINGBRUSH IN HER HAND.)
|
|
|
|
SECOND WATCH: Another! Are you of the unfortunate class?
|
|
|
|
MARY DRISCOLL: (INDIGNANTLY) I'm not a bad one. I bear a respectable
|
|
character and was four months in my last place. I was in a situation, six
|
|
pounds a year and my chances with Fridays out and I had to leave owing to
|
|
his carryings on.
|
|
|
|
FIRST WATCH: What do you tax him with?
|
|
|
|
MARY DRISCOLL: He made a certain suggestion but I thought more of myself
|
|
as poor as I am.
|
|
|
|
BLOOM: (IN HOUSEJACKET OF RIPPLECLOTH, FLANNEL TROUSERS, HEELLESS
|
|
SLIPPERS, UNSHAVEN, HIS HAIR RUMPLED: SOFTLY) I treated you white. I gave
|
|
you mementos, smart emerald garters far above your station. Incautiously
|
|
I took your part when you were accused of pilfering. There's a medium in
|
|
all things. Play cricket.
|
|
|
|
MARY DRISCOLL: (EXCITEDLY) As God is looking down on me this night if
|
|
ever I laid a hand to them oysters!
|
|
|
|
FIRST WATCH: The offence complained of? Did something happen?
|
|
|
|
MARY DRISCOLL: He surprised me in the rere of the premises, Your honour,
|
|
when the missus was out shopping one morning with a request for a safety
|
|
pin. He held me and I was discoloured in four places as a result. And he
|
|
interfered twict with my clothing.
|
|
|
|
BLOOM: She counterassaulted.
|
|
|
|
MARY DRISCOLL: (SCORNFULLY) I had more respect for the scouringbrush, so
|
|
I had. I remonstrated with him, Your lord, and he remarked: keep it
|
|
quiet.
|
|
|
|
(GENERAL LAUGHTER.)
|
|
|
|
GEORGE FOTTRELL: (CLERK OF THE CROWN AND PEACE, RESONANTLY) Order in
|
|
court! The accused will now make a bogus statement.
|
|
|
|
(BLOOM, PLEADING NOT GUILTY AND HOLDING A FULLBLOWN WATERLILY, BEGINS A
|
|
LONG UNINTELLIGIBLE SPEECH. THEY WOULD HEAR WHAT COUNSEL HAD TO SAY IN
|
|
HIS STIRRING ADDRESS TO THE GRAND JURY. HE WAS DOWN AND OUT BUT, THOUGH
|
|
BRANDED AS A BLACK SHEEP, IF HE MIGHT SAY SO, HE MEANT TO REFORM, TO
|
|
RETRIEVE THE MEMORY OF THE PAST IN A PURELY SISTERLY WAY AND RETURN TO
|
|
NATURE AS A PURELY DOMESTIC ANIMAL. A SEVENMONTHS' CHILD, HE HAD BEEN
|
|
CAREFULLY BROUGHT UP AND NURTURED BY AN AGED BEDRIDDEN PARENT. THERE
|
|
MIGHT HAVE BEEN LAPSES OF AN ERRING FATHER BUT HE WANTED TO TURN OVER A
|
|
NEW LEAF AND NOW, WHEN AT LONG LAST IN SIGHT OF THE WHIPPING POST, TO
|
|
LEAD A HOMELY LIFE IN THE EVENING OF HIS DAYS, PERMEATED BY THE
|
|
AFFECTIONATE SURROUNDINGS OF THE HEAVING BOSOM OF THE FAMILY. AN
|
|
ACCLIMATISED BRITISHER, HE HAD SEEN THAT SUMMER EVE FROM THE FOOTPLATE OF
|
|
AN ENGINE CAB OF THE LOOP LINE RAILWAY COMPANY WHILE THE RAIN REFRAINED
|
|
FROM FALLING GLIMPSES, AS IT WERE, THROUGH THE WINDOWS OF LOVEFUL
|
|
HOUSEHOLDS IN DUBLIN CITY AND URBAN DISTRICT OF SCENES TRULY RURAL OF
|
|
HAPPINESS OF THE BETTER LAND WITH DOCKRELL'S WALLPAPER AT ONE AND
|
|
NINEPENCE A DOZEN, INNOCENT BRITISHBORN BAIRNS LISPING PRAYERS TO THE
|
|
SACRED INFANT, YOUTHFUL SCHOLARS GRAPPLING WITH THEIR PENSUMS OR MODEL
|
|
YOUNG LADIES PLAYING ON THE PIANOFORTE OR ANON ALL WITH FERVOUR RECITING
|
|
THE FAMILY ROSARY ROUND THE CRACKLING YULELOG WHILE IN THE BOREENS AND
|
|
GREEN LANES THE COLLEENS WITH THEIR SWAINS STROLLED WHAT TIMES THE
|
|
STRAINS OF THE ORGANTONED MELODEON BRITANNIA METALBOUND WITH FOUR ACTING
|
|
STOPS AND TWELVEFOLD BELLOWS, A SACRIFICE, GREATEST BARGAIN EVER...)
|
|
|
|
(RENEWED LAUGHTER. HE MUMBLES INCOHERENTLY. REPORTERS COMPLAIN THAT THEY
|
|
CANNOT HEAR.)
|
|
|
|
LONGHAND AND SHORTHAND: (WITHOUT LOOKING UP FROM THEIR NOTEBOOKS) Loosen
|
|
his boots.
|
|
|
|
PROFESSOR MACHUGH: (FROM THE PRESSTABLE, COUGHS AND CALLS) Cough it up,
|
|
man. Get it out in bits.
|
|
|
|
(THE CROSSEXAMINATION PROCEEDS RE BLOOM AND THE BUCKET. A LARGE BUCKET.
|
|
BLOOM HIMSELF. BOWEL TROUBLE. IN BEAVER STREET GRIPE, YES. QUITE BAD. A
|
|
PLASTERER'S BUCKET. BY WALKING STIFFLEGGED. SUFFERED UNTOLD MISERY.
|
|
DEADLY AGONY. ABOUT NOON. LOVE OR BURGUNDY. YES, SOME SPINACH. CRUCIAL
|
|
MOMENT. HE DID NOT LOOK IN THE BUCKET NOBODY. RATHER A MESS. NOT
|
|
COMPLETELY. A Titbits BACK NUMBER.)
|
|
|
|
(UPROAR AND CATCALLS. BLOOM IN A TORN FROCKCOAT STAINED WITH WHITEWASH,
|
|
DINGED SILK HAT SIDEWAYS ON HIS HEAD, A STRIP OF STICKINGPLASTER ACROSS
|
|
HIS NOSE, TALKS INAUDIBLY.)
|
|
|
|
J. J. O'MOLLOY: (IN BARRISTER'S GREY WIG AND STUFFGOWN, SPEAKING WITH A
|
|
VOICE OF PAINED PROTEST) This is no place for indecent levity at the
|
|
expense of an erring mortal disguised in liquor. We are not in a
|
|
beargarden nor at an Oxford rag nor is this a travesty of justice. My
|
|
client is an infant, a poor foreign immigrant who started scratch as a
|
|
stowaway and is now trying to turn an honest penny. The trumped up
|
|
misdemeanour was due to a momentary aberration of heredity, brought on by
|
|
hallucination, such familiarities as the alleged guilty occurrence being
|
|
quite permitted in my client's native place, the land of the Pharaoh.
|
|
PRIMA FACIE, I put it to you that there was no attempt at carnally
|
|
knowing. Intimacy did not occur and the offence complained of by
|
|
Driscoll, that her virtue was solicited, was not repeated. I would deal
|
|
in especial with atavism. There have been cases of shipwreck and
|
|
somnambulism in my client's family. If the accused could speak he could a
|
|
tale unfold--one of the strangest that have ever been narrated between
|
|
the covers of a book. He himself, my lord, is a physical wreck from
|
|
cobbler's weak chest. His submission is that he is of Mongolian
|
|
extraction and irresponsible for his actions. Not all there, in fact.
|
|
|
|
BLOOM: (BAREFOOT, PIGEONBREASTED, IN LASCAR'S VEST AND TROUSERS,
|
|
APOLOGETIC TOES TURNED IN, OPENS HIS TINY MOLE'S EYES AND LOOKS ABOUT HIM
|
|
DAZEDLY, PASSING A SLOW HAND ACROSS HIS FOREHEAD. THEN HE HITCHES HIS
|
|
BELT SAILOR FASHION AND WITH A SHRUG OF ORIENTAL OBEISANCE SALUTES THE
|
|
COURT, POINTING ONE THUMB HEAVENWARD.) Him makee velly muchee fine night.
|
|
(HE BEGINS TO LILT SIMPLY)
|
|
|
|
Li li poo lil chile
|
|
Blingee pigfoot evly night
|
|
Payee two shilly ...
|
|
|
|
(HE IS HOWLED DOWN.)
|
|
|
|
J. J. O'MOLLOY: (HOTLY TO THE POPULACE) This is a lonehand fight. By
|
|
Hades, I will not have any client of mine gagged and badgered in this
|
|
fashion by a pack of curs and laughing hyenas. The Mosaic code has
|
|
superseded the law of the jungle. I say it and I say it emphatically,
|
|
without wishing for one moment to defeat the ends of justice, accused was
|
|
not accessory before the act and prosecutrix has not been tampered with.
|
|
The young person was treated by defendant as if she were his very own
|
|
daughter. (BLOOM TAKES J. J. O'MOLLOY'S HAND AND RAISES IT TO HIS LIPS.)
|
|
I shall call rebutting evidence to prove up to the hilt that the hidden
|
|
hand is again at its old game. When in doubt persecute Bloom. My client,
|
|
an innately bashful man, would be the last man in the world to do
|
|
anything ungentlemanly which injured modesty could object to or cast a
|
|
stone at a girl who took the wrong turning when some dastard, responsible
|
|
for her condition, had worked his own sweet will on her. He wants to go
|
|
straight. I regard him as the whitest man I know. He is down on his luck
|
|
at present owing to the mortgaging of his extensive property at Agendath
|
|
Netaim in faraway Asia Minor, slides of which will now be shown. (TO
|
|
BLOOM) I suggest that you will do the handsome thing.
|
|
|
|
BLOOM: A penny in the pound.
|
|
|
|
(THE IMAGE OF THE LAKE OF KINNERETH WITH BLURRED CATTLE CROPPING IN
|
|
SILVER HAZE IS PROJECTED ON THE WALL. MOSES DLUGACZ, FERRETEYED ALBINO,
|
|
IN BLUE DUNGAREES, STANDS UP IN THE GALLERY, HOLDING IN EACH HAND AN
|
|
ORANGE CITRON AND A PORK KIDNEY.)
|
|
|
|
DLUGACZ: (HOARSELY) Bleibtreustrasse, Berlin, W.13.
|
|
|
|
(J. J. O'MOLLOY STEPS ON TO A LOW PLINTH AND HOLDS THE LAPEL OF HIS COAT
|
|
WITH SOLEMNITY. HIS FACE LENGTHENS, GROWS PALE AND BEARDED, WITH SUNKEN
|
|
EYES, THE BLOTCHES OF PHTHISIS AND HECTIC CHEEKBONES OF JOHN F. TAYLOR.
|
|
HE APPLIES HIS HANDKERCHIEF TO HIS MOUTH AND SCRUTINISES THE GALLOPING
|
|
TIDE OF ROSEPINK BLOOD.)
|
|
|
|
J.J.O'MOLLOY: (ALMOST VOICELESSLY) Excuse me. I am suffering from a
|
|
severe chill, have recently come from a sickbed. A few wellchosen words.
|
|
(HE ASSUMES THE AVINE HEAD, FOXY MOUSTACHE AND PROBOSCIDAL ELOQUENCE OF
|
|
SEYMOUR BUSHE.) When the angel's book comes to be opened if aught that
|
|
the pensive bosom has inaugurated of soultransfigured and of
|
|
soultransfiguring deserves to live I say accord the prisoner at the bar
|
|
the sacred benefit of the doubt. (A PAPER WITH SOMETHING WRITTEN ON IT IS
|
|
HANDED INTO COURT.)
|
|
|
|
BLOOM: (IN COURT DRESS) Can give best references. Messrs Callan, Coleman.
|
|
Mr Wisdom Hely J. P. My old chief Joe Cuffe. Mr V. B. Dillon, ex lord
|
|
mayor of Dublin. I have moved in the charmed circle of the highest ...
|
|
Queens of Dublin society. (CARELESSLY) I was just chatting this afternoon
|
|
at the viceregal lodge to my old pals, sir Robert and lady Ball,
|
|
astronomer royal at the levee. Sir Bob, I said ...
|
|
|
|
MRS YELVERTON BARRY: (IN LOWCORSAGED OPAL BALLDRESS AND ELBOWLENGTH IVORY
|
|
GLOVES, WEARING A SABLETRIMMED BRICKQUILTED DOLMAN, A COMB OF BRILLIANTS
|
|
AND PANACHE OF OSPREY IN HER HAIR) Arrest him, constable. He wrote me an
|
|
anonymous letter in prentice backhand when my husband was in the North
|
|
Riding of Tipperary on the Munster circuit, signed James Lovebirch. He
|
|
said that he had seen from the gods my peerless globes as I sat in a box
|
|
of the THEATRE ROYAL at a command performance of LA CIGALE. I deeply
|
|
inflamed him, he said. He made improper overtures to me to misconduct
|
|
myself at half past four p.m. on the following Thursday, Dunsink time. He
|
|
offered to send me through the post a work of fiction by Monsieur Paul de
|
|
Kock, entitled THE GIRL WITH THE THREE PAIRS OF STAYS.
|
|
|
|
MRS BELLINGHAM: (IN CAP AND SEAL CONEY MANTLE, WRAPPED UP TO THE NOSE,
|
|
STEPS OUT OF HER BROUGHAM AND SCANS THROUGH TORTOISESHELL QUIZZING-
|
|
GLASSES WHICH SHE TAKES FROM INSIDE HER HUGE OPOSSUM MUFF) Also to me.
|
|
Yes, I believe it is the same objectionable person. Because he closed my
|
|
carriage door outside sir Thornley Stoker's one sleety day during the
|
|
cold snap of February ninetythree when even the grid of the wastepipe and
|
|
the ballstop in my bath cistern were frozen. Subsequently he enclosed a
|
|
bloom of edelweiss culled on the heights, as he said, in my honour. I had
|
|
it examined by a botanical expert and elicited the information that it
|
|
was ablossom of the homegrown potato plant purloined from a forcingcase
|
|
of the model farm.
|
|
|
|
MRS YELVERTON BARRY: Shame on him!
|
|
|
|
(A CROWD OF SLUTS AND RAGAMUFFINS SURGES FORWARD)
|
|
|
|
THE SLUTS AND RAGAMUFFINS: (SCREAMING) Stop thief! Hurrah there,
|
|
Bluebeard! Three cheers for Ikey Mo!
|
|
|
|
SECOND WATCH: (PRODUCES HANDCUFFS) Here are the darbies.
|
|
|
|
MRS BELLINGHAM: He addressed me in several handwritings with fulsome
|
|
compliments as a Venus in furs and alleged profound pity for my
|
|
frostbound coachman Palmer while in the same breath he expressed himself
|
|
as envious of his earflaps and fleecy sheepskins and of his fortunate
|
|
proximity to my person, when standing behind my chair wearing my livery
|
|
and the armorial bearings of the Bellingham escutcheon garnished sable, a
|
|
buck's head couped or. He lauded almost extravagantly my nether
|
|
extremities, my swelling calves in silk hose drawn up to the limit, and
|
|
eulogised glowingly my other hidden treasures in priceless lace which, he
|
|
said, he could conjure up. He urged me (stating that he felt it his
|
|
mission in life to urge me) to defile the marriage bed, to commit
|
|
adultery at the earliest possible opportunity.
|
|
|
|
THE HONOURABLE MRS MERVYN TALBOYS: (IN AMAZON COSTUME, HARD HAT,
|
|
JACKBOOTS COCKSPURRED, VERMILION WAISTCOAT, FAWN MUSKETEER GAUNTLETS WITH
|
|
BRAIDED DRUMS, LONG TRAIN HELD UP AND HUNTING CROP WITH WHICH SHE STRIKES
|
|
HER WELT CONSTANTLY) Also me. Because he saw me on the polo ground of the
|
|
Phoenix park at the match All Ireland versus the Rest of Ireland. My
|
|
eyes, I know, shone divinely as I watched Captain Slogger Dennehy of the
|
|
Inniskillings win the final chukkar on his darling cob CENTAUR. This
|
|
plebeian Don Juan observed me from behind a hackney car and sent me in
|
|
double envelopes an obscene photograph, such as are sold after dark on
|
|
Paris boulevards, insulting to any lady. I have it still. It represents a
|
|
partially nude senorita, frail and lovely (his wife, as he solemnly
|
|
assured me, taken by him from nature), practising illicit intercourse
|
|
with a muscular torero, evidently a blackguard. He urged me to do
|
|
likewise, to misbehave, to sin with officers of the garrison. He implored
|
|
me to soil his letter in an unspeakable manner, to chastise him as he
|
|
richly deserves, to bestride and ride him, to give him a most vicious
|
|
horsewhipping.
|
|
|
|
MRS BELLINGHAM: Me too.
|
|
|
|
MRS YELVERTON BARRY: Me too.
|
|
|
|
(SEVERAL HIGHLY RESPECTABLE DUBLIN LADIES HOLD UP IMPROPER LETTERS
|
|
RECEIVED FROM BLOOM.)
|
|
|
|
THE HONOURABLE MRS MERVYN TALBOYS: (STAMPS HER JINGLING SPURS IN A SUDDEN
|
|
PAROXYSM OF FURY) I will, by the God above me. I'll scourge the
|
|
pigeonlivered cur as long as I can stand over him. I'll flay him alive.
|
|
|
|
BLOOM: (HIS EYES CLOSING, QUAILS EXPECTANTLY) Here? (HE SQUIRMS) Again!
|
|
(HE PANTS CRINGING) I love the danger.
|
|
|
|
THE HONOURABLE MRS MERVYN TALBOYS: Very much so! I'll make it hot for
|
|
you. I'll make you dance Jack Latten for that.
|
|
|
|
MRS BELLINGHAM: Tan his breech well, the upstart! Write the stars and
|
|
stripes on it!
|
|
|
|
MRS YELVERTON BARRY: Disgraceful! There's no excuse for him! A married
|
|
man!
|
|
|
|
BLOOM: All these people. I meant only the spanking idea. A warm tingling
|
|
glow without effusion. Refined birching to stimulate the circulation.
|
|
|
|
THE HONOURABLE MRS MERVYN TALBOYS: (LAUGHS DERISIVELY) O, did you, my
|
|
fine fellow? Well, by the living God, you'll get the surprise of your
|
|
life now, believe me, the most unmerciful hiding a man ever bargained
|
|
for. You have lashed the dormant tigress in my nature into fury.
|
|
|
|
MRS BELLINGHAM: (SHAKES HER MUFF AND QUIZZING-GLASSES VINDICTIVELY) Make
|
|
him smart, Hanna dear. Give him ginger. Thrash the mongrel within an inch
|
|
of his life. The cat-o'-nine-tails. Geld him. Vivisect him.
|
|
|
|
BLOOM: (SHUDDERING, SHRINKING, JOINS HIS HANDS: WITH HANGDOG MIEN) O
|
|
cold! O shivery! It was your ambrosial beauty. Forget, forgive. Kismet.
|
|
Let me off this once. (HE OFFERS THE OTHER CHEEK)
|
|
|
|
MRS YELVERTON BARRY: (SEVERELY) Don't do so on any account, Mrs Talboys!
|
|
He should be soundly trounced!
|
|
|
|
THE HONOURABLE MRS MERVYN TALBOYS: (UNBUTTONING HER GAUNTLET VIOLENTLY)
|
|
I'll do no such thing. Pigdog and always was ever since he was pupped! To
|
|
dare address me! I'll flog him black and blue in the public streets. I'll
|
|
dig my spurs in him up to the rowel. He is a wellknown cuckold. (SHE
|
|
SWISHES HER HUNTINGCROP SAVAGELY IN THE AIR) Take down his trousers
|
|
without loss of time. Come here, sir! Quick! Ready?
|
|
|
|
BLOOM: (TREMBLING, BEGINNING TO OBEY) The weather has been so warm.
|
|
|
|
(DAVY STEPHENS, RINGLETTED, PASSES WITH A BEVY OF BAREFOOT NEWSBOYS.)
|
|
|
|
DAVY STEPHENS: MESSENGER OF THE SACRED HEART and EVENING TELEGRAPH with
|
|
Saint Patrick's Day supplement. Containing the new addresses of all the
|
|
cuckolds in Dublin.
|
|
|
|
(THE VERY REVEREND CANON O'HANLON IN CLOTH OF GOLD COPE ELEVATES AND
|
|
EXPOSES A MARBLE TIMEPIECE. BEFORE HIM FATHER CONROY AND THE REVEREND
|
|
JOHN HUGHES S.J. BEND LOW.)
|
|
|
|
THE TIMEPIECE: (UNPORTALLING)
|
|
|
|
|
|
Cuckoo.
|
|
Cuckoo.
|
|
Cuckoo.
|
|
|
|
|
|
(THE BRASS QUOITS OF A BED ARE HEARD TO JINGLE.)
|
|
|
|
THE QUOITS: Jigjag. Jigajiga. Jigjag.
|
|
|
|
(A PANEL OF FOG ROLLS BACK RAPIDLY, REVEALING RAPIDLY IN THE JURYBOX THE
|
|
FACES OF MARTIN CUNNINGHAM, FOREMAN, SILKHATTED, JACK POWER, SIMON
|
|
DEDALUS, TOM KERNAN, NED LAMBERT, JOHN HENRY MENTON MYLES CRAWFORD,
|
|
LENEHAN, PADDY LEONARD, NOSEY FLYNN, M'COY AND THE FEATURELESS FACE OF A
|
|
NAMELESS ONE.)
|
|
|
|
THE NAMELESS ONE: Bareback riding. Weight for age. Gob, he organised her.
|
|
|
|
THE JURORS: (ALL THEIR HEADS TURNED TO HIS VOICE) Really?
|
|
|
|
THE NAMELESS ONE: (SNARLS) Arse over tip. Hundred shillings to five.
|
|
|
|
THE JURORS: (ALL THEIR HEADS LOWERED IN ASSENT) Most of us thought as
|
|
much.
|
|
|
|
FIRST WATCH: He is a marked man. Another girl's plait cut. Wanted: Jack
|
|
the Ripper. A thousand pounds reward.
|
|
|
|
SECOND WATCH: (AWED, WHISPERS) And in black. A mormon. Anarchist.
|
|
|
|
THE CRIER: (LOUDLY) Whereas Leopold Bloom of no fixed abode is a
|
|
wellknown dynamitard, forger, bigamist, bawd and cuckold and a public
|
|
nuisance to the citizens of Dublin and whereas at this commission of
|
|
assizes the most honourable ...
|
|
|
|
(HIS HONOUR, SIR FREDERICK FALKINER, RECORDER OF DUBLIN, IN JUDICIAL GARB
|
|
OF GREY STONE RISES FROM THE BENCH, STONEBEARDED. HE BEARS IN HIS ARMS AN
|
|
UMBRELLA SCEPTRE. FROM HIS FOREHEAD ARISE STARKLY THE MOSAIC RAMSHORNS.)
|
|
|
|
THE RECORDER: I will put an end to this white slave traffic and rid
|
|
Dublin of this odious pest. Scandalous! (HE DONS THE BLACK CAP) Let him
|
|
be taken, Mr Subsheriff, from the dock where he now stands and detained
|
|
in custody in Mountjoy prison during His Majesty's pleasure and there be
|
|
hanged by the neck until he is dead and therein fail not at your peril or
|
|
may the Lord have mercy on your soul. Remove him. (A BLACK SKULLCAP
|
|
DESCENDS UPON HIS HEAD.)
|
|
|
|
(THE SUBSHERIFF LONG JOHN FANNING APPEARS, SMOKING A PUNGENT HENRY CLAY.)
|
|
|
|
LONG JOHN FANNING: (SCOWLS AND CALLS WITH RICH ROLLING UTTERANCE) Who'll
|
|
hang Judas Iscariot?
|
|
|
|
(H. RUMBOLD, MASTER BARBER, IN A BLOODCOLOURED JERKIN AND TANNER'S APRON,
|
|
A ROPE COILED OVER HIS SHOULDER, MOUNTS THE BLOCK. A LIFE PRESERVER AND A
|
|
NAILSTUDDED BLUDGEON ARE STUCK IN HIS BELT. HE RUBS GRIMLY HIS GRAPPLING
|
|
HANDS, KNOBBED WITH KNUCKLEDUSTERS.)
|
|
|
|
RUMBOLD: (TO THE RECORDER WITH SINISTER FAMILIARITY) Hanging Harry, your
|
|
Majesty, the Mersey terror. Five guineas a jugular. Neck or nothing.
|
|
|
|
(THE BELLS OF GEORGE'S CHURCH TOLL SLOWLY, LOUD DARK IRON.)
|
|
|
|
THE BELLS: Heigho! Heigho!
|
|
|
|
BLOOM: (DESPERATELY) Wait. Stop. Gulls. Good heart. I saw. Innocence.
|
|
Girl in the monkeyhouse. Zoo. Lewd chimpanzee. (BREATHLESSLY) Pelvic
|
|
basin. Her artless blush unmanned me. (OVERCOME WITH EMOTION) I left the
|
|
precincts. (HE TURNS TO A FIGURE IN THE CROWD, APPEALING) Hynes, may I
|
|
speak to you? You know me. That three shillings you can keep. If you want
|
|
a little more ...
|
|
|
|
HYNES: (COLDLY) You are a perfect stranger.
|
|
|
|
SECOND WATCH: (POINTS TO THE CORNER) The bomb is here.
|
|
|
|
FIRST WATCH: Infernal machine with a time fuse.
|
|
|
|
BLOOM: No, no. Pig's feet. I was at a funeral.
|
|
|
|
FIRST WATCH: (DRAWS HIS TRUNCHEON) Liar!
|
|
|
|
(THE BEAGLE LIFTS HIS SNOUT, SHOWING THE GREY SCORBUTIC FACE OF PADDY
|
|
DIGNAM. HE HAS GNAWED ALL. HE EXHALES A PUTRID CARCASEFED BREATH. HE
|
|
GROWS TO HUMAN SIZE AND SHAPE. HIS DACHSHUND COAT BECOMES A BROWN
|
|
MORTUARY HABIT. HIS GREEN EYE FLASHES BLOODSHOT. HALF OF ONE EAR, ALL THE
|
|
NOSE AND BOTH THUMBS ARE GHOULEATEN.)
|
|
|
|
PADDY DIGNAM: (IN A HOLLOW VOICE) It is true. It was my funeral. Doctor
|
|
Finucane pronounced life extinct when I succumbed to the disease from
|
|
natural causes.
|
|
|
|
(HE LIFTS HIS MUTILATED ASHEN FACE MOONWARDS AND BAYS LUGUBRIOUSLY.)
|
|
|
|
BLOOM: (IN TRIUMPH) You hear?
|
|
|
|
PADDY DIGNAM: Bloom, I am Paddy Dignam's spirit. List, list, O list!
|
|
|
|
BLOOM: The voice is the voice of Esau.
|
|
|
|
SECOND WATCH: (BLESSES HIMSELF) How is that possible?
|
|
|
|
FIRST WATCH: It is not in the penny catechism.
|
|
|
|
PADDY DIGNAM: By metempsychosis. Spooks.
|
|
|
|
A VOICE: O rocks.
|
|
|
|
PADDY DIGNAM: (EARNESTLY) Once I was in the employ of Mr J. H. Menton,
|
|
solicitor, commissioner for oaths and affidavits, of 27 Bachelor's Walk.
|
|
Now I am defunct, the wall of the heart hypertrophied. Hard lines. The
|
|
poor wife was awfully cut up. How is she bearing it? Keep her off that
|
|
bottle of sherry. (HE LOOKS ROUND HIM) A lamp. I must satisfy an animal
|
|
need. That buttermilk didn't agree with me.
|
|
|
|
(THE PORTLY FIGURE OF JOHN O'CONNELL, CARETAKER, STANDS FORTH, HOLDING A
|
|
BUNCH OF KEYS TIED WITH CRAPE. BESIDE HIM STANDS FATHER COFFEY, CHAPLAIN,
|
|
TOADBELLIED, WRYNECKED, IN A SURPLICE AND BANDANNA NIGHTCAP, HOLDING
|
|
SLEEPILY A STAFF TWISTED POPPIES.)
|
|
|
|
FATHER COFFEY: (YAWNS, THEN CHANTS WITH A HOARSE CROAK) Namine. Jacobs.
|
|
Vobiscuits. Amen.
|
|
|
|
JOHN O'CONNELL: (FOGHORNS STORMILY THROUGH HIS MEGAPHONE) Dignam, Patrick
|
|
T, deceased.
|
|
|
|
PADDY DIGNAM: (WITH PRICKED UP EARS, WINCES) Overtones. (HE WRIGGLES
|
|
FORWARD AND PLACES AN EAR TO THE GROUND) My master's voice!
|
|
|
|
JOHN O'CONNELL: Burial docket letter number U. P. eightyfive thousand.
|
|
Field seventeen. House of Keys. Plot, one hundred and one.
|
|
|
|
(PADDY DIGNAM LISTENS WITH VISIBLE EFFORT, THINKING, HIS TAIL
|
|
STIFFPOINTCD, HIS EARS COCKED.)
|
|
|
|
PADDY DIGNAM: Pray for the repose of his soul.
|
|
|
|
(HE WORMS DOWN THROUGH A COALHOLE, HIS BROWN HABIT TRAILING ITS TETHER
|
|
OVER RATTLING PEBBLES. AFTER HIM TODDLES AN OBESE GRANDFATHER RAT ON
|
|
FUNGUS TURTLE PAWS UNDER A GREY CARAPACE. DIGNAM'S VOICE, MUFFLED, IS
|
|
HEARD BAYING UNDER GROUND: Dignam's dead and gone below. TOM ROCHFORD,
|
|
ROBINREDBREASTED, IN CAP AND BREECHES, JUMPS FROM HIS TWOCOLUMNED
|
|
MACHINE.)
|
|
|
|
TOM ROCHFORD: (A HAND TO HIS BREASTBONE, BOWS) Reuben J. A florin I find
|
|
him. (HE FIXES THE MANHOLE WITH A RESOLUTE STARE) My turn now on. Follow
|
|
me up to Carlow.
|
|
|
|
(HE EXECUTES A DAREDEVIL SALMON LEAP IN THE AIR AND IS ENGULFED IN THE
|
|
COALHOLE. TWO DISCS ON THE COLUMNS WOBBLE, EYES OF NOUGHT. ALL RECEDES.
|
|
BLOOM PLODGES FORWARD AGAIN THROUGH THE SUMP. KISSES CHIRP AMID THE RIFTS
|
|
OF FOG A PIANO SOUNDS. HE STANDS BEFORE A LIGHTED HOUSE, LISTENING. THE
|
|
KISSES, WINGING FROM THEIR BOWERS FLY ABOUT HIM, TWITTERING, WARBLING,
|
|
COOING.)
|
|
|
|
THE KISSES: (WARBLING) Leo! (TWITTERING) Icky licky micky sticky for Leo!
|
|
(COOING) Coo coocoo! Yummyyum, Womwom! (WARBLING) Big comebig! Pirouette!
|
|
Leopopold! (TWITTERING) Leeolee! (WARBLING) O Leo!
|
|
|
|
(THEY RUSTLE, FLUTTER UPON HIS GARMENTS, ALIGHT, BRIGHT GIDDY FLECKS,
|
|
SILVERY SEQUINS.)
|
|
|
|
BLOOM: A man's touch. Sad music. Church music. Perhaps here.
|
|
|
|
(ZOE HIGGINS, A YOUNG WHORE IN A SAPPHIRE SLIP, CLOSED WITH THREE BRONZE
|
|
BUCKLES, A SLIM BLACK VELVET FILLET ROUND HER THROAT, NODS, TRIPS DOWN
|
|
THE STEPS AND ACCOSTS HIM.)
|
|
|
|
ZOE: Are you looking for someone? He's inside with his friend.
|
|
|
|
BLOOM: Is this Mrs Mack's?
|
|
|
|
ZOE: No, eightyone. Mrs Cohen's. You might go farther and fare worse.
|
|
Mother Slipperslapper. (FAMILIARLY) She's on the job herself tonight with
|
|
the vet her tipster that gives her all the winners and pays for her son
|
|
in Oxford. Working overtime but her luck's turned today. (SUSPICIOUSLY)
|
|
You're not his father, are you?
|
|
|
|
BLOOM: Not I!
|
|
|
|
ZOE: You both in black. Has little mousey any tickles tonight?
|
|
|
|
(HIS SKIN, ALERT, FEELS HER FINGERTIPS APPROACH. A HAND GLIDES OVER HIS
|
|
LEFT THIGH.)
|
|
|
|
ZOE: How's the nuts?
|
|
|
|
BLOOM: Off side. Curiously they are on the right. Heavier, I suppose. One
|
|
in a million my tailor, Mesias, says.
|
|
|
|
ZOE: (IN SUDDEN ALARM) You've a hard chancre.
|
|
|
|
BLOOM: Not likely.
|
|
|
|
ZOE: I feel it.
|
|
|
|
(HER HAND SLIDES INTO HIS LEFT TROUSER POCKET AND BRINGS OUT A HARD BLACK
|
|
SHRIVELLED POTATO. SHE REGARDS IT AND BLOOM WITH DUMB MOIST LIPS.)
|
|
|
|
BLOOM: A talisman. Heirloom.
|
|
|
|
ZOE: For Zoe? For keeps? For being so nice, eh?
|
|
|
|
(SHE PUTS THE POTATO GREEDILY INTO A POCKET THEN LINKS HIS ARM, CUDDLING
|
|
HIM WITH SUPPLE WARMTH. HE SMILES UNEASILY. SLOWLY, NOTE BY NOTE,
|
|
ORIENTAL MUSIC IS PLAYED. HE GAZES IN THE TAWNY CRYSTAL OF HER EYES,
|
|
RINGED WITH KOHOL. HIS SMILE SOFTENS.)
|
|
|
|
ZOE: You'll know me the next time.
|
|
|
|
BLOOM: (FORLORNLY) I never loved a dear gazelle but it was sure to ...
|
|
|
|
(GAZELLES ARE LEAPING, FEEDING ON THE MOUNTAINS. NEAR ARE LAKES. ROUND
|
|
THEIR SHORES FILE SHADOWS BLACK OF CEDARGROVES. AROMA RISES, A STRONG
|
|
HAIRGROWTH OF RESIN. IT BURNS, THE ORIENT, A SKY OF SAPPHIRE, CLEFT BY
|
|
THE BRONZE FLIGHT OF EAGLES. UNDER IT LIES THE WOMANCITY NUDE, WHITE,
|
|
STILL, COOL, IN LUXURY. A FOUNTAIN MURMURS AMONG DAMASK ROSES. MAMMOTH
|
|
ROSES MURMUR OF SCARLET WINEGRAPES. A WINE OF SHAME, LUST, BLOOD EXUDES,
|
|
STRANGELY MURMURING.)
|
|
|
|
ZOE: (MURMURING SINGSONG WITH THE MUSIC, HER ODALISK LIPS LUSCIOUSLY
|
|
SMEARED WITH SALVE OF SWINEFAT AND ROSEWATER) SCHORACH ANI WENOWACH,
|
|
BENOITH HIERUSHALOIM.
|
|
|
|
BLOOM: (FASCINATED) I thought you were of good stock by your accent.
|
|
|
|
ZOE: And you know what thought did?
|
|
|
|
(SHE BITES HIS EAR GENTLY WITH LITTLE GOLDSTOPPED TEETH, SENDING ON HIM A
|
|
CLOYING BREATH OF STALE GARLIC. THE ROSES DRAW APART, DISCLOSE A
|
|
SEPULCHRE OF THE GOLD OF KINGS AND THEIR MOULDERING BONES.)
|
|
|
|
BLOOM: (DRAWS BACK, MECHANICALLY CARESSING HER RIGHT BUB WITH A FLAT
|
|
AWKWARD HAND) Are you a Dublin girl?
|
|
|
|
ZOE: (CATCHES A STRAY HAIR DEFTLY AND TWISTS IT TO HER COIL) No bloody
|
|
fear. I'm English. Have you a swaggerroot?
|
|
|
|
BLOOM: (AS BEFORE) Rarely smoke, dear. Cigar now and then. Childish
|
|
device. (LEWDLY) The mouth can be better engaged than with a cylinder of
|
|
rank weed.
|
|
|
|
ZOE: Go on. Make a stump speech out of it.
|
|
|
|
BLOOM: (IN WORKMAN'S CORDUROY OVERALLS, BLACK GANSY WITH RED FLOATING TIE
|
|
AND APACHE CAP) Mankind is incorrigible. Sir Walter Ralegh brought from
|
|
the new world that potato and that weed, the one a killer of pestilence
|
|
by absorption, the other a poisoner of the ear, eye, heart, memory, will
|
|
understanding, all. That is to say he brought the poison a hundred years
|
|
before another person whose name I forget brought the food. Suicide.
|
|
Lies. All our habits. Why, look at our public life!
|
|
|
|
(MIDNIGHT CHIMES FROM DISTANT STEEPLES.)
|
|
|
|
THE CHIMES: Turn again, Leopold! Lord mayor of Dublin!
|
|
|
|
BLOOM: (IN ALDERMAN'S GOWN AND CHAIN) Electors of Arran Quay, Inns Quay,
|
|
Rotunda, Mountjoy and North Dock, better run a tramline, I say, from the
|
|
cattlemarket to the river. That's the music of the future. That's my
|
|
programme. CUI BONO? But our bucaneering Vanderdeckens in their phantom
|
|
ship of finance ...
|
|
|
|
AN ELECTOR: Three times three for our future chief magistrate!
|
|
|
|
(THE AURORA BOREALIS OF THE TORCHLIGHT PROCESSION LEAPS.)
|
|
|
|
THE TORCHBEARERS: Hooray!
|
|
|
|
(SEVERAL WELLKNOWN BURGESSES, CITY MAGNATES AND FREEMEN OF THE CITY SHAKE
|
|
HANDS WITH BLOOM AND CONGRATULATE HIM. TIMOTHY HARRINGTON, LATE THRICE
|
|
LORD MAYOR OF DUBLIN, IMPOSING IN MAYORAL SCARLET, GOLD CHAIN AND WHITE
|
|
SILK TIE, CONFERS WITH COUNCILLOR LORCAN SHERLOCK, LOCUM TENENS. THEY NOD
|
|
VIGOROUSLY IN AGREEMENT.)
|
|
|
|
LATE LORD MAYOR HARRINGTON: (IN SCARLET ROBE WITH MACE, GOLD MAYORAL
|
|
CHAIN AND LARGE WHITE SILK SCARF) That alderman sir Leo Bloom's speech be
|
|
printed at the expense of the ratepayers. That the house in which he was
|
|
born be ornamented with a commemorative tablet and that the thoroughfare
|
|
hitherto known as Cow Parlour off Cork street be henceforth designated
|
|
Boulevard Bloom.
|
|
|
|
COUNCILLOR LORCAN SHERLOCK: Carried unanimously.
|
|
|
|
BLOOM: (IMPASSIONEDLY) These flying Dutchmen or lying Dutchmen as they
|
|
recline in their upholstered poop, casting dice, what reck they? Machines
|
|
is their cry, their chimera, their panacea. Laboursaving apparatuses,
|
|
supplanters, bugbears, manufactured monsters for mutual murder, hideous
|
|
hobgoblins produced by a horde of capitalistic lusts upon our prostituted
|
|
labour. The poor man starves while they are grassing their royal mountain
|
|
stags or shooting peasants and phartridges in their purblind pomp of pelf
|
|
and power. But their reign is rover for rever and ever and ev ...
|
|
|
|
(PROLONGED APPLAUSE. VENETIAN MASTS, MAYPOLES AND FESTAL ARCHES SPRING
|
|
UP. A STREAMER BEARING THE LEGENDS Cead Mile Failte AND Mah Ttob Melek
|
|
Israel SPANS THE STREET. ALL THE WINDOWS ARE THRONGED WITH SIGHTSEERS,
|
|
CHIEFLY LADIES. ALONG THE ROUTE THE REGIMENTS OF THE ROYAL DUBLIN
|
|
FUSILIERS, THE KING'S OWN SCOTTISH BORDERERS, THE CAMERON HIGHLANDERS AND
|
|
THE WELSH FUSILIERS STANDING TO ATTENTION, KEEP BACK THE CROWD. BOYS FROM
|
|
HIGH SCHOOL ARE PERCHED ON THE LAMPPOSTS, TELEGRAPH POLES, WINDOWSILLS,
|
|
CORNICES, GUTTERS, CHIMNEYPOTS, RAILINGS, RAINSPOUTS, WHISTLING AND
|
|
CHEERING THE PILLAR OF THE CLOUD APPEARS. A FIFE AND DRUM BAND IS HEARD
|
|
IN THE DISTANCE PLAYING THE KOL NIDRE. THE BEATERS APPROACH WITH IMPERIAL
|
|
EAGLES HOISTED, TRAILING BANNERS AND WAVING ORIENTAL PALMS. THE
|
|
CHRYSELEPHANTINE PAPAL STANDARD RISES HIGH, SURROUNDED BY PENNONS OF THE
|
|
CIVIC FLAG. THE VAN OF THE PROCESSION APPEARS HEADED BY JOHN HOWARD
|
|
PARNELL, CITY MARSHAL, IN A CHESSBOARD TABARD, THE ATHLONE POURSUIVANT
|
|
AND ULSTER KING OF ARMS. THEY ARE FOLLOWED BY THE RIGHT HONOURABLE JOSEPH
|
|
HUTCHINSON, LORD MAYOR OF DUBLIN, HIS LORDSHIP THE LORD MAYOR OF CORK,
|
|
THEIR WORSHIPS THE MAYORS OF LIMERICK, GALWAY, SLIGO AND WATERFORD,
|
|
TWENTYEIGHT IRISH REPRESENTATIVE PEERS, SIRDARS, GRANDEES AND MAHARAJAHS
|
|
BEARING THE CLOTH OF ESTATE, THE DUBLIN METROPOLITAN FIRE BRIGADE, THE
|
|
CHAPTER OF THE SAINTS OF FINANCE IN THEIR PLUTOCRATIC ORDER OF
|
|
PRECEDENCE, THE BISHOP OF DOWN AND CONNOR, HIS EMINENCE MICHAEL CARDINAL
|
|
LOGUE, ARCHBISHOP OF ARMAGH, PRIMATE OF ALL IRELAND, HIS GRACE, THE MOST
|
|
REVEREND DR WILLIAM ALEXANDER, ARCHBISHOP OF ARMAGH, PRIMATE OF ALL
|
|
IRELAND, THE CHIEF RABBI, THE PRESBYTERIAN MODERATOR, THE HEADS OF THE
|
|
BAPTIST, ANABAPTIST, METHODIST AND MORAVIAN CHAPELS AND THE HONORARY
|
|
SECRETARY OF THE SOCIETY OF FRIENDS. AFTER THEM MARCH THE GUILDS AND
|
|
TRADES AND TRAINBANDS WITH FLYING COLOURS: COOPERS, BIRD FANCIERS,
|
|
MILLWRIGHTS, NEWSPAPER CANVASSERS, LAW SCRIVENERS, MASSEURS, VINTNERS,
|
|
TRUSSMAKERS, CHIMNEYSWEEPS, LARD REFINERS, TABINET AND POPLIN WEAVERS,
|
|
FARRIERS, ITALIAN WAREHOUSEMEN, CHURCH DECORATORS, BOOTJACK
|
|
MANUFACTURERS, UNDERTAKERS, SILK MERCERS, LAPIDARIES, SALESMASTERS,
|
|
CORKCUTTERS, ASSESSORS OF FIRE LOSSES, DYERS AND CLEANERS, EXPORT
|
|
BOTTLERS, FELLMONGERS, TICKETWRITERS, HERALDIC SEAL ENGRAVERS, HORSE
|
|
REPOSITORY HANDS, BULLION BROKERS, CRICKET AND ARCHERY OUTFITTERS,
|
|
RIDDLEMAKERS, EGG AND POTATO FACTORS, HOSIERS AND GLOVERS, PLUMBING
|
|
CONTRACTORS. AFTER THEM MARCH GENTLEMEN OF THE BEDCHAMBER, BLACK ROD,
|
|
DEPUTY GARTER, GOLD STICK, THE MASTER OF HORSE, THE LORD GREAT
|
|
CHAMBERLAIN, THE EARL MARSHAL, THE HIGH CONSTABLE CARRYING THE SWORD OF
|
|
STATE, SAINT STEPHEN'S IRON CROWN, THE CHALICE AND BIBLE. FOUR BUGLERS ON
|
|
FOOT BLOW A SENNET. BEEFEATERS REPLY, WINDING CLARIONS OF WELCOME. UNDER
|
|
AN ARCH OF TRIUMPH BLOOM APPEARS, BAREHEADED, IN A CRIMSON VELVET MANTLE
|
|
TRIMMED WITH ERMINE, BEARING SAINT EDWARD'S STAFF THE ORB AND SCEPTRE
|
|
WITH THE DOVE, THE CURTANA. HE IS SEATED ON A MILKWHITE HORSE WITH LONG
|
|
FLOWING CRIMSON TAIL, RICHLY CAPARISONED, WITH GOLDEN HEADSTALL. WILD
|
|
EXCITEMENT. THE LADIES FROM THEIR BALCONIES THROW DOWN ROSEPETALS. THE
|
|
AIR IS PERFUMED WITH ESSENCES. THE MEN CHEER. BLOOM'S BOYS RUN AMID THE
|
|
BYSTANDERS WITH BRANCHES OF HAWTHORN AND WRENBUSHES.)
|
|
|
|
BLOOM'S BOYS:
|
|
|
|
|
|
The wren, the wren,
|
|
The king of all birds,
|
|
Saint Stephen's his day
|
|
Was caught in the furze.
|
|
|
|
|
|
A BLACKSMITH: (MURMURS) For the honour of God! And is that Bloom? He
|
|
scarcely looks thirtyone.
|
|
|
|
A PAVIOR AND FLAGGER: That's the famous Bloom now, the world's greatest
|
|
reformer. Hats off!
|
|
|
|
(ALL UNCOVER THEIR HEADS. WOMEN WHISPER EAGERLY.)
|
|
|
|
A MILLIONAIRESS: (RICHLY) Isn't he simply wonderful?
|
|
|
|
A NOBLEWOMAN: (NOBLY) All that man has seen!
|
|
|
|
A FEMINIST: (MASCULINELY) And done!
|
|
|
|
A BELLHANGER: A classic face! He has the forehead of a thinker.
|
|
|
|
(BLOOM'S WEATHER. A SUNBURST APPEARS IN THE NORTHWEST.)
|
|
|
|
THE BISHOP OF DOWN AND CONNOR: I here present your undoubted emperor-
|
|
president and king-chairman, the most serene and potent and very puissant
|
|
ruler of this realm. God save Leopold the First!
|
|
|
|
ALL: God save Leopold the First!
|
|
|
|
BLOOM: (IN DALMATIC AND PURPLE MANTLE, TO THE BISHOP OF DOWN AND CONNOR,
|
|
WITH DIGNITY) Thanks, somewhat eminent sir.
|
|
|
|
WILLIAM, ARCHBISHOP OF ARMAGH: (IN PURPLE STOCK AND SHOVEL HAT) Will you
|
|
to your power cause law and mercy to be executed in all your judgments in
|
|
Ireland and territories thereunto belonging?
|
|
|
|
BLOOM: (PLACING HIS RIGHT HAND ON HIS TESTICLES, SWEARS) So may the
|
|
Creator deal with me. All this I promise to do.
|
|
|
|
MICHAEL, ARCHBISHOP OF ARMAGH: (POURS A CRUSE OF HAIROIL OVER BLOOM'S
|
|
HEAD) GAUDIUM MAGNUM ANNUNTIO VOBIS. HABEMUS CARNEFICEM. Leopold,
|
|
Patrick, Andrew, David, George, be thou anointed!
|
|
|
|
(BLOOM ASSUMES A MANTLE OF CLOTH OF GOLD AND PUTS ON A RUBY RING. HE
|
|
ASCENDS AND STANDS ON THE STONE OF DESTINY. THE REPRESENTATIVE PEERS PUT
|
|
ON AT THE SAME TIME THEIR TWENTYEIGHT CROWNS. JOYBELLS RING IN CHRIST
|
|
CHURCH, SAINT PATRICK'S, GEORGE'S AND GAY MALAHIDE. MIRUS BAZAAR
|
|
FIREWORKS GO UP FROM ALL SIDES WITH SYMBOLICAL PHALLOPYROTECHNIC DESIGNS.
|
|
THE PEERS DO HOMAGE, ONE BY ONE, APPROACHING AND GENUFLECTING.)
|
|
|
|
THE PEERS: I do become your liege man of life and limb to earthly
|
|
worship.
|
|
|
|
(BLOOM HOLDS UP HIS RIGHT HAND ON WHICH SPARKLES THE KOH-I-NOOR DIAMOND.
|
|
HIS PALFREY NEIGHS. IMMEDIATE SILENCE. WIRELESS INTERCONTINENTAL AND
|
|
INTERPLANETARY TRANSMITTERS ARE SET FOR RECEPTION OF MESSAGE.)
|
|
|
|
BLOOM: My subjects! We hereby nominate our faithful charger Copula Felix
|
|
hereditary Grand Vizier and announce that we have this day repudiated our
|
|
former spouse and have bestowed our royal hand upon the princess Selene,
|
|
the splendour of night.
|
|
|
|
(THE FORMER MORGANATIC SPOUSE OF BLOOM IS HASTILY REMOVED IN THE BLACK
|
|
MARIA. THE PRINCESS SELENE, IN MOONBLUE ROBES, A SILVER CRESCENT ON HER
|
|
HEAD, DESCENDS FROM A SEDAN CHAIR, BORNE BY TWO GIANTS. AN OUTBURST OF
|
|
CHEERING.)
|
|
|
|
JOHN HOWARD PARNELL: (RAISES THE ROYAL STANDARD) Illustrious Bloom!
|
|
Successor to my famous brother!
|
|
|
|
BLOOM: (EMBRACES JOHN HOWARD PARNELL) We thank you from our heart, John,
|
|
for this right royal welcome to green Erin, the promised land of our
|
|
common ancestors.
|
|
|
|
(THE FREEDOM OF THE CITY IS PRESENTED TO HIM EMBODIED IN A CHARTER. THE
|
|
KEYS OF DUBLIN, CROSSED ON A CRIMSON CUSHION, ARE GIVEN TO HIM. HE SHOWS
|
|
ALL THAT HE IS WEARING GREEN SOCKS.)
|
|
|
|
TOM KERNAN: You deserve it, your honour.
|
|
|
|
BLOOM: On this day twenty years ago we overcame the hereditary enemy at
|
|
Ladysmith. Our howitzers and camel swivel guns played on his lines with
|
|
telling effect. Half a league onward! They charge! All is lost now! Do we
|
|
yield? No! We drive them headlong! Lo! We charge! Deploying to the left
|
|
our light horse swept across the heights of Plevna and, uttering their
|
|
warcry BONAFIDE SABAOTH, sabred the Saracen gunners to a man.
|
|
|
|
THE CHAPEL OF FREEMAN TYPESETTERS: Hear! Hear!
|
|
|
|
JOHN WYSE NOLAN: There's the man that got away James Stephens.
|
|
|
|
A BLUECOAT SCHOOLBOY: Bravo!
|
|
|
|
AN OLD RESIDENT: You're a credit to your country, sir, that's what you
|
|
are.
|
|
|
|
AN APPLEWOMAN: He's a man like Ireland wants.
|
|
|
|
BLOOM: My beloved subjects, a new era is about to dawn. I, Bloom, tell
|
|
you verily it is even now at hand. Yea, on the word of a Bloom, ye shall
|
|
ere long enter into the golden city which is to be, the new Bloomusalem
|
|
in the Nova Hibernia of the future.
|
|
|
|
(THIRTYTWO WORKMEN, WEARING ROSETTES, FROM ALL THE COUNTIES OF IRELAND,
|
|
UNDER THE GUIDANCE OF DERWAN THE BUILDER, CONSTRUCT THE NEW BLOOMUSALEM.
|
|
IT IS A COLOSSAL EDIFICE WITH CRYSTAL ROOF, BUILT IN THE SHAPE OF A HUGE
|
|
PORK KIDNEY, CONTAINING FORTY THOUSAND ROOMS. IN THE COURSE OF ITS
|
|
EXTENSION SEVERAL BUILDINGS AND MONUMENTS ARE DEMOLISHED. GOVERNMENT
|
|
OFFICES ARE TEMPORARILY TRANSFERRED TO RAILWAY SHEDS. NUMEROUS HOUSES ARE
|
|
RAZED TO THE GROUND. THE INHABITANTS ARE LODGED IN BARRELS AND BOXES, ALL
|
|
MARKED IN RED WITH THE LETTERS: L. B. SEVERAL PAUPERS FILL FROM A LADDER.
|
|
A PART OF THE WALLS OF DUBLIN, CROWDED WITH LOYAL SIGHTSEERS, COLLAPSES.)
|
|
|
|
THE SIGHTSEERS: (DYING) MORITURI TE SALUTANT. (THEY DIE)
|
|
|
|
(A MAN IN A BROWN MACINTOSH SPRINGS UP THROUGH A TRAPDOOR. HE POINTS AN
|
|
ELONGATED FINGER AT BLOOM.)
|
|
|
|
THE MAN IN THE MACINTOSH: Don't you believe a word he says. That man is
|
|
Leopold M'Intosh, the notorious fireraiser. His real name is Higgins.
|
|
|
|
BLOOM: Shoot him! Dog of a christian! So much for M'Intosh!
|
|
|
|
(A CANNONSHOT. THE MAN IN THE MACINTOSH DISAPPEARS. BLOOM WITH HIS
|
|
SCEPTRE STRIKES DOWN POPPIES. THE INSTANTANEOUS DEATHS OF MANY POWERFUL
|
|
ENEMIES, GRAZIERS, MEMBERS OF PARLIAMENT, MEMBERS OF STANDING COMMITTEES,
|
|
ARE REPORTED. BLOOM'S BODYGUARD DISTRIBUTE MAUNDY MONEY, COMMEMORATION
|
|
MEDALS, LOAVES AND FISHES, TEMPERANCE BADGES, EXPENSIVE HENRY CLAY
|
|
CIGARS, FREE COWBONES FOR SOUP, RUBBER PRESERVATIVES IN SEALED ENVELOPES
|
|
TIED WITH GOLD THREAD, BUTTER SCOTCH, PINEAPPLE ROCK, billets doux IN THE
|
|
FORM OF COCKED HATS, READYMADE SUITS, PORRINGERS OF TOAD IN THE HOLE,
|
|
BOTTLES OF JEYES' FLUID, PURCHASE STAMPS, 40 DAYS' INDULGENCES, SPURIOUS
|
|
COINS, DAIRYFED PORK SAUSAGES, THEATRE PASSES, SEASON TICKETS AVAILABLE
|
|
FOR ALL TRAMLINES, COUPONS OF THE ROYAL AND PRIVILEGED HUNGARIAN LOTTERY,
|
|
PENNY DINNER COUNTERS, CHEAP REPRINTS OF THE WORLD'S TWELVE WORST BOOKS:
|
|
FROGGY AND FRITZ (POLITIC), CARE OF THE BABY (INFANTILIC), 50 MEALS FOR
|
|
7/6 (CULINIC), WAS JESUS A SUN MYTH? (HISTORIC), EXPEL THAT PAIN (MEDIC),
|
|
INFANT'S COMPENDIUM OF THE UNIVERSE (COSMIC), LET'S ALL CHORTLE
|
|
(HILARIC), CANVASSER'S VADE MECUM (JOURNALIC), LOVELETTERS OF MOTHER
|
|
ASSISTANT (EROTIC), WHO'S WHO IN SPACE (ASTRIC), SONGS THAT REACHED OUR
|
|
HEART (MELODIC), PENNYWISE'S WAY TO WEALTH (PARSIMONIC). A GENERAL RUSH
|
|
AND SCRAMBLE. WOMEN PRESS FORWARD TO TOUCH THE HEM OF BLOOM'S ROBE. THE
|
|
LADY GWENDOLEN DUBEDAT BURSTS THROUGH THE THRONG, LEAPS ON HIS HORSE AND
|
|
KISSES HIM ON BOTH CHEEKS AMID GREAT ACCLAMATION. A MAGNESIUM FLASHLIGHT
|
|
PHOTOGRAPH IS TAKEN. BABES AND SUCKLINGS ARE HELD UP.)
|
|
|
|
THE WOMEN: Little father! Little father!
|
|
|
|
THE BABES AND SUCKLINGS:
|
|
|
|
|
|
Clap clap hands till Poldy comes home,
|
|
Cakes in his pocket for Leo alone.
|
|
|
|
|
|
(BLOOM, BENDING DOWN, POKES BABY BOARDMAN GENTLY IN THE STOMACH.)
|
|
|
|
BABY BOARDMAN: (HICCUPS, CURDLED MILK FLOWING FROM HIS MOUTH) Hajajaja.
|
|
|
|
BLOOM: (SHAKING HANDS WITH A BLIND STRIPLING) My more than Brother!
|
|
(PLACING HIS ARMS ROUND THE SHOULDERS OF AN OLD COUPLE) Dear old friends!
|
|
(HE PLAYS PUSSY FOURCORNERS WITH RAGGED BOYS AND GIRLS) Peep! Bopeep! (HE
|
|
WHEELS TWINS IN A PERAMBULATOR) Ticktacktwo wouldyousetashoe? (HE
|
|
PERFORMS JUGGLER'S TRICKS, DRAWS RED, ORANGE, YELLOW, GREEN, BLUE, INDIGO
|
|
AND VIOLET SILK HANDKERCHIEFS FROM HIS MOUTH) Roygbiv. 32 feet per
|
|
second. (HE CONSOLES A WIDOW) Absence makes the heart grow younger. (HE
|
|
DANCES THE HIGHLAND FLING WITH GROTESQUE ANTICS) Leg it, ye devils! (HE
|
|
KISSES THE BEDSORES OF A PALSIED VETERAN) Honourable wounds! (HE TRIPS UP
|
|
A FIT POLICEMAN) U. p: up. U. p: up. (HE WHISPERS IN THE EAR OF A
|
|
BLUSHING WAITRESS AND LAUGHS KINDLY) Ah, naughty, naughty! (HE EATS A RAW
|
|
TURNIP OFFERED HIM BY MAURICE BUTTERLY, FARMER) Fine! Splendid! (HE
|
|
REFUSES TO ACCEPT THREE SHILLINGS OFFERED HIM BY JOSEPH HYNES,
|
|
JOURNALIST) My dear fellow, not at all! (HE GIVES HIS COAT TO A BEGGAR)
|
|
Please accept. (HE TAKES PART IN A STOMACH RACE WITH ELDERLY MALE AND
|
|
FEMALE CRIPPLES) Come on, boys! Wriggle it, girls!
|
|
|
|
THE CITIZEN: (CHOKED WITH EMOTION, BRUSHES ASIDE A TEAR IN HIS EMERALD
|
|
MUFFLER) May the good God bless him!
|
|
|
|
(THE RAMS' HORNS SOUND FOR SILENCE. THE STANDARD OF ZION IS HOISTED.)
|
|
|
|
BLOOM: (UNCLOAKS IMPRESSIVELY, REVEALING OBESITY, UNROLLS A PAPER AND
|
|
READS SOLEMNLY) Aleph Beth Ghimel Daleth Hagadah Tephilim Kosher Yom
|
|
Kippur Hanukah Roschaschana Beni Brith Bar Mitzvah Mazzoth Askenazim
|
|
Meshuggah Talith.
|
|
|
|
(AN OFFICIAL TRANSLATION IS READ BY JIMMY HENRY, ASSISTANT TOWN CLERK.)
|
|
|
|
JIMMY HENRY: The Court of Conscience is now open. His Most Catholic
|
|
Majesty will now administer open air justice. Free medical and legal
|
|
advice, solution of doubles and other problems. All cordially invited.
|
|
Given at this our loyal city of Dublin in the year I of the Paradisiacal
|
|
Era.
|
|
|
|
PADDY LEONARD: What am I to do about my rates and taxes?
|
|
|
|
BLOOM: Pay them, my friend.
|
|
|
|
PADDY LEONARD: Thank you.
|
|
|
|
NOSEY FLYNN: Can I raise a mortgage on my fire insurance?
|
|
|
|
BLOOM: (OBDURATELY) Sirs, take notice that by the law of torts you are
|
|
bound over in your own recognisances for six months in the sum of five
|
|
pounds.
|
|
|
|
J. J. O'MOLLOY: A Daniel did I say? Nay! A Peter O'Brien!
|
|
|
|
NOSEY FLYNN: Where do I draw the five pounds?
|
|
|
|
PISSER BURKE: For bladder trouble?
|
|
|
|
BLOOM:
|
|
|
|
|
|
ACID. NIT. HYDROCHLOR. DIL., 20 minims
|
|
TINCT. NUX VOM., 5 minims
|
|
EXTR. TARAXEL. IIQ., 30 minims.
|
|
AQ. DIS. TER IN DIE.
|
|
|
|
|
|
CHRIS CALLINAN: What is the parallax of the subsolar ecliptic of
|
|
Aldebaran?
|
|
|
|
BLOOM: Pleased to hear from you, Chris. K. II.
|
|
|
|
JOE HYNES: Why aren't you in uniform?
|
|
|
|
BLOOM: When my progenitor of sainted memory wore the uniform of the
|
|
Austrian despot in a dank prison where was yours?
|
|
|
|
BEN DOLLARD: Pansies?
|
|
|
|
BLOOM: Embellish (beautify) suburban gardens.
|
|
|
|
BEN DOLLARD: When twins arrive?
|
|
|
|
BLOOM: Father (pater, dad) starts thinking.
|
|
|
|
LARRY O'ROURKE: An eightday licence for my new premises. You remember me,
|
|
sir Leo, when you were in number seven. I'm sending around a dozen of
|
|
stout for the missus.
|
|
|
|
BLOOM: (COLDLY) You have the advantage of me. Lady Bloom accepts no
|
|
presents.
|
|
|
|
CROFTON: This is indeed a festivity.
|
|
|
|
BLOOM: (SOLEMNLY) You call it a festivity. I call it a sacrament.
|
|
|
|
ALEXANDER KEYES: When will we have our own house of keys?
|
|
|
|
BLOOM: I stand for the reform of municipal morals and the plain ten
|
|
commandments. New worlds for old. Union of all, jew, moslem and gentile.
|
|
Three acres and a cow for all children of nature. Saloon motor hearses.
|
|
Compulsory manual labour for all. All parks open to the public day and
|
|
night. Electric dishscrubbers. Tuberculosis, lunacy, war and mendicancy
|
|
must now cease. General amnesty, weekly carnival with masked licence,
|
|
bonuses for all, esperanto the universal language with universal
|
|
brotherhood. No more patriotism of barspongers and dropsical impostors.
|
|
Free money, free rent, free love and a free lay church in a free lay
|
|
state.
|
|
|
|
O'MADDEN BURKE: Free fox in a free henroost.
|
|
|
|
DAVY BYRNE: (YAWNING) Iiiiiiiiiaaaaaaach!
|
|
|
|
BLOOM: Mixed races and mixed marriage.
|
|
|
|
LENEHAN: What about mixed bathing?
|
|
|
|
(BLOOM EXPLAINS TO THOSE NEAR HIM HIS SCHEMES FOR SOCIAL REGENERATION.
|
|
ALL AGREE WITH HIM. THE KEEPER OF THE KILDARE STREET MUSEUM APPEARS,
|
|
DRAGGING A LORRY ON WHICH ARE THE SHAKING STATUES OF SEVERAL NAKED
|
|
GODDESSES, VENUS CALLIPYGE, VENUS PANDEMOS, VENUS METEMPSYCHOSIS, AND
|
|
PLASTER FIGURES, ALSO NAKED, REPRESENTING THE NEW NINE MUSES, COMMERCE,
|
|
OPERATIC MUSIC, AMOR, PUBLICITY, MANUFACTURE, LIBERTY OF SPEECH, PLURAL
|
|
VOTING, GASTRONOMY, PRIVATE HYGIENE, SEASIDE CONCERT ENTERTAINMENTS,
|
|
PAINLESS OBSTETRICS AND ASTRONOMY FOR THE PEOPLE.)
|
|
|
|
FATHER FARLEY: He is an episcopalian, an agnostic, an anythingarian
|
|
seeking to overthrow our holy faith.
|
|
|
|
MRS RIORDAN: (TEARS UP HER WILL) I'm disappointed in you! You bad man!
|
|
|
|
MOTHER GROGAN: (REMOVES HER BOOT TO THROW IT AT BLOOM) You beast! You
|
|
abominable person!
|
|
|
|
NOSEY FLYNN: Give us a tune, Bloom. One of the old sweet songs.
|
|
|
|
BLOOM: (WITH ROLLICKING HUMOUR)
|
|
|
|
|
|
I vowed that I never would leave her,
|
|
She turned out a cruel deceiver.
|
|
With my tooraloom tooraloom tooraloom tooraloom.
|
|
|
|
|
|
HOPPY HOLOHAN: Good old Bloom! There's nobody like him after all.
|
|
|
|
PADDY LEONARD: Stage Irishman!
|
|
|
|
BLOOM: What railway opera is like a tramline in Gibraltar? The Rows of
|
|
Casteele. (LAUGHTER.)
|
|
|
|
LENEHAN: Plagiarist! Down with Bloom!
|
|
|
|
THE VEILED SIBYL: (ENTHUSIASTICALLY) I'm a Bloomite and I glory in it. I
|
|
believe in him in spite of all. I'd give my life for him, the funniest
|
|
man on earth.
|
|
|
|
BLOOM: (WINKS AT THE BYSTANDERS) I bet she's a bonny lassie.
|
|
|
|
THEODORE PUREFOY: (IN FISHINGCAP AND OILSKIN JACKET) He employs a
|
|
mechanical device to frustrate the sacred ends of nature.
|
|
|
|
THE VEILED SIBYL: (STABS HERSELF) My hero god! (SHE DIES)
|
|
|
|
(MANY MOST ATTRACTIVE AND ENTHUSIASTIC WOMEN ALSO COMMIT SUICIDE BY
|
|
STABBING, DROWNING, DRINKING PRUSSIC ACID, ACONITE, ARSENIC, OPENING
|
|
THEIR VEINS, REFUSING FOOD, CASTING THEMSELVES UNDER STEAMROLLERS, FROM
|
|
THE TOP OF NELSON'S PILLAR, INTO THE GREAT VAT OF GUINNESS'S BREWERY,
|
|
ASPHYXIATING THEMSELVES BY PLACING THEIR HEADS IN GASOVENS, HANGING
|
|
THEMSELVES IN STYLISH GARTERS, LEAPING FROM WINDOWS OF DIFFERENT
|
|
STOREYS.)
|
|
|
|
ALEXANDER J DOWIE: (VIOLENTLY) Fellowchristians and antiBloomites, the
|
|
man called Bloom is from the roots of hell, a disgrace to christian men.
|
|
A fiendish libertine from his earliest years this stinking goat of Mendes
|
|
gave precocious signs of infantile debauchery, recalling the cities of
|
|
the plain, with a dissolute granddam. This vile hypocrite, bronzed with
|
|
infamy, is the white bull mentioned in the Apocalypse. A worshipper of
|
|
the Scarlet Woman, intrigue is the very breath of his nostrils. The stake
|
|
faggots and the caldron of boiling oil are for him. Caliban!
|
|
|
|
THE MOB: Lynch him! Roast him! He's as bad as Parnell was. Mr Fox!
|
|
|
|
(MOTHER GROGAN THROWS HER BOOT AT BLOOM. SEVERAL SHOPKEEPERS FROM UPPER
|
|
AND LOWER DORSET STREET THROW OBJECTS OF LITTLE OR NO COMMERCIAL VALUE,
|
|
HAMBONES, CONDENSED MILK TINS, UNSALEABLE CABBAGE, STALE BREAD, SHEEP'S
|
|
TAILS, ODD PIECES OF FAT.)
|
|
|
|
BLOOM: (EXCITEDLY) This is midsummer madness, some ghastly joke again. By
|
|
heaven, I am guiltless as the unsunned snow! It was my brother Henry. He
|
|
is my double. He lives in number 2 Dolphin's Barn. Slander, the viper,
|
|
has wrongfully accused me. Fellowcountrymen, SGENL INN BAN BATA COISDE
|
|
GAN CAPALL. I call on my old friend, Dr Malachi Mulligan, sex specialist,
|
|
to give medical testimony on my behalf.
|
|
|
|
DR MULLIGAN: (IN MOTOR JERKIN, GREEN MOTORGOGGLES ON HIS BROW) Dr Bloom
|
|
is bisexually abnormal. He has recently escaped from Dr Eustace's private
|
|
asylum for demented gentlemen. Born out of bedlock hereditary epilepsy is
|
|
present, the consequence of unbridled lust. Traces of elephantiasis have
|
|
been discovered among his ascendants. There are marked symptoms of
|
|
chronic exhibitionism. Ambidexterity is also latent. He is prematurely
|
|
bald from selfabuse, perversely idealistic in consequence, a reformed
|
|
rake, and has metal teeth. In consequence of a family complex he has
|
|
temporarily lost his memory and I believe him to be more sinned against
|
|
than sinning. I have made a pervaginal examination and, after application
|
|
of the acid test to 5427 anal, axillary, pectoral and pubic hairs, I
|
|
declare him to be VIRGO INTACTA.
|
|
|
|
(BLOOM HOLDS HIS HIGH GRADE HAT OVER HIS GENITAL ORGANS.)
|
|
|
|
DR MADDEN: Hypsospadia is also marked. In the interest of coming
|
|
generations I suggest that the parts affected should be preserved in
|
|
spirits of wine in the national teratological museum.
|
|
|
|
DR CROTTHERS: I have examined the patient's urine. It is albuminoid.
|
|
Salivation is insufficient, the patellar reflex intermittent.
|
|
|
|
DR PUNCH COSTELLO: The FETOR JUDAICUS is most perceptible.
|
|
|
|
DR DIXON: (READS A BILL OF HEALTH) Professor Bloom is a finished example
|
|
of the new womanly man. His moral nature is simple and lovable. Many have
|
|
found him a dear man, a dear person. He is a rather quaint fellow on the
|
|
whole, coy though not feebleminded in the medical sense. He has written a
|
|
really beautiful letter, a poem in itself, to the court missionary of the
|
|
Reformed Priests' Protection Society which clears up everything. He is
|
|
practically a total abstainer and I can affirm that he sleeps on a straw
|
|
litter and eats the most Spartan food, cold dried grocer's peas. He wears
|
|
a hairshirt of pure Irish manufacture winter and summer and scourges
|
|
himself every Saturday. He was, I understand, at one time a firstclass
|
|
misdemeanant in Glencree reformatory. Another report states that he was a
|
|
very posthumous child. I appeal for clemency in the name of the most
|
|
sacred word our vocal organs have ever been called upon to speak. He is
|
|
about to have a baby.
|
|
|
|
(GENERAL COMMOTION AND COMPASSION. WOMEN FAINT. A WEALTHY AMERICAN MAKES
|
|
A STREET COLLECTION FOR BLOOM. GOLD AND SILVER COINS, BLANK CHEQUES,
|
|
BANKNOTES, JEWELS, TREASURY BONDS, MATURING BILLS OF EXCHANGE, I. O. U'S,
|
|
WEDDING RINGS, WATCHCHAINS, LOCKETS, NECKLACES AND BRACELETS ARE RAPIDLY
|
|
COLLECTED.)
|
|
|
|
BLOOM: O, I so want to be a mother.
|
|
|
|
MRS THORNTON: (IN NURSETENDER'S GOWN) Embrace me tight, dear. You'll be
|
|
soon over it. Tight, dear.
|
|
|
|
(BLOOM EMBRACES HER TIGHTLY AND BEARS EIGHT MALE YELLOW AND WHITE
|
|
CHILDREN. THEY APPEAR ON A REDCARPETED STAIRCASE ADORNED WITH EXPENSIVE
|
|
PLANTS. ALL THE OCTUPLETS ARE HANDSOME, WITH VALUABLE METALLIC FACES,
|
|
WELLMADE, RESPECTABLY DRESSED AND WELLCONDUCTED, SPEAKING FIVE MODERN
|
|
LANGUAGES FLUENTLY AND INTERESTED IN VARIOUS ARTS AND SCIENCES. EACH HAS
|
|
HIS NAME PRINTED IN LEGIBLE LETTERS ON HIS SHIRTFRONT: NASODORO,
|
|
GOLDFINGER, CHRYSOSTOMOS, MAINDOREE, SILVERSMILE, SILBERSELBER,
|
|
VIFARGENT, PANARGYROS. THEY ARE IMMEDIATELY APPOINTED TO POSITIONS OF
|
|
HIGH PUBLIC TRUST IN SEVERAL DIFFERENT COUNTRIES AS MANAGING DIRECTORS OF
|
|
BANKS, TRAFFIC MANAGERS OF RAILWAYS, CHAIRMEN OF LIMITED LIABILITY
|
|
COMPANIES, VICECHAIRMEN OF HOTEL SYNDICATES.)
|
|
|
|
A VOICE: Bloom, are you the Messiah ben Joseph or ben David?
|
|
|
|
BLOOM: (DARKLY) You have said it.
|
|
|
|
BROTHER BUZZ: Then perform a miracle like Father Charles.
|
|
|
|
BANTAM LYONS: Prophesy who will win the Saint Leger.
|
|
|
|
(BLOOM WALKS ON A NET, COVERS HIS LEFT EYE WITH HIS LEFT EAR, PASSES
|
|
THROUGH SEVERAL WALLS, CLIMBS NELSON'S PILLAR, HANGS FROM THE TOP LEDGE
|
|
BY HIS EYELIDS, EATS TWELVE DOZEN OYSTERS (SHELLS INCLUDED), HEALS
|
|
SEVERAL SUFFERERS FROM KING'S EVIL, CONTRACTS HIS FACE SO AS TO RESEMBLE
|
|
MANY HISTORICAL PERSONAGES, LORD BEACONSFIELD, LORD BYRON, WAT TYLER,
|
|
MOSES OF EGYPT, MOSES MAIMONIDES, MOSES MENDELSSOHN, HENRY IRVING, RIP
|
|
VAN WINKLE, KOSSUTH, JEAN JACQUES ROUSSEAU, BARON LEOPOLD ROTHSCHILD,
|
|
ROBINSON CRUSOE, SHERLOCK HOLMES, PASTEUR, TURNS EACH FOOT SIMULTANEOUSLY
|
|
IN DIFFERENT DIRECTIONS, BIDS THE TIDE TURN BACK, ECLIPSES THE SUN BY
|
|
EXTENDING HIS LITTLE FINGER.)
|
|
|
|
BRINI, PAPAL NUNCIO: (IN PAPAL ZOUAVE'S UNIFORM, STEEL CUIRASSES AS
|
|
BREASTPLATE, ARMPLATES, THIGHPLATES, LEGPLATES, LARGE PROFANE MOUSTACHES
|
|
AND BROWN PAPER MITRE) LEOPOLDI AUTEM GENERATIO. Moses begat Noah and
|
|
Noah begat Eunuch and Eunuch begat O'Halloran and O'Halloran begat
|
|
Guggenheim and Guggenheim begat Agendath and Agendath begat Netaim and
|
|
Netaim begat Le Hirsch and Le Hirsch begat Jesurum and Jesurum begat
|
|
MacKay and MacKay begat Ostrolopsky and Ostrolopsky begat Smerdoz and
|
|
Smerdoz begat Weiss and Weiss begat Schwarz and Schwarz begat Adrianopoli
|
|
and Adrianopoli begat Aranjuez and Aranjuez begat Lewy Lawson and Lewy
|
|
Lawson begat Ichabudonosor and Ichabudonosor begat O'Donnell Magnus and
|
|
O'Donnell Magnus begat Christbaum and Christbaum begat ben Maimun and ben
|
|
Maimun begat Dusty Rhodes and Dusty Rhodes begat Benamor and Benamor
|
|
begat Jones-Smith and Jones-Smith begat Savorgnanovich and Savorgnanovich
|
|
begat Jasperstone and Jasperstone begat Vingtetunieme and Vingtetunieme
|
|
begat Szombathely and Szombathely begat Virag and Virag begat Bloom ET
|
|
VOCABITUR NOMEN EIUS EMMANUEL.
|
|
|
|
A DEADHAND: (WRITES ON THE WALL) Bloom is a cod.
|
|
|
|
CRAB: (IN BUSHRANGER'S KIT) What did you do in the cattlecreep behind
|
|
Kilbarrack?
|
|
|
|
A FEMALE INFANT: (SHAKES A RATTLE) And under Ballybough bridge?
|
|
|
|
A HOLLYBUSH: And in the devil's glen?
|
|
|
|
BLOOM: (BLUSHES FURIOUSLY ALL OVER FROM FRONS TO NATES, THREE TEARS
|
|
FILLING FROM HIS LEFT EYE) Spare my past.
|
|
|
|
THE IRISH EVICTED TENANTS: (IN BODYCOATS, KNEEBREECHES, WITH DONNYBROOK
|
|
FAIR SHILLELAGHS) Sjambok him!
|
|
|
|
(BLOOM WITH ASSES' EARS SEATS HIMSELF IN THE PILLORY WITH CROSSED ARMS,
|
|
HIS FEET PROTRUDING. HE WHISTLES Don Giovanni, a cenar teco. ARTANE
|
|
ORPHANS, JOINING HANDS, CAPER ROUND HIM. GIRLS OF THE PRISON GATE
|
|
MISSION, JOINING HANDS, CAPER ROUND IN THE OPPOSITE DIRECTION.)
|
|
|
|
THE ARTANE ORPHANS:
|
|
|
|
|
|
You hig, you hog, you dirty dog!
|
|
You think the ladies love you!
|
|
|
|
|
|
THE PRISON GATE GIRLS:
|
|
|
|
|
|
If you see Kay
|
|
Tell him he may
|
|
See you in tea
|
|
Tell him from me.
|
|
|
|
|
|
HORNBLOWER: (IN EPHOD AND HUNTINGCAP, ANNOUNCES) And he shall carry the
|
|
sins of the people to Azazel, the spirit which is in the wilderness, and
|
|
to Lilith, the nighthag. And they shall stone him and defile him, yea,
|
|
all from Agendath Netaim and from Mizraim, the land of Ham.
|
|
|
|
(ALL THE PEOPLE CAST SOFT PANTOMIME STONES AT BLOOM. MANY BONAFIDE
|
|
TRAVELLERS AND OWNERLESS DOGS COME NEAR HIM AND DEFILE HIM. MASTIANSKY
|
|
AND CITRON APPROACH IN GABERDINES, WEARING LONG EARLOCKS. THEY WAG THEIR
|
|
BEARDS AT BLOOM.)
|
|
|
|
MASTIANSKY AND CITRON: Belial! Laemlein of Istria, the false Messiah!
|
|
Abulafia! Recant!
|
|
|
|
(GEORGE R MESIAS, BLOOM'S TAILOR, APPEARS, A TAILOR'S GOOSE UNDER HIS
|
|
ARM, PRESENTING A BILL)
|
|
|
|
MESIAS: To alteration one pair trousers eleven shillings.
|
|
|
|
BLOOM: (RUBS HIS HANDS CHEERFULLY) Just like old times. Poor Bloom!
|
|
|
|
(REUBEN J DODD, BLACKBEARDED ISCARIOT, BAD SHEPHERD, BEARING ON HIS
|
|
SHOULDERS THE DROWNED CORPSE OF HIS SON, APPROACHES THE PILLORY.)
|
|
|
|
REUBEN J: (WHISPERS HOARSELY) The squeak is out. A split is gone for the
|
|
flatties. Nip the first rattler.
|
|
|
|
THE FIRE BRIGADE: Pflaap!
|
|
|
|
BROTHER BUZZ: (INVESTS BLOOM IN A YELLOW HABIT WITH EMBROIDERY OF PAINTED
|
|
FLAMES AND HIGH POINTED HAT. HE PLACES A BAG OF GUNPOWDER ROUND HIS NECK
|
|
AND HANDS HIM OVER TO THE CIVIL POWER, SAYING) Forgive him his
|
|
trespasses.
|
|
|
|
(LIEUTENANT MYERS OF THE DUBLIN FIRE BRIGADE BY GENERAL REQUEST SETS FIRE
|
|
TO BLOOM. LAMENTATIONS.)
|
|
|
|
THE CITIZEN: Thank heaven!
|
|
|
|
BLOOM: (IN A SEAMLESS GARMENT MARKED I. H. S. STANDS UPRIGHT AMID PHOENIX
|
|
FLAMES) Weep not for me, O daughters of Erin.
|
|
|
|
(HE EXHIBITS TO DUBLIN REPORTERS TRACES OF BURNING. THE DAUGHTERS OF
|
|
ERIN, IN BLACK GARMENTS, WITH LARGE PRAYERBOOKS AND LONG LIGHTED CANDLES
|
|
IN THEIR HANDS, KNEEL DOWN AND PRAY.)
|
|
|
|
THE DAUGHTERS OF ERIN:
|
|
|
|
|
|
Kidney of Bloom, pray for us
|
|
Flower of the Bath, pray for us
|
|
Mentor of Menton, pray for us
|
|
Canvasser for the Freeman, pray for us
|
|
Charitable Mason, pray for us
|
|
Wandering Soap, pray for us
|
|
Sweets of Sin, pray for us
|
|
Music without Words, pray for us
|
|
Reprover of the Citizen, pray for us
|
|
Friend of all Frillies, pray for us
|
|
Midwife Most Merciful, pray for us
|
|
Potato Preservative against Plague and Pestilence, pray for us.
|
|
|
|
|
|
(A CHOIR OF SIX HUNDRED VOICES, CONDUCTED BY VINCENT O'BRIEN, SINGS THE
|
|
CHORUS FROM HANDEL'S MESSIAH ALLELUIA FOR THE LORD GOD OMNIPOTENT
|
|
REIGNETH, ACCOMPANIED ON THE ORGAN BY JOSEPH GLYNN. BLOOM BECOMES MUTE,
|
|
SHRUNKEN, CARBONISED.)
|
|
|
|
ZOE: Talk away till you're black in the face.
|
|
|
|
BLOOM: (IN CAUBEEN WITH CLAY PIPE STUCK IN THE BAND, DUSTY BROGUES, AN
|
|
EMIGRANT'S RED HANDKERCHIEF BUNDLE IN HIS HAND, LEADING A BLACK BOGOAK
|
|
PIG BY A SUGAUN, WITH A SMILE IN HIS EYE) Let me be going now, woman of
|
|
the house, for by all the goats in Connemara I'm after having the father
|
|
and mother of a bating. (WITH A TEAR IN HIS EYE) All insanity.
|
|
Patriotism, sorrow for the dead, music, future of the race. To be or not
|
|
to be. Life's dream is o'er. End it peacefully. They can live on. (HE
|
|
GAZES FAR AWAY MOURNFULLY) I am ruined. A few pastilles of aconite. The
|
|
blinds drawn. A letter. Then lie back to rest. (HE BREATHES SOFTLY) No
|
|
more. I have lived. Fare. Farewell.
|
|
|
|
ZOE: (STIFFLY, HER FINGER IN HER NECKFILLET) Honest? Till the next time.
|
|
(SHE SNEERS) Suppose you got up the wrong side of the bed or came too
|
|
quick with your best girl. O, I can read your thoughts!
|
|
|
|
BLOOM: (BITTERLY) Man and woman, love, what is it? A cork and bottle. I'm
|
|
sick of it. Let everything rip.
|
|
|
|
ZOE: (IN SUDDEN SULKS) I hate a rotter that's insincere. Give a bleeding
|
|
whore a chance.
|
|
|
|
BLOOM: (REPENTANTLY) I am very disagreeable. You are a necessary evil.
|
|
Where are you from? London?
|
|
|
|
ZOE: (GLIBLY) Hog's Norton where the pigs plays the organs. I'm Yorkshire
|
|
born. (SHE HOLDS HIS HAND WHICH IS FEELING FOR HER NIPPLE) I say, Tommy
|
|
Tittlemouse. Stop that and begin worse. Have you cash for a short time?
|
|
Ten shillings?
|
|
|
|
BLOOM: (SMILES, NODS SLOWLY) More, houri, more.
|
|
|
|
ZOE: And more's mother? (SHE PATS HIM OFFHANDEDLY WITH VELVET PAWS) Are
|
|
you coming into the musicroom to see our new pianola? Come and I'll peel
|
|
off.
|
|
|
|
BLOOM: (FEELING HIS OCCIPUT DUBIOUSLY WITH THE UNPARALLELED EMBARRASSMENT
|
|
OF A HARASSED PEDLAR GAUGING THE SYMMETRY OF HER PEELED PEARS) Somebody
|
|
would be dreadfully jealous if she knew. The greeneyed monster.
|
|
(EARNESTLY) You know how difficult it is. I needn't tell you.
|
|
|
|
ZOE: (FLATTERED) What the eye can't see the heart can't grieve for. (SHE
|
|
PATS HIM) Come.
|
|
|
|
BLOOM: Laughing witch! The hand that rocks the cradle.
|
|
|
|
ZOE: Babby!
|
|
|
|
BLOOM: (IN BABYLINEN AND PELISSE, BIGHEADED, WITH A CAUL OF DARK HAIR,
|
|
FIXES BIG EYES ON HER FLUID SLIP AND COUNTS ITS BRONZE BUCKLES WITH A
|
|
CHUBBY FINGER, HIS MOIST TONGUE LOLLING AND LISPING) One two tlee: tlee
|
|
tlwo tlone.
|
|
|
|
THE BUCKLES: Love me. Love me not. Love me.
|
|
|
|
ZOE: Silent means consent. (WITH LITTLE PARTED TALONS SHE CAPTURES HIS
|
|
HAND, HER FOREFINGER GIVING TO HIS PALM THE PASSTOUCH OF SECRET MONITOR,
|
|
LURING HIM TO DOOM.) Hot hands cold gizzard.
|
|
|
|
(HE HESITATES AMID SCENTS, MUSIC, TEMPTATIONS. SHE LEADS HIM TOWARDS THE
|
|
STEPS, DRAWING HIM BY THE ODOUR OF HER ARMPITS, THE VICE OF HER PAINTED
|
|
EYES, THE RUSTLE OF HER SLIP IN WHOSE SINUOUS FOLDS LURKS THE LION REEK
|
|
OF ALL THE MALE BRUTES THAT HAVE POSSESSED HER.)
|
|
|
|
THE MALE BRUTES: (EXHALING SULPHUR OF RUT AND DUNG AND RAMPING IN THEIR
|
|
LOOSEBOX, FAINTLY ROARING, THEIR DRUGGED HEADS SWAYING TO AND FRO) Good!
|
|
|
|
(ZOE AND BLOOM REACH THE DOORWAY WHERE TWO SISTER WHORES ARE SEATED. THEY
|
|
EXAMINE HIM CURIOUSLY FROM UNDER THEIR PENCILLED BROWS AND SMILE TO HIS
|
|
HASTY BOW. HE TRIPS AWKWARDLY.)
|
|
|
|
ZOE: (HER LUCKY HAND INSTANTLY SAVING HIM) Hoopsa! Don't fall upstairs.
|
|
|
|
BLOOM: The just man falls seven times. (HE STANDS ASIDE AT THE THRESHOLD)
|
|
After you is good manners.
|
|
|
|
ZOE: Ladies first, gentlemen after.
|
|
|
|
(SHE CROSSES THE THRESHOLD. HE HESITATES. SHE TURNS AND, HOLDING OUT HER
|
|
HANDS, DRAWS HIM OVER. HE HOPS. ON THE ANTLERED RACK OF THE HALL HANG A
|
|
MAN 'S HAT AND WATERPROOF. BLOOM UNCOVERS HIMSELF BUT, SEEING THEM,
|
|
FROWNS, THEN SMILES, PREOCCUPIED. A DOOR ON THE RETURN LANDING IS FLUNG
|
|
OPEN. A MAN IN PURPLE SHIRT AND GREY TROUSERS, BROWNSOCKED, PASSES WITH
|
|
AN APE'S GAIT, HIS BALD HEAD AND GOATEE BEARD UPHELD, HUGGING A FULL
|
|
WATERJUGJAR, HIS TWOTAILED BLACK BRACES DANGLING AT HEELS. AVERTING HIS
|
|
FACE QUICKLY BLOOM BENDS TO EXAMINE ON THE HALLTABLE THE SPANIEL EYES OF
|
|
A RUNNING FOX: THEN, HIS LIFTED HEAD SNIFFING, FOLLOWS ZOE INTO THE
|
|
MUSICROOM. A SHADE OF MAUVE TISSUEPAPER DIMS THE LIGHT OF THE CHANDELIER.
|
|
ROUND AND ROUND A MOTH FLIES, COLLIDING, ESCAPING. THE FLOOR IS COVERED
|
|
WITH AN OILCLOTH MOSAIC OF JADE AND AZURE AND CINNABAR RHOMBOIDS.
|
|
FOOTMARKS ARE STAMPED OVER IT IN ALL SENSES, HEEL TO HEEL, HEEL TO
|
|
HOLLOW, TOE TO TOE, FEET LOCKED, A MORRIS OF SHUFFLING FEET WITHOUT BODY
|
|
PHANTOMS, ALL IN A SCRIMMAGE HIGGLEDYPIGGLEDY. THE WALLS ARE TAPESTRIED
|
|
WITH A PAPER OF YEWFRONDS AND CLEAR GLADES. IN THE GRATE IS SPREAD A
|
|
SCREEN OF PEACOCK FEATHERS. LYNCH SQUATS CROSSLEGGED ON THE HEARTHRUG OF
|
|
MATTED HAIR, HIS CAP BACK TO THE FRONT. WITH A WAND HE BEATS TIME SLOWLY.
|
|
KITTY RICKETTS, A BONY PALLID WHORE IN NAVY COSTUME, DOESKIN GLOVES
|
|
ROLLED BACK FROM A CORAL WRISTLET, A CHAIN PURSE IN HER HAND, SITS
|
|
PERCHED ON THE EDGE OF THE TABLE SWINGING HER LEG AND GLANCING AT HERSELF
|
|
IN THE GILT MIRROR OVER THE MANTELPIECE. A TAG OF HER CORSETLACE HANGS
|
|
SLIGHTLY BELOW HER JACKET. LYNCH INDICATES MOCKINGLY THE COUPLE AT THE
|
|
PIANO.)
|
|
|
|
KITTY: (COUGHS BEHIND HER HAND) She's a bit imbecillic. (SHE SIGNS WITH A
|
|
WAGGLING FOREFINGER) Blemblem. (LYNCH LIFTS UP HER SKIRT AND WHITE
|
|
PETTICOAT WITH HIS WAND SHE SETTLES THEM DOWN QUICKLY.) Respect yourself.
|
|
(SHE HICCUPS, THEN BENDS QUICKLY HER SAILOR HAT UNDER WHICH HER HAIR
|
|
GLOWS, RED WITH HENNA) O, excuse!
|
|
|
|
ZOE: More limelight, Charley. (SHE GOES TO THE CHANDELIER AND TURNS THE
|
|
GAS FULL COCK)
|
|
|
|
KITTY: (PEERS AT THE GASJET) What ails it tonight?
|
|
|
|
LYNCH: (DEEPLY) Enter a ghost and hobgoblins.
|
|
|
|
ZOE: Clap on the back for Zoe.
|
|
|
|
(THE WAND IN LYNCH'S HAND FLASHES: A BRASS POKER. STEPHEN STANDS AT THE
|
|
PIANOLA ON WHICH SPRAWL HIS HAT AND ASHPLANT. WITH TWO FINGERS HE REPEATS
|
|
ONCE MORE THE SERIES OF EMPTY FIFTHS. FLORRY TALBOT, A BLOND FEEBLE
|
|
GOOSEFAT WHORE IN A TATTERDEMALION GOWN OF MILDEWED STRAWBERRY, LOLLS
|
|
SPREADEAGLE IN THE SOFACORNER, HER LIMP FOREARM PENDENT OVER THE BOLSTER,
|
|
LISTENING. A HEAVY STYE DROOPS OVER HER SLEEPY EYELID.)
|
|
|
|
KITTY: (HICCUPS AGAIN WITH A KICK OF HER HORSED FOOT) O, excuse!
|
|
|
|
ZOE: (PROMPTLY) Your boy's thinking of you. Tie a knot on your shift.
|
|
|
|
(KITTY RICKETTS BENDS HER HEAD. HER BOA UNCOILS, SLIDES, GLIDES OVER HER
|
|
SHOULDER, BACK, ARM, CHAIR TO THE GROUND. LYNCH LIFTS THE CURLED
|
|
CATERPILLAR ON HIS WAND. SHE SNAKES HER NECK, NESTLING. STEPHEN GLANCES
|
|
BEHIND AT THE SQUATTED FIGURE WITH ITS CAP BACK TO THE FRONT.)
|
|
|
|
STEPHEN: As a matter of fact it is of no importance whether Benedetto
|
|
Marcello found it or made it. The rite is the poet's rest. It may be an
|
|
old hymn to Demeter or also illustrate COELA ENARRANT GLORIAM DOMINI. It
|
|
is susceptible of nodes or modes as far apart as hyperphrygian and
|
|
mixolydian and of texts so divergent as priests haihooping round David's
|
|
that is Circe's or what am I saying Ceres' altar and David's tip from the
|
|
stable to his chief bassoonist about the alrightness of his almightiness.
|
|
MAIS NOM DE NOM, that is another pair of trousers. JETEZ LA GOURME. FAUT
|
|
QUE JEUNESSE SE PASSE. (HE STOPS, POINTS AT LYNCH'S CAP, SMILES, LAUGHS)
|
|
Which side is your knowledge bump?
|
|
|
|
THE CAP: (WITH SATURNINE SPLEEN) Bah! It is because it is. Woman's
|
|
reason. Jewgreek is greekjew. Extremes meet. Death is the highest form of
|
|
life. Bah!
|
|
|
|
STEPHEN: You remember fairly accurately all my errors, boasts, mistakes.
|
|
How long shall I continue to close my eyes to disloyalty? Whetstone!
|
|
|
|
THE CAP: Bah!
|
|
|
|
STEPHEN: Here's another for you. (HE FROWNS) The reason is because the
|
|
fundamental and the dominant are separated by the greatest possible
|
|
interval which ...
|
|
|
|
THE CAP: Which? Finish. You can't.
|
|
|
|
STEPHEN: (WITH AN EFFORT) Interval which. Is the greatest possible
|
|
ellipse. Consistent with. The ultimate return. The octave. Which.
|
|
|
|
THE CAP: Which?
|
|
|
|
(OUTSIDE THE GRAMOPHONE BEGINS TO BLARE The Holy City.)
|
|
|
|
STEPHEN: (ABRUPTLY) What went forth to the ends of the world to traverse
|
|
not itself, God, the sun, Shakespeare, a commercial traveller, having
|
|
itself traversed in reality itself becomes that self. Wait a moment. Wait
|
|
a second. Damn that fellow's noise in the street. Self which it itself
|
|
was ineluctably preconditioned to become. ECCO!
|
|
|
|
LYNCH: (WITH A MOCKING WHINNY OF LAUGHTER GRINS AT BLOOM AND ZOE HIGGINS)
|
|
What a learned speech, eh?
|
|
|
|
ZOE: (BRISKLY) God help your head, he knows more than you have forgotten.
|
|
|
|
(WITH OBESE STUPIDITY FLORRY TALBOT REGARDS STEPHEN.)
|
|
|
|
FLORRY: They say the last day is coming this summer.
|
|
|
|
KITTY: No!
|
|
|
|
ZOE: (EXPLODES IN LAUGHTER) Great unjust God!
|
|
|
|
FLORRY: (OFFENDED) Well, it was in the papers about Antichrist. O, my
|
|
foot's tickling.
|
|
|
|
(RAGGED BAREFOOT NEWSBOYS, JOGGING A WAGTAIL KITE, PATTER PAST, YELLING.)
|
|
|
|
THE NEWSBOYS: Stop press edition. Result of the rockinghorse races. Sea
|
|
serpent in the royal canal. Safe arrival of Antichrist.
|
|
|
|
(STEPHEN TURNS AND SEES BLOOM.)
|
|
|
|
STEPHEN: A time, times and half a time.
|
|
|
|
(REUBEN I ANTICHRIST, WANDERING JEW, A CLUTCHING HAND OPEN ON HIS SPINE,
|
|
STUMPS FORWARD. ACROSS HIS LOINS IS SLUNG A PILGRIM'S WALLET FROM WHICH
|
|
PROTRUDE PROMISSORY NOTES AND DISHONOURED BILLS. ALOFT OVER HIS SHOULDER
|
|
HE BEARS A LONG BOATPOLE FROM THE HOOK OF WHICH THE SODDEN HUDDLED MASS
|
|
OF HIS ONLY SON, SAVED FROM LIFFEY WATERS, HANGS FROM THE SLACK OF ITS
|
|
BREECHES. A HOBGOBLIN IN THE IMAGE OF PUNCH COSTELLO, HIPSHOT,
|
|
CROOKBACKED, HYDROCEPHALIC, PROGNATHIC WITH RECEDING FOREHEAD AND ALLY
|
|
SLOPER NOSE, TUMBLES IN SOMERSAULTS THROUGH THE GATHERING DARKNESS.)
|
|
|
|
ALL: What?
|
|
|
|
THE HOBGOBLIN: (HIS JAWS CHATTERING, CAPERS TO AND FRO, GOGGLING HIS
|
|
EYES, SQUEAKING, KANGAROOHOPPING WITH OUTSTRETCHED CLUTCHING ARMS, THEN
|
|
ALL AT ONCE THRUSTS HIS LIPLESS FACE THROUGH THE FORK OF HIS THIGHS) IL
|
|
VIENT! C'EST MOI! L'HOMME QUI RIT! L'HOMME PRIMIGENE! (HE WHIRLS ROUND
|
|
AND ROUND WITH DERVISH HOWLS) SIEURS ET DAMES, FAITES VOS JEUX! (HE
|
|
CROUCHES JUGGLING. TINY ROULETTE PLANETS FLY FROM HIS HANDS.) LES JEUX
|
|
SONT FAITS! (THE PLANETS RUSH TOGETHER, UTTERING CREPITANT CRACKS) RIEN
|
|
VA PLUS! (THE PLANETS, BUOYANT BALLOONS, SAIL SWOLLEN UP AND AWAY. HE
|
|
SPRINGS OFF INTO VACUUM.)
|
|
|
|
FLORRY: (SINKING INTO TORPOR, CROSSING HERSELF SECRETLY) The end of the
|
|
world!
|
|
|
|
(A FEMALE TEPID EFFLUVIUM LEAKS OUT FROM HER. NEBULOUS OBSCURITY OCCUPIES
|
|
SPACE. THROUGH THE DRIFTING FOG WITHOUT THE GRAMOPHONE BLARES OVER COUGHS
|
|
AND FEETSHUFFLING.)
|
|
|
|
THE GRAMOPHONE: Jerusalem!
|
|
|
|
Open your gates and sing
|
|
|
|
Hosanna ...
|
|
|
|
(A ROCKET RUSHES UP THE SKY AND BURSTS. A WHITE STAR FILLS FROM IT,
|
|
PROCLAIMING THE CONSUMMATION OF ALL THINGS AND SECOND COMING OF ELIJAH.
|
|
ALONG AN INFINITE INVISIBLE TIGHTROPE TAUT FROM ZENITH TO NADIR THE END
|
|
OF THE WORLD, A TWOHEADED OCTOPUS IN GILLIE'S KILTS, BUSBY AND TARTAN
|
|
FILIBEGS, WHIRLS THROUGH THE MURK, HEAD OVER HEELS, IN THE FORM OF THE
|
|
THREE LEGS OF MAN.)
|
|
|
|
THE END OF THE WORLD: (WITH A SCOTCH ACCENT) Wha'll dance the keel row,
|
|
the keel row, the keel row?
|
|
|
|
(OVER THE POSSING DRIFT AND CHOKING BREATHCOUGHS, ELIJAH'S VOICE, HARSH
|
|
AS A CORNCRAKE'S, JARS ON HIGH. PERSPIRING IN A LOOSE LAWN SURPLICE WITH
|
|
FUNNEL SLEEVES HE IS SEEN, VERGERFACED, ABOVE A ROSTRUM ABOUT WHICH THE
|
|
BANNER OF OLD GLORY IS DRAPED. HE THUMPS THE PARAPET.)
|
|
|
|
ELIJAH: No yapping, if you please, in this booth. Jake Crane, Creole Sue,
|
|
Dove Campbell, Abe Kirschner, do your coughing with your mouths shut.
|
|
Say, I am operating all this trunk line. Boys, do it now. God's time is
|
|
12.25. Tell mother you'll be there. Rush your order and you play a slick
|
|
ace. Join on right here. Book through to eternity junction, the nonstop
|
|
run. Just one word more. Are you a god or a doggone clod? If the second
|
|
advent came to Coney Island are we ready? Florry Christ, Stephen Christ,
|
|
Zoe Christ, Bloom Christ, Kitty Christ, Lynch Christ, it's up to you to
|
|
sense that cosmic force. Have we cold feet about the cosmos? No. Be on
|
|
the side of the angels. Be a prism. You have that something within, the
|
|
higher self. You can rub shoulders with a Jesus, a Gautama, an Ingersoll.
|
|
Are you all in this vibration? I say you are. You once nobble that,
|
|
congregation, and a buck joyride to heaven becomes a back number. You got
|
|
me? It's a lifebrightener, sure. The hottest stuff ever was. It's the
|
|
whole pie with jam in. It's just the cutest snappiest line out. It is
|
|
immense, supersumptuous. It restores. It vibrates. I know and I am some
|
|
vibrator. Joking apart and, getting down to bedrock, A. J. Christ Dowie
|
|
and the harmonial philosophy, have you got that? O. K. Seventyseven west
|
|
sixtyninth street. Got me? That's it. You call me up by sunphone any old
|
|
time. Bumboosers, save your stamps. (HE SHOUTS) Now then our glory song.
|
|
All join heartily in the singing. Encore! (HE SINGS) Jeru ...
|
|
|
|
THE GRAMOPHONE: (DROWNING HIS VOICE) Whorusalaminyourhighhohhhh ... (THE
|
|
DISC RASPS GRATINGLY AGAINST THE NEEDLE)
|
|
|
|
THE THREE WHORES: (COVERING THEIR EARS, SQUAWK) Ahhkkk!
|
|
|
|
ELIJAH: (IN ROLLEDUP SHIRTSLEEVES, BLACK IN THE FACE, SHOUTS AT THE TOP
|
|
OF HIS VOICE, HIS ARMS UPLIFTED) Big Brother up there, Mr President, you
|
|
hear what I done just been saying to you. Certainly, I sort of believe
|
|
strong in you, Mr President. I certainly am thinking now Miss Higgins and
|
|
Miss Ricketts got religion way inside them. Certainly seems to me I don't
|
|
never see no wusser scared female than the way you been, Miss Florry,
|
|
just now as I done seed you. Mr President, you come long and help me save
|
|
our sisters dear. (HE WINKS AT HIS AUDIENCE) Our Mr President, he twig
|
|
the whole lot and he aint saying nothing.
|
|
|
|
KITTY-KATE: I forgot myself. In a weak moment I erred and did what I did
|
|
on Constitution hill. I was confirmed by the bishop and enrolled in the
|
|
brown scapular. My mother's sister married a Montmorency. It was a
|
|
working plumber was my ruination when I was pure.
|
|
|
|
ZOE-FANNY: I let him larrup it into me for the fun of it.
|
|
|
|
FLORRY-TERESA: It was in consequence of a portwine beverage on top of
|
|
Hennessy's three star. I was guilty with Whelan when he slipped into the
|
|
bed.
|
|
|
|
STEPHEN: In the beginning was the word, in the end the world without end.
|
|
Blessed be the eight beatitudes.
|
|
|
|
(THE BEATITUDES, DIXON, MADDEN, CROTTHERS, COSTELLO, LENEHAN, BANNON,
|
|
MULLIGAN AND LYNCH IN WHITE SURGICAL STUDENTS' GOWNS, FOUR ABREAST,
|
|
GOOSESTEPPING, TRAMP FIST PAST IN NOISY MARCHING)
|
|
|
|
THE BEATITUDES: (INCOHERENTLY) Beer beef battledog buybull businum barnum
|
|
buggerum bishop.
|
|
|
|
LYSTER: (IN QUAKERGREY KNEEBREECHES AND BROADBRIMMED HAT, SAYS
|
|
DISCREETLY) He is our friend. I need not mention names. Seek thou the
|
|
light.
|
|
|
|
(HE CORANTOS BY. BEST ENTERS IN HAIRDRESSER'S ATTIRE, SHINILY LAUNDERED,
|
|
HIS LOCKS IN CURLPAPERS. HE LEADS JOHN EGLINTON WHO WEARS A MANDARIN'S
|
|
KIMONO OF NANKEEN YELLOW, LIZARDLETTERED, AND A HIGH PAGODA HAT.)
|
|
|
|
BEST: (SMILING, LIFTS THE HAT AND DISPLAYS A SHAVEN POLL FROM THE CROWN
|
|
OF WHICH BRISTLES A PIGTAIL TOUPEE TIED WITH AN ORANGE TOPKNOT) I was
|
|
just beautifying him, don't you know. A thing of beauty, don't you know,
|
|
Yeats says, or I mean, Keats says.
|
|
|
|
JOHN EGLINTON: (PRODUCES A GREENCAPPED DARK LANTERN AND FLASHES IT
|
|
TOWARDS A CORNER: WITH CARPING ACCENT) Esthetics and cosmetics are for
|
|
the boudoir. I am out for truth. Plain truth for a plain man. Tanderagee
|
|
wants the facts and means to get them.
|
|
|
|
(IN THE CONE OF THE SEARCHLIGHT BEHIND THE COALSCUTTLE, OLLAVE, HOLYEYED,
|
|
THE BEARDED FIGURE OF MANANAUN MACLIR BROODS, CHIN ON KNEES. HE RISES
|
|
SLOWLY. A COLD SEAWIND BLOWS FROM HIS DRUID MOUTH. ABOUT HIS HEAD WRITHE
|
|
EELS AND ELVERS. HE IS ENCRUSTED WITH WEEDS AND SHELLS. HIS RIGHT HAND
|
|
HOLDS A BICYCLE PUMP. HIS LEFT HAND GRASPS A HUGE CRAYFISH BY ITS TWO
|
|
TALONS.)
|
|
|
|
MANANAUN MACLIR: (WITH A VOICE OF WAVES) Aum! Hek! Wal! Ak! Lub! Mor! Ma!
|
|
White yoghin of the gods. Occult pimander of Hermes Trismegistos. (WITH A
|
|
VOICE OF WHISTLING SEAWIND) Punarjanam patsypunjaub! I won't have my leg
|
|
pulled. It has been said by one: beware the left, the cult of Shakti.
|
|
(WITH A CRY OF STORMBIRDS) Shakti Shiva, darkhidden Father! (HE SMITES
|
|
WITH HIS BICYCLE PUMP THE CRAYFISH IN HIS LEFT HAND. ON ITS COOPERATIVE
|
|
DIAL GLOW THE TWELVE SIGNS OF THE ZODIAC. HE WAILS WITH THE VEHEMENCE OF
|
|
THE OCEAN.) Aum! Baum! Pyjaum! I am the light of the homestead! I am the
|
|
dreamery creamery butter.
|
|
|
|
(A SKELETON JUDASHAND STRANGLES THE LIGHT. THE GREEN LIGHT WANES TO
|
|
MAUVE. THE GASJET WAILS WHISTLING.)
|
|
|
|
THE GASJET: Pooah! Pfuiiiiiii!
|
|
|
|
(ZOE RUNS TO THE CHANDELIER AND, CROOKING HER LEG, ADJUSTS THE MANTLE.)
|
|
|
|
ZOE: Who has a fag as I'm here?
|
|
|
|
LYNCH: (TOSSING A CIGARETTE ON TO THE TABLE) Here.
|
|
|
|
ZOE: (HER HEAD PERCHED ASIDE IN MOCK PRIDE) Is that the way to hand the
|
|
POT to a lady? (SHE STRETCHES UP TO LIGHT THE CIGARETTE OVER THE FLAME,
|
|
TWIRLING IT SLOWLY, SHOWING THE BROWN TUFTS OF HER ARMPITS. LYNCH WITH
|
|
HIS POKER LIFTS BOLDLY A SIDE OF HER SLIP. BARE FROM HER GARTERS UP HER
|
|
FLESH APPEARS UNDER THE SAPPHIRE A NIXIE'S GREEN. SHE PUFFS CALMLY AT HER
|
|
CIGARETTE.) Can you see the beautyspot of my behind?
|
|
|
|
LYNCH: I'm not looking
|
|
|
|
ZOE: (MAKES SHEEP'S EYES) No? You wouldn't do a less thing. Would you
|
|
suck a lemon?
|
|
|
|
(SQUINTING IN MOCK SHAME SHE GLANCES WITH SIDELONG MEANING AT BLOOM, THEN
|
|
TWISTS ROUND TOWARDS HIM, PULLING HER SLIP FREE OF THE POKER. BLUE FLUID
|
|
AGAIN FLOWS OVER HER FLESH. BLOOM STANDS, SMILING DESIROUSLY, TWIRLING
|
|
HIS THUMBS. KITTY RICKETTS LICKS HER MIDDLE FINGER WITH HER SPITTLE AND,
|
|
GAZING IN THE MIRROR, SMOOTHS BOTH EYEBROWS. LIPOTI VIRAG,
|
|
BASILICOGRAMMATE, CHUTES RAPIDLY DOWN THROUGH THE CHIMNEYFLUE AND STRUTS
|
|
TWO STEPS TO THE LEFT ON GAWKY PINK STILTS. HE IS SAUSAGED INTO SEVERAL
|
|
OVERCOATS AND WEARS A BROWN MACINTOSH UNDER WHICH HE HOLDS A ROLL OF
|
|
PARCHMENT. IN HIS LEFT EYE FLASHES THE MONOCLE OF CASHEL BOYLE O'CONNOR
|
|
FITZMAURICE TISDALL FARRELL. ON HIS HEAD IS PERCHED AN EGYPTIAN PSHENT.
|
|
TWO QUILLS PROJECT OVER HIS EARS.)
|
|
|
|
VIRAG: (HEELS TOGETHER, BOWS) My name is Virag Lipoti, of Szombathely.
|
|
(HE COUGHS THOUGHTFULLY, DRILY) Promiscuous nakedness is much in evidence
|
|
hereabouts, eh? Inadvertently her backview revealed the fact that she is
|
|
not wearing those rather intimate garments of which you are a particular
|
|
devotee. The injection mark on the thigh I hope you perceived? Good.
|
|
|
|
BLOOM: Granpapachi. But ...
|
|
|
|
VIRAG: Number two on the other hand, she of the cherry rouge and
|
|
coiffeuse white, whose hair owes not a little to our tribal elixir of
|
|
gopherwood, is in walking costume and tightly staysed by her sit, I
|
|
should opine. Backbone in front, so to say. Correct me but I always
|
|
understood that the act so performed by skittish humans with glimpses of
|
|
lingerie appealed to you in virtue of its exhibitionististicicity. In a
|
|
word. Hippogriff. Am I right?
|
|
|
|
BLOOM: She is rather lean.
|
|
|
|
VIRAG: (NOT UNPLEASANTLY) Absolutely! Well observed and those pannier
|
|
pockets of the skirt and slightly pegtop effect are devised to suggest
|
|
bunchiness of hip. A new purchase at some monster sale for which a gull
|
|
has been mulcted. Meretricious finery to deceive the eye. Observe the
|
|
attention to details of dustspecks. Never put on you tomorrow what you
|
|
can wear today. Parallax! (WITH A NERVOUS TWITCH OF HIS HEAD) Did you
|
|
hear my brain go snap? Pollysyllabax!
|
|
|
|
BLOOM: (AN ELBOW RESTING IN A HAND, A FOREFINGER AGAINST HIS CHEEK) She
|
|
seems sad.
|
|
|
|
VIRAG: (CYNICALLY, HIS WEASEL TEETH BARED YELLOW, DRAWS DOWN HIS LEFT EYE
|
|
WITH A FINGER AND BARKS HOARSELY) Hoax! Beware of the flapper and bogus
|
|
mournful. Lily of the alley. All possess bachelor's button discovered by
|
|
Rualdus Columbus. Tumble her. Columble her. Chameleon. (MORE GENIALLY)
|
|
Well then, permit me to draw your attention to item number three. There
|
|
is plenty of her visible to the naked eye. Observe the mass of oxygenated
|
|
vegetable matter on her skull. What ho, she bumps! The ugly duckling of
|
|
the party, longcasted and deep in keel.
|
|
|
|
BLOOM: (REGRETFULLY) When you come out without your gun.
|
|
|
|
VIRAG: We can do you all brands, mild, medium and strong. Pay your money,
|
|
take your choice. How happy could you be with either ...
|
|
|
|
BLOOM: With ...?
|
|
|
|
VIRAG: (HIS TONGUE UPCURLING) Lyum! Look. Her beam is broad. She is
|
|
coated with quite a considerable layer of fat. Obviously mammal in weight
|
|
of bosom you remark that she has in front well to the fore two
|
|
protuberances of very respectable dimensions, inclined to fall in the
|
|
noonday soupplate, while on her rere lower down are two additional
|
|
protuberances, suggestive of potent rectum and tumescent for palpation,
|
|
which leave nothing to be desired save compactness. Such fleshy parts are
|
|
the product of careful nurture. When coopfattened their livers reach an
|
|
elephantine size. Pellets of new bread with fennygreek and gumbenjamin
|
|
swamped down by potions of green tea endow them during their brief
|
|
existence with natural pincushions of quite colossal blubber. That suits
|
|
your book, eh? Fleshhotpots of Egypt to hanker after. Wallow in it.
|
|
Lycopodium. (HIS THROAT TWITCHES) Slapbang! There he goes again.
|
|
|
|
BLOOM: The stye I dislike.
|
|
|
|
VIRAG: (ARCHES HIS EYEBROWS) Contact with a goldring, they say.
|
|
ARGUMENTUM AD FEMINAM, as we said in old Rome and ancient Greece in the
|
|
consulship of Diplodocus and Ichthyosauros. For the rest Eve's sovereign
|
|
remedy. Not for sale. Hire only. Huguenot. (HE TWITCHES) It is a funny
|
|
sound. (HE COUGHS ENCOURAGINGLY) But possibly it is only a wart. I
|
|
presume you shall have remembered what I will have taught you on that
|
|
head? Wheatenmeal with honey and nutmeg.
|
|
|
|
BLOOM: (REFLECTING) Wheatenmeal with lycopodium and syllabax. This
|
|
searching ordeal. It has been an unusually fatiguing day, a chapter of
|
|
accidents. Wait. I mean, wartsblood spreads warts, you said ...
|
|
|
|
VIRAG: (SEVERELY, HIS NOSE HARDHUMPED, HIS SIDE EYE WINKING) Stop
|
|
twirling your thumbs and have a good old thunk. See, you have forgotten.
|
|
Exercise your mnemotechnic. LA CAUSA E SANTA. Tara. Tara. (ASIDE) He will
|
|
surely remember.
|
|
|
|
BLOOM: Rosemary also did I understand you to say or willpower over
|
|
parasitic tissues. Then nay no I have an inkling. The touch of a deadhand
|
|
cures. Mnemo?
|
|
|
|
VIRAG: (EXCITEDLY) I say so. I say so. E'en so. Technic. (HE TAPS HIS
|
|
PARCHMENTROLL ENERGETICALLY) This book tells you how to act with all
|
|
descriptive particulars. Consult index for agitated fear of aconite,
|
|
melancholy of muriatic, priapic pulsatilla. Virag is going to talk about
|
|
amputation. Our old friend caustic. They must be starved. Snip off with
|
|
horsehair under the denned neck. But, to change the venue to the Bulgar
|
|
and the Basque, have you made up your mind whether you like or dislike
|
|
women in male habiliments? (WITH A DRY SNIGGER) You intended to devote an
|
|
entire year to the study of the religious problem and the summer months
|
|
of 1886 to square the circle and win that million. Pomegranate! From the
|
|
sublime to the ridiculous is but a step. Pyjamas, let us say? Or
|
|
stockingette gussetted knickers, closed? Or, put we the case, those
|
|
complicated combinations, camiknickers? (HE CROWS DERISIVELY)
|
|
Keekeereekee!
|
|
|
|
(BLOOM SURVEYS UNCERTAINLY THE THREE WHORES THEN GAZES AT THE VEILED
|
|
MAUVE LIGHT, HEARING THE EVERFLYING MOTH.)
|
|
|
|
BLOOM: I wanted then to have now concluded. Nightdress was never. Hence
|
|
this. But tomorrow is a new day will be. Past was is today. What now is
|
|
will then morrow as now was be past yester.
|
|
|
|
VIRAG: (PROMPTS IN A PIG'S WHISPER) Insects of the day spend their brief
|
|
existence in reiterated coition, lured by the smell of the inferiorly
|
|
pulchritudinous fumale possessing extendified pudendal nerve in dorsal
|
|
region. Pretty Poll! (HIS YELLOW PARROTBEAK GABBLES NASALLY) They had a
|
|
proverb in the Carpathians in or about the year five thousand five
|
|
hundred and fifty of our era. One tablespoonful of honey will attract
|
|
friend Bruin more than half a dozen barrels of first choice malt vinegar.
|
|
Bear's buzz bothers bees. But of this apart. At another time we may
|
|
resume. We were very pleased, we others. (HE COUGHS AND, BENDING HIS
|
|
BROW, RUBS HIS NOSE THOUGHTFULLY WITH A SCOOPING HAND) You shall find
|
|
that these night insects follow the light. An illusion for remember their
|
|
complex unadjustable eye. For all these knotty points see the seventeenth
|
|
book of my Fundamentals of Sexology or the Love Passion which Doctor L.B.
|
|
says is the book sensation of the year. Some, to example, there are again
|
|
whose movements are automatic. Perceive. That is his appropriate sun.
|
|
Nightbird nightsun nighttown. Chase me, Charley! (he blows into Bloom's
|
|
ear) Buzz!
|
|
|
|
BLOOM: Bee or bluebottle too other day butting shadow on wall dazed self
|
|
then me wandered dazed down shirt good job I ...
|
|
|
|
VIRAG: (HIS FACE IMPASSIVE, LAUGHS IN A RICH FEMININE KEY) Splendid!
|
|
Spanish fly in his fly or mustard plaster on his dibble. (HE GOBBLES
|
|
GLUTTONOUSLY WITH TURKEY WATTLES) Bubbly jock! Bubbly jock! Where are we?
|
|
Open Sesame! Cometh forth! (HE UNROLLS HIS PARCHMENT RAPIDLY AND READS,
|
|
HIS GLOWWORM'S NOSE RUNNING BACKWARDS OVER THE LETTERS WHICH HE CLAWS)
|
|
Stay, good friend. I bring thee thy answer. Redbank oysters will shortly
|
|
be upon us. I'm the best o'cook. Those succulent bivalves may help us and
|
|
the truffles of Perigord, tubers dislodged through mister omnivorous
|
|
porker, were unsurpassed in cases of nervous debility or viragitis.
|
|
Though they stink yet they sting. (HE WAGS HIS HEAD WITH CACKLING
|
|
RAILLERY) Jocular. With my eyeglass in my ocular. (HE SNEEZES) Amen!
|
|
|
|
BLOOM: (ABSENTLY) Ocularly woman's bivalve case is worse. Always open
|
|
sesame. The cloven sex. Why they fear vermin, creeping things. Yet Eve
|
|
and the serpent contradicts. Not a historical fact. Obvious analogy to my
|
|
idea. Serpents too are gluttons for woman's milk. Wind their way through
|
|
miles of omnivorous forest to sucksucculent her breast dry. Like those
|
|
bubblyjocular Roman matrons one reads of in Elephantuliasis.
|
|
|
|
VIRAG: (HIS MOUTH PROJECTED IN HARD WRINKLES, EYES STONILY FORLORNLY
|
|
CLOSED, PSALMS IN OUTLANDISH MONOTONE) That the cows with their those
|
|
distended udders that they have been the the known ...
|
|
|
|
BLOOM: I am going to scream. I beg your pardon. Ah? So. (HE REPEATS)
|
|
Spontaneously to seek out the saurian's lair in order to entrust their
|
|
teats to his avid suction. Ant milks aphis. (PROFOUNDLY) Instinct rules
|
|
the world. In life. In death.
|
|
|
|
VIRAG: (HEAD ASKEW, ARCHES HIS BACK AND HUNCHED WINGSHOULDERS, PEERS AT
|
|
THE MOTH OUT OF BLEAR BULGED EYES, POINTS A HORNING CLAW AND CRIES) Who's
|
|
moth moth? Who's dear Gerald? Dear Ger, that you? O dear, he is Gerald.
|
|
O, I much fear he shall be most badly burned. Will some pleashe pershon
|
|
not now impediment so catastrophics mit agitation of firstclass
|
|
tablenumpkin? (HE MEWS) Puss puss puss puss! (HE SIGHS, DRAWS BACK AND
|
|
STARES SIDEWAYS DOWN WITH DROPPING UNDERJAW) Well, well. He doth rest
|
|
anon. (he snaps his jaws suddenly on the air)
|
|
|
|
THE MOTH:
|
|
|
|
|
|
I'm a tiny tiny thing
|
|
Ever flying in the spring
|
|
Round and round a ringaring.
|
|
Long ago I was a king
|
|
Now I do this kind of thing
|
|
On the wing, on the wing!
|
|
Bing!
|
|
|
|
|
|
(HE RUSHES AGAINST THE MAUVE SHADE, FLAPPING NOISILY) Pretty pretty
|
|
pretty pretty pretty pretty petticoats.
|
|
|
|
(FROM LEFT UPPER ENTRANCE WITH TWO GLIDING STEPS HENRY FLOWER COMES
|
|
FORWARD TO LEFT FRONT CENTRE. HE WEARS A DARK MANTLE AND DROOPING PLUMED
|
|
SOMBRERO. HE CARRIES A SILVERSTRINGED INLAID DULCIMER AND A LONGSTEMMED
|
|
BAMBOO JACOB'S PIPE, ITS CLAY BOWL FASHIONED AS A FEMALE HEAD. HE WEARS
|
|
DARK VELVET HOSE AND SILVERBUCKLED PUMPS. HE HAS THE ROMANTIC SAVIOUR'S
|
|
FACE WITH FLOWING LOCKS, THIN BEARD AND MOUSTACHE. HIS SPINDLELEGS AND
|
|
SPARROW FEET ARE THOSE OF THE TENOR MARIO, PRINCE OF CANDIA. HE SETTLES
|
|
DOWN HIS GOFFERED RUFFS AND MOISTENS HIS LIPS WITH A PASSAGE OF HIS
|
|
AMOROUS TONGUE.)
|
|
|
|
HENRY: (IN A LOW DULCET VOICE, TOUCHING THE STRINGS OF HIS GUITAR) There
|
|
is a flower that bloometh.
|
|
|
|
(VIRAG TRUCULENT, HIS JOWL SET, STARES AT THE LAMP. GRAVE BLOOM REGARDS
|
|
ZOE'S NECK. HENRY GALLANT TURNS WITH PENDANT DEWLAP TO THE PIANO.)
|
|
|
|
STEPHEN: (TO HIMSELF) Play with your eyes shut. Imitate pa. Filling my
|
|
belly with husks of swine. Too much of this. I will arise and go to my.
|
|
Expect this is the. Steve, thou art in a parlous way. Must visit old
|
|
Deasy or telegraph. Our interview of this morning has left on me a deep
|
|
impression. Though our ages. Will write fully tomorrow. I'm partially
|
|
drunk, by the way. (HE TOUCHES THE KEYS AGAIN) Minor chord comes now.
|
|
Yes. Not much however.
|
|
|
|
(ALMIDANO ARTIFONI HOLDS OUT A BATONROLL OF MUSIC WITH VIGOROUS
|
|
MOUSTACHEWORK.)
|
|
|
|
ARTIFONI: CI RIFLETTA. LEI ROVINA TUTTO.
|
|
|
|
FLORRY: Sing us something. Love's old sweet song.
|
|
|
|
STEPHEN: No voice. I am a most finished artist. Lynch, did I show you the
|
|
letter about the lute?
|
|
|
|
FLORRY: (SMIRKING) The bird that can sing and won't sing.
|
|
|
|
(THE SIAMESE TWINS, PHILIP DRUNK AND PHILIP SOBER, TWO OXFORD DONS WITH
|
|
LAWNMOWERS, APPEAR IN THE WINDOW EMBRASURE. BOTH ARE MASKED WITH MATTHEW
|
|
ARNOLD'S FACE.)
|
|
|
|
PHILIP SOBER: Take a fool's advice. All is not well. Work it out with the
|
|
buttend of a pencil, like a good young idiot. Three pounds twelve you
|
|
got, two notes, one sovereign, two crowns, if youth but knew. Mooney's en
|
|
ville, Mooney's sur mer, the Moira, Larchet's, Holles street hospital,
|
|
Burke's. Eh? I am watching you.
|
|
|
|
PHILIP DRUNK: (IMPATIENTLY) Ah, bosh, man. Go to hell! I paid my way. If
|
|
I could only find out about octaves. Reduplication of personality. Who
|
|
was it told me his name? (HIS LAWNMOWER BEGINS TO PURR) Aha, yes. ZOE MOU
|
|
SAS AGAPO. Have a notion I was here before. When was it not Atkinson his
|
|
card I have somewhere. Mac Somebody. Unmack I have it. He told me about,
|
|
hold on, Swinburne, was it, no?
|
|
|
|
FLORRY: And the song?
|
|
|
|
STEPHEN: Spirit is willing but the flesh is weak.
|
|
|
|
FLORRY: Are you out of Maynooth? You're like someone I knew once.
|
|
|
|
STEPHEN: Out of it now. (TO HIMSELF) Clever.
|
|
|
|
PHILIP DRUNK AND PHILIP SOBER: (THEIR LAWNMOWERS PURRING WITH A RIGADOON
|
|
OF GRASSHALMS) Clever ever. Out of it out of it. By the bye have you the
|
|
book, the thing, the ashplant? Yes, there it, yes. Cleverever outofitnow.
|
|
Keep in condition. Do like us.
|
|
|
|
ZOE: There was a priest down here two nights ago to do his bit of
|
|
business with his coat buttoned up. You needn't try to hide, I says to
|
|
him. I know you've a Roman collar.
|
|
|
|
VIRAG: Perfectly logical from his standpoint. Fall of man. (HARSHLY, HIS
|
|
PUPILS WAXING) To hell with the pope! Nothing new under the sun. I am the
|
|
Virag who disclosed the Sex Secrets of Monks and Maidens. Why I left the
|
|
church of Rome. Read the Priest, the Woman and the Confessional. Penrose.
|
|
Flipperty Jippert. (HE WRIGGLES) Woman, undoing with sweet pudor her belt
|
|
of rushrope, offers her allmoist yoni to man's lingam. Short time after
|
|
man presents woman with pieces of jungle meat. Woman shows joy and covers
|
|
herself with featherskins. Man loves her yoni fiercely with big lingam,
|
|
the stiff one. (HE CRIES) COACTUS VOLUI. Then giddy woman will run about.
|
|
Strong man grapses woman's wrist. Woman squeals, bites, spucks. Man, now
|
|
fierce angry, strikes woman's fat yadgana. (HE CHASES HIS TAIL) Piffpaff!
|
|
Popo! (HE STOPS, SNEEZES) Pchp! (HE WORRIES HIS BUTT) Prrrrrht!
|
|
|
|
LYNCH: I hope you gave the good father a penance. Nine glorias for
|
|
shooting a bishop.
|
|
|
|
ZOE: (SPOUTS WALRUS SMOKE THROUGH HER NOSTRILS) He couldn't get a
|
|
connection. Only, you know, sensation. A dry rush.
|
|
|
|
BLOOM: Poor man!
|
|
|
|
ZOE: (LIGHTLY) Only for what happened him.
|
|
|
|
BLOOM: How?
|
|
|
|
VIRAG: (A DIABOLIC RICTUS OF BLACK LUMINOSITY CONTRACTING HIS VISAGE,
|
|
CRANES HIS SCRAGGY NECK FORWARD. HE LIFTS A MOONCALF NOZZLE AND HOWLS.)
|
|
VERFLUCHTE GOIM! He had a father, forty fathers. He never existed. Pig
|
|
God! He had two left feet. He was Judas Iacchia, a Libyan eunuch, the
|
|
pope's bastard. (HE LEANS OUT ON TORTURED FOREPAWS, ELBOWS BENT RIGID,
|
|
HIS EYE AGONISING IN HIS FLAT SKULLNECK AND YELPS OVER THE MUTE WORLD) A
|
|
son of a whore. Apocalypse.
|
|
|
|
KITTY: And Mary Shortall that was in the lock with the pox she got from
|
|
Jimmy Pidgeon in the blue caps had a child off him that couldn't swallow
|
|
and was smothered with the convulsions in the mattress and we all
|
|
subscribed for the funeral.
|
|
|
|
PHILIP DRUNK: (GRAVELY) QUI VOUS A MIS DANS CETTE FICHUE POSITION,
|
|
PHILIPPE?
|
|
|
|
PHILIP SOBER: (GAILY) C'ETAIT LE SACRE PIGEON, PHILIPPE.
|
|
|
|
(KITTY UNPINS HER HAT AND SETS IT DOWN CALMLY, PATTING HER HENNA HAIR.
|
|
AND A PRETTIER, A DAINTIER HEAD OF WINSOME CURLS WAS NEVER SEEN ON A
|
|
WHORE'S SHOULDERS. LYNCH PUTS ON HER HAT. SHE WHIPS IT OFF.)
|
|
|
|
LYNCH: (LAUGHS) And to such delights has Metchnikoff inoculated
|
|
anthropoid apes.
|
|
|
|
FLORRY: (NODS) Locomotor ataxy.
|
|
|
|
ZOE: (GAILY) O, my dictionary.
|
|
|
|
LYNCH: Three wise virgins.
|
|
|
|
VIRAG: (AGUESHAKEN, PROFUSE YELLOW SPAWN FOAMING OVER HIS BONY EPILEPTIC
|
|
LIPS) She sold lovephiltres, whitewax, orangeflower. Panther, the Roman
|
|
centurion, polluted her with his genitories. (HE STICKS OUT A FLICKERING
|
|
PHOSPHORESCENT SCORPION TONGUE, HIS HAND ON HIS FORK) Messiah! He burst
|
|
her tympanum. (WITH GIBBERING BABOON'S CRIES HE JERKS HIS HIPS IN THE
|
|
CYNICAL SPASM) Hik! Hek! Hak! Hok! Huk! Kok! Kuk!
|
|
|
|
(BEN JUMBO DOLLARD, RUBICUND, MUSCLEBOUND, HAIRYNOSTRILLED, HUGEBEARDED,
|
|
CABBAGEEARED, SHAGGYCHESTED, SHOCKMANED, FAT- PAPPED, STANDS FORTH, HIS
|
|
LOINS AND GENITALS TIGHTENED INTO A PAIR OF BLACK BATHING BAGSLOPS.)
|
|
|
|
BEN DOLLARD: (NAKKERING CASTANET BONES IN HIS HUGE PADDED PAWS, YODELS
|
|
JOVIALLY IN BASE BARRELTONE) When love absorbs my ardent soul.
|
|
|
|
(THE VIRGINS NURSE CALLAN AND NURSE QUIGLEY BURST THROUGH THE RINGKEEPERS
|
|
AND THE ROPES AND MOB HIM WITH OPEN ARMS.)
|
|
|
|
THE VIRGINS: (GUSHINGLY) Big Ben! Ben my Chree!
|
|
|
|
A VOICE: Hold that fellow with the bad breeches.
|
|
|
|
BEN DOLLARD: (SMITES HIS THIGH IN ABUNDANT LAUGHTER) Hold him now.
|
|
|
|
HENRY: (CARESSING ON HIS BREAST A SEVERED FEMALE HEAD, MURMURS) Thine
|
|
heart, mine love. (HE PLUCKS HIS LUTESTRINGS) When first I saw ...
|
|
|
|
VIRAG: (SLOUGHING HIS SKINS, HIS MULTITUDINOUS PLUMAGE MOULTING) Rats!
|
|
(HE YAWNS, SHOWING A COALBLACK THROAT, AND CLOSES HIS JAWS BY AN UPWARD
|
|
PUSH OF HIS PARCHMENTROLL) After having said which I took my departure.
|
|
Farewell. Fare thee well. DRECK!
|
|
|
|
(HENRY FLOWER COMBS HIS MOUSTACHE AND BEARD RAPIDLY WITH A POCKETCOMB AND
|
|
GIVES A COW'S LICK TO HIS HAIR. STEERED BY HIS RAPIER, HE GLIDES TO THE
|
|
DOOR, HIS WILD HARP SLUNG BEHIND HIM. VIRAG REACHES THE DOOR IN TWO
|
|
UNGAINLY STILTHOPS, HIS TAIL COCKED, AND DEFTLY CLAPS SIDEWAYS ON THE
|
|
WALL A PUSYELLOW FLYBILL, BUTTING IT WITH HIS HEAD.)
|
|
|
|
THE FLYBILL: K. II. Post No Bills. Strictly confidential. Dr Hy Franks.
|
|
|
|
HENRY: All is lost now.
|
|
|
|
(VIRAG UNSCREWS HIS HEAD IN A TRICE AND HOLDS IT UNDER HIS ARM.)
|
|
|
|
VIRAG'S HEAD: Quack!
|
|
|
|
(EXEUNT SEVERALLY.)
|
|
|
|
STEPHEN: (OVER HIS SHOULDER TO ZOE) You would have preferred the fighting
|
|
parson who founded the protestant error. But beware Antisthenes, the dog
|
|
sage, and the last end of Arius Heresiarchus. The agony in the closet.
|
|
|
|
LYNCH: All one and the same God to her.
|
|
|
|
STEPHEN: (DEVOUTLY) And sovereign Lord of all things.
|
|
|
|
FLORRY: (TO STEPHEN) I'm sure you're a spoiled priest. Or a monk.
|
|
|
|
LYNCH: He is. A cardinal's son.
|
|
|
|
STEPHEN: Cardinal sin. Monks of the screw.
|
|
|
|
(HIS EMINENCE SIMON STEPHEN CARDINAL DEDALUS, PRIMATE OF ALL IRELAND,
|
|
APPEARS IN THE DOORWAY, DRESSED IN RED SOUTANE, SANDALS AND SOCKS. SEVEN
|
|
DWARF SIMIAN ACOLYTES, ALSO IN RED, CARDINAL SINS, UPHOLD HIS TRAIN,
|
|
PEEPING UNDER IT. HE WEARS A BATTERED SILK HAT SIDEWAYS ON HIS HEAD. HIS
|
|
THUMBS ARE STUCK IN HIS ARMPITS AND HIS PALMS OUTSPREAD. ROUND HIS NECK
|
|
HANGS A ROSARY OF CORKS ENDING ON HIS BREAST IN A CORKSCREW CROSS.
|
|
RELEASING HIS THUMBS, HE INVOKES GRACE FROM ON HIGH WITH LARGE WAVE
|
|
GESTURES AND PROCLAIMS WITH BLOATED POMP:)
|
|
|
|
THE CARDINAL:
|
|
|
|
|
|
Conservio lies captured
|
|
He lies in the lowest dungeon
|
|
With manacles and chains around his limbs
|
|
Weighing upwards of three tons.
|
|
|
|
|
|
(HE LOOKS AT ALL FOR A MOMENT, HIS RIGHT EYE CLOSED TIGHT, HIS LEFT CHEEK
|
|
PUFFED OUT. THEN, UNABLE TO REPRESS HIS MERRIMENT, HE ROCKS TO AND FRO,
|
|
ARMS AKIMBO, AND SINGS WITH BROAD ROLLICKING HUMOUR:)
|
|
|
|
|
|
O, the poor little fellow
|
|
Hihihihihis legs they were yellow
|
|
He was plump, fat and heavy and brisk as a snake
|
|
But some bloody savage
|
|
To graize his white cabbage
|
|
He murdered Nell Flaherty's duckloving drake.
|
|
|
|
|
|
(A MULTITUDE OF MIDGES SWARMS WHITE OVER HIS ROBE. HE SCRATCHES HIMSELF
|
|
WITH CROSSED ARMS AT HIS RIBS, GRIMACING, AND EXCLAIMS:)
|
|
|
|
I'm suffering the agony of the damned. By the hoky fiddle, thanks be to
|
|
Jesus those funny little chaps are not unanimous. If they were they'd
|
|
walk me off the face of the bloody globe.
|
|
|
|
(HIS HEAD ASLANT HE BLESSES CURTLY WITH FORE AND MIDDLE FINGERS, IMPARTS
|
|
THE EASTER KISS AND DOUBLESHUFFLES OFF COMICALLY, SWAYING HIS HAT FROM
|
|
SIDE TO SIDE, SHRINKING QUICKLY TO THE SIZE OF HIS TRAINBEARERS. THE
|
|
DWARF ACOLYTES, GIGGLING, PEEPING, NUDGING, OGLING, EASTERKISSING, ZIGZAG
|
|
BEHIND HIM. HIS VOICE IS HEARD MELLOW FROM AFAR, MERCIFUL MALE,
|
|
MELODIOUS:)
|
|
|
|
|
|
Shall carry my heart to thee,
|
|
Shall carry my heart to thee,
|
|
And the breath of the balmy night
|
|
Shall carry my heart to thee!
|
|
|
|
|
|
(THE TRICK DOORHANDLE TURNS.)
|
|
|
|
THE DOORHANDLE: Theeee!
|
|
|
|
ZOE: The devil is in that door.
|
|
|
|
(A MALE FORM PASSES DOWN THE CREAKING STAIRCASE AND IS HEARD TAKING THE
|
|
WATERPROOF AND HAT FROM THE RACK. BLOOM STARTS FORWARD INVOLUNTARILY AND,
|
|
HALF CLOSING THE DOOR AS HE PASSES, TAKES THE CHOCOLATE FROM HIS POCKET
|
|
AND OFFERS IT NERVOUSLY TO ZOE.)
|
|
|
|
ZOE: (SNIFFS HIS HAIR BRISKLY) Hmmm! Thank your mother for the rabbits.
|
|
I'm very fond of what I like.
|
|
|
|
BLOOM: (HEARING A MALE VOICE IN TALK WITH THE WHORES ON THE DOORSTEP,
|
|
PRICKS HIS EARS) If it were he? After? Or because not? Or the double
|
|
event?
|
|
|
|
ZOE: (TEARS OPEN THE SILVERFOIL) Fingers was made before forks. (SHE
|
|
BREAKS OFF AND NIBBLES A PIECE GIVES A PIECE TO KITTY RICKETTS AND THEN
|
|
TURNS KITTENISHLY TO LYNCH) No objection to French lozenges? (HE NODS.
|
|
SHE TAUNTS HIM.) Have it now or wait till you get it? (HE OPENS HIS
|
|
MOUTH, HIS HEAD COCKED. SHE WHIRLS THE PRIZE IN LEFT CIRCLE. HIS HEAD
|
|
FOLLOWS. SHE WHIRLS IT BACK IN RIGHT CIRCLE. HE EYES HER.) Catch!
|
|
|
|
(SHE TOSSES A PIECE. WITH AN ADROIT SNAP HE CATCHES IT AND BITES IT
|
|
THROUGH WITH A CRACK.)
|
|
|
|
KITTY: (CHEWING) The engineer I was with at the bazaar does have lovely
|
|
ones. Full of the best liqueurs. And the viceroy was there with his lady.
|
|
The gas we had on the Toft's hobbyhorses. I'm giddy still.
|
|
|
|
BLOOM: (IN SVENGALI'S FUR OVERCOAT, WITH FOLDED ARMS AND NAPOLEONIC
|
|
FORELOCK, FROWNS IN VENTRILOQUIAL EXORCISM WITH PIERCING EAGLE GLANCE
|
|
TOWARDS THE DOOR. THEN RIGID WITH LEFT FOOT ADVANCED HE MAKES A SWIFT
|
|
PASS WITH IMPELLING FINGERS AND GIVES THE SIGN OF PAST MASTER, DRAWING
|
|
HIS RIGHT ARM DOWNWARDS FROM HIS LEFT SHOULDER.) Go, go, go, I conjure
|
|
you, whoever you are!
|
|
|
|
(A MALE COUGH AND TREAD ARE HEARD PASSING THROUGH THE MIST OUTSIDE.
|
|
BLOOM'S FEATURES RELAX. HE PLACES A HAND IN HIS WAISTCOAT, POSING CALMLY.
|
|
ZOE OFFERS HIM CHOCOLATE.)
|
|
|
|
BLOOM: (SOLEMNLY) Thanks.
|
|
|
|
ZOE: Do as you're bid. Here!
|
|
|
|
(A FIRM HEELCLACKING TREAD IS HEARD ON THE STAIRS.)
|
|
|
|
BLOOM: (TAKES THE CHOCOLATE) Aphrodisiac? Tansy and pennyroyal. But I
|
|
bought it. Vanilla calms or? Mnemo. Confused light confuses memory. Red
|
|
influences lupus. Colours affect women's characters, any they have. This
|
|
black makes me sad. Eat and be merry for tomorrow. (HE EATS) Influence
|
|
taste too, mauve. But it is so long since I. Seems new. Aphro. That
|
|
priest. Must come. Better late than never. Try truffles at Andrews.
|
|
|
|
(THE DOOR OPENS. BELLA COHEN, A MASSIVE WHOREMISTRESS, ENTERS. SHE IS
|
|
DRESSED IN A THREEQUARTER IVORY GOWN, FRINGED ROUND THE HEM WITH
|
|
TASSELLED SELVEDGE, AND COOLS HERSELF FLIRTING A BLACK HORN FAN LIKE
|
|
MINNIE HAUCK IN Carmen. ON HER LEFT HAND ARE WEDDING AND KEEPER RINGS.
|
|
HER EYES ARE DEEPLY CARBONED. SHE HAS A SPROUTING MOUSTACHE. HER OLIVE
|
|
FACE IS HEAVY, SLIGHTLY SWEATED AND FULLNOSED WITH ORANGETAINTED
|
|
NOSTRILS. SHE HAS LARGE PENDANT BERYL EARDROPS.)
|
|
|
|
BELLA: My word! I'm all of a mucksweat.
|
|
|
|
(SHE GLANCES ROUND HER AT THE COUPLES. THEN HER EYES REST ON BLOOM WITH
|
|
HARD INSISTENCE. HER LARGE FAN WINNOWS WIND TOWARDS HER HEATED FACENECK
|
|
AND EMBONPOINT. HER FALCON EYES GLITTER.)
|
|
|
|
THE FAN: (FLIRTING QUICKLY, THEN SLOWLY) Married, I see.
|
|
|
|
BLOOM: Yes. Partly, I have mislaid ...
|
|
|
|
THE FAN: (HALF OPENING, THEN CLOSING) And the missus is master. Petticoat
|
|
government.
|
|
|
|
BLOOM: (LOOKS DOWN WITH A SHEEPISH GRIN) That is so.
|
|
|
|
THE FAN: (FOLDING TOGETHER, RESTS AGAINST HER LEFT EARDROP) Have you
|
|
forgotten me?
|
|
|
|
BLOOM: Yes. Yo.
|
|
|
|
THE FAN: (FOLDED AKIMBO AGAINST HER WAIST) Is me her was you dreamed
|
|
before? Was then she him you us since knew? Am all them and the same now
|
|
we?
|
|
|
|
(BELLA APPROACHES, GENTLY TAPPING WITH THE FAN.)
|
|
|
|
BLOOM: (WINCING) Powerful being. In my eyes read that slumber which women
|
|
love.
|
|
|
|
THE FAN: (TAPPING) We have met. You are mine. It is fate.
|
|
|
|
BLOOM: (COWED) Exuberant female. Enormously I desiderate your domination.
|
|
I am exhausted, abandoned, no more young. I stand, so to speak, with an
|
|
unposted letter bearing the extra regulation fee before the too late box
|
|
of the general postoffice of human life. The door and window open at a
|
|
right angle cause a draught of thirtytwo feet per second according to the
|
|
law of falling bodies. I have felt this instant a twinge of sciatica in
|
|
my left glutear muscle. It runs in our family. Poor dear papa, a widower,
|
|
was a regular barometer from it. He believed in animal heat. A skin of
|
|
tabby lined his winter waistcoat. Near the end, remembering king David
|
|
and the Sunamite, he shared his bed with Athos, faithful after death. A
|
|
dog's spittle as you probably ... (HE WINCES) Ah!
|
|
|
|
RICHIE GOULDING: (BAGWEIGHTED, PASSES THE DOOR) Mocking is catch. Best
|
|
value in Dub. Fit for a prince's. Liver and kidney.
|
|
|
|
THE FAN: (TAPPING) All things end. Be mine. Now,
|
|
|
|
BLOOM: (UNDECIDED) All now? I should not have parted with my talisman.
|
|
Rain, exposure at dewfall on the searocks, a peccadillo at my time of
|
|
life. Every phenomenon has a natural cause.
|
|
|
|
THE FAN: (POINTS DOWNWARDS SLOWLY) You may.
|
|
|
|
BLOOM: (LOOKS DOWNWARDS AND PERCEIVES HER UNFASTENED BOOTLACE) We are
|
|
observed.
|
|
|
|
THE FAN: (POINTS DOWNWARDS QUICKLY) You must.
|
|
|
|
BLOOM: (WITH DESIRE, WITH RELUCTANCE) I can make a true black knot.
|
|
Learned when I served my time and worked the mail order line for
|
|
Kellett's. Experienced hand. Every knot says a lot. Let me. In courtesy.
|
|
I knelt once before today. Ah!
|
|
|
|
(BELLA RAISES HER GOWN SLIGHTLY AND, STEADYING HER POSE, LIFTS TO THE
|
|
EDGE OF A CHAIR A PLUMP BUSKINED HOOF AND A FULL PASTERN, SILKSOCKED.
|
|
BLOOM, STIFFLEGGED, AGING, BENDS OVER HER HOOF AND WITH GENTLE FINGERS
|
|
DRAWS OUT AND IN HER LACES.)
|
|
|
|
BLOOM: (MURMURS LOVINGLY) To be a shoefitter in Manfield's was my love's
|
|
young dream, the darling joys of sweet buttonhooking, to lace up
|
|
crisscrossed to kneelength the dressy kid footwear satinlined, so
|
|
incredibly impossibly small, of Clyde Road ladies. Even their wax model
|
|
Raymonde I visited daily to admire her cobweb hose and stick of rhubarb
|
|
toe, as worn in Paris.
|
|
|
|
THE HOOF: Smell my hot goathide. Feel my royal weight.
|
|
|
|
BLOOM: (CROSSLACING) Too tight?
|
|
|
|
THE HOOF: If you bungle, Handy Andy, I'll kick your football for you.
|
|
|
|
BLOOM: Not to lace the wrong eyelet as I did the night of the bazaar
|
|
dance. Bad luck. Hook in wrong tache of her ... person you mentioned.
|
|
That night she met ... Now!
|
|
|
|
(HE KNOTS THE LACE. BELLA PLACES HER FOOT ON THE FLOOR. BLOOM RAISES HIS
|
|
HEAD. HER HEAVY FACE, HER EYES STRIKE HIM IN MIDBROW. HIS EYES GROW DULL,
|
|
DARKER AND POUCHED, HIS NOSE THICKENS.)
|
|
|
|
BLOOM: (MUMBLES) Awaiting your further orders we remain, gentlemen, ...
|
|
|
|
BELLO: (WITH A HARD BASILISK STARE, IN A BARITONE VOICE) Hound of
|
|
dishonour!
|
|
|
|
BLOOM: (INFATUATED) Empress!
|
|
|
|
BELLO: (HIS HEAVY CHEEKCHOPS SAGGING) Adorer of the adulterous rump!
|
|
|
|
BLOOM: (PLAINTIVELY) Hugeness!
|
|
|
|
BELLO: Dungdevourer!
|
|
|
|
BLOOM: (WITH SINEWS SEMIFLEXED) Magmagnificence!
|
|
|
|
BELLO: Down! (HE TAPS HER ON THE SHOULDER WITH HIS FAN) Incline feet
|
|
forward! Slide left foot one pace back! You will fall. You are falling.
|
|
On the hands down!
|
|
|
|
BLOOM: (HER EYES UPTURNED IN THE SIGN OF ADMIRATION, CLOSING, YAPS)
|
|
Truffles!
|
|
|
|
(WITH A PIERCING EPILEPTIC CRY SHE SINKS ON ALL FOURS, GRUNTING,
|
|
SNUFFLING, ROOTING AT HIS FEET: THEN LIES, SHAMMING DEAD, WITH EYES SHUT
|
|
TIGHT, TREMBLING EYELIDS, BOWED UPON THE GROUND IN THE ATTITUDE OF MOST
|
|
EXCELLENT MASTER.)
|
|
|
|
BELLO: (WITH BOBBED HAIR, PURPLE GILLS, FIT MOUSTACHE RINGS ROUND HIS
|
|
SHAVEN MOUTH, IN MOUNTAINEER'S PUTTEES, GREEN SILVERBUTTONED COAT, SPORT
|
|
SKIRT AND ALPINE HAT WITH MOORCOCK'S FEATHER, HIS HANDS STUCK DEEP IN HIS
|
|
BREECHES POCKETS, PLACES HIS HEEL ON HER NECK AND GRINDS IT IN)
|
|
Footstool! Feel my entire weight. Bow, bondslave, before the throne of
|
|
your despot's glorious heels so glistening in their proud erectness.
|
|
|
|
BLOOM: (ENTHRALLED, BLEATS) I promise never to disobey.
|
|
|
|
BELLO: (LAUGHS LOUDLY) Holy smoke! You little know what's in store for
|
|
you. I'm the Tartar to settle your little lot and break you in! I'll bet
|
|
Kentucky cocktails all round I shame it out of you, old son. Cheek me, I
|
|
dare you. If you do tremble in anticipation of heel discipline to be
|
|
inflicted in gym costume.
|
|
|
|
(BLOOM CREEPS UNDER THE SOFA AND PEERS OUT THROUGH THE FRINGE.)
|
|
|
|
ZOE: (WIDENING HER SLIP TO SCREEN HER) She's not here.
|
|
|
|
BLOOM: (CLOSING HER EYES) She's not here.
|
|
|
|
FLORRY: (HIDING HER WITH HER GOWN) She didn't mean it, Mr Bello. She'll
|
|
be good, sir.
|
|
|
|
KITTY: Don't be too hard on her, Mr Bello. Sure you won't, ma'amsir.
|
|
|
|
BELLO: (COAXINGLY) Come, ducky dear, I want a word with you, darling,
|
|
just to administer correction. Just a little heart to heart talk, sweety.
|
|
(BLOOM PUTS OUT HER TIMID HEAD) There's a good girly now. (BELLO GRABS
|
|
HER HAIR VIOLENTLY AND DRAGS HER FORWARD) I only want to correct you for
|
|
your own good on a soft safe spot. How's that tender behind? O, ever so
|
|
gently, pet. Begin to get ready.
|
|
|
|
BLOOM: (FAINTING) Don't tear my ...
|
|
|
|
BELLO: (SAVAGELY) The nosering, the pliers, the bastinado, the hanging
|
|
hook, the knout I'll make you kiss while the flutes play like the Nubian
|
|
slave of old. You're in for it this time! I'll make you remember me for
|
|
the balance of your natural life. (HIS FOREHEAD VEINS SWOLLEN, HIS FACE
|
|
CONGESTED) I shall sit on your ottoman saddleback every morning after my
|
|
thumping good breakfast of Matterson's fat hamrashers and a bottle of
|
|
Guinness's porter. (HE BELCHES) And suck my thumping good Stock Exchange
|
|
cigar while I read the LICENSED VICTUALLER'S GAZETTE. Very possibly I
|
|
shall have you slaughtered and skewered in my stables and enjoy a slice
|
|
of you with crisp crackling from the baking tin basted and baked like
|
|
sucking pig with rice and lemon or currant sauce. It will hurt you. (HE
|
|
TWISTS HER ARM. BLOOM SQUEALS, TURNING TURTLE.)
|
|
|
|
BLOOM: Don't be cruel, nurse! Don't!
|
|
|
|
BELLO: (TWISTING) Another!
|
|
|
|
BLOOM: (SCREAMS) O, it's hell itself! Every nerve in my body aches like
|
|
mad!
|
|
|
|
BELLO: (SHOUTS) Good, by the rumping jumping general! That's the best bit
|
|
of news I heard these six weeks. Here, don't keep me waiting, damn you!
|
|
(HE SLAPS HER FACE)
|
|
|
|
BLOOM: (WHIMPERS) You're after hitting me. I'll tell ...
|
|
|
|
BELLO: Hold him down, girls, till I squat on him.
|
|
|
|
ZOE: Yes. Walk on him! I will.
|
|
|
|
FLORRY: I will. Don't be greedy.
|
|
|
|
KITTY: No, me. Lend him to me.
|
|
|
|
(THE BROTHEL COOK, MRS KEOGH, WRINKLED, GREYBEARDED, IN A GREASY BIB,
|
|
MEN'S GREY AND GREEN SOCKS AND BROGUES, FLOURSMEARED, A ROLLINGPIN STUCK
|
|
WITH RAW PASTRY IN HER BARE RED ARM AND HAND, APPEARS AT THE DOOR.)
|
|
|
|
MRS KEOGH: (FEROCIOUSLY) Can I help? (THEY HOLD AND PINION BLOOM.)
|
|
|
|
BELLO: (SQUATS WITH A GRUNT ON BLOOM'S UPTURNED FACE, PUFFING CIGARSMOKE,
|
|
NURSING A FAT LEG) I see Keating Clay is elected vicechairman of the
|
|
Richmond asylum and by the by Guinness's preference shares are at sixteen
|
|
three quaffers. Curse me for a fool that didn't buy that lot Craig and
|
|
Gardner told me about. Just my infernal luck, curse it. And that
|
|
Goddamned outsider THROWAWAY at twenty to one. (HE QUENCHES HIS CIGAR
|
|
ANGRILY ON BLOOM'S EAR) Where's that Goddamned cursed ashtray?
|
|
|
|
BLOOM: (GOADED, BUTTOCKSMOTHERED) O! O! Monsters! Cruel one!
|
|
|
|
BELLO: Ask for that every ten minutes. Beg. Pray for it as you never
|
|
prayed before. (HE THRUSTS OUT A FIGGED FIST AND FOUL CIGAR) Here, kiss
|
|
that. Both. Kiss. (HE THROWS A LEG ASTRIDE AND, PRESSING WITH HORSEMAN'S
|
|
KNEES, CALLS IN A HARD VOICE) Gee up! A cockhorse to Banbury cross. I'll
|
|
ride him for the Eclipse stakes. (HE BENDS SIDEWAYS AND SQUEEZES HIS
|
|
MOUNT'S TESTICLES ROUGHLY, SHOUTING) Ho! Off we pop! I'll nurse you in
|
|
proper fashion. (HE HORSERIDES COCKHORSE, LEAPING IN THE SADDLE) The lady
|
|
goes a pace a pace and the coachman goes a trot a trot and the gentleman
|
|
goes a gallop a gallop a gallop a gallop.
|
|
|
|
FLORRY: (PULLS AT BELLO) Let me on him now. You had enough. I asked
|
|
before you.
|
|
|
|
ZOE: (PULLING AT FLORRY) Me. Me. Are you not finished with him yet,
|
|
suckeress?
|
|
|
|
BLOOM: (STIFLING) Can't.
|
|
|
|
BELLO: Well, I'm not. Wait. (HE HOLDS IN HIS BREATH) Curse it. Here. This
|
|
bung's about burst. (HE UNCORKS HIMSELF BEHIND: THEN, CONTORTING HIS
|
|
FEATURES, FARTS LOUDLY) Take that! (HE RECORKS HIMSELF) Yes, by Jingo,
|
|
sixteen three quarters.
|
|
|
|
BLOOM: (A SWEAT BREAKING OUT OVER HIM) Not man. (HE SNIFFS) Woman.
|
|
|
|
BELLO: (STANDS UP) No more blow hot and cold. What you longed for has
|
|
come to pass. Henceforth you are unmanned and mine in earnest, a thing
|
|
under the yoke. Now for your punishment frock. You will shed your male
|
|
garments, you understand, Ruby Cohen? and don the shot silk luxuriously
|
|
rustling over head and shoulders. And quickly too!
|
|
|
|
BLOOM: (SHRINKS) Silk, mistress said! O crinkly! scrapy! Must I tiptouch
|
|
it with my nails?
|
|
|
|
BELLO: (POINTS TO HIS WHORES) As they are now so will you be, wigged,
|
|
singed, perfumesprayed, ricepowdered, with smoothshaven armpits. Tape
|
|
measurements will be taken next your skin. You will be laced with cruel
|
|
force into vicelike corsets of soft dove coutille with whalebone busk to
|
|
the diamondtrimmed pelvis, the absolute outside edge, while your figure,
|
|
plumper than when at large, will be restrained in nettight frocks, pretty
|
|
two ounce petticoats and fringes and things stamped, of course, with my
|
|
houseflag, creations of lovely lingerie for Alice and nice scent for
|
|
Alice. Alice will feel the pullpull. Martha and Mary will be a little
|
|
chilly at first in such delicate thighcasing but the frilly flimsiness of
|
|
lace round your bare knees will remind you ...
|
|
|
|
BLOOM: (A CHARMING SOUBRETTE WITH DAUBY CHEEKS, MUSTARD HAIR AND LARGE
|
|
MALE HANDS AND NOSE, LEERING MOUTH) I tried her things on only twice, a
|
|
small prank, in Holles street. When we were hard up I washed them to save
|
|
the laundry bill. My own shirts I turned. It was the purest thrift.
|
|
|
|
BELLO: (JEERS) Little jobs that make mother pleased, eh? And showed off
|
|
coquettishly in your domino at the mirror behind closedrawn blinds your
|
|
unskirted thighs and hegoat's udders in various poses of surrender, eh?
|
|
Ho! ho! I have to laugh! That secondhand black operatop shift and short
|
|
trunkleg naughties all split up the stitches at her last rape that Mrs
|
|
Miriam Dandrade sold you from the Shelbourne hotel, eh?
|
|
|
|
BLOOM: Miriam. Black. Demimondaine.
|
|
|
|
BELLO: (GUFFAWS) Christ Almighty it's too tickling, this! You were a
|
|
nicelooking Miriam when you clipped off your backgate hairs and lay
|
|
swooning in the thing across the bed as Mrs Dandrade about to be violated
|
|
by lieutenant Smythe-Smythe, Mr Philip Augustus Blockwell M. P., signor
|
|
Laci Daremo, the robust tenor, blueeyed Bert, the liftboy, Henri Fleury
|
|
of Gordon Bennett fame, Sheridan, the quadroon Croesus, the varsity
|
|
wetbob eight from old Trinity, Ponto, her splendid Newfoundland and Bobs,
|
|
dowager duchess of Manorhamilton. (HE GUFFAWS AGAIN) Christ, wouldn't it
|
|
make a Siamese cat laugh?
|
|
|
|
BLOOM: (HER HANDS AND FEATURES WORKING) It was Gerald converted me to be
|
|
a true corsetlover when I was female impersonator in the High School play
|
|
VICE VERSA. It was dear Gerald. He got that kink, fascinated by sister's
|
|
stays. Now dearest Gerald uses pinky greasepaint and gilds his eyelids.
|
|
Cult of the beautiful.
|
|
|
|
BELLO: (WITH WICKED GLEE) Beautiful! Give us a breather! When you took
|
|
your seat with womanish care, lifting your billowy flounces, on the
|
|
smoothworn throne.
|
|
|
|
BLOOM: Science. To compare the various joys we each enjoy. (EARNESTLY)
|
|
And really it's better the position ... because often I used to wet ...
|
|
|
|
BELLO: (STERNLY) No insubordination! The sawdust is there in the corner
|
|
for you. I gave you strict instructions, didn't I? Do it standing, sir!
|
|
I'll teach you to behave like a jinkleman! If I catch a trace on your
|
|
swaddles. Aha! By the ass of the Dorans you'll find I'm a martinet. The
|
|
sins of your past are rising against you. Many. Hundreds.
|
|
|
|
THE SINS OF THE PAST: (IN A MEDLEY OF VOICES) He went through a form of
|
|
clandestine marriage with at least one woman in the shadow of the Black
|
|
church. Unspeakable messages he telephoned mentally to Miss Dunn at an
|
|
address in D'Olier street while he presented himself indecently to the
|
|
instrument in the callbox. By word and deed he frankly encouraged a
|
|
nocturnal strumpet to deposit fecal and other matter in an unsanitary
|
|
outhouse attached to empty premises. In five public conveniences he wrote
|
|
pencilled messages offering his nuptial partner to all strongmembered
|
|
males. And by the offensively smelling vitriol works did he not pass
|
|
night after night by loving courting couples to see if and what and how
|
|
much he could see? Did he not lie in bed, the gross boar, gloating over a
|
|
nauseous fragment of wellused toilet paper presented to him by a nasty
|
|
harlot, stimulated by gingerbread and a postal order?
|
|
|
|
BELLO: (WHISTLES LOUDLY) Say! What was the most revolting piece of
|
|
obscenity in all your career of crime? Go the whole hog. Puke it out! Be
|
|
candid for once.
|
|
|
|
(MUTE INHUMAN FACES THRONG FORWARD, LEERING, VANISHING, GIBBERING,
|
|
BOOLOOHOOM. POLDY KOCK, BOOTLACES A PENNY CASSIDY'S HAG, BLIND STRIPLING,
|
|
LARRY RHINOCEROS, THE GIRL, THE WOMAN, THE WHORE, THE OTHER, THE ...)
|
|
|
|
BLOOM: Don't ask me! Our mutual faith. Pleasants street. I only thought
|
|
the half of the ... I swear on my sacred oath ...
|
|
|
|
BELLO: (PEREMPTORILY) Answer. Repugnant wretch! I insist on knowing. Tell
|
|
me something to amuse me, smut or a bloody good ghoststory or a line of
|
|
poetry, quick, quick, quick! Where? How? What time? With how many? I give
|
|
you just three seconds. One! Two! Thr ...
|
|
|
|
BLOOM: (DOCILE, GURGLES) I rererepugnosed in rerererepugnant
|
|
|
|
BELLO: (IMPERIOUSLY) O, get out, you skunk! Hold your tongue! Speak when
|
|
you're spoken to.
|
|
|
|
BLOOM: (BOWS) Master! Mistress! Mantamer!
|
|
|
|
(HE LIFTS HIS ARMS. HIS BANGLE BRACELETS FILL.)
|
|
|
|
BELLO: (SATIRICALLY) By day you will souse and bat our smelling
|
|
underclothes also when we ladies are unwell, and swab out our latrines
|
|
with dress pinned up and a dishclout tied to your tail. Won't that be
|
|
nice? (HE PLACES A RUBY RING ON HER FINGER) And there now! With this ring
|
|
I thee own. Say, thank you, mistress.
|
|
|
|
BLOOM: Thank you, mistress.
|
|
|
|
BELLO: You will make the beds, get my tub ready, empty the pisspots in
|
|
the different rooms, including old Mrs Keogh's the cook's, a sandy one.
|
|
Ay, and rinse the seven of them well, mind, or lap it up like champagne.
|
|
Drink me piping hot. Hop! You will dance attendance or I'll lecture you
|
|
on your misdeeds, Miss Ruby, and spank your bare bot right well, miss,
|
|
with the hairbrush. You'll be taught the error of your ways. At night
|
|
your wellcreamed braceletted hands will wear fortythreebutton gloves
|
|
newpowdered with talc and having delicately scented fingertips. For such
|
|
favours knights of old laid down their lives. (HE CHUCKLES) My boys will
|
|
be no end charmed to see you so ladylike, the colonel, above all, when
|
|
they come here the night before the wedding to fondle my new attraction
|
|
in gilded heels. First I'll have a go at you myself. A man I know on the
|
|
turf named Charles Alberta Marsh (I was in bed with him just now and
|
|
another gentleman out of the Hanaper and Petty Bag office) is on the
|
|
lookout for a maid of all work at a short knock. Swell the bust. Smile.
|
|
Droop shoulders. What offers? (HE POINTS) For that lot. Trained by owner
|
|
to fetch and carry, basket in mouth. (HE BARES HIS ARM AND PLUNGES IT
|
|
ELBOWDEEP IN BLOOM'S VULVA) There's fine depth for you! What, boys? That
|
|
give you a hardon? (HE SHOVES HIS ARM IN A BIDDER'S FACE) Here wet the
|
|
deck and wipe it round!
|
|
|
|
A BIDDER: A florin.
|
|
|
|
(DILLON'S LACQUEY RINGS HIS HANDBELL.)
|
|
|
|
THE LACQUEY: Barang!
|
|
|
|
A VOICE: One and eightpence too much.
|
|
|
|
CHARLES ALBERTA MARSH: Must be virgin. Good breath. Clean.
|
|
|
|
BELLO: (GIVES A RAP WITH HIS GAVEL) Two bar. Rockbottom figure and cheap
|
|
at the price. Fourteen hands high. Touch and examine his points. Handle
|
|
him. This downy skin, these soft muscles, this tender flesh. If I had
|
|
only my gold piercer here! And quite easy to milk. Three newlaid gallons
|
|
a day. A pure stockgetter, due to lay within the hour. His sire's milk
|
|
record was a thousand gallons of whole milk in forty weeks. Whoa my
|
|
jewel! Beg up! Whoa! (HE BRANDS HIS INITIAL C ON BLOOM'S CROUP) So!
|
|
Warranted Cohen! What advance on two bob, gentlemen?
|
|
|
|
A DARKVISAGED MAN: (IN DISGUISED ACCENT) Hoondert punt sterlink.
|
|
|
|
VOICES: (SUBDUED) For the Caliph. Haroun Al Raschid.
|
|
|
|
BELLO: (GAILY) Right. Let them all come. The scanty, daringly short
|
|
skirt, riding up at the knee to show a peep of white pantalette, is a
|
|
potent weapon and transparent stockings, emeraldgartered, with the long
|
|
straight seam trailing up beyond the knee, appeal to the better instincts
|
|
of the BLASE man about town. Learn the smooth mincing walk on four inch
|
|
Louis Quinze heels, the Grecian bend with provoking croup, the thighs
|
|
fluescent, knees modestly kissing. Bring all your powers of fascination
|
|
to bear on them. Pander to their Gomorrahan vices.
|
|
|
|
BLOOM: (BENDS HIS BLUSHING FACE INTO HIS ARMPIT AND SIMPERS WITH
|
|
FOREFINGER IN MOUTH) O, I know what you're hinting at now!
|
|
|
|
BELLO: What else are you good for, an impotent thing like you? (HE STOOPS
|
|
AND, PEERING, POKES WITH HIS FAN RUDELY UNDER THE FAT SUET FOLDS OF
|
|
BLOOM'S HAUNCHES) Up! Up! Manx cat! What have we here? Where's your curly
|
|
teapot gone to or who docked it on you, cockyolly? Sing, birdy, sing.
|
|
It's as limp as a boy of six's doing his pooly behind a cart. Buy a
|
|
bucket or sell your pump. (LOUDLY) Can you do a man's job?
|
|
|
|
BLOOM: Eccles street ...
|
|
|
|
BELLO: (SARCASTICALLY) I wouldn't hurt your feelings for the world but
|
|
there's a man of brawn in possession there. The tables are turned, my gay
|
|
young fellow! He is something like a fullgrown outdoor man. Well for you,
|
|
you muff, if you had that weapon with knobs and lumps and warts all over
|
|
it. He shot his bolt, I can tell you! Foot to foot, knee to knee, belly
|
|
to belly, bubs to breast! He's no eunuch. A shock of red hair he has
|
|
sticking out of him behind like a furzebush! Wait for nine months, my
|
|
lad! Holy ginger, it's kicking and coughing up and down in her guts
|
|
already! That makes you wild, don't it? Touches the spot? (HE SPITS IN
|
|
CONTEMPT) Spittoon!
|
|
|
|
BLOOM: I was indecently treated, I ... Inform the police. Hundred pounds.
|
|
Unmentionable. I ...
|
|
|
|
BELLO: Would if you could, lame duck. A downpour we want not your
|
|
drizzle.
|
|
|
|
BLOOM: To drive me mad! Moll! I forgot! Forgive! Moll ... We ... Still
|
|
...
|
|
|
|
BELLO: (RUTHLESSLY) No, Leopold Bloom, all is changed by woman's will
|
|
since you slept horizontal in Sleepy Hollow your night of twenty years.
|
|
Return and see.
|
|
|
|
(OLD SLEEPY HOLLOW CALLS OVER THE WOLD.)
|
|
|
|
SLEEPY HOLLOW: Rip van Wink! Rip van Winkle!
|
|
|
|
BLOOM: (IN TATTERED MOCASSINS WITH A RUSTY FOWLINGPIECE, TIPTOEING,
|
|
FINGERTIPPING, HIS HAGGARD BONY BEARDED FACE PEERING THROUGH THE DIAMOND
|
|
PANES, CRIES OUT) I see her! It's she! The first night at Mat Dillon's!
|
|
But that dress, the green! And her hair is dyed gold and he ...
|
|
|
|
BELLO: (LAUGHS MOCKINGLY) That's your daughter, you owl, with a Mullingar
|
|
student.
|
|
|
|
(MILLY BLOOM, FAIRHAIRED, GREENVESTED, SLIMSANDALLED, HER BLUE SCARF IN
|
|
THE SEAWIND SIMPLY SWIRLING, BREAKS FROM THE ARMS OF HER LOVER AND CALLS,
|
|
HER YOUNG EYES WONDERWIDE.)
|
|
|
|
MILLY: My! It's Papli! But, O Papli, how old you've grown!
|
|
|
|
BELLO: Changed, eh? Our whatnot, our writingtable where we never wrote,
|
|
aunt Hegarty's armchair, our classic reprints of old masters. A man and
|
|
his menfriends are living there in clover. The CUCKOOS' REST! Why not?
|
|
How many women had you, eh, following them up dark streets, flatfoot,
|
|
exciting them by your smothered grunts, what, you male prostitute?
|
|
Blameless dames with parcels of groceries. Turn about. Sauce for the
|
|
goose, my gander O.
|
|
|
|
BLOOM: They ... I ...
|
|
|
|
BELLO: (CUTTINGLY) Their heelmarks will stamp the Brusselette carpet you
|
|
bought at Wren's auction. In their horseplay with Moll the romp to find
|
|
the buck flea in her breeches they will deface the little statue you
|
|
carried home in the rain for art for art' sake. They will violate the
|
|
secrets of your bottom drawer. Pages will be torn from your handbook of
|
|
astronomy to make them pipespills. And they will spit in your ten
|
|
shilling brass fender from Hampton Leedom's.
|
|
|
|
BLOOM: Ten and six. The act of low scoundrels. Let me go. I will return.
|
|
I will prove ...
|
|
|
|
A VOICE: Swear!
|
|
|
|
(BLOOM CLENCHES HIS FISTS AND CRAWLS FORWARD, A BOWIEKNIFE BETWEEN HIS
|
|
TEETH.)
|
|
|
|
BELLO: As a paying guest or a kept man? Too late. You have made your
|
|
secondbest bed and others must lie in it. Your epitaph is written. You
|
|
are down and out and don't you forget it, old bean.
|
|
|
|
BLOOM: Justice! All Ireland versus one! Has nobody ...? (HE BITES HIS
|
|
THUMB)
|
|
|
|
BELLO: Die and be damned to you if you have any sense of decency or grace
|
|
about you. I can give you a rare old wine that'll send you skipping to
|
|
hell and back. Sign a will and leave us any coin you have! If you have
|
|
none see you damn well get it, steal it, rob it! We'll bury you in our
|
|
shrubbery jakes where you'll be dead and dirty with old Cuck Cohen, my
|
|
stepnephew I married, the bloody old gouty procurator and sodomite with a
|
|
crick in his neck, and my other ten or eleven husbands, whatever the
|
|
buggers' names were, suffocated in the one cesspool. (HE EXPLODES IN A
|
|
LOUD PHLEGMY LAUGH) We'll manure you, Mr Flower! (HE PIPES SCOFFINGLY)
|
|
Byby, Poldy! Byby, Papli!
|
|
|
|
BLOOM: (CLASPS HIS HEAD) My willpower! Memory! I have sinned! I have suff
|
|
...
|
|
|
|
(HE WEEPS TEARLESSLY)
|
|
|
|
BELLO: (SNEERS) Crybabby! Crocodile tears!
|
|
|
|
(BLOOM, BROKEN, CLOSELY VEILED FOR THE SACRIFICE, SOBS, HIS FACE TO THE
|
|
EARTH. THE PASSING BELL IS HEARD. DARKSHAWLED FIGURES OF THE CIRCUMCISED,
|
|
IN SACKCLOTH AND ASHES, STAND BY THE WAILING WALL. M. SHULOMOWITZ, JOSEPH
|
|
GOLDWATER, MOSES HERZOG, HARRIS ROSENBERG, M. MOISEL, J. CITRON, MINNIE
|
|
WATCHMAN, P. MASTIANSKY, THE REVEREND LEOPOLD ABRAMOVITZ, CHAZEN. WITH
|
|
SWAYING ARMS THEY WAIL IN PNEUMA OVER THE RECREANT BLOOM.)
|
|
|
|
THE CIRCUMCISED: (IN DARK GUTTURAL CHANT AS THEY CAST DEAD SEA FRUIT UPON
|
|
HIM, NO FLOWERS) SHEMA ISRAEL ADONAI ELOHENU ADONAI ECHAD.
|
|
|
|
VOICES: (SIGHING) So he's gone. Ah yes. Yes, indeed. Bloom? Never heard
|
|
of him. No? Queer kind of chap. There's the widow. That so? Ah, yes.
|
|
|
|
(FROM THE SUTTEE PYRE THE FLAME OF GUM CAMPHIRE ASCENDS. THE PALL OF
|
|
INCENSE SMOKE SCREENS AND DISPERSES. OUT OF HER OAKFRAME A NYMPH WITH
|
|
HAIR UNBOUND, LIGHTLY CLAD IN TEABROWN ARTCOLOURS, DESCENDS FROM HER
|
|
GROTTO AND PASSING UNDER INTERLACING YEWS STANDS OVER BLOOM.)
|
|
|
|
THE YEWS: (THEIR LEAVES WHISPERING) Sister. Our sister. Ssh!
|
|
|
|
THE NYMPH: (SOFTLY) Mortal! (KINDLY) Nay, dost not weepest!
|
|
|
|
BLOOM: (CRAWLS JELLILY FORWARD UNDER THE BOUGHS, STREAKED BY SUNLIGHT,
|
|
WITH DIGNITY) This position. I felt it was expected of me. Force of
|
|
habit.
|
|
|
|
THE NYMPH: Mortal! You found me in evil company, highkickers, coster
|
|
picnicmakers, pugilists, popular generals, immoral panto boys in
|
|
fleshtights and the nifty shimmy dancers, La Aurora and Karini, musical
|
|
act, the hit of the century. I was hidden in cheap pink paper that smelt
|
|
of rock oil. I was surrounded by the stale smut of clubmen, stories to
|
|
disturb callow youth, ads for transparencies, truedup dice and bustpads,
|
|
proprietary articles and why wear a truss with testimonial from ruptured
|
|
gentleman. Useful hints to the married.
|
|
|
|
BLOOM: (LIFTS A TURTLE HEAD TOWARDS HER LAP) We have met before. On
|
|
another star.
|
|
|
|
THE NYMPH: (SADLY) Rubber goods. Neverrip brand as supplied to the
|
|
aristocracy. Corsets for men. I cure fits or money refunded. Unsolicited
|
|
testimonials for Professor Waldmann's wonderful chest exuber. My bust
|
|
developed four inches in three weeks, reports Mrs Gus Rublin with photo.
|
|
|
|
BLOOM: You mean PHOTO BITS?
|
|
|
|
THE NYMPH: I do. You bore me away, framed me in oak and tinsel, set me
|
|
above your marriage couch. Unseen, one summer eve, you kissed me in four
|
|
places. And with loving pencil you shaded my eyes, my bosom and my shame.
|
|
|
|
BLOOM: (HUMBLY KISSES HER LONG HAIR) Your classic curves, beautiful
|
|
immortal, I was glad to look on you, to praise you, a thing of beauty,
|
|
almost to pray.
|
|
|
|
THE NYMPH: During dark nights I heard your praise.
|
|
|
|
BLOOM: (QUICKLY) Yes, yes. You mean that I ... Sleep reveals the worst
|
|
side of everyone, children perhaps excepted. I know I fell out of bed or
|
|
rather was pushed. Steel wine is said to cure snoring. For the rest there
|
|
is that English invention, pamphlet of which I received some days ago,
|
|
incorrectly addressed. It claims to afford a noiseless, inoffensive vent.
|
|
(HE SIGHS) 'Twas ever thus. Frailty, thy name is marriage.
|
|
|
|
THE NYMPH: (HER FINGERS IN HER EARS) And words. They are not in my
|
|
dictionary.
|
|
|
|
BLOOM: You understood them?
|
|
|
|
THE YEWS: Ssh!
|
|
|
|
THE NYMPH: (COVERS HER FACE WITH HER HANDS) What have I not seen in that
|
|
chamber? What must my eyes look down on?
|
|
|
|
BLOOM: (APOLOGETICALLY) I know. Soiled personal linen, wrong side up with
|
|
care. The quoits are loose. From Gibraltar by long sea long ago.
|
|
|
|
THE NYMPH: (BENDS HER HEAD) Worse, worse!
|
|
|
|
BLOOM: (REFLECTS PRECAUTIOUSLY) That antiquated commode. It wasn't her
|
|
weight. She scaled just eleven stone nine. She put on nine pounds after
|
|
weaning. It was a crack and want of glue. Eh? And that absurd orangekeyed
|
|
utensil which has only one handle.
|
|
|
|
(THE SOUND OF A WATERFALL IS HEARD IN BRIGHT CASCADE.)
|
|
|
|
THE WATERFALL:
|
|
|
|
|
|
Poulaphouca Poulaphouca
|
|
Poulaphouca Poulaphouca.
|
|
|
|
|
|
THE YEWS: (MINGLING THEIR BOUGHS) Listen. Whisper. She is right, our
|
|
sister. We grew by Poulaphouca waterfall. We gave shade on languorous
|
|
summer days.
|
|
|
|
JOHN WYSE NOLAN: (IN THE BACKGROUND, IN IRISH NATIONAL FORESTER'S
|
|
UNIFORM, DOFFS HIS PLUMED HAT) Prosper! Give shade on languorous days,
|
|
trees of Ireland!
|
|
|
|
THE YEWS: (MURMURING) Who came to Poulaphouca with the High School
|
|
excursion? Who left his nutquesting classmates to seek our shade?
|
|
|
|
BLOOM: (SCARED) High School of Poula? Mnemo? Not in full possession of
|
|
faculties. Concussion. Run over by tram.
|
|
|
|
THE ECHO: Sham!
|
|
|
|
BLOOM: (PIGEONBREASTED, BOTTLESHOULDERED, PADDED, IN NONDESCRIPT JUVENILE
|
|
GREY AND BLACK STRIPED SUIT, TOO SMALL FOR HIM, WHITE TENNIS SHOES,
|
|
BORDERED STOCKINGS WITH TURNOVER TOPS AND A RED SCHOOLCAP WITH BADGE) I
|
|
was in my teens, a growing boy. A little then sufficed, a jolting car,
|
|
the mingling odours of the ladies' cloakroom and lavatory, the throng
|
|
penned tight on the old Royal stairs (for they love crushes, instinct of
|
|
the herd, and the dark sexsmelling theatre unbridles vice), even a
|
|
pricelist of their hosiery. And then the heat. There were sunspots that
|
|
summer. End of school. And tipsycake. Halcyon days.
|
|
|
|
(HALCYON DAYS, HIGH SCHOOL BOYS IN BLUE AND WHITE FOOTBALL JERSEYS AND
|
|
SHORTS, MASTER DONALD TURNBULL, MASTER ABRAHAM CHATTERTON, MASTER OWEN
|
|
GOLDBERG, MASTER JACK MEREDITH, MASTER PERCY APJOHN, STAND IN A CLEARING
|
|
OF THE TREES AND SHOUT TO MASTER LEOPOLD BLOOM.)
|
|
|
|
THE HALCYON DAYS: Mackerel! Live us again. Hurray! (THEY CHEER)
|
|
|
|
BLOOM: (HOBBLEDEHOY, WARMGLOVED, MAMMAMUFFLERED, STARRED WITH SPENT
|
|
SNOWBALLS, STRUGGLES TO RISE) Again! I feel sixteen! What a lark! Let's
|
|
ring all the bells in Montague street. (HE CHEERS FEEBLY) Hurray for the
|
|
High School!
|
|
|
|
THE ECHO: Fool!
|
|
|
|
THE YEWS: (RUSTLING) She is right, our sister. Whisper. (WHISPERED KISSES
|
|
ARE HEARD IN ALL THE WOOD. FACES OF HAMADRYADS PEEP OUT FROM THE BOLES
|
|
AND AMONG THE LEAVES AND BREAK, BLOSSOMING INTO BLOOM.) Who profaned our
|
|
silent shade?
|
|
|
|
THE NYMPH: (COYLY, THROUGH PARTING FINGERS) There? In the open air?
|
|
|
|
THE YEWS: (SWEEPING DOWNWARD) Sister, yes. And on our virgin sward.
|
|
|
|
THE WATERFALL:
|
|
|
|
|
|
Poulaphouca Poulaphouca
|
|
Phoucaphouca Phoucaphouca.
|
|
|
|
|
|
|
|
THE NYMPH: (WITH WIDE FINGERS) O, infamy!
|
|
|
|
BLOOM: I was precocious. Youth. The fauna. I sacrificed to the god of the
|
|
forest. The flowers that bloom in the spring. It was pairing time.
|
|
Capillary attraction is a natural phenomenon. Lotty Clarke, flaxenhaired,
|
|
I saw at her night toilette through illclosed curtains with poor papa's
|
|
operaglasses: The wanton ate grass wildly. She rolled downhill at Rialto
|
|
bridge to tempt me with her flow of animal spirits. She climbed their
|
|
crooked tree and I ... A saint couldn't resist it. The demon possessed
|
|
me. Besides, who saw?
|
|
|
|
(STAGGERING BOB, A WHITEPOLLED CALF, THRUSTS A RUMINATING HEAD WITH HUMID
|
|
NOSTRILS THROUGH THE FOLIAGE.)
|
|
|
|
STAGGERING BOB: (LARGE TEARDROPS ROLLING FROM HIS PROMINENT EYES,
|
|
SNIVELS) Me. Me see.
|
|
|
|
BLOOM: Simply satisfying a need I ... (WITH PATHOS) No girl would when I
|
|
went girling. Too ugly. They wouldn't play ...
|
|
|
|
(HIGH ON BEN HOWTH THROUGH RHODODENDRONS A NANNYGOAT PASSES,
|
|
PLUMPUDDERED, BUTTYTAILED, DROPPING CURRANTS.)
|
|
|
|
THE NANNYGOAT: (BLEATS) Megeggaggegg! Nannannanny!
|
|
|
|
BLOOM: (HATLESS, FLUSHED, COVERED WITH BURRS OF THISTLEDOWN AND
|
|
GORSESPINE) Regularly engaged. Circumstances alter cases. (HE GAZES
|
|
INTENTLY DOWNWARDS ON THE WATER) Thirtytwo head over heels per second.
|
|
Press nightmare. Giddy Elijah. Fall from cliff. Sad end of government
|
|
printer's clerk. (THROUGH SILVERSILENT SUMMER AIR THE DUMMY OF BLOOM,
|
|
ROLLED IN A MUMMY, ROLLS ROTEATINGLY FROM THE LION'S HEAD CLIFF INTO THE
|
|
PURPLE WAITING WATERS.)
|
|
|
|
THE DUMMYMUMMY: Bbbbblllllblblblblobschbg!
|
|
|
|
(FAR OUT IN THE BAY BETWEEN BAILEY AND KISH LIGHTS THE Erin's King SAILS,
|
|
SENDING A BROADENING PLUME OF COALSMOKE FROM HER FUNNEL TOWARDS THE
|
|
LAND.)
|
|
|
|
COUNCILLOR NANNETII: (ALONE ON DECK, IN DARK ALPACA, YELLOWKITEFACED, HIS
|
|
HAND IN HIS WAISTCOAT OPENING, DECLAIMS) When my country takes her place
|
|
among the nations of the earth, then, and not till then, let my epitaph
|
|
be written. I have ...
|
|
|
|
BLOOM: Done. Prff!
|
|
|
|
THE NYMPH: (LOFTILY) We immortals, as you saw today, have not such a
|
|
place and no hair there either. We are stonecold and pure. We eat
|
|
electric light. (SHE ARCHES HER BODY IN LASCIVIOUS CRISPATION, PLACING
|
|
HER FOREFINGER IN HER MOUTH) Spoke to me. Heard from behind. How then
|
|
could you ...?
|
|
|
|
BLOOM: (PAWING THE HEATHER ABJECTLY) O, I have been a perfect pig. Enemas
|
|
too I have administered. One third of a pint of quassia to which add a
|
|
tablespoonful of rocksalt. Up the fundament. With Hamilton Long's
|
|
syringe, the ladies' friend.
|
|
|
|
THE NYMPH: In my presence. The powderpuff. (SHE BLUSHES AND MAKES A KNEE)
|
|
And the rest!
|
|
|
|
BLOOM: (DEJECTED) Yes. PECCAVI! I have paid homage on that living altar
|
|
where the back changes name. (WITH SUDDEN FERVOUR) For why should the
|
|
dainty scented jewelled hand, the hand that rules ...?
|
|
|
|
(FIGURES WIND SERPENTING IN SLOW WOODLAND PATTERN AROUND THE TREESTEMS,
|
|
COOEEING)
|
|
|
|
THE VOICE OF KITTY: (IN THE THICKET) Show us one of them cushions.
|
|
|
|
THE VOICE OF FLORRY: Here.
|
|
|
|
(A GROUSE WINGS CLUMSILY THROUGH THE UNDERWOOD.)
|
|
|
|
THE VOICE OF LYNCH: (IN THE THICKET) Whew! Piping hot!
|
|
|
|
THE VOICE OF ZOE: (FROM THE THICKET) Came from a hot place.
|
|
|
|
THE VOICE OF VIRAG: (A BIRDCHIEF, BLUESTREAKED AND FEATHERED IN WAR
|
|
PANOPLY WITH HIS ASSEGAI, STRIDING THROUGH A CRACKLING CANEBRAKE OVER
|
|
BEECHMAST AND ACORNS) Hot! Hot! Ware Sitting Bull!
|
|
|
|
BLOOM: It overpowers me. The warm impress of her warm form. Even to sit
|
|
where a woman has sat, especially with divaricated thighs, as though to
|
|
grant the last favours, most especially with previously well uplifted
|
|
white sateen coatpans. So womanly, full. It fills me full.
|
|
|
|
THE WATERFALL:
|
|
|
|
|
|
Phillaphulla Poulaphouca
|
|
Poulaphouca Poulaphouca.
|
|
|
|
|
|
THE YEWS: Ssh! Sister, speak!
|
|
|
|
THE NYMPH: (EYELESS, IN NUN'S WHITE HABIT, COIF AND HUGEWINGED WIMPLE,
|
|
SOFTLY, WITH REMOTE EYES) Tranquilla convent. Sister Agatha. Mount
|
|
Carmel. The apparitions of Knock and Lourdes. No more desire. (SHE
|
|
RECLINES HER HEAD, SIGHING) Only the ethereal. Where dreamy creamy gull
|
|
waves o'er the waters dull.
|
|
|
|
(BLOOM HALF RISES. HIS BACK TROUSERBUTTON SNAPS.)
|
|
|
|
THE BUTTON: Bip!
|
|
|
|
(TWO SLUTS OF THE COOMBE DANCE RAINILY BY, SHAWLED, YELLING FLATLY.)
|
|
|
|
THE SLUTS:
|
|
|
|
|
|
O, Leopold lost the pin of his drawers
|
|
He didn't know what to do,
|
|
To keep it up,
|
|
To keep it up.
|
|
|
|
|
|
BLOOM: (COLDLY) You have broken the spell. The last straw. If there were
|
|
only ethereal where would you all be, postulants and novices? Shy but
|
|
willing like an ass pissing.
|
|
|
|
THE YEWS: (THEIR SILVERFOIL OF LEAVES PRECIPITATING, THEIR SKINNY ARMS
|
|
AGING AND SWAYING) Deciduously!
|
|
|
|
THE NYMPH: (her features hardening, gropes in the folds of her habit)
|
|
Sacrilege! To attempt my virtue! (A LARGE MOIST STAIN APPEARS ON HER
|
|
ROBE) Sully my innocence! You are not fit to touch the garment of a pure
|
|
woman. (SHE CLUTCHES AGAIN IN HER ROBE) Wait. Satan, you'll sing no more
|
|
lovesongs. Amen. Amen. Amen. Amen. (SHE DRAWS A PONIARD AND, CLAD IN THE
|
|
SHEATHMAIL OF AN ELECTED KNIGHT OF NINE, STRIKES AT HIS LOINS) Nekum!
|
|
|
|
BLOOM: (STARTS UP, SEIZES HER HAND) Hoy! Nebrakada! Cat o' nine lives!
|
|
Fair play, madam. No pruningknife. The fox and the grapes, is it? What do
|
|
you lack with your barbed wire? Crucifix not thick enough? (HE CLUTCHES
|
|
HER VEIL) A holy abbot you want or Brophy, the lame gardener, or the
|
|
spoutless statue of the watercarrier, or good mother Alphonsus, eh
|
|
Reynard?
|
|
|
|
THE NYMPH: (WITH A CRY FLEES FROM HIM UNVEILED, HER PLASTER CAST
|
|
CRACKING, A CLOUD OF STENCH ESCAPING FROM THE CRACKS) Poli ...!
|
|
|
|
BLOOM: (CALLS AFTER HER) As if you didn't get it on the double
|
|
yourselves. No jerks and multiple mucosities all over you. I tried it.
|
|
Your strength our weakness. What's our studfee? What will you pay on the
|
|
nail? You fee mendancers on the Riviera, I read. (THE FLEEING NYMPH
|
|
RAISES A KEEN) Eh? I have sixteen years of black slave labour behind me.
|
|
And would a jury give me five shillings alimony tomorrow, eh? Fool
|
|
someone else, not me. (HE SNIFFS) Rut. Onions. Stale. Sulphur. Grease.
|
|
|
|
(THE FIGURE OF BELLA COHEN STANDS BEFORE HIM.)
|
|
|
|
BELLA: You'll know me the next time.
|
|
|
|
BLOOM: (COMPOSED, REGARDS HER) Passee. Mutton dressed as lamb. Long in
|
|
the tooth and superfluous hair. A raw onion the last thing at night would
|
|
benefit your complexion. And take some double chin drill. Your eyes are
|
|
as vapid as the glasseyes of your stuffed fox. They have the dimensions
|
|
of your other features, that's all. I'm not a triple screw propeller.
|
|
|
|
BELLA: (CONTEMPTUOUSLY) You're not game, in fact. (HER SOWCUNT BARKS)
|
|
Fbhracht!
|
|
|
|
BLOOM: (CONTEMPTUOUSLY) Clean your nailless middle finger first, your
|
|
bully's cold spunk is dripping from your cockscomb. Take a handful of hay
|
|
and wipe yourself.
|
|
|
|
BELLA: I know you, canvasser! Dead cod!
|
|
|
|
BLOOM: I saw him, kipkeeper! Pox and gleet vendor!
|
|
|
|
BELLA: (TURNS TO THE PIANO) Which of you was playing the dead march from
|
|
SAUL?
|
|
|
|
ZOE: Me. Mind your cornflowers. (SHE DARTS TO THE PIANO AND BANGS CHORDS
|
|
ON IT WITH CROSSED ARMS) The cat's ramble through the slag. (SHE GLANCES
|
|
BACK) Eh? Who's making love to my sweeties? (SHE DARTS BACK TO THE TABLE)
|
|
What's yours is mine and what's mine is my own.
|
|
|
|
(KITTY, DISCONCERTED, COATS HER TEETH WITH THE SILVER PAPER. BLOOM
|
|
APPROACHES ZOE.)
|
|
|
|
BLOOM: (GENTLY) Give me back that potato, will you?
|
|
|
|
ZOE: Forfeits, a fine thing and a superfine thing.
|
|
|
|
BLOOM: (WITH FEELING) It is nothing, but still, a relic of poor mamma.
|
|
|
|
ZOE:
|
|
|
|
|
|
Give a thing and take it back
|
|
God'll ask you where is that
|
|
You'll say you don't know
|
|
God'll send you down below.
|
|
|
|
|
|
BLOOM: There is a memory attached to it. I should like to have it.
|
|
|
|
STEPHEN: To have or not to have that is the question.
|
|
|
|
ZOE: Here. (SHE HAULS UP A REEF OF HER SLIP, REVEALING HER BARE THIGH,
|
|
AND UNROLLS THE POTATO FROM THE TOP OF HER STOCKING) Those that hides
|
|
knows where to find.
|
|
|
|
BELLA: (FROWNS) Here. This isn't a musical peepshow. And don't you smash
|
|
that piano. Who's paying here?
|
|
|
|
(SHE GOES TO THE PIANOLA. STEPHEN FUMBLES IN HIS POCKET AND, TAKING OUT A
|
|
BANKNOTE BY ITS CORNER, HANDS IT TO HER.)
|
|
|
|
STEPHEN: (WITH EXAGGERATED POLITENESS) This silken purse I made out of
|
|
the sow's ear of the public. Madam, excuse me. If you allow me. (HE
|
|
INDICATES VAGUELY LYNCH AND BLOOM) We are all in the same sweepstake,
|
|
Kinch and Lynch. DANS CE BORDEL OU TENONS NOSTRE ETAT.
|
|
|
|
LYNCH: (CALLS FROM THE HEARTH) Dedalus! Give her your blessing for me.
|
|
|
|
STEPHEN: (HANDS BELLA A COIN) Gold. She has it.
|
|
|
|
BELLA: (LOOKS AT THE MONEY, THEN AT STEPHEN, THEN AT ZOE, FLORRY AND
|
|
KITTY) Do you want three girls? It's ten shillings here.
|
|
|
|
STEPHEN: (DELIGHTEDLY) A hundred thousand apologies. (HE FUMBLES AGAIN
|
|
AND TAKES OUT AND HANDS HER TWO CROWNS) Permit, BREVI MANU, my sight is
|
|
somewhat troubled.
|
|
|
|
(BELLA GOES TO THE TABLE TO COUNT THE MONEY WHILE STEPHEN TALKS TO
|
|
HIMSELF IN MONOSYLLABLES. ZOE BENDS OVER THE TABLE. KITTY LEANS OVER
|
|
ZOE'S NECK. LYNCH GETS UP, RIGHTS HIS CAP AND, CLASPING KITTY'S WAIST,
|
|
ADDS HIS HEAD TO THE GROUP.)
|
|
|
|
FLORRY: (STRIVES HEAVILY TO RISE) Ow! My foot's asleep. (SHE LIMPS OVER
|
|
TO THE TABLE. BLOOM APPROACHES.)
|
|
|
|
BELLA, ZOE, KITTY, LYNCH, BLOOM: (CHATTERING AND SQUABBLING) The
|
|
gentleman ... ten shillings ... paying for the three ... allow me a
|
|
moment ... this gentleman pays separate ... who's touching it? ... ow!
|
|
... mind who you're pinching ... are you staying the night or a short
|
|
time?... who did?... you're a liar, excuse me ... the gentleman paid down
|
|
like a gentleman ... drink ... it's long after eleven.
|
|
|
|
STEPHEN: (AT THE PIANOLA, MAKING A GESTURE OF ABHORRENCE) No bottles!
|
|
What, eleven? A riddle!
|
|
|
|
ZOE: (LIFTING UP HER PETTIGOWN AND FOLDING A HALF SOVEREIGN INTO THE TOP
|
|
OF HER STOCKING) Hard earned on the flat of my back.
|
|
|
|
LYNCH: (LIFTING KITTY FROM THE TABLE) Come!
|
|
|
|
KITTY: Wait. (SHE CLUTCHES THE TWO CROWNS)
|
|
|
|
FLORRY: And me?
|
|
|
|
LYNCH: Hoopla! (HE LIFTS HER, CARRIES HER AND BUMPS HER DOWN ON THE
|
|
SOFA.)
|
|
|
|
STEPHEN:
|
|
|
|
|
|
The fox crew, the cocks flew,
|
|
The bells in heaven
|
|
Were striking eleven.
|
|
'Tis time for her poor soul
|
|
To get out of heaven.
|
|
|
|
|
|
BLOOM: (QUIETLY LAYS A HALF SOVEREIGN ON THE TABLE BETWEEN BELLA AND
|
|
FLORRY) So. Allow me. (HE TAKES UP THE POUNDNOTE) Three times ten. We're
|
|
square.
|
|
|
|
BELLA: (ADMIRINGLY) You're such a slyboots, old cocky. I could kiss you.
|
|
|
|
ZOE: (POINTS) Him? Deep as a drawwell. (LYNCH BENDS KITTY BACK OVER THE
|
|
SOFA AND KISSES HER. BLOOM GOES WITH THE POUNDNOTE TO STEPHEN.)
|
|
|
|
BLOOM: This is yours.
|
|
|
|
STEPHEN: How is that? LES DISTRAIT or absentminded beggar. (HE FUMBLES
|
|
AGAIN IN HIS POCKET AND DRAWS OUT A HANDFUL OF COINS. AN OBJECT FILLS.)
|
|
That fell.
|
|
|
|
BLOOM: (STOOPING, PICKS UP AND HANDS A BOX OF MATCHES) This.
|
|
|
|
STEPHEN: Lucifer. Thanks.
|
|
|
|
BLOOM: (QUIETLY) You had better hand over that cash to me to take care
|
|
of. Why pay more?
|
|
|
|
STEPHEN: (HANDS HIM ALL HIS COINS) Be just before you are generous.
|
|
|
|
BLOOM: I will but is it wise? (HE COUNTS) One, seven, eleven, and five.
|
|
Six. Eleven. I don't answer for what you may have lost.
|
|
|
|
STEPHEN: Why striking eleven? Proparoxyton. Moment before the next
|
|
Lessing says. Thirsty fox. (HE LAUGHS LOUDLY) Burying his grandmother.
|
|
Probably he killed her.
|
|
|
|
BLOOM: That is one pound six and eleven. One pound seven, say.
|
|
|
|
STEPHEN: Doesn't matter a rambling damn.
|
|
|
|
BLOOM: No, but ...
|
|
|
|
STEPHEN: (COMES TO THE TABLE) Cigarette, please. (LYNCH TOSSES A
|
|
CIGARETTE FROM THE SOFA TO THE TABLE) And so Georgina Johnson is dead and
|
|
married. (A CIGARETTE APPEARS ON THE TABLE. STEPHEN LOOKS AT IT) Wonder.
|
|
Parlour magic. Married. Hm. (HE STRIKES A MATCH AND PROCEEDS TO LIGHT THE
|
|
CIGARETTE WITH ENIGMATIC MELANCHOLY)
|
|
|
|
LYNCH: (WATCHING HIM) You would have a better chance of lighting it if
|
|
you held the match nearer.
|
|
|
|
STEPHEN: (BRINGS THE MATCH NEAR HIS EYE) Lynx eye. Must get glasses.
|
|
Broke them yesterday. Sixteen years ago. Distance. The eye sees all flat.
|
|
(HE DRAWS THE MATCH AWAY. IT GOES OUT.) Brain thinks. Near: far.
|
|
Ineluctable modality of the visible. (HE FROWNS MYSTERIOUSLY) Hm. Sphinx.
|
|
The beast that has twobacks at midnight. Married.
|
|
|
|
ZOE: It was a commercial traveller married her and took her away with
|
|
him.
|
|
|
|
FLORRY: (NODS) Mr Lambe from London.
|
|
|
|
STEPHEN: Lamb of London, who takest away the sins of our world.
|
|
|
|
LYNCH: (EMBRACING KITTY ON THE SOFA, CHANTS DEEPLY) DONA NOBIS PACEM.
|
|
|
|
(THE CIGARETTE SLIPS FROM STEPHEN 'S FINGERS. BLOOM PICKS IT UP AND
|
|
THROWS IT IN THE GRATE.)
|
|
|
|
BLOOM: Don't smoke. You ought to eat. Cursed dog I met. (TO ZOE) You have
|
|
nothing?
|
|
|
|
ZOE: Is he hungry?
|
|
|
|
STEPHEN: (EXTENDS HIS HAND TO HER SMILING AND CHANTS TO THE AIR OF THE
|
|
BLOODOATH IN THE Dusk of the Gods)
|
|
|
|
|
|
Hangende Hunger,
|
|
Fragende Frau,
|
|
Macht uns alle kaputt.
|
|
|
|
|
|
ZOE: (TRAGICALLY) Hamlet, I am thy father's gimlet! (SHE TAKES HIS HAND)
|
|
Blue eyes beauty I'll read your hand. (SHE POINTS TO HIS FOREHEAD) No
|
|
wit, no wrinkles. (SHE COUNTS) Two, three, Mars, that's courage. (STEPHEN
|
|
SHAKES HIS HEAD) No kid.
|
|
|
|
LYNCH: Sheet lightning courage. The youth who could not shiver and shake.
|
|
(TO ZOE) Who taught you palmistry?
|
|
|
|
ZOE: (TURNS) Ask my ballocks that I haven't got. (TO STEPHEN) I see it in
|
|
your face. The eye, like that. (SHE FROWNS WITH LOWERED HEAD)
|
|
|
|
LYNCH: (LAUGHING, SLAPS KITTY BEHIND TWICE) Like that. Pandybat.
|
|
|
|
(TWICE LOUDLY A PANDYBAT CRACKS, THE COFFIN OF THE PIANOLA FLIES OPEN,
|
|
THE BALD LITTLE ROUND JACK-IN-THE-BOX HEAD OF FATHER DOLAN SPRINGS UP.)
|
|
|
|
FATHER DOLAN: Any boy want flogging? Broke his glasses? Lazy idle little
|
|
schemer. See it in your eye.
|
|
|
|
(MILD, BENIGN, RECTORIAL, REPROVING, THE HEAD OF DON JOHN CONMEE RISES
|
|
FROM THE PIANOLA COFFIN.)
|
|
|
|
DON JOHN CONMEE: Now, Father Dolan! Now. I'm sure that Stephen is a very
|
|
good little boy!
|
|
|
|
ZOE: (EXAMINING STEPHEN'S PALM) Woman's hand.
|
|
|
|
STEPHEN: (MURMURS) Continue. Lie. Hold me. Caress. I never could read His
|
|
handwriting except His criminal thumbprint on the haddock.
|
|
|
|
ZOE: What day were you born?
|
|
|
|
STEPHEN: Thursday. Today.
|
|
|
|
ZOE: Thursday's child has far to go. (SHE TRACES LINES ON HIS HAND) Line
|
|
of fate. Influential friends.
|
|
|
|
FLORRY: (POINTING) Imagination.
|
|
|
|
ZOE: Mount of the moon. You'll meet with a ... (SHE PEERS AT HIS HANDS
|
|
ABRUPTLY) I won't tell you what's not good for you. Or do you want to
|
|
know?
|
|
|
|
BLOOM: (DETACHES HER FINGERS AND OFFERS HIS PALM) More harm than good.
|
|
Here. Read mine.
|
|
|
|
BELLA: Show. (SHE TURNS UP BLOOM'S HAND) I thought so. Knobby knuckles
|
|
for the women.
|
|
|
|
ZOE: (PEERING AT BLOOM'S PALM) Gridiron. Travels beyond the sea and marry
|
|
money.
|
|
|
|
BLOOM: Wrong.
|
|
|
|
ZOE: (QUICKLY) O, I see. Short little finger. Henpecked husband. That
|
|
wrong?
|
|
|
|
(BLACK LIZ, A HUGE ROOSTER HATCHING IN A CHALKED CIRCLE, RISES, STRETCHES
|
|
HER WINGS AND CLUCKS.)
|
|
|
|
BLACK LIZ: Gara. Klook. Klook. Klook.
|
|
|
|
(SHE SIDLES FROM HER NEWLAID EGG AND WADDLES OFF)
|
|
|
|
BLOOM: (POINTS TO HIS HAND) That weal there is an accident. Fell and cut
|
|
it twentytwo years ago. I was sixteen.
|
|
|
|
ZOE: I see, says the blind man. Tell us news.
|
|
|
|
STEPHEN: See? Moves to one great goal. I am twentytwo. Sixteen years ago
|
|
he was twentytwo too. Sixteen years ago I twentytwo tumbled. Twentytwo
|
|
years ago he sixteen fell off his hobbyhorse. (HE WINCES) Hurt my hand
|
|
somewhere. Must see a dentist. Money?
|
|
|
|
(ZOE WHISPERS TO FLORRY. THEY GIGGLE. BLOOM RELEASES HIS HAND AND WRITES
|
|
IDLY ON THE TABLE IN BACKHAND, PENCILLING SLOW CURVES.)
|
|
|
|
FLORRY: What?
|
|
|
|
(A HACKNEYCAR, NUMBER THREE HUNDRED AND TWENTYFOUR, WITH A
|
|
GALLANTBUTTOCKED MARE, DRIVEN BY JAMES BARTON, HARMONY AVENUE,
|
|
DONNYBROOK, TROTS PAST. BLAZES BOYLAN AND LENEHAN SPRAWL SWAYING ON THE
|
|
SIDESEATS. THE ORMOND BOOTS CROUCHES BEHIND ON THE AXLE. SADLY OVER THE
|
|
CROSSBLIND LYDIA DOUCE AND MINA KENNEDY GAZE.)
|
|
|
|
THE BOOTS: (JOGGING, MOCKS THEM WITH THUMB AND WRIGGLING WORMFINGERS) Haw
|
|
haw have you the horn?
|
|
|
|
(BRONZE BY GOLD THEY WHISPER.)
|
|
|
|
ZOE: (TO FLORRY) Whisper.
|
|
|
|
(THEY WHISPER AGAIN)
|
|
|
|
(OVER THE WELL OF THE CAR BLAZES BOYLAN LEANS, HIS BOATER STRAW SET
|
|
SIDEWAYS, A RED FLOWER IN HIS MOUTH. LENEHAN IN YACHTSMAN'S CAP AND WHITE
|
|
SHOES OFFICIOUSLY DETACHES A LONG HAIR FROM BLAZES BOYLAN'S COAT
|
|
SHOULDER.)
|
|
|
|
LENEHAN: Ho! What do I here behold? Were you brushing the cobwebs off a
|
|
few quims?
|
|
|
|
BOYLAN: (SEATED, SMILES) Plucking a turkey.
|
|
|
|
LENEHAN: A good night's work.
|
|
|
|
BOYLAN: (HOLDING UP FOUR THICK BLUNTUNGULATED FINGERS, WINKS) Blazes
|
|
Kate! Up to sample or your money back. (HE HOLDS OUT A FOREFINGER) Smell
|
|
that.
|
|
|
|
LENEHAN: (SMELLS GLEEFULLY) Ah! Lobster and mayonnaise. Ah!
|
|
|
|
ZOE AND FLORRY: (LAUGH TOGETHER) Ha ha ha ha.
|
|
|
|
BOYLAN: (JUMPS SURELY FROM THE CAR AND CALLS LOUDLY FOR ALL TO HEAR)
|
|
Hello, Bloom! Mrs Bloom dressed yet?
|
|
|
|
BLOOM: (IN FLUNKEY'S PRUNE PLUSH COAT AND KNEEBREECHES, BUFF STOCKINGS
|
|
AND POWDERED WIG) I'm afraid not, sir. The last articles ...
|
|
|
|
BOYLAN: (TOSSES HIM SIXPENCE) Here, to buy yourself a gin and splash. (HE
|
|
HANGS HIS HAT SMARTLY ON A PEG OF BLOOM'S ANTLERED HEAD) Show me in. I
|
|
have a little private business with your wife, you understand?
|
|
|
|
BLOOM: Thank you, sir. Yes, sir. Madam Tweedy is in her bath, sir.
|
|
|
|
MARION: He ought to feel himself highly honoured. (SHE PLOPS SPLASHING
|
|
OUT OF THE WATER) Raoul darling, come and dry me. I'm in my pelt. Only my
|
|
new hat and a carriage sponge.
|
|
|
|
BOYLAN: (A MERRY TWINKLE IN HIS EYE) Topping!
|
|
|
|
BELLA: What? What is it?
|
|
|
|
(ZOE WHISPERS TO HER.)
|
|
|
|
MARION: Let him look, the pishogue! Pimp! And scourge himself! I'll write
|
|
to a powerful prostitute or Bartholomona, the bearded woman, to raise
|
|
weals out on him an inch thick and make him bring me back a signed and
|
|
stamped receipt.
|
|
|
|
BOYLAN: (clasps himself) Here, I can't hold this little lot much longer.
|
|
(he strides off on stiff cavalry legs)
|
|
|
|
BELLA: (LAUGHING) Ho ho ho ho.
|
|
|
|
BOYLAN: (TO BLOOM, OVER HIS SHOULDER) You can apply your eye to the
|
|
keyhole and play with yourself while I just go through her a few times.
|
|
|
|
BLOOM: Thank you, sir. I will, sir. May I bring two men chums to witness
|
|
the deed and take a snapshot? (HE HOLDS OUT AN OINTMENT JAR) Vaseline,
|
|
sir? Orangeflower ...? Lukewarm water ...?
|
|
|
|
KITTY: (FROM THE SOFA) Tell us, Florry. Tell us. What.
|
|
|
|
(FLORRY WHISPERS TO HER. WHISPERING LOVEWORDS MURMUR, LIPLAPPING LOUDLY,
|
|
POPPYSMIC PLOPSLOP.)
|
|
|
|
MINA KENNEDY: (HER EYES UPTURNED) O, it must be like the scent of
|
|
geraniums and lovely peaches! O, he simply idolises every bit of her!
|
|
Stuck together! Covered with kisses!
|
|
|
|
LYDIA DOUCE: (HER MOUTH OPENING) Yumyum. O, he's carrying her round the
|
|
room doing it! Ride a cockhorse. You could hear them in Paris and New
|
|
York. Like mouthfuls of strawberries and cream.
|
|
|
|
KITTY: (LAUGHING) Hee hee hee.
|
|
|
|
BOYLAN'S VOICE: (SWEETLY, HOARSELY, IN THE PIT OF HIS STOMACH) Ah!
|
|
Gooblazqruk brukarchkrasht!
|
|
|
|
MARION'S VOICE: (HOARSELY, SWEETLY, RISING TO HER THROAT) O!
|
|
Weeshwashtkissinapooisthnapoohuck?
|
|
|
|
BLOOM: (HIS EYES WILDLY DILATED, CLASPS HIMSELF) Show! Hide! Show! Plough
|
|
her! More! Shoot!
|
|
|
|
BELLA, ZOE, FLORRY, KITTY: Ho ho! Ha ha! Hee hee!
|
|
|
|
LYNCH: (POINTS) The mirror up to nature. (HE LAUGHS) Hu hu hu hu hu!
|
|
|
|
(STEPHEN AND BLOOM GAZE IN THE MIRROR. THE FACE OF WILLIAM SHAKESPEARE,
|
|
BEARDLESS, APPEARS THERE, RIGID IN FACIAL PARALYSIS, CROWNED BY THE
|
|
REFLECTION OF THE REINDEER ANTLERED HATRACK IN THE HALL.)
|
|
|
|
SHAKESPEARE: (IN DIGNIFIED VENTRILOQUY) 'Tis the loud laugh bespeaks the
|
|
vacant mind. (TO BLOOM) Thou thoughtest as how thou wastest invisible.
|
|
Gaze. (HE CROWS WITH A BLACK CAPON'S LAUGH) Iagogo! How my Oldfellow
|
|
chokit his Thursdaymornun. Iagogogo!
|
|
|
|
BLOOM: (SMILES YELLOWLY AT THE THREE WHORES) When will I hear the joke?
|
|
|
|
ZOE: Before you're twice married and once a widower.
|
|
|
|
BLOOM: Lapses are condoned. Even the great Napoleon when measurements
|
|
were taken next the skin after his death ...
|
|
|
|
(MRS DIGNAM, WIDOW WOMAN, HER SNUBNOSE AND CHEEKS FLUSHED WITH DEATHTALK,
|
|
TEARS AND TUNNEY'S TAWNY SHERRY, HURRIES BY IN HER WEEDS, HER BONNET
|
|
AWRY, ROUGING AND POWDERING HER CHEEKS, LIPS AND NOSE, A PEN CHIVVYING
|
|
HER BROOD OF CYGNETS. BENEATH HER SKIRT APPEAR HER LATE HUSBAND'S
|
|
EVERYDAY TROUSERS AND TURNEDUP BOOTS, LARGE EIGHTS. SHE HOLDS A SCOTTISH
|
|
WIDOWS' INSURANCE POLICY AND A LARGE MARQUEE UMBRELLA UNDER WHICH HER
|
|
BROOD RUN WITH HER, PATSY HOPPING ON ONE SHOD FOOT, HIS COLLAR LOOSE, A
|
|
HANK OF PORKSTEAKS DANGLING, FREDDY WHIMPERING, SUSY WITH A CRYING COD'S
|
|
MOUTH, ALICE STRUGGLING WITH THE BABY. SHE CUFFS THEM ON, HER STREAMERS
|
|
FLAUNTING ALOFT.)
|
|
|
|
FREDDY: Ah, ma, you're dragging me along!
|
|
|
|
SUSY: Mamma, the beeftea is fizzing over!
|
|
|
|
SHAKESPEARE: (WITH PARALYTIC RAGE) Weda seca whokilla farst.
|
|
|
|
(THE FACE OF MARTIN CUNNINGHAM, BEARDED, REFEATURES SHAKESPEARE'S
|
|
BEARDLESS FACE. THE MARQUEE UMBRELLA SWAYS DRUNKENLY, THE CHILDREN RUN
|
|
ASIDE. UNDER THE UMBRELLA APPEARS MRS CUNNINGHAM IN MERRY WIDOW HAT AND
|
|
KIMONO GOWN. SHE GLIDES SIDLING AND BOWING, TWIRLING JAPANESILY.)
|
|
|
|
MRS CUNNINGHAM: (SINGS)
|
|
|
|
|
|
And they call me the jewel of Asia!
|
|
|
|
|
|
MARTIN CUNNINGHAM: (GAZES ON HER, IMPASSIVE) Immense! Most bloody awful
|
|
demirep!
|
|
|
|
STEPHEN: ET EXALTABUNTUR CORNUA IUSTI. Queens lay with prize bulls.
|
|
Remember Pasiphae for whose lust my grandoldgrossfather made the first
|
|
confessionbox. Forget not Madam Grissel Steevens nor the suine scions of
|
|
the house of Lambert. And Noah was drunk with wine. And his ark was open.
|
|
|
|
BELLA: None of that here. Come to the wrong shop.
|
|
|
|
LYNCH: Let him alone. He's back from Paris.
|
|
|
|
ZOE: (RUNS TO STEPHEN AND LINKS HIM) O go on! Give us some parleyvoo.
|
|
|
|
(STEPHEN CLAPS HAT ON HEAD AND LEAPS OVER TO THE FIREPLACE WHERE HE
|
|
STANDS WITH SHRUGGED SHOULDERS, FINNY HANDS OUTSPREAD, A PAINTED SMILE ON
|
|
HIS FACE.)
|
|
|
|
LYNCH: (POMMELLING ON THE SOFA) Rmm Rmm Rmm Rrrrrrmmmm.
|
|
|
|
STEPHEN: (GABBLES WITH MARIONETTE JERKS) Thousand places of entertainment
|
|
to expense your evenings with lovely ladies saling gloves and other
|
|
things perhaps hers heart beerchops perfect fashionable house very
|
|
eccentric where lots cocottes beautiful dressed much about princesses
|
|
like are dancing cancan and walking there parisian clowneries extra
|
|
foolish for bachelors foreigns the same if talking a poor english how
|
|
much smart they are on things love and sensations voluptuous. Misters
|
|
very selects for is pleasure must to visit heaven and hell show with
|
|
mortuary candles and they tears silver which occur every night. Perfectly
|
|
shocking terrific of religion's things mockery seen in universal world.
|
|
All chic womans which arrive full of modesty then disrobe and squeal loud
|
|
to see vampire man debauch nun very fresh young with DESSOUS TROUBLANTS.
|
|
(HE CLACKS HIS TONGUE LOUDLY) HO, LA LA! CE PIF QU'IL A!
|
|
|
|
LYNCH: VIVE LE VAMPIRE!
|
|
|
|
THE WHORES: Bravo! Parleyvoo!
|
|
|
|
STEPHEN: (GRIMACING WITH HEAD BACK, LAUGHS LOUDLY, CLAPPING HIMSELF)
|
|
Great success of laughing. Angels much prostitutes like and holy apostles
|
|
big damn ruffians. DEMIMONDAINES nicely handsome sparkling of diamonds
|
|
very amiable costumed. Or do you are fond better what belongs they
|
|
moderns pleasure turpitude of old mans? (HE POINTS ABOUT HIM WITH
|
|
GROTESQUE GESTURES WHICH LYNCH AND THE WHORES REPLY TO) Caoutchouc statue
|
|
woman reversible or lifesize tompeeptom of virgins nudities very lesbic
|
|
the kiss five ten times. Enter, gentleman, to see in mirror every
|
|
positions trapezes all that machine there besides also if desire act
|
|
awfully bestial butcher's boy pollutes in warm veal liver or omlet on the
|
|
belly PIECE DE SHAKESPEARE.
|
|
|
|
BELLA: (CLAPPING HER BELLY SINKS BACK ON THE SOFA, WITH A SHOUT OF
|
|
LAUGHTER) An omelette on the ... Ho! ho! ho! ho! ... omelette on the ...
|
|
|
|
STEPHEN: (MINCINGLY) I love you, sir darling. Speak you englishman tongue
|
|
for DOUBLE ENTENTE CORDIALE. O yes, MON LOUP. How much cost? Waterloo.
|
|
Watercloset. (HE CEASES SUDDENLY AND HOLDS UP A FOREFINGER)
|
|
|
|
BELLA: (LAUGHING) Omelette ...
|
|
|
|
THE WHORES: (LAUGHING) Encore! Encore!
|
|
|
|
STEPHEN: Mark me. I dreamt of a watermelon.
|
|
|
|
ZOE: Go abroad and love a foreign lady.
|
|
|
|
LYNCH: Across the world for a wife.
|
|
|
|
FLORRY: Dreams goes by contraries.
|
|
|
|
STEPHEN: (EXTENDS HIS ARMS) It was here. Street of harlots. In Serpentine
|
|
avenue Beelzebub showed me her, a fubsy widow. Where's the red carpet
|
|
spread?
|
|
|
|
BLOOM: (APPROACHING STEPHEN) Look ...
|
|
|
|
STEPHEN: No, I flew. My foes beneath me. And ever shall be. World without
|
|
end. (HE CRIES) PATER! Free!
|
|
|
|
BLOOM: I say, look ...
|
|
|
|
STEPHEN: Break my spirit, will he? O MERDE ALORS! (HE CRIES, HIS VULTURE
|
|
TALONS SHARPENED) Hola! Hillyho!
|
|
|
|
(SIMON DEDALUS' VOICE HILLOES IN ANSWER, SOMEWHAT SLEEPY BUT READY.)
|
|
|
|
SIMON: That's all right. (HE SWOOPS UNCERTAINLY THROUGH THE AIR,
|
|
WHEELING, UTTERING CRIES OF HEARTENING, ON STRONG PONDEROUS BUZZARD
|
|
WINGS) Ho, boy! Are you going to win? Hoop! Pschatt! Stable with those
|
|
halfcastes. Wouldn't let them within the bawl of an ass. Head up! Keep
|
|
our flag flying! An eagle gules volant in a field argent displayed.
|
|
Ulster king at arms! Haihoop! (HE MAKES THE BEAGLE'S CALL, GIVING TONGUE)
|
|
Bulbul! Burblblburblbl! Hai, boy!
|
|
|
|
(THE FRONDS AND SPACES OF THE WALLPAPER FILE RAPIDLY ACROSS COUNTRY. A
|
|
STOUT FOX, DRAWN FROM COVERT, BRUSH POINTED, HAVING BURIED HIS
|
|
GRANDMOTHER, RUNS SWIFT FOR THE OPEN, BRIGHTEYED, SEEKING BADGER EARTH,
|
|
UNDER THE LEAVES. THE PACK OF STAGHOUNDS FOLLOWS, NOSE TO THE GROUND,
|
|
SNIFFING THEIR QUARRY, BEAGLEBAYING, BURBLBRBLING TO BE BLOODED. WARD
|
|
UNION HUNTSMEN AND HUNTSWOMEN LIVE WITH THEM, HOT FOR A KILL. FROM SIX
|
|
MILE POINT, FLATHOUSE, NINE MILE STONE FOLLOW THE FOOTPEOPLE WITH KNOTTY
|
|
STICKS, HAYFORKS, SALMONGAFFS, LASSOS, FLOCKMASTERS WITH STOCKWHIPS,
|
|
BEARBAITERS WITH TOMTOMS, TOREADORS WITH BULLSWORDS, GREYNEGROES WAVING
|
|
TORCHES. THE CROWD BAWLS OF DICERS, CROWN AND ANCHOR PLAYERS,
|
|
THIMBLERIGGERS, BROADSMEN. CROWS AND TOUTS, HOARSE BOOKIES IN HIGH WIZARD
|
|
HATS CLAMOUR DEAFENINGLY.)
|
|
|
|
THE CROWD:
|
|
|
|
|
|
Card of the races. Racing card!
|
|
Ten to one the field!
|
|
Tommy on the clay here! Tommy on the clay!
|
|
Ten to one bar one! Ten to one bar one!
|
|
Try your luck on Spinning Jenny!
|
|
Ten to one bar one!
|
|
Sell the monkey, boys! Sell the monkey!
|
|
I'll give ten to one!
|
|
Ten to one bar one!
|
|
|
|
|
|
(A DARK HORSE, RIDERLESS, BOLTS LIKE A PHANTOM PAST THE WINNINGPOST, HIS
|
|
MANE MOONFOAMING, HIS EYEBALLS STARS. THE FIELD FOLLOWS, A BUNCH OF
|
|
BUCKING MOUNTS. SKELETON HORSES, SCEPTRE, MAXIMUM THE SECOND, ZINFANDEL,
|
|
THE DUKE OF WESTMINSTER'S SHOTOVER, REPULSE, THE DUKE OF BEAUFORT'S
|
|
CEYLON, PRIX DE PARIS. DWARFS RIDE THEM, RUSTYARMOURED, LEAPING, LEAPING
|
|
IN THEIR, IN THEIR SADDLES. LAST IN A DRIZZLE OF RAIN ON A BROKENWINDED
|
|
ISABELLE NAG, COCK OF THE NORTH, THE FAVOURITE, HONEY CAP, GREEN JACKET,
|
|
ORANGE SLEEVES, GARRETT DEASY UP, GRIPPING THE REINS, A HOCKEYSTICK AT
|
|
THE READY. HIS NAG ON SPAVINED WHITEGAITERED FEET JOGS ALONG THE ROCKY
|
|
ROAD.)
|
|
|
|
THE ORANGE LODGES: (JEERING) Get down and push, mister. Last lap! You'll
|
|
be home the night!
|
|
|
|
GARRETT DEASY: (BOLT UPRIGHT, HIS NAILSCRAPED FACE PLASTERED WITH
|
|
POSTAGESTAMPS, BRANDISHES HIS HOCKEYSTICK, HIS BLUE EYES FLASHING IN THE
|
|
PRISM OF THE CHANDELIER AS HIS MOUNT LOPES BY AT SCHOOLING GALLOP)
|
|
|
|
PER VIAS RECTAS!
|
|
|
|
(A YOKE OF BUCKETS LEOPARDS ALL OVER HIM AND HIS REARING NAG A TORRENT OF
|
|
MUTTON BROTH WITH DANCING COINS OF CARROTS, BARLEY, ONIONS, TURNIPS,
|
|
POTATOES.)
|
|
|
|
THE GREEN LODGES: Soft day, sir John! Soft day, your honour!
|
|
|
|
(PRIVATE CARR, PRIVATE COMPTON AND CISSY CAFFREY PASS BENEATH THE
|
|
WINDOWS, SINGING IN DISCORD.)
|
|
|
|
STEPHEN: Hark! Our friend noise in the street.
|
|
|
|
ZOE: (HOLDS UP HER HAND) Stop!
|
|
|
|
PRIVATE CARR, PRIVATE COMPTON AND CISSY CAFFREY:
|
|
|
|
|
|
Yet I've a sort a
|
|
Yorkshire relish for ...
|
|
|
|
|
|
ZOE: That's me. (SHE CLAPS HER HANDS) Dance! Dance! (SHE RUNS TO THE
|
|
PIANOLA) Who has twopence?
|
|
|
|
BLOOM: Who'll ...?
|
|
|
|
LYNCH: (HANDING HER COINS) Here.
|
|
|
|
STEPHEN: (CRACKING HIS FINGERS IMPATIENTLY) Quick! Quick! Where's my
|
|
augur's rod? (HE RUNS TO THE PIANO AND TAKES HIS ASHPLANT, BEATING HIS
|
|
FOOT IN TRIPUDIUM)
|
|
|
|
ZOE: (TURNS THE DRUMHANDLE) There.
|
|
|
|
(SHE DROPS TWO PENNIES IN THE SLOT. GOLD, PINK AND VIOLET LIGHTS START
|
|
FORTH. THE DRUM TURNS PURRING IN LOW HESITATION WALTZ. PROFESSOR GOODWIN,
|
|
IN A BOWKNOTTED PERIWIG, IN COURT DRESS, WEARING A STAINED INVERNESS
|
|
CAPE, BENT IN TWO FROM INCREDIBLE AGE, TOTTERS ACROSS THE ROOM, HIS HANDS
|
|
FLUTTERING. HE SITS TINILY ON THE PIANOSTOOL AND LIFTS AND BEATS HANDLESS
|
|
STICKS OF ARMS ON THE KEYBOARD, NODDING WITH DAMSEL'S GRACE, HIS BOWKNOT
|
|
BOBBING)
|
|
|
|
ZOE: (TWIRLS ROUND HERSELF, HEELTAPPING) Dance. Anybody here for there?
|
|
Who'll dance? Clear the table.
|
|
|
|
(THE PIANOLA WITH CHANGING LIGHTS PLAYS IN WALTZ TIME THE PRELUDE OF My
|
|
Girl's a Yorkshire Girl. STEPHEN THROWS HIS ASHPLANT ON THE TABLE AND
|
|
SEIZES ZOE ROUND THE WAIST. FLORRY AND BELLA PUSH THE TABLE TOWARDS THE
|
|
FIREPLACE. STEPHEN, ARMING ZOE WITH EXAGGERATED GRACE, BEGINS TO WALTZ
|
|
HER ROUND THE ROOM. BLOOM STANDS ASIDE. HER SLEEVE FILLING FROM GRACING
|
|
ARMS REVEALS A WHITE FLESHFLOWER OF VACCINATION. BETWEEN THE CURTAINS
|
|
PROFESSOR MAGINNI INSERTS A LEG ON THE TOEPOINT OF WHICH SPINS A SILK
|
|
HAT. WITH A DEFT KICK HE SENDS IT SPINNING TO HIS CROWN AND JAUNTYHATTED
|
|
SKATES IN. HE WEARS A SLATE FROCKCOAT WITH CLARET SILK LAPELS, A GORGET
|
|
OF CREAM TULLE, A GREEN LOWCUT WAISTCOAT, STOCK COLLAR WITH WHITE
|
|
KERCHIEF, TIGHT LAVENDER TROUSERS, PATENT PUMPS AND CANARY GLOVES. IN HIS
|
|
BUTTONHOLE IS AN IMMENSE DAHLIA. HE TWIRLS IN REVERSED DIRECTIONS A
|
|
CLOUDED CANE, THEN WEDGES IT TIGHT IN HIS OXTER. HE PLACES A HAND LIGHTLY
|
|
ON HIS BREASTBONE, BOWS, AND FONDLES HIS FLOWER AND BUTTONS.)
|
|
|
|
MAGINNI: The poetry of motion, art of calisthenics. No connection with
|
|
Madam Legget Byrne's or Levenston's. Fancy dress balls arranged.
|
|
Deportment. The Katty Lanner step. So. Watch me! My terpsichorean
|
|
abilities. (HE MINUETS FORWARD THREE PACES ON TRIPPING BEE'S FEET) TOUT
|
|
LE MONDE EN AVANT! REVERENCE! TOUT LE MONDE EN PLACE!
|
|
|
|
(THE PRELUDE CEASES. PROFESSOR GOODWIN, BEATING VAGUE ARMS SHRIVELS,
|
|
SINKS, HIS LIVE CAPE FILLING ABOUT THE STOOL. THE AIR IN FIRMER WALTZ
|
|
TIME SOUNDS. STEPHEN AND ZOE CIRCLE FREELY. THE LIGHTS CHANGE, GLOW, FIDE
|
|
GOLD ROSY VIOLET.)
|
|
|
|
THE PIANOLA:
|
|
|
|
|
|
Two young fellows were talking about their girls, girls, girls,
|
|
Sweethearts they'd left behind ...
|
|
|
|
|
|
(FROM A CORNER THE MORNING HOURS RUN OUT, GOLDHAIRED, SLIMSANDALLED, IN
|
|
GIRLISH BLUE, WASPWAISTED, WITH INNOCENT HANDS. NIMBLY THEY DANCE,
|
|
TWIRLING THEIR SKIPPING ROPES. THE HOURS OF NOON FOLLOW IN AMBER GOLD.
|
|
LAUGHING, LINKED, HIGH HAIRCOMBS FLASHING, THEY CATCH THE SUN IN MOCKING
|
|
MIRRORS, LIFTING THEIR ARMS.)
|
|
|
|
MAGINNI: (CLIPCLAPS GLOVESILENT HANDS) CARRE! AVANT DEUX! Breathe evenly!
|
|
BALANCE!
|
|
|
|
(THE MORNING AND NOON HOURS WALTZ IN THEIR PLACES, TURNING, ADVANCING TO
|
|
EACH OTHER, SHAPING THEIR CURVES, BOWING VISAVIS. CAVALIERS BEHIND THEM
|
|
ARCH AND SUSPEND THEIR ARMS, WITH HANDS DESCENDING TO, TOUCHING, RISING
|
|
FROM THEIR SHOULDERS.)
|
|
|
|
HOURS: You may touch my.
|
|
|
|
CAVALIERS: May I touch your?
|
|
|
|
HOURS: O, but lightly!
|
|
|
|
CAVALIERS: O, so lightly!
|
|
|
|
THE PIANOLA:
|
|
|
|
|
|
My little shy little lass has a waist.
|
|
|
|
|
|
(ZOE AND STEPHEN TURN BOLDLY WITH LOOSER SWING. THE TWILIGHT HOURS
|
|
ADVANCE FROM LONG LANDSHADOWS, DISPERSED, LAGGING, LANGUIDEYED, THEIR
|
|
CHEEKS DELICATE WITH CIPRIA AND FALSE FAINT BLOOM. THEY ARE IN GREY GAUZE
|
|
WITH DARK BAT SLEEVES THAT FLUTTER IN THE LAND BREEZE.)
|
|
|
|
MAGINNI: AVANT HUIT! TRAVERSE! SALUT! COURS DE MAINS! CROISE!
|
|
|
|
(THE NIGHT HOURS, ONE BY ONE, STEAL TO THE LAST PLACE. MORNING, NOON AND
|
|
TWILIGHT HOURS RETREAT BEFORE THEM. THEY ARE MASKED, WITH DAGGERED HAIR
|
|
AND BRACELETS OF DULL BELLS. WEARY THEY CURCHYCURCHY UNDER VEILS.)
|
|
|
|
THE BRACELETS: Heigho! Heigho!
|
|
|
|
ZOE: (TWIRLING, HER HAND TO HER BROW) O!
|
|
|
|
MAGINNI: LES TIROIRS! CHAINE DE DAMES! LA CORBEILLE! DOS A DOS!
|
|
|
|
(ARABESQUING WEARILY THEY WEAVE A PATTERN ON THE FLOOR, WEAVING,
|
|
UNWEAVING, CURTSEYING, TWIRLING, SIMPLY SWIRLING.)
|
|
|
|
ZOE: I'm giddy!
|
|
|
|
(SHE FREES HERSELF, DROOPS ON A CHAIR. STEPHEN SEIZES FLORRY AND TURNS
|
|
WITH HER.)
|
|
|
|
MAGINNI: BOULANGERE! LES RONDS! LES PONTS! CHEVAUX DE BOIS! ESCARGOTS!
|
|
|
|
(TWINING, RECEDING, WITH INTERCHANGING HANDS THE NIGHT HOURS LINK EACH
|
|
EACH WITH ARCHING ARMS IN A MOSAIC OF MOVEMENTS. STEPHEN AND FLORRY TURN
|
|
CUMBROUSLY.)
|
|
|
|
MAGINNI: DANSEZ AVEC VOS DAMES! CHANGEZ DE DAMES! DONNEZ LE PETIT BOUQUET
|
|
A VOTRE DAME! REMERCIEZ!
|
|
|
|
THE PIANOLA:
|
|
|
|
|
|
Best, best of all,
|
|
Baraabum!
|
|
|
|
|
|
KITTY: (JUMPS UP) O, they played that on the hobbyhorses at the Mirus
|
|
bazaar!
|
|
|
|
(SHE RUNS TO STEPHEN. HE LEAVES FLORRY BRUSQUELY AND SEIZES KITTY. A
|
|
SCREAMING BITTERN'S HARSH HIGH WHISTLE SHRIEKS. GROANGROUSEGURGLING
|
|
TOFT'S CUMBERSOME WHIRLIGIG TURNS SLOWLY THE ROOM RIGHT ROUNDABOUT THE
|
|
ROOM.)
|
|
|
|
THE PIANOLA:
|
|
|
|
|
|
My girl's a Yorkshire girl.
|
|
|
|
|
|
ZOE:
|
|
|
|
|
|
Yorkshire through and through.
|
|
|
|
|
|
Come on all!
|
|
|
|
(SHE SEIZES FLORRY AND WALTZES HER.)
|
|
|
|
STEPHEN: PAS SEUL!
|
|
|
|
(HE WHEELS KITTY INTO LYNCH'S ARMS, SNATCHES UP HIS ASHPLANT FROM THE
|
|
TABLE AND TAKES THE FLOOR. ALL WHEEL WHIRL WALTZ TWIRL. BLOOMBELLA
|
|
KITTYLYNCH FLORRYZOE JUJUBY WOMEN. STEPHEN WITH HAT ASHPLANT FROGSPLITS
|
|
IN MIDDLE HIGHKICKS WITH SKYKICKING MOUTH SHUT HAND CLASP PART UNDER
|
|
THIGH. WITH CLANG TINKLE BOOMHAMMER TALLYHO HORNBLOWER BLUE GREEN YELLOW
|
|
FLASHES TOFT'S CUMBERSOME TURNS WITH HOBBYHORSE RIDERS FROM GILDED SNAKES
|
|
DANGLED, BOWELS FANDANGO LEAPING SPURN SOIL FOOT AND FALL AGAIN.)
|
|
|
|
THE PIANOLA:
|
|
|
|
|
|
Though she's a factory lass
|
|
And wears no fancy clothes.
|
|
|
|
|
|
(CLOSECLUTCHED SWIFT SWIFTER WITH GLAREBLAREFLARE SCUDDING THEY
|
|
SCOOTLOOTSHOOT LUMBERING BY. BARAABUM!)
|
|
|
|
TUTTI: Encore! Bis! Bravo! Encore!
|
|
|
|
SIMON: Think of your mother's people!
|
|
|
|
STEPHEN: Dance of death.
|
|
|
|
(BANG FRESH BARANG BANG OF LACQUEY'S BELL, HORSE, NAG, STEER, PIGLINGS,
|
|
CONMEE ON CHRISTASS, LAME CRUTCH AND LEG SAILOR IN COCKBOAT ARMFOLDED
|
|
ROPEPULLING HITCHING STAMP HORNPIPE THROUGH AND THROUGH. BARAABUM! ON
|
|
NAGS HOGS BELLHORSES GADARENE SWINE CORNY IN COFFIN STEEL SHARK STONE
|
|
ONEHANDLED NELSON TWO TRICKIES FRAUENZIMMER PLUMSTAINED FROM PRAM FILLING
|
|
BAWLING GUM HE'S A CHAMPION. FUSEBLUE PEER FROM BARREL REV. EVENSONG LOVE
|
|
ON HACKNEY JAUNT BLAZES BLIND CODDOUBLED BICYCLERS DILLY WITH SNOWCAKE NO
|
|
FANCY CLOTHES. THEN IN LAST SWITCHBACK LUMBERING UP AND DOWN BUMP MASHTUB
|
|
SORT OF VICEROY AND REINE RELISH FOR TUBLUMBER BUMPSHIRE ROSE. BARAABUM!)
|
|
|
|
(THE COUPLES FALL ASIDE. STEPHEN WHIRLS GIDDILY. ROOM WHIRLS BACK. EYES
|
|
CLOSED HE TOTTERS. RED RAILS FLY SPACEWARDS. STARS ALL AROUND SUNS TURN
|
|
ROUNDABOUT. BRIGHT MIDGES DANCE ON WALLS. HE STOPS DEAD.)
|
|
|
|
STEPHEN: Ho!
|
|
|
|
(STEPHEN'S MOTHER, EMACIATED, RISES STARK THROUGH THE FLOOR, IN LEPER
|
|
GREY WITH A WREATH OF FADED ORANGEBLOSSOMS AND A TORN BRIDAL VEIL, HER
|
|
FACE WORN AND NOSELESS, GREEN WITH GRAVEMOULD. HER HAIR IS SCANT AND
|
|
LANK. SHE FIXES HER BLUECIRCLED HOLLOW EYESOCKETS ON STEPHEN AND OPENS
|
|
HER TOOTHLESS MOUTH UTTERING A SILENT WORD. A CHOIR OF VIRGINS AND
|
|
CONFESSORS SING VOICELESSLY.)
|
|
|
|
THE CHOIR:
|
|
|
|
|
|
Liliata rutilantium te confessorum ...
|
|
Iubilantium te virginum ...
|
|
|
|
|
|
(FROM THE TOP OF A TOWER BUCK MULLIGAN, IN PARTICOLOURED JESTER'S DRESS
|
|
OF PUCE AND YELLOW AND CLOWN'S CAP WITH CURLING BELL, STANDS GAPING AT
|
|
HER, A SMOKING BUTTERED SPLIT SCONE IN HIS HAND.)
|
|
|
|
BUCK MULLIGAN: She's beastly dead. The pity of it! Mulligan meets the
|
|
afflicted mother. (HE UPTURNS HIS EYES) Mercurial Malachi!
|
|
|
|
THE MOTHER: (WITH THE SUBTLE SMILE OF DEATH'S MADNESS) I was once the
|
|
beautiful May Goulding. I am dead.
|
|
|
|
STEPHEN: (HORRORSTRUCK) Lemur, who are you? No. What bogeyman's trick is
|
|
this?
|
|
|
|
BUCK MULLIGAN: (SHAKES HIS CURLING CAPBELL) The mockery of it! Kinch
|
|
dogsbody killed her bitchbody. She kicked the bucket. (TEARS OF MOLTEN
|
|
BUTTER FALL FROM HIS EYES ON TO THE SCONE) Our great sweet mother! EPI
|
|
OINOPA PONTON.
|
|
|
|
THE MOTHER: (COMES NEARER, BREATHING UPON HIM SOFTLY HER BREATH OF WETTED
|
|
ASHES) All must go through it, Stephen. More women than men in the world.
|
|
You too. Time will come.
|
|
|
|
STEPHEN: (CHOKING WITH FRIGHT, REMORSE AND HORROR) They say I killed you,
|
|
mother. He offended your memory. Cancer did it, not I. Destiny.
|
|
|
|
THE MOTHER: (A GREEN RILL OF BILE TRICKLING FROM A SIDE OF HER MOUTH) You
|
|
sang that song to me. LOVE'S BITTER MYSTERY.
|
|
|
|
STEPHEN: (EAGERLY) Tell me the word, mother, if you know now. The word
|
|
known to all men.
|
|
|
|
THE MOTHER: Who saved you the night you jumped into the train at Dalkey
|
|
with Paddy Lee? Who had pity for you when you were sad among the
|
|
strangers? Prayer is allpowerful. Prayer for the suffering souls in the
|
|
Ursuline manual and forty days' indulgence. Repent, Stephen.
|
|
|
|
STEPHEN: The ghoul! Hyena!
|
|
|
|
THE MOTHER: I pray for you in my other world. Get Dilly to make you that
|
|
boiled rice every night after your brainwork. Years and years I loved
|
|
you, O, my son, my firstborn, when you lay in my womb.
|
|
|
|
ZOE: (FANNING HERSELF WITH THE GRATE FAN) I'm melting!
|
|
|
|
FLORRY: (POINTS TO STEPHEN) Look! He's white.
|
|
|
|
BLOOM: (GOES TO THE WINDOW TO OPEN IT MORE) Giddy.
|
|
|
|
THE MOTHER: (WITH SMOULDERING EYES) Repent! O, the fire of hell!
|
|
|
|
STEPHEN: (PANTING) His noncorrosive sublimate! The corpsechewer! Raw head
|
|
and bloody bones.
|
|
|
|
THE MOTHER: (HER FACE DRAWING NEAR AND NEARER, SENDING OUT AN ASHEN
|
|
BREATH) Beware! (SHE RAISES HER BLACKENED WITHERED RIGHT ARM SLOWLY
|
|
TOWARDS STEPHEN'S BREAST WITH OUTSTRETCHED FINGER) Beware God's hand! (A
|
|
GREEN CRAB WITH MALIGNANT RED EYES STICKS DEEP ITS GRINNING CLAWS IN
|
|
STEPHEN'S HEART.)
|
|
|
|
STEPHEN: (STRANGLED WITH RAGE) Shite! (HIS FEATURES GROW DRAWN GREY AND
|
|
OLD)
|
|
|
|
BLOOM: (AT THE WINDOW) What?
|
|
|
|
STEPHEN: AH NON, PAR EXEMPLE! The intellectual imagination! With me all
|
|
or not at all. NON SERVIAM!
|
|
|
|
FLORRY: Give him some cold water. Wait. (SHE RUSHES OUT)
|
|
|
|
THE MOTHER: (WRINGS HER HANDS SLOWLY, MOANING DESPERATELY) O Sacred Heart
|
|
of Jesus, have mercy on him! Save him from hell, O Divine Sacred Heart!
|
|
|
|
STEPHEN: No! No! No! Break my spirit, all of you, if you can! I'll bring
|
|
you all to heel!
|
|
|
|
THE MOTHER: (IN THE AGONY OF HER DEATHRATTLE) Have mercy on Stephen,
|
|
Lord, for my sake! Inexpressible was my anguish when expiring with love,
|
|
grief and agony on Mount Calvary.
|
|
|
|
STEPHEN: NOTHUNG!
|
|
|
|
(HE LIFTS HIS ASHPLANT HIGH WITH BOTH HANDS AND SMASHES THE CHANDELIER.
|
|
TIME'S LIVID FINAL FLAME LEAPS AND, IN THE FOLLOWING DARKNESS, RUIN OF
|
|
ALL SPACE, SHATTERED GLASS AND TOPPLING MASONRY.)
|
|
|
|
THE GASJET: Pwfungg!
|
|
|
|
BLOOM: Stop!
|
|
|
|
LYNCH: (RUSHES FORWARD AND SEIZES STEPHEN'S HAND) Here! Hold on! Don't
|
|
run amok!
|
|
|
|
BELLA: Police!
|
|
|
|
(STEPHEN, ABANDONING HIS ASHPLANT, HIS HEAD AND ARMS THROWN BACK STARK,
|
|
BEATS THE GROUND AND FLIES FROM THE ROOM, PAST THE WHORES AT THE DOOR.)
|
|
|
|
BELLA: (SCREAMS) After him!
|
|
|
|
(THE TWO WHORES RUSH TO THE HALLDOOR. LYNCH AND KITTY AND ZOE STAMPEDE
|
|
FROM THE ROOM. THEY TALK EXCITEDLY. BLOOM FOLLOWS, RETURNS.)
|
|
|
|
THE WHORES: (JAMMED IN THE DOORWAY, POINTING) Down there.
|
|
|
|
ZOE: (POINTING) There. There's something up.
|
|
|
|
BELLA: Who pays for the lamp? (SHE SEIZES BLOOM'S COATTAIL) Here, you
|
|
were with him. The lamp's broken.
|
|
|
|
BLOOM: (RUSHES TO THE HALL, RUSHES BACK) What lamp, woman?
|
|
|
|
A WHORE: He tore his coat.
|
|
|
|
BELLA: (HER EYES HARD WITH ANGER AND CUPIDITY, POINTS) Who's to pay for
|
|
that? Ten shillings. You're a witness.
|
|
|
|
BLOOM: (SNATCHES UP STEPHEN'S ASHPLANT) Me? Ten shillings? Haven't you
|
|
lifted enough off him? Didn't he ...?
|
|
|
|
BELLA: (LOUDLY) Here, none of your tall talk. This isn't a brothel. A ten
|
|
shilling house.
|
|
|
|
BLOOM: (HIS HEAD UNDER THE LAMP, PULLS THE CHAIN. PULING, THE GASJET
|
|
LIGHTS UP A CRUSHED MAUVE PURPLE SHADE. HE RAISES THE ASHPLANT.) Only the
|
|
chimney's broken. Here is all he ...
|
|
|
|
BELLA: (SHRINKS BACK AND SCREAMS) Jesus! Don't!
|
|
|
|
BLOOM: (WARDING OFF A BLOW) To show you how he hit the paper. There's not
|
|
sixpenceworth of damage done. Ten shillings!
|
|
|
|
FLORRY: (WITH A GLASS OF WATER, ENTERS) Where is he?
|
|
|
|
BELLA: Do you want me to call the police?
|
|
|
|
BLOOM: O, I know. Bulldog on the premises. But he's a Trinity student.
|
|
Patrons of your establishment. Gentlemen that pay the rent. (HE MAKES A
|
|
MASONIC SIGN) Know what I mean? Nephew of the vice-chancellor. You don't
|
|
want a scandal.
|
|
|
|
BELLA: (ANGRILY) Trinity. Coming down here ragging after the boatraces
|
|
and paying nothing. Are you my commander here or? Where is he? I'll
|
|
charge him! Disgrace him, I will! (SHE SHOUTS) Zoe! Zoe!
|
|
|
|
BLOOM: (URGENTLY) And if it were your own son in Oxford? (WARNINGLY) I
|
|
know.
|
|
|
|
BELLA: (ALMOST SPEECHLESS) Who are. Incog!
|
|
|
|
ZOE: (IN THE DOORWAY) There's a row on.
|
|
|
|
BLOOM: What? Where? (HE THROWS A SHILLING ON THE TABLE AND STARTS) That's
|
|
for the chimney. Where? I need mountain air.
|
|
|
|
(HE HURRIES OUT THROUGH THE HALL. THE WHORES POINT. FLORRY FOLLOWS,
|
|
SPILLING WATER FROM HER TILTED TUMBLER. ON THE DOORSTEP ALL THE WHORES
|
|
CLUSTERED TALK VOLUBLY, POINTING TO THE RIGHT WHERE THE FOG HAS CLEARED
|
|
OFF. FROM THE LEFT ARRIVES A JINGLING HACKNEY CAR. IT SLOWS TO IN FRONT
|
|
OF THE HOUSE. BLOOM AT THE HALLDOOR PERCEIVES CORNY KELLEHER WHO IS ABOUT
|
|
TO DISMOUNT FROM THE CAR WITH TWO SILENT LECHERS. HE AVERTS HIS FACE.
|
|
BELLA FROM WITHIN THE HALL URGES ON HER WHORES. THEY BLOW ICKYLICKYSTICKY
|
|
YUMYUM KISSES. CORNY KELLEHER REPLIES WITH A GHASTLY LEWD SMILE. THE
|
|
SILENT LECHERS TURN TO PAY THE JARVEY. ZOE AND KITTY STILL POINT RIGHT.
|
|
BLOOM, PARTING THEM SWIFTLY, DRAWS HIS CALIPH'S HOOD AND PONCHO AND
|
|
HURRIES DOWN THE STEPS WITH SIDEWAYS FACE. INCOG HAROUN AL RASCHID HE
|
|
FLITS BEHIND THE SILENT LECHERS AND HASTENS ON BY THE RAILINGS WITH FLEET
|
|
STEP OF A PARD STREWING THE DRAG BEHIND HIM, TORN ENVELOPES DRENCHED IN
|
|
ANISEED. THE ASHPLANT MARKS HIS STRIDE. A PACK OF BLOODHOUNDS, LED BY
|
|
HORNBLOWER OF TRINITY BRANDISHING A DOGWHIP IN TALLYHO CAP AND AN OLD
|
|
PAIR OF GREY TROUSERS, FOLLOW FROM FIR, PICKING UP THE SCENT, NEARER,
|
|
BAYING, PANTING, AT FAULT, BREAKING AWAY, THROWING THEIR TONGUES, BITING
|
|
HIS HEELS, LEAPING AT HIS TAIL. HE WALKS, RUNS, ZIGZAGS, GALLOPS, LUGS
|
|
LAID BACK. HE IS PELTED WITH GRAVEL, CABBAGESTUMPS, BISCUITBOXES, EGGS,
|
|
POTATOES, DEAD CODFISH, WOMAN'S SLIPPERSLAPPERS. AFTER HIM FRESHFOUND THE
|
|
HUE AND CRY ZIGZAG GALLOPS IN HOT PURSUIT OF FOLLOW MY LEADER: 65 C, 66
|
|
C, NIGHT WATCH, JOHN HENRY MENTON, WISDOM HELY, V. B. DILLON, COUNCILLOR
|
|
NANNETTI, ALEXANDER KEYES, LARRY O'ROURKE, JOE CUFFE MRS O'DOWD, PISSER
|
|
BURKE, THE NAMELESS ONE, MRS RIORDAN, THE CITIZEN, GARRYOWEN,
|
|
WHODOYOUCALLHIM, STRANGEFACE, FELLOWTHATSOLIKE, SAWHIMBEFORE,
|
|
CHAPWITHAWEN, CHRIS CALLINAN, SIR CHARLES CAMERON, BENJAMIN DOLLARD,
|
|
LENEHAN, BARTELL D'ARCY, JOE HYNES, RED MURRAY, EDITOR BRAYDEN, T. M.
|
|
HEALY, MR JUSTICE FITZGIBBON, JOHN HOWARD PARNELL, THE REVEREND TINNED
|
|
SALMON, PROFESSOR JOLY, MRS BREEN, DENIS BREEN, THEODORE PUREFOY, MINA
|
|
PUREFOY, THE WESTLAND ROW POSTMISTRESS, C. P. M'COY, FRIEND OF LYONS,
|
|
HOPPY HOLOHAN, MANINTHESTREET, OTHERMANINTHESTREET, FOOTBALLBOOTS,
|
|
PUGNOSED DRIVER, RICH PROTESTANT LADY, DAVY BYRNE, MRS ELLEN M'GUINNESS,
|
|
MRS JOE GALLAHER, GEORGE LIDWELL, JIMMY HENRY ON CORNS, SUPERINTENDENT
|
|
LARACY, FATHER COWLEY, CROFTON OUT OF THE COLLECTOR-GENERAL'S, DAN
|
|
DAWSON, DENTAL SURGEON BLOOM WITH TWEEZERS, MRS BOB DORAN, MRS KENNEFICK,
|
|
MRS WYSE NOLAN, JOHN WYSE NOLAN,
|
|
HANDSOMEMARRIEDWOMANRUBBEDAGAINSTWIDEBEHINDINCLONSKEATRAM, THE BOOKSELLER
|
|
OF Sweets Of Sin, MISS DUBEDATANDSHEDIDBEDAD, MESDAMES GERALD AND
|
|
STANISLAUS MORAN OF ROEBUCK, THE MANAGING CLERK OF DRIMMIE'S, WETHERUP,
|
|
COLONEL HAYES, MASTIANSKY, CITRON, PENROSE, AARON FIGATNER, MOSES HERZOG,
|
|
MICHAEL E GERAGHTY, INSPECTOR TROY, MRS GALBRAITH, THE CONSTABLE OFF
|
|
ECCLES STREET CORNER, OLD DOCTOR BRADY WITH STETHOSCOPE, THE MYSTERY MAN
|
|
ON THE BEACH, A RETRIEVER, MRS MIRIAM DANDRADE AND ALL HER LOVERS.)
|
|
|
|
THE HUE AND CRY: (HELTERSKELTERPELTERWELTER) He's Bloom! Stop Bloom!
|
|
Stopabloom! Stopperrobber! Hi! Hi! Stophim on the corner!
|
|
|
|
(AT THE CORNER OF BEAVER STREET BENEATH THE SCAFFOLDING BLOOM PANTING
|
|
STOPS ON THE FRINGE OF THE NOISY QUARRELLING KNOT, A LOT NOT KNOWING A
|
|
JOT WHAT HI! HI! ROW AND WRANGLE ROUND THE WHOWHAT BRAWLALTOGETHER.)
|
|
|
|
STEPHEN: (WITH ELABORATE GESTURES, BREATHING DEEPLY AND SLOWLY) You are
|
|
my guests. Uninvited. By virtue of the fifth of George and seventh of
|
|
Edward. History to blame. Fabled by mothers of memory.
|
|
|
|
PRIVATE CARR: (TO CISSY CAFFREY) Was he insulting you?
|
|
|
|
STEPHEN: Addressed her in vocative feminine. Probably neuter. Ungenitive.
|
|
|
|
VOICES: No, he didn't. I seen him. The girl there. He was in Mrs Cohen's.
|
|
What's up? Soldier and civilian.
|
|
|
|
CISSY CAFFREY: I was in company with the soldiers and they left me to
|
|
do--you know, and the young man run up behind me. But I'm faithful to the
|
|
man that's treating me though I'm only a shilling whore.
|
|
|
|
STEPHEN: (CATCHES SIGHT OF LYNCH'S AND KITTY'S HEADS) Hail, Sisyphus. (HE
|
|
POINTS TO HIMSELF AND THE OTHERS) Poetic. Uropoetic.
|
|
|
|
VOICES: Shes faithfultheman.
|
|
|
|
CISSY CAFFREY: Yes, to go with him. And me with a soldier friend.
|
|
|
|
PRIVATE COMPTON: He doesn't half want a thick ear, the blighter. Biff him
|
|
one, Harry.
|
|
|
|
PRIVATE CARR: (TO CISSY) Was he insulting you while me and him was having
|
|
a piss?
|
|
|
|
LORD TENNYSON: (GENTLEMAN POET IN UNION JACK BLAZER AND CRICKET FLANNELS,
|
|
BAREHEADED, FLOWINGBEARDED) Theirs not to reason why.
|
|
|
|
PRIVATE COMPTON: Biff him, Harry.
|
|
|
|
STEPHEN: (TO PRIVATE COMPTON) I don't know your name but you are quite
|
|
right. Doctor Swift says one man in armour will beat ten men in their
|
|
shirts. Shirt is synechdoche. Part for the whole.
|
|
|
|
CISSY CAFFREY: (TO THE CROWD) No, I was with the privates.
|
|
|
|
STEPHEN: (AMIABLY) Why not? The bold soldier boy. In my opinion every
|
|
lady for example ...
|
|
|
|
PRIVATE CARR: (HIS CAP AWRY, ADVANCES TO STEPHEN) Say, how would it be,
|
|
governor, if I was to bash in your jaw?
|
|
|
|
STEPHEN: (LOOKS UP TO THE SKY) How? Very unpleasant. Noble art of
|
|
selfpretence. Personally, I detest action. (HE WAVES HIS HAND) Hand hurts
|
|
me slightly. ENFIN CE SONT VOS OIGNONS. (TO CISSY CAFFREY) Some trouble
|
|
is on here. What is it precisely?
|
|
|
|
DOLLY GRAY: (FROM HER BALCONY WAVES HER HANDKERCHIEF, GIVING THE SIGN OF
|
|
THE HEROINE OF JERICHO) Rahab. Cook's son, goodbye. Safe home to Dolly.
|
|
Dream of the girl you left behind and she will dream of you.
|
|
|
|
(THE SOLDIERS TURN THEIR SWIMMING EYES.)
|
|
|
|
BLOOM: (ELBOWING THROUGH THE CROWD, PLUCKS STEPHEN'S SLEEVE VIGOROUSLY)
|
|
Come now, professor, that carman is waiting.
|
|
|
|
STEPHEN: (TURNS) Eh? (HE DISENGAGES HIMSELF) Why should I not speak to
|
|
him or to any human being who walks upright upon this oblate orange? (HE
|
|
POINTS HIS FINGER) I'm not afraid of what I can talk to if I see his eye.
|
|
Retaining the perpendicular.
|
|
|
|
(HE STAGGERS A PACE BACK)
|
|
|
|
BLOOM: (PROPPING HIM) Retain your own.
|
|
|
|
STEPHEN: (LAUGHS EMPTILY) My centre of gravity is displaced. I have
|
|
forgotten the trick. Let us sit down somewhere and discuss. Struggle for
|
|
life is the law of existence but but human philirenists, notably the tsar
|
|
and the king of England, have invented arbitration. (HE TAPS HIS BROW)
|
|
But in here it is I must kill the priest and the king.
|
|
|
|
BIDDY THE CLAP: Did you hear what the professor said? He's a professor
|
|
out of the college.
|
|
|
|
CUNTY KATE: I did. I heard that.
|
|
|
|
BIDDY THE CLAP: He expresses himself with such marked refinement of
|
|
phraseology.
|
|
|
|
CUNTY KATE: Indeed, yes. And at the same time with such apposite
|
|
trenchancy.
|
|
|
|
PRIVATE CARR: (PULLS HIMSELF FREE AND COMES FORWARD) What's that you're
|
|
saying about my king?
|
|
|
|
(EDWARD THE SEVENTH APPEARS IN AN ARCHWAY. HE WARS A WHITE JERSEY ON
|
|
WHICH AN IMAGE OF THE SACRED HEART IS STITCHED WITH THE INSIGNIA OF
|
|
GARTER AND THISTLE, GOLDEN FLEECE, ELEPHANT OF DENMARK, SKINNER'S AND
|
|
PROBYN'S HORSE, LINCOLN'S INN BENCHER AND ANCIENT AND HONOURABLE
|
|
ARTILLERY COMPANY OF MASSACHUSETTS. HE SUCKS A RED JUJUBE. HE IS ROBED AS
|
|
A GRAND ELECT PERFECT AND SUBLIME MASON WITH TROWEL AND APRON, MARKED
|
|
made in Germany. IN HIS LEFT HAND HE HOLDS A PLASTERER'S BUCKET ON WHICH
|
|
IS PRINTED Defense d'uriner. A ROAR OF WELCOME GREETS HIM.)
|
|
|
|
EDWARD THE SEVENTH: (SLOWLY, SOLEMNLY BUT INDISTINCTLY) Peace, perfect
|
|
peace. For identification, bucket in my hand. Cheerio, boys. (HE TURNS TO
|
|
HIS SUBJECTS) We have come here to witness a clean straight fight and we
|
|
heartily wish both men the best of good luck. Mahak makar a bak.
|
|
|
|
(HE SHAKES HANDS WITH PRIVATE CARR, PRIVATE COMPTON, STEPHEN, BLOOM AND
|
|
LYNCH. GENERAL APPLAUSE. EDWARD THE SEVENTH LIFTS HIS BUCKET GRACIOUSLY
|
|
IN ACKNOWLEDGMENT.)
|
|
|
|
PRIVATE CARR: (TO STEPHEN) Say it again.
|
|
|
|
STEPHEN: (NERVOUS, FRIENDLY, PULLS HIMSELF UP) I understand your point of
|
|
view though I have no king myself for the moment. This is the age of
|
|
patent medicines. A discussion is difficult down here. But this is the
|
|
point. You die for your country. Suppose. (HE PLACES HIS ARM ON PRIVATE
|
|
CARR'S SLEEVE) Not that I wish it for you. But I say: Let my country die
|
|
for me. Up to the present it has done so. I didn't want it to die. Damn
|
|
death. Long live life!
|
|
|
|
EDWARD THE SEVENTH: (LEVITATES OVER HEAPS OF SLAIN, IN THE GARB AND WITH
|
|
THE HALO OF JOKING JESUS, A WHITE JUJUBE IN HIS PHOSPHORESCENT FACE)
|
|
|
|
|
|
My methods are new and are causing surprise.
|
|
To make the blind see I throw dust in their eyes.
|
|
|
|
|
|
STEPHEN: Kings and unicorns! (HE FILLS BACK A PACE) Come somewhere and
|
|
we'll ... What was that girl saying? ...
|
|
|
|
PRIVATE COMPTON: Eh, Harry, give him a kick in the knackers. Stick one
|
|
into Jerry.
|
|
|
|
BLOOM: (TO THE PRIVATES, SOFTLY) He doesn't know what he's saying. Taken
|
|
a little more than is good for him. Absinthe. Greeneyed monster. I know
|
|
him. He's a gentleman, a poet. It's all right.
|
|
|
|
STEPHEN: (NODS, SMILING AND LAUGHING) Gentleman, patriot, scholar and
|
|
judge of impostors.
|
|
|
|
PRIVATE CARR: I don't give a bugger who he is.
|
|
|
|
PRIVATE COMPTON: We don't give a bugger who he is.
|
|
|
|
STEPHEN: I seem to annoy them. Green rag to a bull.
|
|
|
|
(KEVIN EGAN OF PARIS IN BLACK SPANISH TASSELLED SHIRT AND PEEP-O'-DAY
|
|
BOY'S HAT SIGNS TO STEPHEN.)
|
|
|
|
KEVIN EGAN: H'lo! BONJOUR! The VIEILLE OGRESSE with the DENTS JAUNES.
|
|
|
|
(PATRICE EGAN PEEPS FROM BEHIND, HIS RABBITFACE NIBBLING A QUINCE LEAF.)
|
|
|
|
PATRICE: SOCIALISTE!
|
|
|
|
DON EMILE PATRIZIO FRANZ RUPERT POPE HENNESSY: (IN MEDIEVAL HAUBERK, TWO
|
|
WILD GEESE VOLANT ON HIS HELM, WITH NOBLE INDIGNATION POINTS A MAILED
|
|
HAND AGAINST THE PRIVATES) Werf those eykes to footboden, big grand
|
|
porcos of johnyellows todos covered of gravy!
|
|
|
|
BLOOM: (TO STEPHEN) Come home. You'll get into trouble.
|
|
|
|
STEPHEN: (SWAYING) I don't avoid it. He provokes my intelligence.
|
|
|
|
BIDDY THE CLAP: One immediately observes that he is of patrician lineage.
|
|
|
|
THE VIRAGO: Green above the red, says he. Wolfe Tone.
|
|
|
|
THE BAWD: The red's as good as the green. And better. Up the soldiers! Up
|
|
King Edward!
|
|
|
|
A ROUGH: (LAUGHS) Ay! Hands up to De Wet.
|
|
|
|
THE CITIZEN: (WITH A HUGE EMERALD MUFFLER AND SHILLELAGH, CALLS)
|
|
|
|
|
|
May the God above
|
|
Send down a dove
|
|
With teeth as sharp as razors
|
|
To slit the throats
|
|
Of the English dogs
|
|
That hanged our Irish leaders.
|
|
|
|
|
|
THE CROPPY BOY: (THE ROPENOOSE ROUND HIS NECK, GRIPES IN HIS ISSUING
|
|
BOWELS WITH BOTH HANDS)
|
|
|
|
|
|
I bear no hate to a living thing,
|
|
But I love my country beyond the king.
|
|
|
|
|
|
RUMBOLD, DEMON BARBER: (ACCOMPANIED BY TWO BLACKMASKED ASSISTANTS,
|
|
ADVANCES WITH GLADSTONE BAG WHICH HE OPENS) Ladies and gents, cleaver
|
|
purchased by Mrs Pearcy to slay Mogg. Knife with which Voisin dismembered
|
|
the wife of a compatriot and hid remains in a sheet in the cellar, the
|
|
unfortunate female's throat being cut from ear to ear. Phial containing
|
|
arsenic retrieved from body of Miss Barron which sent Seddon to the
|
|
gallows.
|
|
|
|
(HE JERKS THE ROPE. THE ASSISTANTS LEAP AT THE VICTIM'S LEGS AND DRAG HIM
|
|
DOWNWARD, GRUNTING THE CROPPY BOY'S TONGUE PROTRUDES VIOLENTLY.)
|
|
|
|
THE CROPPY BOY:
|
|
|
|
|
|
Horhot ho hray hor hother's hest.
|
|
|
|
|
|
(HE GIVES UP THE GHOST. A VIOLENT ERECTION OF THE HANGED SENDS GOUTS OF
|
|
SPERM SPOUTING THROUGH HIS DEATHCLOTHES ON TO THE COBBLESTONES. MRS
|
|
BELLINGHAM, MRS YELVERTON BARRY AND THE HONOURABLE MRS MERVYN TALBOYS
|
|
RUSH FORWARD WITH THEIR HANDKERCHIEFS TO SOP IT UP.)
|
|
|
|
RUMBOLD: I'm near it myself. (HE UNDOES THE NOOSE) Rope which hanged the
|
|
awful rebel. Ten shillings a time. As applied to Her Royal Highness. (HE
|
|
PLUNGES HIS HEAD INTO THE GAPING BELLY OF THE HANGED AND DRAWS OUT HIS
|
|
HEAD AGAIN CLOTTED WITH COILED AND SMOKING ENTRAILS) My painful duty has
|
|
now been done. God save the king!
|
|
|
|
EDWARD THE SEVENTH: (DANCES SLOWLY, SOLEMNLY, RATTLING HIS BUCKET, AND
|
|
SINGS WITH SOFT CONTENTMENT)
|
|
|
|
|
|
On coronation day, on coronation day,
|
|
O, won't we have a merry time,
|
|
Drinking whisky, beer and wine!
|
|
|
|
|
|
PRIVATE CARR: Here. What are you saying about my king?
|
|
|
|
STEPHEN: (THROWS UP HIS HANDS) O, this is too monotonous! Nothing. He
|
|
wants my money and my life, though want must be his master, for some
|
|
brutish empire of his. Money I haven't. (HE SEARCHES HIS POCKETS VAGUELY)
|
|
GAVE IT TO SOMEONE.
|
|
|
|
PRIVATE CARR: Who wants your bleeding money?
|
|
|
|
STEPHEN: (TRIES TO MOVE OFF) Will someone tell me where I am least likely
|
|
to meet these necessary evils? CA SE VOIT AUSSI A PARIS. Not that I ...
|
|
But, by Saint Patrick ...!
|
|
|
|
(THE WOMEN'S HEADS COALESCE. OLD GUMMY GRANNY IN SUGARLOAF HAT APPEARS
|
|
SEATED ON A TOADSTOOL, THE DEATHFLOWER OF THE POTATO BLIGHT ON HER
|
|
BREAST.)
|
|
|
|
STEPHEN: Aha! I know you, gammer! Hamlet, revenge! The old sow that eats
|
|
her farrow!
|
|
|
|
OLD GUMMY GRANNY: (ROCKING TO AND FRO) Ireland's sweetheart, the king of
|
|
Spain's daughter, alanna. Strangers in my house, bad manners to them!
|
|
(SHE KEENS WITH BANSHEE WOE) Ochone! Ochone! Silk of the kine! (SHE
|
|
WAILS) You met with poor old Ireland and how does she stand?
|
|
|
|
STEPHEN: How do I stand you? The hat trick! Where's the third person of
|
|
the Blessed Trinity? Soggarth Aroon? The reverend Carrion Crow.
|
|
|
|
CISSY CAFFREY: (SHRILL) Stop them from fighting!
|
|
|
|
A ROUGH: Our men retreated.
|
|
|
|
PRIVATE CARR: (TUGGING AT HIS BELT) I'll wring the neck of any fucker
|
|
says a word against my fucking king.
|
|
|
|
BLOOM: (TERRIFIED) He said nothing. Not a word. A pure misunderstanding.
|
|
|
|
THE CITIZEN: ERIN GO BRAGH!
|
|
|
|
(MAJOR TWEEDY AND THE CITIZEN EXHIBIT TO EACH OTHER MEDALS, DECORATIONS,
|
|
TROPHIES OF WAR, WOUNDS. BOTH SALUTE WITH FIERCE HOSTILITY.)
|
|
|
|
PRIVATE COMPTON: Go it, Harry. Do him one in the eye. He's a proboer.
|
|
|
|
STEPHEN: Did I? When?
|
|
|
|
BLOOM: (TO THE REDCOATS) We fought for you in South Africa, Irish missile
|
|
troops. Isn't that history? Royal Dublin Fusiliers. Honoured by our
|
|
monarch.
|
|
|
|
THE NAVVY: (STAGGERING PAST) O, yes! O God, yes! O, make the kwawr a
|
|
krowawr! O! Bo!
|
|
|
|
(CASQUED HALBERDIERS IN ARMOUR THRUST FORWARD A PENTICE OF GUTTED
|
|
SPEARPOINTS. MAJOR TWEEDY, MOUSTACHED LIKE TURKO THE TERRIBLE, IN
|
|
BEARSKIN CAP WITH HACKLEPLUME AND ACCOUTREMENTS, WITH EPAULETTES, GILT
|
|
CHEVRONS AND SABRETACHES, HIS BREAST BRIGHT WITH MEDALS, TOES THE LINE.
|
|
HE GIVES THE PILGRIM WARRIOR'S SIGN OF THE KNIGHTS TEMPLARS.)
|
|
|
|
MAJOR TWEEDY: (GROWLS GRUFFLY) Rorke's Drift! Up, guards, and at them!
|
|
Mahar shalal hashbaz.
|
|
|
|
PRIVATE CARR: I'll do him in.
|
|
|
|
PRIVATE COMPTON: (WAVES THE CROWD BACK) Fair play, here. Make a bleeding
|
|
butcher's shop of the bugger.
|
|
|
|
(MASSED BANDS BLARE Garryowen AND God save the king.)
|
|
|
|
CISSY CAFFREY: They're going to fight. For me!
|
|
|
|
CUNTY KATE: The brave and the fair.
|
|
|
|
BIDDY THE CLAP: Methinks yon sable knight will joust it with the best.
|
|
|
|
CUNTY KATE: (BLUSHING DEEPLY) Nay, madam. The gules doublet and merry
|
|
saint George for me!
|
|
|
|
STEPHEN:
|
|
|
|
|
|
The harlot's cry from street to street
|
|
Shall weave Old Ireland's windingsheet.
|
|
|
|
|
|
PRIVATE CARR: (LOOSENING HIS BELT, SHOUTS) I'll wring the neck of any
|
|
fucking bastard says a word against my bleeding fucking king.
|
|
|
|
BLOOM: (SHAKES CISSY CAFFREY'S SHOULDERS) Speak, you! Are you struck
|
|
dumb? You are the link between nations and generations. Speak, woman,
|
|
sacred lifegiver!
|
|
|
|
CISSY CAFFREY: (ALARMED, SEIZES PRIVATE CARR'S SLEEVE) Amn't I with you?
|
|
Amn't I your girl? Cissy's your girl. (SHE CRIES) Police!
|
|
|
|
STEPHEN: (ECSTATICALLY, TO CISSY CAFFREY)
|
|
|
|
|
|
White thy fambles, red thy gan
|
|
And thy quarrons dainty is.
|
|
|
|
|
|
VOICES: Police!
|
|
|
|
DISTANT VOICES: Dublin's burning! Dublin's burning! On fire, on fire!
|
|
|
|
(BRIMSTONE FIRES SPRING UP. DENSE CLOUDS ROLL PAST. HEAVY GATLING GUNS
|
|
BOOM. PANDEMONIUM. TROOPS DEPLOY. GALLOP OF HOOFS. ARTILLERY. HOARSE
|
|
COMMANDS. BELLS CLANG. BACKERS SHOUT. DRUNKARDS BAWL. WHORES SCREECH.
|
|
FOGHORNS HOOT. CRIES OF VALOUR. SHRIEKS OF DYING. PIKES CLASH ON
|
|
CUIRASSES. THIEVES ROB THE SLAIN. BIRDS OF PREY, WINGING FROM THE SEA,
|
|
RISING FROM MARSHLANDS, SWOOPING FROM EYRIES, HOVER SCREAMING, GANNETS,
|
|
CORMORANTS, VULTURES, GOSHAWKS, CLIMBING WOODCOCKS, PEREGRINES, MERLINS,
|
|
BLACKGROUSE, SEA EAGLES, GULLS, ALBATROSSES, BARNACLE GEESE. THE MIDNIGHT
|
|
SUN IS DARKENED. THE EARTH TREMBLES. THE DEAD OF DUBLIN FROM PROSPECT AND
|
|
MOUNT JEROME IN WHITE SHEEPSKIN OVERCOATS AND BLACK GOATFELL CLOAKS ARISE
|
|
AND APPEAR TO MANY. A CHASM OPENS WITH A NOISELESS YAWN. TOM ROCHFORD,
|
|
WINNER, IN ATHLETE'S SINGLET AND BREECHES, ARRIVES AT THE HEAD OF THE
|
|
NATIONAL HURDLE HANDICAP AND LEAPS INTO THE VOID. HE IS FOLLOWED BY A
|
|
RACE OF RUNNERS AND LEAPERS. IN WILD ATTITUDES THEY SPRING FROM THE
|
|
BRINK. THEIR BODIES PLUNGE. FACTORY LASSES WITH FANCY CLOTHES TOSS REDHOT
|
|
YORKSHIRE BARAABOMBS. SOCIETY LADIES LIFT THEIR SKIRTS ABOVE THEIR HEADS
|
|
TO PROTECT THEMSELVES. LAUGHING WITCHES IN RED CUTTY SARKS RIDE THROUGH
|
|
THE AIR ON BROOMSTICKS. QUAKERLYSTER PLASTERS BLISTERS. IT RAINS DRAGONS'
|
|
TEETH. ARMED HEROES SPRING UP FROM FURROWS. THEY EXCHANGE IN AMITY THE
|
|
PASS OF KNIGHTS OF THE RED CROSS AND FIGHT DUELS WITH CAVALRY SABRES:
|
|
WOLFE TONE AGAINST HENRY GRATTAN, SMITH O'BRIEN AGAINST DANIEL O'CONNELL,
|
|
MICHAEL DAVITT AGAINST ISAAC BUTT, JUSTIN M'CARTHY AGAINST PARNELL,
|
|
ARTHUR GRIFFITH AGAINST JOHN REDMOND, JOHN O'LEARY AGAINST LEAR O'JOHNNY,
|
|
LORD EDWARD FITZGERALD AGAINST LORD GERALD FITZEDWARD, THE O'DONOGHUE OF
|
|
THE GLENS AGAINST THE GLENS OF THE O'DONOGHUE. ON AN EMINENCE, THE CENTRE
|
|
OF THE EARTH, RISES THE FELDALTAR OF SAINT BARBARA. BLACK CANDLES RISE
|
|
FROM ITS GOSPEL AND EPISTLE HORNS. FROM THE HIGH BARBACANS OF THE TOWER
|
|
TWO SHAFTS OF LIGHT FALL ON THE SMOKEPALLED ALTARSTONE. ON THE ALTARSTONE
|
|
MRS MINA PUREFOY, GODDESS OF UNREASON, LIES, NAKED, FETTERED, A CHALICE
|
|
RESTING ON HER SWOLLEN BELLY. FATHER MALACHI O'FLYNN IN A LACE PETTICOAT
|
|
AND REVERSED CHASUBLE, HIS TWO LEFT FEET BACK TO THE FRONT, CELEBRATES
|
|
CAMP MASS. THE REVEREND MR HUGH C HAINES LOVE M. A. IN A PLAIN CASSOCK
|
|
AND MORTARBOARD, HIS HEAD AND COLLAR BACK TO THE FRONT, HOLDS OVER THE
|
|
CELEBRANT'S HEAD AN OPEN UMBRELLA.)
|
|
|
|
FATHER MALACHI O'FLYNN: INTROIBO AD ALTARE DIABOLI.
|
|
|
|
THE REVEREND MR HAINES LOVE: To the devil which hath made glad my young
|
|
days.
|
|
|
|
FATHER MALACHI O'FLYNN: (TAKES FROM THE CHALICE AND ELEVATES A
|
|
BLOODDRIPPING HOST) CORPUS MEUM.
|
|
|
|
THE REVEREND MR HAINES LOVE: (RAISES HIGH BEHIND THE CELEBRANT'S
|
|
PETTICOAT, REVEALING HIS GREY BARE HAIRY BUTTOCKS BETWEEN WHICH A CARROT
|
|
IS STUCK) My body.
|
|
|
|
THE VOICE OF ALL THE DAMNED: Htengier Tnetopinmo Dog Drol eht rof,
|
|
Aiulella!
|
|
|
|
(FROM ON HIGH THE VOICE OF ADONAI CALLS.)
|
|
|
|
ADONAI: Dooooooooooog!
|
|
|
|
THE VOICE OF ALL THE BLESSED: Alleluia, for the Lord God Omnipotent
|
|
reigneth!
|
|
|
|
(FROM ON HIGH THE VOICE OF ADONAI CALLS.)
|
|
|
|
ADONAI: Goooooooooood!
|
|
|
|
(IN STRIDENT DISCORD PEASANTS AND TOWNSMEN OF ORANGE AND GREEN FACTIONS
|
|
SING Kick the Pope AND Daily, daily sing to Mary.)
|
|
|
|
PRIVATE CARR: (WITH FEROCIOUS ARTICULATION) I'll do him in, so help me
|
|
fucking Christ! I'll wring the bastard fucker's bleeding blasted fucking
|
|
windpipe!
|
|
|
|
OLD GUMMY GRANNY: (THRUSTS A DAGGER TOWARDS STEPHEN'S HAND) Remove him,
|
|
acushla. At 8.35 a.m. you will be in heaven and Ireland will be free.
|
|
(SHE PRAYS) O good God, take him!
|
|
|
|
(THE RETRIEVER, NOSING ON THE FRINGE OF THE CROWD, BARKS NOISILY.)
|
|
|
|
BLOOM: (RUNS TO LYNCH) Can't you get him away?
|
|
|
|
LYNCH: He likes dialectic, the universal language. Kitty! (TO BLOOM) Get
|
|
him away, you. He won't listen to me.
|
|
|
|
(HE DRAGS KITTY AWAY.)
|
|
|
|
STEPHEN: (POINTS) EXIT JUDAS. ET LAQUEO SE SUSPENDIT.
|
|
|
|
BLOOM: (RUNS TO STEPHEN) Come along with me now before worse happens.
|
|
Here's your stick.
|
|
|
|
STEPHEN: Stick, no. Reason. This feast of pure reason.
|
|
|
|
CISSY CAFFREY: (PULLING PRIVATE CARR) Come on, you're boosed. He insulted
|
|
me but I forgive him. (SHOUTING IN HIS EAR) I forgive him for insulting
|
|
me.
|
|
|
|
BLOOM: (OVER STEPHEN'S SHOULDER) Yes, go. You see he's incapable.
|
|
|
|
PRIVATE CARR: (BREAKS LOOSE) I'll insult him.
|
|
|
|
(HE RUSHES TOWARDS STEPHEN, FIST OUTSTRETCHED, AND STRIKES HIM IN THE
|
|
FACE. STEPHEN TOTTERS, COLLAPSES, FALLS, STUNNED. HE LIES PRONE, HIS FACE
|
|
TO THE SKY, HIS HAT ROLLING TO THE WALL. BLOOM FOLLOWS AND PICKS IT UP.)
|
|
|
|
MAJOR TWEEDY: (LOUDLY) Carbine in bucket! Cease fire! Salute!
|
|
|
|
THE RETRIEVER: (BARKING FURIOUSLY) Ute ute ute ute ute ute ute ute.
|
|
|
|
THE CROWD: Let him up! Don't strike him when he's down! Air! Who? The
|
|
soldier hit him. He's a professor. Is he hurted? Don't manhandle him!
|
|
He's fainted!
|
|
|
|
A HAG: What call had the redcoat to strike the gentleman and he under the
|
|
influence. Let them go and fight the Boers!
|
|
|
|
THE BAWD: Listen to who's talking! Hasn't the soldier a right to go with
|
|
his girl? He gave him the coward's blow.
|
|
|
|
(THEY GRAB AT EACH OTHER'S HAIR, CLAW AT EACH OTHER AND SPIT)
|
|
|
|
THE RETRIEVER: (BARKING) Wow wow wow.
|
|
|
|
BLOOM: (SHOVES THEM BACK, LOUDLY) Get back, stand back!
|
|
|
|
PRIVATE COMPTON: (TUGGING HIS COMRADE) Here. Bugger off, Harry. Here's
|
|
the cops!
|
|
|
|
(TWO RAINCAPED WATCH, TALL, STAND IN THE GROUP.)
|
|
|
|
FIRST WATCH: What's wrong here?
|
|
|
|
PRIVATE COMPTON: We were with this lady. And he insulted us. And
|
|
assaulted my chum. (THE RETRIEVER BARKS) Who owns the bleeding tyke?
|
|
|
|
CISSY CAFFREY: (WITH EXPECTATION) Is he bleeding!
|
|
|
|
A MAN: (RISING FROM HIS KNEES) No. Gone off. He'll come to all right.
|
|
|
|
BLOOM: (GLANCES SHARPLY AT THE MAN) Leave him to me. I can easily ...
|
|
|
|
SECOND WATCH: Who are you? Do you know him?
|
|
|
|
PRIVATE CARR: (LURCHES TOWARDS THE WATCH) He insulted my lady friend.
|
|
|
|
BLOOM: (ANGRILY) You hit him without provocation. I'm a witness.
|
|
Constable, take his regimental number.
|
|
|
|
SECOND WATCH: I don't want your instructions in the discharge of my duty.
|
|
|
|
PRIVATE COMPTON: (PULLING HIS COMRADE) Here, bugger off Harry. Or
|
|
Bennett'll shove you in the lockup.
|
|
|
|
PRIVATE CARR: (STAGGERING AS HE IS PULLED AWAY) God fuck old Bennett.
|
|
He's a whitearsed bugger. I don't give a shit for him.
|
|
|
|
FIRST WATCH: (TAKES OUT HIS NOTEBOOK) What's his name?
|
|
|
|
BLOOM: (PEERING OVER THE CROWD) I just see a car there. If you give me a
|
|
hand a second, sergeant ...
|
|
|
|
FIRST WATCH: Name and address.
|
|
|
|
(CORNY KELLEKER, WEEPERS ROUND HIS HAT, A DEATH WREATH IN HIS HAND,
|
|
APPEARS AMONG THE BYSTANDERS.)
|
|
|
|
BLOOM: (QUICKLY) O, the very man! (HE WHISPERS) Simon Dedalus' son. A bit
|
|
sprung. Get those policemen to move those loafers back.
|
|
|
|
SECOND WATCH: Night, Mr Kelleher.
|
|
|
|
CORNY KELLEHER: (TO THE WATCH, WITH DRAWLING EYE) That's all right. I
|
|
know him. Won a bit on the races. Gold cup. Throwaway. (HE LAUGHS) Twenty
|
|
to one. Do you follow me?
|
|
|
|
FIRST WATCH: (TURNS TO THE CROWD) Here, what are you all gaping at? Move
|
|
on out of that.
|
|
|
|
(THE CROWD DISPERSES SLOWLY, MUTTERING, DOWN THE LANE.)
|
|
|
|
CORNY KELLEHER: Leave it to me, sergeant. That'll be all right. (HE
|
|
LAUGHS, SHAKING HIS HEAD) We were often as bad ourselves, ay or worse.
|
|
What? Eh, what?
|
|
|
|
FIRST WATCH: (LAUGHS) I suppose so.
|
|
|
|
CORNY KELLEHER: (NUDGES THE SECOND WATCH) Come and wipe your name off the
|
|
slate. (HE LILTS, WAGGING HIS HEAD) With my tooraloom tooraloom tooraloom
|
|
tooraloom. What, eh, do you follow me?
|
|
|
|
SECOND WATCH: (GENIALLY) Ah, sure we were too.
|
|
|
|
CORNY KELLEHER: (WINKING) Boys will be boys. I've a car round there.
|
|
|
|
SECOND WATCH: All right, Mr Kelleher. Good night.
|
|
|
|
CORNY KELLEHER: I'll see to that.
|
|
|
|
BLOOM: (SHAKES HANDS WITH BOTH OF THE WATCH IN TURN) Thank you very much,
|
|
gentlemen. Thank you. (HE MUMBLES CONFIDENTIALLY) We don't want any
|
|
scandal, you understand. Father is a wellknown highly respected citizen.
|
|
Just a little wild oats, you understand.
|
|
|
|
FIRST WATCH: O. I understand, sir.
|
|
|
|
SECOND WATCH: That's all right, sir.
|
|
|
|
FIRST WATCH: It was only in case of corporal injuries I'd have to report
|
|
it at the station.
|
|
|
|
BLOOM: (NODS RAPIDLY) Naturally. Quite right. Only your bounden duty.
|
|
|
|
SECOND WATCH: It's our duty.
|
|
|
|
CORNY KELLEHER: Good night, men.
|
|
|
|
THE WATCH: (SALUTING TOGETHER) Night, gentlemen. (THEY MOVE OFF WITH SLOW
|
|
HEAVY TREAD)
|
|
|
|
BLOOM: (BLOWS) Providential you came on the scene. You have a car? ...
|
|
|
|
CORNY KELLEHER: (LAUGHS, POINTING HIS THUMB OVER HIS RIGHT SHOULDER TO
|
|
THE CAR BROUGHT UP AGAINST THE SCAFFOLDING) Two commercials that were
|
|
standing fizz in Jammet's. Like princes, faith. One of them lost two quid
|
|
on the race. Drowning his grief. And were on for a go with the jolly
|
|
girls. So I landed them up on Behan's car and down to nighttown.
|
|
|
|
BLOOM: I was just going home by Gardiner street when I happened to ...
|
|
|
|
CORNY KELLEHER: (LAUGHS) Sure they wanted me to join in with the mots.
|
|
No, by God, says I. Not for old stagers like myself and yourself. (HE
|
|
LAUGHS AGAIN AND LEERS WITH LACKLUSTRE EYE) Thanks be to God we have it
|
|
in the house, what, eh, do you follow me? Hah, hah, hah!
|
|
|
|
BLOOM: (TRIES TO LAUGH) He, he, he! Yes. Matter of fact I was just
|
|
visiting an old friend of mine there, Virag, you don't know him (poor
|
|
fellow, he's laid up for the past week) and we had a liquor together and
|
|
I was just making my way home ...
|
|
|
|
(THE HORSE NEIGHS.)
|
|
|
|
THE HORSE: Hohohohohohoh! Hohohohome!
|
|
|
|
CORNY KELLEHER: Sure it was Behan our jarvey there that told me after we
|
|
left the two commercials in Mrs Cohen's and I told him to pull up and got
|
|
off to see. (HE LAUGHS) Sober hearsedrivers a speciality. Will I give him
|
|
a lift home? Where does he hang out? Somewhere in Cabra, what?
|
|
|
|
BLOOM: No, in Sandycove, I believe, from what he let drop.
|
|
|
|
(STEPHEN, PRONE, BREATHES TO THE STARS. CORNY KELLEHER, ASQUINT, DRAWLS
|
|
AT THE HORSE. BLOOM, IN GLOOM, LOOMS DOWN.)
|
|
|
|
CORNY KELLEHER: (SCRATCHES HIS NAPE) Sandycove! (HE BENDS DOWN AND CALLS
|
|
TO STEPHEN) Eh! (HE CALLS AGAIN) Eh! He's covered with shavings anyhow.
|
|
Take care they didn't lift anything off him.
|
|
|
|
BLOOM: No, no, no. I have his money and his hat here and stick.
|
|
|
|
CORNY KELLEHER: Ah, well, he'll get over it. No bones broken. Well, I'll
|
|
shove along. (HE LAUGHS) I've a rendezvous in the morning. Burying the
|
|
dead. Safe home!
|
|
|
|
THE HORSE: (NEIGHS) Hohohohohome.
|
|
|
|
BLOOM: Good night. I'll just wait and take him along in a few ...
|
|
|
|
(CORNY KELLEHER RETURNS TO THE OUTSIDE CAR AND MOUNTS IT. THE HORSE
|
|
HARNESS JINGLES.)
|
|
|
|
CORNY KELLEHER: (FROM THE CAR, STANDING) Night.
|
|
|
|
BLOOM: Night.
|
|
|
|
(THE JARVEY CHUCKS THE REINS AND RAISES HIS WHIP ENCOURAGINGLY. THE CAR
|
|
AND HORSE BACK SLOWLY, AWKWARDLY, AND TURN. CORNY KELLEHER ON THE
|
|
SIDESEAT SWAYS HIS HEAD TO AND FRO IN SIGN OF MIRTH AT BLOOM'S PLIGHT.
|
|
THE JARVEY JOINS IN THE MUTE PANTOMIMIC MERRIMENT NODDING FROM THE
|
|
FARTHER SEAT. BLOOM SHAKES HIS HEAD IN MUTE MIRTHFUL REPLY. WITH THUMB
|
|
AND PALM CORNY KELLEHER REASSURES THAT THE TWO BOBBIES WILL ALLOW THE
|
|
SLEEP TO CONTINUE FOR WHAT ELSE IS TO BE DONE. WITH A SLOW NOD BLOOM
|
|
CONVEYS HIS GRATITUDE AS THAT IS EXACTLY WHAT STEPHEN NEEDS. THE CAR
|
|
JINGLES TOORALOOM ROUND THE CORNER OF THE TOORALOOM LANE. CORNY KELLEHER
|
|
AGAIN REASSURALOOMS WITH HIS HAND. BLOOM WITH HIS HAND ASSURALOOMS CORNY
|
|
KELLEHER THAT HE IS REASSURALOOMTAY. THE TINKLING HOOFS AND JINGLING
|
|
HARNESS GROW FAINTER WITH THEIR TOORALOOLOO LOOLOO LAY. BLOOM, HOLDING IN
|
|
HIS HAND STEPHEN'S HAT, FESTOONED WITH SHAVINGS, AND ASHPLANT, STANDS
|
|
IRRESOLUTE. THEN HE BENDS TO HIM AND SHAKES HIM BY THE SHOULDER.)
|
|
|
|
BLOOM: Eh! Ho! (THERE IS NO ANSWER; HE BENDS AGAIN) Mr Dedalus! (THERE IS
|
|
NO ANSWER) The name if you call. Somnambulist. (HE BENDS AGAIN AND
|
|
HESITATING, BRINGS HIS MOUTH NEAR THE FACE OF THE PROSTRATE FORM)
|
|
Stephen! (THERE IS NO ANSWER. HE CALLS AGAIN.) Stephen!
|
|
|
|
STEPHEN: (GROANS) Who? Black panther. Vampire. (HE SIGHS AND STRETCHES
|
|
HIMSELF, THEN MURMURS THICKLY WITH PROLONGED VOWELS)
|
|
|
|
|
|
Who ... drive... Fergus now
|
|
And pierce ... wood's woven shade? ...
|
|
|
|
(HE TURNS ON HIS LEFT SIDE, SIGHING, DOUBLING HIMSELF TOGETHER.)
|
|
|
|
BLOOM: Poetry. Well educated. Pity. (HE BENDS AGAIN AND UNDOES THE
|
|
BUTTONS OF STEPHEN'S WAISTCOAT) To breathe. (HE BRUSHES THE WOODSHAVINGS
|
|
FROM STEPHEN'S CLOTHES WITH LIGHT HAND AND FINGERS) One pound seven. Not
|
|
hurt anyhow. (HE LISTENS) What?
|
|
|
|
STEPHEN: (MURMURS)
|
|
|
|
|
|
... shadows ... the woods
|
|
... white breast... dim sea.
|
|
|
|
|
|
(HE STRETCHES OUT HIS ARMS, SIGHS AGAIN AND CURLS HIS BODY. BLOOM,
|
|
HOLDING THE HAT AND ASHPLANT, STANDS ERECT. A DOG BARKS IN THE DISTANCE.
|
|
BLOOM TIGHTENS AND LOOSENS HIS GRIP ON THE ASHPLANT. HE LOOKS DOWN ON
|
|
STEPHEN'S FACE AND FORM.)
|
|
|
|
BLOOM: (COMMUNES WITH THE NIGHT) Face reminds me of his poor mother. In
|
|
the shady wood. The deep white breast. Ferguson, I think I caught. A
|
|
girl. Some girl. Best thing could happen him. (HE MURMURS) ... swear that
|
|
I will always hail, ever conceal, never reveal, any part or parts, art or
|
|
arts ... (HE MURMURS) ... in the rough sands of the sea ... a cabletow's
|
|
length from the shore ... where the tide ebbs ... and flows ...
|
|
|
|
(SILENT, THOUGHTFUL, ALERT HE STANDS ON GUARD, HIS FINGERS AT HIS LIPS IN
|
|
THE ATTITUDE OF SECRET MASTER. AGAINST THE DARK WALL A FIGURE APPEARS
|
|
SLOWLY, A FAIRY BOY OF ELEVEN, A CHANGELING, KIDNAPPED, DRESSED IN AN
|
|
ETON SUIT WITH GLASS SHOES AND A LITTLE BRONZE HELMET, HOLDING A BOOK IN
|
|
HIS HAND. HE READS FROM RIGHT TO LEFT INAUDIBLY, SMILING, KISSING THE
|
|
PAGE.)
|
|
|
|
BLOOM: (WONDERSTRUCK, CALLS INAUDIBLY) Rudy!
|
|
|
|
RUDY: (GAZES, UNSEEING, INTO BLOOM'S EYES AND GOES ON READING, KISSING,
|
|
SMILING. HE HAS A DELICATE MAUVE FACE. ON HIS SUIT HE HAS DIAMOND AND
|
|
RUBY BUTTONS. IN HIS FREE LEFT HAND HE HOLDS A SLIM IVORY CANE WITH A
|
|
VIOLET BOWKNOT. A WHITE LAMBKIN PEEPS OUT OF HIS WAISTCOAT POCKET.)
|
|
|
|
|
|
-- III --
|
|
|
|
|
|
Preparatory to anything else Mr Bloom brushed off the greater bulk of the
|
|
shavings and handed Stephen the hat and ashplant and bucked him up
|
|
generally in orthodox Samaritan fashion which he very badly needed. His
|
|
(Stephen's) mind was not exactly what you would call wandering but a bit
|
|
unsteady and on his expressed desire for some beverage to drink Mr Bloom
|
|
in view of the hour it was and there being no pump of Vartry water
|
|
available for their ablutions let alone drinking purposes hit upon an
|
|
expedient by suggesting, off the reel, the propriety of the cabman's
|
|
shelter, as it was called, hardly a stonesthrow away near Butt bridge
|
|
where they might hit upon some drinkables in the shape of a milk and soda
|
|
or a mineral. But how to get there was the rub. For the nonce he was
|
|
rather nonplussed but inasmuch as the duty plainly devolved upon him to
|
|
take some measures on the subject he pondered suitable ways and means
|
|
during which Stephen repeatedly yawned. So far as he could see he was
|
|
rather pale in the face so that it occurred to him as highly advisable to
|
|
get a conveyance of some description which would answer in their then
|
|
condition, both of them being e.d.ed, particularly Stephen, always
|
|
assuming that there was such a thing to be found. Accordingly after a few
|
|
such preliminaries as brushing, in spite of his having forgotten to take
|
|
up his rather soapsuddy handkerchief after it had done yeoman service in
|
|
the shaving line, they both walked together along Beaver street or, more
|
|
properly, lane as far as the farrier's and the distinctly fetid
|
|
atmosphere of the livery stables at the corner of Montgomery street where
|
|
they made tracks to the left from thence debouching into Amiens street
|
|
round by the corner of Dan Bergin's. But as he confidently anticipated
|
|
there was not a sign of a Jehu plying for hire anywhere to be seen except
|
|
a fourwheeler, probably engaged by some fellows inside on the spree,
|
|
outside the North Star hotel and there was no symptom of its budging a
|
|
quarter of an inch when Mr Bloom, who was anything but a professional
|
|
whistler, endeavoured to hail it by emitting a kind of a whistle, holding
|
|
his arms arched over his head, twice.
|
|
|
|
This was a quandary but, bringing common sense to bear on it, evidently
|
|
there was nothing for it but put a good face on the matter and foot it
|
|
which they accordingly did. So, bevelling around by Mullett's and the
|
|
Signal House which they shortly reached, they proceeded perforce in the
|
|
direction of Amiens street railway terminus, Mr Bloom being handicapped
|
|
by the circumstance that one of the back buttons of his trousers had, to
|
|
vary the timehonoured adage, gone the way of all buttons though, entering
|
|
thoroughly into the spirit of the thing, he heroically made light of the
|
|
mischance. So as neither of them were particularly pressed for time, as
|
|
it happened, and the temperature refreshing since it cleared up after the
|
|
recent visitation of Jupiter Pluvius, they dandered along past by where
|
|
the empty vehicle was waiting without a fare or a jarvey. As it so
|
|
happened a Dublin United Tramways Company's sandstrewer happened to be
|
|
returning and the elder man recounted to his companion A PROPOS of the
|
|
incident his own truly miraculous escape of some little while back. They
|
|
passed the main entrance of the Great Northern railway station, the
|
|
starting point for Belfast, where of course all traffic was suspended at
|
|
that late hour and passing the backdoor of the morgue (a not very
|
|
enticing locality, not to say gruesome to a degree, more especially at
|
|
night) ultimately gained the Dock Tavern and in due course turned into
|
|
Store street, famous for its C division police station. Between this
|
|
point and the high at present unlit warehouses of Beresford place Stephen
|
|
thought to think of Ibsen, associated with Baird's the stonecutter's in
|
|
his mind somehow in Talbot place, first turning on the right, while the
|
|
other who was acting as his FIDUS ACHATES inhaled with internal
|
|
satisfaction the smell of James Rourke's city bakery, situated quite
|
|
close to where they were, the very palatable odour indeed of our daily
|
|
bread, of all commodities of the public the primary and most
|
|
indispensable. Bread, the staff of life, earn your bread, O tell me where
|
|
is fancy bread, at Rourke's the baker's it is said.
|
|
|
|
EN ROUTE to his taciturn and, not to put too fine a point on it, not yet
|
|
perfectly sober companion Mr Bloom who at all events was in complete
|
|
possession of his faculties, never more so, in fact disgustingly sober,
|
|
spoke a word of caution re the dangers of nighttown, women of ill fame
|
|
and swell mobsmen, which, barely permissible once in a while though not
|
|
as a habitual practice, was of the nature of a regular deathtrap for
|
|
young fellows of his age particularly if they had acquired drinking
|
|
habits under the influence of liquor unless you knew a little jiujitsu
|
|
for every contingency as even a fellow on the broad of his back could
|
|
administer a nasty kick if you didn't look out. Highly providential was
|
|
the appearance on the scene of Corny Kelleher when Stephen was blissfully
|
|
unconscious but for that man in the gap turning up at the eleventh hour
|
|
the finis might have been that he might have been a candidate for the
|
|
accident ward or, failing that, the bridewell and an appearance in the
|
|
court next day before Mr Tobias or, he being the solicitor rather, old
|
|
Wall, he meant to say, or Mahony which simply spelt ruin for a chap when
|
|
it got bruited about. The reason he mentioned the fact was that a lot of
|
|
those policemen, whom he cordially disliked, were admittedly unscrupulous
|
|
in the service of the Crown and, as Mr Bloom put it, recalling a case or
|
|
two in the A division in Clanbrassil street, prepared to swear a hole
|
|
through a ten gallon pot. Never on the spot when wanted but in quiet
|
|
parts of the city, Pembroke road for example, the guardians of the law
|
|
were well in evidence, the obvious reason being they were paid to protect
|
|
the upper classes. Another thing he commented on was equipping soldiers
|
|
with firearms or sidearms of any description liable to go off at any time
|
|
which was tantamount to inciting them against civilians should by any
|
|
chance they fall out over anything. You frittered away your time, he very
|
|
sensibly maintained, and health and also character besides which, the
|
|
squandermania of the thing, fast women of the DEMIMONDE ran away with a
|
|
lot of l.s.d. into the bargain and the greatest danger of all was who you
|
|
got drunk with though, touching the much vexed question of stimulants, he
|
|
relished a glass of choice old wine in season as both nourishing and
|
|
bloodmaking and possessing aperient virtues (notably a good burgundy
|
|
which he was a staunch believer in) still never beyond a certain point
|
|
where he invariably drew the line as it simply led to trouble all round
|
|
to say nothing of your being at the tender mercy of others practically.
|
|
Most of all he commented adversely on the desertion of Stephen by all his
|
|
pubhunting CONFRERES but one, a most glaring piece of ratting on the part
|
|
of his brother medicos under all the circs.
|
|
|
|
--And that one was Judas, Stephen said, who up to then had said nothing
|
|
whatsoever of any kind.
|
|
|
|
Discussing these and kindred topics they made a beeline across the back
|
|
of the Customhouse and passed under the Loop Line bridge where a brazier
|
|
of coke burning in front of a sentrybox or something like one attracted
|
|
their rather lagging footsteps. Stephen of his own accord stopped for no
|
|
special reason to look at the heap of barren cobblestones and by the
|
|
light emanating from the brazier he could just make out the darker figure
|
|
of the corporation watchman inside the gloom of the sentrybox. He began
|
|
to remember that this had happened or had been mentioned as having
|
|
happened before but it cost him no small effort before he remembered that
|
|
he recognised in the sentry a quondam friend of his father's, Gumley. To
|
|
avoid a meeting he drew nearer to the pillars of the railway bridge.
|
|
|
|
--Someone saluted you, Mr Bloom said.
|
|
|
|
A figure of middle height on the prowl evidently under the arches saluted
|
|
again, calling:
|
|
|
|
--NIGHT!
|
|
|
|
Stephen of course started rather dizzily and stopped to return the
|
|
compliment. Mr Bloom actuated by motives of inherent delicacy inasmuch as
|
|
he always believed in minding his own business moved off but nevertheless
|
|
remained on the QUI VIVE with just a shade of anxiety though not funkyish
|
|
in the least. Though unusual in the Dublin area he knew that it was not
|
|
by any means unknown for desperadoes who had next to nothing to live on
|
|
to be abroad waylaying and generally terrorising peaceable pedestrians by
|
|
placing a pistol at their head in some secluded spot outside the city
|
|
proper, famished loiterers of the Thames embankment category they might
|
|
be hanging about there or simply marauders ready to decamp with whatever
|
|
boodle they could in one fell swoop at a moment's notice, your money or
|
|
your life, leaving you there to point a moral, gagged and garrotted.
|
|
|
|
Stephen, that is when the accosting figure came to close quarters, though
|
|
he was not in an over sober state himself recognised Corley's breath
|
|
redolent of rotten cornjuice. Lord John Corley some called him and his
|
|
genealogy came about in this wise. He was the eldest son of inspector
|
|
Corley of the G division, lately deceased, who had married a certain
|
|
Katherine Brophy, the daughter of a Louth farmer. His grandfather Patrick
|
|
Michael Corley of New Ross had married the widow of a publican there
|
|
whose maiden name had been Katherine (also) Talbot. Rumour had it (though
|
|
not proved) that she descended from the house of the lords Talbot de
|
|
Malahide in whose mansion, really an unquestionably fine residence of its
|
|
kind and well worth seeing, her mother or aunt or some relative, a woman,
|
|
as the tale went, of extreme beauty, had enjoyed the distinction of being
|
|
in service in the washkitchen. This therefore was the reason why the
|
|
still comparatively young though dissolute man who now addressed Stephen
|
|
was spoken of by some with facetious proclivities as Lord John Corley.
|
|
|
|
Taking Stephen on one side he had the customary doleful ditty to tell.
|
|
Not as much as a farthing to purchase a night's lodgings. His friends had
|
|
all deserted him. Furthermore he had a row with Lenehan and called him to
|
|
Stephen a mean bloody swab with a sprinkling of a number of other
|
|
uncalledfor expressions. He was out of a job and implored of Stephen to
|
|
tell him where on God's earth he could get something, anything at all, to
|
|
do. No, it was the daughter of the mother in the washkitchen that was
|
|
fostersister to the heir of the house or else they were connected through
|
|
the mother in some way, both occurrences happening at the same time if
|
|
the whole thing wasn't a complete fabrication from start to finish.
|
|
Anyhow he was all in.
|
|
|
|
--I wouldn't ask you only, pursued he, on my solemn oath and God knows
|
|
I'm on the rocks.
|
|
|
|
--There'll be a job tomorrow or next day, Stephen told him, in a boys'
|
|
school at Dalkey for a gentleman usher. Mr Garrett Deasy. Try it. You may
|
|
mention my name.
|
|
|
|
--Ah, God, Corley replied, sure I couldn't teach in a school, man. I was
|
|
never one of your bright ones, he added with a half laugh. I got stuck
|
|
twice in the junior at the christian brothers.
|
|
|
|
--I have no place to sleep myself, Stephen informed him.
|
|
|
|
Corley at the first go-off was inclined to suspect it was something to do
|
|
with Stephen being fired out of his digs for bringing in a bloody tart
|
|
off the street. There was a dosshouse in Marlborough street, Mrs
|
|
Maloney's, but it was only a tanner touch and full of undesirables but
|
|
M'Conachie told him you got a decent enough do in the Brazen Head over in
|
|
Winetavern street (which was distantly suggestive to the person addressed
|
|
of friar Bacon) for a bob. He was starving too though he hadn't said a
|
|
word about it.
|
|
|
|
Though this sort of thing went on every other night or very near it still
|
|
Stephen's feelings got the better of him in a sense though he knew that
|
|
Corley's brandnew rigmarole on a par with the others was hardly deserving
|
|
of much credence. However HAUD IGNARUS MALORUM MISERIS SUCCURRERE DISCO
|
|
etcetera as the Latin poet remarks especially as luck would have it he
|
|
got paid his screw after every middle of the month on the sixteenth which
|
|
was the date of the month as a matter of fact though a good bit of the
|
|
wherewithal was demolished. But the cream of the joke was nothing would
|
|
get it out of Corley's head that he was living in affluence and hadn't a
|
|
thing to do but hand out the needful. Whereas. He put his hand in a
|
|
pocket anyhow not with the idea of finding any food there but thinking he
|
|
might lend him anything up to a bob or so in lieu so that he might
|
|
endeavour at all events and get sufficient to eat but the result was in
|
|
the negative for, to his chagrin, he found his cash missing. A few broken
|
|
biscuits were all the result of his investigation. He tried his hardest
|
|
to recollect for the moment whether he had lost as well he might have or
|
|
left because in that contingency it was not a pleasant lookout, very much
|
|
the reverse in fact. He was altogether too fagged out to institute a
|
|
thorough search though he tried to recollect. About biscuits he dimly
|
|
remembered. Who now exactly gave them he wondered or where was or did he
|
|
buy. However in another pocket he came across what he surmised in the
|
|
dark were pennies, erroneously however, as it turned out.
|
|
|
|
--Those are halfcrowns, man, Corley corrected him.
|
|
|
|
And so in point of fact they turned out to be. Stephen anyhow lent him
|
|
one of them.
|
|
|
|
--Thanks, Corley answered, you're a gentleman. I'll pay you back one
|
|
time. Who's that with you? I saw him a few times in the Bleeding Horse in
|
|
Camden street with Boylan, the billsticker. You might put in a good word
|
|
for us to get me taken on there. I'd carry a sandwichboard only the girl
|
|
in the office told me they're full up for the next three weeks, man. God,
|
|
you've to book ahead, man, you'd think it was for the Carl Rosa. I don't
|
|
give a shite anyway so long as I get a job, even as a crossing sweeper.
|
|
|
|
Subsequently being not quite so down in the mouth after the two and six
|
|
he got he informed Stephen about a fellow by the name of Bags Comisky
|
|
that he said Stephen knew well out of Fullam's, the shipchandler's,
|
|
bookkeeper there that used to be often round in Nagle's back with O'Mara
|
|
and a little chap with a stutter the name of Tighe. Anyhow he was lagged
|
|
the night before last and fined ten bob for a drunk and disorderly and
|
|
refusing to go with the constable.
|
|
|
|
Mr Bloom in the meanwhile kept dodging about in the vicinity of the
|
|
cobblestones near the brazier of coke in front of the corporation
|
|
watchman's sentrybox who evidently a glutton for work, it struck him, was
|
|
having a quiet forty winks for all intents and purposes on his own
|
|
private account while Dublin slept. He threw an odd eye at the same time
|
|
now and then at Stephen's anything but immaculately attired interlocutor
|
|
as if he had seen that nobleman somewhere or other though where he was
|
|
not in a position to truthfully state nor had he the remotest idea when.
|
|
Being a levelheaded individual who could give points to not a few in
|
|
point of shrewd observation he also remarked on his very dilapidated hat
|
|
and slouchy wearing apparel generally testifying to a chronic
|
|
impecuniosity. Palpably he was one of his hangerson but for the matter of
|
|
that it was merely a question of one preying on his nextdoor neighbour
|
|
all round, in every deep, so to put it, a deeper depth and for the matter
|
|
of that if the man in the street chanced to be in the dock himself penal
|
|
servitude with or without the option of a fine would be a very rara avis
|
|
altogether. In any case he had a consummate amount of cool assurance
|
|
intercepting people at that hour of the night or morning. Pretty thick
|
|
that was certainly.
|
|
|
|
The pair parted company and Stephen rejoined Mr Bloom who, with his
|
|
practised eye, was not without perceiving that he had succumbed to the
|
|
blandiloquence of the other parasite. Alluding to the encounter he said,
|
|
laughingly, Stephen, that is:
|
|
|
|
--He is down on his luck. He asked me to ask you to ask somebody named
|
|
Boylan, a billsticker, to give him a job as a sandwichman.
|
|
|
|
At this intelligence, in which he seemingly evinced little interest, Mr
|
|
Bloom gazed abstractedly for the space of a half a second or so in the
|
|
direction of a bucketdredger, rejoicing in the farfamed name of Eblana,
|
|
moored alongside Customhouse quay and quite possibly out of repair,
|
|
whereupon he observed evasively:
|
|
|
|
--Everybody gets their own ration of luck, they say. Now you mention it
|
|
his face was familiar to me. But, leaving that for the moment, how much
|
|
did you part with, he queried, if I am not too inquisitive?
|
|
|
|
--Half a crown, Stephen responded. I daresay he needs it to sleep
|
|
somewhere.
|
|
|
|
--Needs! Mr Bloom ejaculated, professing not the least surprise at the
|
|
intelligence, I can quite credit the assertion and I guarantee he
|
|
invariably does. Everyone according to his needs or everyone according to
|
|
his deeds. But, talking about things in general, where, added he with a
|
|
smile, will you sleep yourself? Walking to Sandycove is out of the
|
|
question. And even supposing you did you won't get in after what occurred
|
|
at Westland Row station. Simply fag out there for nothing. I don't mean
|
|
to presume to dictate to you in the slightest degree but why did you
|
|
leave your father's house?
|
|
|
|
--To seek misfortune, was Stephen's answer.
|
|
|
|
--I met your respected father on a recent occasion, Mr Bloom
|
|
diplomatically returned, today in fact, or to be strictly accurate, on
|
|
yesterday. Where does he live at present? I gathered in the course of
|
|
conversation that he had moved.
|
|
|
|
--I believe he is in Dublin somewhere, Stephen answered unconcernedly.
|
|
Why?
|
|
|
|
--A gifted man, Mr Bloom said of Mr Dedalus senior, in more respects than
|
|
one and a born RACONTEUR if ever there was one. He takes great pride,
|
|
quite legitimate, out of you. You could go back perhaps, he hasarded,
|
|
still thinking of the very unpleasant scene at Westland Row terminus when
|
|
it was perfectly evident that the other two, Mulligan, that is, and that
|
|
English tourist friend of his, who eventually euchred their third
|
|
companion, were patently trying as if the whole bally station belonged to
|
|
them to give Stephen the slip in the confusion, which they did.
|
|
|
|
There was no response forthcoming to the suggestion however, such as it
|
|
was, Stephen's mind's eye being too busily engaged in repicturing his
|
|
family hearth the last time he saw it with his sister Dilly sitting by
|
|
the ingle, her hair hanging down, waiting for some weak Trinidad shell
|
|
cocoa that was in the sootcoated kettle to be done so that she and he
|
|
could drink it with the oatmealwater for milk after the Friday herrings
|
|
they had eaten at two a penny with an egg apiece for Maggy, Boody and
|
|
Katey, the cat meanwhile under the mangle devouring a mess of eggshells
|
|
and charred fish heads and bones on a square of brown paper, in
|
|
accordance with the third precept of the church to fast and abstain on
|
|
the days commanded, it being quarter tense or if not, ember days or
|
|
something like that.
|
|
|
|
--No, Mr Bloom repeated again, I wouldn't personally repose much trust in
|
|
that boon companion of yours who contributes the humorous element, Dr
|
|
Mulligan, as a guide, philosopher and friend if I were in your shoes. He
|
|
knows which side his bread is buttered on though in all probability he
|
|
never realised what it is to be without regular meals. Of course you
|
|
didn't notice as much as I did. But it wouldn't occasion me the least
|
|
surprise to learn that a pinch of tobacco or some narcotic was put in
|
|
your drink for some ulterior object.
|
|
|
|
He understood however from all he heard that Dr Mulligan was a versatile
|
|
allround man, by no means confined to medicine only, who was rapidly
|
|
coming to the fore in his line and, if the report was verified, bade fair
|
|
to enjoy a flourishing practice in the not too distant future as a tony
|
|
medical practitioner drawing a handsome fee for his services in addition
|
|
to which professional status his rescue of that man from certain drowning
|
|
by artificial respiration and what they call first aid at Skerries, or
|
|
Malahide was it?, was, he was bound to admit, an exceedingly plucky deed
|
|
which he could not too highly praise, so that frankly he was utterly at a
|
|
loss to fathom what earthly reason could be at the back of it except he
|
|
put it down to sheer cussedness or jealousy, pure and simple.
|
|
|
|
--Except it simply amounts to one thing and he is what they call picking
|
|
your brains, he ventured to throw o.ut.
|
|
|
|
The guarded glance of half solicitude half curiosity augmented by
|
|
friendliness which he gave at Stephen's at present morose expression of
|
|
features did not throw a flood of light, none at all in fact on the
|
|
problem as to whether he had let himself be badly bamboozled to judge by
|
|
two or three lowspirited remarks he let drop or the other way about saw
|
|
through the affair and for some reason or other best known to himself
|
|
allowed matters to more or less. Grinding poverty did have that effect
|
|
and he more than conjectured that, high educational abilities though he
|
|
possessed, he experienced no little difficulty in making both ends meet.
|
|
|
|
Adjacent to the men's public urinal they perceived an icecream car round
|
|
which a group of presumably Italians in heated altercation were getting
|
|
rid of voluble expressions in their vivacious language in a particularly
|
|
animated way, there being some little differences between the parties.
|
|
|
|
--PUTTANA MADONNA, CHE CI DIA I QUATTRINI! HO RAGIONE? CULO ROTTO!
|
|
|
|
--INTENDIAMOCI. MEZZO SOVRANO PIU ...
|
|
|
|
--DICE LUI, PERO!
|
|
|
|
--MEZZO.
|
|
|
|
--FARABUTTO! MORTACCI SUI!
|
|
|
|
--MA ASCOLTA! CINQUE LA TESTA PIU ...
|
|
|
|
Mr Bloom and Stephen entered the cabman's shelter, an unpretentious
|
|
wooden structure, where, prior to then, he had rarely if ever been
|
|
before, the former having previously whispered to the latter a few hints
|
|
anent the keeper of it said to be the once famous Skin-the-Goat
|
|
Fitzharris, the invincible, though he could not vouch for the actual
|
|
facts which quite possibly there was not one vestige of truth in. A few
|
|
moments later saw our two noctambules safely seated in a discreet corner
|
|
only to be greeted by stares from the decidedly miscellaneous collection
|
|
of waifs and strays and other nondescript specimens of the genus HOMO
|
|
already there engaged in eating and drinking diversified by conversation
|
|
for whom they seemingly formed an object of marked curiosity.
|
|
|
|
--Now touching a cup of coffee, Mr Bloom ventured to plausibly suggest to
|
|
break the ice, it occurs to me you ought to sample something in the shape
|
|
of solid food, say, a roll of some description.
|
|
|
|
Accordingly his first act was with characteristic SANGFROID to order
|
|
these commodities quietly. The HOI POLLOI of jarvies or stevedores or
|
|
whatever they were after a cursory examination turned their eyes
|
|
apparently dissatisfied, away though one redbearded bibulous individual
|
|
portion of whose hair was greyish, a sailor probably, still stared for
|
|
some appreciable time before transferring his rapt attention to the
|
|
floor. Mr Bloom, availing himself of the right of free speech, he having
|
|
just a bowing acquaintance with the language in dispute, though, to be
|
|
sure, rather in a quandary over VOGLIO, remarked to his PROTEGE in an
|
|
audible tone of voice A PROPOS of the battle royal in the street which
|
|
was still raging fast and furious:
|
|
|
|
--A beautiful language. I mean for singing purposes. Why do you not write
|
|
your poetry in that language? BELLA POETRIA! It is so melodious and full.
|
|
BELLADONNA. VOGLIO.
|
|
|
|
Stephen, who was trying his dead best to yawn if he could, suffering from
|
|
lassitude generally, replied:
|
|
|
|
--To fill the ear of a cow elephant. They were haggling over money.
|
|
|
|
--Is that so? Mr Bloom asked. Of course, he subjoined pensively, at the
|
|
inward reflection of there being more languages to start with than were
|
|
absolutely necessary, it may be only the southern glamour that surrounds
|
|
it.
|
|
|
|
The keeper of the shelter in the middle of this TETE-A-TETE put a boiling
|
|
swimming cup of a choice concoction labelled coffee on the table and a
|
|
rather antediluvian specimen of a bun, or so it seemed. After which he
|
|
beat a retreat to his counter, Mr Bloom determining to have a good square
|
|
look at him later on so as not to appear to. For which reason he
|
|
encouraged Stephen to proceed with his eyes while he did the honours by
|
|
surreptitiously pushing the cup of what was temporarily supposed to be
|
|
called coffee gradually nearer him.
|
|
|
|
--Sounds are impostures, Stephen said after a pause of some little time,
|
|
like names. Cicero, Podmore. Napoleon, Mr Goodbody. Jesus, Mr Doyle.
|
|
Shakespeares were as common as Murphies. What's in a name?
|
|
|
|
--Yes, to be sure, Mr Bloom unaffectedly concurred. Of course. Our name
|
|
was changed too, he added, pushing the socalled roll across.
|
|
|
|
The redbearded sailor who had his weather eye on the newcomers boarded
|
|
Stephen, whom he had singled out for attention in particular, squarely by
|
|
asking:
|
|
|
|
--And what might your name be?
|
|
|
|
Just in the nick of time Mr Bloom touched his companion's boot but
|
|
Stephen, apparently disregarding the warm pressure from an unexpected
|
|
quarter, answered:
|
|
|
|
--Dedalus.
|
|
|
|
The sailor stared at him heavily from a pair of drowsy baggy eyes, rather
|
|
bunged up from excessive use of boose, preferably good old Hollands and
|
|
water.
|
|
|
|
--You know Simon Dedalus? he asked at length.
|
|
|
|
--I've heard of him, Stephen said.
|
|
|
|
Mr Bloom was all at sea for a moment, seeing the others evidently
|
|
eavesdropping too.
|
|
|
|
--He's Irish, the seaman bold affirmed, staring still in much the same
|
|
way and nodding. All Irish.
|
|
|
|
--All too Irish, Stephen rejoined.
|
|
|
|
As for Mr Bloom he could neither make head or tail of the whole business
|
|
and he was just asking himself what possible connection when the sailor
|
|
of his own accord turned to the other occupants of the shelter with the
|
|
remark:
|
|
|
|
--I seen him shoot two eggs off two bottles at fifty yards over his
|
|
shoulder. The lefthand dead shot.
|
|
|
|
Though he was slightly hampered by an occasional stammer and his gestures
|
|
being also clumsy as it was still he did his best to explain.
|
|
|
|
--Bottles out there, say. Fifty yards measured. Eggs on the bottles.
|
|
Cocks his gun over his shoulder. Aims.
|
|
|
|
He turned his body half round, shut up his right eye completely. Then he
|
|
screwed his features up someway sideways and glared out into the night
|
|
with an unprepossessing cast of countenance.
|
|
|
|
--Pom! he then shouted once.
|
|
|
|
The entire audience waited, anticipating an additional detonation, there
|
|
being still a further egg.
|
|
|
|
--Pom! he shouted twice.
|
|
|
|
Egg two evidently demolished, he nodded and winked, adding
|
|
bloodthirstily:
|
|
|
|
|
|
--BUFFALO BILL SHOOTS TO KILL,
|
|
NEVER MISSED NOR HE NEVER WILL.
|
|
|
|
|
|
A silence ensued till Mr Bloom for agreeableness' sake just felt like
|
|
asking him whether it was for a marksmanship competition like the Bisley.
|
|
|
|
--Beg pardon, the sailor said.
|
|
|
|
--Long ago? Mr Bloom pursued without flinching a hairsbreadth.
|
|
|
|
--Why, the sailor replied, relaxing to a certain extent under the magic
|
|
influence of diamond cut diamond, it might be a matter of ten years. He
|
|
toured the wide world with Hengler's Royal Circus. I seen him do that in
|
|
Stockholm.
|
|
|
|
--Curious coincidence, Mr Bloom confided to Stephen unobtrusively.
|
|
|
|
--Murphy's my name, the sailor continued. D. B. Murphy of Carrigaloe.
|
|
Know where that is?
|
|
|
|
--Queenstown harbour, Stephen replied.
|
|
|
|
--That's right, the sailor said. Fort Camden and Fort Carlisle. That's
|
|
where I hails from. I belongs there. That's where I hails from. My little
|
|
woman's down there. She's waiting for me, I know. FOR ENGLAND, HOME AND
|
|
BEAUTY. She's my own true wife I haven't seen for seven years now,
|
|
sailing about.
|
|
|
|
Mr Bloom could easily picture his advent on this scene, the homecoming to
|
|
the mariner's roadside shieling after having diddled Davy Jones, a rainy
|
|
night with a blind moon. Across the world for a wife. Quite a number of
|
|
stories there were on that particular Alice Ben Bolt topic, Enoch Arden
|
|
and Rip van Winkle and does anybody hereabouts remember Caoc O'Leary, a
|
|
favourite and most trying declamation piece by the way of poor John Casey
|
|
and a bit of perfect poetry in its own small way. Never about the runaway
|
|
wife coming back, however much devoted to the absentee. The face at the
|
|
window! Judge of his astonishment when he finally did breast the tape and
|
|
the awful truth dawned upon him anent his better half, wrecked in his
|
|
affections. You little expected me but I've come to stay and make a fresh
|
|
start. There she sits, a grasswidow, at the selfsame fireside. Believes
|
|
me dead, rocked in the cradle of the deep. And there sits uncle Chubb or
|
|
Tomkin, as the case might be, the publican of the Crown and Anchor, in
|
|
shirtsleeves, eating rumpsteak and onions. No chair for father. Broo! The
|
|
wind! Her brandnew arrival is on her knee, POST MORTEM child. With a high
|
|
ro! and a randy ro! and my galloping tearing tandy, O! Bow to the
|
|
inevitable. Grin and bear it. I remain with much love your brokenhearted
|
|
husband D B Murphy.
|
|
|
|
The sailor, who scarcely seemed to be a Dublin resident, turned to one of
|
|
the jarvies with the request:
|
|
|
|
--You don't happen to have such a thing as a spare chaw about you?
|
|
|
|
The jarvey addressed as it happened had not but the keeper took a die of
|
|
plug from his good jacket hanging on a nail and the desired object was
|
|
passed from hand to hand.
|
|
|
|
--Thank you, the sailor said.
|
|
|
|
He deposited the quid in his gob and, chewing and with some slow
|
|
stammers, proceeded:
|
|
|
|
--We come up this morning eleven o'clock. The threemaster ROSEVEAN from
|
|
Bridgwater with bricks. I shipped to get over. Paid off this afternoon.
|
|
There's my discharge. See? D. B. Murphy. A. B. S.
|
|
|
|
In confirmation of which statement he extricated from an inside pocket
|
|
and handed to his neighbour a not very cleanlooking folded document.
|
|
|
|
--You must have seen a fair share of the world, the keeper remarked,
|
|
leaning on the counter.
|
|
|
|
--Why, the sailor answered upon reflection upon it, I've circumnavigated
|
|
a bit since I first joined on. I was in the Red Sea. I was in China and
|
|
North America and South America. We was chased by pirates one voyage. I
|
|
seen icebergs plenty, growlers. I was in Stockholm and the Black Sea, the
|
|
Dardanelles under Captain Dalton, the best bloody man that ever scuttled
|
|
a ship. I seen Russia. GOSPODI POMILYOU. That's how the Russians prays.
|
|
|
|
--You seen queer sights, don't be talking, put in a jarvey.
|
|
|
|
--Why, the sailor said, shifting his partially chewed plug. I seen queer
|
|
things too, ups and downs. I seen a crocodile bite the fluke of an anchor
|
|
same as I chew that quid.
|
|
|
|
He took out of his mouth the pulpy quid and, lodging it between his
|
|
teeth, bit ferociously:
|
|
|
|
--Khaan! Like that. And I seen maneaters in Peru that eats corpses and
|
|
the livers of horses. Look here. Here they are. A friend of mine sent me.
|
|
|
|
He fumbled out a picture postcard from his inside pocket which seemed to
|
|
be in its way a species of repository and pushed it along the table. The
|
|
printed matter on it stated: CHOZA DE INDIOS. BENI, BOLIVIA.
|
|
|
|
All focussed their attention at the scene exhibited, a group of savage
|
|
women in striped loincloths, squatted, blinking, suckling, frowning,
|
|
sleeping amid a swarm of infants (there must have been quite a score of
|
|
them) outside some primitive shanties of osier.
|
|
|
|
--Chews coca all day, the communicative tarpaulin added. Stomachs like
|
|
breadgraters. Cuts off their diddies when they can't bear no more
|
|
children.
|
|
|
|
See them sitting there stark ballocknaked eating a dead horse's liver
|
|
raw.
|
|
|
|
His postcard proved a centre of attraction for Messrs the greenhorns for
|
|
several minutes if not more.
|
|
|
|
--Know how to keep them off? he inquired generally.
|
|
|
|
Nobody volunteering a statement he winked, saying:
|
|
|
|
--Glass. That boggles 'em. Glass.
|
|
|
|
Mr Bloom, without evincing surprise, unostentatiously turned over the
|
|
card to peruse the partially obliterated address and postmark. It ran as
|
|
follows: TARJETA POSTAL, SENOR A BOUDIN, GALERIA BECCHE, SANTIAGO, CHILE.
|
|
There was no message evidently, as he took particular notice. Though not
|
|
an implicit believer in the lurid story narrated (or the eggsniping
|
|
transaction for that matter despite William Tell and the Lazarillo-Don
|
|
Cesar de Bazan incident depicted in MARITANA on which occasion the
|
|
former's ball passed through the latter's hat) having detected a
|
|
discrepancy between his name (assuming he was the person he represented
|
|
himself to be and not sailing under false colours after having boxed the
|
|
compass on the strict q.t. somewhere) and the fictitious addressee of the
|
|
missive which made him nourish some suspicions of our friend's BONA FIDES
|
|
nevertheless it reminded him in a way of a longcherished plan he meant to
|
|
one day realise some Wednesday or Saturday of travelling to London via
|
|
long sea not to say that he had ever travelled extensively to any great
|
|
extent but he was at heart a born adventurer though by a trick of fate he
|
|
had consistently remained a landlubber except you call going to Holyhead
|
|
which was his longest. Martin Cunningham frequently said he would work a
|
|
pass through Egan but some deuced hitch or other eternally cropped up
|
|
with the net result that the scheme fell through. But even suppose it did
|
|
come to planking down the needful and breaking Boyd's heart it was not so
|
|
dear, purse permitting, a few guineas at the outside considering the fare
|
|
to Mullingar where he figured on going was five and six, there and back.
|
|
The trip would benefit health on account of the bracing ozone and be in
|
|
every way thoroughly pleasurable, especially for a chap whose liver was
|
|
out of order, seeing the different places along the route, Plymouth,
|
|
Falmouth, Southampton and so on culminating in an instructive tour of the
|
|
sights of the great metropolis, the spectacle of our modern Babylon where
|
|
doubtless he would see the greatest improvement, tower, abbey, wealth of
|
|
Park lane to renew acquaintance with. Another thing just struck him as a
|
|
by no means bad notion was he might have a gaze around on the spot to see
|
|
about trying to make arrangements about a concert tour of summer music
|
|
embracing the most prominent pleasure resorts, Margate with mixed bathing
|
|
and firstrate hydros and spas, Eastbourne, Scarborough, Margate and so
|
|
on, beautiful Bournemouth, the Channel islands and similar bijou spots,
|
|
which might prove highly remunerative. Not, of course, with a hole and
|
|
corner scratch company or local ladies on the job, witness Mrs C P M'Coy
|
|
type lend me your valise and I'll post you the ticket. No, something top
|
|
notch, an all star Irish caste, the Tweedy-Flower grand opera company
|
|
with his own legal consort as leading lady as a sort of counterblast to
|
|
the Elster Grimes and Moody-Manners, perfectly simple matter and he was
|
|
quite sanguine of success, providing puffs in the local papers could be
|
|
managed by some fellow with a bit of bounce who could pull the
|
|
indispensable wires and thus combine business with pleasure. But who?
|
|
That was the rub. Also, without being actually positive, it struck him a
|
|
great field was to be opened up in the line of opening up new routes to
|
|
keep pace with the times APROPOS of the Fishguard-Rosslare route which,
|
|
it was mooted, was once more on the TAPIS in the circumlocution
|
|
departments with the usual quantity of red tape and dillydallying of
|
|
effete fogeydom and dunderheads generally. A great opportunity there
|
|
certainly was for push and enterprise to meet the travelling needs of the
|
|
public at large, the average man, i.e. Brown, Robinson and Co.
|
|
|
|
It was a subject of regret and absurd as well on the face of it and no
|
|
small blame to our vaunted society that the man in the street, when the
|
|
system really needed toning up, for the matter of a couple of paltry
|
|
pounds was debarred from seeing more of the world they lived in instead
|
|
of being always and ever cooped up since my old stick-in-the-mud took me
|
|
for a wife. After all, hang it, they had their eleven and more humdrum
|
|
months of it and merited a radical change of VENUE after the grind of
|
|
city life in the summertime for choice when dame Nature is at her
|
|
spectacular best constituting nothing short of a new lease of life. There
|
|
were equally excellent opportunities for vacationists in the home island,
|
|
delightful sylvan spots for rejuvenation, offering a plethora of
|
|
attractions as well as a bracing tonic for the system in and around
|
|
Dublin and its picturesque environs even, Poulaphouca to which there was
|
|
a steamtram, but also farther away from the madding crowd in Wicklow,
|
|
rightly termed the garden of Ireland, an ideal neighbourhood for elderly
|
|
wheelmen so long as it didn't come down, and in the wilds of Donegal
|
|
where if report spoke true the COUP D'OEIL was exceedingly grand though
|
|
the lastnamed locality was not easily getatable so that the influx of
|
|
visitors was not as yet all that it might be considering the signal
|
|
benefits to be derived from it while Howth with its historic associations
|
|
and otherwise, Silken Thomas, Grace O'Malley, George IV, rhododendrons
|
|
several hundred feet above sealevel was a favourite haunt with all sorts
|
|
and conditions of men especially in the spring when young men's fancy,
|
|
though it had its own toll of deaths by falling off the cliffs by design
|
|
or accidentally, usually, by the way, on their left leg, it being only
|
|
about three quarters of an hour's run from the pillar. Because of course
|
|
uptodate tourist travelling was as yet merely in its infancy, so to
|
|
speak, and the accommodation left much to be desired. Interesting to
|
|
fathom it seemed to him from a motive of curiosity, pure and simple, was
|
|
whether it was the traffic that created the route or viceversa or the two
|
|
sides in fact. He turned back the other side of the card, picture, and
|
|
passed it along to Stephen.
|
|
|
|
--I seen a Chinese one time, related the doughty narrator, that had
|
|
little pills like putty and he put them in the water and they opened and
|
|
every pill was something different. One was a ship, another was a house,
|
|
another was a flower. Cooks rats in your soup, he appetisingly added, the
|
|
chinks does.
|
|
|
|
Possibly perceiving an expression of dubiosity on their faces the
|
|
globetrotter went on, adhering to his adventures.
|
|
|
|
--And I seen a man killed in Trieste by an Italian chap. Knife in his
|
|
back. Knife like that.
|
|
|
|
Whilst speaking he produced a dangerouslooking claspknife quite in
|
|
keeping with his character and held it in the striking position.
|
|
|
|
--In a knockingshop it was count of a tryon between two smugglers. Fellow
|
|
hid behind a door, come up behind him. Like that. PREPARE TO MEET YOUR
|
|
GOD, says he. Chuk! It went into his back up to the butt.
|
|
|
|
His heavy glance drowsily roaming about kind of defied their further
|
|
questions even should they by any chance want to.
|
|
|
|
--That's a good bit of steel, repeated he, examining his formidable
|
|
STILETTO.
|
|
|
|
After which harrowing DENOUEMENT sufficient to appal the stoutest he
|
|
snapped the blade to and stowed the weapon in question away as before in
|
|
his chamber of horrors, otherwise pocket.
|
|
|
|
--They're great for the cold steel, somebody who was evidently quite in
|
|
the dark said for the benefit of them all. That was why they thought the
|
|
park murders of the invincibles was done by foreigners on account of them
|
|
using knives.
|
|
|
|
At this remark passed obviously in the spirit of WHERE IGNORANCE IS BLISS
|
|
Mr B. and Stephen, each in his own particular way, both instinctively
|
|
exchanged meaning glances, in a religious silence of the strictly ENTRE
|
|
NOUS variety however, towards where Skin-the-Goat, ALIAS the keeper, not
|
|
turning a hair, was drawing spurts of liquid from his boiler affair. His
|
|
inscrutable face which was really a work of art, a perfect study in
|
|
itself, beggaring description, conveyed the impression that he didn't
|
|
understand one jot of what was going on. Funny, very!
|
|
|
|
There ensued a somewhat lengthy pause. One man was reading in fits and
|
|
starts a stained by coffee evening journal, another the card with the
|
|
natives CHOZA DE, another the seaman's discharge. Mr Bloom, so far as he
|
|
was personally concerned, was just pondering in pensive mood. He vividly
|
|
recollected when the occurrence alluded to took place as well as
|
|
yesterday, roughly some score of years previously in the days of the land
|
|
troubles, when it took the civilised world by storm, figuratively
|
|
speaking, early in the eighties, eightyone to be correct, when he was
|
|
just turned fifteen.
|
|
|
|
--Ay, boss, the sailor broke in. Give us back them papers.
|
|
|
|
The request being complied with he clawed them up with a scrape.
|
|
|
|
--Have you seen the rock of Gibraltar? Mr Bloom inquired.
|
|
|
|
The sailor grimaced, chewing, in a way that might be read as yes, ay or
|
|
no.
|
|
|
|
--Ah, you've touched there too, Mr Bloom said, Europa point, thinking he
|
|
had, in the hope that the rover might possibly by some reminiscences but
|
|
he failed to do so, simply letting spirt a jet of spew into the sawdust,
|
|
and shook his head with a sort of lazy scorn.
|
|
|
|
--What year would that be about? Mr B interrogated. Can you recall the
|
|
boats?
|
|
|
|
Our SOI-DISANT sailor munched heavily awhile hungrily before answering:
|
|
|
|
--I'm tired of all them rocks in the sea, he said, and boats and ships.
|
|
Salt junk all the time.
|
|
|
|
Tired seemingly, he ceased. His questioner perceiving that he was not
|
|
likely to get a great deal of change out of such a wily old customer,
|
|
fell to woolgathering on the enormous dimensions of the water about the
|
|
globe, suffice it to say that, as a casual glance at the map revealed, it
|
|
covered fully three fourths of it and he fully realised accordingly what
|
|
it meant to rule the waves. On more than one occasion, a dozen at the
|
|
lowest, near the North Bull at Dollymount he had remarked a superannuated
|
|
old salt, evidently derelict, seated habitually near the not particularly
|
|
redolent sea on the wall, staring quite obliviously at it and it at him,
|
|
dreaming of fresh woods and pastures new as someone somewhere sings. And
|
|
it left him wondering why. Possibly he had tried to find out the secret
|
|
for himself, floundering up and down the antipodes and all that sort of
|
|
thing and over and under, well, not exactly under, tempting the fates.
|
|
And the odds were twenty to nil there was really no secret about it at
|
|
all. Nevertheless, without going into the MINUTIAE of the business, the
|
|
eloquent fact remained that the sea was there in all its glory and in the
|
|
natural course of things somebody or other had to sail on it and fly in
|
|
the face of providence though it merely went to show how people usually
|
|
contrived to load that sort of onus on to the other fellow like the hell
|
|
idea and the lottery and insurance which were run on identically the same
|
|
lines so that for that very reason if no other lifeboat Sunday was a
|
|
highly laudable institution to which the public at large, no matter where
|
|
living inland or seaside, as the case might be, having it brought home to
|
|
them like that should extend its gratitude also to the harbourmasters and
|
|
coastguard service who had to man the rigging and push off and out amid
|
|
the elements whatever the season when duty called IRELAND EXPECTS THAT
|
|
EVERY MAN and so on and sometimes had a terrible time of it in the
|
|
wintertime not forgetting the Irish lights, Kish and others, liable to
|
|
capsize at any moment, rounding which he once with his daughter had
|
|
experienced some remarkably choppy, not to say stormy, weather.
|
|
|
|
--There was a fellow sailed with me in the Rover, the old seadog, himself
|
|
a rover, proceeded, went ashore and took up a soft job as gentleman's
|
|
valet at six quid a month. Them are his trousers I've on me and he gave
|
|
me an oilskin and that jackknife. I'm game for that job, shaving and
|
|
brushup. I hate roaming about. There's my son now, Danny, run off to sea
|
|
and his mother got him took in a draper's in Cork where he could be
|
|
drawing easy money.
|
|
|
|
--What age is he? queried one hearer who, by the way, seen from the side,
|
|
bore a distant resemblance to Henry Campbell, the townclerk, away from
|
|
the carking cares of office, unwashed of course and in a seedy getup and
|
|
a strong suspicion of nosepaint about the nasal appendage.
|
|
|
|
--Why, the sailor answered with a slow puzzled utterance, my son, Danny?
|
|
He'd be about eighteen now, way I figure it.
|
|
|
|
The Skibbereen father hereupon tore open his grey or unclean anyhow shirt
|
|
with his two hands and scratched away at his chest on which was to be
|
|
seen an image tattooed in blue Chinese ink intended to represent an
|
|
anchor.
|
|
|
|
--There was lice in that bunk in Bridgwater, he remarked, sure as nuts. I
|
|
must get a wash tomorrow or next day. It's them black lads I objects to.
|
|
I hate those buggers. Suck your blood dry, they does.
|
|
|
|
Seeing they were all looking at his chest he accommodatingly dragged his
|
|
shirt more open so that on top of the timehonoured symbol of the
|
|
mariner's hope and rest they had a full view of the figure 16 and a young
|
|
man's sideface looking frowningly rather.
|
|
|
|
--Tattoo, the exhibitor explained. That was done when we were Iying
|
|
becalmed off Odessa in the Black Sea under Captain Dalton. Fellow, the
|
|
name of Antonio, done that. There he is himself, a Greek.
|
|
|
|
--Did it hurt much doing it? one asked the sailor.
|
|
|
|
That worthy, however, was busily engaged in collecting round the. Someway
|
|
in his. Squeezing or.
|
|
|
|
--See here, he said, showing Antonio. There he is cursing the mate. And
|
|
there he is now, he added, the same fellow, pulling the skin with his
|
|
fingers, some special knack evidently, and he laughing at a yarn.
|
|
|
|
And in point of fact the young man named Antonio's livid face did
|
|
actually look like forced smiling and the curious effect excited the
|
|
unreserved admiration of everybody including Skin-the-Goat, who this time
|
|
stretched over.
|
|
|
|
--Ay, ay, sighed the sailor, looking down on his manly chest. He's gone
|
|
too. Ate by sharks after. Ay, ay.
|
|
|
|
He let go of the skin so that the profile resumed the normal expression
|
|
of before.
|
|
|
|
--Neat bit of work, one longshoreman said.
|
|
|
|
--And what's the number for? loafer number two queried.
|
|
|
|
--Eaten alive? a third asked the sailor.
|
|
|
|
--Ay, ay, sighed again the latter personage, more cheerily this time with
|
|
some sort of a half smile for a brief duration only in the direction of
|
|
the questioner about the number. Ate. A Greek he was.
|
|
|
|
And then he added with rather gallowsbird humour considering his alleged
|
|
end:
|
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--AS BAD AS OLD ANTONIO,
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FOR HE LEFT ME ON MY OWNIO.
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The face of a streetwalker glazed and haggard under a black straw hat
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peered askew round the door of the shelter palpably reconnoitring on her
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own with the object of bringing more grist to her mill. Mr Bloom,
|
|
scarcely knowing which way to look, turned away on the moment flusterfied
|
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but outwardly calm, and, picking up from the table the pink sheet of the
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Abbey street organ which the jarvey, if such he was, had laid aside, he
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picked it up and looked at the pink of the paper though why pink. His
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reason for so doing was he recognised on the moment round the door the
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same face he had caught a fleeting glimpse of that afternoon on Ormond
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quay, the partially idiotic female, namely, of the lane who knew the lady
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in the brown costume does be with you (Mrs B.) and begged the chance of
|
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his washing. Also why washing which seemed rather vague than not, your
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washing. Still candour compelled him to admit he had washed his wife's
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undergarments when soiled in Holles street and women would and did too a
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man's similar garments initialled with Bewley and Draper's marking ink
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(hers were, that is) if they really loved him, that is to say, love me,
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love my dirty shirt. Still just then, being on tenterhooks, he desired
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the female's room more than her company so it came as a genuine relief
|
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when the keeper made her a rude sign to take herself off. Round the side
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of the Evening Telegraph he just caught a fleeting glimpse of her face
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round the side of the door with a kind of demented glassy grin showing
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that she was not exactly all there, viewing with evident amusement the
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group of gazers round skipper Murphy's nautical chest and then there was
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no more of her.
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--The gunboat, the keeper said.
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--It beats me, Mr Bloom confided to Stephen, medically I am speaking, how
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a wretched creature like that from the Lock hospital reeking with disease
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can be barefaced enough to solicit or how any man in his sober senses, if
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he values his health in the least. Unfortunate creature! Of course I
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suppose some man is ultimately responsible for her condition. Still no
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|
matter what the cause is from ...
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Stephen had not noticed her and shrugged his shoulders, merely remarking:
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--In this country people sell much more than she ever had and do a
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roaring trade. Fear not them that sell the body but have not power to buy
|
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the soul. She is a bad merchant. She buys dear and sells cheap.
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The elder man, though not by any manner of means an old maid or a prude,
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said it was nothing short of a crying scandal that ought to be put a stop
|
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to INSTANTER to say that women of that stamp (quite apart from any
|
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oldmaidish squeamishness on the subject), a necessary evil, w ere not
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licensed and medically inspected by the proper authorities, a thing, he
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could truthfully state, he, as a PATERFAMILIAS, was a stalwart advocate
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of from the very first start. Whoever embarked on a policy of the sort,
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he said, and ventilated the matter thoroughly would confer a lasting boon
|
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on everybody concerned.
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--You as a good catholic, he observed, talking of body and soul, believe
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in the soul. Or do you mean the intelligence, the brainpower as such, as
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distinct from any outside object, the table, let us say, that cup. I
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believe in that myself because it has been explained by competent men as
|
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the convolutions of the grey matter. Otherwise we would never have such
|
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inventions as X rays, for instance. Do you?
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Thus cornered, Stephen had to make a superhuman effort of memory to try
|
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and concentrate and remember before he could say:
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--They tell me on the best authority it is a simple substance and
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therefore incorruptible. It would be immortal, I understand, but for the
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possibility of its annihilation by its First Cause Who, from all I can
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hear, is quite capable of adding that to the number of His other
|
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practical jokes, CORRUPTIO PER SE and CORRUPTIO PER ACCIDENS both being
|
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excluded by court etiquette.
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Mr Bloom thoroughly acquiesced in the general gist of this though the
|
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mystical finesse involved was a bit out of his sublunary depth still he
|
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felt bound to enter a demurrer on the head of simple, promptly rejoining:
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--Simple? I shouldn't think that is the proper word. Of course, I grant
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you, to concede a point, you do knock across a simple soul once in a blue
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moon. But what I am anxious to arrive at is it is one thing for instance
|
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to invent those rays Rontgen did or the telescope like Edison, though I
|
|
believe it was before his time Galileo was the man, I mean, and the same
|
|
applies to the laws, for example, of a farreaching natural phenomenon
|
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such as electricity but it's a horse of quite another colour to say you
|
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believe in the existence of a supernatural God.
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--O that, Stephen expostulated, has been proved conclusively by several
|
|
of the bestknown passages in Holy Writ, apart from circumstantial
|
|
evidence.
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On this knotty point however the views of the pair, poles apart as they
|
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were both in schooling and everything else with the marked difference in
|
|
their respective ages, clashed.
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--Has been? the more experienced of the two objected, sticking to his
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original point with a smile of unbelief. I'm not so sure about that.
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That's a matter for everyman's opinion and, without dragging in the
|
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sectarian side of the business, I beg to differ with you IN TOTO there.
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|
My belief is, to tell you the candid truth, that those bits were genuine
|
|
forgeries all of them put in by monks most probably or it's the big
|
|
question of our national poet over again, who precisely wrote them like
|
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HAMLET and Bacon, as, you who know your Shakespeare infinitely better
|
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than I, of course I needn't tell you. Can't you drink that coffee, by the
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|
way? Let me stir it. And take a piece of that bun. It's like one of our
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skipper's bricks disguised. Still no-one can give what he hasn't got. Try
|
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a bit.
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--Couldn't, Stephen contrived to get out, his mental organs for the
|
|
moment refusing to dictate further.
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Faultfinding being a proverbially bad hat Mr Bloom thought well to stir
|
|
or try to the clotted sugar from the bottom and reflected with something
|
|
approaching acrimony on the Coffee Palace and its temperance (and
|
|
lucrative) work. To be sure it was a legitimate object and beyond yea or
|
|
nay did a world of good, shelters such as the present one they were in
|
|
run on teetotal lines for vagrants at night, concerts, dramatic evenings
|
|
and useful lectures (admittance free) by qualified men for the lower
|
|
orders. On the other hand he had a distinct and painful recollection they
|
|
paid his wife, Madam Marion Tweedy who had been prominently associated
|
|
with it at one time, a very modest remuneration indeed for her
|
|
pianoplaying. The idea, he was strongly inclined to believe, was to do
|
|
good and net a profit, there being no competition to speak of. Sulphate
|
|
of copper poison SO4 or something in some dried peas he remembered
|
|
reading of in a cheap eatinghouse somewhere but he couldn't remember when
|
|
it was or where. Anyhow inspection, medical inspection, of all eatables
|
|
seemed to him more than ever necessary which possibly accounted for the
|
|
vogue of Dr Tibble's Vi-Cocoa on account of the medical analysis
|
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involved.
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--Have a shot at it now, he ventured to say of the coffee after being
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|
stirred.
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Thus prevailed on to at any rate taste it Stephen lifted the heavy mug
|
|
from the brown puddle it clopped out of when taken up by the handle and
|
|
took a sip of the offending beverage.
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--Still it's solid food, his good genius urged, I'm a stickler for solid
|
|
food, his one and only reason being not gormandising in the least but
|
|
regular meals as the SINE QUA NON for any kind of proper work, mental or
|
|
manual. You ought to eat more solid food. You would feel a different man.
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--Liquids I can eat, Stephen said. But O, oblige me by taking away that
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knife. I can't look at the point of it. It reminds me of Roman history.
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Mr Bloom promptly did as suggested and removed the incriminated article,
|
|
a blunt hornhandled ordinary knife with nothing particularly Roman or
|
|
antique about it to the lay eye, observing that the point was the least
|
|
conspicuous point about it.
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--Our mutual friend's stories are like himself, Mr Bloom APROPOS of
|
|
knives remarked to his CONFIDANTE SOTTO VOCE. Do you think they are
|
|
genuine? He could spin those yarns for hours on end all night long and
|
|
lie like old boots. Look at him.
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Yet still though his eyes were thick with sleep and sea air life was full
|
|
of a host of things and coincidences of a terrible nature and it was
|
|
quite within the bounds of possibility that it was not an entire
|
|
fabrication though at first blush there was not much inherent probability
|
|
in all the spoof he got off his chest being strictly accurate gospel.
|
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He had been meantime taking stock of the individual in front of him and
|
|
Sherlockholmesing him up ever since he clapped eyes on him. Though a
|
|
wellpreserved man of no little stamina, if a trifle prone to baldness,
|
|
there was something spurious in the cut of his jib that suggested a jail
|
|
delivery and it required no violent stretch of imagination to associate
|
|
such a weirdlooking specimen with the oakum and treadmill fraternity. He
|
|
might even have done for his man supposing it was his own case he told,
|
|
as people often did about others, namely, that he killed him himself and
|
|
had served his four or five goodlooking years in durance vile to say
|
|
nothing of the Antonio personage (no relation to the dramatic personage
|
|
of identical name who sprang from the pen of our national poet) who
|
|
expiated his crimes in the melodramatic manner above described. On the
|
|
other hand he might be only bluffing, a pardonable weakness because
|
|
meeting unmistakable mugs, Dublin residents, like those jarvies waiting
|
|
news from abroad would tempt any ancient mariner who sailed the ocean
|
|
seas to draw the long bow about the schooner HESPERUS and etcetera. And
|
|
when all was said and done the lies a fellow told about himself couldn't
|
|
probably hold a proverbial candle to the wholesale whoppers other fellows
|
|
coined about him.
|
|
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|
--Mind you, I'm not saying that it's all a pure invention, he resumed.
|
|
Analogous scenes are occasionally, if not often, met with. Giants, though
|
|
that is rather a far cry, you see once in a way, Marcella the midget
|
|
queen. In those waxworks in Henry street I myself saw some Aztecs, as
|
|
they are called, sitting bowlegged, they couldn't straighten their legs
|
|
if you paid them because the muscles here, you see, he proceeded,
|
|
indicating on his companion the brief outline of the sinews or whatever
|
|
you like to call them behind the right knee, were utterly powerless from
|
|
sitting that way so long cramped up, being adored as gods. There's an
|
|
example again of simple souls.
|
|
|
|
However reverting to friend Sinbad and his horrifying adventures (who
|
|
reminded him a bit of Ludwig, ALIAS Ledwidge, when he occupied the boards
|
|
of the Gaiety when Michael Gunn was identified with the management in the
|
|
FLYING DUTCHMAN, a stupendous success, and his host of admirers came in
|
|
large numbers, everyone simply flocking to hear him though ships of any
|
|
sort, phantom or the reverse, on the stage usually fell a bit flat as
|
|
also did trains) there was nothing intrinsically incompatible about it,
|
|
he conceded. On the contrary that stab in the back touch was quite in
|
|
keeping with those italianos though candidly he was none the less free to
|
|
admit those icecreamers and friers in the fish way not to mention the
|
|
chip potato variety and so forth over in little Italy there near the
|
|
Coombe were sober thrifty hardworking fellows except perhaps a bit too
|
|
given to pothunting the harmless necessary animal of the feline
|
|
persuasion of others at night so as to have a good old succulent tuckin
|
|
with garlic DE RIGUEUR off him or her next day on the quiet and, he
|
|
added, on the cheap.
|
|
|
|
--Spaniards, for instance, he continued, passionate temperaments like
|
|
that, impetuous as Old Nick, are given to taking the law into their own
|
|
hands and give you your quietus doublequick with those poignards they
|
|
carry in the abdomen. It comes from the great heat, climate generally. My
|
|
wife is, so to speak, Spanish, half that is. Point of fact she could
|
|
actually claim Spanish nationality if she wanted, having been born in
|
|
(technically) Spain, i.e. Gibraltar. She has the Spanish type. Quite
|
|
dark, regular brunette, black. I for one certainly believe climate
|
|
accounts for character. That's why I asked you if you wrote your poetry
|
|
in Italian.
|
|
|
|
--The temperaments at the door, Stephen interposed with, were very
|
|
passionate about ten shillings. ROBERTO RUBA ROBA SUA.
|
|
|
|
--Quite so, Mr Bloom dittoed.
|
|
|
|
--Then, Stephen said staring and rambling on to himself or some unknown
|
|
listener somewhere, we have the impetuosity of Dante and the isosceles
|
|
triangle miss Portinari he fell in love with and Leonardo and san Tommaso
|
|
Mastino.
|
|
|
|
--It's in the blood, Mr Bloom acceded at once. All are washed in the
|
|
blood of the sun. Coincidence I just happened to be in the Kildare street
|
|
museum today, shortly prior to our meeting if I can so call it, and I
|
|
was just looking at those antique statues there. The splendid proportions
|
|
of hips, bosom. You simply don't knock against those kind of women here.
|
|
An exception here and there. Handsome yes, pretty in a way you find but
|
|
what I'm talking about is the female form. Besides they have so little
|
|
taste in dress, most of them, which greatly enhances a woman's natural
|
|
beauty, no matter what you say. Rumpled stockings, it may be, possibly
|
|
is, a foible of mine but still it's a thing I simply hate to see.
|
|
|
|
Interest, however, was starting to flag somewhat all round and then the
|
|
others got on to talking about accidents at sea, ships lost in a fog, goo
|
|
collisions with icebergs, all that sort of thing. Shipahoy of course had
|
|
his own say to say. He had doubled the cape a few odd times and weathered
|
|
a monsoon, a kind of wind, in the China seas and through all those perils
|
|
of the deep there was one thing, he declared, stood to him or words to
|
|
that effect, a pious medal he had that saved him.
|
|
|
|
So then after that they drifted on to the wreck off Daunt's rock, wreck
|
|
of that illfated Norwegian barque nobody could think of her name for the
|
|
moment till the jarvey who had really quite a look of Henry Campbell
|
|
remembered it PALME on Booterstown strand. That was the talk of the town
|
|
that year (Albert William Quill wrote a fine piece of original verse of
|
|
distinctive merit on the topic for the Irish TIMES), breakers running
|
|
over her and crowds and crowds on the shore in commotion petrified with
|
|
horror. Then someone said something about the case of the S. S. LADY
|
|
CAIRNS of Swansea run into by the MONA which was on an opposite tack in
|
|
rather muggyish weather and lost with all hands on deck. No aid was
|
|
given. Her master, the MONA'S, said he was afraid his collision bulkhead
|
|
would give way. She had no water, it appears, in her hold.
|
|
|
|
At this stage an incident happened. It having become necessary for him to
|
|
unfurl a reef the sailor vacated his seat.
|
|
|
|
--Let me cross your bows mate, he said to his neighbour who was just
|
|
gently dropping off into a peaceful doze.
|
|
|
|
He made tracks heavily, slowly with a dumpy sort of a gait to the door,
|
|
stepped heavily down the one step there was out of the shelter and bore
|
|
due left. While he was in the act of getting his bearings Mr Bloom who
|
|
noticed when he stood up that he had two flasks of presumably ship's rum
|
|
sticking one out of each pocket for the private consumption of his
|
|
burning interior, saw him produce a bottle and uncork it or unscrew and,
|
|
applying its nozzle to his lips, take a good old delectable swig out of
|
|
it with a gurgling noise. The irrepressible Bloom, who also had a shrewd
|
|
suspicion that the old stager went out on a manoeuvre after the
|
|
counterattraction in the shape of a female who however had disappeared to
|
|
all intents and purposes, could by straining just perceive him, when duly
|
|
refreshed by his rum puncheon exploit, gaping up at the piers and girders
|
|
of the Loop line rather out of his depth as of course it was all
|
|
radically altered since his last visit and greatly improved. Some person
|
|
or persons invisible directed him to the male urinal erected by the
|
|
cleansing committee all over the place for the purpose but after a brief
|
|
space of time during which silence reigned supreme the sailor, evidently
|
|
giving it a wide berth, eased himself closer at hand, the noise of his
|
|
bilgewater some little time subsequently splashing on the ground where it
|
|
apparently awoke a horse of the cabrank. A hoof scooped anyway for new
|
|
foothold after sleep and harness jingled. Slightly disturbed in his
|
|
sentrybox by the brazier of live coke the watcher of the corporation
|
|
stones who, though now broken down and fast breaking up, was none other
|
|
in stern reality than the Gumley aforesaid, now practically on the parish
|
|
rates, given the temporary job by Pat Tobin in all human probability from
|
|
dictates of humanity knowing him before shifted about and shuffled in his
|
|
box before composing his limbs again in to the arms of Morpheus, a truly
|
|
amazing piece of hard lines in its most virulent form on a fellow most
|
|
respectably connected and familiarised with decent home comforts all his
|
|
life who came in for a cool 100 pounds a year at one time which of course
|
|
the doublebarrelled ass proceeded to make general ducks and drakes of.
|
|
And there he was at the end of his tether after having often painted the
|
|
town tolerably pink without a beggarly stiver. He drank needless to be
|
|
told and it pointed only once more a moral when he might quite easily be
|
|
in a large way of business if--a big if, however--he had contrived to
|
|
cure himself of his particular partiality.
|
|
|
|
All meantime were loudly lamenting the falling off in Irish shipping,
|
|
coastwise and foreign as well, which was all part and parcel of the same
|
|
thing. A Palgrave Murphy boat was put off the ways at Alexandra basin,
|
|
the only launch that year. Right enough the harbours were there only no
|
|
ships ever called.
|
|
|
|
There were wrecks and wreckers, the keeper said, who was evidently AU
|
|
FAIT.
|
|
|
|
What he wanted to ascertain was why that ship ran bang against the only
|
|
rock in Galway bay when the Galway harbour scheme was mooted by a Mr
|
|
Worthington or some name like that, eh? Ask the then captain, he advised
|
|
them, how much palmoil the British government gave him for that day's
|
|
work, Captain John Lever of the Lever Line.
|
|
|
|
--Am I right, skipper? he queried of the sailor, now returning after his
|
|
private potation and the rest of his exertions.
|
|
|
|
That worthy picking up the scent of the fagend of the song or words
|
|
growled in wouldbe music but with great vim some kind of chanty or other
|
|
in seconds or thirds. Mr Bloom's sharp ears heard him then expectorate
|
|
the plug probably (which it was), so that he must have lodged it for the
|
|
time being in his fist while he did the drinking and making water jobs
|
|
and found it a bit sour after the liquid fire in question. Anyhow in he
|
|
rolled after his successful libation-CUM-potation, introducing an
|
|
atmosphere of drink into the SOIREE, boisterously trolling, like a
|
|
veritable son of a seacook:
|
|
|
|
|
|
--THE BISCUITS WAS AS HARD AS BRASS
|
|
AND THE BEEF AS SALT AS LOT'S WIFE'S ARSE.
|
|
O, JOHNNY LEVER!
|
|
JOHNNY LEVER, O!
|
|
|
|
|
|
After which effusion the redoubtable specimen duly arrived on the scene
|
|
and regaining his seat he sank rather than sat heavily on the form
|
|
provided. Skin-the-Goat, assuming he was he, evidently with an axe to
|
|
grind, was airing his grievances in a forcible-feeble philippic anent the
|
|
natural resources of Ireland or something of that sort which he described
|
|
in his lengthy dissertation as the richest country bar none on the face
|
|
of God's earth, far and away superior to England, with coal in large
|
|
quantities, six million pounds worth of pork exported every year, ten
|
|
millions between butter and eggs and all the riches drained out of it by
|
|
England levying taxes on the poor people that paid through the nose
|
|
always and gobbling up the best meat in the market and a lot more surplus
|
|
steam in the same vein. Their conversation accordingly became general and
|
|
all agreed that that was a fact. You could grow any mortal thing in Irish
|
|
soil, he stated, and there was that colonel Everard down there in Navan
|
|
growing tobacco. Where would you find anywhere the like of Irish bacon?
|
|
But a day of reckoning, he stated CRESCENDO with no uncertain voice,
|
|
thoroughly monopolising all the conversation, was in store for mighty
|
|
England, despite her power of pelf on account of her crimes. There would
|
|
be a fall and the greatest fall in history. The Germans and the Japs were
|
|
going to have their little lookin, he affirmed. The Boers were the
|
|
beginning of the end. Brummagem England was toppling already and her
|
|
downfall would be Ireland, her Achilles heel, which he explained to them
|
|
about the vulnerable point of Achilles, the Greek hero, a point his
|
|
auditors at once seized as he completely gripped their attention by
|
|
showing the tendon referred to on his boot. His advice to every Irishman
|
|
was: stay in the land of your birth and work for Ireland and live for
|
|
Ireland. Ireland, Parnell said, could not spare a single one of her sons.
|
|
|
|
Silence all round marked the termination of his FINALE. The impervious
|
|
navigator heard these lurid tidings, undismayed.
|
|
|
|
--Take a bit of doing, boss, retaliated that rough diamond palpably a bit
|
|
peeved in response to the foregoing truism.
|
|
|
|
To which cold douche referring to downfall and so on the keeper concurred
|
|
but nevertheless held to his main view.
|
|
|
|
--Who's the best troops in the army? the grizzled old veteran irately
|
|
interrogated. And the best jumpers and racers? And the best admirals and
|
|
generals we've got? Tell me that.
|
|
|
|
--The Irish, for choice, retorted the cabby like Campbell, facial
|
|
blemishes apart.
|
|
|
|
--That's right, the old tarpaulin corroborated. The Irish catholic
|
|
peasant. He's the backbone of our empire. You know Jem Mullins?
|
|
|
|
While allowing him his individual opinions as everyman the keeper added
|
|
he cared nothing for any empire, ours or his, and considered no Irishman
|
|
worthy of his salt that served it. Then they began to have a few
|
|
irascible words when it waxed hotter, both, needless to say, appealing to
|
|
the listeners who followed the passage of arms with interest so long as
|
|
they didn't indulge in recriminations and come to blows.
|
|
|
|
From inside information extending over a series of years Mr Bloom was
|
|
rather inclined to poohpooh the suggestion as egregious balderdash for,
|
|
pending that consummation devoutly to be or not to be wished for, he was
|
|
fully cognisant of the fact that their neighbours across the channel,
|
|
unless they were much bigger fools than he took them for, rather
|
|
concealed their strength than the opposite. It was quite on a par with
|
|
the quixotic idea in certain quarters that in a hundred million years the
|
|
coal seam of the sister island would be played out and if, as time went
|
|
on, that turned out to be how the cat jumped all he could personally say
|
|
on the matter was that as a host of contingencies, equally relevant to
|
|
the issue, might occur ere then it was highly advisable in the interim to
|
|
try to make the most of both countries even though poles apart. Another
|
|
little interesting point, the amours of whores and chummies, to put it in
|
|
common parlance, reminded him Irish soldiers had as often fought for
|
|
England as against her, more so, in fact. And now, why? So the scene
|
|
between the pair of them, the licensee of the place rumoured to be or
|
|
have been Fitzharris, the famous invincible, and the other, obviously
|
|
bogus, reminded him forcibly as being on all fours with the confidence
|
|
trick, supposing, that is, it was prearranged as the lookeron, a student
|
|
of the human soul if anything, the others seeing least of the game. And
|
|
as for the lessee or keeper, who probably wasn't the other person at all,
|
|
he (B.) couldn't help feeling and most properly it was better to give
|
|
people like that the goby unless you were a blithering idiot altogether
|
|
and refuse to have anything to do with them as a golden rule in private
|
|
life and their felonsetting, there always being the offchance of a
|
|
Dannyman coming forward and turning queen's evidence or king's now like
|
|
Denis or Peter Carey, an idea he utterly repudiated. Quite apart from
|
|
that he disliked those careers of wrongdoing and crime on principle. Yet,
|
|
though such criminal propensities had never been an inmate of his bosom
|
|
in any shape or form, he certainly did feel and no denying it (while
|
|
inwardly remaining what he was) a certain kind of admiration for a man
|
|
who had actually brandished a knife, cold steel, with the courage of his
|
|
political convictions (though, personally, he would never be a party to
|
|
any such thing), off the same bat as those love vendettas of the south,
|
|
have her or swing for her, when the husband frequently, after some words
|
|
passed between the two concerning her relations with the other lucky
|
|
mortal (he having had the pair watched), inflicted fatal injuries on his
|
|
adored one as a result of an alternative postnuptial LIAISON by plunging
|
|
his knife into her, until it just struck him that Fitz, nicknamed Skin-
|
|
the-Goat, merely drove the car for the actual perpetrators of the outrage
|
|
and so was not, if he was reliably informed, actually party to the ambush
|
|
which, in point of fact, was the plea some legal luminary saved his skin
|
|
on. In any case that was very ancient history by now and as for our
|
|
friend, the pseudo Skin-the-etcetera, he had transparently outlived his
|
|
welcome. He ought to have either died naturally or on the scaffold high.
|
|
Like actresses, always farewell positively last performance then come up
|
|
smiling again. Generous to a fault of course, temperamental, no
|
|
economising or any idea of the sort, always snapping at the bone for the
|
|
shadow. So similarly he had a very shrewd suspicion that Mr Johnny Lever
|
|
got rid of some l s d. in the course of his perambulations round the
|
|
docks in the congenial atmosphere of the OLD IRELAND tavern, come back to
|
|
Erin and so on. Then as for the other he had heard not so long before the
|
|
same identical lingo as he told Stephen how he simply but effectually
|
|
silenced the offender.
|
|
|
|
--He took umbrage at something or other, that muchinjured but on the
|
|
whole eventempered person declared, I let slip. He called me a jew and in
|
|
a heated fashion offensively. So I without deviating from plain facts in
|
|
the least told him his God, I mean Christ, was a jew too and all his
|
|
family like me though in reality I'm not. That was one for him. A soft
|
|
answer turns away wrath. He hadn't a word to say for himself as everyone
|
|
saw. Am I not right?
|
|
|
|
He turned a long you are wrong gaze on Stephen of timorous dark pride at
|
|
the soft impeachment with a glance also of entreaty for he seemed to
|
|
glean in a kind of a way that it wasn't all exactly.
|
|
|
|
--EX QUIBUS, Stephen mumbled in a noncommittal accent, their two or four
|
|
eyes conversing, CHRISTUS or Bloom his name is or after all any other,
|
|
SECUNDUM CARNEM.
|
|
|
|
--Of course, Mr B. proceeded to stipulate, you must look at both sides of
|
|
the question. It is hard to lay down any hard and fast rules as to right
|
|
and wrong but room for improvement all round there certainly is though
|
|
every country, they say, our own distressful included, has the government
|
|
it deserves. But with a little goodwill all round. It's all very fine to
|
|
boast of mutual superiority but what about mutual equality. I resent
|
|
violence and intolerance in any shape or form. It never reaches anything
|
|
or stops anything. A revolution must come on the due instalments plan.
|
|
It's a patent absurdity on the face of it to hate people because they
|
|
live round the corner and speak another vernacular, in the next house so
|
|
to speak.
|
|
|
|
--Memorable bloody bridge battle and seven minutes' war, Stephen
|
|
assented, between Skinner's alley and Ormond market.
|
|
|
|
Yes, Mr Bloom thoroughly agreed, entirely endorsing the remark, that was
|
|
overwhelmingly right. And the whole world was full of that sort of thing.
|
|
|
|
--You just took the words out of my mouth, he said. A hocuspocus of
|
|
conflicting evidence that candidly you couldn't remotely ...
|
|
|
|
All those wretched quarrels, in his humble opinion, stirring up bad
|
|
blood, from some bump of combativeness or gland of some kind, erroneously
|
|
supposed to be about a punctilio of honour and a flag, were very largely
|
|
a question of the money question which was at the back of everything
|
|
greed and jealousy, people never knowing when to stop.
|
|
|
|
--They accuse, remarked he audibly.
|
|
|
|
He turned away from the others who probably and spoke nearer to, so as
|
|
the others in case they.
|
|
|
|
--Jews, he softly imparted in an aside in Stephen's ear, are accused of
|
|
ruining. Not a vestige of truth in it, I can safely say. History, would
|
|
you be surprised to learn, proves up to the hilt Spain decayed when the
|
|
inquisition hounded the jews out and England prospered when Cromwell, an
|
|
uncommonly able ruffian who in other respects has much to answer for,
|
|
imported them. Why? Because they are imbued with the proper spirit. They
|
|
are practical and are proved to be so. I don't want to indulge in any
|
|
because you know the standard works on the subject and then orthodox as
|
|
you are. But in the economic, not touching religion, domain the priest
|
|
spells poverty. Spain again, you saw in the war, compared with goahead
|
|
America. Turks. It's in the dogma. Because if they didn't believe they'd
|
|
go straight to heaven when they die they'd try to live better, at least
|
|
so I think. That's the juggle on which the p.p's raise the wind on false
|
|
pretences. I'm, he resumed with dramatic force, as good an Irishman as
|
|
that rude person I told you about at the outset and I want to see
|
|
everyone, concluded he, all creeds and classes PRO RATA having a
|
|
comfortable tidysized income, in no niggard fashion either, something in
|
|
the neighbourhood of 300 pounds per annum. That's the vital issue at
|
|
stake and it's feasible and would be provocative of friendlier
|
|
intercourse between man and man. At least that's my idea for what it's
|
|
worth. I call that patriotism. UBI PATRIA, as we learned a smattering of
|
|
in our classical days in ALMA MATER, VITA BENE. Where you can live well,
|
|
the sense is, if you work.
|
|
|
|
Over his untastable apology for a cup of coffee, listening to this
|
|
synopsis of things in general, Stephen stared at nothing in particular.
|
|
He could hear, of course, all kinds of words changing colour like those
|
|
crabs about Ringsend in the morning burrowing quickly into all colours of
|
|
different sorts of the same sand where they had a home somewhere beneath
|
|
or seemed to. Then he looked up and saw the eyes that said or didn't say
|
|
the words the voice he heard said, if you work.
|
|
|
|
--Count me out, he managed to remark, meaning work.
|
|
|
|
The eyes were surprised at this observation because as he, the person who
|
|
owned them pro tem. observed or rather his voice speaking did, all must
|
|
work, have to, together.
|
|
|
|
--I mean, of course, the other hastened to affirm, work in the widest
|
|
possible sense. Also literary labour not merely for the kudos of the
|
|
thing. Writing for the newspapers which is the readiest channel nowadays.
|
|
That's work too. Important work. After all, from the little I know of
|
|
you, after all the money expended on your education you are entitled to
|
|
recoup yourself and command your price. You have every bit as much right
|
|
to live by your pen in pursuit of your philosophy as the peasant has.
|
|
What? You both belong to Ireland, the brain and the brawn. Each is
|
|
equally important.
|
|
|
|
--You suspect, Stephen retorted with a sort of a half laugh, that I may
|
|
be 1160 important because I belong to the FAUBOURG SAINT PATRICE called
|
|
Ireland for short.
|
|
|
|
--I would go a step farther, Mr Bloom insinuated.
|
|
|
|
--But I suspect, Stephen interrupted, that Ireland must be important
|
|
because it belongs to me.
|
|
|
|
--What belongs, queried Mr Bloom bending, fancying he was perhaps under
|
|
some misapprehension. Excuse me. Unfortunately, I didn't catch the latter
|
|
portion. What was it you ...?
|
|
|
|
Stephen, patently crosstempered, repeated and shoved aside his mug of
|
|
coffee or whatever you like to call it none too politely, adding: 1170
|
|
|
|
--We can't change the country. Let us change the subject.
|
|
|
|
At this pertinent suggestion Mr Bloom, to change the subject, looked down
|
|
but in a quandary, as he couldn't tell exactly what construction to put
|
|
on belongs to which sounded rather a far cry. The rebuke of some kind was
|
|
clearer than the other part. Needless to say the fumes of his recent orgy
|
|
spoke then with some asperity in a curious bitter way foreign to his
|
|
sober state. Probably the homelife to which Mr B attached the utmost
|
|
importance had not been all that was needful or he hadn't been
|
|
familiarised with the right sort of people. With a touch of fear for the
|
|
young man beside him whom he furtively scrutinised with an air of some
|
|
consternation remembering he had just come back from Paris, the eyes more
|
|
especially reminding him forcibly of father and sister, failing to throw
|
|
much light on the subject, however, he brought to mind instances of
|
|
cultured fellows that promised so brilliantly nipped in the bud of
|
|
premature decay and nobody to blame but themselves. For instance there
|
|
was the case of O'Callaghan, for one, the halfcrazy faddist, respectably
|
|
connected though of inadequate means, with his mad vagaries among whose
|
|
other gay doings when rotto and making himself a nuisance to everybody
|
|
all round he was in the habit of ostentatiously sporting in public a suit
|
|
of brown paper (a fact). And then the usual DENOUEMENT after the fun had
|
|
gone on fast and furious he got 1190 landed into hot water and had to be
|
|
spirited away by a few friends, after a strong hint to a blind horse from
|
|
John Mallon of Lower Castle Yard, so as not to be made amenable under
|
|
section two of the criminal law amendment act, certain names of those
|
|
subpoenaed being handed in but not divulged for reasons which will occur
|
|
to anyone with a pick of brains. Briefly, putting two and two together,
|
|
six sixteen which he pointedly turned a deaf ear to, Antonio and so
|
|
forth, jockeys and esthetes and the tattoo which was all the go in the
|
|
seventies or thereabouts even in the house of lords because early in life
|
|
the occupant of the throne, then heir apparent, the other members of the
|
|
upper ten and other high personages simply following in the footsteps of
|
|
the head of the state, he reflected about the errors of notorieties and
|
|
crowned heads running counter to morality such as the Cornwall case a
|
|
number of years before under their veneer in a way scarcely intended by
|
|
nature, a thing good Mrs Grundy, as the law stands, was terribly down on
|
|
though not for the reason they thought they were probably whatever it was
|
|
except women chiefly who were always fiddling more or less at one another
|
|
it being largely a matter of dress and all the rest of it. Ladies who
|
|
like distinctive underclothing should, and every welltailored man must,
|
|
trying to make the gap wider between them by innuendo and give more of a
|
|
genuine filip to acts of impropriety between the two, she unbuttoned his
|
|
and then he untied her, mind the pin, whereas savages in the cannibal
|
|
islands, say, at ninety degrees in the shade not caring a continental.
|
|
However, reverting to the original, there were on the other hand others
|
|
who had forced their way to the top from the lowest rung by the aid of
|
|
their bootstraps. Sheer force of natural genius, that. With brains, sir.
|
|
|
|
For which and further reasons he felt it was his interest and duty even
|
|
to wait on and profit by the unlookedfor occasion though why he could not
|
|
exactly tell being as it was already several shillings to the bad having
|
|
in fact let himself in for it. Still to cultivate the acquaintance of
|
|
someone of no uncommon calibre who could provide food for reflection
|
|
would amply repay any small. Intellectual stimulation, as such, was, he
|
|
felt, from time to time a firstrate tonic for the mind. Added to which
|
|
was the coincidence of meeting, discussion, dance, row, old salt of the
|
|
here today and gone tomorrow type, night loafers, the whole galaxy of
|
|
events, all went to make up a miniature cameo of the world we live in
|
|
especially as the lives of the submerged tenth, viz. coalminers, divers,
|
|
scavengers etc., were very much under the microscope lately. To improve
|
|
the shining hour he wondered whether he might meet with anything
|
|
approaching the same luck as Mr Philip Beaufoy if taken down in writing
|
|
suppose he were to pen something out of the common groove (as he fully
|
|
intended doing) at the rate of one guinea per column. MY EXPERIENCES, let
|
|
us say, IN A CABMAN'S SHELTER.
|
|
|
|
The pink edition extra sporting of the TELEGRAPH tell a graphic lie lay,
|
|
as luck would have it, beside his elbow and as he was just puzzling
|
|
again, far from satisfied, over a country belonging to him and the
|
|
preceding rebus the vessel came from Bridgwater and the postcard was
|
|
addressed A. Boudin find the captain's age, his eyes went aimlessly over
|
|
the respective captions which came under his special province the
|
|
allembracing give us this day our daily press. First he got a bit of a
|
|
start but it turned out to be only something about somebody named H. du
|
|
Boyes, agent for typewriters or something like that. Great battle, Tokio.
|
|
Lovemaking in Irish, 200 pounds damages. Gordon Bennett. Emigration
|
|
Swindle. Letter from His Grace. William. Ascot meeting, the Gold Cup.
|
|
Victory of outsider THROWAWAY recalls Derby of '92 when Capt. Marshall's
|
|
dark horse SIR HUGO captured the blue ribband at long odds. New York
|
|
disaster. Thousand lives lost. Foot and Mouth. Funeral of the late Mr
|
|
Patrick Dignam.
|
|
|
|
So to change the subject he read about Dignam R. I. P. which, he
|
|
reflected, was anything but a gay sendoff. Or a change of address anyway.
|
|
|
|
--THIS MORNING (Hynes put it in of course) THE REMAINS OF THE LATE MR
|
|
PATRICK DIGNAM WERE REMOVED FROM HIS RESIDENCE, NO 9 NEWBRIDGE AVENUE,
|
|
SANDYMOUNT, FOR INTERMENT IN GLASNEVIN. THE DECEASED GENTLEMAN WAS A MOST
|
|
POPULAR AND GENIAL PERSONALITY IN CITY LIFE AND HIS DEMISE AFTER A BRIEF
|
|
ILLNESS CAME AS A GREAT SHOCK TO CITIZENS OF ALL CLASSES BY WHOM HE IS
|
|
DEEPLY REGRETTED. THE OBSEQUIES, AT WHICH MANY FRIENDS OF THE DECEASED
|
|
WERE PRESENT, WERE CARRIED OUT (certainly Hynes wrote it with a nudge
|
|
from Corny) BY MESSRS H. J. O'NEILL AND SON, 164 NORTH STRAND ROAD. THE
|
|
MOURNERS INCLUDED: PATK. DIGNAM (SON), BERNARD CORRIGAN (BROTHER-IN-LAW),
|
|
JNO. HENRY MENTON, SOLR, MARTIN CUNNINGHAM, JOHN POWER, .)EATONDPH 1/8
|
|
ADOR DORADOR DOURADORA (must be where he called Monks the dayfather about
|
|
Keyes's ad) THOMAS KERNAN, SIMON DEDALUS, STEPHEN DEDALUS B. ,4., EDW. J.
|
|
LAMBERT, CORNELIUS T. KELLEHER, JOSEPH M'C HYNES, L. BOOM, CP M'COY,--
|
|
M'LNTOSH AND SEVERAL OTHERS.
|
|
|
|
Nettled not a little by L. BOOM (as it incorrectly stated) and the line
|
|
of bitched type but tickled to death simultaneously by C. P. M'Coy and
|
|
Stephen Dedalus B. A. who were conspicuous, needless to say, by their
|
|
total absence (to say nothing of M'Intosh) L. Boom pointed it out to his
|
|
companion B. A. engaged in stifling another yawn, half nervousness, not
|
|
forgetting the usual crop of nonsensical howlers of misprints.
|
|
|
|
--Is that first epistle to the Hebrews, he asked as soon as his bottom
|
|
jaw would let him, in? Text: open thy mouth and put thy foot in it.
|
|
|
|
--It is. Really, Mr Bloom said (though first he fancied he alluded to the
|
|
archbishop till he added about foot and mouth with which there could be
|
|
no possible connection) overjoyed to set his mind at rest and a bit
|
|
flabbergasted at Myles Crawford's after all managing to. There.
|
|
|
|
While the other was reading it on page two Boom (to give him for the
|
|
nonce his new misnomer) whiled away a few odd leisure moments in fits and
|
|
starts with the account of the third event at Ascot on page three, his
|
|
side. Value 1000 sovs with 3000 sovs in specie added. For entire colts
|
|
and fillies. Mr F. Alexander's THROWAWAY, b. h. by RIGHTAWAY, 5 yrs, 9 st
|
|
4 lbs (W. Lane) 1, lord Howard de Walden's ZINFANDEL (M. Cannon) z, Mr W.
|
|
Bass's SCEPTRE 3. Betting 5 to 4 on ZINFANDEL, 20 to 1 THROWAWAY (off).
|
|
SCEPTRE a shade heavier, 5 to 4 on ZINFANDEL, 20 to 1 THROWAWAY (off).
|
|
THROWAWAY and ZINFANDEL stood close order. It was anybody's race then the
|
|
rank outsider drew to the fore, got long lead, beating lord Howard de
|
|
Walden's chestnut colt and Mr W. Bass's bay filly SCEPTRE on a 2 1/2 mile
|
|
course. Winner trained by Braime so that Lenehan's version of the
|
|
business was all pure buncombe. Secured the verdict cleverly by a length.
|
|
1000 sovs with 3000 in specie. Also ran: J de Bremond's (French horse
|
|
Bantam Lyons was anxiously inquiring after not in yet but expected any
|
|
minute) MAXIMUM II. Different ways of bringing off a coup. Lovemaking
|
|
damages. Though that halfbaked Lyons ran off at a tangent in his
|
|
impetuosity to get left. Of course gambling eminently lent itself to that
|
|
sort of thing though as the event turned out the poor fool hadn't much
|
|
reason to congratulate himself on his pick, the forlorn hope. Guesswork
|
|
it reduced itself to eventually.
|
|
|
|
--There was every indication they would arrive at that, he, Bloom, said.
|
|
|
|
--Who? the other, whose hand by the way was hurt, said.
|
|
|
|
One morning you would open the paper, the cabman affirmed, and read:
|
|
RETURN OF PARNELL. He bet them what they liked. A Dublin fusilier was in
|
|
that shelter one night and said he saw him in South Africa. Pride it was
|
|
killed him. He ought to have done away with himself or lain low for a
|
|
time after committee room no 15 until he was his old self again with no-
|
|
one to point a finger at him. Then they would all to a man have gone down
|
|
on their marrowbones to him to come back when he had recovered his
|
|
senses. Dead he wasn't. Simply absconded somewhere. The coffin they
|
|
brought over was full of stones. He changed his name to De Wet, the Boer
|
|
general. He made a mistake to fight the priests. And so forth and so on.
|
|
|
|
All the same Bloom (properly so dubbed) was rather surprised at their
|
|
memories for in nine cases out of ten it was a case of tarbarrels and not
|
|
singly but in their thousands and then complete oblivion because it was
|
|
twenty odd years. Highly unlikely of course there was even a shadow of
|
|
truth in the stones and, even supposing, he thought a return highly
|
|
inadvisable, all things considered. Something evidently riled them in his
|
|
death. Either he petered out too tamely of acute pneumonia just when his
|
|
various different political arrangements were nearing completion or
|
|
whether it transpired he owed his death to his having neglected to change
|
|
his boots and clothes-after a wetting when a cold resulted and failing to
|
|
consult a specialist he being confined to his room till he eventually
|
|
died of it amid widespread regret before a fortnight was at an end or
|
|
quite possibly they were distressed to find the job was taken out of
|
|
their hands. Of course nobody being acquainted with his movements even
|
|
before there was absolutely no clue as to his whereabouts which were
|
|
decidedly of the ALICE, WHERE ART THOU order even prior to his starting
|
|
to go under several aliases such as Fox and Stewart so the remark which
|
|
emanated from friend cabby might be within the bounds of possibility.
|
|
Naturally then it would prey on his mind as a born leader of men which
|
|
undoubtedly he was and a commanding figure, a sixfooter or at any rate
|
|
five feet ten or eleven in his stockinged feet, whereas Messrs So and So
|
|
who, though they weren't even a patch on the former man, ruled the roost
|
|
after their redeeming features were very few and far between. It
|
|
certainly pointed a moral, the idol with feet of clay, and then
|
|
seventytwo of his trusty henchmen rounding on him with mutual
|
|
mudslinging. And the identical same with murderers. You had to come back.
|
|
That haunting sense kind of drew you. To show the understudy in the title
|
|
ROLE how to. He saw him once on the auspicious occasion when they broke
|
|
up the type in the INSUPPRESSIBLE or was it UNITED IRELAND, a privilege
|
|
he keenly appreciated, and, in point of fact, handed him his silk hat
|
|
when it was knocked off and he said THANK YOU, excited as he undoubtedly
|
|
was under his frigid exterior notwithstanding the little misadventure
|
|
mentioned between the cup and the lip: what's bred in the bone. Still as
|
|
regards return. You were a lucky dog if they didn't set the terrier at
|
|
you directly you got back. Then a lot of shillyshally usually followed,
|
|
Tom for and Dick and Harry against. And then, number one, you came up
|
|
against the man in possession and had to produce your credentials like
|
|
the claimant in the Tichborne case, Roger Charles Tichborne, BELLA was
|
|
the boat's name to the best of his recollection he, the heir, went down
|
|
in as the evidence went to show and there was a tattoo mark too in Indian
|
|
ink, lord Bellew was it, as he might very easily have picked up the
|
|
details from some pal on board ship and then, when got up to tally with
|
|
the description given, introduce himself with: EXCUSE ME, MY NAME IS SO
|
|
AND SO or some such commonplace remark. A more prudent course, as Bloom
|
|
said to the not over effusive, in fact like the distinguished personage
|
|
under discussion beside him, would have been to sound the lie of the land
|
|
first.
|
|
|
|
--That bitch, that English whore, did for him, the shebeen proprietor
|
|
commented. She put the first nail in his coffin.
|
|
|
|
--Fine lump of a woman all the same, the SOI-DISANT townclerk Henry
|
|
Campbell remarked, and plenty of her. She loosened many a man's thighs. I
|
|
seen her picture in a barber's. The husband was a captain or an officer.
|
|
|
|
--Ay, Skin-the-Goat amusingly added, he was and a cottonball one.
|
|
|
|
This gratuitous contribution of a humorous character occasioned a fair
|
|
amount of laughter among his ENTOURAGE. As regards Bloom he, without the
|
|
faintest suspicion of a smile, merely gazed in the direction of the door
|
|
and reflected upon the historic story which had aroused extraordinary
|
|
interest at the time when the facts, to make matters worse, were made
|
|
public with the usual affectionate letters that passed between them full
|
|
of sweet nothings. First it was strictly Platonic till nature intervened
|
|
and an attachment sprang up between them till bit by bit matters came to
|
|
a climax and the matter became the talk of the town till the staggering
|
|
blow came as a welcome intelligence to not a few evildisposed, however,
|
|
who were resolved upon encompassing his downfall though the thing was
|
|
public property all along though not to anything like the sensational
|
|
extent that it subsequently blossomed into. Since their names were
|
|
coupled, though, since he was her declared favourite, where was the
|
|
particular necessity to proclaim it to the rank and file from the
|
|
housetops, the fact, namely, that he had shared her bedroom which came
|
|
out in the witnessbox on oath when a thrill went through the packed court
|
|
literally electrifying everybody in the shape of witnesses swearing to
|
|
having witnessed him on such and such a particular date in the act of
|
|
scrambling out of an upstairs apartment with the assistance of a ladder
|
|
in night apparel, having gained admittance in the same fashion, a fact
|
|
the weeklies, addicted to the lubric a little, simply coined shoals of
|
|
money out of. Whereas the simple fact of the case was it was simply a
|
|
case of the husband not being up to the scratch, with nothing in common
|
|
between them beyond the name, and then a real man arriving on the scene,
|
|
strong to the verge of weakness, falling a victim to her siren charms and
|
|
forgetting home ties, the usual sequel, to bask in the loved one's
|
|
smiles. The eternal question of the life connubial, needless to say,
|
|
cropped up. Can real love, supposing there happens to be another chap in
|
|
the case, exist between married folk? Poser. Though it was no concern of
|
|
theirs absolutely if he regarded her with affection, carried away by a
|
|
wave of folly. A magnificent specimen of manhood he was truly augmented
|
|
obviously by gifts of a high order, as compared with the other military
|
|
supernumerary that is (who was just the usual everyday FAREWELL, MY
|
|
GALLANT CAPTAIN kind of an individual in the light dragoons, the l8th
|
|
hussars to be accurate) and inflammable doubtless (the fallen leader,
|
|
that is, not the other) in his own peculiar way which she of course,
|
|
woman, quickly perceived as highly likely to carve his way to fame which
|
|
he almost bid fair to do till the priests and ministers of the gospel as
|
|
a whole, his erstwhile staunch adherents, and his beloved evicted tenants
|
|
for whom he had done yeoman service in the rural parts of the country by
|
|
taking up the cudgels on their behalf in a way that exceeded their most
|
|
sanguine expectations, very effectually cooked his matrimonial goose,
|
|
thereby heaping coals of fire on his head much in the same way as the
|
|
fabled ass's kick. Looking back now in a retrospective kind of
|
|
arrangement all seemed a kind of dream. And then coming back was the
|
|
worst thing you ever did because it went without saying you would feel
|
|
out of place as things always moved with the times. Why, as he reflected,
|
|
Irishtown strand, a locality he had not been in for quite a number of
|
|
years looked different somehow since, as it happened, he went to reside
|
|
on the north side. North or south, however, it was just the wellknown
|
|
case of hot passion, pure and simple, upsetting the applecart with a
|
|
vengeance and just bore out the very thing he was saying as she also was
|
|
Spanish or half so, types that wouldn't do things by halves, passionate
|
|
abandon of the south, casting every shred of decency to the winds.
|
|
|
|
--Just bears out what I was saying, he, with glowing bosom said to
|
|
Stephen, about blood and the sun. And, if I don't greatly mistake she was
|
|
Spanish too.
|
|
|
|
--The king of Spain's daughter, Stephen answered, adding something or
|
|
other rather muddled about farewell and adieu to you Spanish onions and
|
|
the first land called the Deadman and from Ramhead to Scilly was so and
|
|
so many.
|
|
|
|
--Was she? Bloom ejaculated, surprised though not astonished by any
|
|
means, I never heard that rumour before. Possible, especially there, it
|
|
was as she lived there. So, Spain.
|
|
|
|
Carefully avoiding a book in his pocket SWEETS OF, which reminded him by
|
|
the by of that Cap l street library book out of date, he took out his
|
|
pocketbook and, turning over the various contents it contained rapidly
|
|
finally he.
|
|
|
|
--Do you consider, by the by, he said, thoughtfully selecting a faded
|
|
photo which he laid on the table, that a Spanish type?
|
|
|
|
Stephen, obviously addressed, looked down on the photo showing a large
|
|
sized lady with her fleshy charms on evidence in an open fashion as she
|
|
was in the full bloom of womanhood in evening dress cut ostentatiously
|
|
low for the occasion to give a liberal display of bosom, with more than
|
|
vision of breasts, her full lips parted and some perfect teeth, standing
|
|
near, ostensibly with gravity, a piano on the rest of which was IN OLD
|
|
MADRID, a ballad, pretty in its way, which was then all the vogue. Her
|
|
(the lady's) eyes, dark, large, looked at Stephen, about to smile about
|
|
something to be admired, Lafayette of Westmoreland street, Dublin's
|
|
premier photographic artist, being responsible for the esthetic
|
|
execution.
|
|
|
|
--Mrs Bloom, my wife the PRIMA DONNA Madam Marion Tweedy, Bloom
|
|
indicated. Taken a few years since. In or about ninety six. Very like her
|
|
then.
|
|
|
|
Beside the young man he looked also at the photo of the lady now his 1440
|
|
legal wife who, he intimated, was the accomplished daughter of Major
|
|
Brian Tweedy and displayed at an early age remarkable proficiency as a
|
|
singer having even made her bow to the public when her years numbered
|
|
barely sweet sixteen. As for the face it was a speaking likeness in
|
|
expression but it did not do justice to her figure which came in for a
|
|
lot of notice usually and which did not come out to the best advantage in
|
|
that getup. She could without difficulty, he said, have posed for the
|
|
ensemble, not to dwell on certain opulent curves of the. He dwelt, being
|
|
a bit of an artist in his spare time, on the female form in general
|
|
developmentally because, as it so happened, no later than that afternoon
|
|
he had seen those Grecian statues, 1450 perfectly developed as works of
|
|
art, in the National Museum. Marble could give the original, shoulders,
|
|
back, all the symmetry, all the rest. Yes, puritanisme, it does though
|
|
Saint Joseph's sovereign thievery alors (Bandez!) Figne toi trop. Whereas
|
|
no photo could because it simply wasn't art in a word.
|
|
|
|
The spirit moving him he would much have liked to follow Jack Tar's good
|
|
example and leave the likeness there for a very few minutes to speak for
|
|
itself on the plea he so that the other could drink in the beauty for
|
|
himself, her stage presence being, frankly, a treat in itself which the
|
|
camera could not at all do justice to. But it was scarcely professional
|
|
etiquette so. Though it was a warm pleasant sort of a night now yet
|
|
wonderfully cool for the season considering, for sunshine after storm.
|
|
And he did feel a kind of need there and then to follow suit like a kind
|
|
of inward voice and satisfy a possible need by moving a motion.
|
|
Nevertheless he sat tight just viewing the slightly soiled photo creased
|
|
by opulent curves, none the worse for wear however, and looked away
|
|
thoughtfully with the intention of not further increasing the other's
|
|
possible embarrassment while gauging her symmetry of heaving EMBONPOINT.
|
|
In fact the slight soiling was only an added charm like the case of linen
|
|
slightly soiled, good as new, much better in fact with the starch out.
|
|
Suppose she was gone when he? I looked for the lamp which she told me
|
|
came into his mind but merely as a passing fancy of his because he then
|
|
recollected the morning littered bed etcetera and the book about Ruby
|
|
with met him pike hoses (SIC) in it which must have fell down
|
|
sufficiently appropriately beside the domestic chamberpot with apologies
|
|
to Lindley Murray.
|
|
|
|
The vicinity of the young man he certainly relished, educated, DISTINGUE
|
|
and impulsive into the bargain, far and away the pick of the bunch though
|
|
you wouldn't think he had it in him yet you would. Besides he said the
|
|
picture was handsome which, say what you like, it was though at the
|
|
moment she was distinctly stouter. And why not? An awful lot of
|
|
makebelieve went on about that sort of thing involving a lifelong slur
|
|
with the usual splash page of gutterpress about the same old matrimonial
|
|
tangle alleging misconduct with professional golfer or the newest stage
|
|
favourite instead of being honest and aboveboard about the whole
|
|
business. How they were fated to meet and an attachment sprang up between
|
|
the two so that their names were coupled in the public eye was told in
|
|
court with letters containing the habitual mushy and compromising
|
|
expressions leaving no loophole to show that they openly cohabited two or
|
|
three times a week at some wellknown seaside hotel and relations, when
|
|
the thing ran its normal course, became in due course intimate. Then the
|
|
decree NISI and the King's proctor tries to show cause why and, he
|
|
failing to quash it, NISI was made absolute. But as for that the two
|
|
misdemeanants, wrapped up as they largely were in one another, could
|
|
safely afford to ignore it as they very largely did till the matter was
|
|
put in the hands of a solicitor who filed a petition for the party
|
|
wronged in due course. He, B, enjoyed the distinction of being close to
|
|
Erin's uncrowned king in the flesh when the thing occurred on the
|
|
historic FRACAS when the fallen leader's, who notoriously stuck to his
|
|
guns to the last drop even when clothed in the mantle of adultery,
|
|
(leader's) trusty henchmen to the number of ten or a dozen or possibly
|
|
even more than that penetrated into the printing works of the
|
|
INSUPPRESSIBLE or no it was UNITED IRELAND (a by no means by the by
|
|
appropriate appellative) and broke up the typecases with hammers or
|
|
something like that all on account of some scurrilous effusions from the
|
|
facile pens of the O'Brienite scribes at the usual mudslinging occupation
|
|
reflecting on the erstwhile tribune's private morals. Though palpably a
|
|
radically altered man he was still a commanding figure though carelessly
|
|
garbed as usual with that look of settled purpose which went a long way
|
|
with the shillyshallyers till they discovered to their vast discomfiture
|
|
that their idol had feet of clay after placing him upon a pedestal which
|
|
she, however, was the first to perceive. As those were particularly hot
|
|
times in the general hullaballoo Bloom sustained a minor injury from a
|
|
nasty prod of some chap's elbow in the crowd that of course congregated
|
|
lodging some place about the pit of the stomach, fortunately not of a
|
|
grave character. His hat (Parnell's) a silk one was inadvertently knocked
|
|
off and, as a matter of strict history, Bloom was the man who picked it
|
|
up in the crush after witnessing the occurrence meaning to return it to
|
|
him (and return it to him he did with the utmost celerity) who panting
|
|
and hatless and whose thoughts were miles away from his hat at the time
|
|
all the same being a gentleman born with a stake in the country he, as a
|
|
matter of fact, having gone into it more for the kudos of the thing than
|
|
anything else, what's bred in the bone instilled into him in infancy at
|
|
his mother's knee in the shape of knowing what good form was came out at
|
|
once because he turned round to the donor and thanked him with perfect
|
|
APLOMB, saying: THANK YOU, SIR, though in a very different tone of voice
|
|
from the ornament of the legal profession whose headgear Bloom also set
|
|
to rights earlier in the course of the day, history repeating itself with
|
|
a difference, after the burial of a mutual friend when they had left him
|
|
alone in his glory after the grim task of having committed his remains to
|
|
the grave.
|
|
|
|
On the other hand what incensed him more inwardly was the blatant jokes
|
|
of the cabman and so on who passed it all off as a jest, laughing 1530
|
|
immoderately, pretending to understand everything, the why and the
|
|
wherefore, and in reality not knowing their own minds, it being a case
|
|
for the two parties themselves unless it ensued that the legitimate
|
|
husband happened to be a party to it owing to some anonymous letter from
|
|
the usual boy Jones, who happened to come across them at the crucial
|
|
moment in a loving position locked in one another's arms, drawing
|
|
attention to their illicit proceedings and leading up to a domestic
|
|
rumpus and the erring fair one begging forgiveness of her lord and master
|
|
upon her knees and promising to sever the connection and not receive his
|
|
visits any more if only the aggrieved husband would overlook the matter
|
|
and let bygones be bygones with tears in her eyes though possibly with
|
|
her tongue in her fair cheek at the same time as quite possibly there
|
|
were several others. He personally, being of a sceptical bias, believed
|
|
and didn't make the smallest bones about saying so either that man or men
|
|
in the plural were always hanging around on the waiting list about a
|
|
lady, even supposing she was the best wife in the world and they got on
|
|
fairly well together for the sake of argument, when, neglecting her
|
|
duties, she chose to be tired of wedded life and was on for a little
|
|
flutter in polite debauchery to press their attentions on her with
|
|
improper intent, the upshot being that her affections centred on another,
|
|
the cause of many LIAISONS between still attractive married women getting
|
|
on for fair and forty and younger men, no doubt as several famous cases
|
|
of feminine infatuation proved up to the hilt.
|
|
|
|
It was a thousand pities a young fellow, blessed with an allowance of
|
|
brains as his neighbour obviously was, should waste his valuable time
|
|
with profligate women who might present him with a nice dose to last him
|
|
his lifetime. In the nature of single blessedness he would one day take
|
|
unto himself a wife when Miss Right came on the scene but in the interim
|
|
ladies' society was a CONDITIO SINE QUA NON though he had the gravest
|
|
possible doubts, not that he wanted in the smallest to pump Stephen about
|
|
Miss Ferguson (who was very possibly the particular lodestar who brought
|
|
him down to Irishtown so early in the morning), as to whether he would
|
|
find much satisfaction basking in the boy and girl courtship idea and the
|
|
company of smirking misses without a penny to their names bi or triweekly
|
|
with the orthodox preliminary canter of complimentplaying and walking out
|
|
leading up to fond lovers' ways and flowers and chocs. To think of him
|
|
house and homeless, rooked by some landlady worse than any stepmother,
|
|
was really too bad at his age. The queer suddenly things he popped out
|
|
with attracted the elder man who was several years the other's senior or
|
|
like his father but something substantial he certainly ought to eat even
|
|
were it only an eggflip made on unadulterated maternal nutriment or,
|
|
failing that, the homely Humpty Dumpty boiled.
|
|
|
|
--At what o'clock did you dine? he questioned of the slim form and tired
|
|
though unwrinkled face.
|
|
|
|
--Some time yesterday, Stephen said.
|
|
|
|
--Yesterday! exclaimed Bloom till he remembered it was already tomorrow
|
|
Friday. Ah, you mean it's after twelve!
|
|
|
|
--The day before yesterday, Stephen said, improving on himself.
|
|
|
|
Literally astounded at this piece of intelligence Bloom reflected. Though
|
|
they didn't see eye to eye in everything a certain analogy there somehow
|
|
was as if both their minds were travelling, so to speak, in the one train
|
|
of thought. At his age when dabbling in politics roughly some score of
|
|
years previously when he had been a QUASI aspirant to parliamentary
|
|
honours in the Buckshot Foster days he too recollected in retrospect
|
|
(which was a source of keen satisfaction in itself) he had a sneaking
|
|
regard for those same ultra ideas. For instance when the evicted tenants
|
|
question, then at its first inception, bulked largely in people's mind
|
|
though, it goes without saying, not contributing a copper or pinning his
|
|
faith absolutely to its dictums, some of which wouldn't exactly hold
|
|
water, he at the outset in principle at all events was in thorough
|
|
sympathy with peasant possession as voicing the trend of modern opinion
|
|
(a partiality, however, which, realising his mistake, he was subsequently
|
|
partially cured of) and even was twitted with going a step farther than
|
|
Michael Davitt in the striking views he at one time inculcated as a
|
|
backtothelander, which was one reason he strongly resented the innuendo
|
|
put upon him in so barefaced a fashion by our friend at the gathering of
|
|
the clans in Barney Kiernan's so that he, though often considerably
|
|
misunderstood and the least pugnacious of mortals, be it repeated,
|
|
departed from his customary habit to give him (metaphorically) one in the
|
|
gizzard though, so far as politics themselves were concerned, he was only
|
|
too conscious of the casualties invariably resulting from propaganda and
|
|
displays of mutual animosity and the misery and suffering it entailed as
|
|
a foregone conclusion on fine young fellows, chiefly, destruction of the
|
|
fittest, in a word.
|
|
|
|
Anyhow upon weighing up the pros and cons, getting on for one, as it was,
|
|
it was high time to be retiring for the night. The crux was it was a bit
|
|
risky to bring him home as eventualities might possibly ensue (somebody
|
|
having a temper of her own sometimes) and spoil the hash altogether as on
|
|
the night he misguidedly brought home a dog (breed unknown) with a lame
|
|
paw (not that the cases were either identical or the reverse though he
|
|
had hurt his hand too) to Ontario Terrace as he very distinctly
|
|
remembered, having been there, so to speak. On the other hand it was
|
|
altogether far and away too late for the Sandymount or Sandycove
|
|
suggestion so that he was in some perplexity as to which of the two
|
|
alternatives. Everything pointed to the fact that it behoved him to avail
|
|
himself to the full of the opportunity, all things considered. His
|
|
initial impression was he was a shade standoffish or not over effusive
|
|
but it grew on him someway. For one thing he mightn't what you call jump
|
|
at the idea, if approached, and what mostly worried him was he didn't
|
|
know how to lead up to it or word it exactly, supposing he did entertain
|
|
the proposal, as it would afford him very great personal pleasure if he
|
|
would allow him to help to put coin in his way or some wardrobe, if found
|
|
suitable. At all events he wound up by concluding, eschewing for the
|
|
nonce hidebound precedent, a cup of Epps's cocoa and a shakedown for the
|
|
night plus the use of a rug or two and overcoat doubled into a pillow at
|
|
least he would be in safe hands and as warm as a toast on a trivet he
|
|
failed to perceive any very vast amount of harm in that always with the
|
|
proviso no rumpus of any sort was kicked up. A move had to be made
|
|
because that merry old soul, the grasswidower in question who appeared to
|
|
be glued to the spot, didn't appear in any particular hurry to wend his
|
|
way home to his dearly beloved Queenstown and it was highly likely some
|
|
sponger's bawdyhouse of retired beauties where age was no bar off Sheriff
|
|
street lower would be the best clue to that equivocal character's
|
|
whereabouts for a few days to come, alternately racking their feelings
|
|
(the mermaids') with sixchamber revolver anecdotes verging on the
|
|
tropical calculated to freeze the marrow of anybody's bones and mauling
|
|
their largesized charms betweenwhiles with rough and tumble gusto to the
|
|
accompaniment of large potations of potheen and the usual blarney about
|
|
himself for as to who he in reality was let x equal my right name and
|
|
address, as Mr Algebra remarks PASSIM. At the same time he inwardly
|
|
chuckled over his gentle repartee to the blood and ouns champion about
|
|
his god being a jew. People could put up with being bitten by a wolf but
|
|
what properly riled them was a bite from a sheep. The most vulnerable
|
|
point too of tender Achilles. Your god was a jew. Because mostly they
|
|
appeared to imagine he came from Carrick-on-Shannon or somewhereabouts in
|
|
the county Sligo.
|
|
|
|
--I propose, our hero eventually suggested after mature reflection while
|
|
prudently pocketing her photo, as it's rather stuffy here you just come
|
|
home with me and talk things over. My diggings are quite close in the
|
|
vicinity. You can't drink that stuff. Do you like cocoa? Wait. I'll just
|
|
pay this lot.
|
|
|
|
The best plan clearly being to clear out, the remainder being plain
|
|
sailing, he beckoned, while prudently pocketing the photo, to the keeper
|
|
of the shanty who didn't seem to.
|
|
|
|
--Yes, that's the best, he assured Stephen to whom for the matter of that
|
|
Brazen Head or him or anywhere else was all more or less.
|
|
|
|
All kinds of Utopian plans were flashing through his (B's) busy brain,
|
|
education (the genuine article), literature, journalism, prize titbits,
|
|
up to date billing, concert tours in English watering resorts packed with
|
|
hydros and seaside theatres, turning money away, duets in Italian with
|
|
the accent perfectly true to nature and a quantity of other things, no
|
|
necessity, of course, to tell the world and his wife from the housetops
|
|
about it, and a slice of luck. An opening was all was wanted. Because he
|
|
more than suspected he had his father's voice to bank his hopes on which
|
|
it was quite on the cards he had so it would be just as well, by the way
|
|
no harm, to trail the conversation in the direction of that particular
|
|
red herring just to.
|
|
|
|
The cabby read out of the paper he had got hold of that the former
|
|
viceroy, earl Cadogan, had presided at the cabdrivers' association dinner
|
|
in London somewhere. Silence with a yawn or two accompanied this
|
|
thrilling announcement. Then the old specimen in the corner who appeared
|
|
to have some spark of vitality left read out that sir Anthony MacDonnell
|
|
had left Euston for the chief secretary's lodge or words to that effect.
|
|
To which absorbing piece of intelligence echo answered why.
|
|
|
|
--Give us a squint at that literature, grandfather, the ancient mariner
|
|
put in, manifesting some natural impatience.
|
|
|
|
--And welcome, answered the elderly party thus addressed.
|
|
|
|
The sailor lugged out from a case he had a pair of greenish goggles which
|
|
he very slowly hooked over his nose and both ears.
|
|
|
|
--Are you bad in the eyes? the sympathetic personage like the townclerk
|
|
queried.
|
|
|
|
--Why, answered the seafarer with the tartan beard, who seemingly was a
|
|
bit of a literary cove in his own small way, staring out of seagreen
|
|
portholes as you might well describe them as, I uses goggles reading.
|
|
Sand in the Red Sea done that. One time I could read a book in the dark,
|
|
manner of speaking. THE ARABIAN NIGHTS ENTERTAINMENT was my favourite and
|
|
RED AS A ROSE IS SHE.
|
|
|
|
Hereupon he pawed the journal open and pored upon Lord only knows what,
|
|
found drowned or the exploits of King Willow, Iremonger having made a
|
|
hundred and something second wicket not out for Notts, during which time
|
|
(completely regardless of Ire) the keeper was intensely occupied
|
|
loosening an apparently new or secondhand boot which manifestly pinched
|
|
him as he muttered against whoever it was sold it, all of them who were
|
|
sufficiently awake enough to be picked out by their facial expressions,
|
|
that is to say, either simply looking on glumly or passing a trivial
|
|
remark.
|
|
|
|
To cut a long story short Bloom, grasping the situation, was the first to
|
|
rise from his seat so as not to outstay their welcome having first and
|
|
foremost, being as good as his word that he would foot the bill for the
|
|
occasion, taken the wise precaution to unobtrusively motion to mine host
|
|
as a parting shot a scarcely perceptible sign when the others were not
|
|
looking to the effect that the amount due was forthcoming, making a grand
|
|
total of fourpence (the amount he deposited unobtrusively in four
|
|
coppers, literally the last of the Mohicans), he having previously
|
|
spotted on the printed pricelist for all who ran to read opposite him in
|
|
unmistakable figures, coffee 2d, confectionery do, and honestly well
|
|
worth twice the money once in a way, as Wetherup used to remark.
|
|
|
|
--Come, he counselled to close the SEANCE.
|
|
|
|
Seeing that the ruse worked and the coast was clear they left the shelter
|
|
or shanty together and the ELITE society of oilskin and company whom
|
|
nothing short of an earthquake would move out of their DOLCE FAR NIENTE.
|
|
Stephen, who confessed to still feeling poorly and fagged out, paused at
|
|
the, for a moment, the door.
|
|
|
|
--One thing I never understood, he said to be original on the spur of the
|
|
moment. Why they put tables upside down at night, I mean chairs upside
|
|
down, on the tables in cafes. To which impromptu the neverfailing Bloom
|
|
replied without a moment's hesitation, saying straight off:
|
|
|
|
--To sweep the floor in the morning.
|
|
|
|
So saying he skipped around, nimbly considering, frankly at the same time
|
|
apologetic to get on his companion's right, a habit of his, by the bye,
|
|
his right side being, in classical idiom, his tender Achilles. The night
|
|
air was certainly now a treat to breathe though Stephen was a bit weak on
|
|
his pins.
|
|
|
|
--It will (the air) do you good, Bloom said, meaning also the walk, in a
|
|
moment. The only thing is to walk then you'll feel a different man. Come.
|
|
It's not far. Lean on me.
|
|
|
|
Accordingly he passed his left arm in Stephen's right and led him on
|
|
accordingly.
|
|
|
|
--Yes, Stephen said uncertainly because he thought he felt a strange kind
|
|
of flesh of a different man approach him, sinewless and wobbly and all
|
|
that.
|
|
|
|
Anyhow they passed the sentrybox with stones, brazier etc. where the
|
|
municipal supernumerary, ex Gumley, was still to all intents and purposes
|
|
wrapped in the arms of Murphy, as the adage has it, dreaming of fresh
|
|
fields and pastures new. And APROPOS of coffin of stones the analogy was
|
|
not at all bad as it was in fact a stoning to death on the part of
|
|
seventytwo out of eighty odd constituencies that ratted at the time of
|
|
the split and chiefly the belauded peasant class, probably the selfsame
|
|
evicted tenants he had put in their holdings.
|
|
|
|
So they turned on to chatting about music, a form of art for which Bloom,
|
|
as a pure amateur, possessed the greatest love, as they made tracks arm
|
|
in arm across Beresford place. Wagnerian music, though confessedly grand
|
|
in its way, was a bit too heavy for Bloom and hard to follow at the first
|
|
go-off but the music of Mercadante's HUGUENOTS, Meyerbeer's SEVEN LAST
|
|
WORDS ON THE CROSS and Mozart's TWELFTH MASS he simply revelled in, the
|
|
GLORIA in that being, to his mind, the acme of first class music as such,
|
|
literally knocking everything else into a cocked hat. He infinitely
|
|
preferred the sacred music of the catholic church to anything the
|
|
opposite shop could offer in that line such as those Moody and Sankey
|
|
hymns or BID ME TO LIVE AND I WILL LIVE THY PROTESTANT TO BE. He also
|
|
yielded to none in his admiration of Rossini's STABAT MATER, a work
|
|
simply abounding in immortal numbers, in which his wife, Madam Marion
|
|
Tweedy, made a hit, a veritable sensation, he might safely say, greatly
|
|
adding to her other laureis and putting the others totally in the shade,
|
|
in the jesuit fathers' church in upper Gardiner street, the sacred
|
|
edifice being thronged to the doors to hear her with virtuosos, or
|
|
VIRTUOSI rather. There was the unanimous opinion that there was none to
|
|
come up to her and suffice it to say in a place of worship for music of a
|
|
sacred character there was a generally voiced desire for an encore. On
|
|
the whole though favouring preferably light opera of the DON GIOVANNI
|
|
description and MARTHA, a gem in its line, he had a PENCHANT, though with
|
|
only a surface knowledge, for the severe classical school such as
|
|
Mendelssohn. And talking of that, taking it for granted he knew all about
|
|
the old favourites, he mentioned PAR EXCELLENCE Lionel's air in MARTHA,
|
|
M'APPARI, which, curiously enough, he had heard or overheard, to be more
|
|
accurate, on yesterday, a privilege he keenly appreciated, from the lips
|
|
of Stephen's respected father, sung to perfection, a study of the number,
|
|
in fact, which made all the others take a back seat. Stephen, in reply to
|
|
a politely put query, said he didn't sing it but launched out into
|
|
praises of Shakespeare's songs, at least of in or about that period, the
|
|
lutenist Dowland who lived in Fetter lane near Gerard the herbalist, who
|
|
ANNO LUDENDO HAUSI, DOULANDUS, an instrument he was contemplating
|
|
purchasing from Mr Arnold Dolmetsch, whom B. did not quite recall though
|
|
the name certainly sounded familiar, for sixtyfive guineas and Farnaby
|
|
and son with their DUX and COMES conceits and Byrd (William) who played
|
|
the virginals, he said, in the Queen's chapel or anywhere else he found
|
|
them and one Tomkins who made toys or airs and John Bull.
|
|
|
|
On the roadway which they were approaching whilst still speaking beyond
|
|
the swingchains a horse, dragging a sweeper, paced on the paven ground,
|
|
brushing a long swathe of mire up so that with the noise Bloom was not
|
|
perfectly certain whether he had caught aright the allusion to sixtyfive
|
|
guineas and John Bull. He inquired if it was John Bull the political
|
|
celebrity of that ilk, as it struck him, the two identical names, as a
|
|
striking coincidence.
|
|
|
|
By the chains the horse slowly swerved to turn, which perceiving, Bloom,
|
|
who was keeping a sharp lookout as usual, plucked the other's sleeve
|
|
gently, jocosely remarking:
|
|
|
|
--Our lives are in peril tonight. Beware of the steamroller.
|
|
|
|
They thereupon stopped. Bloom looked at the head of a horse not worth
|
|
anything like sixtyfive guineas, suddenly in evidence in the dark quite
|
|
near so that it seemed new, a different grouping of bones and even flesh
|
|
because palpably it was a fourwalker, a hipshaker, a blackbuttocker, a
|
|
taildangler, a headhanger putting his hind foot foremost the while the
|
|
lord of his creation sat on the perch, busy with his thoughts. But such a
|
|
good poor brute he was sorry he hadn't a lump of sugar but, as he wisely
|
|
reflected, you could scarcely be prepared for every emergency that might
|
|
crop up. He was just a big nervous foolish noodly kind of a horse,
|
|
without a second care in the world. But even a dog, he reflected, take
|
|
that mongrel in Barney Kiernan's, of the same size, would be a holy
|
|
horror to face. But it was no animal's fault in particular if he was
|
|
built that way like the camel, ship of the desert, distilling grapes into
|
|
potheen in his hump. Nine tenths of them all could be caged or trained,
|
|
nothing beyond the art of man barring the bees. Whale with a harpoon
|
|
hairpin, alligator tickle the small of his back and he sees the joke,
|
|
chalk a circle for a rooster, tiger my eagle eye. These timely
|
|
reflections anent the brutes of the field occupied his mind somewhat
|
|
distracted from Stephen's words while the ship of the street was
|
|
manoeuvring and Stephen went on about the highly interesting old.
|
|
|
|
--What's this I was saying? Ah, yes! My wife, he intimated, plunging IN
|
|
MEDIAS RES, would have the greatest of pleasure in making your
|
|
acquaintance as she is passionately attached to music of any kind.
|
|
|
|
He looked sideways in a friendly fashion at the sideface of Stephen,
|
|
image of his mother, which was not quite the same as the usual handsome
|
|
blackguard type they unquestionably had an insatiable hankering after as
|
|
he was perhaps not that way built.
|
|
|
|
Still, supposing he had his father's gift as he more than suspected, it
|
|
opened up new vistas in his mind such as Lady Fingall's Irish industries,
|
|
concert on the preceding Monday, and aristocracy in general.
|
|
|
|
Exquisite variations he was now describing on an air YOUTH HERE HAS END
|
|
by Jans Pieter Sweelinck, a Dutchman of Amsterdam where the frows come
|
|
from. Even more he liked an old German song of JOHANNES JEEP about the
|
|
clear sea and the voices of sirens, sweet murderers of men, which boggled
|
|
Bloom a bit:
|
|
|
|
|
|
VON DER SIRENEN LISTIGKEIT
|
|
TUN DIE POETEN DICHTEN.
|
|
|
|
|
|
These opening bars he sang and translated EXTEMPORE. Bloom, nodding, said
|
|
he perfectly understood and begged him to go on by all means which he
|
|
did.
|
|
|
|
A phenomenally beautiful tenor voice like that, the rarest of boons,
|
|
which Bloom appreciated at the very first note he got out, could easily,
|
|
if properly handled by some recognised authority on voice production such
|
|
as Barraclough and being able to read music into the bargain, command its
|
|
own price where baritones were ten a penny and procure for its fortunate
|
|
possessor in the near future an ENTREE into fashionable houses in the
|
|
best residential quarters of financial magnates in a large way of
|
|
business and titled people where with his university degree of B. A. (a
|
|
huge ad in its way) and gentlemanly bearing to all the more influence the
|
|
good impression he would infallibly score a distinct success, being
|
|
blessed with brains which also could be utilised for the purpose and
|
|
other requisites, if his clothes were properly attended to so as to the
|
|
better worm his way into their good graces as he, a youthful tyro in--
|
|
society's sartorial niceties, hardly understood how a little thing like
|
|
that could militate against you. It was in fact only a matter of months
|
|
and he could easily foresee him participating in their musical and
|
|
artistic CONVERSAZIONES during the festivities of the Christmas season,
|
|
for choice, causing a slight flutter in the dovecotes of the fair sex and
|
|
being made a lot of by ladies out for sensation, cases of which, as he
|
|
happened to know, were on record--in fact, without giving the show away,
|
|
he himself once upon a time, if he cared to, could easily have. Added to
|
|
which of course would be the pecuniary emolument by no means to be
|
|
sneezed at, going hand in hand with his tuition fees. Not, he
|
|
parenthesised, that for the sake of filthy lucre he need necessarily
|
|
embrace the lyric platform as a walk in life for any lengthy space of
|
|
time. But a step in the required direction it was beyond yea or nay and
|
|
both monetarily and mentally it contained no reflection on his dignity in
|
|
the smallest and it often turned in uncommonly handy to be handed a
|
|
cheque at a muchneeded moment when every little helped. Besides, though
|
|
taste latterly had deteriorated to a degree, original music like that,
|
|
different from the conventional rut, would rapidly have a great vogue as
|
|
it would be a decided novelty for Dublin's musical world after the usual
|
|
hackneyed run of catchy tenor solos foisted on a confiding public by Ivan
|
|
St Austell and Hilton St Just and their GENUS OMNE. Yes, beyond a shadow
|
|
of a doubt he could with all the cards in his hand and he had a capital
|
|
opening to make a name for himself and win a high place in the city's
|
|
esteem where he could command a stiff figure and, booking ahead, give a
|
|
grand concert for the patrons of the King street house, given a backerup,
|
|
if one were forthcoming to kick him upstairs, so to speak, a big IF,
|
|
however, with some impetus of the goahead sort to obviate the inevitable
|
|
procrastination which often tripped -up a too much feted prince of good
|
|
fellows. And it need not detract from the other by one iota as, being his
|
|
own master, he would have heaps of time to practise literature in his
|
|
spare moments when desirous of so doing without its clashing with his
|
|
vocal career or containing anything derogatory whatsoever as it was a
|
|
matter for himself alone. In fact, he had the ball at his feet and that
|
|
was the very reason why the other, possessed of a remarkably sharp nose
|
|
for smelling a rat of any sort, hung on to him at all.
|
|
|
|
The horse was just then. And later on at a propitious opportunity he
|
|
purposed (Bloom did), without anyway prying into his private affairs on
|
|
the FOOLS STEP IN WHERE ANGELS principle, advising him to sever his
|
|
connection with a certain budding practitioner who, he noticed, was prone
|
|
to disparage and even to a slight extent with some hilarious pretext when
|
|
not present, deprecate him, or whatever you like to call it which in
|
|
Bloom's humble opinion threw a nasty sidelight on that side of a person's
|
|
character, no pun intended.
|
|
|
|
The horse having reached the end of his tether, so to speak, halted and,
|
|
rearing high a proud feathering tail, added his quota by letting fall on
|
|
the floor which the brush would soon brush up and polish, three smoking
|
|
globes of turds. Slowly three times, one after another, from a full
|
|
crupper he mired. And humanely his driver waited till he (or she) had
|
|
ended, patient in his scythed car.
|
|
|
|
Side by side Bloom, profiting by the CONTRETEMPS, with Stephen passed
|
|
through the gap of the chains, divided by the upright, and, stepping over
|
|
a strand of mire, went across towards Gardiner street lower, Stephen
|
|
singing more boldly, but not loudly, the end of the ballad.
|
|
|
|
|
|
UND ALLE SCHIFFE BRUCKEN.
|
|
|
|
|
|
The driver never said a word, good, bad or indifferent, but merely
|
|
watched the two figures, as he sat on his lowbacked car, both black, one
|
|
full, one lean, walk towards the railway bridge, TO BE MARRIED BY FATHER
|
|
MAHER. As they walked they at times stopped and walked again continuing
|
|
their TETE-A-TETE (which, of course, he was utterly out of) about sirens
|
|
enemies of man's reason, mingled with a number of other topics of the
|
|
same category, usurpers, historical cases of the kind while the man in
|
|
the sweeper car or you might as well call it in the sleeper car who in
|
|
any case couldn't possibly hear because they were too far simply sat in
|
|
his seat near the end of lower Gardiner street AND LOOKED AFTER THEIR
|
|
LOWBACKED CAR.
|
|
|
|
|
|
* * * * * * *
|
|
|
|
|
|
What parallel courses did Bloom and Stephen follow returning?
|
|
|
|
Starting united both at normal walking pace from Beresford place they
|
|
followed in the order named Lower and Middle Gardiner streets and
|
|
Mountjoy square, west: then, at reduced pace, each bearing left,
|
|
Gardiner's place by an inadvertence as far as the farther corner of
|
|
Temple street: then, at reduced pace with interruptions of halt, bearing
|
|
right, Temple street, north, as far as Hardwicke place. Approaching,
|
|
disparate, at relaxed walking pace they crossed both the circus before
|
|
George's church diametrically, the chord in any circle being less than
|
|
the arc which it subtends.
|
|
|
|
Of what did the duumvirate deliberate during their itinerary?
|
|
|
|
Music, literature, Ireland, Dublin, Paris, friendship, woman,
|
|
prostitution, diet, the influence of gaslight or the light of arc and
|
|
glowlamps on the growth of adjoining paraheliotropic trees, exposed
|
|
corporation emergency dustbuckets, the Roman catholic church,
|
|
ecclesiastical celibacy, the Irish nation, jesuit education, careers, the
|
|
study of medicine, the past day, the maleficent influence of the
|
|
presabbath, Stephen's collapse.
|
|
|
|
Did Bloom discover common factors of similarity between their respective
|
|
like and unlike reactions to experience?
|
|
|
|
Both were sensitive to artistic impressions, musical in preference to
|
|
plastic or pictorial. Both preferred a continental to an insular manner
|
|
of life, a cisatlantic to a transatlantic place of residence. Both
|
|
indurated by early domestic training and an inherited tenacity of
|
|
heterodox resistance professed their disbelief in many orthodox
|
|
religious, national, social and ethical doctrines. Both admitted the
|
|
alternately stimulating and obtunding influence of heterosexual
|
|
magnetism.
|
|
|
|
Were their views on some points divergent?
|
|
|
|
Stephen dissented openly from Bloom's views on the importance of dietary
|
|
and civic selfhelp while Bloom dissented tacitly from Stephen's views on
|
|
the eternal affirmation of the spirit of man in literature. Bloom
|
|
assented covertly to Stephen's rectification of the anachronism involved
|
|
in assigning the date of the conversion of the Irish nation to
|
|
christianity from druidism by Patrick son of Calpornus, son of Potitus,
|
|
son of Odyssus, sent by pope Celestine I in the year 432 in the reign of
|
|
Leary to the year 260 or thereabouts in the reign of Cormac MacArt (died
|
|
266 A.D.), suffocated by imperfect deglutition of aliment at Sletty and
|
|
interred at Rossnaree. The collapse which Bloom ascribed to gastric
|
|
inanition and certain chemical compounds of varying degrees of
|
|
adulteration and alcoholic strength, accelerated by mental exertion and
|
|
the velocity of rapid circular motion in a relaxing atmosphere, Stephen
|
|
attributed to the reapparition of a matutinal cloud (perceived by both
|
|
from two different points of observation Sandycove and Dublin) at first
|
|
no bigger than a woman's hand.
|
|
|
|
Was there one point on which their views were equal and negative?
|
|
|
|
The influence of gaslight or electric light on the growth of adjoining
|
|
paraheliotropic trees.
|
|
|
|
Had Bloom discussed similar subjects during nocturnal perambulations in
|
|
the past?
|
|
|
|
In 1884 with Owen Goldberg and Cecil Turnbull at night on public
|
|
thoroughfares between Longwood avenue and Leonard's corner and Leonard's
|
|
corner and Synge street and Synge street and Bloomfield avenue.
|
|
|
|
In 1885 with Percy Apjohn in the evenings, reclined against the wall
|
|
between Gibraltar villa and Bloomfield house in Crumlin, barony of
|
|
Uppercross. In 1886 occasionally with casual acquaintances and
|
|
prospective purchasers on doorsteps, in front parlours, in third class
|
|
railway carriages of suburban lines. In 1888 frequently with major Brian
|
|
Tweedy and his daughter Miss Marion Tweedy, together and separately on
|
|
the lounge in Matthew Dillon's house in Roundtown. Once in 1892 and once
|
|
in 1893 with Julius (Juda) Mastiansky, on both occasions in the parlour
|
|
of his (Bloom's) house in Lombard street, west.
|
|
|
|
What reflection concerning the irregular sequence of dates 1884, 1885,
|
|
1886, 1888, 1892, 1893, 1904 did Bloom make before their arrival at their
|
|
destination?
|
|
|
|
He reflected that the progressive extension of the field of individual
|
|
development and experience was regressively accompanied by a restriction
|
|
of the converse domain of interindividual relations.
|
|
|
|
As in what ways?
|
|
|
|
From inexistence to existence he came to many and was as one received:
|
|
existence with existence he was with any as any with any: from existence
|
|
to nonexistence gone he would be by all as none perceived.
|
|
|
|
What act did Bloom make on their arrival at their destination?
|
|
|
|
At the housesteps of the 4th Of the equidifferent uneven numbers, number
|
|
7 Eccles street, he inserted his hand mechanically into the back pocket
|
|
of his trousers to obtain his latchkey.
|
|
|
|
Was it there?
|
|
|
|
It was in the corresponding pocket of the trousers which he had worn on
|
|
the day but one preceding.
|
|
|
|
Why was he doubly irritated?
|
|
|
|
Because he had forgotten and because he remembered that he had reminded
|
|
himself twice not to forget.
|
|
|
|
What were then the alternatives before the, premeditatedly (respectively)
|
|
and inadvertently, keyless couple?
|
|
|
|
To enter or not to enter. To knock or not to knock.
|
|
|
|
Bloom's decision?
|
|
|
|
A stratagem. Resting his feet on the dwarf wall, he climbed over the area
|
|
railings, compressed his hat on his head, grasped two points at the lower
|
|
union of rails and stiles, lowered his body gradually by its length of
|
|
five feet nine inches and a half to within two feet ten inches of the
|
|
area pavement and allowed his body to move freely in space by separating
|
|
himself from the railings and crouching in preparation for the impact of
|
|
the fall.
|
|
|
|
Did he fall?
|
|
|
|
By his body's known weight of eleven stone and four pounds in avoirdupois
|
|
measure, as certified by the graduated machine for periodical
|
|
selfweighing in the premises of Francis Froedman, pharmaceutical chemist
|
|
of 19 Frederick street, north, on the last feast of the Ascension, to
|
|
wit, the twelfth day of May of the bissextile year one thousand nine
|
|
hundred and four of the christian era (jewish era five thousand six
|
|
hundred and sixtyfour, mohammadan era one thousand three hundred and
|
|
twentytwo), golden number 5, epact 13, solar cycle 9, dominical letters C
|
|
B, Roman indiction 2, Julian period 6617, MCMIV.
|
|
|
|
Did he rise uninjured by concussion?
|
|
|
|
Regaining new stable equilibrium he rose uninjured though concussed by
|
|
the impact, raised the latch of the area door by the exertion of force at
|
|
its freely moving flange and by leverage of the first kind applied at its
|
|
fulcrum, gained retarded access to the kitchen through the subadjacent
|
|
scullery, ignited a lucifer match by friction, set free inflammable coal
|
|
gas by turningon the ventcock, lit a high flame which, by regulating, he
|
|
reduced to quiescent candescence and lit finally a portable candle.
|
|
|
|
What discrete succession of images did Stephen meanwhile perceive?
|
|
|
|
Reclined against the area railings he perceived through the transparent
|
|
kitchen panes a man regulating a gasflame of 14 CP, a man lighting a
|
|
candle of 1 CP, a man removing in turn each of his two boots, a man
|
|
leaving the kitchen holding a candle.
|
|
|
|
Did the man reappear elsewhere?
|
|
|
|
After a lapse of four minutes the glimmer of his candle was discernible
|
|
through the semitransparent semicircular glass fanlight over the
|
|
halldoor. The halldoor turned gradually on its hinges. In the open space
|
|
of the doorway the man reappeared without his hat, with his candle.
|
|
|
|
Did Stephen obey his sign?
|
|
|
|
Yes, entering softly, he helped to close and chain the door and followed
|
|
softly along the hallway the man's back and listed feet and lighted
|
|
candle past a lighted crevice of doorway on the left and carefully down a
|
|
turning staircase of more than five steps into the kitchen of Bloom's
|
|
house.
|
|
|
|
What did Bloom do?
|
|
|
|
He extinguished the candle by a sharp expiration of breath upon its
|
|
flame, drew two spoonseat deal chairs to the hearthstone, one for Stephen
|
|
with its back to the area window, the other for himself when necessary,
|
|
knelt on one knee, composed in the grate a pyre of crosslaid resintipped
|
|
sticks and various coloured papers and irregular polygons of best Abram
|
|
coal at twentyone shillings a ton from the yard of Messrs Flower and
|
|
M'Donald of 14 D'Olier street, kindled it at three projecting points of
|
|
paper with one ignited lucifer match, thereby releasing the potential
|
|
energy contained in the fuel by allowing its carbon and hydrogen elements
|
|
to enter into free union with the oxygen of the air.
|
|
|
|
Of what similar apparitions did Stephen think?
|
|
|
|
Of others elsewhere in other times who, kneeling on one knee or on two,
|
|
had kindled fires for him, of Brother Michael in the infirmary of the
|
|
college of the Society of Jesus at Clongowes Wood, Sallins, in the county
|
|
of Kildare: of his father, Simon Dedalus, in an unfurnished room of his
|
|
first residence in Dublin, number thirteen Fitzgibbon street: of his
|
|
godmother Miss Kate Morkan in the house of her dying sister Miss Julia
|
|
Morkan at 15 Usher's Island: of his aunt Sara, wife of Richie (Richard)
|
|
Goulding, in the kitchen of their lodgings at 62 Clanbrassil street: of
|
|
his mother Mary, wife of Simon Dedalus, in the kitchen of number twelve
|
|
North Richmond street on the morning of the feast of Saint Francis Xavier
|
|
1898: of the dean of studies, Father Butt, in the physics' theatre of
|
|
university College, 16 Stephen's Green, north: of his sister Dilly
|
|
(Delia) in his father's house in Cabra.
|
|
|
|
What did Stephen see on raising his gaze to the height of a yard from the
|
|
fire towards the opposite wall?
|
|
|
|
Under a row of five coiled spring housebells a curvilinear rope,
|
|
stretched between two holdfasts athwart across the recess beside the
|
|
chimney pier, from which hung four smallsized square handkerchiefs folded
|
|
unattached consecutively in adjacent rectangles and one pair of ladies'
|
|
grey hose with Lisle suspender tops and feet in their habitual position
|
|
clamped by three erect wooden pegs two at their outer extremities and the
|
|
third at their point of junction.
|
|
|
|
What did Bloom see on the range?
|
|
|
|
On the right (smaller) hob a blue enamelled saucepan: on the left
|
|
(larger) hob a black iron kettle.
|
|
|
|
What did Bloom do at the range?
|
|
|
|
He removed the saucepan to the left hob, rose and carried the iron kettle
|
|
to the sink in order to tap the current by turning the faucet to let it
|
|
flow.
|
|
|
|
Did it flow?
|
|
|
|
Yes. From Roundwood reservoir in county Wicklow of a cubic capacity of
|
|
2400 million gallons, percolating through a subterranean aqueduct of
|
|
filter mains of single and double pipeage constructed at an initial plant
|
|
cost of 5 pounds per linear yard by way of the Dargle, Rathdown, Glen of
|
|
the Downs and Callowhill to the 26 acre reservoir at Stillorgan, a
|
|
distance of 22 statute miles, and thence, through a system of relieving
|
|
tanks, by a gradient of 250 feet to the city boundary at Eustace bridge,
|
|
upper Leeson street, though from prolonged summer drouth and daily supply
|
|
of 12 1/2 million gallons the water had fallen below the sill of the
|
|
overflow weir for which reason the borough surveyor and waterworks
|
|
engineer, Mr Spencer Harty, C. E., on the instructions of the waterworks
|
|
committee had prohibited the use of municipal water for purposes other
|
|
than those of consumption (envisaging the possibility of recourse being
|
|
had to the impotable water of the Grand and Royal canals as in 1893)
|
|
particularly as the South Dublin Guardians, notwithstanding their ration
|
|
of 15 gallons per day per pauper supplied through a 6 inch meter, had
|
|
been convicted of a wastage of 20,000 gallons per night by a reading of
|
|
their meter on the affirmation of the law agent of the corporation, Mr
|
|
Ignatius Rice, solicitor, thereby acting to the detriment of another
|
|
section of the public, selfsupporting taxpayers, solvent, sound.
|
|
|
|
What in water did Bloom, waterlover, drawer of water, watercarrier,
|
|
returning to the range, admire?
|
|
|
|
Its universality: its democratic equality and constancy to its nature in
|
|
seeking its own level: its vastness in the ocean of Mercator's
|
|
projection: its unplumbed profundity in the Sundam trench of the Pacific
|
|
exceeding 8000 fathoms: the restlessness of its waves and surface
|
|
particles visiting in turn all points of its seaboard: the independence
|
|
of its units: the variability of states of sea: its hydrostatic
|
|
quiescence in calm: its hydrokinetic turgidity in neap and spring tides:
|
|
its subsidence after devastation: its sterility in the circumpolar
|
|
icecaps, arctic and antarctic: its climatic and commercial significance:
|
|
its preponderance of 3 to 1 over the dry land of the globe: its
|
|
indisputable hegemony extending in square leagues over all the region
|
|
below the subequatorial tropic of Capricorn: the multisecular stability
|
|
of its primeval basin: its luteofulvous bed: its capacity to dissolve and
|
|
hold in solution all soluble substances including millions of tons of the
|
|
most precious metals: its slow erosions of peninsulas and islands, its
|
|
persistent formation of homothetic islands, peninsulas and
|
|
downwardtending promontories: its alluvial deposits: its weight and
|
|
volume and density: its imperturbability in lagoons and highland tarns:
|
|
its gradation of colours in the torrid and temperate and frigid zones:
|
|
its vehicular ramifications in continental lakecontained streams and
|
|
confluent oceanflowing rivers with their tributaries and transoceanic
|
|
currents, gulfstream, north and south equatorial courses: its violence in
|
|
seaquakes, waterspouts, Artesian wells, eruptions, torrents, eddies,
|
|
freshets, spates, groundswells, watersheds, waterpartings, geysers,
|
|
cataracts, whirlpools, maelstroms, inundations, deluges, cloudbursts: its
|
|
vast circumterrestrial ahorizontal curve: its secrecy in springs and
|
|
latent humidity, revealed by rhabdomantic or hygrometric instruments and
|
|
exemplified by the well by the hole in the wall at Ashtown gate,
|
|
saturation of air, distillation of dew: the simplicity of its
|
|
composition, two constituent parts of hydrogen with one constituent part
|
|
of oxygen: its healing virtues: its buoyancy in the waters of the Dead
|
|
Sea: its persevering penetrativeness in runnels, gullies, inadequate
|
|
dams, leaks on shipboard: its properties for cleansing, quenching thirst
|
|
and fire, nourishing vegetation: its infallibility as paradigm and
|
|
paragon: its metamorphoses as vapour, mist, cloud, rain, sleet, snow,
|
|
hail: its strength in rigid hydrants: its variety of forms in loughs and
|
|
bays and gulfs and bights and guts and lagoons and atolls and
|
|
archipelagos and sounds and fjords and minches and tidal estuaries and
|
|
arms of sea: its solidity in glaciers, icebergs, icefloes: its docility
|
|
in working hydraulic millwheels, turbines, dynamos, electric power
|
|
stations, bleachworks, tanneries, scutchmills: its utility in canals,
|
|
rivers, if navigable, floating and graving docks: its potentiality
|
|
derivable from harnessed tides or watercourses falling from level to
|
|
level: its submarine fauna and flora (anacoustic, photophobe),
|
|
numerically, if not literally, the inhabitants of the globe: its ubiquity
|
|
as constituting 90 percent of the human body: the noxiousness of its
|
|
effluvia in lacustrine marshes, pestilential fens, faded flowerwater,
|
|
stagnant pools in the waning moon.
|
|
|
|
Having set the halffilled kettle on the now burning coals, why did he
|
|
return to the stillflowing tap?
|
|
|
|
To wash his soiled hands with a partially consumed tablet of Barrington's
|
|
lemonflavoured soap, to which paper still adhered, (bought thirteen hours
|
|
previously for fourpence and still unpaid for), in fresh cold
|
|
neverchanging everchanging water and dry them, face and hands, in a long
|
|
redbordered holland cloth passed over a wooden revolving roller.
|
|
|
|
What reason did Stephen give for declining Bloom's offer?
|
|
|
|
That he was hydrophobe, hating partial contact by immersion or total by
|
|
submersion in cold water, (his last bath having taken place in the month
|
|
of October of the preceding year), disliking the aqueous substances of
|
|
glass and crystal, distrusting aquacities of thought and language.
|
|
|
|
What impeded Bloom from giving Stephen counsels of hygiene and
|
|
prophylactic to which should be added suggestions concerning a
|
|
preliminary wetting of the head and contraction of the muscles with rapid
|
|
splashing of the face and neck and thoracic and epigastric region in case
|
|
of sea or river bathing, the parts of the human anatomy most sensitive to
|
|
cold being the nape, stomach and thenar or sole of foot?
|
|
|
|
The incompatibility of aquacity with the erratic originality of genius.
|
|
|
|
What additional didactic counsels did he similarly repress?
|
|
|
|
Dietary: concerning the respective percentage of protein and caloric
|
|
energy in bacon, salt ling and butter, the absence of the former in the
|
|
lastnamed and the abundance of the latter in the firstnamed.
|
|
|
|
Which seemed to the host to be the predominant qualities of his guest?
|
|
|
|
Confidence in himself, an equal and opposite power of abandonment and
|
|
recuperation.
|
|
|
|
What concomitant phenomenon took place in the vessel of liquid by the
|
|
agency of fire?
|
|
|
|
The phenomenon of ebullition. Fanned by a constant updraught of
|
|
ventilation between the kitchen and the chimneyflue, ignition was
|
|
communicated from the faggots of precombustible fuel to polyhedral masses
|
|
of bituminous coal, containing in compressed mineral form the foliated
|
|
fossilised decidua of primeval forests which had in turn derived their
|
|
vegetative existence from the sun, primal source of heat (radiant),
|
|
transmitted through omnipresent luminiferous diathermanous ether. Heat
|
|
(convected), a mode of motion developed by such combustion, was
|
|
constantly and increasingly conveyed from the source of calorification to
|
|
the liquid contained in the vessel, being radiated through the uneven
|
|
unpolished dark surface of the metal iron, in part reflected, in part
|
|
absorbed, in part transmitted, gradually raising the temperature of the
|
|
water from normal to boiling point, a rise in temperature expressible as
|
|
the result of an expenditure of 72 thermal units needed to raise 1 pound
|
|
of water from 50 degrees to 212 degrees Fahrenheit.
|
|
|
|
What announced the accomplishment of this rise in temperature?
|
|
|
|
A double falciform ejection of water vapour from under the kettlelid at
|
|
both sides simultaneously.
|
|
|
|
For what personal purpose could Bloom have applied the water so boiled?
|
|
|
|
To shave himself.
|
|
|
|
What advantages attended shaving by night?
|
|
|
|
A softer beard: a softer brush if intentionally allowed to remain from
|
|
shave to shave in its agglutinated lather: a softer skin if unexpectedly
|
|
encountering female acquaintances in remote places at incustomary hours:
|
|
quiet reflections upon the course of the day: a cleaner sensation when
|
|
awaking after a fresher sleep since matutinal noises, premonitions and
|
|
perturbations, a clattered milkcan, a postman's double knock, a paper
|
|
read, reread while lathering, relathering the same spot, a shock, a
|
|
shoot, with thought of aught he sought though fraught with nought might
|
|
cause a faster rate of shaving and a nick on which incision plaster with
|
|
precision cut and humected and applied adhered: which was to be done.
|
|
|
|
Why did absence of light disturb him less than presence of noise?
|
|
|
|
Because of the surety of the sense of touch in his firm full masculine
|
|
feminine passive active hand.
|
|
|
|
What quality did it (his hand) possess but with what counteracting
|
|
influence?
|
|
|
|
The operative surgical quality but that he was reluctant to shed human
|
|
blood even when the end justified the means, preferring, in their natural
|
|
order, heliotherapy, psychophysicotherapeutics, osteopathic surgery.
|
|
|
|
What lay under exposure on the lower, middle and upper shelves of the
|
|
kitchen dresser, opened by Bloom?
|
|
|
|
On the lower shelf five vertical breakfast plates, six horizontal
|
|
breakfast saucers on which rested inverted breakfast cups, a
|
|
moustachecup, uninverted, and saucer of Crown Derby, four white
|
|
goldrimmed eggcups, an open shammy purse displaying coins, mostly copper,
|
|
and a phial of aromatic (violet) comfits. On the middle shelf a chipped
|
|
eggcup containing pepper, a drum of table salt, four conglomerated black
|
|
olives in oleaginous paper, an empty pot of Plumtree's potted meat, an
|
|
oval wicker basket bedded with fibre and containing one Jersey pear, a
|
|
halfempty bottle of William Gilbey and Co's white invalid port, half
|
|
disrobed of its swathe of coralpink tissue paper, a packet of Epps's
|
|
soluble cocoa, five ounces of Anne Lynch's choice tea at 2/- per lb in a
|
|
crinkled leadpaper bag, a cylindrical canister containing the best
|
|
crystallised lump sugar, two onions, one, the larger, Spanish, entire,
|
|
the other, smaller, Irish, bisected with augmented surface and more
|
|
redolent, a jar of Irish Model Dairy's cream, a jug of brown crockery
|
|
containing a naggin and a quarter of soured adulterated milk, converted
|
|
by heat into water, acidulous serum and semisolidified curds, which added
|
|
to the quantity subtracted for Mr Bloom's and Mrs Fleming's breakfasts,
|
|
made one imperial pint, the total quantity originally delivered, two
|
|
cloves, a halfpenny and a small dish containing a slice of fresh
|
|
ribsteak. On the upper shelf a battery of jamjars (empty) of various
|
|
sizes and proveniences.
|
|
|
|
What attracted his attention lying on the apron of the dresser?
|
|
|
|
Four polygonal fragments of two lacerated scarlet betting tickets,
|
|
numbered 8 87, 88 6.
|
|
|
|
What reminiscences temporarily corrugated his brow?
|
|
|
|
Reminiscences of coincidences, truth stranger than fiction, preindicative
|
|
of the result of the Gold Cup flat handicap, the official and definitive
|
|
result of which he had read in the EVENING TELEGRAPH, late pink edition,
|
|
in the cabman's shelter, at Butt bridge.
|
|
|
|
Where had previous intimations of the result, effected or projected, been
|
|
received by him?
|
|
|
|
In Bernard Kiernan's licensed premises 8, 9 and 10 little Britain street:
|
|
in David Byrne's licensed premises, 14 Duke street: in O'Connell street
|
|
lower, outside Graham Lemon's when a dark man had placed in his hand a
|
|
throwaway (subsequently thrown away), advertising Elijah, restorer of the
|
|
church in Zion: in Lincoln place outside the premises of F. W. Sweny and
|
|
Co (Limited), dispensing chemists, when, when Frederick M. (Bantam) Lyons
|
|
had rapidly and successively requested, perused and restituted the copy
|
|
of the current issue of the FREEMAN'S JOURNAL AND NATIONAL PRESS which he
|
|
had been about to throw away (subsequently thrown away), he had proceeded
|
|
towards the oriental edifice of the Turkish and Warm Baths, 11 Leinster
|
|
street, with the light of inspiration shining in his countenance and
|
|
bearing in his arms the secret of the race, graven in the language of
|
|
prediction.
|
|
|
|
What qualifying considerations allayed his perturbations?
|
|
|
|
The difficulties of interpretation since the significance of any event
|
|
followed its occurrence as variably as the acoustic report followed the
|
|
electrical discharge and of counterestimating against an actual loss by
|
|
failure to interpret the total sum of possible losses proceeding
|
|
originally from a successful interpretation.
|
|
|
|
His mood?
|
|
|
|
He had not risked, he did not expect, he had not been disappointed, he
|
|
was satisfied.
|
|
|
|
What satisfied him?
|
|
|
|
To have sustained no positive loss. To have brought a positive gain to
|
|
others. Light to the gentiles.
|
|
|
|
How did Bloom prepare a collation for a gentile?
|
|
|
|
He poured into two teacups two level spoonfuls, four in all, of Epps's
|
|
soluble cocoa and proceeded according to the directions for use printed
|
|
on the label, to each adding after sufficient time for infusion the
|
|
prescribed ingredients for diffusion in the manner and in the quantity
|
|
prescribed.
|
|
|
|
What supererogatory marks of special hospitality did the host show his
|
|
guest?
|
|
|
|
Relinquishing his symposiarchal right to the moustache cup of imitation
|
|
Crown Derby presented to him by his only daughter, Millicent (Milly), he
|
|
substituted a cup identical with that of his guest and served
|
|
extraordinarily to his guest and, in reduced measure, to himself the
|
|
viscous cream ordinarily reserved for the breakfast of his wife Marion
|
|
(Molly).
|
|
|
|
Was the guest conscious of and did he acknowledge these marks of
|
|
hospitality?
|
|
|
|
His attention was directed to them by his host jocosely, and he accepted
|
|
them seriously as they drank in jocoserious silence Epps's massproduct,
|
|
the creature cocoa.
|
|
|
|
Were there marks of hospitality which he contemplated but suppressed,
|
|
reserving them for another and for himself on future occasions to
|
|
complete the act begun?
|
|
|
|
The reparation of a fissure of the length of 1 1/2 inches in the right
|
|
side of his guest's jacket. A gift to his guest of one of the four lady's
|
|
handkerchiefs, if and when ascertained to be in a presentable condition.
|
|
|
|
Who drank more quickly?
|
|
|
|
Bloom, having the advantage of ten seconds at the initiation and taking,
|
|
from the concave surface of a spoon along the handle of which a steady
|
|
flow of heat was conducted, three sips to his opponent's one, six to two,
|
|
nine to three.
|
|
|
|
What cerebration accompanied his frequentative act?
|
|
|
|
Concluding by inspection but erroneously that his silent companion was
|
|
engaged in mental composition he reflected on the pleasures derived from
|
|
literature of instruction rather than of amusement as he himself had
|
|
applied to the works of William Shakespeare more than once for the
|
|
solution of difficult problems in imaginary or real life.
|
|
|
|
Had he found their solution?
|
|
|
|
In spite of careful and repeated reading of certain classical passages,
|
|
aided by a glossary, he had derived imperfect conviction from the text,
|
|
the answers not bearing in all points.
|
|
|
|
What lines concluded his first piece of original verse written by him,
|
|
potential poet, at the age of 11 in 1877 on the occasion of the offering
|
|
of three prizes of 10/-, 5/- and 2/6 respectively for competition by the
|
|
SHAMROCK, a weekly newspaper?
|
|
|
|
|
|
AN AMBITION TO SQUINT
|
|
AT MY VERSES IN PRINT
|
|
MAKES ME HOPE THAT FOR THESE YOU'LL FIND ROOM.
|
|
IF YOU SO CONDESCEND
|
|
THEN PLEASE PLACE AT THE END
|
|
THE NAME OF YOURS TRULY, L. BLOOM.
|
|
|
|
|
|
Did he find four separating forces between his temporary guest and him?
|
|
|
|
Name, age, race, creed.
|
|
|
|
What anagrams had he made on his name in youth?
|
|
|
|
|
|
Leopold Bloom
|
|
Ellpodbomool
|
|
Molldopeloob
|
|
Bollopedoom
|
|
Old Ollebo, M. P.
|
|
|
|
|
|
What acrostic upon the abbreviation of his first name had he (kinetic
|
|
poet) sent to Miss Marion (Molly) Tweedy on the 14 February 1888?
|
|
|
|
POETS OFT HAVE SUNG IN RHYME
|
|
OF MUSIC SWEET THEIR PRAISE DIVINE.
|
|
LET THEM HYMN IT NINE TIMES NINE.
|
|
DEARER FAR THAN SONG OR WINE.
|
|
YOU ARE MINE. THE WORLD IS MINE.
|
|
|
|
|
|
What had prevented him from completing a topical song (music by R. G.
|
|
Johnston) on the events of the past, or fixtures for the actual, years,
|
|
entitled IF BRIAN BORU COULD BUT COME BACK AND SEE OLD DUBLIN NOW,
|
|
commissioned by Michael Gunn, lessee of the Gaiety Theatre, 46, 47, 48,
|
|
49 South King street, and to be introduced into the sixth scene, the
|
|
valley of diamonds, of the second edition (30 January 1893) of the grand
|
|
annual Christmas pantomime SINBAD THE SAILOR (produced by R Shelton 26
|
|
December 1892, written by Greenleaf Whittier, scenery by George A.
|
|
Jackson and Cecil Hicks, costumes by Mrs and Miss Whelan under the
|
|
personal supervision of Mrs Michael Gunn, ballets by Jessie Noir,
|
|
harlequinade by Thomas Otto) and sung by Nelly Bouverist, principal girl?
|
|
|
|
Firstly, oscillation between events of imperial and of local interest,
|
|
the anticipated diamond jubilee of Queen Victoria (born 1820, acceded
|
|
1837) and the posticipated opening of the new municipal fish market:
|
|
secondly, apprehension of opposition from extreme circles on the
|
|
questions of the respective visits of Their Royal Highnesses the duke and
|
|
duchess of York (real) and of His Majesty King Brian Boru (imaginary):
|
|
thirdly, a conflict between professional etiquette and professional
|
|
emulation concerning the recent erections of the Grand Lyric Hall on
|
|
Burgh Quay and the Theatre Royal in Hawkins street: fourthly, distraction
|
|
resultant from compassion for Nelly Bouverist's non-intellectual, non-
|
|
political, non-topical expression of countenance and concupiscence caused
|
|
by Nelly Bouverist's revelations of white articles of non-intellectual,
|
|
non-political, non-topical underclothing while she (Nelly Bouverist) was
|
|
in the articles: fifthly, the difficulties of the selection of
|
|
appropriate music and humorous allusions from EVERYBODY'S BOOK OF JOKES
|
|
(1000 pages and a laugh in every one): sixthly, the rhymes, homophonous
|
|
and cacophonous, associated with the names of the new lord mayor, Daniel
|
|
Tallon, the new high sheriff, Thomas Pile and the new solicitorgeneral,
|
|
Dunbar Plunket Barton.
|
|
|
|
What relation existed between their ages?
|
|
|
|
16 years before in 1888 when Bloom was of Stephen's present age Stephen
|
|
was 6. 16 years after in 1920 when Stephen would be of Bloom's present
|
|
age Bloom would be 54. In 1936 when Bloom would be 70 and Stephen 54
|
|
their ages initially in the ratio of 16 to 0 would be as 17 1/2 to 13
|
|
1/2, the proportion increasing and the disparity diminishing according as
|
|
arbitrary future years were added, for if the proportion existing in 1883
|
|
had continued immutable, conceiving that to be possible, till then 1904
|
|
when Stephen was 22 Bloom would be 374 and in 1920 when Stephen would be
|
|
38, as Bloom then was, Bloom would be 646 while in 1952 when Stephen
|
|
would have attained the maximum postdiluvian age of 70 Bloom, being 1190
|
|
years alive having been born in the year 714, would have surpassed by 221
|
|
years the maximum antediluvian age, that of Methusalah, 969 years, while,
|
|
if Stephen would continue to live until he would attain that age in the
|
|
year 3072 A.D., Bloomwould have been obliged to have been alive 83,300
|
|
years, having been obliged to have been born in the year 81,396 B.C.
|
|
|
|
What events might nullify these calculations?
|
|
|
|
The cessation of existence of both or either, the inauguration of a new
|
|
era or calendar, the annihilation of the world and consequent
|
|
extermination of the human species, inevitable but impredictable.
|
|
|
|
How many previous encounters proved their preexisting acquaintance?
|
|
|
|
Two. The first in the lilacgarden of Matthew Dillon's house, Medina
|
|
Villa, Kimmage road, Roundtown, in 1887, in the company of Stephen's
|
|
mother, Stephen being then of the age of 5 and reluctant to give his hand
|
|
in salutation. The second in the coffeeroom of Breslin's hotel on a rainy
|
|
Sunday in the January of 1892, in the company of Stephen's father and
|
|
Stephen's granduncle, Stephen being then 5 years older.
|
|
|
|
Did Bloom accept the invitation to dinner given then by the son and
|
|
afterwards seconded by the father?
|
|
|
|
Very gratefully, with grateful appreciation, with sincere appreciative
|
|
gratitude, in appreciatively grateful sincerity of regret, he declined.
|
|
|
|
Did their conversation on the subject of these reminiscences reveal a
|
|
third connecting link between them?
|
|
|
|
Mrs Riordan (Dante), a widow of independent means, had resided in the
|
|
house of Stephen's parents from 1 September 1888 to 29 December 1891 and
|
|
had also resided during the years 1892, 1893 and 1894 in the City Arms
|
|
Hotel owned by Elizabeth O'Dowd of 54 Prussia street where, during parts
|
|
of the years 1893 and 1894, she had been a constant informant of Bloom
|
|
who resided also in the same hotel, being at that time a clerk in the
|
|
employment of Joseph Cuffe of 5 Smithfield for the superintendence of
|
|
sales in the adjacent Dublin Cattle market on the North Circular road.
|
|
|
|
Had he performed any special corporal work of mercy for her?
|
|
|
|
He had sometimes propelled her on warm summer evenings, an infirm widow
|
|
of independent, if limited, means, in her convalescent bathchair with
|
|
slow revolutions of its wheels as far as the corner of the North Circular
|
|
road opposite Mr Gavin Low's place of business where she had remained for
|
|
a certain time scanning through his onelensed binocular fieldglasses
|
|
unrecognisable citizens on tramcars, roadster bicycles equipped with
|
|
inflated pneumatic tyres, hackney carriages, tandems, private and hired
|
|
landaus, dogcarts, ponytraps and brakes passing from the city to the
|
|
Phoenix Park and vice versa.
|
|
|
|
Why could he then support that his vigil with the greater equanimity?
|
|
|
|
Because in middle youth he had often sat observing through a rondel of
|
|
bossed glass of a multicoloured pane the spectacle offered with continual
|
|
changes of the thoroughfare without, pedestrians, quadrupeds,
|
|
velocipedes, vehicles, passing slowly, quickly, evenly, round and round
|
|
and round the rim of a round and round precipitous globe.
|
|
|
|
What distinct different memories had each of her now eight years
|
|
deceased?
|
|
|
|
The older, her bezique cards and counters, her Skye terrier, her
|
|
suppositious wealth, her lapses of responsiveness and incipient catarrhal
|
|
deafness: the younger, her lamp of colza oil before the statue of the
|
|
Immaculate Conception, her green and maroon brushes for Charles Stewart
|
|
Parnell and for Michael Davitt, her tissue papers.
|
|
|
|
Were there no means still remaining to him to achieve the rejuvenation
|
|
which these reminiscences divulged to a younger companion rendered the
|
|
more desirable?
|
|
|
|
The indoor exercises, formerly intermittently practised, subsequently
|
|
abandoned, prescribed in Eugen Sandow's PHYSICAL STRENGTH AND HOW TO
|
|
OBTAIN IT which, designed particularly for commercial men engaged in
|
|
sedentary occupations, were to be made with mental concentration in front
|
|
of a mirror so as to bring into play the various families of muscles and
|
|
produce successively a pleasant rigidity, a more pleasant relaxation and
|
|
the most pleasant repristination of juvenile agility.
|
|
|
|
Had any special agility been his in earlier youth?
|
|
|
|
Though ringweight lifting had been beyond his strength and the full
|
|
circle gyration beyond his courage yet as a High school scholar he had
|
|
excelled in his stable and protracted execution of the half lever
|
|
movement on the parallel bars in consequence of his abnormally developed
|
|
abdominal muscles.
|
|
|
|
Did either openly allude to their racial difference?
|
|
|
|
Neither.
|
|
|
|
What, reduced to their simplest reciprocal form, were Bloom's thoughts
|
|
about Stephen's thoughts about Bloom and about Stephen's thoughts about
|
|
Bloom's thoughts about Stephen?
|
|
|
|
He thought that he thought that he was a jew whereas he knew that he knew
|
|
that he knew that he was not.
|
|
|
|
What, the enclosures of reticence removed, were their respective
|
|
parentages?
|
|
|
|
Bloom, only born male transubstantial heir of Rudolf Virag (subsequently
|
|
Rudolph Bloom) of Szombathely, Vienna, Budapest, Milan, London and Dublin
|
|
and of Ellen Higgins, second daughter of Julius Higgins (born Karoly) and
|
|
Fanny Higgins (born Hegarty). Stephen, eldest surviving male
|
|
consubstantial heir of Simon Dedalus of Cork and Dublin and of Mary,
|
|
daughter of Richard and Christina Goulding (born Grier).
|
|
|
|
Had Bloom and Stephen been baptised, and where and by whom, cleric or
|
|
layman?
|
|
|
|
Bloom (three times), by the reverend Mr Gilmer Johnston M. A., alone, in
|
|
the protestant church of Saint Nicholas Without, Coombe, by James
|
|
O'Connor, Philip Gilligan and James Fitzpatrick, together, under a pump
|
|
in the village of Swords, and by the reverend Charles Malone C. C., in
|
|
the church of the Three Patrons, Rathgar. Stephen (once) by the reverend
|
|
Charles Malone C. C., alone, in the church of the Three Patrons, Rathgar.
|
|
|
|
Did they find their educational careers similar?
|
|
|
|
Substituting Stephen for Bloom Stoom would have passed successively
|
|
through a dame's school and the high school. Substituting Bloom for
|
|
Stephen Blephen would have passed successively through the preparatory,
|
|
junior, middle and senior grades of the intermediate and through the
|
|
matriculation, first arts, second arts and arts degree courses of the
|
|
royal university.
|
|
|
|
Why did Bloom refrain from stating that he had frequented the university
|
|
of life?
|
|
|
|
Because of his fluctuating incertitude as to whether this observation had
|
|
or had not been already made by him to Stephen or by Stephen to him.
|
|
|
|
What two temperaments did they individually represent?
|
|
|
|
The scientific. The artistic.
|
|
|
|
What proofs did Bloom adduce to prove that his tendency was towards
|
|
applied, rather than towards pure, science?
|
|
|
|
Certain possible inventions of which he had cogitated when reclining in a
|
|
state of supine repletion to aid digestion, stimulated by his
|
|
appreciation of the importance of inventions now common but once
|
|
revolutionary, for example, the aeronautic parachute, the reflecting
|
|
telescope, the spiral corkscrew, the safety pin, the mineral water
|
|
siphon, the canal lock with winch and sluice, the suction pump.
|
|
|
|
Were these inventions principally intended for an improved scheme of
|
|
kindergarten?
|
|
|
|
Yes, rendering obsolete popguns, elastic airbladders, games of hazard,
|
|
catapults. They comprised astronomical kaleidoscopes exhibiting the
|
|
twelve constellations of the zodiac from Aries to Pisces, miniature
|
|
mechanical orreries, arithmetical gelatine lozenges, geometrical to
|
|
correspond with zoological biscuits, globemap playing balls, historically
|
|
costumed dolls.
|
|
|
|
What also stimulated him in his cogitations?
|
|
|
|
The financial success achieved by Ephraim Marks and Charles A. James, the
|
|
former by his 1d bazaar at 42 George's street, south, the latter at his
|
|
6-1/2d shop and world's fancy fair and waxwork exhibition at 30 Henry
|
|
street, admission 2d, children 1d: and the infinite possibilities
|
|
hitherto unexploited of the modern art of advertisement if condensed in
|
|
triliteral monoideal symbols, vertically of maximum visibility (divined),
|
|
horizontally of maximum legibility (deciphered) and of magnetising
|
|
efficacy to arrest involuntary attention, to interest, to convince, to
|
|
decide.
|
|
|
|
Such as?
|
|
|
|
K. II. Kino's 11/- Trousers. House of Keys. Alexander J. Keyes.
|
|
|
|
Such as not?
|
|
|
|
Look at this long candle. Calculate when it burns out and you receive
|
|
gratis 1 pair of our special non-compo boots, guaranteed 1 candle power.
|
|
Address: Barclay and Cook, 18 Talbot street.
|
|
|
|
Bacilikil (Insect Powder). Veribest (Boot Blacking). Uwantit (Combined
|
|
pocket twoblade penknife with corkscrew, nailfile and pipecleaner).
|
|
|
|
Such as never?
|
|
|
|
What is home without Plumtree's Potted Meat?
|
|
|
|
Incomplete.
|
|
|
|
With it an abode of bliss.
|
|
|
|
Manufactured by George Plumtree, 23 Merchants' quay, Dublin, put up in 4
|
|
oz pots, and inserted by Councillor Joseph P. Nannetti, M. P., Rotunda
|
|
Ward, 19 Hardwicke street, under the obituary notices and anniversaries
|
|
of deceases. The name on the label is Plumtree. A plumtree in a meatpot,
|
|
registered trade mark. Beware of imitations. Peatmot. Trumplee. Moutpat.
|
|
Plamtroo.
|
|
|
|
Which example did he adduce to induce Stephen to deduce that originality,
|
|
though producing its own reward, does not invariably conduce to success?
|
|
|
|
His own ideated and rejected project of an illuminated showcart, drawn by
|
|
a beast of burden, in which two smartly dressed girls were to be seated
|
|
engaged in writing.
|
|
|
|
What suggested scene was then constructed by Stephen?
|
|
|
|
Solitary hotel in mountain pass. Autumn. Twilight. Fire lit. In dark
|
|
corner young man seated. Young woman enters. Restless. Solitary. She
|
|
sits. She goes to window. She stands. She sits. Twilight. She thinks. On
|
|
solitary hotel paper she writes. She thinks. She writes. She sighs.
|
|
Wheels and hoofs. She hurries out. He comes from his dark corner. He
|
|
seizes solitary paper. He holds it towards fire. Twilight. He reads.
|
|
Solitary.
|
|
|
|
What?
|
|
|
|
In sloping, upright and backhands: Queen's Hotel, Queen's Hotel, Queen's
|
|
Hotel. Queen's Ho...
|
|
|
|
What suggested scene was then reconstructed by Bloom?
|
|
|
|
The Queen's Hotel, Ennis, county Clare, where Rudolph Bloom (Rudolf
|
|
Virag) died on the evening of the 27 June 1886, at some hour unstated, in
|
|
consequence of an overdose of monkshood (aconite) selfadministered in the
|
|
form of a neuralgic liniment composed of 2 parts of aconite liniment to I
|
|
of chloroform liniment (purchased by him at 10.20 a.m. on the morning of
|
|
27 June 1886 at the medical hall of Francis Dennehy, 17 Church street,
|
|
Ennis) after having, though not in consequence of having, purchased at
|
|
3.15 p.m. on the afternoon of 27 June 1886 a new boater straw hat, extra
|
|
smart (after having, though not in consequence of having, purchased at
|
|
the hour and in the place aforesaid, the toxin aforesaid), at the general
|
|
drapery store of James Cullen, 4 Main street, Ennis.
|
|
|
|
Did he attribute this homonymity to information or coincidence or
|
|
intuition?
|
|
|
|
Coincidence.
|
|
|
|
Did he depict the scene verbally for his guest to see?
|
|
|
|
He preferred himself to see another's face and listen to another's words
|
|
by which potential narration was realised and kinetic temperament
|
|
relieved.
|
|
|
|
Did he see only a second coincidence in the second scene narrated to him,
|
|
described by the narrator as A PISGAH SIGHT OF PALESTINE OR THE PARABLE
|
|
OF THE PLUMS?
|
|
|
|
It, with the preceding scene and with others unnarrated but existent by
|
|
implication, to which add essays on various subjects or moral apothegms
|
|
(e.g. MY FAVOURITE HERO OR PROCRASTINATION IS THE THIEF OF TIME) composed
|
|
during schoolyears, seemed to him to contain in itself and in conjunction
|
|
with the personal equation certain possibilities of financial, social,
|
|
personal and sexual success, whether specially collected and selected as
|
|
model pedagogic themes (of cent per cent merit) for the use of
|
|
preparatory and junior grade students or contributed in printed form,
|
|
following the precedent of Philip Beaufoy or Doctor Dick or Heblon's
|
|
STUDIES IN BLUE, to a publication of certified circulation and solvency
|
|
or employed verbally as intellectual stimulation for sympathetic
|
|
auditors, tacitly appreciative of successful narrative and confidently
|
|
augurative of successful achievement, during the increasingly longer
|
|
nights gradually following the summer solstice on the day but three
|
|
following, videlicet, Tuesday, 21 June (S. Aloysius Gonzaga), sunrise
|
|
3.33 a.m., sunset 8.29 p.m.
|
|
|
|
Which domestic problem as much as, if not more than, any other frequently
|
|
engaged his mind?
|
|
|
|
What to do with our wives.
|
|
|
|
What had been his hypothetical singular solutions?
|
|
|
|
Parlour games (dominos, halma, tiddledywinks, spilikins, cup and ball,
|
|
nap, spoil five, bezique, twentyfive, beggar my neighbour, draughts,
|
|
chess or backgammon): embroidery, darning or knitting for the policeaided
|
|
clothing society: musical duets, mandoline and guitar, piano and flute,
|
|
guitar and piano: legal scrivenery or envelope addressing: biweekly
|
|
visits to variety entertainments: commercial activity as pleasantly
|
|
commanding and pleasingly obeyed mistress proprietress in a cool dairy
|
|
shop or warm cigar divan: the clandestine satisfaction of erotic
|
|
irritation in masculine brothels, state inspected and medically
|
|
controlled: social visits, at regular infrequent prevented intervals and
|
|
with regular frequent preventive superintendence, to and from female
|
|
acquaintances of recognised respectability in the vicinity: courses of
|
|
evening instruction specially designed to render liberal instruction
|
|
agreeable.
|
|
|
|
What instances of deficient mental development in his wife inclined him
|
|
in favour of the lastmentioned (ninth) solution?
|
|
|
|
In disoccupied moments she had more than once covered a sheet of paper
|
|
with signs and hieroglyphics which she stated were Greek and Irish and
|
|
Hebrew characters. She had interrogated constantly at varying intervals
|
|
as to the correct method of writing the capital initial of the name of a
|
|
city in Canada, Quebec. She understood little of political complications,
|
|
internal, or balance of power, external. In calculating the addenda of
|
|
bills she frequently had recourse to digital aid. After completion of
|
|
laconic epistolary compositions she abandoned the implement of
|
|
calligraphy in the encaustic pigment, exposed to the corrosive action of
|
|
copperas, green vitriol and nutgall. Unusual polysyllables of foreign
|
|
origin she interpreted phonetically or by false analogy or by both:
|
|
metempsychosis (met him pike hoses), ALIAS (a mendacious person mentioned
|
|
in sacred scripture).
|
|
|
|
What compensated in the false balance of her intelligence for these and
|
|
such deficiencies of judgment regarding persons, places and things?
|
|
|
|
The false apparent parallelism of all perpendicular arms of all balances,
|
|
proved true by construction. The counterbalance of her proficiency of
|
|
judgment regarding one person, proved true by experiment.
|
|
|
|
How had he attempted to remedy this state of comparative ignorance?
|
|
|
|
Variously. By leaving in a conspicuous place a certain book open at a
|
|
certain page: by assuming in her, when alluding explanatorily, latent
|
|
knowledge: by open ridicule in her presence of some absent other's
|
|
ignorant lapse.
|
|
|
|
With what success had he attempted direct instruction?
|
|
|
|
She followed not all, a part of the whole, gave attention with interest
|
|
comprehended with surprise, with care repeated, with greater difficulty
|
|
remembered, forgot with ease, with misgiving reremembered, rerepeated
|
|
with error.
|
|
|
|
What system had proved more effective?
|
|
|
|
Indirect suggestion implicating selfinterest.
|
|
|
|
Example?
|
|
|
|
She disliked umbrella with rain, he liked woman with umbrella, she
|
|
disliked new hat with rain, he liked woman with new hat, he bought new
|
|
hat with rain, she carried umbrella with new hat.
|
|
|
|
Accepting the analogy implied in his guest's parable which examples of
|
|
postexilic eminence did he adduce?
|
|
|
|
Three seekers of the pure truth, Moses of Egypt, Moses Maimonides, author
|
|
of MORE NEBUKIM (Guide of the Perplexed) and Moses Mendelssohn of such
|
|
eminence that from Moses (of Egypt) to Moses (Mendelssohn) there arose
|
|
none like Moses (Maimonides).
|
|
|
|
What statement was made, under correction, by Bloom concerning a fourth
|
|
seeker of pure truth, by name Aristotle, mentioned, with permission, by
|
|
Stephen?
|
|
|
|
That the seeker mentioned had been a pupil of a rabbinical philosopher,
|
|
name uncertain.
|
|
|
|
Were other anapocryphal illustrious sons of the law and children of a
|
|
selected or rejected race mentioned?
|
|
|
|
Felix Bartholdy Mendelssohn (composer), Baruch Spinoza (philosopher),
|
|
Mendoza (pugilist), Ferdinand Lassalle (reformer, duellist).
|
|
|
|
What fragments of verse from the ancient Hebrew and ancient Irish
|
|
languages were cited with modulations of voice and translation of texts
|
|
by guest to host and by host to guest?
|
|
|
|
By Stephen: SUIL, SUIL, SUIL ARUN, SUIL GO SIOCAIR AGUS SUIL GO CUIN
|
|
(walk, walk, walk your way, walk in safety, walk with care).
|
|
|
|
By Bloom: KIFELOCH, HARIMON RAKATEJCH M'BAAD L'ZAMATEJCH (thy temple amid
|
|
thy hair is as a slice of pomegranate).
|
|
|
|
How was a glyphic comparison of the phonic symbols of both languages made
|
|
in substantiation of the oral comparison?
|
|
|
|
By juxtaposition. On the penultimate blank page of a book of inferior
|
|
literary style, entituled SWEETS OF SIN (produced by Bloom and so
|
|
manipulated that its front cover carne in contact with the surface of the
|
|
table) with a pencil (supplied by Stephen) Stephen wrote the Irish
|
|
characters for gee, eh, dee, em, simple and modified, and Bloom in turn
|
|
wrote the Hebrew characters ghimel, aleph, daleth and (in the absence of
|
|
mem) a substituted qoph, explaining their arithmetical values as ordinal
|
|
and cardinal numbers, videlicet 3, 1, 4, and 100.
|
|
|
|
Was the knowledge possessed by both of each of these languages, the
|
|
extinct and the revived, theoretical or practical?
|
|
|
|
Theoretical, being confined to certain grammatical rules of accidence and
|
|
syntax and practically excluding vocabulary.
|
|
|
|
What points of contact existed between these languages and between the
|
|
peoples who spoke them?
|
|
|
|
The presence of guttural sounds, diacritic aspirations, epenthetic and
|
|
servile letters in both languages: their antiquity, both having been
|
|
taught on the plain of Shinar 242 years after the deluge in the seminary
|
|
instituted by Fenius Farsaigh, descendant of Noah, progenitor of Israel,
|
|
and ascendant of Heber and Heremon, progenitors of Ireland: their
|
|
archaeological, genealogical, hagiographical, exegetical, homiletic,
|
|
toponomastic, historical and religious literatures comprising the works
|
|
of rabbis and culdees, Torah, Talmud (Mischna and Ghemara), Massor,
|
|
Pentateuch, Book of the Dun Cow, Book of Ballymote, Garland of Howth,
|
|
Book of Kells: their dispersal, persecution, survival and revival: the
|
|
isolation of their synagogical and ecclesiastical rites in ghetto (S.
|
|
Mary's Abbey) and masshouse (Adam and Eve's tavern): the proscription of
|
|
their national costumes in penal laws and jewish dress acts: the
|
|
restoration in Chanah David of Zion and the possibility of Irish
|
|
political autonomy or devolution.
|
|
|
|
What anthem did Bloom chant partially in anticipation of that multiple,
|
|
ethnically irreducible consummation?
|
|
|
|
|
|
KOLOD BALEJWAW PNIMAH
|
|
NEFESCH, JEHUDI, HOMIJAH.
|
|
|
|
|
|
Why was the chant arrested at the conclusion of this first distich?
|
|
|
|
In consequence of defective mnemotechnic.
|
|
|
|
|
|
How did the chanter compensate for this deficiency?
|
|
|
|
By a periphrastic version of the general text.
|
|
|
|
|
|
In what common study did their mutual reflections merge?
|
|
|
|
The increasing simplification traceable from the Egyptian epigraphic
|
|
hieroglyphs to the Greek and Roman alphabets and the anticipation of
|
|
modern stenography and telegraphic code in the cuneiform inscriptions
|
|
(Semitic) and the virgular quinquecostate ogham writing (Celtic). Did the
|
|
guest comply with his host's request?
|
|
|
|
Doubly, by appending his signature in Irish and Roman characters.
|
|
|
|
|
|
What was Stephen's auditive sensation?
|
|
|
|
He heard in a profound ancient male unfamiliar melody the accumulation of
|
|
the past.
|
|
|
|
|
|
What was Bloom's visual sensation?
|
|
|
|
He saw in a quick young male familiar form the predestination of a future.
|
|
|
|
|
|
What were Stephen's and Bloom's quasisimultaneous volitional
|
|
quasisensations of concealed identities?
|
|
|
|
Visually, Stephen's: The traditional figure of hypostasis, depicted by
|
|
Johannes Damascenus, Lentulus Romanus and Epiphanius Monachus as
|
|
leucodermic, sesquipedalian with winedark hair. Auditively, Bloom's: The
|
|
traditional accent of the ecstasy of catastrophe.
|
|
|
|
What future careers had been possible for Bloom in the past and with what
|
|
exemplars?
|
|
|
|
In the church, Roman, Anglican or Nonconformist: exemplars, the very
|
|
reverend John Conmee S. J., the reverend T. Salmon, D. D., provost of
|
|
Trinity college, Dr Alexander J. Dowie. At the bar, English or Irish:
|
|
exemplars, Seymour Bushe, K. C., Rufus Isaacs, K. C. On the stage modern
|
|
or Shakespearean: exemplars, Charles Wyndham, high comedian Osmond Tearle
|
|
(died 1901), exponent of Shakespeare.
|
|
|
|
Did the host encourage his guest to chant in a modulated voice a strange
|
|
legend on an allied theme?
|
|
|
|
Reassuringly, their place, where none could hear them talk, being
|
|
secluded, reassured, the decocted beverages, allowing for subsolid
|
|
residual sediment of a mechanical mixture, water plus sugar plus cream
|
|
plus cocoa, having been consumed.
|
|
|
|
Recite the first (major) part of this chanted legend.
|
|
|
|
|
|
LITTLE HARRY HUGHES AND HIS SCHOOLFELLOWS ALL
|
|
WENT OUT FOR TO PLAY BALL.
|
|
AND THE VERY FIRST BALL LITTLE HARRY HUGHES PLAYED
|
|
HE DROVE IT O'ER THE JEW'S GARDEN WALL.
|
|
AND THE VERY SECOND BALL LITTLE HARRY HUGHES PLAYED
|
|
HE BROKE THE JEW'S WINDOWS ALL.
|
|
|
|
|
|
How did the son of Rudolph receive this first part?
|
|
|
|
With unmixed feeling. Smiling, a jew he heard with pleasure and saw the
|
|
unbroken kitchen window.
|
|
|
|
Recite the second part (minor) of the legend.
|
|
|
|
|
|
THEN OUT THERE CAME THE JEW'S DAUGHTER
|
|
AND SHE ALL DRESSED IN GREEN.
|
|
"COME BACK, COME BACK, YOU PRETTY LITTLE BOY,
|
|
AND PLAY YOUR BALL AGAIN."
|
|
|
|
"I CAN'T COME BACK AND I WON'T COME BACK
|
|
WITHOUT MY SCHOOLFELLOWS ALL.
|
|
FOR IF MY MASTER HE DID HEAR
|
|
HE'D MAKE IT A SORRY BALL."
|
|
|
|
SHE TOOK HIM BY THE LILYWHITE HAND
|
|
AND LED HIM ALONG THE HALL
|
|
UNTIL SHE LED HIM TO A ROOM
|
|
WHERE NONE COULD HEAR HIM CALL.
|
|
|
|
SHE TOOK A PENKNIFE OUT OF HER POCKET
|
|
AND CUT OFF HIS LITTLE HEAD.
|
|
AND NOW HE'LL PLAY HIS BALL NO MORE
|
|
FOR HE LIES AMONG THE DEAD.
|
|
|
|
|
|
How did the father of Millicent receive this second part?
|
|
|
|
With mixed feelings. Unsmiling, he heard and saw with wonder a jew's
|
|
daughter, all dressed in green.
|
|
|
|
Condense Stephen's commentary.
|
|
|
|
One of all, the least of all, is the victim predestined. Once by
|
|
inadvertence twice by design he challenges his destiny. It comes when he
|
|
is abandoned and challenges him reluctant and, as an apparition of hope
|
|
and youth, holds him unresisting. It leads him to a strange habitation,
|
|
to a secret infidel apartment, and there, implacable, immolates him,
|
|
consenting.
|
|
|
|
Why was the host (victim predestined) sad?
|
|
|
|
He wished that a tale of a deed should be told of a deed not by him
|
|
should by him not be told.
|
|
|
|
Why was the host (reluctant, unresisting) still?
|
|
|
|
In accordance with the law of the conservation of energy.
|
|
|
|
Why was the host (secret infidel) silent?
|
|
|
|
He weighed the possible evidences for and against ritual murder: the
|
|
incitations of the hierarchy, the superstition of the populace, the
|
|
propagation of rumour in continued fraction of veridicity, the envy of
|
|
opulence, the influence of retaliation, the sporadic reappearance of
|
|
atavistic delinquency, the mitigating circumstances of fanaticism,
|
|
hypnotic suggestion and somnambulism.
|
|
|
|
From which (if any) of these mental or physical disorders was he not
|
|
totally immune?
|
|
|
|
From hypnotic suggestion: once, waking, he had not recognised his
|
|
sleeping apartment: more than once, waking, he had been for an indefinite
|
|
time incapable of moving or uttering sounds. From somnambulism: once,
|
|
sleeping, his body had risen, crouched and crawled in the direction of a
|
|
heatless fire and, having attained its destination, there, curled,
|
|
unheated, in night attire had lain, sleeping.
|
|
|
|
Had this latter or any cognate phenomenon declared itself in any member
|
|
of his family?
|
|
|
|
Twice, in Holles street and in Ontario terrace, his daughter Millicent
|
|
(Milly) at the ages of 6 and 8 years had uttered in sleep an exclamation
|
|
of terror and had replied to the interrogations of two figures in night
|
|
attire with a vacant mute expression.
|
|
|
|
What other infantile memories had he of her?
|
|
|
|
15 June 1889. A querulous newborn female infant crying to cause and
|
|
lessen congestion. A child renamed Padney Socks she shook with shocks her
|
|
moneybox: counted his three free moneypenny buttons, one, tloo, tlee: a
|
|
doll, a boy, a sailor she cast away: blond, born of two dark, she had
|
|
blond ancestry, remote, a violation, Herr Hauptmann Hainau, Austrian
|
|
army, proximate, a hallucination, lieutenant Mulvey, British navy.
|
|
|
|
What endemic characteristics were present?
|
|
|
|
Conversely the nasal and frontal formation was derived in a direct line
|
|
of lineage which, though interrupted, would continue at distant intervals
|
|
to more distant intervals to its most distant intervals.
|
|
|
|
What memories had he of her adolescence?
|
|
|
|
She relegated her hoop and skippingrope to a recess. On the duke's lawn,
|
|
entreated by an English visitor, she declined to permit him to make and
|
|
take away her photographic image (objection not stated). On the South
|
|
Circular road in the company of Elsa Potter, followed by an individual of
|
|
sinister aspect, she went half way down Stamer street and turned abruptly
|
|
back (reason of change not stated). On the vigil of the 15th anniversary
|
|
of her birth she wrote a letter from Mullingar, county Westmeath, making
|
|
a brief allusion to a local student (faculty and year not stated).
|
|
|
|
Did that first division, portending a second division, afflict him?
|
|
|
|
Less than he had imagined, more than he had hoped.
|
|
|
|
What second departure was contemporaneously perceived by him similarly,
|
|
if differently?
|
|
|
|
A temporary departure of his cat.
|
|
|
|
Why similarly, why differently?
|
|
|
|
Similarly, because actuated by a secret purpose the quest of a new male
|
|
|
|
(Mullingar student) or of a healing herb (valerian). Differently, because
|
|
of different possible returns to the inhabitants or to the habitation.
|
|
|
|
In other respects were their differences similar?
|
|
|
|
In passivity, in economy, in the instinct of tradition, in
|
|
unexpectedness.
|
|
|
|
As?
|
|
|
|
Inasmuch as leaning she sustained her blond hair for him to ribbon it for
|
|
her (cf neckarching cat). Moreover, on the free surface of the lake in
|
|
Stephen's green amid inverted reflections of trees her uncommented spit,
|
|
describing concentric circles of waterrings, indicated by the constancy
|
|
of its permanence the locus of a somnolent prostrate fish (cf
|
|
mousewatching cat).
|
|
|
|
Again, in order to remember the date, combatants, issue and consequences
|
|
of a famous military engagement she pulled a plait of her hair (cf
|
|
earwashing cat). Furthermore, silly Milly, she dreamed of having had an
|
|
unspoken unremembered conversation with a horse whose name had been
|
|
Joseph to whom (which) she had offered a tumblerful of lemonade which it
|
|
(he) had appeared to have accepted (cf hearthdreaming cat). Hence, in
|
|
passivity, in economy, in the instinct of tradition, in unexpectedness,
|
|
their differences were similar.
|
|
|
|
In what way had he utilised gifts 1) an owl, 2) a clock, given as
|
|
matrimonial auguries, to interest and to instruct her?
|
|
|
|
As object lessons to explain: 1) the nature and habits of oviparous
|
|
animals, the possibility of aerial flight, certain abnormalities of
|
|
vision, the secular process of imbalsamation: 2) the principle of the
|
|
pendulum, exemplified in bob, wheelgear and regulator, the translation in
|
|
terms of human or social regulation of the various positions of clockwise
|
|
moveable indicators on an unmoving dial, the exactitude of the recurrence
|
|
per hour of an instant in each hour when the longer and the shorter
|
|
indicator were at the same angle of inclination, VIDELICET, 5 5/11
|
|
minutes past each hour per hour in arithmetical progression.
|
|
|
|
In what manners did she reciprocate?
|
|
|
|
She remembered: on the 27th anniversary of his birth she presented to him
|
|
a breakfast moustachecup of imitation Crown Derby porcelain ware. She
|
|
provided: at quarter day or thereabouts if or when purchases had been
|
|
made by him not for her she showed herself attentive to his necessities,
|
|
anticipating his desires. She admired: a natural phenomenon having been
|
|
explained by him to her she expressed the immediate desire to possess
|
|
without gradual acquisition a fraction of his science, the moiety, the
|
|
quarter, a thousandth part.
|
|
|
|
What proposal did Bloom, diambulist, father of Milly, somnambulist, make
|
|
to Stephen, noctambulist?
|
|
|
|
To pass in repose the hours intervening between Thursday (proper) and
|
|
Friday (normal) on an extemporised cubicle in the apartment immediately
|
|
above the kitchen and immediately adjacent to the sleeping apartment of
|
|
his host and hostess.
|
|
|
|
What various advantages would or might have resulted from a prolongation
|
|
of such an extemporisation?
|
|
|
|
For the guest: security of domicile and seclusion of study. For the host:
|
|
rejuvenation of intelligence, vicarious satisfaction. For the hostess:
|
|
disintegration of obsession, acquisition of correct Italian
|
|
pronunciation.
|
|
|
|
Why might these several provisional contingencies between a guest and a
|
|
hostess not necessarily preclude or be precluded by a permanent
|
|
eventuality of reconciliatory union between a schoolfellow and a jew's
|
|
daughter?
|
|
|
|
Because the way to daughter led through mother, the way to mother through
|
|
daughter.
|
|
|
|
To what inconsequent polysyllabic question of his host did the guest
|
|
return a monosyllabic negative answer?
|
|
|
|
If he had known the late Mrs Emily Sinico, accidentally killed at Sydney
|
|
Parade railway station, 14 October 1903.
|
|
|
|
What inchoate corollary statement was consequently suppressed by the
|
|
host?
|
|
|
|
A statement explanatory of his absence on the occasion of the interment
|
|
of Mrs Mary Dedalus (born Goulding), 26 June 1903, vigil of the
|
|
anniversary of the decease of Rudolph Bloom (born Virag).
|
|
|
|
Was the proposal of asylum accepted?
|
|
|
|
Promptly, inexplicably, with amicability, gratefully it was declined.
|
|
What exchange of money took place between host and guest?
|
|
|
|
The former returned to the latter, without interest, a sum of money
|
|
(1-7-0), one pound seven shillings sterling, advanced by the latter to
|
|
the former.
|
|
|
|
What counterproposals were alternately advanced, accepted, modified,
|
|
declined, restated in other terms, reaccepted, ratified, reconfirmed?
|
|
|
|
To inaugurate a prearranged course of Italian instruction, place the
|
|
residence of the instructed. To inaugurate a course of vocal instruction,
|
|
place the residence of the instructress. To inaugurate a series of static
|
|
semistatic and peripatetic intellectual dialogues, places the residence
|
|
of both speakers (if both speakers were resident in the same place), the
|
|
Ship hotel and tavern, 6 Lower Abbey street (W. and E. Connery,
|
|
proprietors), the National Library of Ireland, 10 Kildare street, the
|
|
National Maternity Hospital, 29, 30 and 31 Holles street, a public
|
|
garden, the vicinity of a place of worship, a conjunction of two or more
|
|
public thoroughfares, the point of bisection of a right line drawn
|
|
between their residences (if both speakers were resident in different
|
|
places).
|
|
|
|
What rendered problematic for Bloom the realisation of these mutually
|
|
selfexcluding propositions?
|
|
|
|
The irreparability of the past: once at a performance of Albert Hengler's
|
|
circus in the Rotunda, Rutland square, Dublin, an intuitive particoloured
|
|
clown in quest of paternity had penetrated from the ring to a place in
|
|
the auditorium where Bloom, solitary, was seated and had publicly
|
|
declared to an exhilarated audience that he (Bloom) was his (the clown's)
|
|
papa. The imprevidibility of the future: once in the summer of 1898 he
|
|
(Bloom) had marked a florin (2/-) with three notches on the milled edge
|
|
and tendered it m payment of an account due to and received by J. and T.
|
|
Davy, family grocers, 1 Charlemont Mall, Grand Canal, for circulation on
|
|
the waters of civic finance, for possible, circuitous or direct, return.
|
|
|
|
Was the clown Bloom's son?
|
|
|
|
No.
|
|
|
|
Had Bloom's coin returned?
|
|
|
|
Never.
|
|
|
|
Why would a recurrent frustration the more depress him?
|
|
|
|
Because at the critical turningpoint of human existence he desired to
|
|
amend many social conditions, the product of inequality and avarice and
|
|
international animosity.
|
|
|
|
He believed then that human life was infinitely perfectible, eliminating
|
|
these conditions?
|
|
|
|
There remained the generic conditions imposed by natural, as distinct
|
|
from human law, as integral parts of the human whole: the necessity of
|
|
destruction to procure alimentary sustenance: the painful character of
|
|
the ultimate functions of separate existence, the agonies of birth and
|
|
death: the monotonous menstruation of simian and (particularly) human
|
|
females extending from the age of puberty to the menopause: inevitable
|
|
accidents at sea, in mines and factories: certain very painful maladies
|
|
and their resultant surgical operations, innate lunacy and congenital
|
|
criminality, decimating epidemics: catastrophic cataclysms which make
|
|
terror the basis of human mentality: seismic upheavals the epicentres of
|
|
which are located in densely populated regions: the fact of vital growth,
|
|
through convulsions of metamorphosis, from infancy through maturity to
|
|
decay.
|
|
|
|
Why did he desist from speculation?
|
|
|
|
Because it was a task for a superior intelligence to substitute other
|
|
more acceptable phenomena in the place of the less acceptable phenomena
|
|
to be removed.
|
|
|
|
Did Stephen participate in his dejection?
|
|
|
|
He affirmed his significance as a conscious rational animal proceeding
|
|
syllogistically from the known to the unknown and a conscious rational
|
|
reagent between a micro and a macrocosm ineluctably constructed upon the
|
|
incertitude of the void.
|
|
|
|
Was this affirmation apprehended by Bloom?
|
|
|
|
Not verbally. Substantially.
|
|
|
|
What comforted his misapprehension?
|
|
|
|
That as a competent keyless citizen he had proceeded energetically from
|
|
the unknown to the known through the incertitude of the void.
|
|
|
|
In what order of precedence, with what attendant ceremony was the exodus
|
|
from the house of bondage to the wilderness of inhabitation effected?
|
|
|
|
|
|
Lighted Candle in Stick borne by
|
|
BLOOM
|
|
Diaconal Hat on Ashplant borne by
|
|
STEPHEN:
|
|
|
|
|
|
With what intonation secreto of what commemorative psalm?
|
|
|
|
The 113th, MODUS PEREGRINUS: IN EXITU ISRAEL DE EGYPTO: DOMUS JACOB DE
|
|
POPULO BARBARO.
|
|
|
|
|
|
What did each do at the door of egress?
|
|
|
|
Bloom set the candlestick on the floor. Stephen put the hat on his head.
|
|
|
|
|
|
For what creature was the door of egress a door of ingress?
|
|
|
|
For a cat.
|
|
|
|
|
|
What spectacle confronted them when they, first the host, then the guest,
|
|
emerged silently, doubly dark, from obscurity by a passage from the rere
|
|
of the house into the penumbra of the garden?
|
|
|
|
The heaventree of stars hung with humid nightblue fruit.
|
|
|
|
With what meditations did Bloom accompany his demonstration to his
|
|
companion of various constellations?
|
|
|
|
Meditations of evolution increasingly vaster: of the moon invisible in
|
|
incipient lunation, approaching perigee: of the infinite lattiginous
|
|
scintillating uncondensed milky way, discernible by daylight by an
|
|
observer placed at the lower end of a cylindrical vertical shaft 5000 ft
|
|
deep sunk from the surface towards the centre of the earth: of Sirius
|
|
(alpha in Canis Maior) 10 lightyears (57,000,000,000,000 miles) distant
|
|
and in volume 900 times the dimension of our planet: of Arcturus: of the
|
|
precession of equinoxes: of Orion with belt and sextuple sun theta and
|
|
nebula in which 100 of our solar systems could be contained: of moribund
|
|
and of nascent new stars such as Nova in 1901: of our system plunging
|
|
towards the constellation of Hercules: of the parallax or parallactic
|
|
drift of socalled fixed stars, in reality evermoving wanderers from
|
|
immeasurably remote eons to infinitely remote futures in comparison with
|
|
which the years, threescore and ten, of allotted human life formed a
|
|
parenthesis of infinitesimal brevity.
|
|
|
|
Were there obverse meditations of involution increasingly less vast?
|
|
|
|
Of the eons of geological periods recorded in the stratifications of the
|
|
earth: of the myriad minute entomological organic existences concealed in
|
|
cavities of the earth, beneath removable stones, in hives and mounds, of
|
|
microbes, germs, bacteria, bacilli, spermatozoa: of the incalculable
|
|
trillions of billions of millions of imperceptible molecules contained by
|
|
cohesion of molecular affinity in a single pinhead: of the universe of
|
|
human serum constellated with red and white bodies, themselves universes
|
|
of void space constellated with other bodies, each, in continuity, its
|
|
universe of divisible component bodies of which each was again divisible
|
|
in divisions of redivisible component bodies, dividends and divisors ever
|
|
diminishing without actual division till, if the progress were carried
|
|
far enough, nought nowhere was never reached.
|
|
|
|
Why did he not elaborate these calculations to a more precise result?
|
|
|
|
Because some years previously in 1886 when occupied with the problem of
|
|
the quadrature of the circle he had learned of .the existence of a number
|
|
computed to a relative degree of accuracy to be of such magnitude and of
|
|
so many places, e.g., the 9th power of the 9th power of 9, that, the
|
|
result having been obtained, 33 closely printed volumes of 1000 pages
|
|
each of innumerable quires and reams of India paper would have to be
|
|
requisitioned in order to contain the complete tale of its printed
|
|
integers of units, tens, hundreds, thousands, tens of thousands, hundreds
|
|
of thousands, millions, tens of millions, hundreds of millions, billions,
|
|
the nucleus of the nebula of every digit of every series containing
|
|
succinctly the potentiality of being raised to the utmost kinetic
|
|
elaboration of any power of any of its powers.
|
|
|
|
Did he find the problems of the inhabitability of the planets and their
|
|
satellites by a race, given in species, and of the possible social and
|
|
moral redemption of said race by a redeemer, easier of solution?
|
|
|
|
Of a different order of difficulty. Conscious that the human organism,
|
|
normally capable of sustaining an atmospheric pressure of 19 tons, when
|
|
elevated to a considerable altitude in the terrestrial atmosphere
|
|
suffered with arithmetical progression of intensity, according as the
|
|
line of demarcation between troposphere and stratosphere was approximated
|
|
from nasal hemorrhage, impeded respiration and vertigo, when proposing
|
|
this problem for solution, he had conjectured as a working hypothesis
|
|
which could not be proved impossible that a more adaptable and
|
|
differently anatomically constructed race of beings might subsist
|
|
otherwise under Martian, Mercurial, Veneral, Jovian, Saturnian, Neptunian
|
|
or Uranian sufficient and equivalent conditions, though an apogean
|
|
humanity of beings created in varying forms with finite differences
|
|
resulting similar to the whole and to one another would probably there as
|
|
here remain inalterably and inalienably attached to vanities, to vanities
|
|
of vanities and to all that is vanity.
|
|
|
|
And the problem of possible redemption?
|
|
|
|
The minor was proved by the major.
|
|
|
|
Which various features of the constellations were in turn considered?
|
|
|
|
The various colours significant of various degrees of vitality (white,
|
|
yellow, crimson, vermilion, cinnabar): their degrees of brilliancy: their
|
|
magnitudes revealed up to and including the 7th: their positions: the
|
|
waggoner's star: Walsingham way: the chariot of David: the annular
|
|
cinctures of Saturn: the condensation of spiral nebulae into suns: the
|
|
interdependent gyrations of double suns: the independent synchronous
|
|
discoveries of Galileo, Simon Marius, Piazzi, Le Verrier, Herschel,
|
|
Galle: the systematisations attempted by Bode and Kepler of cubes of
|
|
distances and squares of times of revolution: the almost infinite
|
|
compressibility of hirsute comets and their vast elliptical egressive and
|
|
reentrant orbits from perihelion to aphelion: the sidereal origin of
|
|
meteoric stones: the Libyan floods on Mars about the period of the birth
|
|
of the younger astroscopist: the annual recurrence of meteoric showers
|
|
about the period of the feast of S. Lawrence (martyr, lo August): the
|
|
monthly recurrence known as the new moon with the old moon in her arms:
|
|
the posited influence of celestial on human bodies: the appearance of a
|
|
star (1st magnitude) of exceeding brilliancy dominating by night and day
|
|
(a new luminous sun generated by the collision and amalgamation in
|
|
incandescence of two nonluminous exsuns) about the period of the birth of
|
|
William Shakespeare over delta in the recumbent neversetting
|
|
constellation of Cassiopeia and of a star (2nd magnitude) of similar
|
|
origin but of lesser brilliancy which had appeared in and disappeared
|
|
from the constellation of the Corona Septentrionalis about the period of
|
|
the birth of Leopold Bloom and of other stars of (presumably) similar
|
|
origin which had (effectively or presumably) appeared in and disappeared
|
|
from the constellation of Andromeda about the period of the birth of
|
|
Stephen Dedalus, and in and from the constellation of Auriga some years
|
|
after the birth and death of Rudolph Bloom, junior, and in and from other
|
|
constellations some years before or after the birth or death of other
|
|
persons: the attendant phenomena of eclipses, solar and lunar, from
|
|
immersion to emersion, abatement of wind, transit of shadow, taciturnity
|
|
of winged creatures, emergence of nocturnal or crepuscular animals,
|
|
persistence of infernal light, obscurity of terrestrial waters, pallor of
|
|
human beings.
|
|
|
|
His (Bloom's) logical conclusion, having weighed the matter and allowing
|
|
for possible error?
|
|
|
|
That it was not a heaventree, not a heavengrot, not a heavenbeast, not a
|
|
heavenman. That it was a Utopia, there being no known method from the
|
|
known to the unknown: an infinity renderable equally finite by the
|
|
suppositious apposition of one or more bodies equally of the same and of
|
|
different magnitudes: a mobility of illusory forms immobilised in space,
|
|
remobilised in air: a past which possibly had ceased to exist as a
|
|
present before its probable spectators had entered actual present
|
|
existence.
|
|
|
|
Was he more convinced of the esthetic value of the spectacle?
|
|
|
|
Indubitably in consequence of the reiterated examples of poets in the
|
|
delirium of the frenzy of attachment or in the abasement of rejection
|
|
invoking ardent sympathetic constellations or the frigidity of the
|
|
satellite of their planet.
|
|
|
|
Did he then accept as an article of belief the theory of astrological
|
|
influences upon sublunary disasters?
|
|
|
|
It seemed to him as possible of proof as of confutation and the
|
|
nomenclature employed in its selenographical charts as attributable to
|
|
verifiable intuition as to fallacious analogy: the lake of dreams, the
|
|
sea of rains, the gulf of dews, the ocean of fecundity.
|
|
|
|
What special affinities appeared to him to exist between the moon and
|
|
woman?
|
|
|
|
Her antiquity in preceding and surviving successive tellurian
|
|
generations: her nocturnal predominance: her satellitic dependence: her
|
|
luminary reflection: her constancy under all her phases, rising and
|
|
setting by her appointed times, waxing and waning: the forced
|
|
invariability of her aspect: her indeterminate response to inaffirmative
|
|
interrogation: her potency over effluent and refluent waters: her power
|
|
to enamour, to mortify, to invest with beauty, to render insane, to
|
|
incite to and aid delinquency: the tranquil inscrutability of her visage:
|
|
the terribility of her isolated dominant implacable resplendent
|
|
propinquity: her omens of tempest and of calm: the stimulation of her
|
|
light, her motion and her presence: the admonition of her craters, her
|
|
arid seas, her silence: her splendour, when visible: her attraction, when
|
|
invisible.
|
|
|
|
What visible luminous sign attracted Bloom's, who attracted Stephen's,
|
|
gaze?
|
|
|
|
In the second storey (rere) of his (Bloom's) house the light of a
|
|
paraffin oil lamp with oblique shade projected on a screen of roller
|
|
blind supplied by Frank O'Hara, window blind, curtain pole and revolving
|
|
shutter manufacturer, 16 Aungier street.
|
|
|
|
How did he elucidate the mystery of an invisible attractive person, his
|
|
wife Marion (Molly) Bloom, denoted by a visible splendid sign, a lamp?
|
|
|
|
With indirect and direct verbal allusions or affirmations: with subdued
|
|
affection and admiration: with description: with impediment: with
|
|
suggestion.
|
|
|
|
Both then were silent?
|
|
|
|
Silent, each contemplating the other in both mirrors of the reciprocal
|
|
flesh of theirhisnothis fellowfaces.
|
|
|
|
Were they indefinitely inactive?
|
|
|
|
At Stephen's suggestion, at Bloom's instigation both, first Stephen, then
|
|
Bloom, in penumbra urinated, their sides contiguous, their organs of
|
|
micturition reciprocally rendered invisible by manual circumposition,
|
|
their gazes, first Bloom's, then Stephen's, elevated to the projected
|
|
luminous and semiluminous shadow.
|
|
|
|
Similarly?
|
|
|
|
The trajectories of their, first sequent, then simultaneous, urinations
|
|
were dissimilar: Bloom's longer, less irruent, in the incomplete form of
|
|
the bifurcated penultimate alphabetical letter, who in his ultimate year
|
|
at High School (1880) had been capable of attaining the point of greatest
|
|
altitude against the whole concurrent strength of the institution, 210
|
|
scholars: Stephen's higher, more sibilant, who in the ultimate hours of
|
|
the previous day had augmented by diuretic consumption an insistent
|
|
vesical pressure.
|
|
|
|
What different problems presented themselves to each concerning the
|
|
invisible audible collateral organ of the other?
|
|
|
|
To Bloom: the problems of irritability, tumescence, rigidity, reactivity,
|
|
dimension, sanitariness, pilosity.
|
|
|
|
To Stephen: the problem of the sacerdotal integrity of Jesus circumcised
|
|
(I January, holiday of obligation to hear mass and abstain from
|
|
unnecessary servile work) and the problem as to whether the divine
|
|
prepuce, the carnal bridal ring of the holy Roman catholic apostolic
|
|
church, conserved in Calcata, were deserving of simple hyperduly or of
|
|
the fourth degree of latria accorded to the abscission of such divine
|
|
excrescences as hair and toenails.
|
|
|
|
What celestial sign was by both simultaneously observed?
|
|
|
|
A star precipitated with great apparent velocity across the firmament
|
|
from Vega in the Lyre above the zenith beyond the stargroup of the Tress
|
|
of Berenice towards the zodiacal sign of Leo.
|
|
|
|
How did the centripetal remainer afford egress to the centrifugal
|
|
departer?
|
|
|
|
By inserting the barrel of an arruginated male key in the hole of an
|
|
unstable female lock, obtaining a purchase on the bow of the key and
|
|
turning its wards from right to left, withdrawing a bolt from its staple,
|
|
pulling inward spasmodically an obsolescent unhinged door and revealing
|
|
an aperture for free egress and free ingress.
|
|
|
|
How did they take leave, one of the other, in separation?
|
|
|
|
Standing perpendicular at the same door and on different sides of its
|
|
base, the lines of their valedictory arms, meeting at any point and
|
|
forming any angle less than the sum of two right angles.
|
|
|
|
What sound accompanied the union of their tangent, the disunion of their
|
|
(respectively) centrifugal and centripetal hands?
|
|
|
|
The sound of the peal of the hour of the night by the chime of the bells
|
|
in the church of Saint George.
|
|
|
|
What echoes of that sound were by both and each heard?
|
|
|
|
By Stephen:
|
|
|
|
|
|
LILIATA RUTILANTIUM. TURMA CIRCUMDET.
|
|
IUBILANTIUM TE VIRGINUM. CHORUS EXCIPIAT.
|
|
|
|
|
|
By Bloom:
|
|
|
|
|
|
HEIGHO, HEIGHO,
|
|
HEIGHO, HEIGHO.
|
|
|
|
|
|
Where were the several members of the company which with Bloom that day
|
|
at the bidding of that peal had travelled from Sandymount in the south to
|
|
Glasnevin in the north?
|
|
|
|
Martin Cunningham (in bed), Jack Power (in bed), Simon Dedalus (in bed),
|
|
Ned Lambert (in bed), Tom Kernan (in bed), Joe Hynes (in bed), John Henry
|
|
Menton (in bed), Bernard Corrigan (in bed), Patsy Dignam (in bed), Paddy
|
|
Dignam (in the grave).
|
|
|
|
Alone, what did Bloom hear?
|
|
|
|
The double reverberation of retreating feet on the heavenborn earth, the
|
|
double vibration of a jew's harp in the resonant lane.
|
|
|
|
Alone, what did Bloom feel?
|
|
|
|
The cold of interstellar space, thousands of degrees below freezing point
|
|
or the absolute zero of Fahrenheit, Centigrade or Reaumur: the incipient
|
|
intimations of proximate dawn.
|
|
|
|
Of what did bellchime and handtouch and footstep and lonechill remind
|
|
him?
|
|
|
|
Of companions now in various manners in different places defunct: Percy
|
|
Apjohn (killed in action, Modder River), Philip Gilligan (phthisis,
|
|
Jervis Street hospital), Matthew F. Kane (accidental drowning, Dublin
|
|
Bay), Philip Moisel (pyemia, Heytesbury street), Michael Hart (phthisis,
|
|
Mater Misericordiae hospital), Patrick Dignam (apoplexy, Sandymount).
|
|
|
|
What prospect of what phenomena inclined him to remain?
|
|
|
|
The disparition of three final stars, the diffusion of daybreak, the
|
|
apparition of a new solar disk.
|
|
|
|
Had he ever been a spectator of those phenomena?
|
|
|
|
Once, in 1887, after a protracted performance of charades in the house of
|
|
Luke Doyle, Kimmage, he had awaited with patience the apparition of the
|
|
diurnal phenomenon, seated on a wall, his gaze turned in the direction of
|
|
Mizrach, the east.
|
|
|
|
He remembered the initial paraphenomena?
|
|
|
|
More active air, a matutinal distant cock, ecclesiastical clocks at
|
|
various points, avine music, the isolated tread of an early wayfarer, the
|
|
visible diffusion of the light of an invisible luminous body, the first
|
|
golden limb of the resurgent sun perceptible low on the horizon.
|
|
|
|
Did he remain?
|
|
|
|
With deep inspiration he returned, retraversing the garden, reentering
|
|
the passage, reclosing the door. With brief suspiration he reassumed the
|
|
candle, reascended the stairs, reapproached the door of the front room,
|
|
hallfloor, and reentered.
|
|
|
|
What suddenly arrested his ingress?
|
|
|
|
The right temporal lobe of the hollow sphere of his cranium came into
|
|
contact with a solid timber angle where, an infinitesimal but sensible
|
|
fraction of a second later, a painful sensation was located in
|
|
consequence of antecedent sensations transmitted and registered.
|
|
|
|
Describe the alterations effected in the disposition of the articles of
|
|
furniture.
|
|
|
|
A sofa upholstered in prune plush had been translocated from opposite the
|
|
door to the ingleside near the compactly furled Union Jack (an alteration
|
|
which he had frequently intended to execute): the blue and white checker
|
|
inlaid majolicatopped table had been placed opposite the door in the
|
|
place vacated by the prune plush sofa: the walnut sideboard (a projecting
|
|
angle of which had momentarily arrested his ingress) had been moved from
|
|
its position beside the door to a more advantageous but more perilous
|
|
position in front of the door: two chairs had been moved from right and
|
|
left of the ingleside to the position originally occupied by the blue and
|
|
white checker inlaid majolicatopped table.
|
|
|
|
Describe them.
|
|
|
|
One: a squat stuffed easychair, with stout arms extended and back slanted
|
|
to the rere, which, repelled in recoil, had then upturned an irregular
|
|
fringe of a rectangular rug and now displayed on its amply upholstered
|
|
seat a centralised diffusing and diminishing discolouration. The other: a
|
|
slender splayfoot chair of glossy cane curves, placed directly opposite
|
|
the former, its frame from top to seat and from seat to base being
|
|
varnished dark brown, its seat being a bright circle of white plaited
|
|
rush.
|
|
|
|
What significances attached to these two chairs?
|
|
|
|
Significances of similitude, of posture, of symbolism, of circumstantial
|
|
evidence, of testimonial supermanence.
|
|
|
|
What occupied the position originally occupied by the sideboard?
|
|
|
|
A vertical piano (Cadby) with exposed keyboard, its closed coffin
|
|
supporting a pair of long yellow ladies' gloves and an emerald ashtray
|
|
containing four consumed matches, a partly consumed cigarette and two
|
|
discoloured ends of cigarettes, its musicrest supporting the music in the
|
|
key of G natural for voice and piano of LOVE'S OLD SWEET SONG (words by
|
|
G. Clifton Bingham, composed by J. L. Molloy, sung by Madam Antoinette
|
|
Sterling) open at the last page with the final indications AD LIBITUM,
|
|
FORTE, pedal, ANIMATO, sustained pedal, RITIRANDO, close.
|
|
|
|
With what sensations did Bloom contemplate in rotation these objects?
|
|
|
|
With strain, elevating a candlestick: with pain, feeling on his right
|
|
temple a contused tumescence: with attention, focussing his gaze on a
|
|
large dull passive and a slender bright active: with solicitation,
|
|
bending and downturning the upturned rugfringe: with amusement,
|
|
remembering Dr Malachi Mulligan's scheme of colour containing the
|
|
gradation of green: with pleasure, repeating the words and antecedent act
|
|
and perceiving through various channels of internal sensibility the
|
|
consequent and concomitant tepid pleasant diffusion of gradual
|
|
discolouration.
|
|
|
|
His next proceeding?
|
|
|
|
From an open box on the majolicatopped table he extracted a black
|
|
diminutive cone, one inch in height, placed it on its circular base on a
|
|
small tin plate, placed his candlestick on the right corner of the
|
|
mantelpiece, produced from his waistcoat a folded page of prospectus
|
|
(illustrated) entitled Agendath Netaim, unfolded the same, examined it
|
|
superficially, rolled it into a thin cylinder, ignited it in the
|
|
candleflame, applied it when ignited to the apex of the cone till the
|
|
latter reached the stage of rutilance, placed the cylinder in the basin
|
|
of the candlestick disposing its unconsumed part in such a manner as to
|
|
facilitate total combustion.
|
|
|
|
What followed this operation?
|
|
|
|
The truncated conical crater summit of the diminutive volcano emitted a
|
|
vertical and serpentine fume redolent of aromatic oriental incense.
|
|
|
|
What homothetic objects, other than the candlestick, stood on the
|
|
mantelpiece?
|
|
|
|
A timepiece of striated Connemara marble, stopped at the hour of 4.46
|
|
a.m. on the 21 March 1896, matrimonial gift of Matthew Dillon: a dwarf
|
|
tree of glacial arborescence under a transparent bellshade, matrimonial
|
|
gift of Luke and Caroline Doyle: an embalmed owl, matrimonial gift of
|
|
Alderman John Hooper.
|
|
|
|
What interchanges of looks took place between these three objects and
|
|
Bloom?
|
|
|
|
In the mirror of the giltbordered pierglass the undecorated back of the
|
|
dwarf tree regarded the upright back of the embalmed owl. Before the
|
|
mirror the matrimonial gift of Alderman John Hooper with a clear
|
|
melancholy wise bright motionless compassionate gaze regarded Bloom while
|
|
Bloom with obscure tranquil profound motionless compassionated gaze
|
|
regarded the matrimonial gift of Luke and Caroline Doyle.
|
|
|
|
What composite asymmetrical image in the mirror then attracted his
|
|
attention?
|
|
|
|
The image of a solitary (ipsorelative) mutable (aliorelative) man.
|
|
|
|
Why solitary (ipsorelative)?
|
|
|
|
|
|
BROTHERS AND SISTERS HAD HE NONE.
|
|
YET THAT MAN'S FATHER WAS HIS GRANDFATHER'S SON.
|
|
|
|
|
|
Why mutable (aliorelative)?
|
|
|
|
From infancy to maturity he had resembled his maternal procreatrix. From
|
|
maturity to senility he would increasingly resemble his paternal
|
|
procreator.
|
|
|
|
What final visual impression was communicated to him by the mirror?
|
|
|
|
The optical reflection of several inverted volumes improperly arranged
|
|
and not in the order of their common letters with scintillating titles on
|
|
the two bookshelves opposite.
|
|
|
|
|
|
Catalogue these books.
|
|
|
|
THOM'S DUBLIN POST OFFICE DIRECTORY, 1886.
|
|
Denis Florence M'Carthy's POETICAL WORKS (copper beechleaf bookmark
|
|
at p. 5).
|
|
Shakespeare's WORKS (dark crimson morocco, goldtooled).
|
|
THE USEFUL READY RECKONER (brown cloth).
|
|
THE SECRET HISTORY OF THE COURT OF CHARLES II (red cloth, tooled
|
|
binding).
|
|
THE CHILD'S GUIDE (blue cloth).
|
|
The Beauties of Killarney (wrappers).
|
|
WHEN WE WERE BOYS by William O'Brien M. P. (green cloth, slightly faded,
|
|
envelope bookmark at p. 217).
|
|
THOUGHTS FROM SPINOZA (maroon leather).
|
|
THE STORY OF THE HEAVENS by Sir Robert Ball (blue cloth).
|
|
Ellis's THREE TRIPS TO MADAGASCAR (brown cloth, title obliterated).
|
|
THE STARK-MUNRO LETTERS by A. Conan Doyle, property of the City of
|
|
Dublin Public Library, 106 Capel street, lent 21 May (Whitsun Eve)
|
|
1904, due 4 June 1904, 13 days overdue (black cloth binding, bearing
|
|
white letternumber ticket).
|
|
VOYAGES IN CHINA by "Viator" (recovered with brown paper, red ink title).
|
|
PHILOSOPHY OF THE TALMUD (sewn pamphlet).
|
|
Lockhart's LIFE OF NAPOLEON (cover wanting, marginal annotations,
|
|
minimising victories, aggrandising defeats of the protagonist).
|
|
SOLL UND HABEN by Gustav Freytag (black boards, Gothic characters,
|
|
cigarette coupon bookmark at p. 24).
|
|
Hozier's HISTORY OF THE RUSSO-TURKISH WAR (brown cloth, a volumes, with
|
|
gummed label, Garrison Library, Governor's Parade, Gibraltar, on verso
|
|
of cover).
|
|
LAURENCE BLOOMFIELD IN IRELAND by William Allingham (second edition,
|
|
green cloth, gilt trefoil design, previous owner's name on recto of
|
|
flyleaf erased).
|
|
A HANDBOOK OF ASTRONOMY (cover, brown leather, detached, S plates,
|
|
antique letterpress long primer, author's footnotes nonpareil, marginal
|
|
clues brevier, captions small pica).
|
|
THE HIDDEN LIFE OF CHRIST (black boards).
|
|
IN THE TRACK OF THE SUN (yellow cloth, titlepage missing, recurrent title
|
|
intestation).
|
|
PHYSICAL STRENGTH AND HOW TO OBTAIN IT by Eugen Sandow (red cloth).
|
|
SHORT BUT YET PLAIN ELEMENTS OF GEOMETRY written in French by F. Ignat.
|
|
Pardies and rendered into English by John Harris D. D. London,
|
|
printed for R. Knaplock at the Bifhop's Head, MDCCXI, with dedicatory
|
|
epiftle to his worthy friend Charles Cox, efquire, Member of
|
|
Parliament for the burgh of Southwark and having ink calligraphed
|
|
statement on the flyleaf certifying that the book was the property of
|
|
Michael Gallagher, dated this 10th day of May 1822 and requefting the
|
|
perfon who should find it, if the book should be loft or go aftray,
|
|
to reftore it to Michael Gallagher, carpenter, Dufery Gate,
|
|
Ennifcorthy, county Wicklow, the fineft place in the world.
|
|
|
|
|
|
What reflections occupied his mind during the process of reversion of the
|
|
inverted volumes?
|
|
|
|
The necessity of order, a place for everything and everything in its
|
|
place: the deficient appreciation of literature possessed by females: the
|
|
incongruity of an apple incuneated in a tumbler and of an umbrella
|
|
inclined in a closestool: the insecurity of hiding any secret document
|
|
behind, beneath or between the pages of a book.
|
|
|
|
Which volume was the largest in bulk?
|
|
|
|
Hozier's HISTORY OF THE RUSSO-TURKISH WAR.
|
|
|
|
What among other data did the second volume of the work in question
|
|
contain?
|
|
|
|
The name of a decisive battle (forgotten), frequently remembered by a
|
|
decisive officer, major Brian Cooper Tweedy (remembered).
|
|
|
|
Why, firstly and secondly, did he not consult the work in question?
|
|
|
|
Firstly, in order to exercise mnemotechnic: secondly, because after an
|
|
interval of amnesia, when, seated at the central table, about to consult
|
|
the work in question, he remembered by mnemotechnic the name of the
|
|
military engagement, Plevna.
|
|
|
|
What caused him consolation in his sitting posture?
|
|
|
|
The candour, nudity, pose, tranquility, youth, grace, sex, counsel of a
|
|
statue erect in the centre of the table, an image of Narcissus purchased
|
|
by auction from P. A. Wren, 9 Bachelor's Walk.
|
|
|
|
What caused him irritation in his sitting posture? Inhibitory pressure of
|
|
collar (size 17) and waistcoat (5 buttons), two articles of clothing
|
|
superfluous in the costume of mature males and inelastic to alterations
|
|
of mass by expansion.
|
|
|
|
How was the irritation allayed?
|
|
|
|
He removed his collar, with contained black necktie and collapsible stud,
|
|
from his neck to a position on the left of the table. He unbuttoned
|
|
successively in reversed direction waistcoat, trousers, shirt and vest
|
|
along the medial line of irregular incrispated black hairs extending in
|
|
triangular convergence from the pelvic basin over the circumference of
|
|
the abdomen and umbilicular fossicle along the medial line of nodes to
|
|
the intersection of the sixth pectoral vertebrae, thence produced both
|
|
ways at right angles and terminating in circles described about two
|
|
equidistant points, right and left, on the summits of the mammary
|
|
prominences. He unbraced successively each of six minus one braced
|
|
trouser buttons, arranged in pairs, of which one incomplete.
|
|
|
|
What involuntary actions followed?
|
|
|
|
He compressed between 2 fingers the flesh circumjacent to a cicatrice in
|
|
the left infracostal region below the diaphragm resulting from a sting
|
|
inflicted 2 weeks and 3 days previously (23 May 1904) by a bee. He
|
|
scratched imprecisely with his right hand, though insensible of
|
|
prurition, various points and surfaces of his partly exposed, wholly
|
|
abluted skin. He inserted his left hand into the left lower pocket of his
|
|
waistcoat and extracted and replaced a silver coin (I shilling), placed
|
|
there (presumably) on the occasion (17 October 1903) of the interment of
|
|
Mrs Emily Sinico, Sydney Parade.
|
|
|
|
Compile the budget for 16 June 1904.
|
|
|
|
DEBIT CREDIT
|
|
L--s--d L--s--d
|
|
1 Pork kidney 0--0--3 Cash in Hand 0--4--9
|
|
1 Copy FREEMAN'S JOURNAL 0--0--1 Commission recd FREEMAN'S JOURNAL 1--7--6
|
|
1 Bath And Gratification 0--1--6 Loan (Stephen Dedalus) 1--7--0
|
|
Tramfare 0--0--1
|
|
1 In Memoriam
|
|
Patrick Dignam 0--5--0
|
|
2 Banbury cakes 0--0--1
|
|
1 Lunch 0--0--7
|
|
1 Renewal fee for book 0--1--0
|
|
1 Packet Notepaper
|
|
and Envelopes 0--0--2
|
|
1 Dinner
|
|
and Gratification 0--2--0
|
|
I Postal Order
|
|
and Stamp 0--2--8
|
|
Tramfare 0--0--1
|
|
1 Pig's Foot 0--0--4
|
|
1 Sheep's Trotter 0--0--3
|
|
1 Cake Fry's
|
|
Plain Chocolate 0--0--1
|
|
1 Square Soda Bread 0--0--4
|
|
1 Coffee and Bun 0--0--4
|
|
Loan (Stephen Dedalus)
|
|
refunded 1--7--0
|
|
|
|
BALANCE 0--17--5
|
|
2--19--3 2--19--3
|
|
|
|
|
|
Did the process of divestiture continue?
|
|
|
|
Sensible of a benignant persistent ache in his footsoles he extended his
|
|
foot to one side and observed the creases, protuberances and salient
|
|
points caused by foot pressure in the course of walking repeatedly in
|
|
several different directions, then, inclined, he disnoded the laceknots,
|
|
unhooked and loosened the laces, took off each of his two boots for the
|
|
second time, detached the partially moistened right sock through the fore
|
|
part of which the nail of his great toe had again effracted, raised his
|
|
right foot and, having unhooked a purple elastic sock suspender, took off
|
|
his right sock, placed his unclothed right foot on the margin of the seat
|
|
of his chair, picked at and gently lacerated the protruding part of the
|
|
great toenail, raised the part lacerated to his nostrils and inhaled the
|
|
odour of the quick, then, with satisfaction, threw away the lacerated
|
|
ungual fragment.
|
|
|
|
Why with satisfaction?
|
|
|
|
Because the odour inhaled corresponded to other odours inhaled of other
|
|
ungual fragments, picked and lacerated by Master Bloom, pupil of Mrs
|
|
Ellis's juvenile school, patiently each night in the act of brief
|
|
genuflection and nocturnal prayer and ambitious meditation.
|
|
|
|
In what ultimate ambition had all concurrent and consecutive ambitions
|
|
now coalesced?
|
|
|
|
Not to inherit by right of primogeniture, gavelkind or borough English,
|
|
or possess in perpetuity an extensive demesne of a sufficient number of
|
|
acres, roods and perches, statute land measure (valuation 42 pounds), of
|
|
grazing turbary surrounding a baronial hall with gatelodge and carriage
|
|
drive nor, on the other hand, a terracehouse or semidetached villa,
|
|
described as RUS IN URBE or QUI SI SANA, but to purchase by private
|
|
treaty in fee simple a thatched bungalowshaped 2 storey dwellinghouse of
|
|
southerly aspect, surmounted by vane and lightning conductor, connected
|
|
with the earth, with porch covered by parasitic plants (ivy or Virginia
|
|
creeper), halldoor, olive green, with smart carriage finish and neat
|
|
doorbrasses, stucco front with gilt tracery at eaves and gable, rising,
|
|
if possible, upon a gentle eminence with agreeable prospect from balcony
|
|
with stone pillar parapet over unoccupied and unoccupyable interjacent
|
|
pastures and standing in 5 or 6 acres of its own ground, at such a
|
|
distance from the nearest public thoroughfare as to render its
|
|
houselights visible at night above and through a quickset hornbeam hedge
|
|
of topiary cutting, situate at a given point not less than 1 statute mile
|
|
from the periphery of the metropolis, within a time limit of not more
|
|
than 15 minutes from tram or train line (e.g., Dundrum, south, or Sutton,
|
|
north, both localities equally reported by trial to resemble the
|
|
terrestrial poles in being favourable climates for phthisical subjects),
|
|
the premises to be held under feefarm grant, lease 999 years, the
|
|
messuage to consist of 1 drawingroom with baywindow (2 lancets),
|
|
thermometer affixed, 1 sittingroom, 4 bedrooms, 2 servants' rooms, tiled
|
|
kitchen with close range and scullery, lounge hall fitted with linen
|
|
wallpresses, fumed oak sectional bookcase containing the Encyclopaedia
|
|
Britannica and New Century Dictionary, transverse obsolete medieval and
|
|
oriental weapons, dinner gong, alabaster lamp, bowl pendant, vulcanite
|
|
automatic telephone receiver with adjacent directory, handtufted
|
|
Axminster carpet with cream ground and trellis border, loo table with
|
|
pillar and claw legs, hearth with massive firebrasses and ormolu mantel
|
|
chronometer clock, guaranteed timekeeper with cathedral chime, barometer
|
|
with hygrographic chart, comfortable lounge settees and corner fitments,
|
|
upholstered in ruby plush with good springing and sunk centre, three
|
|
banner Japanese screen and cuspidors (club style, rich winecoloured
|
|
leather, gloss renewable with a minimum of labour by use of linseed oil
|
|
and vinegar) and pyramidically prismatic central chandelier lustre,
|
|
bentwood perch with fingertame parrot (expurgated language), embossed
|
|
mural paper at 10/- per dozen with transverse swags of carmine floral
|
|
design and top crown frieze, staircase, three continuous flights at
|
|
successive right angles, of varnished cleargrained oak, treads and
|
|
risers, newel, balusters and handrail, with steppedup panel dado, dressed
|
|
with camphorated wax: bathroom, hot and cold supply, reclining and
|
|
shower: water closet on mezzanine provided with opaque singlepane oblong
|
|
window, tipup seat, bracket lamp, brass tierod and brace, armrests,
|
|
footstool and artistic oleograph on inner face of door: ditto, plain:
|
|
servants' apartments with separate sanitary and hygienic necessaries for
|
|
cook, general and betweenmaid (salary, rising by biennial unearned
|
|
increments of 2 pounds, with comprehensive fidelity insurance, annual
|
|
bonus (1 pound) and retiring allowance (based on the 65 system) after 30
|
|
years' service), pantry, buttery, larder, refrigerator, outoffices, coal
|
|
and wood cellarage with winebin (still and sparkling vintages) for
|
|
distinguished guests, if entertained to dinner (evening dress), carbon
|
|
monoxide gas supply throughout.
|
|
|
|
What additional attractions might the grounds contain?
|
|
|
|
As addenda, a tennis and fives court, a shrubbery, a glass summerhouse
|
|
with tropical palms, equipped in the best botanical manner, a rockery
|
|
with waterspray, a beehive arranged on humane principles, oval flowerbeds
|
|
in rectangular grassplots set with eccentric ellipses of scarlet and
|
|
chrome tulips, blue scillas, crocuses, polyanthus, sweet William, sweet
|
|
pea, lily of the valley (bulbs obtainable from sir James W. Mackey
|
|
(Limited) wholesale and retail seed and bulb merchants and nurserymen,
|
|
agents for chemical manures, 23 Sackville street, upper), an orchard,
|
|
kitchen garden and vinery protected against illegal trespassers by
|
|
glasstopped mural enclosures, a lumbershed with padlock for various
|
|
inventoried implements.
|
|
|
|
As?
|
|
|
|
Eeltraps, lobsterpots, fishingrods, hatchet, steelyard, grindstone,
|
|
clodcrusher, swatheturner, carriagesack, telescope ladder, 10 tooth rake,
|
|
washing clogs, haytedder, tumbling rake, billhook, paintpot, brush, hoe
|
|
and so on.
|
|
|
|
What improvements might be subsequently introduced?
|
|
|
|
A rabbitry and fowlrun, a dovecote, a botanical conservatory, 2 hammocks
|
|
(lady's and gentleman's), a sundial shaded and sheltered by laburnum or
|
|
lilac trees, an exotically harmonically accorded Japanese tinkle gatebell
|
|
affixed to left lateral gatepost, a capacious waterbutt, a lawnmower with
|
|
side delivery and grassbox, a lawnsprinkler with hydraulic hose.
|
|
|
|
What facilities of transit were desirable?
|
|
|
|
When citybound frequent connection by train or tram from their respective
|
|
intermediate station or terminal. When countrybound velocipedes, a
|
|
chainless freewheel roadster cycle with side basketcar attached, or
|
|
draught conveyance, a donkey with wicker trap or smart phaeton with good
|
|
working solidungular cob (roan gelding, 14 h).
|
|
|
|
What might be the name of this erigible or erected residence?
|
|
|
|
Bloom Cottage. Saint Leopold's. Flowerville.
|
|
|
|
Could Bloom of 7 Eccles street foresee Bloom of Flowerville?
|
|
|
|
In loose allwool garments with Harris tweed cap, price 8/6, and useful
|
|
garden boots with elastic gussets and wateringcan, planting aligned young
|
|
firtrees, syringing, pruning, staking, sowing hayseed, trundling a
|
|
weedladen wheelbarrow without excessive fatigue at sunset amid the scent
|
|
of newmown hay, ameliorating the soil, multiplying wisdom, achieving
|
|
longevity.
|
|
|
|
What syllabus of intellectual pursuits was simultaneously possible?
|
|
|
|
Snapshot photography, comparative study of religions, folklore relative
|
|
to various amatory and superstitious practices, contemplation of the
|
|
celestial constellations.
|
|
|
|
What lighter recreations?
|
|
|
|
Outdoor: garden and fieldwork, cycling on level macadamised causeways
|
|
ascents of moderately high hills, natation in secluded fresh water and
|
|
unmolested river boating in secure wherry or light curricle with kedge
|
|
anchor on reaches free from weirs and rapids (period of estivation),
|
|
vespertinal perambulation or equestrian circumprocession with inspection
|
|
of sterile landscape and contrastingly agreeable cottagers' fires of
|
|
smoking peat turves (period of hibernation). Indoor: discussion in tepid
|
|
security of unsolved historical and criminal problems: lecture of
|
|
unexpurgated exotic erotic masterpieces: house carpentry with toolbox
|
|
containing hammer, awl nails, screws, tintacks, gimlet, tweezers,
|
|
bullnose plane and turnscrew. Might he become a gentleman farmer of field
|
|
produce and live stock?
|
|
|
|
Not impossibly, with 1 or 2 stripper cows, 1 pike of upland hay and
|
|
requisite farming implements, e.g., an end-to-end churn, a turnip pulper
|
|
etc.
|
|
|
|
What would be his civic functions and social status among the county
|
|
families and landed gentry?
|
|
|
|
Arranged successively in ascending powers of hierarchical order, that of
|
|
gardener, groundsman, cultivator, breeder, and at the zenith of his
|
|
career, resident magistrate or justice of the peace with a family crest
|
|
and coat of arms and appropriate classical motto (SEMPER PARATUS), duly
|
|
recorded in the court directory (Bloom, Leopold P., M. P., P. C., K. P.,
|
|
L. L. D. (HONORIS CAUSA), Bloomville, Dundrum) and mentioned in court and
|
|
fashionable intelligence (Mr and Mrs Leopold Bloom have left Kingstown
|
|
for England).
|
|
|
|
What course of action did he outline for himself in such capacity?
|
|
|
|
A course that lay between undue clemency and excessive rigour: the
|
|
dispensation in a heterogeneous society of arbitrary classes, incessantly
|
|
rearranged in terms of greater and lesser social inequality, of unbiassed
|
|
homogeneous indisputable justice, tempered with mitigants of the widest
|
|
possible latitude but exactable to the uttermost farthing with
|
|
confiscation of estate, real and personal, to the crown. Loyal to the
|
|
highest constituted power in the land, actuated by an innate love of
|
|
rectitude his aims would be the strict maintenance of public order, the
|
|
repression of many abuses though not of all simultaneously (every measure
|
|
of reform or retrenchment being a preliminary solution to be contained by
|
|
fluxion in the final solution), the upholding of the letter of the law
|
|
(common, statute and law merchant) against all traversers in covin and
|
|
trespassers acting in contravention of bylaws and regulations, all
|
|
resuscitators (by trespass and petty larceny of kindlings) of venville
|
|
rights, obsolete by desuetude, all orotund instigators of international
|
|
persecution, all perpetuators of international animosities, all menial
|
|
molestors of domestic conviviality, all recalcitrant violators of
|
|
domestic connubiality.
|
|
|
|
Prove that he had loved rectitude from his earliest youth.
|
|
|
|
To Master Percy Apjohn at High School in 1880 he had divulged his
|
|
disbelief in the tenets of the Irish (protestant) church (to which his
|
|
father Rudolf Virag (later Rudolph Bloom) had been converted from the
|
|
Israelitic faith and communion in 1865 by the Society for promoting
|
|
Christianity among the jews) subsequently abjured by him in favour of
|
|
Roman catholicism at the epoch of and with a view to his matrimony in
|
|
1888. To Daniel Magrane and Francis Wade in 1882 during a juvenile
|
|
friendship (terminated by the premature emigration of the former) he had
|
|
advocated during nocturnal perambulations the political theory of
|
|
colonial (e.g. Canadian) expansion and the evolutionary theories of
|
|
Charles Darwin, expounded in THE DESCENT OF MAN and THE ORIGIN OF
|
|
SPECIES. In 1885 he had publicly expressed his adherence to the
|
|
collective and national economic programme advocated by James Fintan
|
|
Lalor, John Fisher Murray, John Mitchel, J. F. X. O'Brien and others, the
|
|
agrarian policy of Michael Davitt, the constitutional agitation of
|
|
Charles Stewart Parnell (M. P. for Cork City), the programme of peace,
|
|
retrenchment and reform of William Ewart Gladstone (M. P. for Midlothian,
|
|
N. B.) and, in support of his political convictions, had climbed up into
|
|
a secure position amid the ramifications of a tree on Northumberland road
|
|
to see the entrance (2 February 1888) into the capital of a demonstrative
|
|
torchlight procession of 20,000 torchbearers, divided into 120 trade
|
|
corporations, bearing 2000 torches in escort of the marquess of Ripon and
|
|
(honest) John Morley.
|
|
|
|
How much and how did he propose to pay for this country residence?
|
|
|
|
As per prospectus of the Industrious Foreign Acclimatised Nationalised
|
|
Friendly Stateaided Building Society (incorporated 1874), a maximum of 60
|
|
pounds per annum, being 1/6 of an assured income, derived from giltedged
|
|
securities, representing at 5 percent simple interest on capital of 1200
|
|
pounds (estimate of price at 20 years' purchase), of which to be paid
|
|
on acquisition and the balance in the form of annual rent, viz. 800
|
|
pounds plus 2 1/2 percent interest on the same, repayable quarterly in
|
|
equal annual instalments until extinction by amortisation of loan
|
|
advanced for purchase within a period of 20 years, amounting to an annual
|
|
rental of 64 pounds, headrent included, the titledeeds to remain in
|
|
possession of the lender or lenders with a saving clause envisaging
|
|
forced sale, foreclosure and mutual compensation in the event of
|
|
protracted failure to pay the terms assigned, otherwise the messuage to
|
|
become the absolute property of the tenant occupier upon expiry of the
|
|
period of years stipulated.
|
|
|
|
What rapid but insecure means to opulence might facilitate immediate
|
|
purchase?
|
|
|
|
A private wireless telegraph which would transmit by dot and dash system
|
|
the result of a national equine handicap (flat or steeplechase) of I or
|
|
more miles and furlongs won by an outsider at odds of 50 to 1 at 3 hr 8 m
|
|
p.m. at Ascot (Greenwich time), the message being received and available
|
|
for betting purposes in Dublin at 2.59 p.m. (Dunsink time). The
|
|
unexpected discovery of an object of great monetary value (precious
|
|
stone, valuable adhesive or impressed postage stamps (7 schilling, mauve,
|
|
imperforate, Hamburg, 1866: 4 pence, rose, blue paper, perforate, Great
|
|
Britain, 1855: 1 franc, stone, official, rouletted, diagonal surcharge,
|
|
Luxemburg, 1878), antique dynastical ring, unique relic) in unusual
|
|
repositories or by unusual means: from the air (dropped by an eagle in
|
|
flight), by fire (amid the carbonised remains of an incendiated edifice),
|
|
in the sea (amid flotsam, jetsam, lagan and derelict), on earth (in the
|
|
gizzard of a comestible fowl). A Spanish prisoner's donation of a distant
|
|
treasure of valuables or specie or bullion lodged with a solvent banking
|
|
corporation loo years previously at 5 percent compound interest of the
|
|
collective worth of 5,000,000 pounds stg (five million pounds sterling).
|
|
A contract with an inconsiderate contractee for the delivery of 32
|
|
consignments of some given commodity in consideration of cash payment on
|
|
delivery per delivery at the initial rate of 1/4d to be increased
|
|
constantly in the geometrical progression of 2 (1/4d, 1/2d, 1d, 2d, 4d,
|
|
8d, 1s 4d, 2s 8d to 32 terms). A prepared scheme based on a study of the
|
|
laws of probability to break the bank at Monte Carlo. A solution of the
|
|
secular problem of the quadrature of the circle, government premium
|
|
1,000,000 pounds sterling.
|
|
|
|
Was vast wealth acquirable through industrial channels?
|
|
|
|
The reclamation of dunams of waste arenary soil, proposed in the
|
|
prospectus of Agendath Netaim, Bleibtreustrasse, Berlin, W. 15, by the
|
|
cultivation of orange plantations and melonfields and reafforestation.
|
|
The utilisation of waste paper, fells of sewer rodents, human excrement
|
|
possessing chemical properties, in view of the vast production of the
|
|
first, vast number of the second and immense quantity of the third, every
|
|
normal human being of average vitality and appetite producing annually,
|
|
cancelling byproducts of water, a sum total of 80 lbs. (mixed animal and
|
|
vegetable diet), to be multiplied by 4,386,035, the total population of
|
|
Ireland according to census returns of 1901.
|
|
|
|
Were there schemes of wider scope?
|
|
|
|
A scheme to be formulated and submitted for approval to the harbour
|
|
commissioners for the exploitation of white coal (hydraulic power),
|
|
obtained by hydroelectric plant at peak of tide at Dublin bar or at head
|
|
of water at Poulaphouca or Powerscourt or catchment basins of main
|
|
streams for the economic production of 500,000 W. H. P. of electricity. A
|
|
scheme to enclose the peninsular delta of the North Bull at Dollymount
|
|
and erect on the space of the foreland, used for golf links and rifle
|
|
ranges, an asphalted esplanade with casinos, booths, shooting galleries,
|
|
hotels, boardinghouses, readingrooms, establishments for mixed bathing. A
|
|
scheme for the use of dogvans and goatvans for the delivery of early
|
|
morning milk. A scheme for the development of Irish tourist traffic in
|
|
and around Dublin by means of petrolpropelled riverboats, plying in the
|
|
fluvial fairway between Island bridge and Ringsend, charabancs, narrow
|
|
gauge local railways, and pleasure steamers for coastwise navigation
|
|
(10/- per person per day, guide (trilingual) included). A scheme for the
|
|
repristination of passenger and goods traffics over Irish waterways, when
|
|
freed from weedbeds. A scheme to connect by tramline the Cattle Market
|
|
(North Circular road and Prussia street) with the quays (Sheriff street,
|
|
lower, and East Wall), parallel with the Link line railway laid (in
|
|
conjunction with the Great Southern and Western railway line) between the
|
|
cattle park, Liffey junction, and terminus of Midland Great Western
|
|
Railway 43 to 45 North Wall, in proximity to the terminal stations or
|
|
Dublin branches of Great Central Railway, Midland Railway of England,
|
|
City of Dublin Steam Packet Company, Lancashire and Yorkshire Railway
|
|
Company, Dublin and Glasgow Steam Packet Company, Glasgow, Dublin and
|
|
Londonderry Steam Packet Company (Laird line), British and Irish Steam
|
|
Packet Company, Dublin and Morecambe Steamers, London and North Western
|
|
Railway Company, Dublin Port and Docks Board Landing Sheds and transit
|
|
sheds of Palgrave, Murphy and Company, steamship owners, agents for
|
|
steamers from Mediterranean, Spain, Portugal, France, Belgium and Holland
|
|
and for Liverpool Underwriters' Association, the cost of acquired rolling
|
|
stock for animal transport and of additional mileage operated by the
|
|
Dublin United Tramways Company, limited, to be covered by graziers' fees.
|
|
|
|
Positing what protasis would the contraction for such several schemes
|
|
become a natural and necessary apodosis?
|
|
|
|
Given a guarantee equal to the sum sought, the support, by deed of gift
|
|
and transfer vouchers during donor's lifetime or by bequest after donor's
|
|
painless extinction, of eminent financiers (Blum Pasha, Rothschild
|
|
Guggenheim, Hirsch, Montefiore, Morgan, Rockefeller) possessing fortunes
|
|
in 6 figures, amassed during a successful life, and joining capital with
|
|
opportunity the thing required was done.
|
|
|
|
What eventuality would render him independent of such wealth?
|
|
|
|
The independent discovery of a goldseam of inexhaustible ore.
|
|
|
|
For what reason did he meditate on schemes so difficult of realisation?
|
|
|
|
It was one of his axioms that similar meditations or the automatic
|
|
relation to himself of a narrative concerning himself or tranquil
|
|
recollection of the past when practised habitually before retiring for
|
|
the night alleviated fatigue and produced as a result sound repose and
|
|
renovated vitality.
|
|
|
|
His justifications?
|
|
|
|
As a physicist he had learned that of the 70 years of complete human life
|
|
at least 2/7, viz. 20 years are passed in sleep. As a philosopher he knew
|
|
that at the termination of any allotted life only an infinitesimal part
|
|
of any person's desires has been realised. As a physiologist he believed
|
|
in the artificial placation of malignant agencies chiefly operative
|
|
during somnolence.
|
|
|
|
What did he fear?
|
|
|
|
The committal of homicide or suicide during sleep by an aberration of the
|
|
light of reason, the incommensurable categorical intelligence situated in
|
|
the cerebral convolutions.
|
|
|
|
What were habitually his final meditations?
|
|
|
|
Of some one sole unique advertisement to cause passers to stop in wonder,
|
|
a poster novelty, with all extraneous accretions excluded, reduced to its
|
|
simplest and most efficient terms not exceeding the span of casual vision
|
|
and congruous with the velocity of modern life.
|
|
|
|
What did the first drawer unlocked contain?
|
|
|
|
A Vere Foster's handwriting copybook, property of Milly (Millicent)
|
|
Bloom, certain pages of which bore diagram drawings, marked PAPLI, which
|
|
showed a large globular head with 5 hairs erect, 2 eyes in profile, the
|
|
trunk full front with 3 large buttons, 1 triangular foot: 2 fading
|
|
photographs of queen Alexandra of England and of Maud Branscombe, actress
|
|
and professional beauty: a Yuletide card, bearing on it a pictorial
|
|
representation of a parasitic plant, the legend MIZPAH, the date Xmas
|
|
1892, the name of the senders: from Mr + Mrs M. Comerford, the versicle:
|
|
MAY THIS YULETIDE BRING TO THEE, JOY AND PEACE AND WELCOME GLEE: a butt
|
|
of red partly liquefied sealing wax, obtained from the stores department
|
|
of Messrs Hely's, Ltd., 89, 90, and 91 Dame street: a box containing the
|
|
remainder of a gross of gilt "J" pennibs, obtained from same department
|
|
of same firm: an old sandglass which rolled containing sand which rolled:
|
|
a sealed prophecy (never unsealed) written by Leopold Bloom in 1886
|
|
concerning the consequences of the passing into law of William Ewart
|
|
Gladstone's Home Rule bill of 1886 (never passed into law): a bazaar
|
|
ticket, no 2004, of S. Kevin's Charity Fair, price 6d, 100 prizes: an
|
|
infantile epistle, dated, small em monday, reading: capital pee Papli
|
|
comma capital aitch How are you note of interrogation capital eye I am
|
|
very well full stop new paragraph signature with flourishes capital em
|
|
Milly no stop: a cameo brooch, property of Ellen Bloom (born Higgins),
|
|
deceased: a cameo scarfpin, property of Rudolph Bloom (born Virag),
|
|
deceased: 3 typewritten letters, addressee, Henry Flower, c/o. P. O.
|
|
Westland Row, addresser, Martha Clifford, c/o. P. O. Dolphin's Barn: the
|
|
transliterated name and address of the addresser of the 3 letters in
|
|
reversed alphabetic boustrophedonic punctated quadrilinear cryptogram
|
|
(vowels suppressed) N. IGS./WI. UU. OX/W. OKS. MH/Y. IM: a press cutting
|
|
from an English weekly periodical MODERN SOCIETY, subject corporal
|
|
chastisement in girls' schools: a pink ribbon which had festooned an
|
|
Easter egg in the year 1899: two partly uncoiled rubber preservatives
|
|
with reserve pockets, purchased by post from Box 32, P. O., Charing
|
|
Cross, London, W. C.: 1 pack of 1 dozen creamlaid envelopes and
|
|
feintruled notepaper, watermarked, now reduced by 3: some assorted
|
|
Austrian-Hungarian coins: 2 coupons of the Royal and Privileged Hungarian
|
|
Lottery: a lowpower magnifying glass: 2 erotic photocards showing a)
|
|
buccal coition between nude senorita (rere presentation, superior
|
|
position) and nude torero (fore presentation, inferior position) b) anal
|
|
violation by male religious (fully clothed, eyes abject) of female
|
|
religious (partly clothed, eyes direct), purchased by post from Box 32,
|
|
P. O., Charing Cross, London, W. C.: a press cutting of recipe for
|
|
renovation of old tan boots: a Id adhesive stamp, lavender, of the reign
|
|
of Queen Victoria: a chart of the measurements of Leopold Bloom compiled
|
|
before, during and after 2 months' consecutive use of Sandow-Whiteley's
|
|
pulley exerciser (men's 15/-, athlete's 20/-) viz. chest 28 in and 29 1/2
|
|
in, biceps 9 in and 10 in, forearm 8 1/2 in and 9 in, thigh 10 in and 12
|
|
in, calf 11 in and 12 in: 1 prospectus of The Wonderworker, the world's
|
|
greatest remedy for rectal complaints, direct from Wonderworker, Coventry
|
|
House, South Place, London E C, addressed (erroneously) to Mrs L. Bloom
|
|
with brief accompanying note commencing (erroneously): Dear Madam.
|
|
|
|
Quote the textual terms in which the prospectus claimed advantages for
|
|
this thaumaturgic remedy.
|
|
|
|
It heals and soothes while you sleep, in case of trouble in breaking
|
|
wind, assists nature in the most formidable way, insuring instant relief
|
|
in discharge of gases, keeping parts clean and free natural action, an
|
|
initial outlay of 7/6 making a new man of you and life worth living.
|
|
Ladies find Wonderworker especially useful, a pleasant surprise when they
|
|
note delightful result like a cool drink of fresh spring water on a
|
|
sultry summer's day. Recommend it to your lady and gentlemen friends,
|
|
lasts a lifetime. Insert long round end. Wonderworker.
|
|
|
|
Were there testimonials?
|
|
|
|
Numerous. From clergyman, British naval officer, wellknown author, city
|
|
man, hospital nurse, lady, mother of five, absentminded beggar.
|
|
|
|
How did absentminded beggar's concluding testimonial conclude?
|
|
|
|
What a pity the government did not supply our men with wonderworkers
|
|
during the South African campaign! What a relief it would have been!
|
|
|
|
What object did Bloom add to this collection of objects?
|
|
|
|
A 4th typewritten letter received by Henry Flower (let H. F. be L. B.)
|
|
from Martha Clifford (find M. C.).
|
|
|
|
What pleasant reflection accompanied this action?
|
|
|
|
The reflection that, apart from the letter in question, his magnetic
|
|
face, form and address had been favourably received during the course of
|
|
the preceding day by a wife (Mrs Josephine Breen, born Josie Powell), a
|
|
nurse, Miss Callan (Christian name unknown), a maid, Gertrude (Gerty,
|
|
family name unknown).
|
|
|
|
What possibility suggested itself?
|
|
|
|
The possibility of exercising virile power of fascination in the not
|
|
immediate future after an expensive repast in a private apartment in the
|
|
company of an elegant courtesan, of corporal beauty, moderately
|
|
mercenary, variously instructed, a lady by origin.
|
|
|
|
What did the 2nd drawer contain?
|
|
|
|
Documents: the birth certificate of Leopold Paula Bloom: an endowment
|
|
assurance policy of 500 pounds in the Scottish Widows' Assurance Society,
|
|
intestated Millicent (Milly) Bloom, coming into force at 25 years as with
|
|
profit policy of 430 pounds, 462/10/0 and 500 pounds at 60 years or
|
|
death, 65 years or death and death, respectively, or with profit policy
|
|
(paidup) of 299/10/0 together with cash payment of 133/10/0, at option: a
|
|
bank passbook issued by the Ulster Bank, College Green branch showing
|
|
statement of a/c for halfyear ending 31 December 1903, balance in
|
|
depositor's favour: 18/14/6 (eighteen pounds, fourteen shillings and
|
|
sixpence, sterling), net personalty: certificate of possession of 900
|
|
pounds, Canadian 4 percent (inscribed) government stock (free of stamp
|
|
duty): dockets of the Catholic Cemeteries' (Glasnevin) Committee,
|
|
relative to a graveplot purchased: a local press cutting concerning
|
|
change of name by deedpoll.
|
|
|
|
Quote the textual terms of this notice.
|
|
|
|
I, Rudolph Virag, now resident at no 52 Clanbrassil street, Dublin,
|
|
formerly of Szombathely in the kingdom of Hungary, hereby give notice
|
|
that I have assumed and intend henceforth upon all occasions and at all
|
|
times to be known by the name of Rudolph Bloom.
|
|
|
|
What other objects relative to Rudolph Bloom (born Virag) were in the 2nd
|
|
drawer?
|
|
|
|
An indistinct daguerreotype of Rudolf Virag and his father Leopold Virag
|
|
executed in the year 1852 in the portrait atelier of their (respectively)
|
|
1st and 2nd cousin, Stefan Virag of Szesfehervar, Hungary. An ancient
|
|
haggadah book in which a pair of hornrimmed convex spectacles inserted
|
|
marked the passage of thanksgiving in the ritual prayers for Pessach
|
|
(Passover): a photocard of the Queen's Hotel, Ennis, proprietor, Rudolph
|
|
Bloom: an envelope addressed: TO MY DEAR SON LEOPOLD.
|
|
|
|
What fractions of phrases did the lecture of those five whole words
|
|
evoke?
|
|
|
|
Tomorrow will be a week that I received... it is no use Leopold to be ...
|
|
with your dear mother ... that is not more to stand ... to her ... all
|
|
for me is out ... be kind to Athos, Leopold ... my dear son ... always
|
|
... of me ... DAS HERZ ... GOTT ... DEIN ...
|
|
|
|
What reminiscences of a human subject suffering from progressive
|
|
melancholia did these objects evoke in Bloom?
|
|
|
|
An old man, widower, unkempt of hair, in bed, with head covered, sighing:
|
|
an infirm dog, Athos: aconite, resorted to by increasing doses of grains
|
|
and scruples as a palliative of recrudescent neuralgia: the face in death
|
|
of a septuagenarian, suicide by poison.
|
|
|
|
Why did Bloom experience a sentiment of remorse?
|
|
|
|
Because in immature impatience he had treated with disrespect certain
|
|
beliefs and practices.
|
|
|
|
As?
|
|
|
|
The prohibition of the use of fleshmeat and milk at one meal: the
|
|
hebdomadary symposium of incoordinately abstract, perfervidly concrete
|
|
mercantile coexreligionist excompatriots: the circumcision of male
|
|
infants: the supernatural character of Judaic scripture: the ineffability
|
|
of the tetragrammaton: the sanctity of the sabbath.
|
|
|
|
How did these beliefs and practices now appear to him?
|
|
|
|
Not more rational than they had then appeared, not less rational than
|
|
other beliefs and practices now appeared.
|
|
|
|
What first reminiscence had he of Rudolph Bloom (deceased)?
|
|
|
|
Rudolph Bloom (deceased) narrated to his son Leopold Bloom (aged 6) a
|
|
retrospective arrangement of migrations and settlements in and between
|
|
Dublin, London, Florence, Milan, Vienna, Budapest, Szombathely with
|
|
statements of satisfaction (his grandfather having seen Maria Theresia,
|
|
empress of Austria, queen of Hungary), with commercial advice (having
|
|
taken care of pence, the pounds having taken care of themselves). Leopold
|
|
Bloom (aged 6) had accompanied these narrations by constant consultation
|
|
of a geographical map of Europe (political) and by suggestions for the
|
|
establishment of affiliated business premises in the various centres
|
|
mentioned.
|
|
|
|
Had time equally but differently obliterated the memory of these
|
|
migrations in narrator and listener?
|
|
|
|
In narrator by the access of years and in consequence of the use of
|
|
narcotic toxin: in listener by the access of years and in consequence of
|
|
the action of distraction upon vicarious experiences.
|
|
|
|
What idiosyncracies of the narrator were concomitant products of amnesia?
|
|
|
|
Occasionally he ate without having previously removed his hat.
|
|
Occasionally he drank voraciously the juice of gooseberry fool from an
|
|
inclined plate. Occasionally he removed from his lips the traces of food
|
|
by means of a lacerated envelope or other accessible fragment of paper.
|
|
|
|
What two phenomena of senescence were more frequent?
|
|
|
|
The myopic digital calculation of coins, eructation consequent upon
|
|
repletion.
|
|
|
|
What object offered partial consolation for these reminiscences?
|
|
|
|
The endowment policy, the bank passbook, the certificate of the
|
|
possession of scrip.
|
|
|
|
Reduce Bloom by cross multiplication of reverses of fortune, from which
|
|
these supports protected him, and by elimination of all positive values
|
|
to a negligible negative irrational unreal quantity.
|
|
|
|
Successively, in descending helotic order: Poverty: that of the outdoor
|
|
hawker of imitation jewellery, the dun for the recovery of bad and
|
|
doubtful debts, the poor rate and deputy cess collector. Mendicancy: that
|
|
of the fraudulent bankrupt with negligible assets paying 1s. 4d. in the
|
|
pound, sandwichman, distributor of throwaways, nocturnal vagrant,
|
|
insinuating sycophant, maimed sailor, blind stripling, superannuated
|
|
bailiffs man, marfeast, lickplate, spoilsport, pickthank, eccentric
|
|
public laughingstock seated on bench of public park under discarded
|
|
perforated umbrella. Destitution: the inmate of Old Man's House (Royal
|
|
Hospital) Kilmainham, the inmate of Simpson's Hospital for reduced but
|
|
respectable men permanently disabled by gout or want of sight. Nadir of
|
|
misery: the aged impotent disfranchised ratesupported moribund lunatic
|
|
pauper.
|
|
|
|
With which attendant indignities?
|
|
|
|
The unsympathetic indifference of previously amiable females, the
|
|
contempt of muscular males, the acceptance of fragments of bread, the
|
|
simulated ignorance of casual acquaintances, the latration of
|
|
illegitimate unlicensed vagabond dogs, the infantile discharge of
|
|
decomposed vegetable missiles, worth little or nothing, nothing or less
|
|
than nothing.
|
|
|
|
By what could such a situation be precluded?
|
|
|
|
By decease (change of state): by departure (change of place).
|
|
|
|
Which preferably?
|
|
|
|
The latter, by the line of least resistance.
|
|
|
|
What considerations rendered departure not entirely undesirable?
|
|
|
|
Constant cohabitation impeding mutual toleration of personal defects. The
|
|
habit of independent purchase increasingly cultivated. The necessity to
|
|
counteract by impermanent sojourn the permanence of arrest.
|
|
|
|
What considerations rendered departure not irrational?
|
|
|
|
The parties concerned, uniting, had increased and multiplied, which being
|
|
done, offspring produced and educed to maturity, the parties, if not
|
|
disunited were obliged to reunite for increase and multiplication, which
|
|
was absurd, to form by reunion the original couple of uniting parties,
|
|
which was impossible.
|
|
|
|
What considerations rendered departure desirable?
|
|
|
|
The attractive character of certain localities in Ireland and abroad, as
|
|
represented in general geographical maps of polychrome design or in
|
|
special ordnance survey charts by employment of scale numerals and
|
|
hachures.
|
|
|
|
In Ireland?
|
|
|
|
The cliffs of Moher, the windy wilds of Connemara, lough Neagh with
|
|
submerged petrified city, the Giant's Causeway, Fort Camden and Fort
|
|
Carlisle, the Golden Vale of Tipperary, the islands of Aran, the pastures
|
|
of royal Meath, Brigid's elm in Kildare, the Queen's Island shipyard in
|
|
Belfast, the Salmon Leap, the lakes of Killarney.
|
|
|
|
Abroad?
|
|
|
|
Ceylon (with spicegardens supplying tea to Thomas Kernan, agent for
|
|
Pulbrook, Robertson and Co, 2 Mincing Lane, London, E. C., 5 Dame street,
|
|
Dublin), Jerusalem, the holy city (with mosque of Omar and gate of
|
|
Damascus, goal of aspiration), the straits of Gibraltar (the unique
|
|
birthplace of Marion Tweedy), the Parthenon (containing statues of nude
|
|
Grecian divinities), the Wall street money market (which controlled
|
|
international finance), the Plaza de Toros at La Linea, Spain (where
|
|
O'Hara of the Camerons had slain the bull), Niagara (over which no human
|
|
being had passed with impunity), the land of the Eskimos (eaters of
|
|
soap), the forbidden country of Thibet (from which no traveller returns),
|
|
the bay of Naples (to see which was to die), the Dead Sea.
|
|
|
|
Under what guidance, following what signs?
|
|
|
|
At sea, septentrional, by night the polestar, located at the point of
|
|
intersection of the right line from beta to alpha in Ursa Maior produced
|
|
and divided externally at omega and the hypotenuse of the rightangled
|
|
triangle formed by the line alpha omega so produced and the line alpha
|
|
delta of Ursa Maior. On land, meridional, a bispherical moon, revealed in
|
|
imperfect varying phases of lunation through the posterior interstice of
|
|
the imperfectly occluded skirt of a carnose negligent perambulating
|
|
female, a pillar of the cloud by day.
|
|
|
|
What public advertisement would divulge the occultation of the departed?
|
|
|
|
5 pounds reward, lost, stolen or strayed from his residence 7 Eccles
|
|
street, missing gent about 40, answering to the name of Bloom, Leopold
|
|
(Poldy), height 5 ft 9 1/2 inches, full build, olive complexion, may have
|
|
since grown a beard, when last seen was wearing a black suit. Above sum
|
|
will be paid for information leading to his discovery.
|
|
|
|
What universal binomial denominations would be his as entity and
|
|
nonentity?
|
|
|
|
Assumed by any or known to none. Everyman or Noman.
|
|
|
|
What tributes his?
|
|
|
|
Honour and gifts of strangers, the friends of Everyman. A nymph immortal,
|
|
beauty, the bride of Noman.
|
|
|
|
Would the departed never nowhere nohow reappear?
|
|
|
|
Ever he would wander, selfcompelled, to the extreme limit of his cometary
|
|
orbit, beyond the fixed stars and variable suns and telescopic planets,
|
|
astronomical waifs and strays, to the extreme boundary of space, passing
|
|
from land to land, among peoples, amid events. Somewhere imperceptibly he
|
|
would hear and somehow reluctantly, suncompelled, obey the summons of
|
|
recall. Whence, disappearing from the constellation of the Northern Crown
|
|
he would somehow reappear reborn above delta in the constellation of
|
|
Cassiopeia and after incalculable eons of peregrination return an
|
|
estranged avenger, a wreaker of justice on malefactors, a dark crusader,
|
|
a sleeper awakened, with financial resources (by supposition) surpassing
|
|
those of Rothschild or the silver king.
|
|
|
|
What would render such return irrational?
|
|
|
|
An unsatisfactory equation between an exodus and return in time through
|
|
reversible space and an exodus and return in space through irreversible
|
|
time.
|
|
|
|
What play of forces, inducing inertia, rendered departure undesirable?
|
|
|
|
The lateness of the hour, rendering procrastinatory: the obscurity of the
|
|
night, rendering invisible: the uncertainty of thoroughfares, rendering
|
|
perilous: the necessity for repose, obviating movement: the proximity of
|
|
an occupied bed, obviating research: the anticipation of warmth (human)
|
|
tempered with coolness (linen), obviating desire and rendering desirable:
|
|
the statue of Narcissus, sound without echo, desired desire.
|
|
|
|
What advantages were possessed by an occupied, as distinct from an
|
|
unoccupied bed?
|
|
|
|
The removal of nocturnal solitude, the superior quality of human (mature
|
|
female) to inhuman (hotwaterjar) calefaction, the stimulation of
|
|
matutinal contact, the economy of mangling done on the premises in the
|
|
case of trousers accurately folded and placed lengthwise between the
|
|
spring mattress (striped) and the woollen mattress (biscuit section).
|
|
|
|
What past consecutive causes, before rising preapprehended, of
|
|
accumulated fatigue did Bloom, before rising, silently recapitulate?
|
|
|
|
The preparation of breakfast (burnt offering): intestinal congestion and
|
|
premeditative defecation (holy of holies): the bath (rite of John): the
|
|
funeral (rite of Samuel): the advertisement of Alexander Keyes (Urim and
|
|
Thummim): the unsubstantial lunch (rite of Melchisedek): the visit to
|
|
museum and national library (holy place): the bookhunt along Bedford row,
|
|
Merchants' Arch, Wellington Quay (Simchath Torah): the music in the
|
|
Ormond Hotel (Shira Shirim): the altercation with a truculent troglodyte
|
|
in Bernard Kiernan's premises (holocaust): a blank period of time
|
|
including a cardrive, a visit to a house of mourning, a leavetaking
|
|
(wilderness): the eroticism produced by feminine exhibitionism (rite of
|
|
Onan): the prolonged delivery of Mrs Mina Purefoy (heave offering): the
|
|
visit to the disorderly house of Mrs Bella Cohen, 82 Tyrone street, lower
|
|
and subsequent brawl and chance medley in Beaver street (Armageddon)-
|
|
nocturnal perambulation to and from the cabman's shelter, Butt Bridge
|
|
(atonement).
|
|
|
|
What selfimposed enigma did Bloom about to rise in order to go so as to
|
|
conclude lest he should not conclude involuntarily apprehend?
|
|
|
|
The cause of a brief sharp unforeseen heard loud lone crack emitted by
|
|
the insentient material of a strainveined timber table.
|
|
|
|
What selfinvolved enigma did Bloom risen, going, gathering multicoloured
|
|
multiform multitudinous garments, voluntarily apprehending, not
|
|
comprehend?
|
|
|
|
Who was M'Intosh?
|
|
|
|
What selfevident enigma pondered with desultory constancy during 30 years
|
|
did Bloom now, having effected natural obscurity by the extinction of
|
|
artificial light, silently suddenly comprehend?
|
|
|
|
Where was Moses when the candle went out?
|
|
|
|
What imperfections in a perfect day did Bloom, walking, charged with
|
|
collected articles of recently disvested male wearing apparel, silently,
|
|
successively, enumerate?
|
|
|
|
A provisional failure to obtain renewal of an advertisement: to obtain a
|
|
certain quantity of tea from Thomas Kernan (agent for Pulbrook, Robertson
|
|
and Co, 5 Dame Street, Dublin, and 2 Mincing Lane, London E. C.): to
|
|
certify the presence or absence of posterior rectal orifice in the case
|
|
of Hellenic female divinities: to obtain admission (gratuitous or paid)
|
|
to the performance of Leah by Mrs Bandmann Palmer at the Gaiety Theatre,
|
|
46, 47, 48, 49 South King street.
|
|
|
|
What impression of an absent face did Bloom, arrested, silently recall?
|
|
|
|
The face of her father, the late Major Brian Cooper Tweedy, Royal Dublin
|
|
Fusiliers, of Gibraltar and Rehoboth, Dolphin's Barn.
|
|
|
|
What recurrent impressions of the same were possible by hypothesis?
|
|
|
|
Retreating, at the terminus of the Great Northern Railway, Amiens street,
|
|
with constant uniform acceleration, along parallel lines meeting at
|
|
infinity, if produced: along parallel lines, reproduced from infinity,
|
|
with constant uniform retardation, at the terminus of the Great Northern
|
|
Railway, Amiens street, returning.
|
|
|
|
What miscellaneous effects of female personal wearing apparel were
|
|
perceived by him?
|
|
|
|
A pair of new inodorous halfsilk black ladies' hose, a pair of new violet
|
|
garters, a pair of outsize ladies' drawers of India mull, cut on generous
|
|
lines, redolent of opoponax, jessamine and Muratti's Turkish cigarettes
|
|
and containing a long bright steel safety pin, folded curvilinear, a
|
|
camisole of batiste with thin lace border, an accordion underskirt of
|
|
blue silk moirette, all these objects being disposed irregularly on the
|
|
top of a rectangular trunk, quadruple battened, having capped corners,
|
|
with multicoloured labels, initialled on its fore side in white lettering
|
|
B. C. T. (Brian Cooper Tweedy).
|
|
|
|
What impersonal objects were perceived?
|
|
|
|
A commode, one leg fractured, totally covered by square cretonne cutting,
|
|
apple design, on which rested a lady's black straw hat. Orangekeyed ware,
|
|
bought of Henry Price, basket, fancy goods, chinaware and ironmongery
|
|
manufacturer, 21, 22, 23 Moore street, disposed irregularly on the
|
|
washstand and floor and consisting of basin, soapdish and brushtray (on
|
|
the washstand, together), pitcher and night article (on the floor,
|
|
separate).
|
|
|
|
Bloom's acts?
|
|
|
|
He deposited the articles of clothing on a chair, removed his remaining
|
|
articles of clothing, took from beneath the bolster at the head of the
|
|
bed a folded long white nightshirt, inserted his head and arms into the
|
|
proper apertures of the nightshirt, removed a pillow from the head to the
|
|
foot of the bed, prepared the bedlinen accordingly and entered the bed.
|
|
|
|
How?
|
|
|
|
With circumspection, as invariably when entering an abode (his own or not
|
|
his own): with solicitude, the snakespiral springs of the mattress being
|
|
old, the brass quoits and pendent viper radii loose and tremulous under
|
|
stress and strain: prudently, as entering a lair or ambush of lust or
|
|
adders: lightly, the less to disturb: reverently, the bed of conception
|
|
and of birth, of consummation of marriage and of breach of marriage, of
|
|
sleep and of death.
|
|
|
|
What did his limbs, when gradually extended, encounter?
|
|
|
|
New clean bedlinen, additional odours, the presence of a human form,
|
|
female, hers, the imprint of a human form, male, not his, some crumbs,
|
|
some flakes of potted meat, recooked, which he removed.
|
|
|
|
If he had smiled why would he have smiled?
|
|
|
|
To reflect that each one who enters imagines himself to be the first to
|
|
enter whereas he is always the last term of a preceding series even if
|
|
the first term of a succeeding one, each imagining himself to be first,
|
|
last, only and alone whereas he is neither first nor last nor only nor
|
|
alone in a series originating in and repeated to infinity.
|
|
|
|
What preceding series?
|
|
|
|
Assuming Mulvey to be the first term of his series, Penrose, Bartell
|
|
d'Arcy, professor Goodwin, Julius Mastiansky, John Henry Menton, Father
|
|
Bernard Corrigan, a farmer at the Royal Dublin Society's Horse Show,
|
|
Maggot O'Reilly, Matthew Dillon, Valentine Blake Dillon (Lord Mayor of
|
|
Dublin), Christopher Callinan, Lenehan, an Italian organgrinder, an
|
|
unknown gentleman in the Gaiety Theatre, Benjamin Dollard, Simon Dedalus,
|
|
Andrew (Pisser) Burke, Joseph Cuffe, Wisdom Hely, Alderman John Hooper,
|
|
Dr Francis Brady, Father Sebastian of Mount Argus, a bootblack at the
|
|
General Post Office, Hugh E. (Blazes) Boylan and so each and so on to no
|
|
last term.
|
|
|
|
What were his reflections concerning the last member of this series and
|
|
late occupant of the bed?
|
|
|
|
Reflections on his vigour (a bounder), corporal proportion (a
|
|
billsticker), commercial ability (a bester), impressionability (a
|
|
boaster).
|
|
|
|
Why for the observer impressionability in addition to vigour, corporal
|
|
proportion and commercial ability?
|
|
|
|
Because he had observed with augmenting frequency in the preceding
|
|
members of the same series the same concupiscence, inflammably
|
|
transmitted, first with alarm, then with understanding, then with desire,
|
|
finally with fatigue, with alternating symptoms of epicene comprehension
|
|
and apprehension.
|
|
|
|
With what antagonistic sentiments were his subsequent reflections
|
|
affected?
|
|
|
|
Envy, jealousy, abnegation, equanimity.
|
|
|
|
Envy?
|
|
|
|
Of a bodily and mental male organism specially adapted for the
|
|
superincumbent posture of energetic human copulation and energetic piston
|
|
and cylinder movement necessary for the complete satisfaction of a
|
|
constant but not acute concupiscence resident in a bodily and mental
|
|
female organism, passive but not obtuse.
|
|
|
|
Jealousy?
|
|
|
|
Because a nature full and volatile in its free state, was alternately the
|
|
agent and reagent of attraction. Because attraction between agent(s) and
|
|
reagent(s) at all instants varied, with inverse proportion of increase
|
|
and decrease, with incessant circular extension and radial reentrance.
|
|
Because the controlled contemplation of the fluctuation of attraction
|
|
produced, if desired, a fluctuation of pleasure.
|
|
|
|
Abnegation?
|
|
|
|
In virtue of a) acquaintance initiated in September 1903 in the
|
|
establishment of George Mesias, merchant tailor and outfitter, 5 Eden
|
|
Quay, b) hospitality extended and received in kind, reciprocated and
|
|
reappropriated in person, c) comparative youth subject to impulses of
|
|
ambition and magnanimity, colleagual altruism and amorous egoism, d)
|
|
extraracial attraction, intraracial inhibition, supraracial prerogative,
|
|
e) an imminent provincial musical tour, common current expenses, net
|
|
proceeds divided.
|
|
|
|
Equanimity?
|
|
|
|
As as natural as any and every natural act of a nature expressed or
|
|
understood executed in natured nature by natural creatures in accordance
|
|
with his, her and their natured natures, of dissimilar similarity. As not
|
|
so calamitous as a cataclysmic annihilation of the planet in consequence
|
|
of a collision with a dark sun. As less reprehensible than theft, highway
|
|
robbery, cruelty to children and animals, obtaining money under false
|
|
pretences, forgery, embezzlement, misappropriation of public money,
|
|
betrayal of public trust, malingering, mayhem, corruption of minors,
|
|
criminal libel, blackmail, contempt of court, arson, treason, felony,
|
|
mutiny on the high seas, trespass, burglary, jailbreaking, practice of
|
|
unnatural vice, desertion from armed forces in the field, perjury,
|
|
poaching, usury, intelligence with the king's enemies, impersonation,
|
|
criminal assault, manslaughter, wilful and premeditated murder. As not
|
|
more abnormal than all other parallel processes of adaptation to altered
|
|
conditions of existence, resulting in a reciprocal equilibrium between
|
|
the bodily organism and its attendant circumstances, foods, beverages,
|
|
acquired habits, indulged inclinations, significant disease. As more than
|
|
inevitable, irreparable.
|
|
|
|
Why more abnegation than jealousy, less envy than equanimity?
|
|
|
|
From outrage (matrimony) to outrage (adultery) there arose nought but
|
|
outrage (copulation) yet the matrimonial violator of the matrimonially
|
|
violated had not been outraged by the adulterous violator of the
|
|
adulterously violated.
|
|
|
|
What retribution, if any?
|
|
|
|
Assassination, never, as two wrongs did not make one right. Duel by
|
|
combat, no. Divorce, not now. Exposure by mechanical artifice (automatic
|
|
bed) or individual testimony (concealed ocular witnesses), not yet. Suit
|
|
for damages by legal influence or simulation of assault with evidence of
|
|
injuries sustained (selfinflicted), not impossibly. Hushmoney by moral
|
|
influence possibly. If any, positively, connivance, introduction of
|
|
emulation (material, a prosperous rival agency of publicity: moral, a
|
|
successful rival agent of intimacy), depreciation, alienation,
|
|
humiliation, separation protecting the one separated from the other,
|
|
protecting the separator from both.
|
|
|
|
By what reflections did he, a conscious reactor against the void of
|
|
incertitude, justify to himself his sentiments?
|
|
|
|
The preordained frangibility of the hymen: the presupposed intangibility
|
|
of the thing in itself: the incongruity and disproportion between the
|
|
selfprolonging tension of the thing proposed to be done and the
|
|
selfabbreviating relaxation of the thing done; the fallaciously inferred
|
|
debility of the female: the muscularity of the male: the variations of
|
|
ethical codes: the natural grammatical transition by inversion involving
|
|
no alteration of sense of an aorist preterite proposition (parsed as
|
|
masculine subject, monosyllabic onomatopoeic transitive verb with direct
|
|
feminine object) from the active voice into its correlative aorist
|
|
preterite proposition (parsed as feminine subject, auxiliary verb and
|
|
quasimonosyllabic onomatopoeic past participle with complementary
|
|
masculine agent) in the passive voice: the continued product of
|
|
seminators by generation: the continual production of semen by
|
|
distillation: the futility of triumph or protest or vindication: the
|
|
inanity of extolled virtue: the lethargy of nescient matter: the apathy
|
|
of the stars.
|
|
|
|
In what final satisfaction did these antagonistic sentiments and
|
|
reflections, reduced to their simplest forms, converge?
|
|
|
|
Satisfaction at the ubiquity in eastern and western terrestrial
|
|
hemispheres, in all habitable lands and islands explored or unexplored
|
|
(the land of the midnight sun, the islands of the blessed, the isles of
|
|
Greece, the land of promise), of adipose anterior and posterior female
|
|
hemispheres, redolent of milk and honey and of excretory sanguine and
|
|
seminal warmth, reminiscent of secular families of curves of amplitude,
|
|
insusceptible of moods of impression or of contrarieties of expression,
|
|
expressive of mute immutable mature animality.
|
|
|
|
The visible signs of antesatisfaction?
|
|
|
|
An approximate erection: a solicitous adversion: a gradual elevation: a
|
|
tentative revelation: a silent contemplation.
|
|
|
|
Then?
|
|
|
|
He kissed the plump mellow yellow smellow melons of her rump, on each
|
|
plump melonous hemisphere, in their mellow yellow furrow, with obscure
|
|
prolonged provocative melonsmellonous osculation.
|
|
|
|
The visible signs of postsatisfaction?
|
|
|
|
A silent contemplation: a tentative velation: a gradual abasement: a
|
|
solicitous aversion: a proximate erection.
|
|
|
|
What followed this silent action?
|
|
|
|
Somnolent invocation, less somnolent recognition, incipient excitation,
|
|
catechetical interrogation.
|
|
|
|
With what modifications did the narrator reply to this interrogation?
|
|
|
|
Negative: he omitted to mention the clandestine correspondence between
|
|
Martha Clifford and Henry Flower, the public altercation at, in and in
|
|
the vicinity of the licensed premises of Bernard Kiernan and Co, Limited,
|
|
8, 9 and 10 Little Britain street, the erotic provocation and response
|
|
thereto caused by the exhibitionism of Gertrude (Gerty), surname unknown.
|
|
Positive: he included mention of a performance by Mrs Bandmann Palmer of
|
|
LEAH at the Gaiety Theatre, 46, 47, 48, 49 South King street, an
|
|
invitation to supper at Wynn's (Murphy's) Hotel, 35, 36 and 37 Lower
|
|
Abbey street, a volume of peccaminous pornographical tendency entituled
|
|
SWEETS OF SIN, anonymous author a gentleman of fashion, a temporary
|
|
concussion caused by a falsely calculated movement in the course of a
|
|
postcenal gymnastic display, the victim (since completely recovered)
|
|
being Stephen Dedalus, professor and author, eldest surviving son of
|
|
Simon Dedalus, of no fixed occupation, an aeronautical feat executed by
|
|
him (narrator) in the presence of a witness, the professor and author
|
|
aforesaid, with promptitude of decision and gymnastic flexibility.
|
|
|
|
Was the narration otherwise unaltered by modifications?
|
|
|
|
Absolutely.
|
|
|
|
Which event or person emerged as the salient point of his narration?
|
|
|
|
Stephen Dedalus, professor and author.
|
|
|
|
What limitations of activity and inhibitions of conjugal rights were
|
|
perceived by listener and narrator concerning themselves during the
|
|
course of this intermittent and increasingly more laconic narration?
|
|
|
|
By the listener a limitation of fertility inasmuch as marriage had been
|
|
celebrated 1 calendar month after the 18th anniversary of her birth (8
|
|
September 1870), viz. 8 October, and consummated on the same date with
|
|
female issue born 15 June 1889, having been anticipatorily consummated on
|
|
the lo September of the same year and complete carnal intercourse, with
|
|
ejaculation of semen within the natural female organ, having last taken
|
|
place 5 weeks previous, viz. 27 November 1893, to the birth on 29
|
|
December 1893 of second (and only male) issue, deceased 9 January 1894,
|
|
aged 11 days, there remained a period of 10 years, 5 months and 18 days
|
|
during which carnal intercourse had been incomplete, without ejaculation
|
|
of semen within the natural female organ. By the narrator a limitation of
|
|
activity, mental and corporal, inasmuch as complete mental intercourse
|
|
between himself and the listener had not taken place since the
|
|
consummation of puberty, indicated by catamenic hemorrhage, of the female
|
|
issue of narrator and listener, 15 September 1903, there remained a
|
|
period of 9 months and 1 day during which, in consequence of a
|
|
preestablished natural comprehension in incomprehension between the
|
|
consummated females (listener and issue), complete corporal liberty of
|
|
action had been circumscribed.
|
|
|
|
How?
|
|
|
|
By various reiterated feminine interrogation concerning the masculine
|
|
destination whither, the place where, the time at which, the duration for
|
|
which, the object with which in the case of temporary absences, projected
|
|
or effected.
|
|
|
|
What moved visibly above the listener's and the narrator's invisible
|
|
thoughts?
|
|
|
|
The upcast reflection of a lamp and shade, an inconstant series of
|
|
concentric circles of varying gradations of light and shadow.
|
|
|
|
In what directions did listener and narrator lie?
|
|
|
|
Listener, S. E. by E.: Narrator, N. W. by W.: on the 53rd parallel of
|
|
latitude, N., and 6th meridian of longitude, W.: at an angle of 45
|
|
degrees to the terrestrial equator.
|
|
|
|
In what state of rest or motion?
|
|
|
|
At rest relatively to themselves and to each other. In motion being each
|
|
and both carried westward, forward and rereward respectively, by the
|
|
proper perpetual motion of the earth through everchanging tracks of
|
|
neverchanging space.
|
|
|
|
In what posture?
|
|
|
|
Listener: reclined semilaterally, left, left hand under head, right leg
|
|
extended in a straight line and resting on left leg, flexed, in the
|
|
attitude of Gea-Tellus, fulfilled, recumbent, big with seed. Narrator:
|
|
reclined laterally, left, with right and left legs flexed, the index
|
|
finger and thumb of the right hand resting on the bridge of the nose, in
|
|
the attitude depicted in a snapshot photograph made by Percy Apjohn, the
|
|
childman weary, the manchild in the womb.
|
|
|
|
Womb? Weary?
|
|
|
|
He rests. He has travelled.
|
|
|
|
With?
|
|
|
|
Sinbad the Sailor and Tinbad the Tailor and Jinbad the Jailer and Whinbad
|
|
the Whaler and Ninbad the Nailer and Finbad the Failer and Binbad the
|
|
Bailer and Pinbad the Pailer and Minbad the Mailer and Hinbad the Hailer
|
|
and Rinbad the Railer and Dinbad the Kailer and Vinbad the Quailer and
|
|
Linbad the Yailer and Xinbad the Phthailer.
|
|
|
|
When?
|
|
|
|
Going to dark bed there was a square round Sinbad the Sailor roc's auk's
|
|
egg in the night of the bed of all the auks of the rocs of Darkinbad the
|
|
Brightdayler.
|
|
|
|
Where?
|
|
|
|
|
|
* * * * * * *
|
|
|
|
|
|
Yes because he never did a thing like that before as ask to get his
|
|
breakfast in bed with a couple of eggs since the CITY ARMS hotel when he
|
|
used to be pretending to be laid up with a sick voice doing his highness
|
|
to make himself interesting for that old faggot Mrs Riordan that he
|
|
thought he had a great leg of and she never left us a farthing all for
|
|
masses for herself and her soul greatest miser ever was actually afraid
|
|
to lay out 4d for her methylated spirit telling me all her ailments she
|
|
had too much old chat in her about politics and earthquakes and the end
|
|
of the world let us have a bit of fun first God help the world if all the
|
|
women were her sort down on bathingsuits and lownecks of course nobody
|
|
wanted her to wear them I suppose she was pious because no man would look
|
|
at her twice I hope Ill never be like her a wonder she didnt want us to
|
|
cover our faces but she was a welleducated woman certainly and her gabby
|
|
talk about Mr Riordan here and Mr Riordan there I suppose he was glad to
|
|
get shut of her and her dog smelling my fur and always edging to get up
|
|
under my petticoats especially then still I like that in him polite to
|
|
old women like that and waiters and beggars too hes not proud out of
|
|
nothing but not always if ever he got anything really serious the matter
|
|
with him its much better for them to go into a hospital where everything
|
|
is clean but I suppose Id have to dring it into him for a month yes and
|
|
then wed have a hospital nurse next thing on the carpet have him staying
|
|
there till they throw him out or a nun maybe like the smutty photo he has
|
|
shes as much a nun as Im not yes because theyre so weak and puling when
|
|
theyre sick they want a woman to get well if his nose bleeds youd think
|
|
it was O tragic and that dyinglooking one off the south circular when he
|
|
sprained his foot at the choir party at the sugarloaf Mountain the day I
|
|
wore that dress Miss Stack bringing him flowers the worst old ones she
|
|
could find at the bottom of the basket anything at all to get into a mans
|
|
bedroom with her old maids voice trying to imagine he was dying on
|
|
account of her to never see thy face again though he looked more like a
|
|
man with his beard a bit grown in the bed father was the same besides I
|
|
hate bandaging and dosing when he cut his toe with the razor paring his
|
|
corns afraid hed get bloodpoisoning but if it was a thing I was sick then
|
|
wed see what attention only of course the woman hides it not to give all
|
|
the trouble they do yes he came somewhere Im sure by his appetite anyway
|
|
love its not or hed be off his feed thinking of her so either it was one
|
|
of those night women if it was down there he was really and the hotel
|
|
story he made up a pack of lies to hide it planning it Hynes kept me who
|
|
did I meet ah yes I met do you remember Menton and who else who let me
|
|
see that big babbyface I saw him and he not long married flirting with a
|
|
young girl at Pooles Myriorama and turned my back on him when he slinked
|
|
out looking quite conscious what harm but he had the impudence to make up
|
|
to me one time well done to him mouth almighty and his boiled eyes of all
|
|
the big stupoes I ever met and thats called a solicitor only for I hate
|
|
having a long wrangle in bed or else if its not that its some little
|
|
bitch or other he got in with somewhere or picked up on the sly if they
|
|
only knew him as well as I do yes because the day before yesterday he was
|
|
scribbling something a letter when I came into the front room to show him
|
|
Dignams death in the paper as if something told me and he covered it up
|
|
with the blottingpaper pretending to be thinking about business so very
|
|
probably that was it to somebody who thinks she has a softy in him
|
|
because all men get a bit like that at his age especially getting on to
|
|
forty he is now so as to wheedle any money she can out of him no fool
|
|
like an old fool and then the usual kissing my bottom was to hide it not
|
|
that I care two straws now who he does it with or knew before that way
|
|
though Id like to find out so long as I dont have the two of them under
|
|
my nose all the time like that slut that Mary we had in Ontario terrace
|
|
padding out her false bottom to excite him bad enough to get the smell of
|
|
those painted women off him once or twice I had a suspicion by getting
|
|
him to come near me when I found the long hair on his coat without that
|
|
one when I went into the kitchen pretending he was drinking water 1 woman
|
|
is not enough for them it was all his fault of course ruining servants
|
|
then proposing that she could eat at our table on Christmas day if you
|
|
please O no thank you not in my house stealing my potatoes and the
|
|
oysters 2/6 per doz going out to see her aunt if you please common
|
|
robbery so it was but I was sure he had something on with that one it
|
|
takes me to find out a thing like that he said you have no proof it was
|
|
her proof O yes her aunt was very fond of oysters but I told her what I
|
|
thought of her suggesting me to go out to be alone with her I wouldnt
|
|
lower myself to spy on them the garters I found in her room the Friday
|
|
she was out that was enough for me a little bit too much her face swelled
|
|
up on her with temper when I gave her her weeks notice I saw to that
|
|
better do without them altogether do out the rooms myself quicker only
|
|
for the damn cooking and throwing out the dirt I gave it to him anyhow
|
|
either she or me leaves the house I couldnt even touch him if I thought
|
|
he was with a dirty barefaced liar and sloven like that one denying it up
|
|
to my face and singing about the place in the W C too because she knew
|
|
she was too well off yes because he couldnt possibly do without it that
|
|
long so he must do it somewhere and the last time he came on my bottom
|
|
when was it the night Boylan gave my hand a great squeeze going along by
|
|
the Tolka in my hand there steals another I just pressed the back of his
|
|
like that with my thumb to squeeze back singing the young May moon shes
|
|
beaming love because he has an idea about him and me hes not such a fool
|
|
he said Im dining out and going to the Gaiety though Im not going to give
|
|
him the satisfaction in any case God knows hes a change in a way not to
|
|
be always and ever wearing the same old hat unless I paid some
|
|
nicelooking boy to do it since I cant do it myself a young boy would like
|
|
me Id confuse him a little alone with him if we were Id let him see my
|
|
garters the new ones and make him turn red looking at him seduce him I
|
|
know what boys feel with that down on their cheek doing that frigging
|
|
drawing out the thing by the hour question and answer would you do this
|
|
that and the other with the coalman yes with a bishop yes I would because
|
|
I told him about some dean or bishop was sitting beside me in the jews
|
|
temples gardens when I was knitting that woollen thing a stranger to
|
|
Dublin what place was it and so on about the monuments and he tired me
|
|
out with statues encouraging him making him worse than he is who is in
|
|
your mind now tell me who are you thinking of who is it tell me his name
|
|
who tell me who the german Emperor is it yes imagine Im him think of him
|
|
can you feel him trying to make a whore of me what he never will he ought
|
|
to give it up now at this age of his life simply ruination for any woman
|
|
and no satisfaction in it pretending to like it till he comes and then
|
|
finish it off myself anyway and it makes your lips pale anyhow its done
|
|
now once and for all with all the talk of the world about it people make
|
|
its only the first time after that its just the ordinary do it and think
|
|
no more about it why cant you kiss a man without going and marrying him
|
|
first you sometimes love to wildly when you feel that way so nice all
|
|
over you you cant help yourself I wish some man or other would take me
|
|
sometime when hes there and kiss me in his arms theres nothing like a
|
|
kiss long and hot down to your soul almost paralyses you then I hate that
|
|
confession when I used to go to Father Corrigan he touched me father and
|
|
what harm if he did where and I said on the canal bank like a fool but
|
|
whereabouts on your person my child on the leg behind high up was it yes
|
|
rather high up was it where you sit down yes O Lord couldnt he say bottom
|
|
right out and have done with it what has that got to do with it and did
|
|
you whatever way he put it I forget no father and I always think of the
|
|
real father what did he want to know for when I already confessed it to
|
|
God he had a nice fat hand the palm moist always I wouldnt mind feeling
|
|
it neither would he Id say by the bullneck in his horsecollar I wonder
|
|
did he know me in the box I could see his face he couldnt see mine of
|
|
course hed never turn or let on still his eyes were red when his father
|
|
died theyre lost for a woman of course must be terrible when a man cries
|
|
let alone them Id like to be embraced by one in his vestments and the
|
|
smell of incense off him like the pope besides theres no danger with a
|
|
priest if youre married hes too careful about himself then give something
|
|
to H H the pope for a penance I wonder was he satisfied with me one thing
|
|
I didnt like his slapping me behind going away so familiarly in the hall
|
|
though I laughed Im not a horse or an ass am I I suppose he was thinking
|
|
of his fathers I wonder is he awake thinking of me or dreaming am I in it
|
|
who gave him that flower he said he bought he smelt of some kind of drink
|
|
not whisky or stout or perhaps the sweety kind of paste they stick their
|
|
bills up with some liqueur Id like to sip those richlooking green and
|
|
yellow expensive drinks those stagedoor johnnies drink with the opera
|
|
hats I tasted once with my finger dipped out of that American that had
|
|
the squirrel talking stamps with father he had all he could do to keep
|
|
himself from falling asleep after the last time after we took the port
|
|
and potted meat it had a fine salty taste yes because I felt lovely and
|
|
tired myself and fell asleep as sound as a top the moment I popped
|
|
straight into bed till that thunder woke me up God be merciful to us I
|
|
thought the heavens were coming down about us to punish us when I blessed
|
|
myself and said a Hail Mary like those awful thunderbolts in Gibraltar as
|
|
if the world was coming to an end and then they come and tell you theres
|
|
no God what could you do if it was running and rushing about nothing only
|
|
make an act of contrition the candle I lit that evening in Whitefriars
|
|
street chapel for the month of May see it brought its luck though hed
|
|
scoff if he heard because he never goes to church mass or meeting he says
|
|
your soul you have no soul inside only grey matter because he doesnt know
|
|
what it is to have one yes when I lit the lamp because he must have come
|
|
3 or 4 times with that tremendous big red brute of a thing he has I
|
|
thought the vein or whatever the dickens they call it was going to burst
|
|
though his nose is not so big after I took off all my things with the
|
|
blinds down after my hours dressing and perfuming and combing it like
|
|
iron or some kind of a thick crowbar standing all the time he must have
|
|
eaten oysters I think a few dozen he was in great singing voice no I
|
|
never in all my life felt anyone had one the size of that to make you
|
|
feel full up he must have eaten a whole sheep after whats the idea making
|
|
us like that with a big hole in the middle of us or like a Stallion
|
|
driving it up into you because thats all they want out of you with that
|
|
determined vicious look in his eye I had to halfshut my eyes still he
|
|
hasnt such a tremendous amount of spunk in him when I made him pull out
|
|
and do it on me considering how big it is so much the better in case any
|
|
of it wasnt washed out properly the last time I let him finish it in me
|
|
nice invention they made for women for him to get all the pleasure but if
|
|
someone gave them a touch of it themselves theyd know what I went through
|
|
with Milly nobody would believe cutting her teeth too and Mina Purefoys
|
|
husband give us a swing out of your whiskers filling her up with a child
|
|
or twins once a year as regular as the clock always with a smell of
|
|
children off her the one they called budgers or something like a nigger
|
|
with a shock of hair on it Jesusjack the child is a black the last time I
|
|
was there a squad of them falling over one another and bawling you
|
|
couldnt hear your ears supposed to be healthy not satisfied till they
|
|
have us swollen out like elephants or I dont know what supposing I risked
|
|
having another not off him though still if he was married Im sure hed
|
|
have a fine strong child but I dont know Poldy has more spunk in him yes
|
|
thatd be awfully jolly I suppose it was meeting Josie Powell and the
|
|
funeral and thinking about me and Boylan set him off well he can think
|
|
what he likes now if thatll do him any good I know they were spooning a
|
|
bit when I came on the scene he was dancing and sitting out with her the
|
|
night of Georgina Simpsons housewarming and then he wanted to ram it down
|
|
my neck it was on account of not liking to see her a wallflower that was
|
|
why we had the standup row over politics he began it not me when he said
|
|
about Our Lord being a carpenter at last he made me cry of course a woman
|
|
is so sensitive about everything I was fuming with myself after for
|
|
giving in only for I knew he was gone on me and the first socialist he
|
|
said He was he annoyed me so much I couldnt put him into a temper still
|
|
he knows a lot of mixedup things especially about the body and the inside
|
|
I often wanted to study up that myself what we have inside us in that
|
|
family physician I could always hear his voice talking when the room was
|
|
crowded and watch him after that I pretended I had a coolness on with her
|
|
over him because he used to be a bit on the jealous side whenever he
|
|
asked who are you going to and I said over to Floey and he made me the
|
|
present of Byron's poems and the three pairs of gloves so that finished
|
|
that I could quite easily get him to make it up any time I know how Id
|
|
even supposing he got in with her again and was going out to see her
|
|
somewhere Id know if he refused to eat the onions I know plenty of ways
|
|
ask him to tuck down the collar of my blouse or touch him with my veil
|
|
and gloves on going out I kiss then would send them all spinning however
|
|
alright well see then let him go to her she of course would only be too
|
|
delighted to pretend shes mad in love with him that I wouldnt so much
|
|
mind Id just go to her and ask her do you love him and look her square in
|
|
the eyes she couldnt fool me but he might imagine he was and make a
|
|
declaration to her with his plabbery kind of a manner like he did to me
|
|
though I had the devils own job to get it out of him though I liked him
|
|
for that it showed he could hold in and wasnt to be got for the asking he
|
|
was on the pop of asking me too the night in the kitchen I was rolling
|
|
the potato cake theres something I want to say to you only for I put him
|
|
off letting on I was in a temper with my hands and arms full of pasty
|
|
flour in any case I let out too much the night before talking of dreams
|
|
so I didnt want to let him know more than was good for him she used to be
|
|
always embracing me Josie whenever he was there meaning him of course
|
|
glauming me over and when I said I washed up and down as far as possible
|
|
asking me and did you wash possible the women are always egging on to
|
|
that putting it on thick when hes there they know by his sly eye blinking
|
|
a bit putting on the indifferent when they come out with something the
|
|
kind he is what spoils him I dont wonder in the least because he was very
|
|
handsome at that time trying to look like Lord Byron I said I liked
|
|
though he was too beautiful for a man and he was a little before we got
|
|
engaged afterwards though she didnt like it so much the day I was in fits
|
|
of laughing with the giggles I couldnt stop about all my hairpins falling
|
|
out one after another with the mass of hair I had youre always in great
|
|
humour she said yes because it grigged her because she knew what it meant
|
|
because I used to tell her a good bit of what went on between us not all
|
|
but just enough to make her mouth water but that wasnt my fault she didnt
|
|
darken the door much after we were married I wonder what shes got like
|
|
now after living with that dotty husband of hers she had her face
|
|
beginning to look drawn and run down the last time I saw her she must
|
|
have been just after a row with him because I saw on the moment she was
|
|
edging to draw down a conversation about husbands and talk about him to
|
|
run him down what was it she told me O yes that sometimes he used to go
|
|
to bed with his muddy boots on when the maggot takes him just imagine
|
|
having to get into bed with a thing like that that might murder you any
|
|
moment what a man well its not the one way everyone goes mad Poldy anyhow
|
|
whatever he does always wipes his feet on the mat when he comes in wet or
|
|
shine and always blacks his own boots too and he always takes off his hat
|
|
when he comes up in the street like then and now hes going about in his
|
|
slippers to look for 10000 pounds for a postcard U p up O sweetheart May
|
|
wouldnt a thing like that simply bore you stiff to extinction actually
|
|
too stupid even to take his boots off now what could you make of a man
|
|
like that Id rather die 20 times over than marry another of their sex of
|
|
course hed never find another woman like me to put up with him the way I
|
|
do know me come sleep with me yes and he knows that too at the bottom of
|
|
his heart take that Mrs Maybrick that poisoned her husband for what I
|
|
wonder in love with some other man yes it was found out on her wasnt she
|
|
the downright villain to go and do a thing like that of course some men
|
|
can be dreadfully aggravating drive you mad and always the worst word in
|
|
the world what do they ask us to marry them for if were so bad as all
|
|
that comes to yes because they cant get on without us white Arsenic she
|
|
put in his tea off flypaper wasnt it I wonder why they call it that if I
|
|
asked him hed say its from the Greek leave us as wise as we were before
|
|
she must have been madly in love with the other fellow to run the chance
|
|
of being hanged O she didnt care if that was her nature what could she do
|
|
besides theyre not brutes enough to go and hang a woman surely are they
|
|
|
|
theyre all so different Boylan talking about the shape of my foot he
|
|
noticed at once even before he was introduced when I was in the D B C
|
|
with Poldy laughing and trying to listen I was waggling my foot we both
|
|
ordered 2 teas and plain bread and butter I saw him looking with his two
|
|
old maids of sisters when I stood up and asked the girl where it was what
|
|
do I care with it dropping out of me and that black closed breeches he
|
|
made me buy takes you half an hour to let them down wetting all myself
|
|
always with some brandnew fad every other week such a long one I did I
|
|
forgot my suede gloves on the seat behind that I never got after some
|
|
robber of a woman and he wanted me to put it in the Irish times lost in
|
|
the ladies lavatory D B C Dame street finder return to Mrs Marion Bloom
|
|
and I saw his eyes on my feet going out through the turning door he was
|
|
looking when I looked back and I went there for tea 2 days after in the
|
|
hope but he wasnt now how did that excite him because I was crossing them
|
|
when we were in the other room first he meant the shoes that are too
|
|
tight to walk in my hand is nice like that if I only had a ring with the
|
|
stone for my month a nice aquamarine Ill stick him for one and a gold
|
|
bracelet I dont like my foot so much still I made him spend once with my
|
|
foot the night after Goodwins botchup of a concert so cold and windy it
|
|
was well we had that rum in the house to mull and the fire wasnt black
|
|
out when he asked to take off my stockings lying on the hearthrug in
|
|
Lombard street west and another time it was my muddy boots hed like me to
|
|
walk in all the horses dung I could find but of course hes not natural
|
|
like the rest of the world that I what did he say I could give 9 points
|
|
in 10 to Katty Lanner and beat her what does that mean I asked him I
|
|
forget what he said because the stoppress edition just passed and the man
|
|
with the curly hair in the Lucan dairy thats so polite I think I saw his
|
|
face before somewhere I noticed him when I was tasting the butter so I
|
|
took my time Bartell dArcy too that he used to make fun of when he
|
|
commenced kissing me on the choir stairs after I sang Gounods AVE MARIA
|
|
what are we waiting for O my heart kiss me straight on the brow and part
|
|
which is my brown part he was pretty hot for all his tinny voice too my
|
|
low notes he was always raving about if you can believe him I liked the
|
|
way he used his mouth singing then he said wasnt it terrible to do that
|
|
there in a place like that I dont see anything so terrible about it Ill
|
|
tell him about that some day not now and surprise him ay and Ill take him
|
|
there and show him the very place too we did it so now there you are like
|
|
it or lump it he thinks nothing can happen without him knowing he hadnt
|
|
an idea about my mother till we were engaged otherwise hed never have got
|
|
me so cheap as he did he was 10 times worse himself anyhow begging me to
|
|
give him a tiny bit cut off my drawers that was the evening coming along
|
|
Kenilworth square he kissed me in the eye of my glove and I had to take
|
|
it off asking me questions is it permitted to enquire the shape of my
|
|
bedroom so I let him keep it as if I forgot it to think of me when I saw
|
|
him slip it into his pocket of course hes mad on the subject of drawers
|
|
thats plain to be seen always skeezing at those brazenfaced things on the
|
|
bicycles with their skirts blowing up to their navels even when Milly and
|
|
I were out with him at the open air fete that one in the cream muslin
|
|
standing right against the sun so he could see every atom she had on when
|
|
he saw me from behind following in the rain I saw him before he saw me
|
|
however standing at the corner of the Harolds cross road with a new
|
|
raincoat on him with the muffler in the Zingari colours to show off his
|
|
complexion and the brown hat looking slyboots as usual what was he doing
|
|
there where hed no business they can go and get whatever they like from
|
|
anything at all with a skirt on it and were not to ask any questions but
|
|
they want to know where were you where are you going I could feel him
|
|
coming along skulking after me his eyes on my neck he had been keeping
|
|
away from the house he felt it was getting too warm for him so I
|
|
halfturned and stopped then he pestered me to say yes till I took off my
|
|
glove slowly watching him he said my openwork sleeves were too cold for
|
|
the rain anything for an excuse to put his hand anear me drawers drawers
|
|
the whole blessed time till I promised to give him the pair off my doll
|
|
to carry about in his waistcoat pocket O MARIA SANTISIMA he did look a
|
|
big fool dreeping in the rain splendid set of teeth he had made me hungry
|
|
to look at them and beseeched of me to lift the orange petticoat I had on
|
|
with the sunray pleats that there was nobody he said hed kneel down in
|
|
the wet if I didnt so persevering he would too and ruin his new raincoat
|
|
you never know what freak theyd take alone with you theyre so savage for
|
|
it if anyone was passing so I lifted them a bit and touched his trousers
|
|
outside the way I used to Gardner after with my ring hand to keep him
|
|
from doing worse where it was too public I was dying to find out was he
|
|
circumcised he was shaking like a jelly all over they want to do
|
|
everything too quick take all the pleasure out of it and father waiting
|
|
all the time for his dinner he told me to say I left my purse in the
|
|
butchers and had to go back for it what a Deceiver then he wrote me that
|
|
letter with all those words in it how could he have the face to any woman
|
|
after his company manners making it so awkward after when we met asking
|
|
me have I offended you with my eyelids down of course he saw I wasnt he
|
|
had a few brains not like that other fool Henny Doyle he was always
|
|
breaking or tearing something in the charades I hate an unlucky man and
|
|
if I knew what it meant of course I had to say no for form sake dont
|
|
understand you I said and wasnt it natural so it is of course it used to
|
|
be written up with a picture of a womans on that wall in Gibraltar with
|
|
that word I couldnt find anywhere only for children seeing it too young
|
|
then writing every morning a letter sometimes twice a day I liked the way
|
|
he made love then he knew the way to take a woman when he sent me the 8
|
|
big poppies because mine was the 8th then I wrote the night he kissed my
|
|
heart at Dolphins barn I couldnt describe it simply it makes you feel
|
|
like nothing on earth but he never knew how to embrace well like Gardner
|
|
I hope hell come on Monday as he said at the same time four I hate people
|
|
who come at all hours answer the door you think its the vegetables then
|
|
its somebody and you all undressed or the door of the filthy sloppy
|
|
kitchen blows open the day old frostyface Goodwin called about the
|
|
concert in Lombard street and I just after dinner all flushed and tossed
|
|
with boiling old stew dont look at me professor I had to say Im a fright
|
|
yes but he was a real old gent in his way it was impossible to be more
|
|
respectful nobody to say youre out you have to peep out through the blind
|
|
like the messengerboy today I thought it was a putoff first him sending
|
|
the port and the peaches first and I was just beginning to yawn with
|
|
nerves thinking he was trying to make a fool of me when I knew his
|
|
tattarrattat at the door he must have been a bit late because it was l/4
|
|
after 3 when I saw the 2 Dedalus girls coming from school I never know
|
|
the time even that watch he gave me never seems to go properly Id want to
|
|
get it looked after when I threw the penny to that lame sailor for
|
|
England home and beauty when I was whistling there is a charming girl I
|
|
love and I hadnt even put on my clean shift or powdered myself or a thing
|
|
then this day week were to go to Belfast just as well he has to go to
|
|
Ennis his fathers anniversary the 27th it wouldnt be pleasant if he did
|
|
suppose our rooms at the hotel were beside each other and any fooling
|
|
went on in the new bed I couldnt tell him to stop and not bother me with
|
|
him in the next room or perhaps some protestant clergyman with a cough
|
|
knocking on the wall then hed never believe the next day we didnt do
|
|
something its all very well a husband but you cant fool a lover after me
|
|
telling him we never did anything of course he didnt believe me no its
|
|
better hes going where he is besides something always happens with him
|
|
the time going to the Mallow concert at Maryborough ordering boiling soup
|
|
for the two of us then the bell rang out he walks down the platform with
|
|
the soup splashing about taking spoonfuls of it hadnt he the nerve and
|
|
the waiter after him making a holy show of us screeching and confusion
|
|
for the engine to start but he wouldnt pay till he finished it the two
|
|
gentlemen in the 3rd class carriage said he was quite right so he was too
|
|
hes so pigheaded sometimes when he gets a thing into his head a good job
|
|
he was able to open the carriage door with his knife or theyd have taken
|
|
us on to Cork I suppose that was done out of revenge on him O I love
|
|
jaunting in a train or a car with lovely soft cushions I wonder will he
|
|
take a 1st class for me he might want to do it in the train by tipping
|
|
the guard well O I suppose therell be the usual idiots of men gaping at
|
|
us with their eyes as stupid as ever they can possibly be that was an
|
|
exceptional man that common workman that left us alone in the carriage
|
|
that day going to Howth Id like to find out something about him l or 2
|
|
tunnels perhaps then you have to look out of the window all the nicer
|
|
then coming back suppose I never came back what would they say eloped
|
|
with him that gets you on on the stage the last concert I sang at where
|
|
its over a year ago when was it St Teresas hall Clarendon St little chits
|
|
of missies they have now singing Kathleen Kearney and her like on account
|
|
of father being in the army and my singing the absentminded beggar and
|
|
wearing a brooch for Lord Roberts when I had the map of it all and Poldy
|
|
not Irish enough was it him managed it this time I wouldnt put it past
|
|
him like he got me on to sing in the STABAT MATER by going around saying
|
|
he was putting Lead Kindly Light to music I put him up to that till the
|
|
jesuits found out he was a freemason thumping the piano lead Thou me on
|
|
copied from some old opera yes and he was going about with some of them
|
|
Sinner Fein lately or whatever they call themselves talking his usual
|
|
trash and nonsense he says that little man he showed me without the neck
|
|
is very intelligent the coming man Griffiths is he well he doesnt look it
|
|
thats all I can say still it must have been him he knew there was a
|
|
boycott I hate the mention of their politics after the war that Pretoria
|
|
and Ladysmith and Bloemfontein where Gardner lieut Stanley G 8th Bn 2nd
|
|
East Lancs Rgt of enteric fever he was a lovely fellow in khaki and just
|
|
the right height over me Im sure he was brave too he said I was lovely
|
|
the evening we kissed goodbye at the canal lock my Irish beauty he was
|
|
pale with excitement about going away or wed be seen from the road he
|
|
couldnt stand properly and I so hot as I never felt they could have made
|
|
their peace in the beginning or old oom Paul and the rest of the other
|
|
old Krugers go and fight it out between them instead of dragging on for
|
|
years killing any finelooking men there were with their fever if he was
|
|
even decently shot it wouldnt have been so bad I love to see a regiment
|
|
pass in review the first time I saw the Spanish cavalry at La Roque it
|
|
was lovely after looking across the bay from Algeciras all the lights of
|
|
the rock like fireflies or those sham battles on the 15 acres the Black
|
|
Watch with their kilts in time at the march past the 10th hussars the
|
|
prince of Wales own or the lancers O the lancers theyre grand or the
|
|
Dublins that won Tugela his father made his money over selling the horses
|
|
for the cavalry well he could buy me a nice present up in Belfast after
|
|
what I gave him theyve lovely linen up there or one of those nice kimono
|
|
things I must buy a mothball like I had before to keep in the drawer with
|
|
them it would be exciting going round with him shopping buying those
|
|
things in a new city better leave this ring behind want to keep turning
|
|
and turning to get it over the knuckle there or they might bell it round
|
|
the town in their papers or tell the police on me but theyd think were
|
|
married O let them all go and smother themselves for the fat lot I care
|
|
he has plenty of money and hes not a marrying man so somebody better get
|
|
it out of him if I could find out whether he likes me I looked a bit
|
|
washy of course when I looked close in the handglass powdering a mirror
|
|
never gives you the expression besides scrooching down on me like that
|
|
all the time with his big hipbones hes heavy too with his hairy chest for
|
|
this heat always having to lie down for them better for him put it into
|
|
me from behind the way Mrs Mastiansky told me her husband made her like
|
|
the dogs do it and stick out her tongue as far as ever she could and he
|
|
so quiet and mild with his tingating cither can you ever be up to men the
|
|
way it takes them lovely stuff in that blue suit he had on and stylish
|
|
tie and socks with the skyblue silk things on them hes certainly well off
|
|
I know by the cut his clothes have and his heavy watch but he was like a
|
|
perfect devil for a few minutes after he came back with the stoppress
|
|
tearing up the tickets and swearing blazes because he lost 20 quid he
|
|
said he lost over that outsider that won and half he put on for me on
|
|
account of Lenehans tip cursing him to the lowest pits that sponger he
|
|
was making free with me after the Glencree dinner coming back that long
|
|
joult over the featherbed mountain after the lord Mayor looking at me
|
|
with his dirty eyes Val Dillon that big heathen I first noticed him at
|
|
dessert when I was cracking the nuts with my teeth I wished I could have
|
|
picked every morsel of that chicken out of my fingers it was so tasty and
|
|
browned and as tender as anything only for I didnt want to eat everything
|
|
on my plate those forks and fishslicers were hallmarked silver too I wish
|
|
I had some I could easily have slipped a couple into my muff when I was
|
|
playing with them then always hanging out of them for money in a
|
|
restaurant for the bit you put down your throat we have to be thankful
|
|
for our mangy cup of tea itself as a great compliment to be noticed the
|
|
way the world is divided in any case if its going to go on I want at
|
|
least two other good chemises for one thing and but I dont know what kind
|
|
of drawers he likes none at all I think didnt he say yes and half the
|
|
girls in Gibraltar never wore them either naked as God made them that
|
|
Andalusian singing her Manola she didnt make much secret of what she
|
|
hadnt yes and the second pair of silkette stockings is laddered after one
|
|
days wear I could have brought them back to Lewers this morning and
|
|
kicked up a row and made that one change them only not to upset myself
|
|
and run the risk of walking into him and ruining the whole thing and one
|
|
of those kidfitting corsets Id want advertised cheap in the Gentlewoman
|
|
with elastic gores on the hips he saved the one I have but thats no good
|
|
what did they say they give a delightful figure line 11/6 obviating that
|
|
unsightly broad appearance across the lower back to reduce flesh my belly
|
|
is a bit too big Ill have to knock off the stout at dinner or am I
|
|
getting too fond of it the last they sent from ORourkes was as flat as a
|
|
pancake he makes his money easy Larry they call him the old mangy parcel
|
|
he sent at Xmas a cottage cake and a bottle of hogwash he tried to palm
|
|
off as claret that he couldnt get anyone to drink God spare his spit for
|
|
fear hed die of the drouth or I must do a few breathing exercises I
|
|
wonder is that antifat any good might overdo it the thin ones are not so
|
|
much the fashion now garters that much I have the violet pair I wore
|
|
today thats all he bought me out of the cheque he got on the first O no
|
|
there was the face lotion I finished the last of yesterday that made my
|
|
skin like new I told him over and over again get that made up in the same
|
|
place and dont forget it God only knows whether he did after all I said
|
|
to him Ill know by the bottle anyway if not I suppose Ill only have to
|
|
wash in my piss like beeftea or chickensoup with some of that opoponax
|
|
and violet I thought it was beginning to look coarse or old a bit the
|
|
skin underneath is much finer where it peeled off there on my finger
|
|
after the burn its a pity it isnt all like that and the four paltry
|
|
handkerchiefs about 6/- in all sure you cant get on in this world without
|
|
style all going in food and rent when I get it Ill lash it around I tell
|
|
you in fine style I always want to throw a handful of tea into the pot
|
|
measuring and mincing if I buy a pair of old brogues itself do you like
|
|
those new shoes yes how much were they Ive no clothes at all the brown
|
|
costume and the skirt and jacket and the one at the cleaners 3 whats that
|
|
for any woman cutting up this old hat and patching up the other the men
|
|
wont look at you and women try to walk on you because they know youve no
|
|
man then with all the things getting dearer every day for the 4 years
|
|
more I have of life up to 35 no Im what am I at all Ill be 33 in
|
|
September will I what O well look at that Mrs Galbraith shes much older
|
|
than me I saw her when I was out last week her beautys on the wane she
|
|
was a lovely woman magnificent head of hair on her down to her waist
|
|
tossing it back like that like Kitty OShea in Grantham street 1st thing I
|
|
did every morning to look across see her combing it as if she loved it
|
|
and was full of it pity I only got to know her the day before we left and
|
|
that Mrs Langtry the jersey lily the prince of Wales was in love with I
|
|
suppose hes like the first man going the roads only for the name of a
|
|
king theyre all made the one way only a black mans Id like to try a
|
|
beauty up to what was she 45 there was some funny story about the jealous
|
|
old husband what was it at all and an oyster knife he went no he made her
|
|
wear a kind of a tin thing round her and the prince of Wales yes he had
|
|
the oyster knife cant be true a thing like that like some of those books
|
|
he brings me the works of Master Francois Somebody supposed to be a
|
|
priest about a child born out of her ear because her bumgut fell out a
|
|
nice word for any priest to write and her a--e as if any fool wouldnt
|
|
know what that meant I hate that pretending of all things with that old
|
|
blackguards face on him anybody can see its not true and that Ruby and
|
|
Fair Tyrants he brought me that twice I remember when I came to page 50
|
|
the part about where she hangs him up out of a hook with a cord
|
|
flagellate sure theres nothing for a woman in that all invention made up
|
|
about he drinking the champagne out of her slipper after the ball was
|
|
over like the infant Jesus in the crib at Inchicore in the Blessed
|
|
Virgins arms sure no woman could have a child that big taken out of her
|
|
and I thought first it came out of her side because how could she go to
|
|
the chamber when she wanted to and she a rich lady of course she felt
|
|
honoured H R H he was in Gibraltar the year I was born I bet he found
|
|
lilies there too where he planted the tree he planted more than that in
|
|
his time he might have planted me too if hed come a bit sooner then I
|
|
wouldnt be here as I am he ought to chuck that Freeman with the paltry
|
|
few shillings he knocks out of it and go into an office or something
|
|
where hed get regular pay or a bank where they could put him up on a
|
|
throne to count the money all the day of course he prefers plottering
|
|
about the house so you cant stir with him any side whats your programme
|
|
today I wish hed even smoke a pipe like father to get the smell of a man
|
|
or pretending to be mooching about for advertisements when he could have
|
|
been in Mr Cuffes still only for what he did then sending me to try and
|
|
patch it up I could have got him promoted there to be the manager he gave
|
|
me a great mirada once or twice first he was as stiff as the mischief
|
|
really and truly Mrs Bloom only I felt rotten simply with the old
|
|
rubbishy dress that I lost the leads out of the tails with no cut in it
|
|
but theyre coming into fashion again I bought it simply to please him I
|
|
knew it was no good by the finish pity I changed my mind of going to Todd
|
|
and Bums as I said and not Lees it was just like the shop itself rummage
|
|
sale a lot of trash I hate those rich shops get on your nerves nothing
|
|
kills me altogether only he thinks he knows a great lot about a womans
|
|
dress and cooking mathering everything he can scour off the shelves into
|
|
it if I went by his advices every blessed hat I put on does that suit me
|
|
yes take that thats alright the one like a weddingcake standing up miles
|
|
off my head he said suited me or the dishcover one coming down on my
|
|
backside on pins and needles about the shopgirl in that place in Grafton
|
|
street I had the misfortune to bring him into and she as insolent as ever
|
|
she could be with her smirk saying Im afraid were giving you too much
|
|
trouble what shes there for but I stared it out of her yes he was awfully
|
|
stiff and no wonder but he changed the second time he looked Poldy
|
|
pigheaded as usual like the soup but I could see him looking very hard at
|
|
my chest when he stood up to open the door for me it was nice of him to
|
|
show me out in any case Im extremely sorry Mrs Bloom believe me without
|
|
making it too marked the first time after him being insulted and me being
|
|
supposed to be his wife I just half smiled I know my chest was out that
|
|
way at the door when he said Im extremely sorry and Im sure you were
|
|
|
|
yes I think he made them a bit firmer sucking them like that so long he
|
|
made me thirsty titties he calls them I had to laugh yes this one anyhow
|
|
stiff the nipple gets for the least thing Ill get him to keep that up and
|
|
Ill take those eggs beaten up with marsala fatten them out for him what
|
|
are all those veins and things curious the way its made 2 the same in
|
|
case of twins theyre supposed to represent beauty placed up there like
|
|
those statues in the museum one of them pretending to hide it with her
|
|
hand are they so beautiful of course compared with what a man looks like
|
|
with his two bags full and his other thing hanging down out of him or
|
|
sticking up at you like a hatrack no wonder they hide it with a
|
|
cabbageleaf that disgusting Cameron highlander behind the meat market or
|
|
that other wretch with the red head behind the tree where the statue of
|
|
the fish used to be when I was passing pretending he was pissing standing
|
|
out for me to see it with his babyclothes up to one side the Queens own
|
|
they were a nice lot its well the Surreys relieved them theyre always
|
|
trying to show it to you every time nearly I passed outside the mens
|
|
greenhouse near the Harcourt street station just to try some fellow or
|
|
other trying to catch my eye as if it was I of the 7 wonders of the world
|
|
O and the stink of those rotten places the night coming home with Poldy
|
|
after the Comerfords party oranges and lemonade to make you feel nice and
|
|
watery I went into r of them it was so biting cold I couldnt keep it when
|
|
was that 93 the canal was frozen yes it was a few months after a pity a
|
|
couple of the Camerons werent there to see me squatting in the mens place
|
|
meadero I tried to draw a picture of it before I tore it up like a
|
|
sausage or something I wonder theyre not afraid going about of getting a
|
|
kick or a bang of something there the woman is beauty of course thats
|
|
admitted when he said I could pose for a picture naked to some rich
|
|
fellow in Holles street when he lost the job in Helys and I was selling
|
|
the clothes and strumming in the coffee palace would I be like that bath
|
|
of the nymph with my hair down yes only shes younger or Im a little like
|
|
that dirty bitch in that Spanish photo he has nymphs used they go about
|
|
like that I asked him about her and that word met something with hoses in
|
|
it and he came out with some jawbreakers about the incarnation he never
|
|
can explain a thing simply the way a body can understand then he goes and
|
|
burns the bottom out of the pan all for his Kidney this one not so much
|
|
theres the mark of his teeth still where he tried to bite the nipple I
|
|
had to scream out arent they fearful trying to hurt you I had a great
|
|
breast of milk with Milly enough for two what was the reason of that he
|
|
said I could have got a pound a week as a wet nurse all swelled out the
|
|
morning that delicate looking student that stopped in no 28 with the
|
|
Citrons Penrose nearly caught me washing through the window only for I
|
|
snapped up the towel to my face that was his studenting hurt me they used
|
|
to weaning her till he got doctor Brady to give me the belladonna
|
|
prescription I had to get him to suck them they were so hard he said it
|
|
was sweeter and thicker than cows then he wanted to milk me into the tea
|
|
well hes beyond everything I declare somebody ought to put him in the
|
|
budget if I only could remember the I half of the things and write a book
|
|
out of it the works of Master Poldy yes and its so much smoother the skin
|
|
much an hour he was at them Im sure by the clock like some kind of a big
|
|
infant I had at me they want everything in their mouth all the pleasure
|
|
those men get out of a woman I can feel his mouth O Lord I must stretch
|
|
myself I wished he was here or somebody to let myself go with and come
|
|
again like that I feel all fire inside me or if I could dream it when he
|
|
made me spend the 2nd time tickling me behind with his finger I was
|
|
coming for about 5 minutes with my legs round him I had to hug him after
|
|
O Lord I wanted to shout out all sorts of things fuck or shit or anything
|
|
at all only not to look ugly or those lines from the strain who knows the
|
|
way hed take it you want to feel your way with a man theyre not all like
|
|
him thank God some of them want you to be so nice about it I noticed the
|
|
contrast he does it and doesnt talk I gave my eyes that look with my hair
|
|
a bit loose from the tumbling and my tongue between my lips up to him the
|
|
savage brute Thursday Friday one Saturday two Sunday three O Lord I cant
|
|
wait till Monday
|
|
|
|
frseeeeeeeefronnnng train somewhere whistling the strength those engines
|
|
have in them like big giants and the water rolling all over and out of
|
|
them all sides like the end of Loves old sweeeetsonnnng the poor men that
|
|
have to be out all the night from their wives and families in those
|
|
roasting engines stifling it was today Im glad I burned the half of those
|
|
old Freemans and Photo Bits leaving things like that lying about hes
|
|
getting very careless and threw the rest of them up in the W C Ill get
|
|
him to cut them tomorrow for me instead of having them there for the next
|
|
year to get a few pence for them have him asking wheres last Januarys
|
|
paper and all those old overcoats I bundled out of the hall making the
|
|
place hotter than it is that rain was lovely and refreshing just after my
|
|
beauty sleep I thought it was going to get like Gibraltar my goodness the
|
|
heat there before the levanter came on black as night and the glare of
|
|
the rock standing up in it like a big giant compared with their 3 Rock
|
|
mountain they think is so great with the red sentries here and there the
|
|
poplars and they all whitehot and the smell of the rainwater in those
|
|
tanks watching the sun all the time weltering down on you faded all that
|
|
lovely frock fathers friend Mrs Stanhope sent me from the B Marche paris
|
|
what a shame my dearest Doggerina she wrote on it she was very nice whats
|
|
this her other name was just a p c to tell you I sent the little present
|
|
have just had a jolly warm bath and feel a very clean dog now enjoyed it
|
|
wogger she called him wogger wd give anything to be back in Gib and hear
|
|
you sing Waiting and in old Madrid Concone is the name of those exercises
|
|
he bought me one of those new some word I couldnt make out shawls amusing
|
|
things but tear for the least thing still there lovely I think dont you
|
|
will always think of the lovely teas we had together scrumptious currant
|
|
scones and raspberry wafers I adore well now dearest Doggerina be sure
|
|
and write soon kind she left out regards to your father also captain
|
|
Grove with love yrs affly Hester x x x x x she didnt look a bit married
|
|
just like a girl he was years older than her wogger he was awfully fond
|
|
of me when he held down the wire with his foot for me to step over at the
|
|
bullfight at La Linea when that matador Gomez was given the bulls ear
|
|
these clothes we have to wear whoever invented them expecting you to walk
|
|
up Killiney hill then for example at that picnic all staysed up you cant
|
|
do a blessed thing in them in a crowd run or jump out of the way thats
|
|
why I was afraid when that other ferocious old Bull began to charge the
|
|
banderilleros with the sashes and the 2 things in their hats and the
|
|
brutes of men shouting bravo toro sure the women were as bad in their
|
|
nice white mantillas ripping all the whole insides out of those poor
|
|
horses I never heard of such a thing in all my life yes he used to break
|
|
his heart at me taking off the dog barking in bell lane poor brute and it
|
|
sick what became of them ever I suppose theyre dead long ago the 2 of
|
|
them its like all through a mist makes you feel so old I made the scones
|
|
of course I had everything all to myself then a girl Hester we used to
|
|
compare our hair mine was thicker than hers she showed me how to settle
|
|
it at the back when I put it up and whats this else how to make a knot on
|
|
a thread with the one hand we were like cousins what age was I then the
|
|
night of the storm I slept in her bed she had her arms round me then we
|
|
were fighting in the morning with the pillow what fun he was watching me
|
|
whenever he got an opportunity at the band on the Alameda esplanade when
|
|
I was with father and captain Grove I looked up at the church first and
|
|
then at the windows then down and our eyes met I felt something go
|
|
through me like all needles my eyes were dancing I remember after when I
|
|
looked at myself in the glass hardly recognised myself the change he was
|
|
attractive to a girl in spite of his being a little bald intelligent
|
|
looking disappointed and gay at the same time he was like Thomas in the
|
|
shadow of Ashlydyat I had a splendid skin from the sun and the excitement
|
|
like a rose I didnt get a wink of sleep it wouldnt have been nice on
|
|
account of her but I could have stopped it in time she gave me the
|
|
Moonstone to read that was the first I read of Wilkie Collins East Lynne
|
|
I read and the shadow of Ashlydyat Mrs Henry Wood Henry Dunbar by that
|
|
other woman I lent him afterwards with Mulveys photo in it so as he see I
|
|
wasnt without and Lord Lytton Eugene Aram Molly bawn she gave me by Mrs
|
|
Hungerford on account of the name I dont like books with a Molly in them
|
|
like that one he brought me about the one from Flanders a whore always
|
|
shoplifting anything she could cloth and stuff and yards of it O this
|
|
blanket is too heavy on me thats better I havent even one decent
|
|
nightdress this thing gets all rolled under me besides him and his
|
|
fooling thats better I used to be weltering then in the heat my shift
|
|
drenched with the sweat stuck in the cheeks of my bottom on the chair
|
|
when I stood up they were so fattish and firm when I got up on the sofa
|
|
cushions to see with my clothes up and the bugs tons of them at night and
|
|
the mosquito nets I couldnt read a line Lord how long ago it seems
|
|
centuries of course they never came back and she didnt put her address
|
|
right on it either she may have noticed her wogger people were always
|
|
going away and we never I remember that day with the waves and the boats
|
|
with their high heads rocking and the smell of ship those Officers
|
|
uniforms on shore leave made me seasick he didnt say anything he was very
|
|
serious I had the high buttoned boots on and my skirt was blowing she
|
|
kissed me six or seven times didnt I cry yes I believe I did or near it
|
|
my lips were taittering when I said goodbye she had a Gorgeous wrap of
|
|
some special kind of blue colour on her for the voyage made very
|
|
peculiarly to one side like and it was extremely pretty it got as dull as
|
|
the devil after they went I was almost planning to run away mad out of it
|
|
somewhere were never easy where we are father or aunt or marriage waiting
|
|
always waiting to guiiiide him toooo me waiting nor speeeed his flying
|
|
feet their damn guns bursting and booming all over the shop especially
|
|
the Queens birthday and throwing everything down in all directions if you
|
|
didnt open the windows when general Ulysses Grant whoever he was or did
|
|
supposed to be some great fellow landed off the ship and old Sprague the
|
|
consul that was there from before the flood dressed up poor man and he in
|
|
mourning for the son then the same old bugles for reveille in the morning
|
|
and drums rolling and the unfortunate poor devils of soldiers walking
|
|
about with messtins smelling the place more than the old longbearded jews
|
|
in their jellibees and levites assembly and sound clear and gunfire for
|
|
the men to cross the lines and the warden marching with his keys to lock
|
|
the gates and the bagpipes and only captain Groves and father talking
|
|
about Rorkes drift and Plevna and sir Garnet Wolseley and Gordon at
|
|
Khartoum lighting their pipes for them everytime they went out drunken
|
|
old devil with his grog on the windowsill catch him leaving any of it
|
|
picking his nose trying to think of some other dirty story to tell up in
|
|
a corner but he never forgot himself when I was there sending me out of
|
|
the room on some blind excuse paying his compliments the Bushmills whisky
|
|
talking of course but hed do the same to the next woman that came along I
|
|
suppose he died of galloping drink ages ago the days like years not a
|
|
letter from a living soul except the odd few I posted to myself with bits
|
|
of paper in them so bored sometimes I could fight with my nails listening
|
|
to that old Arab with the one eye and his heass of an instrument singing
|
|
his heah heah aheah all my compriments on your hotchapotch of your heass
|
|
as bad as now with the hands hanging off me looking out of the window if
|
|
there was a nice fellow even in the opposite house that medical in Holles
|
|
street the nurse was after when I put on my gloves and hat at the window
|
|
to show I was going out not a notion what I meant arent they thick never
|
|
understand what you say even youd want to print it up on a big poster for
|
|
them not even if you shake hands twice with the left he didnt recognise
|
|
me either when I half frowned at him outside Westland row chapel where
|
|
does their great intelligence come in Id like to know grey matter they
|
|
have it all in their tail if you ask me those country gougers up in the
|
|
City Arms intelligence they had a damn sight less than the bulls and cows
|
|
they were selling the meat and the coalmans bell that noisy bugger trying
|
|
to swindle me with the wrong bill he took out of his hat what a pair of
|
|
paws and pots and pans and kettles to mend any broken bottles for a poor
|
|
man today and no visitors or post ever except his cheques or some
|
|
advertisement like that wonderworker they sent him addressed dear Madam
|
|
only his letter and the card from Milly this morning see she wrote a
|
|
letter to him who did I get the last letter from O Mrs Dwenn now what
|
|
possessed her to write from Canada after so many years to know the recipe
|
|
I had for pisto madrileno Floey Dillon since she wrote to say she was
|
|
married to a very rich architect if Im to believe all I hear with a villa
|
|
and eight rooms her father was an awfully nice man he was near seventy
|
|
always goodhumoured well now Miss Tweedy or Miss Gillespie theres the
|
|
piannyer that was a solid silver coffee service he had too on the
|
|
mahogany sideboard then dying so far away I hate people that have always
|
|
their poor story to tell everybody has their own troubles that poor Nancy
|
|
Blake died a month ago of acute neumonia well I didnt know her so well as
|
|
all that she was Floeys friend more than mine poor Nancy its a bother
|
|
having to answer he always tells me the wrong things and no stops to say
|
|
like making a speech your sad bereavement symphathy I always make that
|
|
mistake and newphew with 2 double yous in I hope hell write me a longer
|
|
letter the next time if its a thing he really likes me O thanks be to the
|
|
great God I got somebody to give me what I badly wanted to put some heart
|
|
up into me youve no chances at all in this place like you used long ago I
|
|
wish somebody would write me a loveletter his wasnt much and I told him
|
|
he could write what he liked yours ever Hugh Boylan in old Madrid stuff
|
|
silly women believe love is sighing I am dying still if he wrote it I
|
|
suppose thered be some truth in it true or no it fills up your whole day
|
|
and life always something to think about every moment and see it all
|
|
round you like a new world I could write the answer in bed to let him
|
|
imagine me short just a few words not those long crossed letters Atty
|
|
Dillon used to write to the fellow that was something in the four courts
|
|
that jilted her after out of the ladies letterwriter when I told her to
|
|
say a few simple words he could twist how he liked not acting with
|
|
precipat precip itancy with equal candour the greatest earthly happiness
|
|
answer to a gentlemans proposal affirmatively my goodness theres nothing
|
|
else its all very fine for them but as for being a woman as soon as youre
|
|
old they might as well throw you out in the bottom of the ashpit.
|
|
|
|
Mulveys was the first when I was in bed that morning and Mrs Rubio
|
|
brought it in with the coffee she stood there standing when I asked her
|
|
to hand me and I pointing at them I couldnt think of the word a hairpin
|
|
to open it with ah horquilla disobliging old thing and it staring her in
|
|
the face with her switch of false hair on her and vain about her
|
|
appearance ugly as she was near 80 or a 100 her face a mass of wrinkles
|
|
with all her religion domineering because she never could get over the
|
|
Atlantic fleet coming in half the ships of the world and the Union Jack
|
|
flying with all her carabineros because 4 drunken English sailors took
|
|
all the rock from them and because I didnt run into mass often enough in
|
|
Santa Maria to please her with her shawl up on her except when there was
|
|
a marriage on with all her miracles of the saints and her black blessed
|
|
virgin with the silver dress and the sun dancing 3 times on Easter Sunday
|
|
morning and when the priest was going by with the bell bringing the
|
|
vatican to the dying blessing herself for his Majestad an admirer he
|
|
signed it I near jumped out of my skin I wanted to pick him up when I saw
|
|
him following me along the Calle Real in the shop window then he tipped
|
|
me just in passing but I never thought hed write making an appointment I
|
|
had it inside my petticoat bodice all day reading it up in every hole and
|
|
corner while father was up at the drill instructing to find out by the
|
|
handwriting or the language of stamps singing I remember shall I wear a
|
|
white rose and I wanted to put on the old stupid clock to near the time
|
|
he was the first man kissed me under the Moorish wall my sweetheart when
|
|
a boy it never entered my head what kissing meant till he put his tongue
|
|
in my mouth his mouth was sweetlike young I put my knee up to him a few
|
|
times to learn the way what did I tell him I was engaged for for fun to
|
|
the son of a Spanish nobleman named Don Miguel de la Flora and he
|
|
believed me that I was to be married to him in 3 years time theres many a
|
|
true word spoken in jest there is a flower that bloometh a few things I
|
|
told him true about myself just for him to be imagining the Spanish girls
|
|
he didnt like I suppose one of them wouldnt have him I got him excited he
|
|
crushed all the flowers on my bosom he brought me he couldnt count the
|
|
pesetas and the perragordas till I taught him Cappoquin he came from he
|
|
said on the black water but it was too short then the day before he left
|
|
May yes it was May when the infant king of Spain was born Im always like
|
|
that in the spring Id like a new fellow every year up on the tiptop under
|
|
the rockgun near OHaras tower I told him it was struck by lightning and
|
|
all about the old Barbary apes they sent to Clapham without a tail
|
|
careering all over the show on each others back Mrs Rubio said she was a
|
|
regular old rock scorpion robbing the chickens out of Inces farm and
|
|
throw stones at you if you went anear he was looking at me I had that
|
|
white blouse on open in the front to encourage him as much as I could
|
|
without too openly they were just beginning to be plump I said I was
|
|
tired we lay over the firtree cove a wild place I suppose it must be the
|
|
highest rock in existence the galleries and casemates and those frightful
|
|
rocks and Saint Michaels cave with the icicles or whatever they call them
|
|
hanging down and ladders all the mud plotching my boots Im sure thats the
|
|
way down the monkeys go under the sea to Africa when they die the ships
|
|
out far like chips that was the Malta boat passing yes the sea and the
|
|
sky you could do what you liked lie there for ever he caressed them
|
|
outside they love doing that its the roundness there I was leaning over
|
|
him with my white ricestraw hat to take the newness out of it the left
|
|
side of my face the best my blouse open for his last day transparent kind
|
|
of shirt he had I could see his chest pink he wanted to touch mine with
|
|
his for a moment but I wouldnt lee him he was awfully put out first for
|
|
fear you never know consumption or leave me with a child embarazada that
|
|
old servant Ines told me that one drop even if it got into you at all
|
|
after I tried with the Banana but I was afraid it might break and get
|
|
lost up in me somewhere because they once took something down out of a
|
|
woman that was up there for years covered with limesalts theyre all mad
|
|
to get in there where they come out of youd think they could never go far
|
|
enough up and then theyre done with you in a way till the next time yes
|
|
because theres a wonderful feeling there so tender all the time how did
|
|
we finish it off yes O yes I pulled him off into my handkerchief
|
|
pretending not to be excited but I opened my legs I wouldnt let him touch
|
|
me inside my petticoat because I had a skirt opening up the side I
|
|
tormented the life out of him first tickling him I loved rousing that dog
|
|
in the hotel rrrsssstt awokwokawok his eyes shut and a bird flying below
|
|
us he was shy all the same I liked him like that moaning I made him blush
|
|
a little when I got over him that way when I unbuttoned him and took his
|
|
out and drew back the skin it had a kind of eye in it theyre all Buttons
|
|
men down the middle on the wrong side of them Molly darling he called me
|
|
what was his name Jack Joe Harry Mulvey was it yes I think a lieutenant
|
|
he was rather fair he had a laughing kind of a voice so I went round to
|
|
the whatyoucallit everything was whatyoucallit moustache had he he said
|
|
hed come back Lord its just like yesterday to me and if I was married hed
|
|
do it to me and I promised him yes faithfully Id let him block me now
|
|
flying perhaps hes dead or killed or a captain or admiral its nearly 20
|
|
years if I said firtree cove he would if he came up behind me and put his
|
|
hands over my eyes to guess who I might recognise him hes young still
|
|
about 40 perhaps hes married some girl on the black water and is quite
|
|
changed they all do they havent half the character a woman has she little
|
|
knows what I did with her beloved husband before he ever dreamt of her in
|
|
broad daylight too in the sight of the whole world you might say they
|
|
could have put an article about it in the Chronicle I was a bit wild
|
|
after when I blew out the old bag the biscuits were in from Benady Bros
|
|
and exploded it Lord what a bang all the woodcocks and pigeons screaming
|
|
coming back the same way that we went over middle hill round by the old
|
|
guardhouse and the jews burialplace pretending to read out the Hebrew on
|
|
them I wanted to fire his pistol he said he hadnt one he didnt know what
|
|
to make of me with his peak cap on that he always wore crooked as often
|
|
as I settled it straight H M S Calypso swinging my hat that old Bishop
|
|
that spoke off the altar his long preach about womans higher functions
|
|
about girls now riding the bicycle and wearing peak caps and the new
|
|
woman bloomers God send him sense and me more money I suppose theyre
|
|
called after him I never thought that would be my name Bloom when I used
|
|
to write it in print to see how it looked on a visiting card or
|
|
practising for the butcher and oblige M Bloom youre looking blooming
|
|
Josie used to say after I married him well its better than Breen or
|
|
Briggs does brig or those awful names with bottom in them Mrs Ramsbottom
|
|
or some other kind of a bottom Mulvey I wouldnt go mad about either or
|
|
suppose I divorced him Mrs Boylan my mother whoever she was might have
|
|
given me a nicer name the Lord knows after the lovely one she had Lunita
|
|
Laredo the fun we had running along Williss road to Europa point twisting
|
|
in and out all round the other side of Jersey they were shaking and
|
|
dancing about in my blouse like Millys little ones now when she runs up
|
|
the stairs I loved looking down at them I was jumping up at the pepper
|
|
trees and the white poplars pulling the leaves off and throwing them at
|
|
him he went to India he was to write the voyages those men have to make
|
|
to the ends of the world and back its the least they might get a squeeze
|
|
or two at a woman while they can going out to be drowned or blown up
|
|
somewhere I went up Windmill hill to the flats that Sunday morning with
|
|
captain Rubios that was dead spyglass like the sentry had he said hed
|
|
have one or two from on board I wore that frock from the B Marche paris
|
|
and the coral necklace the straits shining I could see over to Morocco
|
|
almost the bay of Tangier white and the Atlas mountain with snow on it
|
|
and the straits like a river so clear Harry Molly darling I was thinking
|
|
of him on the sea all the time after at mass when my petticoat began to
|
|
slip down at the elevation weeks and weeks I kept the handkerchief under
|
|
my pillow for the smell of him there was no decent perfume to be got in
|
|
that Gibraltar only that cheap peau despagne that faded and left a stink
|
|
on you more than anything else I wanted to give him a memento he gave me
|
|
that clumsy Claddagh ring for luck that I gave Gardner going to south
|
|
Africa where those Boers killed him with their war and fever but they
|
|
were well beaten all the same as if it brought its bad luck with it like
|
|
an opal or pearl still it must have been pure 18 carrot gold because it
|
|
was very heavy but what could you get in a place like that the sandfrog
|
|
shower from Africa and that derelict ship that came up to the harbour
|
|
Marie the Marie whatyoucallit no he hadnt a moustache that was Gardner
|
|
yes I can see his face cleanshaven Frseeeeeeeeeeeeeeeeeeeefrong that
|
|
train again weeping tone once in the dear deaead days beyondre call close
|
|
my eyes breath my lips forward kiss sad look eyes open piano ere oer the
|
|
world the mists began I hate that istsbeg comes loves sweet
|
|
sooooooooooong Ill let that out full when I get in front of the
|
|
footlights again Kathleen Kearney and her lot of squealers Miss This Miss
|
|
That Miss Theother lot of sparrowfarts skitting around talking about
|
|
politics they know as much about as my backside anything in the world to
|
|
make themselves someway interesting Irish homemade beauties soldiers
|
|
daughter am I ay and whose are you bootmakers and publicans I beg your
|
|
pardon coach I thought you were a wheelbarrow theyd die down dead off
|
|
their feet if ever they got a chance of walking down the Alameda on an
|
|
officers arm like me on the bandnight my eyes flash my bust that they
|
|
havent passion God help their poor head I knew more about men and life
|
|
when I was I S than theyll all know at 50 they dont know how to sing a
|
|
song like that Gardner said no man could look at my mouth and teeth
|
|
smiling like that and not think of it I was afraid he mightnt like my
|
|
accent first he so English all father left me in spite of his stamps Ive
|
|
my mothers eyes and figure anyhow he always said theyre so snotty about
|
|
themselves some of those cads he wasnt a bit like that he was dead gone
|
|
on my lips let them get a husband first thats fit to be looked at and a
|
|
daughter like mine or see if they can excite a swell with money that can
|
|
pick and choose whoever he wants like Boylan to do it 4 or 5 times locked
|
|
in each others arms or the voice either I could have been a prima donna
|
|
only I married him comes looooves old deep down chin back not too much
|
|
make it double My Ladys Bower is too long for an encore about the moated
|
|
grange at twilight and vaunted rooms yes Ill sing Winds that blow from
|
|
the south that he gave after the choirstairs performance Ill change that
|
|
lace on my black dress to show off my bubs and Ill yes by God Ill get
|
|
that big fan mended make them burst with envy my hole is itching me
|
|
always when I think of him I feel I want to I feel some wind in me better
|
|
go easy not wake him have him at it again slobbering after washing every
|
|
bit of myself back belly and sides if we had even a bath itself or my own
|
|
room anyway I wish hed sleep in some bed by himself with his cold feet on
|
|
me give us room even to let a fart God or do the least thing better yes
|
|
hold them like that a bit on my side piano quietly sweeeee theres that
|
|
train far away pianissimo eeeee one more song
|
|
|
|
that was a relief wherever you be let your wind go free who knows if that
|
|
pork chop I took with my cup of tea after was quite good with the heat I
|
|
couldnt smell anything off it Im sure that queerlooking man in the
|
|
porkbutchers is a great rogue I hope that lamp is not smoking fill my
|
|
nose up with smuts better than having him leaving the gas on all night I
|
|
couldnt rest easy in my bed in Gibraltar even getting up to see why am I
|
|
so damned nervous about that though I like it in the winter its more
|
|
company O Lord it was rotten cold too that winter when I was only about
|
|
ten was I yes I had the big doll with all the funny clothes dressing her
|
|
up and undressing that icy wind skeeting across from those mountains the
|
|
something Nevada sierra nevada standing at the fire with the little bit
|
|
of a short shift I had up to heat myself I loved dancing about in it then
|
|
make a race back into bed Im sure that fellow opposite used to be there
|
|
the whole time watching with the lights out in the summer and I in my
|
|
skin hopping around I used to love myself then stripped at the washstand
|
|
dabbing and creaming only when it came to the chamber performance I put
|
|
out the light too so then there were 2 of us goodbye to my sleep for this
|
|
night anyhow I hope hes not going to get in with those medicals leading
|
|
him astray to imagine hes young again coming in at 4 in the morning it
|
|
must be if not more still he had the manners not to wake me what do they
|
|
find to gabber about all night squandering money and getting drunker and
|
|
drunker couldnt they drink water then he starts giving us his orders for
|
|
eggs and tea and Findon haddy and hot buttered toast I suppose well have
|
|
him sitting up like the king of the country pumping the wrong end of the
|
|
spoon up and down in his egg wherever he learned that from and I love to
|
|
hear him falling up the stairs of a morning with the cups rattling on the
|
|
tray and then play with the cat she rubs up against you for her own sake
|
|
I wonder has she fleas shes as bad as a woman always licking and lecking
|
|
but I hate their claws I wonder do they see anything that we cant staring
|
|
like that when she sits at the top of the stairs so long and listening as
|
|
I wait always what a robber too that lovely fresh place I bought I think
|
|
Ill get a bit of fish tomorrow or today is it Friday yes I will with some
|
|
blancmange with black currant jam like long ago not those 2 lb pots of
|
|
mixed plum and apple from the London and Newcastle Williams and Woods
|
|
goes twice as far only for the bones I hate those eels cod yes Ill get a
|
|
nice piece of cod Im always getting enough for 3 forgetting anyway Im
|
|
sick of that everlasting butchers meat from Buckleys loin chops and leg
|
|
beef and rib steak and scrag of mutton and calfs pluck the very name is
|
|
enough or a picnic suppose we all gave 5/- each and or let him pay it and
|
|
invite some other woman for him who Mrs Fleming and drove out to the
|
|
furry glen or the strawberry beds wed have him examining all the horses
|
|
toenails first like he does with the letters no not with Boylan there yes
|
|
with some cold veal and ham mixed sandwiches there are little houses down
|
|
at the bottom of the banks there on purpose but its as hot as blazes he
|
|
says not a bank holiday anyhow I hate those ruck of Mary Ann coalboxes
|
|
out for the day Whit Monday is a cursed day too no wonder that bee bit
|
|
him better the seaside but Id never again in this life get into a boat
|
|
with him after him at Bray telling the boatman he knew how to row if
|
|
anyone asked could he ride the steeplechase for the gold cup hed say yes
|
|
then it came on to get rough the old thing crookeding about and the
|
|
weight all down my side telling me pull the right reins now pull the left
|
|
and the tide all swamping in floods in through the bottom and his oar
|
|
slipping out of the stirrup its a mercy we werent all drowned he can swim
|
|
of course me no theres no danger whatsoever keep yourself calm in his
|
|
flannel trousers Id like to have tattered them down off him before all
|
|
the people and give him what that one calls flagellate till he was black
|
|
and blue do him all the good in the world only for that longnosed chap I
|
|
dont know who he is with that other beauty Burke out of the City Arms
|
|
hotel was there spying around as usual on the slip always where he wasnt
|
|
wanted if there was a row on youd vomit a better face there was no love
|
|
lost between us thats 1 consolation I wonder what kind is that book he
|
|
brought me Sweets of Sin by a gentleman of fashion some other Mr de Kock
|
|
I suppose the people gave him that nickname going about with his tube
|
|
from one woman to another I couldnt even change my new white shoes all
|
|
ruined with the saltwater and the hat I had with that feather all blowy
|
|
and tossed on me how annoying and provoking because the smell of the sea
|
|
excited me of course the sardines and the bream in Catalan bay round the
|
|
back of the rock they were fine all silver in the fishermens baskets old
|
|
Luigi near a hundred they said came from Genoa and the tall old chap with
|
|
the earrings I dont like a man you have to climb up to to get at I
|
|
suppose theyre all dead and rotten long ago besides I dont like being
|
|
alone in this big barracks of a place at night I suppose Ill have to put
|
|
up with it I never brought a bit of salt in even when we moved in the
|
|
confusion musical academy he was going to make on the first floor
|
|
drawingroom with a brassplate or Blooms private hotel he suggested go and
|
|
ruin himself altogether the way his father did down in Ennis like all the
|
|
things he told father he was going to do and me but I saw through him
|
|
telling me all the lovely places we could go for the honeymoon Venice by
|
|
moonlight with the gondolas and the lake of Como he had a picture cut out
|
|
of some paper of and mandolines and lanterns O how nice I said whatever I
|
|
liked he was going to do immediately if not sooner will you be my man
|
|
will you carry my can he ought to get a leather medal with a putty rim
|
|
for all the plans he invents then leaving us here all day youd never know
|
|
what old beggar at the door for a crust with his long story might be a
|
|
tramp and put his foot in the way to prevent me shutting it like that
|
|
picture of that hardened criminal he was called in Lloyds Weekly news 20
|
|
years in jail then he comes out and murders an old woman for her money
|
|
imagine his poor wife or mother or whoever she is such a face youd run
|
|
miles away from I couldnt rest easy till I bolted all the doors and
|
|
windows to make sure but its worse again being locked up like in a prison
|
|
or a madhouse they ought to be all shot or the cat of nine tails a big
|
|
brute like that that would attack a poor old woman to murder her in her
|
|
bed Id cut them off him so I would not that hed be much use still better
|
|
than nothing the night I was sure I heard burglars in the kitchen and he
|
|
went down in his shirt with a candle and a poker as if he was looking for
|
|
a mouse as white as a sheet frightened out of his wits making as much
|
|
noise as he possibly could for the burglars benefit there isnt much to
|
|
steal indeed the Lord knows still its the feeling especially now with
|
|
Milly away such an idea for him to send the girl down there to learn to
|
|
take photographs on account of his grandfather instead of sending her to
|
|
Skerrys academy where shed have to learn not like me getting all IS at
|
|
school only hed do a thing like that all the same on account of me and
|
|
Boylan thats why he did it Im certain the way he plots and plans
|
|
everything out I couldnt turn round with her in the place lately unless I
|
|
bolted the door first gave me the fidgets coming in without knocking
|
|
first when I put the chair against the door just as I was washing myself
|
|
there below with the glove get on your nerves then doing the loglady all
|
|
day put her in a glasscase with two at a time to look at her if he knew
|
|
she broke off the hand off that little gimcrack statue with her roughness
|
|
and carelessness before she left that I got that little Italian boy to
|
|
mend so that you cant see the join for 2 shillings wouldnt even teem the
|
|
potatoes for you of course shes right not to ruin her hands I noticed he
|
|
was always talking to her lately at the table explaining things in the
|
|
paper and she pretending to understand sly of course that comes from his
|
|
side of the house he cant say I pretend things can he Im too honest as a
|
|
matter of fact and helping her into her coat but if there was anything
|
|
wrong with her its me shed tell not him I suppose he thinks Im finished
|
|
out and laid on the shelf well Im not no nor anything like it well see
|
|
well see now shes well on for flirting too with Tom Devans two sons
|
|
imitating me whistling with those romps of Murray girls calling for her
|
|
can Milly come out please shes in great demand to pick what they can out
|
|
of her round in Nelson street riding Harry Devans bicycle at night its as
|
|
well he sent her where she is she was just getting out of bounds wanting
|
|
to go on the skatingrink and smoking their cigarettes through their nose
|
|
I smelt it off her dress when I was biting off the thread of the button I
|
|
sewed on to the bottom of her jacket she couldnt hide much from me I tell
|
|
you only I oughtnt to have stitched it and it on her it brings a parting
|
|
and the last plumpudding too split in 2 halves see it comes out no matter
|
|
what they say her tongue is a bit too long for my taste your blouse is
|
|
open too low she says to me the pan calling the kettle blackbottom and I
|
|
had to tell her not to cock her legs up like that on show on the
|
|
windowsill before all the people passing they all look at her like me
|
|
when I was her age of course any old rag looks well on you then a great
|
|
touchmenot too in her own way at the Only Way in the Theatre royal take
|
|
your foot away out of that I hate people touching me afraid of her life
|
|
Id crush her skirt with the pleats a lot of that touching must go on in
|
|
theatres in the crush in the dark theyre always trying to wiggle up to
|
|
you that fellow in the pit at the Gaiety for Beerbohm Tree in Trilby the
|
|
last time Ill ever go there to be squashed like that for any Trilby or
|
|
her barebum every two minutes tipping me there and looking away hes a bit
|
|
daft I think I saw him after trying to get near two stylishdressed ladies
|
|
outside Switzers window at the same little game I recognised him on the
|
|
moment the face and everything but he didnt remember me yes and she didnt
|
|
even want me to kiss her at the Broadstone going away well I hope shell
|
|
get someone to dance attendance on her the way I did when she was down
|
|
with the mumps and her glands swollen wheres this and wheres that of
|
|
course she cant feel anything deep yet I never came properly till I was
|
|
what 22 or so it went into the wrong place always only the usual girls
|
|
nonsense and giggling that Conny Connolly writing to her in white ink on
|
|
black paper sealed with sealingwax though she clapped when the curtain
|
|
came down because he looked so handsome then we had Martin Harvey for
|
|
breakfast dinner and supper I thought to myself afterwards it must be
|
|
real love if a man gives up his life for her that way for nothing I
|
|
suppose there are a few men like that left its hard to believe in it
|
|
though unless it really happened to me the majority of them with not a
|
|
particle of love in their natures to find two people like that nowadays
|
|
full up of each other that would feel the same way as you do theyre
|
|
usually a bit foolish in the head his father must have been a bit queer
|
|
to go and poison himself after her still poor old man I suppose he felt
|
|
lost shes always making love to my things too the few old rags I have
|
|
wanting to put her hair up at I S my powder too only ruin her skin on her
|
|
shes time enough for that all her life after of course shes restless
|
|
knowing shes pretty with her lips so red a pity they wont stay that way I
|
|
was too but theres no use going to the fair with the thing answering me
|
|
like a fishwoman when I asked to go for a half a stone of potatoes the
|
|
day we met Mrs Joe Gallaher at the trottingmatches and she pretended not
|
|
to see us in her trap with Friery the solicitor we werent grand enough
|
|
till I gave her 2 damn fine cracks across the ear for herself take that
|
|
now for answering me like that and that for your impudence she had me
|
|
that exasperated of course contradicting I was badtempered too because
|
|
how was it there was a weed in the tea or I didnt sleep the night before
|
|
cheese I ate was it and I told her over and over again not to leave
|
|
knives crossed like that because she has nobody to command her as she
|
|
said herself well if he doesnt correct her faith I will that was the last
|
|
time she turned on the teartap I was just like that myself they darent
|
|
order me about the place its his fault of course having the two of us
|
|
slaving here instead of getting in a woman long ago am I ever going to
|
|
have a proper servant again of course then shed see him coming Id have to
|
|
let her know or shed revenge it arent they a nuisance that old Mrs
|
|
Fleming you have to be walking round after her putting the things into
|
|
her hands sneezing and farting into the pots well of course shes old she
|
|
cant help it a good job I found that rotten old smelly dishcloth that got
|
|
lost behind the dresser I knew there was something and opened the area
|
|
window to let out the smell bringing in his friends to entertain them
|
|
like the night he walked home with a dog if you please that might have
|
|
been mad especially Simon Dedalus son his father such a criticiser with
|
|
his glasses up with his tall hat on him at the cricket match and a great
|
|
big hole in his sock one thing laughing at the other and his son that got
|
|
all those prizes for whatever he won them in the intermediate imagine
|
|
climbing over the railings if anybody saw him that knew us I wonder he
|
|
didnt tear a big hole in his grand funeral trousers as if the one nature
|
|
gave wasnt enough for anybody hawking him down into the dirty old kitchen
|
|
now is he right in his head I ask pity it wasnt washing day my old pair
|
|
of drawers might have been hanging up too on the line on exhibition for
|
|
all hed ever care with the ironmould mark the stupid old bundle burned on
|
|
them he might think was something else and she never even rendered down
|
|
the fat I told her and now shes going such as she was on account of her
|
|
paralysed husband getting worse theres always something wrong with them
|
|
disease or they have to go under an operation or if its not that its
|
|
drink and he beats her Ill have to hunt around again for someone every
|
|
day I get up theres some new thing on sweet God sweet God well when Im
|
|
stretched out dead in my grave I suppose Ill have some peace I want to
|
|
get up a minute if Im let wait O Jesus wait yes that thing has come on me
|
|
yes now wouldnt that afflict you of course all the poking and rooting and
|
|
ploughing he had up in me now what am I to do Friday Saturday Sunday
|
|
wouldnt that pester the soul out of a body unless he likes it some men do
|
|
God knows theres always something wrong with us 5 days every 3 or 4 weeks
|
|
usual monthly auction isnt it simply sickening that night it came on me
|
|
like that the one and only time we were in a box that Michael Gunn gave
|
|
him to see Mrs Kendal and her husband at the Gaiety something he did
|
|
about insurance for him in Drimmies I was fit to be tied though I wouldnt
|
|
give in with that gentleman of fashion staring down at me with his
|
|
glasses and him the other side of me talking about Spinoza and his soul
|
|
thats dead I suppose millions of years ago I smiled the best I could all
|
|
in a swamp leaning forward as if I was interested having to sit it out
|
|
then to the last tag I wont forget that wife of Scarli in a hurry
|
|
supposed to be a fast play about adultery that idiot in the gallery
|
|
hissing the woman adulteress he shouted I suppose he went and had a woman
|
|
in the next lane running round all the back ways after to make up for it
|
|
I wish he had what I had then hed boo I bet the cat itself is better off
|
|
than us have we too much blood up in us or what O patience above its
|
|
pouring out of me like the sea anyhow he didnt make me pregnant as big as
|
|
he is I dont want to ruin the clean sheets I just put on I suppose the
|
|
clean linen I wore brought it on too damn it damn it and they always want
|
|
to see a stain on the bed to know youre a virgin for them all thats
|
|
troubling them theyre such fools too you could be a widow or divorced 40
|
|
times over a daub of red ink would do or blackberry juice no thats too
|
|
purply O Jamesy let me up out of this pooh sweets of sin whoever
|
|
suggested that business for women what between clothes and cooking and
|
|
children this damned old bed too jingling like the dickens I suppose they
|
|
could hear us away over the other side of the park till I suggested to
|
|
put the quilt on the floor with the pillow under my bottom I wonder is it
|
|
nicer in the day I think it is easy I think Ill cut all this hair off me
|
|
there scalding me I might look like a young girl wouldnt he get the great
|
|
suckin the next time he turned up my clothes on me Id give anything to
|
|
see his face wheres the chamber gone easy Ive a holy horror of its
|
|
breaking under me after that old commode I wonder was I too heavy sitting
|
|
on his knee I made him sit on the easychair purposely when I took off
|
|
only my blouse and skirt first in the other room he was so busy where he
|
|
oughtnt to be he never felt me I hope my breath was sweet after those
|
|
kissing comfits easy God I remember one time I could scout it out
|
|
straight whistling like a man almost easy O Lord how noisy I hope theyre
|
|
bubbles on it for a wad of money from some fellow Ill have to perfume it
|
|
in the morning dont forget I bet he never saw a better pair of thighs
|
|
than that look how white they are the smoothest place is right there
|
|
between this bit here how soft like a peach easy God I wouldnt mind being
|
|
a man and get up on a lovely woman O Lord what a row youre making like
|
|
the jersey lily easy easy O how the waters come down at Lahore
|
|
|
|
who knows is there anything the matter with my insides or have I
|
|
something growing in me getting that thing like that every week when was
|
|
it last I Whit Monday yes its only about 3 weeks I ought to go to the
|
|
doctor only it would be like before I married him when I had that white
|
|
thing coming from me and Floey made me go to that dry old stick Dr
|
|
Collins for womens diseases on Pembroke road your vagina he called it I
|
|
suppose thats how he got all the gilt mirrors and carpets getting round
|
|
those rich ones off Stephens green running up to him for every little
|
|
fiddlefaddle her vagina and her cochinchina theyve money of course so
|
|
theyre all right I wouldnt marry him not if he was the last man in the
|
|
world besides theres something queer about their children always smelling
|
|
around those filthy bitches all sides asking me if what I did had an
|
|
offensive odour what did he want me to do but the one thing gold maybe
|
|
what a question if I smathered it all over his wrinkly old face for him
|
|
with all my compriments I suppose hed know then and could you pass it
|
|
easily pass what I thought he was talking about the rock of Gibraltar the
|
|
way he put it thats a very nice invention too by the way only I like
|
|
letting myself down after in the hole as far as I can squeeze and pull
|
|
the chain then to flush it nice cool pins and needles still theres
|
|
something in it I suppose I always used to know by Millys when she was a
|
|
child whether she had worms or not still all the same paying him for that
|
|
how much is that doctor one guinea please and asking me had I frequent
|
|
omissions where do those old fellows get all the words they have
|
|
omissions with his shortsighted eyes on me cocked sideways I wouldnt
|
|
trust him too far to give me chloroform or God knows what else still I
|
|
liked him when he sat down to write the thing out frowning so severe his
|
|
nose intelligent like that you be damned you lying strap O anything no
|
|
matter who except an idiot he was clever enough to spot that of course
|
|
that was all thinking of him and his mad crazy letters my Precious one
|
|
everything connected with your glorious Body everything underlined that
|
|
comes from it is a thing of beauty and of joy for ever something he got
|
|
out of some nonsensical book that he had me always at myself 4 and 5
|
|
times a day sometimes and I said I hadnt are you sure O yes I said I am
|
|
quite sure in a way that shut him up I knew what was coming next only
|
|
natural weakness it was he excited me I dont know how the first night
|
|
ever we met when I was living in Rehoboth terrace we stood staring at one
|
|
another for about 10 minutes as if we met somewhere I suppose on account
|
|
of my being jewess looking after my mother he used to amuse me the things
|
|
he said with the half sloothering smile on him and all the Doyles said he
|
|
was going to stand for a member of Parliament O wasnt I the born fool to
|
|
believe all his blather about home rule and the land league sending me
|
|
that long strool of a song out of the Huguenots to sing in French to be
|
|
more classy O beau pays de la Touraine that I never even sang once
|
|
explaining and rigmaroling about religion and persecution he wont let you
|
|
enjoy anything naturally then might he as a great favour the very 1st
|
|
opportunity he got a chance in Brighton square running into my bedroom
|
|
pretending the ink got on his hands to wash it off with the Albion milk
|
|
and sulphur soap I used to use and the gelatine still round it O I
|
|
laughed myself sick at him that day I better not make an alnight sitting
|
|
on this affair they ought to make chambers a natural size so that a woman
|
|
could sit on it properly he kneels down to do it I suppose there isnt in
|
|
all creation another man with the habits he has look at the way hes
|
|
sleeping at the foot of the bed how can he without a hard bolster its
|
|
well he doesnt kick or he might knock out all my teeth breathing with his
|
|
hand on his nose like that Indian god he took me to show one wet Sunday
|
|
in the museum in Kildare street all yellow in a pinafore lying on his
|
|
side on his hand with his ten toes sticking out that he said was a bigger
|
|
religion than the jews and Our Lords both put together all over Asia
|
|
imitating him as hes always imitating everybody I suppose he used to
|
|
sleep at the foot of the bed too with his big square feet up in his wifes
|
|
mouth damn this stinking thing anyway wheres this those napkins are ah
|
|
yes I know I hope the old press doesnt creak ah I knew it would hes
|
|
sleeping hard had a good time somewhere still she must have given him
|
|
great value for his money of course he has to pay for it from her O this
|
|
nuisance of a thing I hope theyll have something better for us in the
|
|
other world tying ourselves up God help us thats all right for tonight
|
|
now the lumpy old jingly bed always reminds me of old Cohen I suppose he
|
|
scratched himself in it often enough and he thinks father bought it from
|
|
Lord Napier that I used to admire when I was a little girl because I told
|
|
him easy piano O I like my bed God here we are as bad as ever after 16
|
|
years how many houses were we in at all Raymond terrace and Ontario
|
|
terrace and Lombard street and Holles street and he goes about whistling
|
|
every time were on the run again his huguenots or the frogs march
|
|
pretending to help the men with our 4 sticks of furniture and then the
|
|
City Arms hotel worse and worse says Warden Daly that charming place on
|
|
the landing always somebody inside praying then leaving all their stinks
|
|
after them always know who was in there last every time were just getting
|
|
on right something happens or he puts his big foot in it Thoms and Helys
|
|
and Mr Cuffes and Drimmies either hes going to be run into prison over
|
|
his old lottery tickets that was to be all our salvations or he goes and
|
|
gives impudence well have him coming home with the sack soon out of the
|
|
Freeman too like the rest on account of those Sinner Fein or the
|
|
freemasons then well see if the little man he showed me dribbling along
|
|
in the wet all by himself round by Coadys lane will give him much
|
|
consolation that he says is so capable and sincerely Irish he is indeed
|
|
judging by the sincerity of the trousers I saw on him wait theres Georges
|
|
church bells wait 3 quarters the hour l wait 2 oclock well thats a nice
|
|
hour of the night for him to be coming home at to anybody climbing down
|
|
into the area if anybody saw him Ill knock him off that little habit
|
|
tomorrow first Ill look at his shirt to see or Ill see if he has that
|
|
French letter still in his pocketbook I suppose he thinks I dont know
|
|
deceitful men all their 20 pockets arent enough for their lies then why
|
|
should we tell them even if its the truth they dont believe you then
|
|
tucked up in bed like those babies in the Aristocrats Masterpiece he
|
|
brought me another time as if we hadnt enough of that in real life
|
|
without some old Aristocrat or whatever his name is disgusting you more
|
|
with those rotten pictures children with two heads and no legs thats the
|
|
kind of villainy theyre always dreaming about with not another thing in
|
|
their empty heads they ought to get slow poison the half of them then tea
|
|
and toast for him buttered on both sides and newlaid eggs I suppose Im
|
|
nothing any more when I wouldnt let him lick me in Holles street one
|
|
night man man tyrant as ever for the one thing he slept on the floor half
|
|
the night naked the way the jews used when somebody dies belonged to them
|
|
and wouldnt eat any breakfast or speak a word wanting to be petted so I
|
|
thought I stood out enough for one time and let him he does it all wrong
|
|
too thinking only of his own pleasure his tongue is too flat or I dont
|
|
know what he forgets that wethen I dont Ill make him do it again if he
|
|
doesnt mind himself and lock him down to sleep in the coalcellar with the
|
|
blackbeetles I wonder was it her Josie off her head with my castoffs hes
|
|
such a born liar too no hed never have the courage with a married woman
|
|
thats why he wants me and Boylan though as for her Denis as she calls him
|
|
that forlornlooking spectacle you couldnt call him a husband yes its some
|
|
little bitch hes got in with even when I was with him with Milly at the
|
|
College races that Hornblower with the childs bonnet on the top of his
|
|
nob let us into by the back way he was throwing his sheeps eyes at those
|
|
two doing skirt duty up and down I tried to wink at him first no use of
|
|
course and thats the way his money goes this is the fruits of Mr Paddy
|
|
Dignam yes they were all in great style at the grand funeral in the paper
|
|
Boylan brought in if they saw a real officers funeral thatd be something
|
|
reversed arms muffled drums the poor horse walking behind in black L Boom
|
|
and Tom Kernan that drunken little barrelly man that bit his tongue off
|
|
falling down the mens W C drunk in some place or other and Martin
|
|
Cunningham and the two Dedaluses and Fanny MCoys husband white head of
|
|
cabbage skinny thing with a turn in her eye trying to sing my songs shed
|
|
want to be born all over again and her old green dress with the lowneck
|
|
as she cant attract them any other way like dabbling on a rainy day I see
|
|
it all now plainly and they call that friendship killing and then burying
|
|
one another and they all with their wives and families at home more
|
|
especially Jack Power keeping that barmaid he does of course his wife is
|
|
always sick or going to be sick or just getting better of it and hes a
|
|
goodlooking man still though hes getting a bit grey over the ears theyre
|
|
a nice lot all of them well theyre not going to get my husband again into
|
|
their clutches if I can help it making fun of him then behind his back I
|
|
know well when he goes on with his idiotics because he has sense enough
|
|
not to squander every penny piece he earns down their gullets and looks
|
|
after his wife and family goodfornothings poor Paddy Dignam all the same
|
|
Im sorry in a way for him what are his wife and 5 children going to do
|
|
unless he was insured comical little teetotum always stuck up in some pub
|
|
corner and her or her son waiting Bill Bailey wont you please come home
|
|
her widows weeds wont improve her appearance theyre awfully becoming
|
|
though if youre goodlooking what men wasnt he yes he was at the Glencree
|
|
dinner and Ben Dollard base barreltone the night he borrowed the
|
|
swallowtail to sing out of in Holles street squeezed and squashed into
|
|
them and grinning all over his big Dolly face like a wellwhipped childs
|
|
botty didnt he look a balmy ballocks sure enough that must have been a
|
|
spectacle on the stage imagine paying 5/- in the preserved seats for that
|
|
to see him trotting off in his trowlers and Simon Dedalus too he was
|
|
always turning up half screwed singing the second verse first the old
|
|
love is the new was one of his so sweetly sang the maiden on the hawthorn
|
|
bough he was always on for flirtyfying too when I sang Maritana with him
|
|
at Freddy Mayers private opera he had a delicious glorious voice Phoebe
|
|
dearest goodbye sweetheart SWEETheart he always sang it not like Bartell
|
|
Darcy sweet tart goodbye of course he had the gift of the voice so there
|
|
was no art in it all over you like a warm showerbath O Maritana wildwood
|
|
flower we sang splendidly though it was a bit too high for my register
|
|
even transposed and he was married at the time to May Goulding but then
|
|
hed say or do something to knock the good out of it hes a widower now I
|
|
wonder what sort is his son he says hes an author and going to be a
|
|
university professor of Italian and Im to take lessons what is he driving
|
|
at now showing him my photo its not good of me I ought to have got it
|
|
taken in drapery that never looks out of fashion still I look young in it
|
|
I wonder he didnt make him a present of it altogether and me too after
|
|
all why not I saw him driving down to the Kingsbridge station with his
|
|
father and mother I was in mourning thats 11 years ago now yes hed be 11
|
|
though what was the good in going into mourning for what was neither one
|
|
thing nor the other the first cry was enough for me I heard the
|
|
deathwatch too ticking in the wall of course he insisted hed go into
|
|
mourning for the cat I suppose hes a man now by this time he was an
|
|
innocent boy then and a darling little fellow in his lord Fauntleroy suit
|
|
and curly hair like a prince on the stage when I saw him at Mat Dillons
|
|
he liked me too I remember they all do wait by God yes wait yes hold on
|
|
he was on the cards this morning when I laid out the deck union with a
|
|
young stranger neither dark nor fair you met before I thought it meant
|
|
him but hes no chicken nor a stranger either besides my face was turned
|
|
the other way what was the 7th card after that the 10 of spades for a
|
|
journey by land then there was a letter on its way and scandals too the 3
|
|
queens and the 8 of diamonds for a rise in society yes wait it all came
|
|
out and 2 red 8s for new garments look at that and didnt I dream
|
|
something too yes there was something about poetry in it I hope he hasnt
|
|
long greasy hair hanging into his eyes or standing up like a red Indian
|
|
what do they go about like that for only getting themselves and their
|
|
poetry laughed at I always liked poetry when I was a girl first I thought
|
|
he was a poet like lord Byron and not an ounce of it in his composition I
|
|
thought he was quite different I wonder is he too young hes about wait 88
|
|
I was married 88 Milly is 15 yesterday 89 what age was he then at Dillons
|
|
5 or 6 about 88 I suppose hes 20 or more Im not too old for him if hes 23
|
|
or 24 I hope hes not that stuckup university student sort no otherwise he
|
|
wouldnt go sitting down in the old kitchen with him taking Eppss cocoa
|
|
and talking of course he pretended to understand it all probably he told
|
|
him he was out of Trinity college hes very young to be a professor I hope
|
|
hes not a professor like Goodwin was he was a potent professor of John
|
|
Jameson they all write about some woman in their poetry well I suppose he
|
|
wont find many like me where softly sighs of love the light guitar where
|
|
poetry is in the air the blue sea and the moon shining so beautifully
|
|
coming back on the nightboat from Tarifa the lighthouse at Europa point
|
|
the guitar that fellow played was so expressive will I ever go back there
|
|
again all new faces two glancing eyes a lattice hid Ill sing that for him
|
|
theyre my eyes if hes anything of a poet two eyes as darkly bright as
|
|
loves own star arent those beautiful words as loves young star itll be a
|
|
change the Lord knows to have an intelligent person to talk to about
|
|
yourself not always listening to him and Billy Prescotts ad and Keyess ad
|
|
and Tom the Devils ad then if anything goes wrong in their business we
|
|
have to suffer Im sure hes very distinguished Id like to meet a man like
|
|
that God not those other ruck besides hes young those fine young men I
|
|
could see down in Margate strand bathingplace from the side of the rock
|
|
standing up in the sun naked like a God or something and then plunging
|
|
into the sea with them why arent all men like that thered be some
|
|
consolation for a woman like that lovely little statue he bought I could
|
|
look at him all day long curly head and his shoulders his finger up for
|
|
you to listen theres real beauty and poetry for you I often felt I wanted
|
|
to kiss him all over also his lovely young cock there so simple I wouldnt
|
|
mind taking him in my mouth if nobody was looking as if it was asking you
|
|
to suck it so clean and white he looks with his boyish face I would too
|
|
in 1/2 a minute even if some of it went down what its only like gruel or
|
|
the dew theres no danger besides hed be so clean compared with those pigs
|
|
of men I suppose never dream of washing it from I years end to the other
|
|
the most of them only thats what gives the women the moustaches Im sure
|
|
itll be grand if I can only get in with a handsome young poet at my age
|
|
Ill throw them the 1st thing in the morning till I see if the wishcard
|
|
comes out or Ill try pairing the lady herself and see if he comes out Ill
|
|
read and study all I can find or learn a bit off by heart if I knew who
|
|
he likes so he wont think me stupid if he thinks all women are the same
|
|
and I can teach him the other part Ill make him feel all over him till he
|
|
half faints under me then hell write about me lover and mistress publicly
|
|
too with our 2 photographs in all the papers when he becomes famous O but
|
|
then what am I going to do about him though
|
|
|
|
no thats no way for him has he no manners nor no refinement nor no
|
|
nothing in his nature slapping us behind like that on my bottom because I
|
|
didnt call him Hugh the ignoramus that doesnt know poetry from a cabbage
|
|
thats what you get for not keeping them in their proper place pulling off
|
|
his shoes and trousers there on the chair before me so barefaced without
|
|
even asking permission and standing out that vulgar way in the half of a
|
|
shirt they wear to be admired like a priest or a butcher or those old
|
|
hypocrites in the time of Julius Caesar of course hes right enough in his
|
|
way to pass the time as a joke sure you might as well be in bed with what
|
|
with a lion God Im sure hed have something better to say for himself an
|
|
old Lion would O well I suppose its because they were so plump and
|
|
tempting in my short petticoat he couldnt resist they excite myself
|
|
sometimes its well for men all the amount of pleasure they get off a
|
|
womans body were so round and white for them always I wished I was one
|
|
myself for a change just to try with that thing they have swelling up on
|
|
you so hard and at the same time so soft when you touch it my uncle John
|
|
has a thing long I heard those cornerboys saying passing the comer of
|
|
Marrowbone lane my aunt Mary has a thing hairy because it was dark and
|
|
they knew a girl was passing it didnt make me blush why should it either
|
|
its only nature and he puts his thing long into my aunt Marys hairy
|
|
etcetera and turns out to be you put the handle in a sweepingbrush men
|
|
again all over they can pick and choose what they please a married woman
|
|
or a fast widow or a girl for their different tastes like those houses
|
|
round behind Irish street no but were to be always chained up theyre not
|
|
going to be chaining me up no damn fear once I start I tell you for their
|
|
stupid husbands jealousy why cant we all remain friends over it instead
|
|
of quarrelling her husband found it out what they did together well
|
|
naturally and if he did can he undo it hes coronado anyway whatever he
|
|
does and then he going to the other mad extreme about the wife in Fair
|
|
Tyrants of course the man never even casts a 2nd thought on the husband
|
|
or wife either its the woman he wants and he gets her what else were we
|
|
given all those desires for Id like to know I cant help it if Im young
|
|
still can I its a wonder Im not an old shrivelled hag before my time
|
|
living with him so cold never embracing me except sometimes when hes
|
|
asleep the wrong end of me not knowing I suppose who he has any man thatd
|
|
kiss a womans bottom Id throw my hat at him after that hed kiss anything
|
|
unnatural where we havent I atom of any kind of expression in us all of
|
|
us the same 2 lumps of lard before ever Id do that to a man pfooh the
|
|
dirty brutes the mere thought is enough I kiss the feet of you senorita
|
|
theres some sense in that didnt he kiss our halldoor yes he did what a
|
|
madman nobody understands his cracked ideas but me still of course a
|
|
woman wants to be embraced 20 times a day almost to make her look young
|
|
no matter by who so long as to be in love or loved by somebody if the
|
|
fellow you want isnt there sometimes by the Lord God I was thinking would
|
|
I go around by the quays there some dark evening where nobodyd know me
|
|
and pick up a sailor off the sea thatd be hot on for it and not care a
|
|
pin whose I was only do it off up in a gate somewhere or one of those
|
|
wildlooking gipsies in Rathfarnham had their camp pitched near the
|
|
Bloomfield laundry to try and steal our things if they could I only sent
|
|
mine there a few times for the name model laundry sending me back over
|
|
and over some old ones odd stockings that blackguardlooking fellow with
|
|
the fine eyes peeling a switch attack me in the dark and ride me up
|
|
against the wall without a word or a murderer anybody what they do
|
|
themselves the fine gentlemen in their silk hats that K C lives up
|
|
somewhere this way coming out of Hardwicke lane the night he gave us the
|
|
fish supper on account of winning over the boxing match of course it was
|
|
for me he gave it I knew him by his gaiters and the walk and when I
|
|
turned round a minute after just to see there was a woman after coming
|
|
out of it too some filthy prostitute then he goes home to his wife after
|
|
that only I suppose the half of those sailors are rotten again with
|
|
disease O move over your big carcass out of that for the love of Mike
|
|
listen to him the winds that waft my sighs to thee so well he may sleep
|
|
and sigh the great Suggester Don Poldo de la Flora if he knew how he came
|
|
out on the cards this morning hed have something to sigh for a dark man
|
|
in some perplexity between 2 7s too in prison for Lord knows what he does
|
|
that I dont know and Im to be slooching around down in the kitchen to get
|
|
his lordship his breakfast while hes rolled up like a mummy will I indeed
|
|
did you ever see me running Id just like to see myself at it show them
|
|
attention and they treat you like dirt I dont care what anybody says itd
|
|
be much better for the world to be governed by the women in it you
|
|
wouldnt see women going and killing one another and slaughtering when do
|
|
you ever see women rolling around drunk like they do or gambling every
|
|
penny they have and losing it on horses yes because a woman whatever she
|
|
does she knows where to stop sure they wouldnt be in the world at all
|
|
only for us they dont know what it is to be a woman and a mother how
|
|
could they where would they all of them be if they hadnt all a mother to
|
|
look after them what I never had thats why I suppose hes running wild now
|
|
out at night away from his books and studies and not living at home on
|
|
account of the usual rowy house I suppose well its a poor case that those
|
|
that have a fine son like that theyre not satisfied and I none was he not
|
|
able to make one it wasnt my fault we came together when I was watching
|
|
the two dogs up in her behind in the middle of the naked street that
|
|
disheartened me altogether I suppose I oughtnt to have buried him in that
|
|
little woolly jacket I knitted crying as I was but give it to some poor
|
|
child but I knew well Id never have another our 1st death too it was we
|
|
were never the same since O Im not going to think myself into the glooms
|
|
about that any more I wonder why he wouldnt stay the night I felt all the
|
|
time it was somebody strange he brought in instead of roving around the
|
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city meeting God knows who nightwalkers and pickpockets his poor mother
|
|
wouldnt like that if she was alive ruining himself for life perhaps still
|
|
its a lovely hour so silent I used to love coming home after dances the
|
|
air of the night they have friends they can talk to weve none either he
|
|
wants what he wont get or its some woman ready to stick her knife in you
|
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I hate that in women no wonder they treat us the way they do we are a
|
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dreadful lot of bitches I suppose its all the troubles we have makes us
|
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so snappy Im not like that he could easy have slept in there on the sofa
|
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in the other room I suppose he was as shy as a boy he being so young
|
|
hardly 20 of me in the next room hed have heard me on the chamber arrah
|
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what harm Dedalus I wonder its like those names in Gibraltar Delapaz
|
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Delagracia they had the devils queer names there father Vilaplana of
|
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Santa Maria that gave me the rosary Rosales y OReilly in the Calle las
|
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Siete Revueltas and Pisimbo and Mrs Opisso in Governor street O what a
|
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name Id go and drown myself in the first river if I had a name like her O
|
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my and all the bits of streets Paradise ramp and Bedlam ramp and Rodgers
|
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ramp and Crutchetts ramp and the devils gap steps well small blame to me
|
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if I am a harumscarum I know I am a bit I declare to God I dont feel a
|
|
day older than then I wonder could I get my tongue round any of the
|
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Spanish como esta usted muy bien gracias y usted see I havent forgotten
|
|
it all I thought I had only for the grammar a noun is the name of any
|
|
person place or thing pity I never tried to read that novel cantankerous
|
|
Mrs Rubio lent me by Valera with the questions in it all upside down the
|
|
two ways I always knew wed go away in the end I can tell him the Spanish
|
|
and he tell me the Italian then hell see Im not so ignorant what a pity
|
|
he didnt stay Im sure the poor fellow was dead tired and wanted a good
|
|
sleep badly I could have brought him in his breakfast in bed with a bit
|
|
of toast so long as I didnt do it on the knife for bad luck or if the
|
|
woman was going her rounds with the watercress and something nice and
|
|
tasty there are a few olives in the kitchen he might like I never could
|
|
bear the look of them in Abrines I could do the criada the room looks all
|
|
right since I changed it the other way you see something was telling me
|
|
all the time Id have to introduce myself not knowing me from Adam very
|
|
funny wouldnt it Im his wife or pretend we were in Spain with him half
|
|
awake without a Gods notion where he is dos huevos estrellados senor Lord
|
|
the cracked things come into my head sometimes itd be great fun supposing
|
|
he stayed with us why not theres the room upstairs empty and Millys bed
|
|
in the back room he could do his writing and studies at the table in
|
|
there for all the scribbling he does at it and if he wants to read in bed
|
|
in the morning like me as hes making the breakfast for I he can make it
|
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for 2 Im sure Im not going to take in lodgers off the street for him if
|
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he takes a gesabo of a house like this Id love to have a long talk with
|
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an intelligent welleducated person Id have to get a nice pair of red
|
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slippers like those Turks with the fez used to sell or yellow and a nice
|
|
semitransparent morning gown that I badly want or a peachblossom dressing
|
|
jacket like the one long ago in Walpoles only 8/6 or 18/6 Ill just give
|
|
him one more chance Ill get up early in the morning Im sick of Cohens old
|
|
bed in any case I might go over to the markets to see all the vegetables
|
|
and cabbages and tomatoes and carrots and all kinds of splendid fruits
|
|
all coming in lovely and fresh who knows whod be the 1st man Id meet
|
|
theyre out looking for it in the morning Mamy Dillon used to say they are
|
|
and the night too that was her massgoing Id love a big juicy pear now to
|
|
melt in your mouth like when I used to be in the longing way then Ill
|
|
throw him up his eggs and tea in the moustachecup she gave him to make
|
|
his mouth bigger I suppose hed like my nice cream too I know what Ill do
|
|
Ill go about rather gay not too much singing a bit now and then mi fa
|
|
pieta Masetto then Ill start dressing myself to go out presto non son piu
|
|
forte Ill put on my best shift and drawers let him have a good eyeful out
|
|
of that to make his micky stand for him Ill let him know if thats what he
|
|
wanted that his wife is I s l o fucked yes and damn well fucked too up to
|
|
my neck nearly not by him 5 or 6 times handrunning theres the mark of his
|
|
spunk on the clean sheet I wouldnt bother to even iron it out that ought
|
|
to satisfy him if you dont believe me feel my belly unless I made him
|
|
stand there and put him into me Ive a mind to tell him every scrap and
|
|
make him do it out in front of me serve him right its all his own fault
|
|
if I am an adulteress as the thing in the gallery said O much about it if
|
|
thats all the harm ever we did in this vale of tears God knows its not
|
|
much doesnt everybody only they hide it I suppose thats what a woman is
|
|
supposed to be there for or He wouldnt have made us the way He did so
|
|
attractive to men then if he wants to kiss my bottom Ill drag open my
|
|
drawers and bulge it right out in his face as large as life he can stick
|
|
his tongue 7 miles up my hole as hes there my brown part then Ill tell
|
|
him I want LI or perhaps 30/- Ill tell him I want to buy underclothes
|
|
then if he gives me that well he wont be too bad I dont want to soak it
|
|
all out of him like other women do I could often have written out a fine
|
|
cheque for myself and write his name on it for a couple of pounds a few
|
|
times he forgot to lock it up besides he wont spend it Ill let him do it
|
|
off on me behind provided he doesnt smear all my good drawers O I suppose
|
|
that cant be helped Ill do the indifferent l or 2 questions Ill know by
|
|
the answers when hes like that he cant keep a thing back I know every
|
|
turn in him Ill tighten my bottom well and let out a few smutty words
|
|
smellrump or lick my shit or the first mad thing comes into my head then
|
|
Ill suggest about yes O wait now sonny my turn is coming Ill be quite gay
|
|
and friendly over it O but I was forgetting this bloody pest of a thing
|
|
pfooh you wouldnt know which to laugh or cry were such a mixture of plum
|
|
and apple no Ill have to wear the old things so much the better itll be
|
|
more pointed hell never know whether he did it or not there thats good
|
|
enough for you any old thing at all then Ill wipe him off me just like a
|
|
business his omission then Ill go out Ill have him eying up at the
|
|
ceiling where is she gone now make him want me thats the only way a
|
|
quarter after what an unearthly hour I suppose theyre just getting up in
|
|
China now combing out their pigtails for the day well soon have the nuns
|
|
ringing the angelus theyve nobody coming in to spoil their sleep except
|
|
an odd priest or two for his night office or the alarmclock next door at
|
|
cockshout clattering the brains out of itself let me see if I can doze
|
|
off 1 2 3 4 5 what kind of flowers are those they invented like the stars
|
|
the wallpaper in Lombard street was much nicer the apron he gave me was
|
|
like that something only I only wore it twice better lower this lamp and
|
|
try again so as I can get up early Ill go to Lambes there beside
|
|
Findlaters and get them to send us some flowers to put about the place in
|
|
case he brings him home tomorrow today I mean no no Fridays an unlucky
|
|
day first I want to do the place up someway the dust grows in it I think
|
|
while Im asleep then we can have music and cigarettes I can accompany him
|
|
first I must clean the keys of the piano with milk whatll I wear shall I
|
|
wear a white rose or those fairy cakes in Liptons I love the smell of a
|
|
rich big shop at 7 1/2d a lb or the other ones with the cherries in them
|
|
and the pinky sugar 11d a couple of lbs of those a nice plant for the
|
|
middle of the table Id get that cheaper in wait wheres this I saw them
|
|
not long ago I love flowers Id love to have the whole place swimming in
|
|
roses God of heaven theres nothing like nature the wild mountains then
|
|
the sea and the waves rushing then the beautiful country with the fields
|
|
of oats and wheat and all kinds of things and all the fine cattle going
|
|
about that would do your heart good to see rivers and lakes and flowers
|
|
all sorts of shapes and smells and colours springing up even out of the
|
|
ditches primroses and violets nature it is as for them saying theres no
|
|
God I wouldnt give a snap of my two fingers for all their learning why
|
|
dont they go and create something I often asked him atheists or whatever
|
|
they call themselves go and wash the cobbles off themselves first then
|
|
they go howling for the priest and they dying and why why because theyre
|
|
afraid of hell on account of their bad conscience ah yes I know them well
|
|
who was the first person in the universe before there was anybody that
|
|
made it all who ah that they dont know neither do I so there you are they
|
|
might as well try to stop the sun from rising tomorrow the sun shines for
|
|
you he said the day we were lying among the rhododendrons on Howth head
|
|
in the grey tweed suit and his straw hat the day I got him to propose to
|
|
me yes first I gave him the bit of seedcake out of my mouth and it was
|
|
leapyear like now yes 16 years ago my God after that long kiss I near
|
|
lost my breath yes he said I was a flower of the mountain yes so we are
|
|
flowers all a womans body yes that was one true thing he said in his life
|
|
and the sun shines for you today yes that was why I liked him because I
|
|
saw he understood or felt what a woman is and I knew I could always get
|
|
round him and I gave him all the pleasure I could leading him on till he
|
|
asked me to say yes and I wouldnt answer first only looked out over the
|
|
sea and the sky I was thinking of so many things he didnt know of Mulvey
|
|
and Mr Stanhope and Hester and father and old captain Groves and the
|
|
sailors playing all birds fly and I say stoop and washing up dishes they
|
|
called it on the pier and the sentry in front of the governors house with
|
|
the thing round his white helmet poor devil half roasted and the Spanish
|
|
girls laughing in their shawls and their tall combs and the auctions in
|
|
the morning the Greeks and the jews and the Arabs and the devil knows who
|
|
else from all the ends of Europe and Duke street and the fowl market all
|
|
clucking outside Larby Sharons and the poor donkeys slipping half asleep
|
|
and the vague fellows in the cloaks asleep in the shade on the steps and
|
|
the big wheels of the carts of the bulls and the old castle thousands of
|
|
years old yes and those handsome Moors all in white and turbans like
|
|
kings asking you to sit down in their little bit of a shop and Ronda with
|
|
the old windows of the posadas 2 glancing eyes a lattice hid for her
|
|
lover to kiss the iron and the wineshops half open at night and the
|
|
castanets and the night we missed the boat at Algeciras the watchman
|
|
going about serene with his lamp and O that awful deepdown torrent O and
|
|
the sea the sea crimson sometimes like fire and the glorious sunsets and
|
|
the figtrees in the Alameda gardens yes and all the queer little streets
|
|
and the pink and blue and yellow houses and the rosegardens and the
|
|
jessamine and geraniums and cactuses and Gibraltar as a girl where I was
|
|
a Flower of the mountain yes when I put the rose in my hair like the
|
|
Andalusian girls used or shall I wear a red yes and how he kissed me
|
|
under the Moorish wall and I thought well as well him as another and then
|
|
I asked him with my eyes to ask again yes and then he asked me would I
|
|
yes to say yes my mountain flower and first I put my arms around him yes
|
|
and drew him down to me so he could feel my breasts all perfume yes and
|
|
his heart was going like mad and yes I said yes I will Yes.
|
|
|
|
|
|
|
|
Trieste-Zurich-Paris
|
|
1914-1921
|
|
|
|
|
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|
|
|
|
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|
|
End of the Project Gutenberg EBook of Ulysses, by James Joyce
|
|
|
|
*** END OF THE PROJECT GUTENBERG EBOOK ULYSSES ***
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